Cache Magazine
AS SOUND AS A DRUM DRUMLine Live brings its intoxicating rhythms to Logan
The Herald Journal
JANUARY 18-24, 2013
contents
January 18-24, 2013
COVER 8 DRUMLine Live delivers big beats and big fun at the Ellen Eccles Theatre
MUSIC 4 Grammy-Award winner to play at USU Arts Week
BOOKS 11 ‘The Entertainer’ tells stories of old Hollywood
MOVIES 3 Sundance Film Festival ready to get under way
7 Arnold’s return in ‘Last Stand’ worth 1 1/2 stars
THEATER 4 Aerial Angels take to the stage at Kent Concert Hall
5 Youth Shakespeare to
present ‘The Winter’s Tale’
5 ‘Harvey’ coming soon to the Heritage Theatre
COLUMN 10 Don’t be scared off by the unflattering process of making good cheese
CALENDAR 15 See what’s happening this week
DRUMLine Live cast members perform on snare drums during a concert Tuesday night at the Ellen Eccles Theatre. Cover photo: Cast members perform during the final scene of the DRUMLine Live show. (Photos by John Zsiray/Herald Journal)
FROM THE EDITOR I was originally planning to write something about Lance Armstrong and Oprah in this space, but when the news started breaking Wednesday afternoon about the Manti Te’o fake-girlfriend hoax, it was clear that the great-and-powerful Oprah — and I’m a little frightened to say this — got trumped by a non-existent person. And you know? I’ve actually seen this before — and, no, it wasn’t the movie or TV show “Catfish.” The hoax involving Te’o really shouldn’t be that big of a surprise to anyone inasmuch as the recipe for creating a fake individual like Lennay Kekua has been played repeatedly on television for almost exactly 40 years. That’s right. Te’o’s “girlfriend” is a
ripoff of Capt. Jonathan S. Tuttle. Longtime fans of “M*A*S*H” know what I’m talking about. On Jan. 14, 1973, an episode of the classic comedy set during the Korean War explains how a pair of doctors created a fake surgeon as a way to acquire backpay from the U.S. Army. With the aid of Radar, Hawkeye and Trapper then turn the money over to a nun who runs a local orphanage. Of course, the orphanage has now been upscaled to a much larger Catholic institution: the University of Notre Dame. And there are some other similarities. Te’o’s father even said he had met Lennay — not unlike Col. Henry Blake, who declared of fictional Capt. Tuttle: “Well, I’ve seen him. I had breakfast with the man only yesterday.” And when creating a fake file, Hawkeye put Tuttle down as being 6-foot-4, which would have made Lennay a very imposing collegiate volleyball player at Stanford.
And then, in order to avoid being caught — and collect Tuttle’s G.I. insurance money — Hawkeye and Trapper have to resort to killing off Tuttle … not unlike Lennay dying of leukemia, right? “Good work. There wasn’t a dry eye in the camp,” Trapper says of Hawkeye’s touching eulogy to the surgeon who made the fatal mistake of jumping out a helicopter without a parachute. Similarly, there wasn’t a dry eye in the country when Te’o announced that Lennay had died just hours after his beloved grandmother passed away. The big difference now, though? While you can’t help but laugh virtually all the way through the Tuttle episode of “M*A*S*H,” that’s very hard to do with Te’o’s saga. It’s just sad. And now he — or whomever was involved in creating this elaborate hoax — might just be guilty of plagiarism against a bunch of fictional war veterans, as well.
— Jeff Hunter
Gearing up for Sundance
‘Austenland’ among the films to look forward to in Park City
– Lael Gilbert on how cheese is created (Page 12)
By Aaron Peck Cache movie critic
There aren’t many events in Utah that attract worldwide publicity. The Sundance Film Festival, however, brings in people from all over the world. They descend on snowy Park City hoping to catch a few films, find some celebrities and brave the elements for one of the world’s most famous film festivals. It truly is one of the state’s most unique events. Before I get into the specifics of which movies I’m dying to see this year, I wanted to clear up a misconception about the festival. Quite a few Utahans feel like the festival isn’t local friendly. They feel that it’s set here, but it’s reserved for out-of-towners. That really isn’t true. The festival is extremely accessible to locals, even if they haven’t bought tickets in advance. If you’d like to experience the festival atmosphere and the movies that it has to offer, then there’s nothing wrong with getting on the wait list for movies you want to see. As a rule of thumb, it’s easier to get admitted to the larger theaters than the smaller ones.
“Yes, you heard me right. Cheese is bacteria poop half-digested by disembodied calf-stomach lining. This is totally making me crave a pizza.”
PET OF THE WEEK Available for adoption
Above, Jerusha Hess wrote and directed “Austenland” starring Keri Russell. Left, Ashton Kutcher stars as Apple co-founder Steve Jobs in the film “jOBS.”
So, the 1,500-seat Eccles Theater, located inside the high school, is the theater to target if one is wait listing. Wait-list tickets cost $15 no matter what movie you’re seeing. All you need to do is arrive at the theater a couple hours before the movie screens, get a number from
a volunteer, and then come back 30 minutes before the screening and buy a ticket. There are usually hundreds of wait-list tickets available for the screenings at the Eccles. If you’re looking to experience films at Sundance, and didn’t buy any of the advanced ticket
packages, this is the easiest way to get into the films you want to see. If you’re at all interested in the world of independent film, or you simply want to see a handful of movies months before they’re released to the general public, then Sundance is the place for you. I encourage any film aficionados to experience the festival at least once. It’s the only place you’re going to find thousands of real film lovers that are eager to discuss the art of filmmaking with complete strangers. It’s a lot of fun. See UP on Page 13
Pet: Jerry From: Four Paws Rescue Why he’s so lovable: Jerry is a quiet, gentle cat who needs to be in a one-cat household. He will watch you and want you to be nearby until he has adjusted to being in a new home. He is not crazy about most treats, but will eat Greenies. Once he has warmed up to his new family, you will find him wanting to sit next to you to watch TV, or lay on your feet when you sleep. He is basically a long-haired Russian blue, and he has their quiet disposition. His meow is very quiet, and he hardly meows at all. If you would like to meet Jerry or learn more about him, please call Sheri at 787-1751.
Page 3 - The Herald Journal, Logan, Utah, Friday, January 18, 2013
ALL MIXED UP
Quotable
Page 4 - The Herald Journal, Logan, Utah, Friday, January 18, 2013
all mixed up USU ready to celebrate Arts Week Aerial Angels scheduled to take flight Wednesday Italy, United Arab Emir Event organizers ates, Singapore and promise that the Aerial England. Angels will amaze with The group performs its performance as part with the assistance of a of Arts Week at Utah 24-foot, free-standing, State University. The hot-pink aerial rig that aerial, acrobatic group will perform at 7:30 p.m. holds the aerial silk, trapeze and hoop. The Wednesday, Jan. 23, in performers travel in a the Kent Concert Hall 1998 Toyota Camry, fitof the Chase Fine Arts ting the aerial rig, three Center. or four performers, their “This event is geared gear and costumes in toward both students and on top of the car. and community mem “I always thought bers to involve them acrobatics were amazin the arts,” said Meg ing and of all the Arts Campbell, arts senator representing the college Week activities going on, that is the one I in ASUSU. “This show definitely want to go to,” will be entertaining to said Carly Ballard, a everyone who comes.” sophomore majoring in The Aerial Angels are music therapy. a circus arts and aerial Tickets for Aerial theater company based Angels are $10 adults, in Michigan. The most$8 seniors and youth, ly-female group free for USU students specializes in aerial silk, trapeze, fire-eating, with ID. For information and tickets visit the contortion, comedy CCA Box Office located and partner acrobatics. in room 139-B in the The company performs Chase Fine Arts Center, throughout the United The Aerial Angels have performed internationally, but they will arrive call 797-8022 or visit States and different in Logan next week in a 1998 Toyota Camry. arts.usu.edu. countries, including
Wide variety of fun events planned for annual celebration
Utah State University’s Caine College of the Arts is hosting its third annual Arts Week Jan. 22 to 26 for all to enjoy. Every year each college at Utah State University offers a highlight week, and this is the Caine College’s week to shine. Events include the Aerial Angels, a masquerade ball, talent show and more. The entertainment and offerings are offered for USU students and community members alike. “Arts Week is full of plenty of fun events geared for all ages and all walks of life,” said Meg Campbell, the ASUSU arts senator representing the Caine College. “There is something for everyone to attend and enjoy.” This year’s Arts Week begins with the return of USU’s Got Talent — a universitywide talent show. The winner receives, along with bragging rights until next year’s competition, the coveted opportunity to perform his/ her talent at the Grand Gala celebration on Jan. 25. USU’s Got Talent II begins at 7:30 p.m. Tuesday, Jan. 22, in the Kent Concert Hall. Tickets are $5 cash only at the door. “USU’s Got Talent is an opportunity for all USU students to showcase themselves and share a love of art,” said Campbell. As per tradition, a networking dinner will be held at 5:30 p.m. Thursday, Jan. 24. This See FUN on Page 13
Violinist O’Connor to play at Grand Gala Grammy Award-winning Craig Jessop, dean of the musician and composer Mark Caine College of the Arts O’Connor will perform in the (CCA). “His work not only Grand Gala Celebration as embodies the classics but part of Arts Week at 7:30 p.m. also embraces American folk Friday, Jan. 25, in the Chase material as well.” Fine Arts Center’s Kent ConO’Connor began his music cert Hall on the Utah State career at the feet of music University campus. artists Benny Thomasson and “Mark O’Connor is one of Stephane Grappelli. ThomasMark O’Connor will perform as part of the most sought-after violinson was the folk fiddler who Arts Week at Utah State University. ists in the nation today,” said created modern fiddling in
world,” said James Bankhead, America and Grappelli was music department head in the a French jazz violinist, conCCA. “The amazing specsidered one of the greatest trum of his playing styles is violin improvisers in history. matched by his extraordinary Between the two, O’Connor technical facility.” excelled at both violin and O’Connor is known for fiddle, fusing the two styles together into a new American “Appalachia Waltz,” a milclassical style purely his own. lion-selling composition, and has authored a new method “We invited Mark to perform because he is one of the See GALA on Page 13 most eclectic violinists in the
Passionate jealousy. Crazy jealousy. Jealousy so fierce it overwhelms King Leontes and threatens to destroy everything and everyone he loves. Add a couple of star-crossed lovers, a well-meaning shepherd and his ridiculous son, a singing pickpocket, and, of course, a bear, and you’ve got “The Winter’s Tale,” Shakespeare’s beautiful story of remorse, redemption and the danQueen Hermione (Maria Luisa Bates) tries to calm King gerous power of love. Leontes (Daniel Anderson) as anxious servants (Michaela Presented in its entireDettore and Amelia Strange) look on during Logan Youth ty by the award-winning Shakespeare’s production of “The Winter’s Tale.” young actors of Logan
Youth Shakespeare, “The Winter’s Tale” opens at 7 p.m. Saturday, Jan. 19, at Bruner Hall, First Presbyterian Church, 200 W. Center St. Additional shows will be held at 2 p.m. Monday, Jan. 21; at 7 p.m. Friday, Jan. 25; and at 2 p.m. Saturday, Jan. 26. Tickets are available at the CVCA box office, 43 S. Main St., online at cachearts.org or at the door: $6 adults, $3 kids, no children under 5 will be admitted. Logan Youth Shakespeare is a program of Cache Valley Center for the Arts.
Watch out for ‘Harvey’ The Heritage Theatre in Perry presents “Harvey” from Jan. 18 to Feb. 9. Performances will be held at 7:30 p.m. on Mondays, Fridays and Saturdays, with a matinee at 2 p.m. Saturday, Jan. 26. Tickets are available from 11 a.m. to 2 p.m. Mondays and Wednesdays through Saturdays at the Heritage Theatre box office at 2505 S. U.S. Hwy. 89, or by calling (435) 723-8392. Tickets are $10 for adults; $9 for seniors and children. Directed by Daniel B. Kaminsky, “Harvey” tells the story of Mr. Elwood P. Dowd and his unseen and presumably imaginary friend, a six-and-a-half foot tall rabbit named Harvey. When Elwood introduces his pooka to guests at a party being held by his sister Veta and her daughter Myrtle, they have had as much of his behavior as they can take. Veta, who attempts to have Elwood committed to spare her and her daughter from any further
Elwood (Brad McCann) describes Harvey to Nurse Kelly (Alex Pustek).
embarrassment, is committed herself by the doctors of Chumley’s Rest Home feeling that she cannot function in society in her current emotional state. Comedy ensues as Elwood’s
family and the doctors try to find Elwood and resolve this matter once and for all. But in all of this ado, what does Harvey think of the situation and how will he help set things right?
Pkwy. Social hour will be held from 6 to 7 p.m. followed by dinner from 7 to 9 p.m. Cost is $35 per person. Call 753-7017 for
ticket information. The event is sponsored by the Friends of the Cache County Children’s Justice Center. The Children’s Justice Center specializes in
The Bridger Folk Music Society presents a concert with Moors & McCumber at 7:30 p.m. Saturday, Jan. 19, at Crumb Brothers Bakery, 291 S. 300 West. James Moors and Kort McCumber are an acoustic duo that craft beautiful story songs that walk the line between rootsy folk and melodic pop. The two songwriters met at the Rocky Mountain Folks Festival in 2005. Sitting around a campfire swapping songs, they each heard something in the music of the other that just fit. The two have been performing and writing together ever since. Having collectively sold more than 15,000 copies of independent releases from the stage, the duo has now released two of their own full-length albums. Tickets for the show are $13 and are available via PayPal at www.bridgerfolk.org, by calling 757-3468, or by taking your chances at the door. Seating is very limited, so advance purchase is recommended. The concert is co-sponsored by Utah Public Radio and Import Auto.
USU photography exhibit
Retired Utah State University faculty members R.T. Clark and Craig Law will be exhibiting their work in “An Exhibition by USU Emeritus Professors” Jan. 14 to Feb. 8 in the Tippetts Exhibit Hall, located in the Chase Fine Arts Center on USU’s Logan campus. “An Exhibition by USU Emeritus Professors” is free and open to the public and can be seen from 9 a.m. to 5 p.m., Monday through Friday. An opening reception will be held at 6 p.m. Wednesday, Jan. 23, in the Tippetts Exhibit Hall as part of the Caine College of the Arts’ Arts Week 2013. “As faculty members retire after years of service to our college, we like to think that they aren’t leaving us, but simply moving on to a new phase in our relationship,” said Christopher Terry, associate dean of the Caine College of the Arts and professor in the Department of Art & Design.
MWSA at the tabernacle
The Ambassadors from the Mountain West Strings Academy will be holding a special performance at 7 p.m. Wednesday, Jan. 23, at the Logan Tabernacle in preparation of a rehearsal with the Orchestra at Temple Square in Salt Lake City. All parents, family members and friends are invited to attend the concert. The MWSA also invites members of the school district, the school principals, sponsors and the general public. The Mountain West Strings Academy is an orchesthe forensic investigatra program available to all fourth- and fifth-graders tion of child abuse — a of the Cache County School District. distinctly different focus Of the 380-plus students involved in MWSA, a than the Child & Family select few auditioned to be a part of the AmbassaSupport Center next door dors, who are made up of second-year students who which focuses on preven- take on a more challenging song selection and additional rehearsal and performance schedules. tion and education.
CJS fundraiser coming in February Do your part to mend a child’s heart at a dinner and auction benefiting the Children’s Justice Center Saturday, Feb. 9, at the Riverwoods, 615 Riverwoods
Moors & McCumber show
Page 5 - The Herald Journal, Logan, Utah, Friday, January 18, 2013
Youth deliver ‘Winter’s Tale’ COMING UP
Page 6 - The Herald Journal, Logan, Utah, Friday, January 18, 2013
Hatch Academy presents Christiansen set to play music, magic and books concert in Brigham City
Following its virtually sold-out debut in Salt Lake City at the Rose Wagner Performing Arts Center last month, the Hatch Academy of Magic and Music returns to its home venue at the Thatcher-Young Mansion for an ensemble Winterfest performance featuring deceptionist Richard Hatch, violinist Rosemary Kimura Hatch and pianist Shannon Lee Saturday, Jan. 26. The 70-minute performance will begin at 2 p.m. and feature music by Bach, Kreisler and Saint-Saens and magic by Punx, Vernon and RobertHoudin. Also featured will be Richard Hatch’s original presentation for the traditional Japanese feat known as “Nankin Tamasudare”, accompanied by Rosemary’s performance of Michiyo Miyagi’s “Haru no Umi” (The Sea of Spring). Richard’s original story, Taro-san the Fisherman and the Weep-
ing Willow Tree, which is illustrated with the “tamasudare” bamboo mat, has just been published as an illustrated children’s book in a bilingual (English and Japanese) edition. As this performance is the first to feature this effect since the book was published in late December, it has been chosen to herald the official launch of the book. The book launch will immediately follow the performance, beginning around 3:30 p.m. Although there are only 56 seats available for the performance, those unable to attend the performance are welcome to stop by afterward for the book launch. Tickets to the 2 p.m. performance are just $10 for adults and $8 for children under 12. Tickets may be reserved by calling (435) 932-0017 or purchased online at www.hatchacademy.com.
DISCOVER...
Corey Christiansen is becoming recognized as one of the preminent jazz guitarists in the world, and the Brigham City Fine Arts Center is very excited to have him perform at 7:30 p.m., Friday, Jan. 18. Christiansen has lined up a few fellow musicians Denton Aston (bass) and Steve Wyman (drums) to join him as the Corey Christiansen Trio for the next Music in the City concert. The evening will also open with the best of Box Elder High School’s jazz band under the direction of Mike Reeder. Tickets are $10 per person ($5 with student ID) and can be purchased online at www.bcfineartscenter.org, or at the door after 7 p.m. Jan. 18. Tickets also include $1 off dessert at Peach City after the show. Christiansen grew up in a musi-
cal family in Cache Valley. His father Mike Christiansen has been running the guitar program at Utah State University for the last three decades. Corey Christiansen earned his bachelor’s degree from USU and his master’s from the University of South Florida under the legendary jazz guitarist/ teacher Jack Petersen. Christiansen has been editor and main guitar clinician for Mel Bay Publications for seven years and has toured all over the world doing performances and giving clinics for the best in the business. Christiansen’s music draws on the tradition of the masters but leans towards the future. His music is rooted in the tradition of jazz language but is just bluesy and gritty enough to attract larger audiences.
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The Reel Place Aaron Peck
Before our screening, Arnold Schwarzenegger and Luis Guzman popped up on screen welcoming us to their movie. They cracked a joke or two and then dedicated the movie to the brave men and women of police forces around the nation. This ceremony felt odd since most of the movie revolves around faceless cops getting mowed down, by the dozens, with endless machinegun fire. I’m not sure if they’ll do this dedication every time “The Last Stand” is shown in theaters, but this doesn’t seem to be a movie that would make cops proud. Especially when most of them appear inept and amateurish at their job. Sheriff Ray Owens (Schwarzenegger) is your typical smalltown cop who has “seen it all” in a past life. Owens left the high-stakes world of L.A. policing for a quieter job in a secluded town near the Mexico border. First rule of action movies: Whenever we’re introduced to a quaint town, we don’t expect it to stay that way for long. Not too far away in Las Vegas, a Mexican
AP Photo/Lionsgate Arnold Schwarzenegger returns in a starring role in “The Last Stand.”
★ ‘The Last Stand’ Director // Kim Jee-Woon Starring // Arnold Schwarzenegger, Forest Whitaker, Johnny Knoxville, Jaimie Alexander, Luis Guzman, Peter Stormare Rated // R for strong bloody violence throughout and language
drug lord is being transported. FBI Agent John Bannister (Forest Whitaker) fills us in with the superfluous exposition of
how dangerous he is and the extreme importance that the transport happens without any hiccups. Second rule of action
‘Zero’ tops box office LOS ANGELES (AP) — “Zero Dark Thirty” hunted down the top spot at the box office — and easily won it. Sony Pictures’ controversial Osama bin Laden raid drama nabbed first place with $24 million in its first weekend in wide release, according to studio estimates Sunday. The film, which opened in a limited run last month, earned five Oscar nominations last week, including best pic-
ture, original screenplay and actress for Jessica Chastain as a dogged CIA operative. Open Road Films’ horror parody “A Haunted House” starring Marlon Wayans debuted in second place with a solid $18.8 million. The Warner Bros. mobster drama “Gangster Squad,” starring Josh Brolin and Ryan Gosling, opened below expectations in third place with $16.7 million.
movies: Whenever the movie shows a high-value prisoner being transported, there’s a 100-percent chance he’ll be sprung in a daring, deftly planned escape. Once the drug lord is loose, he flees to the U.S.-Mexico border in a prototype Corvette (my guess is that this could’ve been any sports car, but Chevrolet paid the most to place their product). What follows is a blood bath of
Action!
a movie. If you’re a fan of action movies where the action isn’t particularly well planned out and is instead cobbled together from thousands of lightning fast edits, then “The Last Stand” is for you. It’s a movie where the bad guys have unlimited bullets and henchmen to fire them. The good guys, for the most part, are impervious to machine-gun fire, so instead we spend most of the movie watching cars turn into metallic Swiss cheese as bullets rip through them. We know what’s going to happen. The drug lord is going to come through Sheriff Owens’ town and the “last stand” will com-
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mence. This simply means scene after scene of endless, repetitive automatic gunfire that does little more than grate on the eardrums. There is a certain gleefulness to the seemingly infinite bullet carnage, which is respectable to some degree. But without any meaningful characters to care about that’s all it is — bullets. Still, the movie doesn’t feel coalesced. Its action scenes are blurs of sequences that have been done much better in numerous other movies that have come before. It’s a movie where bad guys retort with lines like: “You wanna play? Let’s play!” Yeah, it’s that kind of movie. The slight giddiness of the tongue-in-cheek humor doesn’t overshadow the movie’s overall generalness. It feels cold upon arrival and never really warms up. Most of the highflying action scenes give the illusion that something’s happening, when in reality it’s all there because there’s nothing else interesting going on.
Page 7 - The Herald Journal, Logan, Utah, Friday, January 18, 2013
Arnold’s back in predictable ‘Last Stand’
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DRUMLINE T GOES LIVE Riveting rhythms, bold beats and ear-grabbing energy take over the Ellen Eccles Theatre Story by Lance Frazier • Photos by John Zsiray
here are marching bands, and then there is DRUMLine Live, a show that starts with a traditional band performance but then adds a history lesson, singing, dancing, a drum battle and something that can best be described as glow-stick people going “Gangnam Style” in the dark. The show, which played for the first time in Logan this week at the Ellen Eccles Theatre, aims to answer this question: How do you condense a marching band show designed to fill a football stadium and squeeze it into a concert hall? The answer, said show creator Don Roberts, has to be seen to be understood. A cast of 31 each plays multiple roles in the production, which starts out by describing the history of the African drum before moving through the music of the 1960s, ’70s and ’80s that influenced marching bands. Sprinkled throughout is more traditional marching band fare, with a drum major in high hat out front to lead the charge. “Before there was Usher, before there was Beyoncé, there was James Brown and Aretha Franklin,” Roberts said in a telephone interview before Tuesday’s show. “That was the music marching bands played in the 1960s.” See LIVE on Page 10
Above, a saxophone player lets loose during DRUMLine Live at the Ellen Eccles Theatre. Top, a DRUMLine Live drummer and two dancers are silhouetted against a screen during Tuesday night’s performance. Right, a tuba player enjoys the spotlight on the Ellen Eccles Theatre stage.
Page 10 - The Herald Journal, Logan, Utah, Friday, January 18, 2013
Imago Theatre visits the ‘ZooZoo’ The Cache Valley Center for the Arts is proud to announce that the internationally acclaimed Imago Theatre will be bringing it’s family hit “ZooZoo” to the Ellen Eccles Theatre at 7 p.m. Monday, Jan. 28. Imago’s shows have been described as Cirque Du Soleilevoking acrobatics mixed with Mummenschanz-like mime,
Photo by Fritz Liedtke
Imago Theatre’s unique production of “ZooZoo” is performed without words.
ca’s most revered festivals. “We are thrilled to extend our regular age limits for this show to include children ages 3 and up,” said Wally Bloss, Executive Director for the Cache Valley Center for the Arts. “This playful show is perfect for the entire family.” Tickets are $16 to $22 and can be purchased online at www.cachearts.org, in person at the CVCA Ticket office at 43 S. Main St. or by calling WHAT: “ZooZoo” by Imago 752-0026. Theatre “ZooZoo” is performed withWHEN: 7 p.m. Monday, out words to an original score Jan. 28 by Katie Griesar. Creators Carol WHERE: Ellen Eccles Triffle and Jerry Mouawad have Theatre refined the art of mask theatre COST: $16 to $22 by working in the form since 1979, the result is a form of theatre universal to all. set in a unique, yet accessible, “ZooZoo” is comprised of a French-influenced avant-garde series of short works lasting playground. “ZooZoo” is pen- in length from four to seven guins playing musical chairs, minutes. Each work plays a cat trapped in a giant paper on the anthropomorphic bag, hippos with insomnia, realization of animals and anteaters as waiters and a mad- inanimate objects. A cast cap revue of illusion, comedy of five plays a multitude and fun that has inspired audi- of characters ranging from ences nationwide. Imago has fireflies to giant polar bears performed in China, Europe in a show that appeals to and at some of North Ameriages 3 to 103.
Live
“That’s what this show is,” said Roberts, an Atlanta band director who served as a consultant for the 2002 movie “Drumline.” Continued from Page 8 “You take the best highlights Along with tributes to from the historically black Brown and Franklin — as college and university marchwell as Ray Charles, Diana ing bands and find creative Ross, Tina Turner and ways to give (the audience) Michael Jackson — DRUMthat marching band experiLine Live pays special tribute ence.” to gospel music. Thus, the show features Most of the DRUMLine pera face-off between a pair of formers come from colleges drummers who showboat that were traditionally black, by leaning in, balancing and many of those schools one stick on their shoulder were started by church leaders and have a heavy gospel influ- while hitting that stick with their other stick onto the ence. drum. Hard to picture? Such Marching bands soon strain-the-imagination skills became huge draws at many are a major part of the show, of those schools, in some which also gets the audience instances attracting more into the act. interest than the football Several youngsters got to teams at whose halftimes they played. try their hand at mimicking
DRUMLine Live cast members wave to the audience.
the drum rhythms of the band, and Troy from Price earned a big thank you from the other men in the audience when he volunteered to replace one of
the “missing” Temptations — thereby saving someone less outgoing from being chosen. Troy hopped on stage, donned a silver jacket and grooved
with the rest of the Temptations, much to the audience’s delight. Perhaps the biggest challenge facing the DRUMLine group in Logan was the cultural divide. How does an ensemble comprised of black college students engage their predominantly white — and predominantly reserved — audience of all ages the same way they would a crowd in, say, Memphis? With energy and enthusiasm. “You think about the best roller-coaster ride you’ve had, and this is it,” Roberts said. “You’ll laugh, you’ll cry, you’ll jump up, you’ll feel like you’re in the band. You’ll be out of breath because it’s an audience interactive show.”
Books
‘The Entertainer’ depicts old Hollywood By Douglass K. Daniel Associated Press
Part biography and part Hollywood history with a side of Americana, “The Entertainer” might be the most engaging book you’re likely to read about a movie star you’ve never heard of. Actor Lyle Talbot was indeed a star, in the 1930s, yet it’s difficult to pick out a significant film from the two dozen or so he appeared in before he turned mainly to television and the regional stage, performing well into his 80s. Surely, though, he has stories to tell after working with Humphrey Bogart, Bette Davis, Spencer Tracy, Shirley Temple, Barbara Stanwyck and other screen greats. While passing along those tales, his daughter Margaret Talbot, a writer for The New Yorker, broadens her scope by linking her father’s life and career to how people sought entertainment in 20th-century America and the kinds of characters who provided it. Lyle Talbot (19021996) was raised in tiny Brainard, Neb. After a stint with a carnival as a young teenager, he began performing as a hypnotist’s assistant — the act involved a bit of fakery — and by 18 had his first role in a play. It was almost his last: Instead of delivering a stage punch, he actually knocked out the leading man of the melodrama “Her Other Husband,” who was also
the co-owner of the company. Talbot accepted a cut in pay in lieu of being fired and eventually was allowed back onstage. Appearing in regional productions and theater troupes, he learned the craft and worked his way to New York. Even after finding his groove as an actor, Talbot was still a bit of a wide-eyed kid from Nebraska. He was a
partygoer and ladies’ man, but he was so put off, even frightened, by actress Mae West’s inyour-face sexuality that he hid out for a week to avoid joining the road company of “Sex,” her latest scandalous play. Talbot scored a screen test in 1931 at Warner Bros. He chose to perform a scene from “Louder, Please,” a Broadway play that, unbeknownst to him, was a scathing parody of Warner production chief Darryl Zanuck. Luckily for Talbot, Zanuck was amused and director William Wellman so enjoyed the idea of tweaking Zanuck, even if unintentionally, that he cast Talbot in his next film on the spot. That led to a slew of movies in the early years of talking pictures. Talbot’s daughter writes less about his famous costars than the environment in which they worked. Of
particular interest are the so-called pre-Code Hollywood films — “Three on a Match” and “Heat Lightning” are two of Talbot’s — that were made after the formation of self-censorship rules in 1930 and their actual enforcement in the mid1930s. Bad guys and girls might go unpunished, crime and other misdeeds paid rather well, a woman might put career ahead of marriage, and sex was often more than suggested.
Margaret Talbot doesn’t shy away from considering her father’s limitations as a performer. He joined those actors unhappy with the unbridled demands of the studios in founding the Screen Actors Guild, which didn’t enamor him with Warner Bros. While good-looking and talented, he lacked the screen presence to become a major star and wasn’t clever about nurturing his career. He accepted practically any
role, especially from the 1940s on, when he was no longer under contract. That’s how he ended up in films directed by cult figure Ed Wood, one of them the infamously awful “Plan 9 From Outer Space.” Lyle Talbot never lost the thrill that came from performing. His daughter provides an endearing and insightful portrait of an actor and a father — and of a country that always enjoyed the thrill of being entertained.
new york times best-sellers HARDCOVER FICTION 1. “Gone Girl” by Gillian Flynn 2. “Empire and Honor” by W.E.B. Griffin and William E. Butterworth IV 3. “The Racketeer” by John Grisham 4. “The Forgotten” by David Baldacci 5. “Threat Vector” by Tom Clancy with Mark Greany
WED, JAN 23 7:30PM KENT CONCERT HALL
HARDCOVER NONFICTION 1. “Killing Kennedy” by Bill O’Reilly and Martin Dugard 2. “Thomas Jefferson” by Jon Meacham 3. “The World Until Yesterday” by Jared Diamond 4. “No Easy Day” by Mark Owen with Kevin Maurer 5. “Killing Lincoln” by Bill O’Reilly and Martin Dugard PAPERBACK TRADE FICTION 1. “Fifty Shades of Grey” by E.L. James 2. “Fifty Shades Darker” by E.L. James 3. “Fifty Shades Freed” by E.L. James 4. “Life of Pi” by Yann Martel 5. “Death Comes to Pemberley” by P.D. James
C A I N E
COLLEGE of theARTS
arts.usu.edu | 435.797.8022 CCA Box Office: Chase Fine Arts Center RM 139-B, USU Campus $10 General Admission, $8 Seniors & Youth, FREE for USU Students w/ID
Pretty much any food is weird if you think too much about it. And I’m not just talking about pink slime or Twinkies. Apples are the sugary, swollen reproductive parts of trees. Bacon is the belly of a pig, embedded with salt and smoke and left to dry. Milk is fatty excretions from the mammary glands of cows. And then there is cheese. There are two camps on the great field of cheese preference: those who love the pungent, creamy dairy taste and sour smell of a good quality cheese, and those who consider it to be “bacteria poop.” I, for one, have pitched my tent firmly in the first camp. I love the stinky stuff. Except for the “bacteria poop” comment I got from a stalwart member of cheese camp two, I haven’t really thought much about where cheese comes from. Oh, I knew the basics — stirring with big wooden paddles and French people lovingly patting cheese wheels in their dank basements — but not much beyond that. Turns out, cheese making is kind of complicated chemistry. First, milk (from sheep, goats, buffalo or cows) is acidified. This is done by warming the milk and adding bacteria. The bacteria eat the sugars in the milk and leave behind acid (a form of fermentation). This can also be done by adding an acid like lemon juice or vinegar. Then
chemistry – it causes the milk to coagulate, forming curds (chunky milk fat) and whey (liquid lactose). Yes, you heard me right. Cheese is bacteria poop half-digested by disembodied calf stomach lining. This is totally making me crave a pizza. The curds are separated from the whey and pressed into cheese shapes. Sometimes mold another additive, rennet, is used on the outside of is introduced to curdle the these shapes, or for color acidic milk. Rennet is an and flavor throughout the extract from the stomachs cheese (like blue cheese, of young animals (sheep, Roquefort and Gorgongoats, buffalo or cows). zola). Cheese flavor It contains enzymes that comes from the quality help these animals digest of the milk, pasteurizatheir mother’s milk when tion, the fat content, the they are drinking it them- type of bacteria and molds acting on the finselves. When we add it ished product, and aging. to milk, it changes the
Bread and Butter LAEL GILBERT
Page 12 - The Herald Journal, Logan, Utah, Friday, January 18, 2013
Say ‘cheese’ when it comes to fun food Aged cheeses are dryer and harder (think Parmesan and Pecorino) and cheeses that aren’t aged have a higher moisture content and are softer (mozzarella). Herbs, spices, salts, and other foods can be added for flavor or color. Food historians hypothesize about how cheese was first discovered and made palatable for human consumption. Animal stomachs have long been used as storage bags. Perhaps someone at some time stored milk in one for too long, saw it curdle and made a food product out of it, they figure. Cheese stays edible for much longer than fresh milk, stores and transports more efficiently and digests more easily than milk.
So, it would make sense that people would have picked up on this pretty early on. And early on, it turns out, was at least 7,000 years ago, according to a report in the weekly science journal Nature. Archeologists in the 1970s found pottery shards in northern Europe – clay containers pierced with many small holes. They were built like a sieve you might use to strain pasta (which wasn’t invented 7,000 years ago) or curds from whey. It wasn’t until recently that the technology became available to test the residue on these shards for evidence of milk processing. The results of that testing showed that the chemical signature
Expiration Date
of the residue matched cow’s milk. Cheese was a big deal in ancient times. People’s bodies hadn’t yet evolved to digest the sugars in the milk produced by a cow. They were lactose intolerant. But during the process of cheese-making, much of that lactose was discarded with the whey. What was left was nutritious, calorie-dense and versatile. A practical food source like that was likely a major advantage in an evolutionary sense. Plus, it allowed humans to store food longer into the winter without slaughtering their livestock for meat during the lean months. Which gave them 6,999 years to perfect the nacho.
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Just Jumpin’ planning The Jolt
Continued from Page 4 event gives students the opportunity to connect with successful USU alumni. This year’s dinner features former Department of Art and Design professor and department head Craig Law. Law and professor emeriti R.T. Clark are exhibiting their work in “An Exhibition by USU Emeritus Professors.” The Networking Dinner will be held in the Tippetts Exhibit Hall, located in the Chase Fine Arts Center. Admission for the networking dinner is $5 cash only at the door or $3 with a can of food. As Arts Week comes to an end, students can celebrate in style at the Masquerade Ball on Saturday, Jan. 26. Students should don their finest attire, and don’t forget a mask, then dance the night away on the Kent Concert Hall stage. Admission to the ball is cash only, $5 with a mask, $8 without. Masks will be available for $3 each. For information and tickets visit the CCA Box Office located in room 139-B in the Chase Fine Arts Center, call 797-8022 or visit arts.usu.edu.
Just Jumpin’ and the USA Jump Rope All Stars will be hosting The Jolt — a master jump-rope exhibition and workshop — Saturday, Feb. 2, at the Logan Community Recreation Center. The workshop for beginning and intermediate jumpers will be held from 1 to 4 p.m. Cost is $20 per jumper. Participants will learn advanced jump-rope skills and fun jump-rope games, including single rope, wheel rope, double Dutch and long rope. A parent show will be held at 3:30 p.m. and attendees will also perform at the exhibition. Workshop instructors include Jeremy Lindstrom,
Gala Continued from Page 4 for violin used by thousands of children. He is the only person who has won the National Fiddle Championship, National Guitar Flatpicking Championship and the World Mandolin Championship. O’Connor was recently voted one of the top five jazz violinists by New York jazz critics. As part of the Grand Gala, Beverley Taylor Sorenson and CCA students from each department in the college will be honored. Sorenson’s work focuses on reinvigorating arts education for elementary schools, specifically focusing on the higher education institutions preparing the teachers of tomorrow. Partnering with the CCA and the Emma Eccles Jones College of Education and Human Services, Sorenson strives to ensure every child in Utah experiences the arts in their elementary school education. Each department has selected three students as their Outstanding Seniors, those who have gone above and beyond the
Jump ropes will be available to borrow or to buy: $6 for an individual rope or $8 for a long rope.
A silent auction will begin at 4 p.m., followed by the exhibition at 7 p.m. Admission is $5 for adults, $3 for children 6 to 12 years of age and kids under 5 are free. The event is a fundraiser to help send the Just Jumpin’ team to the USA Jump Rope National Championship in June in Long Beach, Calif. Based in River Heights, Just Jumpin’ is the only competitive jump-rope team in the state of Utah and consists of 22 advanced jumpers from Cache Valley. For more information, call Patrice Winn at 755-6046, visit www. justjumpin.org or visit Just Jumpin’s Facebook page.
is adapted from. It’s always tricky adapting a beloved novel, but I have faith in the screenwriters of one of my favorite Sundance movies ever, “(500) Days of Summer” and the director of 2012 Sundance Film Festival darling, “Smashed” James Ponsoldt. “Austenland” – This is the movie with strong Utah ties. The husband-wife duo of Jared and Jerusha Hess made a name for themselves as filmmakers with the smashhit “Napoleon Dynamite.” Jerusha returns to the festival this time in the director’s chair. She joins the ranks of a Sundance lineup that features a record number of female directors. People who love the Hess’ style of filmmaking will surely want to keep an eye out for this comedy starring Keri Russell who plays a woman who’s obsessed with the BBC version of “Pride and Prejudice” and finding her own Mr. Darcy. “jOBS” – The hotly anticipated Steve Jobs biopic is debuting at the festival. Many people are apprehen-
sive about the prospect of Ashton Kutcher playing the tech mogul. Good or bad, this will certainly be one of the most discussed movies at the festival. There are a lot more movies that I’m excited to see when I get to Park City. The most thrilling thing about the festival is discovering that truly independent gem. Last year it was “Beasts of the Southern Wild,” which has gone on to receive a Best Picture nomination at this year’s Oscars. There’s always one movie buried amongst the films with the big-name actors which stands out. The joy comes from being one of the first to unearth it. I’ll check in next week with a report on the movies I’ve seen up to that point and let you all in on what ones you might be able to expect to see in a theater in the near future. Hopefully, many of you can get up to the festival if it’s something you’re interested in. For the next week Utah will be on the global stage, and it’s exhilarating to be a tiny part of it.
The Just Jumpin’ jump-rope team was started in 2003.
L.J. LaVecchia and Brian Hsu from the USU Jump Rope All Stars, as well as the Just Jumpin’ team.
Up
requirements. The Department of Music students are Bridger Burt, Daniel Tate and Shaundra Kaye Cragun. Students chosen Continued from Page 3 from the Department of Art and Design are Erin Buynak, Sarah Every year I try to set up King and Jonathan Christensen. a tentative schedule to see The Department of Theatre Arts as many movies as humanly outstanding seniors are Julienne possible. Last year I saw Bailey, Liz Gabbitas and Timo30 films in the span of nine thy Roghaar. days. I’ll be up there an extra “Our outstanding seniors day, so I’m planning on beatrepresent the best of the best ing my record I set last year. among our students at the Caine There are quite a few College of the Arts,” Jessop said. movies I’m excited to see “We’re so honored to share with this time around. Hopefully, you their great success and the they are movies that you’ll legacy of art that we are producbe able to see in the coming ing at Utah State University.” months when/if they get a Another part of the Gala will wide release: “Manhunt” – This is “Zero feature performances by various Dark Thirty,” but documenstudents and faculty members tary style. Kathryn Bigelow’s in the CCA, including the USU Scotsmen Pipe and Drum Corps, movie about hunting down Osama Bin Laden has been theater department students and criticized for packing 10 touring group Out of the Blue, years of intelligence gatherto name a few. ing into a two-hour thriller. Tickets for the Grand Gala are $10 adults, $8 seniors and youth, “Manhunt” is a documentary that covers the nitty-gritty $5 USU faculty and staff and that “Zero Dark Thirty” may free for USU students with ID. have glossed over. I’m excitFor information and tickets visit ed to see the real-life story. the CCA Box Office located in “The Spectacular Now” – I room 139-B in the Chase Fine just finished reading Tim Arts Center, call 797-8022 or Tharp’s novel that this movie visit arts.usu.edu.
Page 13 - The Herald Journal, Logan, Utah, Friday, January 18, 2013
Fun
Page 14 - The Herald Journal, Logan, Utah, Friday, January 18, 2013
CrossworD By Myles Mellor and Sally York Across 1. Leakage quantity 7. Accomplished 11. “Que” follower, in song 15. Furtive summons 19. Word form 20. Hand-operated pump 22. Medley 23. Make a new plan (with “go”) 26. Change machine input 27. Extensor muscle 28. Helpful connections 29. Sounded out 30. South Korean monetary unit 31. Marine or urban suffix 32. Embargo 34. Shut up 35. Clinton’s department 37. Infamous emblem 41. Russian retreat 45. Photographer Goldin 46. Toy with a tail 47. Moistureless 49. Tusked animal 50. Begin afresh 55. Bought the farm 56. Carolina ___ 57. Poulet 58. Country dance 59. Tempers 62. Death duty 66. Rocks at the bar 69. Charlie Batch, to James Harrison 71. Sully 72. Assimilated, in a way 74. Bristle 75. Win the trick 78. Fitting together 79. ___ sandwich 81. Slip in a pot 82. Umbrage 84. Gift on “The Bach-
elor” 85. Starting over 92. Swim’s alternative 93. Thumbs-up 94. Grimace 95. Wall St. type 96. Gum used as a thickener 98. Remote 100. Sweater style 103. It’s a gas 105. Lt.’s subordinate 106. Mincemeat dessert 107. Boost 109. ___ shower 112. Destroy the interior of 114. The Beatles’ “___ Leaving Home” 116. “Cogito, ___ sum” 117. Down but not out 122. Tapi____ 123. Dizzy 124. Store on a farm 125. Bowed 126. Legendary creature 127. Livens (up) 128. Hold up Down 1. Violin stroke 2. South American plains 3. Aglow 4. Old flatboats 5. Roscoe 6. Silver-tongued 7. Turkish leader 8. Born’s partner 9. Preceded 10. Start for drum 11. Tailor-made 12. Sponsorship 13. Campaign 14. Azimuth, e.g. 15. Bar sight 16. Strip 17. Filly’s father 18. Mary ___ Lincoln 21. Apotheosis
24. Place for a 32-Down 25. Tough spot 31. Phone button below the 7 32. Shower alternative 33. Not docked 34. Plane-jumping G.I. 36. Wreath for the head 37. Schusses 38. Rope of twisted twigs 39. Speck in the ocean 40. Lamented 42. Alliance 43. Skimmer, e.g. 44. “We ___ Family” 48. Bring to a boil? 50. Brawn 51. Living in an apartment, maybe 52. Macerate (with “away”) 53. Attractiveness 54. Male and female 55. Numbers to crunch 60. Honor ___ thieves 61. Washbasin 63. Pompous walk 64. ___ lepton (physics particle) 65. Skin problem 67. Perfume 68. Head start 70. Kane and Jong 73. ___ light 76. Ginza locale 77. Nettle 80. Most pitiless 83. Like many a mistake 85. Low’s grp. 86. Salad topper 87. Analogous 88. Land on the Strait of Hormuz 89. Sponges 90. Enthralled 91. Coastal raptor 97. “Groovy!” 99. River in Hades
101. Stomach opening 102. Capital of Rwanda 104. Science 106. Treat like a dog? 108. Senior member 109. Amorphous mass 110. Brown ___ 111. Author Turgenev 112. Aureate 113. Wrinkly fruit 114. Trim 115. Works in the garden 116. Once, once upon a time 118. Giant syllable 119. Cooking meas. 120. Imitate 121. Hurricane heading: Abbr.
answers from last week
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Friday Jazz guitarist Corey Christiansen will be performing in concert along with Denson Angelo and Steve Lyman at 7:30 p.m. Friday, Jan. 18, at the Brigham City Fine Arts Center. This is an awesome treat for Brigham City and the Music in the City Concert series. Tickets for this jazz night are just $10 per person; $5 with student ID. Visit www.bcfineartscenter. org for more details. Cache Valley’s favorite singing cowboys Tumbleweeds will perform from 6 to 8 p.m. Friday, Jan. 18, at Pier 49 San Francisco Style Sourdough Pizza, 99 E. 1200 South. This is a great chance for some fun entertainment and good grub. The an art reception to bring awareness to mental health will be held from 5 to 7 p.m. Friday, Jan. 18, at Caffe Ibis, 52 Federal Ave. Music will be provided by The Three Suns. The Logan Fine Art Gallery will be hosting a one-man show for Cache Valley watercolor artist Ernie Verdine. The public is invited to meet Verdine from 6 to 8 p.m. Friday, Jan. 18, and 60 of his paintings will remain on display from Jan. 14 to Feb. 8 at the Logan Fine Art Gallery at 60 W. 100 North.
SATURDAY The Stokes Nature Center will host Snowshoe Saturday: Winter Ecology from 10 a.m. to noon, Saturday, Jan. 19. Meet at the U.S. Forest Service District Office. A $5 donation is suggested. Registration required. Naturalist Jack Greene leads a snowshoe hike through Logan Canyon’s winter wonderland. We’ll explore winter ecology, watch for animal signs and walk about adaptations that enable plants and animals to make our wintry canyon their home. All ages. No experience necessary; snowshoes and cocoa provided. Call 755-3239 or visit www.logan nature.org for more information.
The Bear River Tai Chi Chuan Society will offer beginning Tai Chi classes from 9 to 11 a.m. every Saturday at the Whittier Community Center. The winter quarter starts Saturday, Jan. 19. For more information call 5638272 or e-mail bearrivertaichi@ hotmail.com. The Bridger Folk Music Society presents a concert with Moors and McCumber at 7:30 p.m. Saturday Jan. 19, at Crumb Brothers Bakery, 291 S. 300 West. Tickets are $13 and are available via PayPal at www. bridgerfolk.org, by calling 7573468 or taking your chances at the door. Seating is very limited, so advance purchase is recommended. The concert is co-sponsored by Utah Public Radio and Import Auto. Sherid Peterson will perform from 6 to 8 p.m. Saturday, Jan. 19, at Pier 49 San Francisco Style Sourdough Pizza, 99 E. 1200 South. Peterson’s music is always a crowd favorite. Everyone is welcome; there is no cover charge. Auditions and callbacks for singers and dancers for the big-band show “In the Miller Mood” will be held at 10:30 a.m. Saturday, Jan. 19, at Thomas Edison School, 2600 N. 200 East in North Logan. Outstanding performing opportunity with a professional 17-piece orchestra in Utah and Idaho. Singers, prepare two Broadway-style songs — one upbeat and one more a ballad. Dancers, bring tap shoes if you have them. All dress in clothing you can dance in; no baggy attire or flip-flops. Call Gwendolyn at 225-5101 or Brenda 753-1551, or visit www.celebrateameri cashow.com for information. Presented in its entirety by the award-winning young actors of Logan Youth Shakespeare, “The Winter’s Tale” opens at 7 p.m. Saturday, Jan. 19, at Bruner Hall, First Presbyterian Church, 200 W. Center St. Additional shows will be held at 2 p.m. Monday, Jan. 21; at 7 p.m. Friday, Jan. 25; and at 2 p.m. Saturday,
Jan. 26. Tickets are available at the CVCA box office, 43 S. Main St., online at cachearts.org or at the door: $6 adults, $3 kids, no children under 5 will be admitted. The Red Light Commandos will perform from noon to 2 p.m. Saturday, Jan. 19, at Caffe Ibis, 52 Federal Ave. Sustain, timbre, vibrato — these are just a few terms that describes this vocalist’s chops. Sammy Pond and Co. strip down to do an acoustic set at the Ibis. The Upcollar$ will perform along with Atomica and Wretched Bones at 8 p.m. Saturday, Jan. 19, at Why Sound, 30 Federal Ave. Admission is $5. You are invited to the Bear River Chapter of the Daughters of the American Revolution at 10:30 a.m. Saturday, Jan. 19, at the Copper Mill Restaurant. Come enjoy stories of our members and their patriot and how they were able to trace back to the Revolutionary War. If you would like to participate, please email us back to know how many to expect or call Marilynne Wright at 881-0458. Lunch will be served individually off the Copper Mill menu.
SUNDAY The Post-Mormon Community is a non-sectarian organization of individuals and families who have left Mormonism. The Cache Valley chapter meets for dinner and socializing at a local restaurant at 6:30 p.m. every Sunday evening. Newcomers welcome. For more information call Jeff at 770-4263 or visit our website at www.postmormon.org/logan. Iver Anchor will perform from noon to 2 p.m. Sunday, Jan. 20, at Caffe Ibis, 52 Federal Ave. Mr. Iver Anchor is a true original. Come in to listen to his take on rock ‘n’ roll, psych-folk, anti-folk and revival.
MONDAY Wilson Elementary School will host the Carnvial of Science
from 1 to 7 p.m. Monday, Jan. 21, at 89 S. 500 East. Activities will include performances by local musicians and the Tueller School of Dance, information booths with games and prizes, food and drink sales provided by area restaurants, a silent auction, a piethrowing booth and an evening feature performance by Logan Out Loud Improv Comedy at 6 p.m. An entrance donation of $2 for adults, $1 for children or $5 for families is requested. All proceeds from the event will go to the PAWS scholarship fund and all ages are welcome to attend. The Ralph Smith Camp of Daughters of Utah Pioneers will meet at 1:30 p.m. Monday, Jan. 21, at the LDS Church at 1550 E. 1900 North. The Willam B. Preston DUP Camp will meet at 2 p.m. Monday, Jan. 21, at the home of Sandra Tolley. A history will be given by Blanche Astle. The lesson will be given by LuDean Whittaker. The hostesses are Eva Carpenter and Barbara Hubbard. The Cynthia Benson DUP Camp will be holding it’s monthly camp meeting, at 1 p.m. Monday, Jan. 21, in the Hyrum Civic Center.
TUESDAY Story Time will be at 10:10 and 11 a.m. and Sleepy Time at 6:30 p.m. Tuesday, Jan. 22, at the North Logan Library. The Food Sense Girls are always so kind to teach us ways to clean up our eating habits without losing any of the great flavor. This month they will have recipes that involve grapefruit and broccoli. Their tips really help open up a whole new world of fantastic flavors. The Delicious & Healthy class will held at 7 p.m. Tuesday, Jan. 22, at the Little Theatre at Macey’s in Providence. Please reserve a seat at the service desk or on our Facebook page. Visit www.maceys.com for more information. Do you want to learn the
basics of how to serve your own draft beer or soda at home? The topic for this month’s meeting of the Cache Brewing Society is setting up your own keg system. The meeting will be held at 7 p.m. Tuesday, Jan. 22, at Majestic Mountain Sage, 2490 S. 1350 West in Nibley. Any questions call Dirk at (435) 890-0951. The Bel Canto Chorus is seeking women to join the chorus for its spring season. The chorus has been in existence since the 1930s and invites post-high school women to join. Rehearsals will begin Tuesday, Jan. 22, in the Fourth/Yorkshire Ward building at 294 N. 100 East. Please contact Laurel Maughan at 245 3204 for more information.
WEDNESDAY Story Time with a craft will be at 10:10 a.m. Wednesday, Jan. 23, at the North Logan Library. Logan’s Neighborhood Council will meet at 7 p.m. Wednesday, Jan. 23, at Hillcrest Elementary School to discuss local impact standards and communication for major construction projects and more. Call Benjamin George at 512-7847 for more information.
THURSDAY AARP is offering a driversafety class from 12:30 to 4:30 p.m. Thursday, Jan. 24, at the Cache County Senior Center. The class is four hours long and meets the requirements for discounts in vehicle insurance for those 55 years old and older. For reservations, call Susie Jackson at 753-2866. The Logan Library will be hosting Randy Silverman, curator and preservation specialist at the University of Utah’s Marriott Library, from 7 to 8:45 p.m. Thursday, Jan. 24. We invite members of the community to bring their family heirlooms — documents, photos, journals or other family treasures to the library. Silverman will lead an informal discussion on their condition and long-term preservation.
Page 15 - The Herald Journal, Logan, Utah, Friday, January 18, 2013
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Page 16 - The Herald Journal, Logan, Utah, Friday, January 18, 2013
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