A medieval seal bag | Matisse and ‘Japonisme’ | Delaunay’s Olympics
The Northern Renaissance galleries at the Uffizi | Cecco Bravo | Watteau | The new Sufi Museum
& AMPLIFIED
S ince its original publication in 1981, Taste and The Antique has rightfully earned its status as a seminal work in art history. The book vividly traces how ancient sculpture shaped artistic tastes, inspired collectors, and le�t an indelible mark on art from the Renaissance to the present day.
Now, in this newly revised and expanded edition of three volumes, readers are o�fered an even richer selection of examples and images, bringing the enduring in�luence of classical art to life more vividly than ever before.
3 volumes, 1684 p., 186 b/w ills, 1592 col. ills ISBN 978-1-909400-25-2
imprint of Brepols
orders@brepols.net – www.brepols.net
Orders North America: orders@isdistribution.com – www.isdistribution.com
Signature® Auction | December 6
Claude-Joseph Vernet (French, 1714-1789)
The grand cascade at Tivoli, 1753
Oil on canvas | 39 x 53 inches (99.1 x 134.6 cm)
Property from the Estate of Toni Chapman Brinker, Dallas, Texas
Estimate: $200,000 - $300,000
View All Lots and Bid at HA.com/8186
Inquiries: Marianne Berardi, Ph.D.
+1.214.409.1506 | MarianneB@HA.com UK@HA.com | +44 (0)207 493 0498
Paul R. Minshull #16591. BP 15-25%; see HA.com. 80338
for the study of French 18th-century fine and decorative art
The Burlington Magazine is pleased to announce its eighth annual scholarship which has been created to provide funding over a 12-month period to those engaged in the study of French 18thcentury fine and decorative art to enable them to develop new ideas and research that will contribute to this field of art historical study.
Applicants must be studying, or intending to study, for an MA, PhD, post-doctoral or independent research in this field within the 12-month period the funding is given. Applications are open to scholars from any country.
A grant of £12,000 will be awarded to the successful applicant.
Deadline for applications is 30 March 2025 and the successful applicant will be notified by 31 May 2025.
For application guidelines and terms and conditions please visit www.burlington.org.uk
WESTERN HAJJ TERMINAL
King Abdulaziz International Airport
Jeddah, Saudi Arabia
KNOW MORE
From January 25 To May 25, 2025
31 August – 9 September 2025
O ering participants the opportunity to study one of the world’s leading collections of ne and decorative art, this residential course combines visits to palaces with lectures and close-up object study, as well as discussion and debate around curatorial practice and collections management.
Applications are encouraged from those with a professional interest in the heritage sector.
The deadline for applications is 14th February 2025. Some scholarship assistance is available.
The course is a collaboration between The Royal Collection and The Attingham Trust.
More information on this and other Attingham courses in 2025 can be found here: www.attinghamtrust.org
Uncover global art news
Essential art market analysis
International event coverage
Must-read artist interviews
Scan QR code or visit theartnewspaper.com/subscriptions-8WEEKSFREE
www.printquarterly.co.uk
In the upcoming issue of Simiolus, Philip Muijtjens reveals a previously unknown source on Rogier van der Weyden’s famous Justice panels in Brussels (Haboldt-Mutters Prize 2024) and Bernhard Ridderbos addresses fundamental questions regarding Hugo van der Goes’s oeuvre. Victor Schmidt corrects a longstanding misidentification in a Lucas van Leyden print, Elizabeth Mattison presents an unknown inventory of the Liège Prince-Bishop Érard de la Marck’s silver collection, and Lara Yeager-Crasselt and Suzanne Bavarez elucidate Bentveughel Simon Ardé’s career in Rome. Finally, Tessel Bauduin reflects on the particular position of Dutch Surrealism. The issue also contains reviews of Paul Holberton’s monumental book on Arcadia by Jean Michel Massing and the recent Vermeer exhibition and publications by Frans Grijzenhout, and a correction on Thoré-Bürger’s importance for early Vermeer scholarship by Frances Suzman Jowell.
Institutions pay €100 a year and individuals pay €60. Visit simiolus.nl for the conditions of subscription and information on how to advertise, where to send your copy and how to order back issues not yet available via JSTOR . We are now also accepting submissions for the 2025 Haboldt-Mutters Prize.
Miami Beach Convention Center 6–8 December 2024
Studio Mirror (_DSF0587), by Paul Mpagi Sepuya (b.1982).
2023. Archival pigment print, 152.4 by 114.3 cm. DOCUMENT, CHICAGO AND LISBON Untitled, by Joanna Piotrowska (b.1985).
2022. Gelatin silver print, 130 by 160 cm. MADRAGOA, LISBON
ART BASEL WILL host 286 galleries at Miami Beach in 2024, showing works of art in all mediums by emerging artists and modern and contemporary masters. Directed by the established curator and gallerist Bridget Finn, this edition focuses on facilitating discovery through curatorial choices and thoughtful programming. Thirtyfour new exhibitors join the cohort this year; a series of talks with artists and leaders will be free and open to the public; and for the fifth consecutive year, the City of Miami Beach will acquire a work from the fair for its public art collection under the Legacy Purchase Program.
Art Basel has become the cornerstone of Miami Art Week, just one event among many, including Miami’s original contemporary fair, Art Miami; and Untitled Art, which champions early- and midcareer contemporary artists. Miami’s Adrienne Arsht Center presents the United States premiere of The Great Yes, The Great No (5th–7th December), a multimedia performance conceived and directed by the South African artist William Kentridge, and several of Miami’s world class museums and galleries will be free to visit for Art Basel Miami Beach ticket holders.
For more information visit www.artbasel.com/miami-beach
HIGHLIGHTS CHOSEN BY OUR CONTEMPORARY ART EDITOR, KATHRYN LLOYD
Self portrait, by Émilie Charmy (1878–1974). 1921. Oil on canvas, 116 by 89 cm. GALERIE BERNARD BOUCHE, PARIS
Untitled, by Evgeny Antufiev (b.1986). 2023. Bronze, patina, garnet and enamel, 50 by 32 by 32 cm. EMALIN, LONDON
PUBLICATION: MARCH 2025
FORMAT: 290 X 240 MM (9¾ X 11¾ IN.)
“The Most Acclaimed Sculptor” GIOVANN I BATTISTA MAINI (1690–1752)
AND ROMAN SCULPTURE OF HIS TIME by
Jennifer Montagu
Maini is one of the most important and accomplished, although least known and appreciated of late Baroque sculptors. This new monograph will provide an authoritative, scholarly and beautifully illustrated survey of all his principal commissions.
HARDCOVER, 352 PAGES
HARDCOVER, 352 PAGES
PRICE: £100 / €120 / $125
For exclusive early release, visit: shop.burlington.org.uk/maini
JENNIFER MONTAGU worked as Curator of the Photographic Collection of the Warburg Institute, London, and has been both the Slade Professor of Fine Art at Oxford and the Andrew W. Mellon Lecturer at the National Gallery of Art, Washington. She has also served as a Trustee of the Wallace Collection and British Museum, London, and is an O cer of the Order of Merit of the Italian Republic.
In partnership with the
A new annual prize of £1,000 will be awarded, with publication in The Burlington Magazine’s annual issue dedicated to Northern European Art, plus a subscription to The Burlington Magazine
This annual prize is intended to inspire the development and publication of innovative object-based scholarship on South Netherlandish Art, 1400–1800
Further details are available on the Burlington Magazine website: burlington.org.uk/jobs-noticeboard/academicnoticeboard
We seek previously unpublished essays of 1000–1500 words from early career scholars worldwide. Preference will be given to object-related scholarship such as is published in The Burlington Magazine
Deadline for applications: Monday 1st September 2025
Submissions and queries should be directed to: burlingtonprize@aha.cam.ac.uk
The Berger Trust Future Leaders Fellowship in the History of British Art provides early career scholars and museum professionals with a 10-month residential fellowship, divided between The Huntington and Trinity Hall, Cambridge to support research in the history of British Art, understood here to extend to the traditions of visual culture not only in the United Kingdom but also in the contexts of the British Empire, Commonwealth, and post-Commonwealth nations.
The fellowship provides a stipend of $50,000, with additional support for travel and health insurance.
Eligibility: faculty members and curators in the first seven years of employment at their institutions.
To apply: Applications are by nomination only, from candidates’ head of department (or equivalent). Nominations will be accepted from 1 November 2024 through 31 January 2025, with the Fellowship to begin 1 September 2025.
info@tomasso.art
In celebration of the forthcoming revised and expanded edition of Taste and the Antique, we will be holding an exhibition of sculpture inspired by ancient models, during the month of December 2024 at our St James’s gallery Marquis House, 67 Jermyn Street, London, SW1Y 6NY
