Cache Magazine

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Cache Magazine HERE COMES

Keiyana Local singer joins forces with pair of talented artists to create a standout pop song and video

The Herald Journal

FEBRUARY 1-7, 2013


contents

February 1-7, 2013

COVER 8 Young Keiyana Osmond collaborates with two local artists on song and video

MUSIC 4 Fry Street Quartet to

honor Russells at concert

MOVIES 3 Aaron Peck believes

‘Fruitvale’ was the top film at Sundance this year

7 Sylvester Stallone aims

high in ‘Bullet to the Head’

ARTS 4 CVCA Gallery Walk coming up next Friday 5 Chocolate Festival set to offer up a tasty fundraiser

THEATER 4 Musical ‘Violet’ presented by Caine Lyric Theatre

COLUMN 11 New Cache columnist

Natasha Bodily gets a little taste of Sundance Festival

CALENDAR 15 See what’s happening this week

Taylor Ballam films Kyle Wesley during the making of Keiyana Osmond’s video for “Dancin’ on a Wire” last November. Cover photo: A graduate of Mountain Crest High School, Osmond is just 18 years old. (Photos by Brittany Cascio/Cascio Photography).

FROM THE EDITOR The Super Bowl is back in New Orleans this year. And whenever the NFL championship game is in The Big Easy, I can’t help but think of Super Bowl XII between the Denver Broncos and the Dallas Cowboys. I was 8 years old at the time, and unlike pretty much anyone else in the region, I was pulling for the Cowboys rather than the Broncos in the first Super Bowl ever played in the Superdome. Two of my very best friends at the time

took exception to this, and just prior to the start of church, I found myself sandwiched between the two of them as they each yelled directly in my ears that the Broncos were going to destroy Dallas. I was as defiant as I could be and tried my best to yell back that Roger Staubach and Co. were going to smash the “Orange Crush.” But it was two-against-one, and before long, the tears started to come as the onslaught continued. I was finally rescued by a lovely angel, a teenage girl who was a friend of my brother. She pushed my pals away, took me inside the church and told me how wrong it was that they were ganging up on me. “But,” she added, “they’re right. Den-

ver is going to win.” Seriously? Despite all the drama and the trauma, as kids do, I actually ended up watching the game at the home of one of my boisterous friends. And I did get the last laugh when the Cowboys won the game 27-10. And not only that, I like to think my two friends brought a Boston Red Sox or Chicago Cubs-like curse upon the Broncos inasmuch as Denver was humiliated three more times in the Super Bowl before finally winning two titles in the late ’90s — about the same time my hearing started to come back. — Jeff Hunter


The best of Sundance ’13 ‘Fruitvale’ tops list of new films By Aaron Peck Cache movie critic

In total I saw 25 films at this year’s Sundance Film Festival. There’s nothing quite like experiencing nine straight days of movies. Especially when those nine days are sunny and inversion free. It’s always somewhat of a mystery figuring out which movies will make it big after the festival is over. Last year’s “Beasts of the Southern Wild” never lost steam and just recently was nominated for a Best Picture Oscar. This year there were Photo by Robert Blake a few standout films that Isaiah Washington, left, and Tequan Richmond star in “Blue Caprice.” seemed like they had legs to make it in the open market. nestled in the trunk of his a remake, even though the movie secretly in DisneyThere were also other films car. This movie isn’t about director swore it wasn’t in land and Disney World. It that were great, but most the attacks. Instead it’s about a Q&A he gave after the tells the story of a man likely won’t find their way what led up to the attacks. film. Either way the movie who has had far too much to a large audience. Specifically, it’s about how is a visual feast. The blendHoping to give you a taste entertainment. He’s being an evil militaristic nutcase ing of computer animation entertained to death. The of some of the movies that named John Allen Muhamand practical effects add an prevailing thought is that premiered at this year’s fesmad (played by Isaiah Washeerie texture to the film’s the movie will never see the tival I give you my top five: ington) could brainwash a aesthetic. Throw in another 5. “Escape from Tomorrow” light of day because Disney and its legion of lawyers will great performance by Nicole seemingly nice boy named Shortly after this film preLee Boyd Malvo (played by Kidman and a creepily evil squash any attempts to dismiered it became the hottest effort from Matthew Goode, Tequan Richmond). The way ticket in town. Like “Beasts” tribute it. he slowly indoctrinates the and this ends up being a 4. “Stoker” last year, “Escape from kid is frightening. It’s downThis is one film you can thriller you won’t want to Tomorrow” sold out screenmiss in theaters come March. right disturbing how easily ing after screening. Everyone be sure you’ll see in the he turned a somewhat nor3. “Blue Caprice” coming months. This is wanted to see it. The reason It’s a story everyone mal teenager into a murderer. famed Korean director Park didn’t have much to do with 2. “Upstream Color” is familiar with: the D.C. Chan-wook’s first Englishhow good it was. Instead Shane Carruth, who language film. People famil- sniper. In 2002 a faceless people were obsessed with directed the time-travel massniper terrorized the Beltiar with Alfred Hitchcock’s the controversy surrounding terpiece “Primer,” finally way area of our nation’s “Shadow of a Doubt” will it. Director Randy Moore, capitol. He picked his vicalong with his cast and crew, notice some striking simiSee BEST on Page 10 tims at random as he was larities here, almost like it’s filmed almost the entire

“I sat stupefied for hours.” – Natasha Bodily on “Upstream Color” at the Sundance Film Festival (Page 11)

PET OF THE WEEK Available for adoption

Pet: Oscar From: Four Paws Rescue Why he’s so lovable: Oscar is a very sweet young cat. He loves to cuddle and play, and he does great with dogs. Oscar does need a little bit of supervision around cats at first, but he usually settles in just fine. He can be a little bit shy in new situations at first but warms up quickly with love and encouragement. Oscar has no desire to be an outdoor cat — he isn’t happy outside at all — and needs to be indoors only. He is looking for his new, forever home. If you would like to meet Oscar or learn more about him, please call Sheri at 787-1751. The adoption fee for this Four Paws cat is $75, which covers his neuter surgery and upto-date vaccinations.

Page 3 - The Herald Journal, Logan, Utah, Friday, February 1, 2013

ALL MIXED UP

Quotable


Page 4 - The Herald Journal, Logan, Utah, Friday, February 1, 2013

all mixed up Concert will honor the Russells

Fry Street Quartet to perform on Thursday

Utah State University’s Caine College of the Arts will honor Dan C. and Manon Caine Russell with a performance by the Fry Street Quartet at 7:30 p.m. Thursday, Feb. 7, in the Manon Caine Russell Kathryn Caine Wanlass Performance Hall. The celebration recognizes a generous endowment gifted to establish a permanent base for a resident string quartet program at Utah State University. The gift, the Dan C. and Manon Caine Russell Resident Quartet Endowment, will benefit the students in the Caine College of the Arts and the Cache Valley community for generations. The newly announced Dan C. and Manon Caine Russell Resident Quartet Endowment will allow quartet members to build and strengthen a string program, considered one of the best in the nation, in the USU Music Department. “It has been a great privilege for the past 10 years to cultivate the string program at the Caine College of the Arts,” said Rebecca McFaul, violinist in the quartet and professional practice assistant professor. “We’ve enjoyed the opportunity to nurture our students’ experiences alongside sustained artistic pursuit.” Arriving in Logan in 2002 with support from the Marie Eccles Caine Foundation, the Fry Street Quartet undertook the

Photo courtesy of USU Caine College of the Arts

The Manon Caine Russell Kathryn Caine Wanlass Performance Hall on the Utah State University campus is named in recognition of sisters Manon and Kathryn.

responsibility of building a performancebased approach to further evolve the string program at USU. Within a few years of the residency, there were more than 40 students as string majors. “The growth of the string program is a credit to the sustained interest and support of Dan and Manon, the leadership of the university and the Caine College of the Arts, and the character of the young people

who have come to study here,” said Bradley Ottesen, violist in the quartet and faculty member. Dan and Manon Russell have been generous supporters of the arts for decades. In 1981, in honor of her mother, Marie Eccles Caine, Manon and her sister, Kathryn Caine Wanlass, established the Marie See HONOR on Page 10

CVCA Gallery Walk coming up Feb. 8 The Cache Valley Center for the Arts kicks off 2013 with the first of six walks. Join CVCA from 6 to 9 p.m. Friday, Feb. 8, for the CVCA Gallery Walk. This free walk will feature 12 of Cache Valley’s local businesses, galleries, and non-profit art spaces. Art lovers of every description will have the opportunity to socialize and tour a full spectrum of spaces and mediums — all in one evening. Start at any participating location and pick up a map; just

look for the businesses marked with the official yellow banner or download online at www. cachearts.org. Enjoy everything from mixed media to fine masterpieces by some of Cache Valley’s favorites. Participating 2013 locations downtown include: Caffe Ibis Gallery Deli, Global Village Gifts, JoyRide Bikes, Logan Fine Art, Mountain Place Gallery, Oasis Books, The Sportsman, Utah Public Radio and Winborg Master-

pieces. In addition, the February walk welcomes The Diamond Gallery, The Spirit Goat and Summerfest Arts Faire. Mark your calendars because CVCA is hosting a Gallery Walk on the second Friday of every even month this year. This effort is to help the community brand the Gallery Walk, as well as make it easier to plan for it. “Each walk has something new and exciting,” said Amanda Castillo, program director

of the Cache Valley Center for the Arts. “We have 11 or so regulars in every walk and a handful that will pick and choose what walks make sense for their businesses. Because these walks take place in the heart of downtown Logan, you can always find a place to meet up with friends and a place to wind down. We encourage those attending the walk to come early and stay late at one of the many wonderful local restaurants.”

Lyric Theatre unveils ‘Violet’

The stage musical “Violet” comes to the Caine Lyric Theatre at 7:30 p.m. Feb. 5 to 9, with a 2 p.m. matinee Saturday, Feb. 9. The production is presented by Utah State University’s Department of Theatre Arts. “This criticallyacclaimed musical provides a wonderful example of the exciting work being created by new writers in musical theater,” said Kenneth Risch, head of the theater department in the Caine College of the Arts. “Composer Jeanine Tesori is known for her ‘Thoroughly Modern Millie’ score, but ‘Violet’ and her other award-winning musical, ‘Caroline, or Change,’ showcase the composer’s ability to explore more serious themes.” Tickets for “Violet” are $18 adults, $15 seniors and youth, $10 USU faculty and staff and free for USU students with ID. For information and tickets visit the CCA Box Office located in room 139-B in the Chase Fine Arts Center, call 797-8022 or visit arts.usu.edu. Tickets are also available at the Caine Lyric Box Office at 28 W. Center St. an hour prior to curtain on performance dates. This musical is rated M for mature and is not recommended for audience


Page 5 - The Herald Journal, Logan, Utah, Friday, February 1, 2013

Chocolate Festival returns

Annual fundraiser to be held at Four Seasons

including best amateur and best professional chef. Other awards will include best teen and best parent/ child collaboration. The public will cast their vote for the People’s Choice Award. Taste these fabulous delicacies and, for a modest donation, you can take home a special goody

bag to your sweetheart. Better yet, stay and bid on the award winners at the live auction. All proceeds from desserts and other items auctioned and sold at the festival will benefit Planned Parenthood of Utah. Visit www.thechocolatefestival. org for more information.

Art students get vertical The effort of Utah State University art students, the exhibit “Vertical Experiment” will be on display until Feb. 8 in gallery 102 at the Chase Fine Arts Building. An opening reception will be held Monday, Feb. 4, from 5 to 7 p.m. In “Vertical Experiment,” form and mass are constructed by the use of repetition. This installation utilizes recycled material to investigate the opposition of two geometric masses. Despite similarities in material and grid construction, the two masses are different by design; this generates visual tension. Furthermore, the suspended wood allows viewers to interact with linear perspective as they move around the gallery. By looking through the rows of wood, they can see the accentuated negative space created within these forms. “’Vertical Experiment’ is a work of an intense two months’ effort of the advance sculpture students,” says USU assistant professor of sculpture USU Ryoichi Suzuki. “As a sculptor and a The art exhibit “Vertical Experiment” will be on display until Feb. teacher, I could say the result is outstanding.” Gallery at the Chase Fine Arts Center are 10 8 in gallery 102 at the Chase Fine Arts Building on the Utah a.m. to 5 p.m. State University campus.

© Disney

A silent auction of all entries begins at 6:30 p.m. A live auction of the winning desserts and other valuable items donated by local merchants follows at 8:45 p.m. Everyone can come join in the fun. Amateur and professional dessert makers are welcomed to submit entries. Adventurous chefs may enter desserts in professional, brownies, cookies, cakes, chocolates, parent/child team and teen categories. Not a chocolate fan? Enter other sweet treats in our “potpourri” section. Judges will award entries in each category

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Chocolate is back. This year’s venue for the Valentine Chocolate festival, Cache Valley’s premier, and tastiest fundraiser, is the new Four Seasons event center at 140 E. 2200 North in North Logan. Tasting begins at 6:30 p.m. Saturday, Feb. 9. Tickets are $10 for adults, $5 for children 12 and under, and will be available at the door. A fundraiser for Utah Planned Parenthood, the Chocolate Festival is an opportunity to sample tasty treats whipped up by professional and amateur Cache Valley chocolatiers.

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Page 6 - The Herald Journal, Logan, Utah, Friday, February 1, 2013

Annual CJC fundraising event set for Feb. 9 at Riverwoods Do your part to mend a child’s heart at a dinner and auction benefiting the Children’s Justice Center on Saturday, Feb. 9, at the Riverwoods, 615 Riverwoods Pkwy. Social hour will be held from 6 to 7 p.m. followed by dinner from 7 to 9 p.m. Cost is $35 per person. Call 753-7017 for ticket information. The event is sponsored by the Friends of the Cache County Children’s Justice Center. The Children’s Justice Center specializes in the forensic investigation of child abuse — a distinctly different focus than the Child & Family Support Center next door which focuses on prevention and education. The last place an abused child

wants to be is in a police station, emergency room or principal’s office, and the Teddy bears, toys and “grandma’s house” type environment of the Cache County Children’s Justice Center helps to calm the anxiety of victims of sexual and physical abuse, as well as their families. The child-friendly facility in Logan serves Cache, Rich and Box Elder counties and has been in operation for 16 years, the last 10 years in its present location. It is part of an 18 center network around the state and is supervised by the Utah Attorney General’s Office in cooperation with the Cache County Attorney’s Office. Child abuse victims are interviewed at the CJC by specially trained detectives from

‘Harvey’ continues run at the Heritage Theatre

local law enforcement agencies and case workers from the Division of Child & Family Services. Medical services are provided in the facility by pediatric specialists including a nurse practitioner and registered nurses employed by the Primary Children’s Medical Center. Ongoing training for investigators, therapists, social workers and medical providers is sponsored by the Children’s Justice Center. The Center sees an average of 300 children each year. While some funding comes from the state legislature each year, an active Friends organization solicits private contributions to pay for the facility maintenance, utilities and other expenses.

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The Heritage Theatre in Perry presents “Harvey” from Jan. 18 to Feb. 9. Performances will be held at 7:30 p.m. Mondays, Fridays and Saturdays. Tickets are available from 11 a.m. to 2 p.m. Mondays and Wednesdays through Saturdays at the Heritage Theatre box office at 2505 S. U.S. Hwy. 89, or by calling (435) 723-8392. Tickets are $10 for adults; $9 for seniors and children. Directed by Daniel B. Kaminsky, “Harvey” tells the story of Mr. Elwood P. Dowd and his unseen and presumably imaginary friend, a six-and-a-half foot tall rabbit named Harvey. When Elwood introduces his pooka to guests at a party being held by his sister Veta and her daughter Myrtle, they have had as much of his behavior as they can take. Veta, who attempts to have Elwood committed to spare her and her daughter from any further embarrassment, is committed herself by the doctors of Chumley’s Rest Home feeling that she cannot function in society in her current emotional state. Comedy ensues as Elwood’s family and the doctors try to find Elwood and resolve this matter once and for all. But in all of this ado, what does Harvey think of the situation and how will he help set things right?

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LOS ANGELES (AP) — Like the amped up comeback tour of two rockers who had their heyday sometime in the mid-’80s, Sylvester Stallone and director Walter Hill (“48 HRS.,” “The Warriors”) join forces for a hardhitting exercise in beefy, brainless fun with the New Orleans-set actioner “Bullet to the Head.” Taking its B-grade scenario à la lettre, this assassin-cop buddy movie aims to accomplish little more than delivering tons of kinetic wham-bam fight sequences and LOL one-liners, which Stallone recites from a face that seems literally frozen in time. Independently financed, “Bullet” should target decent crowds, especially abroad, though will play best on the small screen. Adapted by Alessandro Camon (“The Messenger”) from the French comic book series by Matz, the film shifts the setting from New York to New Orleans (tax credits, anyone?), though that location is never officially named — and, like many things in this fast and easy shoot ‘em up, such details don’t really matter.

Sylvester Stallone stars in “Bullet to the Head.”

An opening assassination scene, replete with a prostitute and lots of cocaine, introduces us to Jimmy Bobo (Stallone), a tired and heavily tattooed hitman who’s seen it all but still can pack a nasty punch. When Jimmy’s partner (Jon Seda) gets sliced up by a musclebound meathead (Jason Momoa) with expert mercenary skills, Jimmy vows revenge. He teams with an out-of-town detective, Taylor Kwon (“Sung Kang,” “Fast Five”), who’s been sent to investigate the murder of his former partner — who turns out to be the very man Jimmy took down. If this sounds complicated, it isn’t, and once those major plot points are dispatched with, “Bullet

Action!

to the Head” dishes out 90 minutes of old-school mayhem, accompanied by plenty of comic banter between the aging thug and his Korean protege. It’s as if Stallone and Kang were swapped in for Nick Nolte and Eddie Murphy in yet another “Another 48 HRS.,” with Bobo showing Kwon the ropes while insulting his ethnic origins to no end, even if it’s clear we’re in bromance territory from the get-go. After much face smashing, the two renegades eventually catch wind of a local conspiracy involving government contracts, converted condos and Christian Slater, who makes a short but fun cameo as a local sleazeball with a few zingers of his own. As is required in

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this sort of nuts-and-bolts material, all the characters wind up at an abandoned power plant, where the big showdown goes down with bullets and battleaxes and some more jokes from the peanut gallery. We’re clearly in “Expendables” territory here, though unlike those rather drawn-out affairs, Hill keeps his movie lean and mean, cutting straight to the punch lines while administering violence in quick and crunching doses. Bobo refers more than once to his old age, but Stallone can still throw himself into a good fight (courtesy of stunt coordinator JJ Perry), though he’s more convincing kicking butt or dropping one-liners than when he’s garbling a voice-over. The Louisiana-shot production doesn’t exactly do justice to its purported $55 million budget, though the locations are colorful and well-utilized, while the hard rock score by Steve Mazzaro fits this joyride perfectly. ———

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Page 7 - The Herald Journal, Logan, Utah, Friday, February 1, 2013

‘Bullet’ a loud, proud B-movie


‘Dancin’ on a Wire’ Talented local trio collaborates on a popular song and a new video, which drops . . . TODAY had already developed a musical base for the song, the lyrics were slow in coming until he was inspired by the woman who had originally helped him develop a love of music. “Once my mom came up with that phrase,” Wesley explains, “it was like all of a sudden …” “Everything just kind of took off from there,” Osmond completes. Where Osmond and Wesley are now is potentially on the edge of Even though he’s just short of 23 something big. years old, Kyle Wesley is the owner With some additional help from a of his own recording studio. Situmusic production company in New ated in the backyard of Wesley’s York City, Osmond’s first single parents’ home in the Cliffside area “Dancin’ on a Wire” — with Wesley of Logan, at first glance the small playing piano and providing backwooden structure housing Kyle up vocals — was released on iTunes Wesley Studios, LLC, appears more likely to contain a lawnmower and a on the first of December. While the snowblower than a full drum kit and song has already created quite a bit of buzz, including being named a mixing console. “The Best Song of the Month” by And with the studio surrounded songwriteruniverse.com, more attenby nearly eight inches of freshly fallen snow on a frigid night in Janu- tion is sure to follow today’s release of the video for “Dancin’ on a Wire.” ary, it’s hard to picture Wesley and “It’s anticipated to be decently his songwriting partner Keiyana viral because it’s already indexed in Osmond struggling to complete the search results if you type in Kei“Dancin’ on a Wire” in the heat of a yana’s name,” Wesley notes. summer day. The video for “Dancin’ on a Wire” “We were just sweating,” Wesley was produced, directed and shot by declares. “It was like, the day he got A.C. in another young Cache Valley native, here, we just started writing the song Taylor Ballam. A 23-year-old graduate of Logan High School owns like crazy,” Osmond adds. “But Ballam Films, a business primarily before that, we were struggling to directed towards shooting wedding come up with anything.” videos. In addition to air conditioning, But once Ballam, Wesley and Osmond and Wesley were aided in the songwriting process by Wesley’s Osmond all got to know each other, the trio recognized an opportunity mother, Bonnie Purbaugh, who to further all of their careers at the initially suggested using the phrase: same time. “Dancin’ on a Wire.” While Wesley

“In a music world of uninspired lyrics and hollow messages it lifted my heart to hear something fresh, enabling, and uplifting. I can’t listen to it enough. Thanks for sharing your gift and encouraging us to find ours!” — A 5-star rating on iTunes for “Dancin’ on a Wire” posted by “Melting Fast” on Dec. 2

Story by Jeff Hunter • Photos by Brittany Cascio


Above, Keiyana Osmond performs in front of family and friends during the video shoot for “Dancin’ on a Wire.” Right, makeup artist Carrie Purer helps Osmond get ready for the camera. Far right, Kyle Wesley is a singer/songwriter, as well as a producer with his own recording studio. Bottom right, director/ cameraman Taylor Ballam consults key grip Jason Rogers during the video shoot. Facing page, Osmond is currently attending Utah State after graduating from Mountain Crest last year.

“I didn’t have as many high expectations when we started everything,” Osmond admits. “But now, I feel like so many things have opened up to me already because of this song. So, I’m just really into pushing it and hoping that it will become even bigger than I thought it would be in the first place.” “I still believe that it’s way bigger than we still understand,” Wesley seconds. “Just the whole process, I’ve felt like it’s huge.” Osmond and Ballam look at each other and smile before Ballam declares: “Kyle’s like super ambitious. He’s really been pushing this, and because of him, everything just kind of keeps snowballing.” ——— With a last name like Osmond, it’s hard to imagine a Utah native not considering musical greatness from a very young age. But Keiyana Osmond insists she’s never had any formal vocal training, didn’t even sing in choir at school, and has never even met those famous Osmonds. “I’ve never talked to them in my

life,” she says with a laugh. “But my grandpa and them are first cousins.” But Osmond, who grew up in Providence and now lives in Hyrum, did get her first guitar when she was 10, and sang in front of her family and friends for years. Her breakout performance, however, came in August 2010 when she won Cache County Idol at the county fair with her rendition of “The Man Who Can’t Be Moved” by The Script. “I had never really sung in front of a bunch of people before,” says Osmond, who was just 16 years old at the time. “But afterwards, I thought, This is awesome! I need to do this more!” See WIRE on Page 12


Page 10 - The Herald Journal, Logan, Utah, Friday, February 1, 2013

Honor Continued from Page 4 Eccles Caine Charitable Foundation. The Foundation supports many scholarships and programs at USU, as well as numerous community arts programs in northern Utah. Individually, Russell and Wanlass donated funding to create a world-class performance hall on the Utah State University campus. In 2006, the Manon Caine Russell Kathryn Caine Wanlass Performance Hall opened its doors to the public. The Performance Hall has enriched the community of Cache Valley and helped to bring the arts of Utah State University into a national spotlight. “It would be difficult to find someone in Cache Valley whose life has not been

touched — in fact, significantly enhanced — in some way by the Marie Eccles Caine Foundation and the Russell family, under the leadership of Dan and Manon,” said Utah State University President Stan Albrecht. The Russells have supported the arts through multiple administrations at the university and changing economic conditions, carrying on the Caine family tradition of supporting the arts at Utah State University. “Without the support of Dan and Manon, the culturally rich environment of Cache Valley, which we all enjoy, would be a very different place, as would the college that was named for their family,” said Craig Jessop, dean of the Caine College of the Arts. “We are most grateful.” The Fry Street Quartet was

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heart-shaped

founded in 1997 in Chicago, named for its first rehearsal space in a Chicago neighborhood. After competing in the Yellow Springs Competition and Banff International String Quartet Competition, the quartet was invited to travel to Israel in 2000 for the International Encounters Chamber Music Seminar, studying with Isaac Stern. The famous violinist arranged for the quartet’s debut at Carnegie Hall in 2001. Tickets for the Fry Street Quartet performance, which is open to everyone, are $15 for general admission, $10 for seniors and youth, $8 for USU faculty and staff and free for USU students with valid ID. For more information or to buy tickets, visit the Caine College of the Arts Box Office in room 139B in the Chase Fine Arts Center, call 797-8022 or visit arts.usu.edu.

Best Continued from Page 3 returns to filmmaking after seven long years. What he’s created here is not a very accessible movie. Mainstream moviegoers will be utterly confused by what Carruth has constructed. Much like Terrence Malick’s “Tree of Life,” Carruth has pieced together a story made up of beautiful images, engaging sound, and limited dialogue. There’s something to do with mind-control, worms that infect people’s bodies, longing for love, confusion of the natural order of things and the life cycle. See what I mean? This movie isn’t for someone who wants to sit down and simply watch a movie. Its non-linear way of telling a story gripped me, but may frustrate others. 1. “Fruitvale” I saw this film at the Best of

Fest screening the day after the festival had officially ended. It tells the sad story of Oscar Grant who was gunned down in a train station in Oakland by a negligent police officer. Oscar, who is played magnificently by Michael B. Jordan, has his problems. He’s been in prison before, but we get the feeling that he’s truly trying to change his life around. One thing is for sure, he loves his daughter. At the beginning of the movie they play pixelated cell-phone footage of the real-life incident. We know what’s going to happen, but that doesn’t stop the audience from feeling the absolute dread as Oscar inexorably comes face to face with an untimely death. It’s a powerful movie. When the movie ended I sat stunned, while my wife slowly wiped tears from her eyes. It won the Audience and Grand Jury Awards at Sundance, so it should be released in the near future.

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Just getting to Sundance is half the fun By Natasha Bodily For Cache Magazine

The road to Sundance was treacherous. I’m not talking metaphorically; it was seriously terrifying. I only made it down for one day of showings — and with my luck, it, of course, ended up being the morning of freezing rain. Fortunately, I had thought ahead and crashed at a friend’s place the night before, leaving me only with the trek from Salt Lake City to Park City instead of from Cache Valley. As I headed out to my car that morning, I nearly slipped as I realized my entire vehicle was covered in a thick sheet of ice. I immediately also remembered I was not an owner of an ice scraper. I Macgyver-ed around in my car until I found a water bottle, which I started using to scrape off the mountain of ice. Fortunately, some good Samaritans felt sorry for my pathetic self and swooped to the rescue with some legit equipment. The lovely couple even gave me their smaller ice scraper for future ice-capades. Thinking the worst of my morning was over, I hopped into my Neon and found my way to I-80, where I nearly swerved into oncoming traffic. It gets better. Merging onto I-80, I decided to switch to the radio instead of my rocking “Les Mis” soundtrack. The kind fellows of 97.9 were warning everyone to stay off the roads. “People aren’t taking this warning seriously — take a day off of work,” one said.

But, but, it was Sundance. And apparently I value my life about equally with some good cultural absorbance. Ignoring the warnings, I passed approximately a million car accidents before I made my way to pick up my press tickets and find the first theater. Unfortunately, the slow traffic caused me to miss the first flick, “A.C.O.D.,” so I found a Starbucks near a bus stop to waste some time. Since I had already missed one film, I decided to give myself extra time before the second one and headed toward the Sundance shuttles nearby, giving myself a pat on the back for finding a free place to park. My next ticket was for “Upstream Color,” which

The documentary “Fire in the Blood” details the plight of sick people in Africa.

was described as a science-fiction movie where identity becomes an illusion. Before it started, I found myself talking to a small group of perfect strangers about Sundance and the upcoming film we were awaiting. An older couple told us how they attend the festival every

year, and a young Australian woman had made the long trip here just for the films. It was nice to be surrounded by people who appreciate the arts as much as myself. As the film time neared, I entered the line of ticket holders while my newfound friends waited in standby. The film started, and it was truly beautiful, but the entire time it was playing I waited for everything to finally make sense. It never happened and that evening as I tried to piece together a review, I sat stupefied for hours. “Upstream Color” definitely took the prize for the most confusing movie I have ever seen in my life. Following the head scratching, I made my way back to my car to

retrieve cold medicine We got into the thebefore finding out how ater for the viewing of to make it to the next “Fire in the Blood,” a theater. I got back to documentary detailing the bus stop and asked the horrendous reality the volunteer what my that millions of people best bet would be, when — specifically in Africa he told me there was — died unnecessarily as actually parking at the a result of big pharmatheater and I could easceutical companies. ily drive there. Another When the film ended patron asked for a ride, and the director had to which I responded, finished answering audi“Only if you’re not an ax ence questions, I made murderer.” He wasn’t. my trip back to Salt Lake City, where, upon We drove to Redstone reentering the same theater, where I again parking spot I had left, I headed into the ticketgot stuck in a snow bank. holder line as my friend looked for standby. In the Despite the dreary line, I made friends again weather and lack of with an older professor star-sightings from this and his student from an year’s Sundance trip, I arts college in L.A. The had a blast. I think Sunprofessor said he’d made dance is one of the best this trip with students events Utah experiences, over the past 10 years and I am lucky to have and it’s grown every year. had a taste of it.

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Page 12 - The Herald Journal, Logan, Utah, Friday, February 1, 2013

Wire Continued from Page 9 Osmond went on to post cover songs on YouTube and sing at local establishments like Pier 49 and Cafe Sabor before a mutual friend suggested that her and Wesley consider working together. Wesley says he’s heard similar thoughts numerous times before but that his friend’s raving of Osmond was “a complete understatement.” “I was knocked off my feet,” he proclaims. “I was completely taken off guard. I heard her voice, and I was, ‘Whoa! We have to do something together.’” About the same time, Ballam was added to the mix and a plan for a complete musical project started to emerge. Initially, the trio figured they’d try to come up with about $500 to produce a music video for “Dancin’ on a Wire.” “But the more we did it, the

“It was a dream come true for me,” says Osmond, who is currently attending Utah State University after graduating from Mountain Crest High School last spring. “It was the longest day ever, but it was so fun!” Since November, Ballam has been hard at work completing the editing process, and as of Monday, he said he was nearly done. It’s scheduled for release today on Osmond’s YouTube channel, as well as other locations. Osmond also has a four-song EP scheduled to be released on iTunes on March 26, while Wesley has an EP of his own Eli Lucero/Herald Journal Jeff Hunter/Herald Journal scheduled to come out April 2. Above left, Keiyana Osmond won the Cache County Idol competition in 2010 at the age of 16. Above But in the meantime, Osmond, right, Wesley, left, Osmond and Ballam got together this week at Wesley’s recording studio in Logan. Wesley and Ballam are all “Dancin’ on a Wire” as they Ballam, who served as camera- wait to see what direction their their own personal money as more I was like, ‘If we’re man, director and producer. well to increase the budget going to do this and put all the careers take now. even further. Ballam ended effort into it, let’s just get as Filmed along the Logan “The song is about taking up renting a high-end video much we can and go all out River Trail and at the old chances, following your dreams camera that cost $1,500 a day, and just treat this like a big Logan Coach warehouse at and just making things happen huge production,” Ballam says. meaning that the video shoot 300 South and 400 West, the while you’re young,” Osmond ended up being a 24-hour mar- video ended up including Eventually, the project mandeclares. “And the funny thing athon. “We started at 6 in the aged to raise $3,500 through close to 100 relatives, friends is, I feel the lyrics of ‘Dancin’ morning, and I finished up at kickstarter.com, but the trio and crew members on a cool on a Wire’ are exactly what’s about 6 in the morning,” says ended up kicking in some of day in mid-November. happening for us right now.”

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Page 13 - The Herald Journal, Logan, Utah, Friday, February 1, 2013

Celebrating a Commitment to Excellence‌ DAN C. and MANON CAINE RUSSELL

special thanks for a lifetime of devotion and service to the arts On the occasion of the 10th Anniversary of the Fry Street Quartet President Stan L. Albrecht and Dean Craig D. Jessop invite you to celebrate the announcement of the

DAN C. AND MANON CAINE RUSSELL RESIDENT QUARTET ENDOWMENT at the Fry Street Quartet Concert

Thursday, February 7, 2013 | 7:30p.m. | Performance Hall Utah State University Campus | Logan, Utah

arts.usu.edu | 435.797.8022 CCA Box Office : Chase Fine Arts Center RM 139B | USU Campus $15 Adults | $10 Seniors & Youth | $8 Faculty & Staff | Free for USU Students w/ID

C A I N E

COLLEGE of theARTS


Page 14 - The Herald Journal, Logan, Utah, Friday, February 1, 2013

CrossworD By Myles Mellor and Sally York Across 1. Miniature sci-fi vehicles 5. Zanies 10. ___ in the dark 14. Yellowish brown 19. Newton, e.g. 20. Mischievous 21. Paseo 22. Spoils 23. Had the best teacher? 27. Life descriptions 28. Goat antelope 29. Subway 30. Faith Hill, for one 33. Calculate 34. Something to follow 36. Montana tribe 39. Peruvian coin 40. Liberal leader? 42. Olympic swimmer Janet 44. Military blockade 45. Understand what make’s people tick 51. Modern ___ 52. Sorority letter 53. Uh-huh 54. Men of the cloth live here 55. Dunker, for one 59. Peach or plum 61. Opening 63. Low life? 64. Mozart’s “L’___ del Cairo” 67. Brilliancy 69. Soprano Ponselle 73. Wise in the ways of city life 77. Marvel Comics superhero 78. Kidnapper 79. Nigerian language 80. Really enjoyed 81. Persuade 82. Commanded 84. Department store department 86. Aussie lassie 90. Astonish 92. Rite answer?

95. Crib 96. Mulls it over 103. “Middlemarch” author 104. Indian side dish 105. Kind of skin 106. Collector’s suffix 107. Clabber 108. It equals 100 cents in Ethiopia 109. Detachable container 111. Tacks on 115. Orleans’ river 117. Window alternative 119. Make 120. Grasps 127. Suite spot 128. Nipper 129. Leather whip 130. Smear 131. Way too weighty 132. Accommodate 133. Askew, in UK 134. “Five ___ Pieces” Down 1. Afghan moolah 2. Nonpareil 3. Popular video game 4. Sunset ___ 5. Fools 6. ___ chestnut 7. Switch positions 8. Blaze-extinguishing vessel 9. Rattling noise 10. Old World duck 11. Poll ___ 12. European skyline sight 13. Flaw 14. Passing mention? 15. Use of force 16. Award givers, maybe 17. Abbr. after a comma 18. Manhattan ingredient 24. “Just the opposite!” 25. Particles 26. Part of A.A.R.P.: Abbr.

30. Put it to 31. Syndicate head 32. Charlotte-toRaleigh dir. 34. 127-Across convenience 35. Still full 37. Look like a creep 38. Rings up? 41. Yeanling producer 43. Peeper 44. Kind of team 46. Banquet sight, often 47. Ordeal 48. Suffers from 49. Cry of disgust 50. Middle East titles 55. Thai currency 56. Nursemaid 57. Baja bread 58. Smash to smithereens 60. The “U” in UHF 62. Allow to be known 65. Two-dimensional 66. Hinder 68. To do this is to believe 69. X or G 70. Hydrox alternative 71. ___ gun 72. Nile snakes 74. Vast expanse 75. Most riled up 76. Morning worship 81. Word with car or machine 83. Fed. agency 85. Kimono tie 86. On ___ (without a contract) 87. Naval base? 88. Drain of color 89. Some atoms 91. Dam 93. Goldbricking 94. Wahoo fish 97. Adjusts 98. Animal with a snout 99. New Zealand parrot 100. Medical tube 101. “Go on ...” 102. ___ de deux

108. Dude 110. Japanese port 112. Like some moss 113. When it’s broken, that’s good 114. Like a maple leaf 116. Cuba’s ___ of Youth 117. Encourage, in a way 118. Chemical compound 120. First name? 121. Laura’s hubby 122. ___ tooth 123. Music with jazzlike riffs 124. Take action against 125. Some fraternity men 126. Word with dock or socket

answers from last week

Herald Journal one to two days prior to the event. Calendar items can be submitted Deadlines inbyThe email at hjhappen@hjnews.com. Any press releases or photos for events listed in the Cache Magazine calendar items are due Wednesday by 5 p.m. They will also run for free

first half of Cache Magazine can be sent to jhunter@hjnews.com. Poems and photos can also be sent to jhunter@hjnews.com and run on a space-available basis if selected.

www.ThemeCrosswords.com


Friday USU’s Science Unwrapped presents “Explore to Conserve: A Russian Adventure” at 7 p.m. Friday, Feb. 1, in the Eccles Science Learning Center Auditorium on the USU campus. USU physicist Jeff Hazboun details his National Geographic-sponsored kayaking trek through Russia’s far eastern Kamchatka Peninsula to explore pristine, yet imperiled, salmon habitat. All ages are welcome. Refreshments and learning activities follow the lecture. For more information call 797-3517 or visit www.usu.edu/ science/unwrapped. A singles dance for ages 31 and up will be held from 8 p.m. to midnight, Friday, Feb. 1, at the Willow Park LDS Church building at 340 W. 700 North. Wear red, white or pink and anything with hearts. Bring singles and friends. Dance lessons from 8 to 9 p.m. followed by dance from 9 to midnight. Refreshments served; the suggested donation is $3. The Youth for Youth Benefit Concert will be held at the 7 p.m. Friday, Feb. 1, at the Logan High School Auditorium, 162 W. 100 South. Admission is $5. The fundraiser will benefit orphans in Ecuador and will feature the talent of Missy Checketts, Chase Kimball, Andy and Taylor Checketts, Enlight Ballroom, Abrianne Story, Makenna Farnsworth and others. Guest speakers from Dando Amor will also attend. Missing Method will perform along with My New Mistress and Among the Ashes at 8 p.m. Friday, Feb. 1, at Why Sound, 30 Federal Ave. Admission is $5. Sherid Peterson will perform from 6 to 8 p.m. at Pier 49 San Francisco Style Sourdough Pizza. Peterson’s music is always a crowd favorite. Everyone is welcome; there is no cover charge. The Nora Eccles Harrison Museum of Art at Utah State University presents “Industrial Ethos,” an exhibit focusing on

the intrigue of the industrial environment through the work of photographer Chris Dunker, a faculty member in the Department of Art and Design at USU. An opening reception will be held at 5 p.m. Friday, Feb. 1, in the Nora Eccles Harrison Museum of Art, located in the Chase Fine Arts Center on USU’s campus. The reception is free and open to the public, with light refreshments provided. “Industrial Ethos” is on display through the end of May at the museum, open from 10 a.m. to 5 p.m. Monday through Friday, and from 11 a.m. to 4 p.m. Saturdays. For more information, call 7970163 or visit artmuseum.usu.edu.

SATURDAY Just Jumpin’ and the USA All Stars will be hosting The Jolt — a jump-rope exhibition and workshop — Saturday, Feb. 2, at the Logan Community Recreation Center. The workshop for beginning and intermediate jumpers will be held from 1 to 4 p.m. Cost is $20 per jumper. A silent auction will begin at 4 p.m., followed by the exhibition at 7 p.m. Admission is $5 for adults, $3 for children 6 to 12 years of age and kids under 5 are free. For more information, call Patrice Winn at 755-6046, visit www.justjumpin.org or visit Just Jumpin’s Facebook page. Utah State’s Deaf Education Student Association is excited to announce our 20th Annual Winter Workshops. This year’s theme is “Breaking Down Barriers in Deaf Education.” A workshop kickoff will be held at 6:30 p.m. Friday, Feb. 8, followed by the workshops from 9 a.m. to 5 p.m. Saturday, Feb. 9. Keynote speakers are Dr. Robert Hoffmeister and Dr. Flavia Fleischer. Cost is $75; student rate is $55. For more information or to register before Friday, Feb. 2, visit www.usu.edu/desa. Hoodoo will perform from noon to 2 p.m. Saturday, Feb. 2, at Caffe Ibis, 52 Federal Ave. Hoodoo is a folky, acoustic band with songs inspired by the beauty of Logan and Utah’s outdoors.

The World of Puppetry Museum will be open from 2 to 5 p.m. Saturday, Feb. 2, at the Fine Arts Center, 58 S. 100 West in Brigham City. Free activities include puppet history tours and demonstrations, puppet making and puppet play, a “Punch & Judy” show at 3 p.m. and puppet story time at 4 p.m. The museum is open the first and third Saturday of each month or by appointment for groups. Admission is free, but donations are accepted. The Cache Valley Folk Dancers and Bridger Folk Music Society is hosting its “first Saturday” contra dance at 7:30 p.m. Saturday, Feb. 2. The dance will be held at the Whittier Community Center, 290 N. 400 East. A $6 donation is suggested at the door; $3 for children under 12. Beginners and families are welcome and all dances are taught. For more information about contra dancing call 753-2480 or 753-5987 or visit www.bridgerfolk. org/contra.html. Acoustic oldies group Relic will perform live from 6 to 8 p.m. at Pier 49 San Francisco Style Sourdough Pizza. This is a great sounding group. Preview them at relicacousticband.com. What’s behind the love of chocolate? That and more can be learned at the next “Saturdays at the Museum” offered at Utah State University’s Museum of Anthropology. Activities for the “Anthropology of Chocolate” will be offered from 10 a.m. to 4 p.m., Saturday, Feb. 2. Event organizers invite guests to explore the world of chocolate. Information on the origins, use and cultural significance of chocolate will be available throughout the day, and visitors can participate in several chocolate-themed activities. The USU Museum of Anthropology is on the USU campus in the south turret of the historic Old Main building, room 252. Admission is free. For Saturday activities, free parking is available in the adjacent lot, south of the building. For more information about museum events, call

museum staff at 797-7545 or visit anthromuseum.usu.edu.

SUNDAY Guitarist extraordinaire Kris Krompel will perform an acoustic set from noon to 2 p.m. Sunday, Feb. 3, at Caffe Ibis, 52 Federal Ave.

MONDAY The Booklore Club will meet at 1:30 p.m. Monday, Feb. 4, at the home of Alice Lamborn. The Cache Valley Retired School Employees Association will meet at 1 p.m. Monday, Feb. 4, at the Copper Mill Restaurant. A representative from URSEA will present a program explaining member benefits. All retired school employees in the valley are invited to attend. Reservations are necessary. If you plan on attending, please call Diane Esplin at 563-6412. Early registration for the 2013 Polar Plunge at Hyrum Dam has been extended to Feb. 4, so you can still save and register for the discount of $40 regular plunger and $30 student; late registartion will be $60 regular and $40 student. Register today and start raising money for Special Olympics Utah at www. firstgiving.com/SOUT/hyrumdam-polar-plunge.

TUESDAY The Cache Carvers Woodcarving Club will meet at 7 p.m. Tuesday, Feb. 5, in the Cache Senior Center located at 236 N. 100 East. The public is invited to attend. For information call 5636032 or 757-3127.

teaching us how to make a home cooked favorite in a healthy way. The recipes he has come up with are really going to surprise you with how good they are. Please reserve a seat today at the service desk or visit us on Facebook or at www.maceys.com. The Master Gardener training classes begin Wednesday, Feb. 6. This series is specifically for those who want to learn more about gardening and horticulture. Additionally, those who choose to stay involved become Master Gardeners and participate in horticulture related community service projects. Classes are taught by USU and University of Idaho Extension horticulturists. Classes go from 6 to 9 p.m. Wednesday evenings and will be held in the Cache County Administration Building Multipurpose Room. The series lasts for 12 weeks. Registration is $110. For more information, a class schedule or an application, visit extension. usu.edu/cache/htm/horticulture or call 752-6263.

THURSDAY

The Heritage Theatre in Perry will be holding auditions for “Death by Chocolate” at 7 p.m. Thursday, Feb. 7, and 9 a.m. Saturday, Feb. 9, at 2505 S. Hwy. 89. If needed, callbacks will be held at 7 p.m. Tuesday, Feb. 12. Performances for “Death by Chocolate” will be Mondays, Fridays and Saturdays from April 19 to May 11. For more information, contact director Diane Robbins at dianemrobbins@aol.com or visit www.heritagetheatreutah.com.

WEDNESDAY

Lewiston Elementary School will be presenting “Peter Pan” at 6 p.m. Thursday, Feb. 7, and at 3 p.m. Saturday, Feb. 9, at the school. Admission is free.

Macey’s in Providence will host “Home Cooked Flavor” at 7 p.m. Wednesday, Feb. 6, in the Little Theatre. We all know that the best food is what we remember eating as a child right? Sometimes this food wasn’t always the healthiest, so Forrest Young is going to be

OPTIONS for Independence will be holding its Autism Spectrum Disorders Support Group from 7 to 9 p.m. Thursday, Feb. 7, at 1095 N. Main St. This group is for people with autism, family members and friends. For more information contact Jennie at 753-5353 ext. 104.

Page 15 - The Herald Journal, Logan, Utah, Friday, February 1, 2013

calendar


Page 16 - The Herald Journal, Logan, Utah, Friday, February 1, 2013

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