Cache Magazine
DIRT CHEAP The Herald Journal
trash car racing comes to logan MAY 20-26, 2016
contents
May 20-26, 2016
COVER 6 Local promoter attempts to kickstart trash car racing at Cache Valley venues
THE ARTS 4 Utah Festival Opera & Musical Theatre selling tickets for 2016 season
4 Youth Shakespeare set to present ‘Twelfth Night’ at the Bullen Center 5 Music Theatre West to
host summer workshops
5 Imperial Glee Club to
celebrate 100 years with special concert on Friday
TV 8 ESPN works with Nielsen ratings to change the way viewership is recorded
8 Bryan Cranston brings
his portrayal of Lyndon B. Johnson to HBO television
MOVIES 9 ‘Captain America: Civil
War’ dominates box office, but ‘Monster’ makes money
CALENDAR 15 See what’s happening this week in Cache Valley
Red, voiced by Jason Sudeikis, lets loose in a scene from “The Angry Birds Movie.” (AP Photo) On the cover: AJ Sanchez and Jeff Robins race their trash cars last Saturday night at the Cache County Fairgrounds. (Eli Lucero/Herald Journal)
FROM THE EDITOR You might notice that there are no movie reviews from Aaron Peck in this week’s edition of Cache Magazine. Unfortunately, Aaron has been busy with “real life” and didn’t have the time to view any of the three major motion pictures that are being released today. So, I guess that just leaves me to try and present some brief reviews of films that I have very little knowledge of ... as you will quickly realize. Here we go: “Neighbors 2: Soroity Rising” — I have to admit, I’m probably not the right person to review this since I didn’t see the first “Neighbors.” But you know, it was rated R, and I was still a pre-teen when it came out in 1981. Why it took so long to make a sequel,
I’m not sure. I know John Belushi died in 1982, but Dan Aykroyd still did a “Blue Brothers” sequel — for some ridiculous reason — only 18 years after the original “Blues Brothers” came out. I’ll give “Neighbors 2” ... ummm ... two stars, just because there’s already a two in the title, so that makes it easy to remember. “Angry Birds” — Now, I originally thought this was a prequel to “The Birds” that finally explained why all those featured creatures were trying to poke everyone’s eyes out in Bodega Bay. But after looking at some of the publicity stills, I realized that this movie has nothing to do with the 1963 horror classic — although some of the “Angry Birds” do have a similar shape to the great Alfred Hitchcock. It turns out that this film is based on a video game that was popular in 2010, so you can’t blame Sony Pictures for trying to strike while the iron is hot. I’ll give “Angry Birds” ... let’s see ...
two and a half stars ... primarily for working the Scorpions’ 1984 classic “Rock You Like a Hurricane” into a 2016 kids’ movie. “The Nice Guys” — Not to be confused with “The Other Guys” starring Will Ferrell and Mark Wahlberg, or the short-lived Fox TV comedy, “The Good Guys,” this film pairs up a couple of mismatched white detectives (Ryan Gosling and Russell Crowe) who get the job done in hilarious fashion. The film is another period piece for Crowe, who looked far better in Noah’s flowing robes than a ’70s lesiure suit. I’ll give “The Nice Guys” three stars ... mostly because I read another review by a qualified film critic that gave it three stars. However, there’s a good chance it would have gotten four stars if John Belushi and Dan Aykroyd had starred in it back in 1981. — Jeff Hunter
Utah State company to present four productions Utah State University’s Lyric Repertory Company — the Lyric Rep — brings audiences music, mystery, love and laughter in the summer 2016 season. “The Caine Lyric Theatre has been an integral part of the community for more than 45 years,” said Richie Call, co-artistic director of the Lyric Rep. “We have a cast of amazing actors from all over the country.” And, Call notes, a number of long-time audience favorites return this summer. The company offers four shows that, when all have opened, play in repertory. Opening this year’s season is “Arsenic and Old Lace,” a comedy by Joseph Kesselring. This Lyric Rep favorite includes some of the most beloved characters of all time. Mortimer Brewster, a drama critic who must deal with his crazy, homicidal family, scrambles to keep Brooklyn safe from the “charity” of his wellmeaning aunts. In the classic comedy, Martha and Abby Brewster leave Mortimer questioning his own sanity. The two aunts are played by Leslie Brott and Colleen Baum, both members of Actors’ Equity Association with extensive regional credits. “Arsenic and Old Lace” opens June 9 and continues through the summer June
– ESPN personality Kenny Mayne (Page 8)
PET OF THE WEEK Available for adoption
Photo courtesy of Caine College of the Arts
The Lyric Repertory Company presented “Noises Off” in 2015. This summer, the troupe will present four productions: “Arsenic and Old Lace,” “Baskerville: A Sherlock Holmes Mystery,” “Singin’ in the Rain” and “You Can’t Take it With You.”
10, 11, 18, July 8, 16, 23, 28 and Aug. 5. Next is Ken Ludwig’s “Baskerville: A Sherlock Holmes Mystery,” opening June 16. In the Sherlock Holmes mystery, Ludwig puts his farcical spin on Sir Arthur Conan Doyle’s classic “The Hound of the Baskervilles.” Five actors play 45 characters in the regional premiere by the playwright who brought audiences “Lend Me a Tenor” and “Moon Over Buffalo.” Among the cast is Lee Daily, a Lyric Rep veteran and audience favorite. Audiences can solve the mystery in “Baskerville” June 16-18, 25, July 9, 13,
16, 21, 29 and Aug. 6. Opening June 23 and adapted from the 1952 movie of the same name is “Singin’ in the Rain,” based on the original screenplay by Betty Comden and Adolph Green with songs by Nacio Herb Brown and Arthur Freed. One of the most popular movie-musicals of all time, the show follows a Hollywood film studio as it adapts its latest silent film into a musical “talkie.” Katie Francis, who played the title role in last summer’s “The Mystery of Edwin Drood,” is set to play Kathy Selden and Tyler Whitsides plays Don Lock-
wood. Toe-tapping tunes from the show include “Singin’ in the Rain,” “Good Morning,” “Moses Supposes,” “Make ‘Em Laugh” and many more. The production opens June 23-25, July 2, 6, 9, 14, 22, 30 and Aug. 3 and 6. The fourth show of the season is “You Can’t Take it With You” by Moss Hart and George S. Kaufman. A charming, feel-good comedy, “You Can’t Take it With You”rounds out the 2016 Lyric Rep season. In the Pulitzer Prize-winning play, Grandpa Vanderhoff, played by Patrick Williams, leads See LYRIC on Page 10
Pet: Mystique From: Four Paws Rescue Why she’s so lovable: Mystique is the sister of Marvin. The lost their mother when they were very young and had to be bottle-fed. They are now about 5 months old, and are spayed and neutered, immunized and ready to go. They think they are people and are very friendly. What sweet kitties. Indoors only. If you are interested in adopting this cat, please call Sheri at 787-1751, or send an email to scfourpaws@hotmail.com. The adoption fee is $75, which includes the spay/neuter surgery and vaccinations. Please be patient with us getting back to you as we are all volunteers with full-time jobs and/or families.
The Herald Journal, Logan, Utah, Friday, May 20, 2016
Lyric Rep releases schedule
“No one ever says, ‘Let’s go to the sports bar and watch a Ken Burns documentary.’”
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ALL MIXED UP
Quotable
The Herald Journal, Logan, Utah, Friday, May 20, 201
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all mixed up LYS presents ‘Twelfth Night’ In keeping with what has become Cache Valley tradition, the award-winning actors of the Logan Youth Shakespeare troupe have an exuberant comedy on offer to welcome you to the summer. Filled with music, laughs, and revelry, Shakespeare’s beloved comedic masterpiece, “Twelfth Logan Youth Shakespeare will perform “Twelfth Night” Night” features an in-depth look on select dates from May 31 to June 6. at desire, identity and the perfor-
mance of gender. Viola has been shipwrecked following a storm off the coast of Illyria. During the tempest, she also lost her twin brother, Sebastian. Viola disguises herself as a boy, assumes the name of Cesario for her own protection and soon becomes a page in the service of Orsino. “Twelfth Night” opens at 7 p.m., Monday, May 30, with
additional performances at 7 p.m. on May 31 and June 2-4 and 6, at the Bullen Center, 43 S. Main Street. Tickets are available online at cachearts.org or at the door. Cost is $6 for adults, and $3 for ages 5-18. No children under will be 5 admitted. Come experience Shakespeare’s genius in the voices of Cache Valley’s young people.
Festival Opera tickets now on sale ‘Porgy and Bess,’ ‘Showboat’ to be featured in 2016 season Single tickets for the Utah Festival Opera & Musical Theatre’s 24th season will go on sale at 9:30 a.m. Monday, April 25. The Utah Festival Opera & Musical Theatre has assembled its largest group of musicians, performers and crew members in its history for this upcoming season. They will come from renowned stages across the nation, including Broadway and the Met, to the historic Ellen Eccles Theatre and the Utah Theatre to present 13 major productions and concerts and 139 events from July 6 to Aug. 6. The 2016 season includes five Mainstage Productions in repertory: “Showboat,” the 1927 classic that defined the “new” form of the American musical; “Porgy and Bess,” the greatest of American operas; the Tony Award-winning “Ragtime”; and Puccini’s final completed work “Il Trittico” in its Utah premiere, all
Photo courtesy of Utah Festival Opera & Musical Theatre
Above, “Showboat” will be among the Mainstage Productions presented this summer by the Utah Festival Opera & Musical Theatre. Top right, “Porgy and Bess” will also come to the Ellen Eccles Theatre stage.
held in the Ellen Eccles Theatre. “Peter Pan” will soar across the stage of the newly renovated Utah Theatre, scheduled to open in June. “Peter Pan” will open June 24. The productions will be presented in repertory with
full orchestra, and the season bursts with 139 concerts, lectures, interactive classes, backstage tours and more. Concerts include The Pianists, the International Opera Semifinals and Finals, Tribute to Cole Porter, a Chamber Music series, Pioneers and
Patriots featuring the return of John Philip Sousa and J.S. Bach’s monumental “Mass in B Minor” conducted by Dr. Craig Jessop and featuring the American Festival Chorus, special soloists and the Utah Festival Orchestra. Tickets will also be on sale
for backstage tours, breakfast with the stars, literary seminars and Academy classes where interactive courses will be taught by industry experts. The affordable classes range from topics like Houdini to painting with Kent Wallis, to backstage magic, history and more. Performance tickets will be available online at utahfestival.org, by calling 750-0300 or in person at the box office located in the Dansante Building at 59 S. 100 West. Academy tickets are not available online. Ticket prices vary by performance, and discounts are available for season ticket purchases and groups. Students of all ages receive a 25 percent discount with ID.
will build lasting friendships, performance skills and confidence during this week-long workshop. Audiences at the free Friday performance will be amazed at what these talented youth can learn in one week’s time. Tuition of $125 includes workshop participation, daily snacks, lunch on Friday and a T-shirt. The Teen Workshop will feature a production of “Bugsy Malone Jr.” at 4 and 7 p.m. Saturday, July 30. In just two weeks, the MTW
staff and participants will produce this fun, high energy musical from audition to performance. This workshop will train teens in show production, dance, music and acting. There will be many featured roles and solos for all who want one. Tuition of $250 for teens 13 to 18 includes production participation, T-shirt, daily snacks and dinner between shows on July 30. For more information, visit musictheatrewest.org or call Debbie Ditton at 232-3054.
Imperial Glee Club hits 100 Men’s chorus to celebrate with concert Friday night The Imperial Glee Club will host its Centennial Spring Concert at 7 p.m. Friday, May 20, at the Logan Tabernacle. The event is free, and everyone is invited. Cache Valley’s historic men’s chorus, the Imperial Glee Club is celebrating it’s 100th anniversary this year. Founded in 1916 with a charter of service and brotherhood, the group is one of the oldest continuously performing men’s choruses in the United States. For those arriving early, a video presentation of the history of the club will be shown beginning at 6 p.m. The 25 to 30 members of the Imperial Glee Club come from throughout Cache Valley and perform choral music in a wide genre including show tunes, pop, and holiday music, with an emphasis on patriotic and spiritual anthems. The club annually touches hearts and
Trenton Chang concert
Local pianist Trenton Chang will hold a concert at 7:30 p.m. Tuesday, May 31, at the USU Performance Hall. A senior at Logan High School, the concert will serve as a fundraiser for Chang, who will travel to New York City in June to perform at Carnegie Hall and other historic venues. At the concert in Logan, he will be performing Rachmaninoff’s Second Concerto with his teacher, Gary Amano.
Freedom Fire tickets
Tickets For the Freedom Fire Independence Day Celebration and Fireworks Show go on sale Monday, May 16. Join your family, friends, neighbors, and fellow Americans on Friday, July 1, to celebrate the greatest country in the world at USU’s Maverik Stadium. The entertainment will include Caleb Chapman’s Crescent Super Band, Journey Unlimited: The Tribute and Ryan Innes. Tickets are $8 or a six-ton pack for $36. All tickets are general admission. Tickets will be available the Logan Community Recreation Center (195 S. 100 West), Logan Aquatic Center (451 S. 500 West), Cache Valley Visitors Bureau (199 N. Main St.) and the USU Spectrum Ticket Office (850 E. 900 North), or online at pr.loganutah.org.
Summerfest volunteers
Summerfest Arts Faire is seeking volunteers for this year’s event, scheduled for June 16-18. Come and play with us in the sun and enjoy the art, music and food. We are looking for individuals and groups to help us set up, run and take down the fair. If you need service hours, are looking for an Eagle Scout Photo courtesy of the Imperial Glee Club or Girl Scout project, or just want to come and The Imperial Glee Club will host its Centennial Spring Concert at 7 p.m. Friday, May 20, enjoy the ambiance, we would love to have your help. at the Logan Tabernacle. Admission is free. Visit logansummerfest.com or call 213-3858 for more information. to open up. cooperation and good lives with dozens of will, that the club may performances through In 1920, the Sixth raise its standards of out Northern Utah and Ward Glee Club, as it ‘ singing, community Southern Idaho in a wide was called, held a con The Utah Festival Opera & Musical Theatre is variety of business, civic, service and sociability.” test to rename the club. seeking talented African-American children to parchurch, service and chari- Participation in the club The winning entry was ticipate in the Gershwins’ famous musical drama is by invitation and audi- submitted by Ed Bailey, table venues. tion. In the early years, a member of the group’s “Porgy and Bess” this summer. After World War I, club membership was First Tenor section. Since Children ages 7 to 16 are needed to stage this the Imperial Glee Club production about life in the 1930s in Charleston, highly sought after and then, the club has been drafted its official charSouth Carolina. tightly controlled. Men known as the Imperial ter in 1920, which was The season runs July 6-Aug. 6. Please email or spent years waiting for a Glee Club. signed by 19 men. The call Cassandra at cassandra@ufomt.org or 755club member to relocate object of the club was or die in order for a spot See CLUB on Page 10 0300 ext. 111 for schedule and contract details. “to promote the spirit of
UFOMT seeks performers
The Herald Journal, Logan, Utah, Friday, May 20, 201
Music Theatre West will host its Summer Broadway Workshop for youth ages 5 to 12 June 27 to July 1 at Wilson Elementary, as well a two-week-long, intensive Teen Workshop Production on July 18-22 and 26-30. At the Broadway workshop, professionals from the musical theater industry will teach the basics of music, theater and dance using scenes and songs from favorite Broadway classics and current productions. Participants
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MTW hosts summer workshops COMING UP
TRASH CA Clockwise from left: Trash car racer AJ Sanchez (000) gets stuck on the course and Jose Jimenez drives past last Saturday night at the Cache County Fairgrounds arena. Mitch Richman climbs out of his car following a trash car race. Kids watch from the stands as Sanchez drives his timed heat. Austin Pitcher works on his car in the pit area near the arena. Pitcher sits in his car before the start of a trash car race last Saturday night at the Cache County Fairgrounds arena.
W
ayne West ha his blood. The retired stuntman and native has spent most years pursuing other his love for motorized its dirty, dangerous an forms has bubbled to once again. West is the man beh Promotions, a compa just recently to organ mote a series of races Valley area known as ing. In trash car racing, hybrid between NASC demolition derby, dri regular old street veh them with welded-on roll cages on the insid features, and pit them other like-minded ent oval dirt track. The motors and me ponents are all stock — frames are beefed up drivers safety and ext they bump and muscl around the track, eac cross the finish line fi “I think it’s someth really catch on aroun said. “Anyone who lik car racing would love Excessive rain canc trash car circuit’s deb Tremonton a couple o making last weekend’ Logan the first of wha will become a Cache V tion. “There’s never real thing quite like it in th people aren’t familiar said. “But once they s body is like ‘this is so
AR RACING HITS LOGAN
as motor oil in
car-jumping d Cache Valley t of the past 15 interests, but d racing in all nd glorious o the surface
hind 1st Place any he started nize and pros in the Cache s trash car rac-
, a sort of CAR and ivers take hicles, fortify metal caging, de and other mselves against thusiasts on an
echanical com— only the to provide the tra brawn as le each other ch aiming to irst. hing that could nd here,” West kes competitive e this.” celed the local but event in of weeks ago, ’s events in at West hopes Valley tradi-
lly been anyhis area, so r with it,” West see it, everyo cool’.”
RACING ROOTS
West grew up in Nibley, where his thirst for adventure spilled out early and often. “Growing up in the 1970s watching the famous Evil Knievel, I was hooked on adrenaline for life,” he said. At a young age, he started promoting stunt shows for all the neighborhood kids, charging them a quarter to watch him jump his bicycle over various objects. “As far back as I remember, I begged my parents to buy me a motorcycle, but my mother wasn’t having it,” he said. “I guess it’s because of the havoc and carnage I caused on a mere bicycle. Leaping (bicycles) off a small, makeshift ramp was death-defying enough for her.” Then one day when he was seven years old, a cousin of West’s gave him his first motorcycle — a Honda 50. Adding the power of an internal combustion engine allowed him to jack up the aggression on his stunts. “I finally had the sound of a machine to bring more action to my small-town Nibley shows,” he said. “Kids from all around for at least a few miles came to watch me leap this high-powered machine over what felt like 20 bales of hay, yet was really only two.” Through the rest of his childhood and early teenage years, West worked and saved money for a series of bigger and faster motorcycles, and he became a motocross racer. But then the magic number age 16 came along and so did a fast car, and he began competing in drag racing at the old Bonneville Raceway in Salt Lake City. “I was competing in almost anything to do with racing, whether it
was running in the local demolition derby or whatever.” In 1993, West moved to Oregon, where he found a surprising lack of demolition derby events. He started a motorsports promotion business called Smash-N-Crash Entertainment, and began organizing a variety of car- and truck-related events. “When I first began promoting in Oregon, I used an arena that the locals only used once a year for a harvest festival truck and tractor pull,” he said. “This venue was the perfect place for the multitude of events I held while I was promoting demo derby, truck drags, car football and jumping cars over cars.” In 2000, he decided it was time to retire from the car-jumping stunts he had become known for. That’s when he also decided to return to his Cache Valley roots. He started the Wild West Stunt Show, a full stunt-show extravaganza with car football, ATV barrel racing for adults and kids, car rollovers, freestyle motocross riding. In a grand finale signaling his retirement as a stuntman, West made his last and biggest jump at an event in Logan in 2000. “I had eight cars (lined up sideto-side) out there, but I could have cleared 15 easily,” he said. Shortly thereafter, he stepped out from behind the wheel to focus on other adventures, “although my love of motorsports events always made me either a promoter, participant or onlooker.” But the thrill of driving would not leave his blood, and proved to be too much to resist. “A few years ago, I slid back into the driver’s seat and started See TRASH on Page 10
STORY BY JEFF DEMOSS - PHoTOs BY ELI LUCERO
The Herald Journal, Logan, Utah, Friday, May 20, 201
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ESPN moving to get out-of-home ratings NEW YORK (AP) — ESPN says it has agreed with the Nielsen company to become one of the first television networks to regularly incorporate measurements of people watching TV outside of their homes in places like bars or health clubs into viewership estimates. The technology is expected to become available next year. Networks have been pushing Nielsen for technology to keep up with the changing
way people watch TV, and the company said it is working on the ability to regularly measure viewership across all screens in various places, not just TV at home. This is particularly important to a company like ESPN, and chief executive John Skipper said Tuesday that the impact on the company’s ratings will be dramatic — and will become part of the negotiations on prices it can command from advertisers.
Sports broadcasters have been particularly vocal in saying Nielsen’s at-home measurements don’t paint a realistic picture of their audiences. “No one ever says, ‘Let’s go to the sports bar and watch a Ken Burns documentary,’” said ESPN personality Kenny Mayne at the network’s annual presentation to advertisers. Nielsen has moved closer to providing this information regularly through its 2013 purchase of Arbitron and its
technology that allows people to carry portable measurement tools. The company has been testing the technology and is close to a point where these estimates can be fully incorporated into its ratings system, said Brian Fuhrer, the company’s senior vice president for product leadership. At ESPN’s presentation, advertisers got another stark look at how the TV business is changing. ESPN’s “Sportscenter”
anchor Scott Van Pelt was touting the network’s ratings for its midnight edition of the program. Some of ESPN’s competitors have suggested that television highlights shows like “Sportscenter” don’t have a bright future because young people are increasingly turning to online sources to get such news. “We believe that people have attention spans longer See ESPN on Page 9
Cranston brings ‘All the Way’ to HBO Emmy winner portrays LBJ in new movie NEW YORK (AP) — For five seasons of “Breaking Bad,” Bryan Cranston displayed his versatility through the dramatic evolution of his character, Walter White, from milquetoast schoolteacher to meth-marketing monster. But that was just a warmup for “All the Way,” an HBO film adapted from the Tony Award-winning Broadway play that calls for Cranston to embody the almost momentto-moment volatility of its larger-than-life real-life hero, President Lyndon B. Johnson. “He was big, he was small. He was boisterous, he was laconic. He was embracing, he was cold,” marvels Cranston. “The polemic of his personality was just unbelievable.” But Cranston’s performance in the film (which premieres Saturday at 9 p.m. MDT) is much more than an acting exercise. “All the Way” is a fullbodied portrait of a flawed yet overpowering political force, an unrivaled sweet-talker, arm-twister, bully and, above all, horse trader who mastered, as few have, the clattering
AP Photos
Left, actor Bryan Cranston poses for a portrait at the 2015 Toronto International Film Festival in Toronto. Above, Cranston stars in “All the Way,” premiering Saturday at 9 p.m. MDT on HBO.
contraption of Washington governance. The film travels the rocky road that led to passage of the Civil Rights Act of 1964, with LBJ finessing the clash of activism led by the Rev. Martin Luther King Jr. versus hidebound members of
Johnson’s own Democratic Party as, at the same time, he furiously fought to hold on to the presidency against his ‘64 Republican rival, Barry Goldwater. Capturing this stormy first year of the Johnson administration, the film is populated
by an array of stars including Bradley Whitford (as Johnson’s vice president, Hubert Humphrey), Frank Langella (as his former mentor, Georgia’s mighty Sen. Richard Russell) and Melissa Leo (wondrous as his ever-supportive wife, Lady Bird). Cranston had made his Broadway debut with “All the Way” — a nervy challenge he couldn’t say no to once he read Robert Schenkkan’s script. “It’s all about the story,” Cranston explains, “how this man ascends to power under great tragedy, and then, a
Southern guy, changes how we treat African-American citizens and other minorities in this country.” He threw himself into research, reading books, visiting key sites (including Johnson’s Texas ranch and his presidential library in Austin) and meeting with people who knew him, including his two daughters. Even before he opened at the Neil Simon Theatre in March 2014, a film adaptation was in the cards. Then, during the four-month engagement See HBO on Page 11
The adult thriller is not an easy code to crack.” The Blumhouse release label BH Tilt also opened the micro budget horror film “The Darkness” for the Friday the 13th weekend. The film, which stars Kevin Bacon, brought in $5.2 million from only 1,755 screens to take fourth place. In limited release, distributor A24 also scored big with “The Lobster,” a dark comedy about relationships starring Colin Farrell from director Yorgos Lanthimos. The film scored the best specialty opening of the year with AP Photo $188,195 from just four “Captain America: Civil War” brought in $72.6 million at the box office last week. screens in New York and Los Angeles before its film by over $35 million. “Money Monster” got off ca,’ we could open to $10 expands nationwide over Disney’s “The Jungle million. To open to $15 to a healthy third-place the next two weekends. Book” remained in secmillion in that time frame start with $15 million, It’s a good strategy to ond place with $17.8 mil- beating expectations in its is really a great number launch movies that don’t lion, bringing its domestic first weekend in theaters for us and it bodes well have massive budgets total to $311.8 million for the playability of after premiering at the on the weekend after the after five weekends in Cannes Film Festival. The the movie,” Rory Bruer, summer movie season theaters. film cost only $27 million Sony’s president of kick-off, ComScore Meanwhile, the R-rated to produce. worldwide distribution, Senior Media Analyst “We felt like in the George Clooney and Julia said. “We’re very proud Paul Dergarabedian said. “Traditionally this secwake of ‘Captain Ameri- to be part of this genre. Roberts financial thriller
ESPN
averaging 7.6 million viewers. NBC had 5.4 million viewers, ABC had 5.1 million and Fox had 2.8 million and Univision had 1.8 million. TNT was the week’s most popular cable network, averaging 2.32 million viewers in prime time. Fox News Channel had 1.98 million, ESPN had 1.66 million, TBS had 1.55 million and HGTV had 1.44 million. NBC’s “Nightly News” topped the evening newscasts with an average of 8 million viewers. ABC’s “World News Tonight” was second with 7.8 million and the “CBS Evening News” had 6.8 million viewers. For the week of May 9-15, the top 10 shows,
Continued from Page 8 than 6 seconds,” Van Pelt said. He then invited New York Mets pitcher Noah Syndergaard onstage for a conversation and asked the 23-year-old where he gets much of his sports information. Syndergaard’s answer? His phone. Last week in television, CBS’ “NCIS” led the way in ratings. CBS’ tribute to retiring “60 Minutes” correspondent Morley Safer landed among the week’s top 10 programs. CBS easily won the week in prime-time,
their networks and viewerships: “NCIS,” CBS, 16.04 million; “The Big Bang Theory,” CBS, 14.73 million; “NCIS: Action!
New Orleans,” CBS, 13.25 million; “Dancing With the Stars,” ABC, 11.33 million; “60 Minutes,” CBS, 10.89
million; “The Voice” (Monday), NBC, 9.8 million; “Empire,” Fox, 9.81 million; “Survivor,” CBS, 9.51 million; “60
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ond weekend in May is not an enviable weekend to be releasing on, but it can be a land of opportunity for films that fill a particular niche, or bring in an audience who might not be interested in these big blockbusters,” Dergarabedian said. “It’s not competing with all the noise.” The summer movie slate only gets more crowded from here on out. Next weekend sees the opening of “The Angry Birds Movie,” ‘’The Nice Guys,” and “Neighbors 2: Sorority Rising,” before the big Memorial Day release of “Alice Through the Looking Glass” and “X-Men: Apocalypse.” “It was a big weekend, but not the most exciting weekend,” Dergarabedian said. “It’s mostly business as usual.”
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**
4:50 7:10 9:30
Money Monster** (R) 12:05
2:15 7:25
Fri-Sun 1:45 4:30 7:10 9:50* 9:35 Mon-Thurs 4:30 7:10 ** The Jungle Book (PG) Fri-Sun 1:00 3:30 Neighbors 2: Sorority Rising (R) 12:30 * Mon-Thurs 3:30 6:05 8:30 2:45 4:25 6:45 9:00 6:05 8:45 Zootopia (PG) Fri-Sun 1:15 3:50 6:30 9:00* Nice Guys** (R) 11:55 2:25 4:55 7:25 Mon-Thurs 3:50 6:30 **NO DISCOUNT TICKETS OR PASSES ACCEPTED Showtime Updates:
www.MegaplexTheatres.com
*NOT ShOWINg ON SUNDAy AT MOvIES 5
The Herald Journal, Logan, Utah, Friday, May 20, 201
LOS ANGELES (AP) — It’s “Captain America’s” weekend at the box office once again by a large margin, but even with $72.6 million in earnings, the superhero pic left some room for other newcomers like “Money Monster,” ‘’The Darkness” and “The Lobster” to play, according to comScore estimates Sunday. “Captain America: Civil War” dropped 59 percent in its second weekend in theaters, in line with the second weekend showings of “Avengers: Age of Ultron” and “Iron Man 3.” While it’s on the higher end of second weekend falls in the Marvel Cinematic Universe, the Disney and Marvel film is still performing phenomenally well. In just two weeks, it has earned $295.9 million in North America, passing the total domestic grosses of “Captain America: Winter Soldier”
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‘Captain America’ maintains top spot
The Herald Journal, Logan, Utah, Friday, May 20, 2016
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Trash Continued from Page 7 competing in oval dirttrack racing and found myself hooked again,” West said. “Now I want to bring back some of the flavor I enjoyed in Oregon on those tracks driving oval track, and and introduce it here and now to Cache Valley and share that excitement with my hometown.”
THE DRIVERS
About 20 drivers are currently on the program for local trash car events. Most are selfprofessed motorheads who work at local auto shops and car dealerships, or who just love to get down and dirty on the track. Ryan Axtell, a salesman at Axtell-Taylor GM in Logan, came out on top at the fairgrounds Saturday night, but not before getting pushed right off the track in his firstever try at car racing Friday night.
“You get out there and you’re starting to get knocked around, you can get real frustrated,” said Axtell, whose previous experience has been as a motocross and dirt bike racer. “I got too emotional on Friday, and some other dudes put me up over the wall.” On Saturday, he decided to take a different approach. “I didn’t let (the other drivers) bother me,” he said. “I decided to just be chill, waited, took my time, and it worked.” While he would like to take credit for the adjustment, Axtell said the kudos belong to his girlfriend and fellow racer, Shania Laird. “Shania won both her races in the four-cylinder class on Friday,” he said. She’s more conservative, while I decided to go out there and just hit people. So I learned how to race from my girlfriend.” Laird, who works at Autobahn on the west side of town on 200 North, followed in her father Jason’s footsteps when she started running in demolition derbies at age 16.
Club Continued from Page 5 The first decade of the club’s existence saw the quality of singing improve to the point of winning competitions over other male choruses an being invited to sing for the international convention of the Kiwanis Club held in Seattle, Washington in 1928. The next decade was the era of Associated Glee Clubs of America to which the Imperial Glee Club subscribed and as such joined with several other member groups from Utah to sponsor a concert in the Salt Lake City Tabernacle with
“It’s just a stock motor and everything is stock,” she said. “We’re not making it faster or more powerful.” While cars on the relatively short Logan track last week got up to speeds of around 30 miles per hour, Laird expects that to increase to about 40 miles per hour on the larger Preston A driver competes in a barrel race last Saturday night at the track this weekend. Cache County Fairgrounds arena.
She said part of the appeal of trash car racing to drivers is that building a trash car costs less than building a demo-derby car, and the cars don’t get smashed up so quickly. “You just strip it down and start welding it up,” Laird said. “It’s really more about how you drive them.”
THE CARS
Like Laird said, building a trash car is easier and less expensive than building a demo-derby car because trash cars don’t have to withstand as much impact. But that isn’t to say impact isn’t a factor, and modifications need to be made to maximize both
a noted metropolitan opera tenor, Baniamino Gigli. It was also the period of minstrel shows and blackface vaudeville productions under the direction of Dr. Walter Welti. In the ‘30s, the club sponsored programs on Salt Lake radio stations and the newly formed KVNU. The 1940s, with the advent of World War II, saw changes in club leadership, and a new focus on music. The club participated in many patriotic events to raise money for war relief victims. In 1953, the Logan Rotary Club honored the Imperial Glee Club at a dinner in the Bluebird Restaurant, calling the club, “an organization
safety and competitiveness out on the track. “It’s quite a project,” Axtell said. “First you strip the car, then you weld the cage inside, add a harness, then put protection on the outside so the car will last a long time.” For his entry, Axtell started with a Volvo XT70 sport-utility vehicle, wrapping exhaust pipes around the outside to reinforce the structure. “Everbody has their own way,” he said. Laird’s vehicle is a Ford Contour, with reinforcements welded on the exterior and a cage with a five-point harness as a kind of super seat belt inside.
of good will and fellowship which advances culture and gives hope and direction to human lives, sustaining our democratic way of life, and giving faith in a brighter day ahead.” Since 1917, the ranks of the military included many members of the club. Today, the majority of club members are veterans of the armed forces. Over the years, the Imperial Glee Club has continued its tradition of musical excellence and service to the community. The club is now celebrating its 100th year, and still going strong. Warren Barton is in his 25th year of directing the club, with Janis Siggard as accompanist.
MARKETING CHALLENGE As it is still relatively new to the area, fan support for last week’s trash car racing was tepid. Since the cost of putting on a race is high, with promoters paying for the venue, insurance and other costs, West said getting more spectators to come to the events is critical to the survival of the circuit. “If we can afford to keep going it will be great, but we need more turnout,” he said. “We’re just barely covering our costs. We’re not even doing a payout (to the winning drivers) right now.” He spends hours every
Lyric Continued from Page 3 his family to question what matters most in life: money and security or love and happiness? Audiences can ponder that question June 30, July 1, 2, 7, 15, 23, 27, 30 and Aug. 4. The Lyric Rep also offers four dates with its Dinner and Discussion series. Those purchasing the package can enjoy a meal by the river at Elements Restaurant with select Lyric Rep actors, directors and designers prior to curtain. Dinner and Discussion features special presentations, discussions and interactions with Lyric patrons’ favorite artistic team. Individual dinners are $30 per person with a discount when
day trying to drum up sponsorships from businesses, and has had some good success in that area. “We do banners, all kinds of different advertising in different ways,” he said. “We’re always looking for more sponsorships, which is good for both us and the sponsor.” West is a partner in 1st Place Promotions along with his wife, Tina, who he calls the “mastermind of it all.” Everyone involved is hoping for a bigger turnout Saturday in Preston, where the gates at Franklin County Fairgrounds will open at 5:30 p.m. and races start at 7 p.m. Admission is $10 for adults and $5 for children aged 5 to 11. Axtell and Laird are looking forward to the next round, and hoping the sport will grow in popularity as people become more familiar with it. “I think it’s more fun to watch than demo,” Axtell said. “There’s more activity, not as much sitting around waiting for the action. And we’re doing some hitting.”
purchased in a package of four. All dinners start at 4:30 p.m. Dinner for “Arsenic and Old Lace” is Friday, June 10; dinner for “Baskerville: A Sherlock Holmes Mystery” is Friday, June 17; dinner for “Singin’ in the Rain” is Friday, June 24, and dinner for “You Can’t Take it With You” is Friday, July 1. The Lyric Rep company includes theater professionals and advanced university theater students. It is a professional program based in the Theatre Arts Department and the Caine College of the Arts at USU. Tickets for the 2016 season are now on sale. For more information or to purchase tickets, visit cca.usu.edu or stop at the Caine Lyric Theatre Box Office 10 a.m. to 4 p.m. Monday through Friday, June 1 to Aug. 5.
The Imperial Glee Club will host its Centennial Spring Concert at 7 p.m. Friday, May 20, at the Logan Tabernacle. The event is free, and everyone is invited. Cache Valley’s historic men’s chorus, the Imperial Glee Club is celebrating it’s 100th anniversary this year. Founded in 1916 with a charter of service and brotherhood, the group is one of the oldest continuously performing men’s choruses in the United States. For those arriving early, a video presentation of the history of the club will be shown beginning at 6 p.m. Neva Sleep Entertainment will host an event at 7 p.m. Friday, May 20, at Why Sound, 30 Federal Ave. Admission is $6.
SATURDAY The Randy Wirth Half Century Ride will begin at 10 a.m. Saturday, May 21, at Caffe Ibis, 52 Federal Ave. With a theme of “Be Safe Be Seen,” the event is a 50-mile tour through beautiful Cache Valley showcasing favorite rides of conservationist and roastmaster Randy Wirth. Live music, SWAG, and a complimen-
HBO Continued from Page 8 that would win him a Tony, he settled on his next project: starring as blacklisted screen writer Dalton Trumbo. Jay Roach (whose credits include HBO political dramas “Game Change” and “Recount”) was signed to direct. A year later, in late summer 2015, Roach and Cranston reteamed to film “All the Way” (with Schenkkan bringing his play to the screen). It was a comfortable transition for all concerned. “Bryan had not only inhabited the character for so long,” said Roach by phone, “he had also thought in great depth
tary lunch are included. Cost is $65. Proceeds go towards the bike hub and repair station in downtown Logan. Visit randywirthhcr.org for more information. Hilary Murray will perform from 9 a.m. to 1 p.m. Saturday, May 21, at the Cache County Gardeners’ Market, located on the grounds of the Historic Cache County Courthouse at 199 North Main St. The Cache Valley Color Vibe 5K Run will begin at 9 a.m. Saturday, May 21, at the American West Heritage Center in Wellsville. Visit thecolorvibe.com for more information. Noble Noise will perform at 7 p.m. Saturday, May 21, at Why Sound, 30 Federal Ave. Admission is $6. Ché Zuro will perform from 1 to 3 p.m. Saturday, May 21, at Caffe Ibis, 52 Federal Ave. Black and White Days continues on Saturday, May 21, in Richmond. Events include a chuckwagon breakfast (7 to 10 a.m.); Cow-a-bunga Race (8 a.m.); horse show (8 a.m.); Highland Games (9 a.m. to 3 p.m. at
about what mattered in each scene, in each MOMENT, really. On this film, like ‘Trumbo,’ I almost forgot he’s an actor, even though he’s so freaking good. He’s a fellow storyteller, a collaborator on the set.” “The character was already in my bones,” agrees Cranston, “so it was like putting on that jacket you haven’t had on in months: It just feels good and comfortable and well-worn.” Of course, “putting on” the character was a bit more complicated this go-around. Onstage, Cranston’s only prosthetics were LBJ’s elephantine ears, which Cranston applied himself before stepping into shoes with 3-inch lifts to hoist him to LBJ’s 6-foot-3-ish elevation.
55 S. 100 West); Relic Hall tours (10 a.m. to 4 p.m.); booths and food vendors (10 a.m. to 5 p.m.); parade (5 p.m.); and horse pulls (7 p.m.).
SUNDAY Fighting the Phoenix will perform at 7 p.m. Sunday, May 22, at Why Sound, 30 Federal Ave. Where the Rowdy Things Are will perform from 2 to 4 p.m. Sunday, May 22, at Caffe Ibis, 52 Federal Ave. The Post-Mormon Community is a non-sectarian organization of individuals and families who have left Mormonism. The Cache Valley chapter meets for dinner at a restaurant at 6:30 p.m. every Sunday. For more information, call Jeff at 770-4263 or visit postmormon.org/logan.
MONDAY The Logan Library Monday Movie will begin at 6:30 p.m. Monday, May 23 in the Jim Bridger Room. This week’s movie is “Me, Earl, and the Dying Girl,” which is rated PG-13. Popcorn and admission is free.
For the film, by contrast, it took a makeup wizard 2 1/2 hours every morning to turn Cranston into LBJ. “We had a fake chin, nose, cheeks and ears, and I thinned and slicked back my hair. “But there’s a certain Zen quality to it,” he says. “As you’re looking in the mirror and you see the character come alive, it helps you get into his headspace.” The chameleonic Cranston, who in person evokes nothing of LBJ and looks a decade younger than his own 60 years, vividly recalls the tragedy that put Johnson into office more than a half-century ago. As a 7-year-old, “still selfcentered, as children are,” he was rocked by the awful bulletins on TV, and even more so
Amelia will perform with the Last Lost Continent at 7 p.m. Monday, May 23, at Why Sound, 30 Federal Ave. Admission is $6.
TUESDAY Beauty Killed the Beast will perform with Until Mutiny, Go For Broke and Earthquakes and Airplanes at 7 p.m. Tuesday, May 24, at Why Sound, 30 Federal Ave. Admission is $6. Health for Life will meet at 7:30 p.m. Tuesday, May 24, in the Bonneville Room at the Logan Library. The speaker is Jayna Turner, who will speak on “Intentional Mind Management: The Need to Balance Our Physical, Spiritual, Mental and Emotional Lives” in order to achieve good health. The public is invited.
Lean Accounting Workshop. For more information, visit partners. usu.edu or call 797-3846.
WEDNESDAY Snuff Redux will perform with Housewarming Party and The Open Door Policy at 7 p.m. Wednesday, May 25, at Why Sound, 30 Federal Ave. Admission is $6. The American Red Cross Bloodmobile will be at the Logan Library from 10 a.m. to 3 p.m. Wednesday, May 25. To schedule an appointment or for more information, please call library director Robert Shupe 716-9130. You can begin the donating process by completing an on-line pre-donation health history questionnaire on the day of your appointment by logging in to redcrossblood.org/rapidpass.
The Lean Accounting Workshop will be held May 24-25 at Utah State University. The workshop will include lean simulations, financial impact analysis, value stream costings, lean in administration, case studies, lean budgeting, rolling forecasts and much more. Learn how to unite your whole company on its lean journey and break down traditional barriers at Jerry Solomon’s
Want to play Scrabble with others of your skill level? Come to Cache Valley Mall Food Court (west entrance) from 7 to 9 p.m. Thursdays. Bring a Scrabble game and dictionary, if you can. No charge. Food and drink for purchase at the vendors.
by his parents’ response: “My mother broke down and wept and my father was hugging her. Here, for the first time, something very important was happening that didn’t center on me. For me, it was a turning point. And Johnson became the first president that I came to know.” For decades after he left office, Johnson’s tainted legacy was that of a failed president because of American involvement in Vietnam, with an anti-war movement that raged against him having played a pivotal role in his decision not to seek re-election in 1968. But Cranston notes that “All the Way” takes a fresh look at one of Johnson’s many victories: standing up for “citizens who couldn’t dine or sleep or
travel or vote in the same way white people did.” Johnson’s saga (which also will be brought to theaters later this year in the Rob Reinerdirected film “LBJ,” with Woody Harrelson in the title role) is all the more compelling now, in the current political climate where head-butts and intransigence, not constructive reform, is the protocol. “Johnson knew that in a negotiation, both sides have to feel they’ve come away with something: ‘What I give you might hurt me a little bit, but you want it — and I need YOU.’ Now it’s so polarized, with politicians refusing to give an inch,” says Cranston, masterful as the leader who made hard-won inches add up to miles.
THURSDAY
The Herald Journal, Logan, Utah, Friday, May 20, 201
FRIDAY
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calendar
The Herald Journal, Logan, Utah, Friday, May 20, 2016
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CrossworD By Myles Mellor and Sally York Across 1. Stove brand 4. Govt.dept. 7. Groups of nations 12. Bring to bear 15. Not for minors 17. Long nose, in a way 19. California oak 20. Tachometer reading 21. Sounds like eyes? 24. Heating alternative 25. Most up to date 26. Beethoven’s birthplace 27. Gardener’s tool 29. Large tree and shrub genus 30. Musical poetry 31. ___plasm 32. Historical records 34. Marsh 38. Egg-shaped 43. “Humph!” 44. “The Way We ___” Streisand film 45. It may be shouted at home 47. Render harmless 49. Deli request 50. Pitchfork wielder 51. ___ in the memory 52. Very wide shoe fittings 56. “Dog Day Afternoon” character 57. Imminent 58. Brave opponent 59. “Troilus __ Cressida” Shakespeare 60. Prickle 61. Auction action 62. Four, in prescriptions 65. Saloon 67. Time segment, abbr. 68. In use 69. Portable bed 72. Batteries 80. The core 81. Fail 82. Wander 83. Rap genre 84. ___ bono 85. Strong taste
Deadlines
86. Distress 87. Smother 88. Derogatory in the nastiest way 91. Criminally charge 95. Garage contents 96. Scrawny 98. Dances 103. Between earl and freeman 105. “On Golden __” Fonda film 106. A Brontë sister 108. Exclamation of many uses 109. They look like small nothings 112. Oahu garland 113. Blowhard’s offering 114. Makes a soft swishing sound 115. Carpentry joint 116. For every 117. Starts a pot 118. One of a couple, for short 119. “Uh-huh” Down 1. Parting word 2. Tourist helper 3. Not native 4. Carnivore in Central American 5. Exec 6. “Wheel” purchase 7. Fetch 8. Kind of chop 9. Star Wars Jedi 10. Regular customers 11. Beer mug 12. Feel the ___ 13. Have words (with) 14. Dash lengths 15. Ability to hit a target 16. Exhaust 17. Link 18. Put the ____ on: stop 22. Machu Picchu builder 23. Saturn model 28. Location of the opening scene of “The
Bourne Supremacy” 30. Candidate list 33. More fit 34. “___ Only Just Begun” 35. Lake 36. Famous 37. Mussolini title 38. Words of honor? 39. Competes 40. On the briny 41. East Asian weight 42. Before, in verse 44. Garden invader 46. Article 48. Posting often seen in a window 49. Yogi or Booboo 50. Exploit 51. Bard’s dusk 53. Ballad ending 54. The unmarried woman in “An Unmarried Woman” 55. Be a consumer 60. Support 61. Big Bird had a big one 62. Campus locale 63. ___ Today 64. Hindu nurse 65. Relay race object 66. Ooh partner 67. Performed a melody 68. Cried, of a goat 69. Underworld boss 70. Major tourist island 71. New Mexico art colony 72. Software program, briefly 73. Pomposity 74. Datebook section 75. “Ah, me!” 76. Bee to Andy 77. “The ___ and the Ecstasy” by Irving Stone 78. Band-___ 79. Bruiser 86. Feature of some envelopes 89. Sheet material 90. Buddhist structure 92. Ethereal fluids in
myth 93. Confusion 94. Tropical root 96. Fires 97. Plastic ___ Band 99. Gelate 100. Poppycock 101. Answer 102. Front entrance step 103. “Shall I compare ____...” 104. “I am not my ___ “ India Arie 105. Prepare to be shot 106. Coconut fiber 107. Many, many moons 108. Mountain 110. Kind of meal 111. Physics unit
Cache Magazine calendar items are due Tuesday by 5 p.m. They will also run for free in The Herald Journal one to two days prior to the event. Calendar items can be submitted by email at hjhappen@hjnews.com. Any press releases or photos for events listed in the first half of Cache Magazine can be sent to jhunter@hjnews.com. Poems and photos can also be sent to jhunter@hjnews.com and run on a space-available basis if selected.
answers from last week
www.ThemeCrosswords.com