Yue Chi Wang Portfolio 2016

Yue Chi Wang PORTFOLIO HEXAGONAL TO CUBIC

2o16

ABOUT

PRODUCT&PACKAGE DESIGN

GRAPHIC DESIGN

08 Paper Gods Artifacts

46 Benefits of Fruits

12 Not Doomsday Calendar

50 Mentor Red Envelopes

16 Taiyuan Re-Bags Plan

54 Taiwan Story Paper Tapes

VISUAL IDENTITY DESIGN 18 Baget

58 The Nonlife Zoo PRODUCT DESIGN

22 Sun Li Orchard

62 Drunk

26 Brain Corner

64 Clothing Frame

28 Yung Fu Farm 30 Yodex Exhibition Print BOOK DESIGN 34 Ceramics Reference Book 36 Library 2040 38 Book Cover Design 1 40 Book Cover Design 2

LOGO & TYPE DESIGN 68 Logo & Type

Yue Chi Wang about 王 鉞 麒

ayue0828@gmail.com

+886-988 378 682

1989 / 08 / 28 (TAIWAN)

ABOUT

PRODUCT&PACKAGE DESIGN

GRAPHIC DESIGN

08 Paper Gods Artifacts

46 Benefits of Fruits

12 Not Doomsday Calendar

50 Mentor Red Envelopes

16 Taiyuan Re-Bags Plan

54 Taiwan Story Paper Tapes

VISUAL IDENTITY DESIGN 18 Baget

58 The Nonlife Zoo PRODUCT DESIGN

22 Sun Li Orchard

62 Drunk

26 Brain Corner

64 Clothing Frame

28 Yung Fu Farm 30 Yodex Exhibition Print BOOK DESIGN 34 Ceramics Reference Book 36 Library 2040 38 Book Cover Design 1 40 Book Cover Design 2

LOGO & TYPE DESIGN 68 Logo & Type

Yue Chi Wang 王 鉞 麒

ayue0828@gmail.com

+886-988 378 682

1989 / 08 / 28 (TAIWAN)

Work Experience & Education (WORK EXPERIENCE) 2015 Pentagram (www.pentagram.com) - Internship 2013 biaugust Creation Office (www.biaugust.com) - Internship and Short-time Work (EXTRA EXPERIENCE) 2011 Industrial Design Graduation of Yodex Exhibition - Visual Team Leader 2010 Department of Industrial and Communication Design - Activities Team Leader

(EDUCATION) 2015

Design Academy Eindhoven (Exchange Student) - Man and Communication Design

2015

National Taiwan University of Science and Technology

2012

- Institute of Industrial and Communication Design

2011

National Taiwan University of Science and Technology

2007

- Department of Industrial and Communication Design

Workshop & Exhibitions (WORKSHOP) 2013

Visual Communication In a Global World - A Swedish Perspective Workshop

2013

MOS Burger Order App Service Design Workshop

2013

NTUST International Design Workshop

(EXHIBITIONS) 2016

30 Visual Designers in Taiwan (Benefits of Fruits)

2013

Paper Design Exhibition (Paper Gods Artifacts)

2012

I Love Taipei Exhibition

2011

30th Yodex Exhibition (Clothing Frame)

2008

CITY YEAST 2 Balcony Plan (Grassland)

Awards 2014

IF Design Award - 300 Entries (Not Doomsday Calendar)

2014

IF Design Award - 300 Entries (Paper Gods Artifacts)

2013 The 4th Gain How Cup Calendar Design Competition - Innovation Award (Not Doomsday Calendar) 2013 IDC Award from Ministry of Education - IDC Award (Clothing Frame) 2011 New Taipei City Homeware Design - Judges Award (Turn) 2011 Reddot Design Award - Winner (Clothing Frame) 2011 IP to the id Power Innovative Design Competition - Best Design Quality Award (Heating Belt) 2009 1st Cross-strait Cultural and Creative Awards - Honorable Mention (Lamphone) 2009 1st Xue Xue Awards - Judges Award (Seeds)

300 ENTRIES

About Design Design Learning I majored in industrial design, have been practicing various design issues such as home appliances, elderly care, and future gadgets.

However, I've always been interested in graphic design field. I was the chief editor of the graduation project, in charge of the entire visual identity as well as layout and package design.

Thus I decided to pursue a master's degree in commercial design as a new start to discover more of myself. Recently I have been participating in a few design workshops, hoping to broaden my learning experiences.

Design Working I had been working at biaugust Creation Office, a design studio founded by two Japan-educated directors who are passionate about creating. I always enjoy exploring meanings and thoughts hidden in their work.

Although originally launched as a graphic design studio, our projects vary from product design, lifestyle accessories, to even installation arts. I was delighted to participate in all of these.

In the other hand, I also have intership experience at Pentagram in New York. Pentagram is the world's largest independent design consultancy. I understand more about practical aspects of design process. It was a truly unforgettable experience.

Currently I do freelancing jobs by myself, taking every chance to make my clients see the value of design and to establish connections. My goal is to start my own design studio one day.

Apar t from Design I enjoy going to exhibitions, movies, or concerts. Those activities benefit my design work all the time. I love traveling as well, have been to Japan and Shanghai. It fascinates me how different cultures interpret design and aesthetics, all rendered on a piece of printed matter.

In the future, I expect to study or work abroad, explore more possibility and diversity in design through the foreign experiences.

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PRODUCT & PACKAGE DESIGN

300 ENTRIES

PAPER GODS ARTIFACTS

1 Paper Gods Arti facts

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PRODUCT & PACKAGE DESIGN

Paper Gods Artifacts Paper Gods Artifacts are made from some recyclable plastic containers. The designs contain a series of wellknown gods in Taoist culture such as God of Marriage, Caishen and Wenchang who are all popular with young people, trying to make traditional gods fit into the new generation and make it close to our daily life in an abstract way.

Hope for a romance? Here we will present you “Matchmaker Bottle”. Also, “Caishen Receipt Bowl” helps you collect receipts and make a fortune. What’s more, “Wenchang Pen Holder” helps your academic progress or career promotion.

It just takes a few simple steps; then, the paper gods artifacts can be everywhere dedicating themselves to help you and make our environment friendly as well.

TIME JUN. 2013 DESIGN SUBJECT Paper Application Design MATERIAL Paper + Recyclables 300 ENTRIES

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PAPER GODS ARTIFACTS

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PRODUCT & PACKAGE DESIGN

DESIGN DETALS 01

Yuelao-Matchmaker Bottle

02 Wenchang-Pen Holder 03 Caishen-Receipt Bowl 04 Printed Instruction and God Face Tag 05 Outer Package

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PAPER GODS ARTIFACTS

OUTER PACKAGE DESIGN The outer package design is inspired from the traditional document holder. The face logo on the tag is an extension from the inside paper gods artifact that makes it easier for consumers to find out which god is inside. The tag is combined with a string; the package being opened, the whole becomes a protecting charm. Inside the package is the printed instruction and introduction to gods.

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PRODUCT & PACKAGE DESIGN

300 ENTRIES

NOT DOOMSDAY CALENDAR

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Not Doomsday Calendar

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PRODUCT & PACKAGE DESIGN

Not Doomsday Calendar Mayan prophecy predicts on December 21, 2012, people will experience the biggest catastrophe of human history, which is the end of the world. However, it did not happen in the end. You and I still saw the rising sun as usual.

Luckily here we are with 2013. The Earth goes on rotating so that we continue to live a beautiful life. Yet, since 2013, are you willing to do something special for people around you, the nation or even our planet?

“2013 Not Doomsday Calendar” will accompany your heart. During the process of gazing at twelve months with each eye, you can see the twelve world festivals revealed with interesting image transformation through color filtering. Meanwhile, you can understand the meaning of each festival and inspire reflection. We hope to integrate everyone’s strength to bring a better change to this world.

With the calendar used, please tear along the dotted line for another function as world festival card, which conveys the concept of not doomsday to more friends.

TIME JAN. 2013 DESIGN SUBJECT Calendar Design MATERIAL Paper + Color Filter 300 ENTRIES

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NOT DOOMSDAY CALENDAR

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PRODUCT & PACKAGE DESIGN

WORLD DAYS

JAN. 01

World new birthday (2013).

JUL. 30

International day of friendship.

FEB. 02

World wetlands day.

AUG. 29

International day against nuclear tests.

MAR. 21

World forest day.

SEP. 22

World car free day.

APR. 22

World earth day.

OCT. 04

World animal day.

MAY. 31

World no tobacco day.

NOV. 21

World television day.

JUN. 08

World oceans day.

DEC. 01

World AIDS day.

NOT DOOMSDAY CALENDAR

USE STEPS

Take the colored glasses. Stand before the calendar gazing with colored glasses. Take turns using different eyes to see.

Through color filtering, you can see the totally different images of good and bad conditions in the each Issues of World Days.

Tear along the dotted line after using the calendar. Share the card with friends !

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PRODUCT & PACKAGE DESIGN

TAIYUAN RE-BAGS PLAN

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Taiyuan Re -Bags Plan

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PRODUCT & PACKAGE DESIGN

Taiyuan Re -Bags Plan The Taiyuan Road is known as "Material Street" in Taipei, Taiwan. You can see variety of materials here.

The Project "Taiyuan Re-Bags Plan" collects scraps of fabric and acrylic from stores, and makes shopping bag out of recycled materials with the help of local movabletype printing and sewing resources. Consumers can also get special offers from stores with those eco-friendly shopping bags.

TIME JAN. 2013 DESIGN SUBJECT Local Issue Design MATERIAL Recycled Plastic + Acrylic

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TAIYUAN RE-BAGS PLAN

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VISUAL IDENTITY DESIGN

BAGET

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Baget

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VISUAL IDENTITY DESIGN

B aget Baget is a Taiwanese bakery brand, the Chinese name means "Bread lab". Baget hopes to create a new consumer experience and to build a focus not only on health, natural, but also create the characters that they could feel free to mix and match the bread and bread sauce by themselves.

Therefore, the visual identity design, I use the common mathematical symbols“+-×÷” into the brand standard word, and I choose the bold and bright orange color to initiate the appetite of consumer, to create a stylish modern bakery.

“Baget” is a Taiwanese bakery brand. Meanwhile, its Chinese name “ 麵包食驗坊 ” literally means "Bread Laboratory". “Baget” aims to create a new consumer experience by letting customers to mix and match the bread and sauces. Besides that, Baget also focuses on consumers’ health by care picking of organic and natural ingredients.

Apparently, different combinations of bread or sauce options may come out with different flavors. This ratio concept is alike with the mathematical solutions. As a result, for the visual identity design, the logo is presented using the common mathematical symbols“+-×÷”. Apart from that, bold and bright orange color is chosen to initiate the appetite of consumers and create a stylish modern bakery.

TIME OCT. 2014 DESIGN SUBJECT Brand Visual Identity MATERIAL Composite WORK AT Pentagram

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BAGET

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VISUAL IDENTITY DESIGN

BAGET

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VISUAL IDENTITY DESIGN

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SUN LI ORCHARD

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VISUAL IDENTITY DESIGN

Sun Li Orchard Sun Li Orchard is one of the traditional fruit brands in Taiwan since 1989. Initially, they sold only Pitayas or commonly known as Dragon Fruits, but now they wish to expand the product line and also venture into the teens market. This project is going to redesign their Visual Identity and present a brand new image.

For the logo, the design of the Chinese characters mimics the growing method of the Pitaya plants. As “Sun Li” literally means “Victory” in Mandarin, the letter “V” is used in the logo as well. The new logo brings an active, encouraging and loud image. Description in the bracket will be replaced according to the selling products.

For other visual identity elements, fruit seeds and fleshes are used as metaphors to represent the initial sowing and the final harvest process.

TIME JAN. 2016 DESIGN SUBJECT Brand Visual Identity MATERIAL Composite

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VISUAL IDENTITY DESIGN

揮 汗

豐 收

實

初 衷

肉

SUN LI ORCHARD

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VISUAL IDENTITY DESIGN

BRAIN CORNER

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Brain Corner

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VISUAL IDENTITY DESIGN

Brain Corner Brand image design of Brain Corner created for Alchemy Technology’s “Neuro Products” experiment and café.

Aiming to combine technology and creative culture perfectly and to blend it into everyday life. From logo design to interior space and visual design, the curvy image adds energy into the simple black and white space.

While you enjoy the freshness and excitement technology brings, you can also relax in Brain Corner and have a cup of tasty coffee.

TIME DEC. 2013 DESIGN SUBJECT Brand Visual Identity MATERIAL Composite

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BRAIN CORNER

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VISUAL IDENTITY DESIGN

YUNG FU FARM

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Yung Fu Farm

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VISUAL IDENTITY DESIGN

Yung Fu Farm Located in Baoshan Township, Hsinchu, Yong-Fu Farm is best known for its organic-raised wild chicken, juicy citrus fruit and rare-seen green-skin grapefruit.

The logo design is comprised of these three specialities of the farm.Three identical colours represent the freshness of the products and the energy showed in the farm; the traditional carved font captures the simple natural image the farm.

This design campaign also includes some peripheral products, such as paper box package, flag, hat and t-shirt etc.There will be more farm related products being developed in the future.

TIME NOV. 2013 DESIGN SUBJECT Brand Visual Identity MATERIAL Composite

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YUNG FU FARM

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VISUAL IDENTITY DESIGN

YODEX EXHIBITION PRINT

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Yodex Exhibition Print 01

VISUAL IDENTITY DETAILS 01 03 Poster 02 04 Package Sticker 05 Invitation Card

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VISUAL IDENTITY DESIGN

Yodex Exhibition Print When looked from a distance, they seem like parted lips ready to say something; but if you take a closer look, they are actually a pair of firm hands. Near and far, the differences exist between distances.

We do not design only by speaking with our mouth. If you approach it, look at it, and feel it, you will realise the true meanings of design and see the pair of hands that never stops working to the goal.

The cover is designed by using plastic embossing production method to increase its visual and touch effects, which gives viewers a strong visual impact directly from the pair of hands bursting out from the cover such as indicating reality. The bright magenta colour represents the external stimulation to our senses and the curious hearts.

This is our graduate image design a pause to our studies, a pass to our future.

TIME MAY 2011 DESIGN SUBJECT Graduation Exhibition MATERIAL Composite COLLABORATIVE Graphic Team

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YODEX EXHIBITION PRINT

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VISUAL IDENTITY DETAILS 01 03 Poster 02 04 Package Sticker 05 Invitation Card

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VISUAL IDENTITY DESIGN

BOOK & PACKAGE DESIGN DETAILS

YODEX EXHIBITION PRINT

INNER PAGES LAYOUT

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BOOK DESIGN

CERAMIC REFERENCE BOOK

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Ceramics Reference Book

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BOOK DESIGN

Ceramics Reference Book From soft clay to firing into a hard porcelain, from familiar daily stuff to precision instrument, ceramics have a close connection with us.

In my Kompas ceramics lessons of Design Academy Eindhoven, I restarted to research and understand what ceramic is, trying to find the secrets behind the ceramics, included clays, modeling, glazes, kiln, and so on......

This reference book is edited by me. In order to ease the reading experience, I select saddle stitches for the binding method. In short, the book mainly talks about ceramic elements classification and induction. All the procedures of my ceramics works are included in this book.

TIME MAY 2015 DESIGN SUBJECT Book Design MATERIAL Paper

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CERAMIC REFERENCE BOOK

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BOOK DESIGN

LIBRARY 2040

1o Library 2o4o

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BOOK DESIGN

Library 2o4o What's the next physical book? In the library 2040, I am thinking about what kind of physical books will be presented in the future? What if people do not opt for papers anymore? I would like to emphasize on exaggeration of materials so that it exudes unique senses and becomes a controversial issue.

(Golden book) This book could bring a story about paper becoming more expensive than gold in the future. Then you can image if you want to own a physical book, you must be rich indeed! I also make a golden box for it, because it need be protected perfectly.

(Mirror book) The idea of this book design is about "You are what you read", fitting the characteristics of a mirror. The inner page will reflect your face mixing with the contents while you are reading. Initially, this physical book is hoped to convey a message that people would think twice before picking a book to read and avoiding all those so-called best-selling books.

(Wooden Book) It is all made from wood, including the cover and the inner pages itself. The message of this book is to remind the readers to treasure and love the physical books you own now as they mean more than just a paper.

TIME JUN. 2015 DESIGN SUBJECT Book Design MATERIAL Matel + Acrylic + Wood

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LIBRARY 2040

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BOOK DESIGN

BOOK COVER DESIGN 1

ll Book Cover Design 1

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BOOK DESIGN

Book Cover Design 1 A book written with the lifelong experience of the Yamakawas from Japan;A book about destined lives, surrounded with love and fate, as illustrated in the cover design.“It is destined to meet you in this life, to create the life blueprint with angel in your mind.”

The visual design is based on and expanded from the two red umbrellas of lovers. In Japan, red umbrella represents luck and happiness; it is usually used as the metaphor of love in many dramas. The space where the two umbrellas overlapped is to provide the readers an unlimited imagination.

The vertical layout of characters as well as the falling feather represents raindrops; the colour baby pink symbolises the soft touch of the angle’s skin.

TIME Nov. 2013 DESIGN SUBJECT Book Cover Design MATERIAL Paper

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BOOK COVER DESIGN 1

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BOOK DESIGN

BOOK COVER DESIGN 1

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BOOK DESIGN

BOOK COVER DESIGN 2

l2 Book Cover Design 2

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BOOK DESIGN

Book Cover Design 2 This is a romance novel written by a Korean pianist.

Two held hands of his and hers on the cover take reader into the writer’s pure love world.The piano key she presses is the note “LA” representing “Love;” the piano shape connects the front and back cover.

The neon-ish main theme colour implies the colourful sugar coat of love. Reader will find out if it is sweet or sour beneath the sugar coat after reading the novel.

TIME Nov. 2013 DESIGN SUBJECT Book Cover Design MATERIAL Paper

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BOOK COVER DESIGN 2

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BOOK DESIGN

BOOK COVER DESIGN 2

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GRAPHIC DESIGN

BENEFITS OF FRUITS

l3 Benefits Of Fruits KIWIĂ—BANDAGE Kiwi and bandage are the main visual elements to show the healing effect of eating kiwi.

Kiwi actually contains Arginine ingredient which helps to heal wounds.

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GRAPHIC DESIGN

Benefits of Fruits According to my observations, Taiwanese teenagers seldom buy or even consume fruits. I have a friend who never eats fruits. This may sound ridiculous but it also encourages me to think about way of conveying the importance of fruits.

Therefore, I make this series of posters which connect the benefits of eating fruits with some functional daily products. To illustrate the messages, please see the descriptions below posters.

Each poster has a simple slogan: we don't sell daily products, but we sell fresh and healthful fruits. The products are simulated with the appearance of fruits to convey the message of the poster.

TIME JUN. 2015 DESIGN SUBJECT Poster Design MATERIAL Composite

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BENEFITS OF FRUITS

KIWIĂ—BANDAGE Kiwi and bandage are the main visual elements to show the healing effect of eating kiwi.

Kiwi actually contains Arginine ingredient which helps to heal wounds.

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GRAPHIC DESIGN

PITAYA×SKINCARE PRODUCTS Pitaya and skincare products are the second poster’s elements.

By eating pitayas, consumers will have fairer skin as pitayas provide rich vitamin C.

BENEFITS OF FRUITS

GINGERĂ—HAND WARMER Ginger, hand warmer and lamp are the visual elements.

Ginger will help to against coldness and it gives you a warm feeling from your body.

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GRAPHIC DESIGN

MENTOR RED ENVELOPES

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Mentor R ed Envelopes SALON SCARVES SERIES

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GRAPHIC DESIGN

Mentor R ed Envelopes Giving red envelopes to the children from the elderly is a tradition custom in Chinese culture. Putting money inside the red envelope represents a wish of a healthy and safe new year to the children.

This series of red envelope design is collaborated with the beauty salon.

Three themes are hairstyle design, beauty salon tools and lucky words, respectively. The creative red envelope design aims to give customers visiting the beauty salon during Chinese New Year’s time a good luck and blessing.

TIME AUG. 2013 DESIGN SUBJECT Red Envelopes Design MATERIAL Paper WORK AT Biaugust

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MENTOR RED ENVELOPES

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SALON SCARVES SERIES

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GRAPHIC DESIGN

VARIETY HAIRSTYLE SERIES

MENTOR RED ENVELOPES

SALON TOOLS SERIES

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GRAPHIC DESIGN

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TAIWAN STORY PAPER TAPES

l5 Taiwan Story Paper Tapes

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GRAPHIC DESIGN

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Taiwan Story Paper Tapes The continuous photographic collage tells the story of Formosa Taiwan on the small masking tape stage.

01 Fishing village - With the setting sun and the light lit on the lighthouse as background, the packed fishing net is the best reward of the busy day.

02 Simple Natural Farm - The joyful harvest comes after sweaty hard works in the farm.

03 Hustle and Bustle City - The two faces of the hustling and bustling city: the streets filled with simple and happy people during the day, and the shiny bright neon lights of the busy night.

TIME AUG. 2013 DESIGN SUBJECT Paper Tape Design MATERIAL Paper WORK AT Biaugust

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TAIWAN STORY PAPER TAPES

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GRAPHIC DESIGN

HUSTLE AND BUSTLE CITY

TAIWAN STORY PAPER TAPES

SIMPLE NATURAL FARM

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GRAPHIC DESIGN

THE NONLIFE ZOO

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l6 EAT MORE FRUITS

The Nonlife Zoo

WE ARE TOGETHER FINALLY

I WILL MISS YOU, EARTH

CITY FARMER

LET'S GO HOME

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GRAPHIC DESIGN

The Nonlife Zoo This series of t-shirts is from "Biaugust" in cooperation with "NET", and I also participated in these t-shirts' graphic designs.

"The Nonlife Zoo" animals are based on human form with standing position. The human gesture is the metaphor for animals’ tragic extinction that caused by humans. it also represents the soul of dead animals.

It is even an ironic insinuation of human behavior that leads humans to their own destruction. The face of skull represents the frustration, anger and death !

Biaugust are trying to use these visual links to a clear expression, that is, human beings will be facing extinction if they no longer cherish the existing environment and coexist with nature and animals.

TIME AUG. 2011 DESIGN SUBJECT T-Shirt Design MATERIAL Cloth WORK AT Biaugust

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THE NONLIFE ZOO

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EAT MORE FRUITS

WE ARE TOGETHER FINALLY

LET'S GO HOME

I WILL MISS YOU, EARTH

CITY FARMER

BE A WARM PERSON !

THE NONLIFE ZOO

BE A WARM PERSON The iceberg shows merely 1/10 of its mass above water, whilst hides the other 9/10 deep under the sea. The iceberg is transformed into a beating heart in the left chest in this design, suggesting people should give their whole heart to care about the surrounding environment and other people, instead of showing no care because of fear or embarrassment. Be a warm person !

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PRODUCT DESIGN

DRUNK

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Drunk

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PRODUCT DESIGN

Drunk This is a creative design talking about drunk driving issue in a humorous way.

The wine glass design is aiming to raise the awareness of drunk driving. Designed to raise the self-awareness of the drinker, each wine glass has a hole punched on the wall according to its capacity, which serves as the most natural way to control the amount of alcohol under the legislation.

The drinker is limited to one glass only, and the alcohol can only be filled up to the hole. When the alcohol starts to drip from the hole, it is a sign telling the drinker “enough is as good as a feast.� + BEER GLASS Alcohol 5% 800cc only. + WINE GLASS Alcohol 12% 330cc only. + LIQUROS GLASS Alcohol 40% 100cc only.

TIME NOV. 2009 DESIGN SUBJECT Crime Prevention MATERIAL Glass

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DRUNK

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PRODUCT DESIGN

CLOTHING FRAME

l8 Clothing Frame

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PRODUCT DESIGN

Clothing Frame "Clothing Frame" subverts traditional large closet which is heavy and takes up space and changes our patterns of use for clothing furniture.

We use modularized design to divide the items in the closet. Users can combine the size and color they like and expand the closet. The horizontal space on the wall that can be expanded is used to create a personalized "Clothing Frame."

In terms of the external appearance, the concept of wall decoration is included in the design. "Clothing Frame" looks like many square frames in different sizes. It shows the pattern and style of each different clothes, which is like painting, and adds the fun to clothing furniture other than storing.

The ways of using "Clothing Frame" is closely related to the characteristic of its material. Users only have to lightly push the cover and take out what is needed. It gives the user a new experience. It gives the user a new experience that is different than before.

TIME APR. 2011 DESIGN SUBJECT Furniture Design MATERIAL Wool + Fabric + Metal + ABS COLLABORATIVE Yu-Jung Wang

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CLOTHING FRAME

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PRODUCT DESIGN

INITIAL IDEA We tried to think of other possibility of closets. So the concept is directed to considering both a humorous and interesting function and a practical use of the product. In terms of the practical use, we hoped to put in the ideas of being able to expand the items, enhancing personal exclusiveness and allowing DIY assembling. In terms of the space application, the empty space on the wall is used while including the concept of decoration, the stationery clothes and closet give people the image of frames and paintings.

CLOTHING FRAME

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DESIGN DETALS 01 Use the patterns on the clothes as the paintings on the wall.

02 Push the wool cover to take out clothes.

03 Personal underwear is covered by the mirror.

By turning the mirror around, it can be used as a bust mirror.

04 Leather label Design.

05 You can DIY and arrange it by your idea.

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LOGO & TYPE DESIGN

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LOGO & TYPE DESIGN

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LOGO & TYPE DESIGN

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Alchemy Flower Essense Logo Shampoo Brand Logo USIO Design Project Rice-Milk Package Logo Yuan Fu Farm Logo 1 Yuan Fu Farm Logo 2 National Treasure Merchandise Competition Paper Gods Artifacts Package Label Design.

Brain Corner Logo Not Doomsday Calendar Typography Design TAIWAN TECH Shuttle Bus Logo Vic & Rainie Wedding Logo GYT Studio Logo

TIME 2011-2015 DESIGN SUBJECT Logo & Type Design MATERIAL Computer Aided Design

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LOGO & TYPE DESIGN

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HEXAGONAL TO CUBIC

2o16