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Cache Magazine ROCKIN’ WITH

RELIC The Herald Journal

JUNE 24-30, 2016


contents

June 24-30, 2016

COVER 6 Cache Valley band Relic keeps classic rock hits alive in acoustic form

THE ARTS 3 Noon concerts continue

at the Logan Tabernacle

3 Lyric Repertory troupe delivers ‘Singin’ in the Rain’ 4 Tickets now on sale for annual Utah Festival gala 4 ‘Peter Pan’ kicks off reopening of Utah Theatre 5 Renowned mandolinist

Sierra Hull to play Logan

5 ‘Beauty and the Beast’ on the stage at Sky View

10 USU Alumni Bands

start concerts at the Quad

MOVIES 9 Three stars: Blake Lively battles shark in ‘Shallows’

COLUMN 8 Dennis Hinkamp shares

memories of a ‘lunch beep’

8 Charlie Schill reviews Lyric Rep’s ‘Baskerville’

CALENDAR 15 See what’s happening this week in Cache Valley

The Vintage Vixens perform last Saturday at the Summerfest Arts Faire. Comprised of Sarah Huff, left, Karlee Heaps and Becky Foster, the trio performs World War II era songs, à la the Andrews Sisters. (Jeff Hunter/Herald Journal) On the cover: Steve Roberts plays the guitar while performing with Relic last week at Summerfest on the grounds of the Logan Tabernacle. (John Zsiray/Herald Journal)

FROM THE EDITOR Take a seat. And I don’t mean that in a “You look extremely tired and haggard. You better sit down and rest”kind of a way. Rather, I mean you might want to look into purchasing a colorful chair that has been created by a Cache Valley artist as part of the Great Chair-ity Challenge. Thanks to a short visit with Wellsvillebased artist Sharon Ohlhorst last Saturday afternoon at the Summerfest Arts

Faire, I initially heard about the inaugural fundraising event currently going on under the direction of Lucy Watkins Peterson of Art on the Lawn fame (see Coming Up on Page 5) and the twodozen members of The Artists’ Gallery at 43 S. Main St. The relatively new artists’ co-op hopes to get numerous submissions from individuals from throughout the area who are willing to “paint, decorate and donate a chair.” Prizes will be given out to the best chairs, and they will all be available for purchase from July 9-11 during downtown Logan’s annual Summer Sidewalk Sale. Proceeds from the Great Chair-ity Challenge will go towards providing art

scholarships for young students through the Cache Valley Center for the Arts. More than a dozen examples of chairs that have already been painted by artists like Ohlhorst, Watkins, Peggy Neuber, Ned Weinshenker and Scott Bushman are currently available for view online at artistsgallerylogan.com. And I have to say, it’s definitely worth checking out the Trump chair provided by the USU Fine Art Department. Will “The Donald” take the top prize at the Great Chair-ity Challenge? I don’t know. But I’m on the edge of my seat with anticipation. — Jeff Hunter


The Herald Journal, Logan, Utah, Friday, June 24, 2016

ALL MIXED UP Lyric ready to get wet A stage adaption of one of the most popular movie-musicals of all time, “Singin’ in the Rain,” opened for the first time on the historic Caine Lyric Theatre stage on Thursday night. The original screenplay was by Betty Comden and Adolph Green, with songs by Nacio Herb Brown and Arthur Freed. Audiences may recognize favorite numbers that include “Good Morning,” “Moses Supposes,” “Make ‘Em Laugh” and, of course, the show-stopping title number, “Singin’ in the Rain.” Music direction for the Lyric Rep production is by Luke Shepherd. The musical is presented by Utah State University’s Lyric Repertory Company and the Caine College of the Arts. “The most challenging part about learning the singing and dancing routines in an energetic musical like ‘Singin’ in the Rain’

is doing them with ease and making it look effortless,” said Max Falls, Caine College of the Arts student and lead actor in the show. “When you have lines after a big song and dance you have to speak without appearing tired or out of breath.” The musical follows a Hollywood film studio as it adapts its latest silent film into a “talkie.” From a starlet and her leading man to a love affair that has the potential to change lives and make or break careers, “Singin’ in the Rain” has all the makings of a Tinseltown tabloid headline. Actors Don Lockwood and Lina Lamont are an in demand item in silent movies but behind the scenes things aren’t quite the same. Lina’s squeaky voice might be the undoing of her career in “talkies” without the help of talented, young actress Kathy Selden to do the talking and singing for her.

“I think the Lyric Rep production of ‘Singin’ in the Rain’ stands out because there aren’t many shows that call for rain to fall, but we will be using actual water on the Caine Lyric Theatre stage,” Falls said. “I think this will be a show people remember and talk about long after it’s over. I am extremely grateful for the opportunity to play the role of Don Lockwood and I can’t wait to share it with audiences.” Directed by Chris Will, the “Singin’ in the Rain” cast includes Max Falls (Don Lockwood), Cameron Blankenship (Cosmo Brown), Katie Francis (Kathy Selden), Kelly McGaw (Lina Lamont), W. Lee Daily (Rosco Dexter), Corey Ewan (R.F. Simpson), Savannah Hubbard (Zelda Zanders), Kenny Bordieri (Rod), Michael Francis (Production Singer) and Kinsey See LYRIC on Page 11

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‘Singin’ in the Rain’ now underway downtown

Photo courtesy Caine College of the Arts

Katie Francis and Max Falls star in the Lyric Repertory Company’s production of “Singin’ in the Rain.”

Summer concert series continues at Tabernacle The Music at the Tabernacle Summer Concert Series continues at the Logan Tabernacle this week. Admission is free, and all concerts begin at noon. Visit logantabernacle.blogspot.com for more information. Friday, June 24 Ryan Frazier & Friends: A soloist, jazz pianist and teacher currently working on a computer science degree, Frazier will be joined by his wife, Emma, who plays the piano, guitar, organ, violin and ukulele. Anna Lisa Davidson is a flute teacher, adjudicator and performer with a bachelor’s in music, and cellist Alexis Haviland will join them for this performance. Monday, June 20 Utah Festival Opera & Musical Theatre: Singers and instrumentalists will

perform their favorite music in addition to previewing the upcoming UFOMT season which includes “Ragtime,” “Porgy and Bess,” “Show Boat,” “Puccini’s Trilogy” and “Peter Pan.” For more information, visit utahfestival.org. Tuesday, June 28 Iolite Duo: This piano and flute duet features Jo Hays, Allyson Bailey and Miho Everitt. Hays has a bachelor’s degree in flute performance from USU, where she played principal flute in the Symphony Orchestra and Wind Orchestra, and performed in the Caine Woodwind Quintet and Música Viva Chamber Ensemble. Bailey has been playing the flute for 27 years and is a graduate of USU with a bachelor’s degree in flute performance. In the past, Bailey has played in HiFa-

lutin’ Flute Choir and currently plays with Cache Symphony Orchestra and the Quintessence Woodwind Quintet. Everitt holds a bachelor’s degree in piano performance and has done extensive accompanying for many instruments and voices. Wednesday, June 29 Brad Ottesen & Jessica Roderer: Ottesen is the violist the internationally acclaimed Fry Street Quartet. He has earned degrees from Northwestern University and the New England Conservatory. He is also an assistant professor of music at USU and currently serves as president of the Utah Viola Society. Ottesen has had extensive training and experience and currently also teaches privately. Roderer recently graduated with her

master’s and doctorate of musical arts in piano performance from the University of Southern California. She earned her Pet: Hj??? bachelor’s From:degree Hj???from USU under the instruction of Gary and she has Why he’s soAmano, lovable: Hj??? performed with the Utah Symphony. Thursday, June 30 The Broadbent Family: The Broadbents are gifted musicians who share their talents with joy and enthusiasm. Merrilee is the arranger and artistic director of the group; Richard will melt your heart with his rich baritone voice; Michelle will thrill you with her gorgeous high notes and down-to-earth delivery; James brings warmth and beauty to your favorite melodies; James and his wife, Annie, light up the stage with their love songs; and 16-year-old Christopher is just plain fun.


The Herald Journal, Logan, Utah, Friday, June 24, 2016

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all mixed up Tickets available for annual UFOMT gala Tickets for the Utah Festival Opera & Musical Theatre’s annual Gala Fundraising Celebration followed by an optional premiere performance of “Ragtime” are on sale now. The evening includes dinner and entertainment by Utah Festival principal artists

and will be held Saturday, July 9, in the Grand Ballroom of the Riverwoods Conference Center. The evening will focus on “the music of something beginning,” a theme woven through the production of “Ragtime.” The 13-time Tonynominated hit debuts at the

dawn of a new century where everything is changing and anything is possible. “The music is lively, springy. Your toes will be tap to marches, cakewalks, gospel and ragtime,” says Lila Geddes, development director. “It will be an unforgettable evening,” she added.

Proceeds will directly support Utah Festival Opera & Musical Theatre’s summer festival, programming in the newly renovated Utah Theatre, year-round education programs for children and the Utah High School Musical Theatre Awards. Seating is limited and

formal or business attire is suggested. Guests receive a 15 percent discount on that evening’s performance when gala and “Ragtime” tickets are purchased together. The gala dinner is $75 ($45 is tax deductible) and the dinner and See GALA on Page 11

Utah Theatre returns with ‘Peter Pan’ Ballam, Biner star in inaugural show of 2016 UFOMT season For the last decade there has been no question in Michael Ballam’s mind what production would christen the stage of the Utah Theatre when it’s renovation was complete. It had to be “Peter Pan.” “No other musical has captured the imagination of children from 1 to 92 as Peter carries us to magical Neverland,” said the founding director of the Utah Festival Opera & Musical Theatre. Ballam’s dream will become a reality on Friday, June 24, when the Broadway production opens in the newly renovated 1924 Utah Theatre, the first time the public will have a chance to see the interior of the Art Deco theatre. Ballam plays the menacing Captain Hook and New York City actor Adam Biner has returned to Logan to literally soar across the stage as Peter Pan. Biner played the lead role in last year’s UFOMT production of “How To Succeed in Business Without Really Trying.” The musical will be directed by Vanessa Ballam, the festival’s education director and Ballam’s daughter. He is thrilled to work with

her for the first time in this capacity. “I saw fairy dust twinkle in her eyes when she first experienced ‘Peter Pan’ as a little girl. Now she is transferring that magic to a new generation of lost boys, pirates, wondrous animals and warriors,” he said. “She was born with theatricality in her blood stream. I always knew her great talent would rise to the top.” The production will showcase the state-of-the-art technical and acoustical features of the Utah Theatre and is part of UFOMT’s 2016 season. Evening performances of “Peter Pan” will be held at 7:30 p.m. June 24-25, July 1, 20 and 26 and Aug. 4. Matinee performances will be held at 1 p.m. June 25, July 2 and 14 and Aug. 3. Ticket prices range from $13 to $77. Students of all ages receive a 25 percent discount with ID. The complete Festival officially runs July 6 to Aug. 6 and includes four additional Mainstage Productions in repertory — “Showboat,” “Porgy and Bess,” “Ragtime” and Puccini’s final completed work “Il Trittico” — all held in the

Photo courtesy of Utah Festival Opera & Musical Theatre

Adam T. Biner, left, and Michael Ballam will star at Peter Pan and Captain Hook, respectively, in the Utah Festival Opera & Musical Theatre’s production of “Peter Pan” at the Ellen Eccles Theatre.

Ellen Eccles Theatre and performed with a full orchestra. In total, 139 performances, concerts, lectures, interactive

classes, backstage tours and more will be presented. Tickets are available online at utahfestival.org, by calling

750-0300 or in person at the UFOMT box office located in the Dansante Building at 59 S. 100 West.


535-1432. The cast of Beauty and the Beast includes local performers from all over Cache Valley. The production is directed and costume designed by Kody Rash, music directed by Afton Furniss and choreographed by Katie Packard, Hollie Boehme and Scott Henderson. Local performers in “Beauty

and the Beast” include AnnAlyse Chidester (Belle), Trenton Bateman (Beast), Benjamin Phillips (Gaston), Cory and Aubree Keate (Lumiere and Babette), Debbie Miles (Mrs. Potts), Tyler Jones (Cogsworth), Alex Eby (LeFou), Jennifer Bohman (Wardrobe), Scott Hunsaker (Maurice) and McGregor Brough and Ayden Kofoed (Chip).

Hull to play Cache Valley Singer/musician coming Saturday to Bruner Hall The Bridger Folk Music Society will host a concert by renowned singer and mandolinist Sierra Hull at 7:30 p.m. Saturday, June 25, in Bruner Hall at the Presbyterian Church, 200 W. Center St. Tickets are $20 in advance; $25 the day of the show. Tickets are available via PayPal at bridgerfolk.org. Hull, the former child prodigy who signed with Rounder at age 13, distinguished herself by becoming the first bluegrass musician to receive a Presidential Scholarship to the prestigious Berklee College of Music. Fifteen-time Grammy winner Béla Fleck produced Sierra’s new recording, “Weighted Mind,” which features 11 compelling new compositions written or co-written by Hull, and one traditional tune for which she and Fleck provided a new arrangement. While Hull’s ethereal voice and fluid playing take center stage here, she receives ample support from bass marvel Ethan Jodziewicz. Béla Fleck’s banjo adorns the elegant “Queen of Hearts/Royal Tea,” and Alison Krauss, Abigail Washburn, and Rhiannon Giddens add enchanting harmonies. Though she is best known for her work as a mandolin player, on these songs, Hull reveals her abundant gifts as a composer and lyricist. Themes of loss and restoration run through the album,

Final Art on the Lawn

The 12th and final Art on the Lawn event will be held from 10 a.m. to 6 p.m. Saturday, June 25, at the Old Crookston Homestead, 1491 E. 2300 North in North Logan. There will be entertainment all day long (including Lorisa Pulotu, Ana Anawalt & Friends, Ben Watkins, Cottonwood Run and the Blue Blazers), with more than 40 artists creating on the lawn and you can help local artist Michael Bingham paint a mural on an old barn. Some lawn space is still available. Contact luciart@comcast.net or visit artonthelawncachevalley.net for more information.

Cherry Peak concerts

The Summer Concert Series continues at Cherry Peak Resort in Richmond with a performance by Ryan Shupe and the Rubber Band at 7 p.m. Friday, June 24. Tickets are $12 for general admission, $24 for the VIP section and $50 for a family pass. In addition, tickets are on sale now for the Kellie Pickler concert at 7 p.m. Saturday, July 9, at Cherry Peak. Tickets are $18 and $38 for general admission, and $75 for the VIP section. Cherry Peak also announced this week that country music veterans Sawyer Brown will be performing on Saturday, Sept. 10. Tickets are $18 and $38 for general admission, and $75 for the VIP section. They will go sale at 10 a.m. Friday, July 1. For more information and/or to purchase tickets, visit skicherrypeak.us.

Freedom Fire tickets

Tickets For the Freedom Fire Independence Day Celebration and Fireworks Show go on sale Monday, May 16. Join your family, friends, neighbors, and fellow Americans on Friday, July 1, to celebrate the greatest country in the world at USU’s Maverik Stadium. The entertainment will include Caleb Chapman’s Crescent Super Band, Journey Unlimited: The Tribute and Ryan Innes. Tickets are $8. Tickets will be available the Logan Community Recreation Center (195 S. 100 West), Logan Aquatic Center (451 S. 500 West), Cache Valley Visitors Bureau (199 N. Main St.) and the USU Spectrum Ticket Office (850 E. 900 North), or online at pr.loganutah.org. Photo courtesy of Sierra Hull

‘Fiddler’ at the Old Barn

The Bridger Folk Music Society will host a concert by Sierra Hull at 7:30 p.m. The Old Barn Community Theatre in Collinston Saturday, June 25, in Bruner Hall at the Presbyterian Church, 200 W. Center St. proudly presents “Fiddler on the Roof” every Mon-

starting with the muscular opening number, “Stranded,” and continue on the stirring “Compass,” on which she declares, “I’ve thrown away my compass, done with the chart...I’ll just step out,

day, Friday and Saturday at 7:30 p.m. from June 10-25. Matinees will begin at 2:30 p.m. June 11, 18 and 25. Set in the village of Anatevka, the story centers on Tevye, a poor dairyman, and his five daughters. For tickets, call (435) 458-2276 or visit oldbarn. See HULL on Page 9 org.

throw my doubt into the sea, for what’s meant to be will be.” The gentle, dissonant title track ponders existential questions,

The Herald Journal, Logan, Utah, Friday, June 24, 2016

Four Seasons Theatre Company begins its 2016 season with Disney’s “Beauty and the Beast” June 17-27 at the Sky View High School Auditorium. Show times are 7:30 p.m., with 1:30 matinees on Saturday. Tickets are only $11 online at fourseasonstheatre.org. Family and group discounted rates are also available by calling

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‘Beauty’ underway at SVHS COMING UP


AN ACOUSTIC BLAST FROM THE PAST

RELIC ROCKS ON For nearly 15 years, Logan’s Summerfest Arts Faire has held a special place in Irv Nelson’s heart. You see, back in 2003, Nelson’s band, The Fender Benders, competed in the Quest for the Best for Summerfest, in which the top three bands were chosen to perform at the wildly popular annual event. The Fender Benders, a new band at the time, ended up being the No. 1 pick. “We feel a special closeness for Summerfest because when we first organized, Summerfest was our first big gig,” said Nelson, a retired professor of accounting at Utah State University. Ever since winning that competition, performing classic rock at Summerfest has been nearly an annual routine for Nelson, whether it was with The Fender Benders or Relic. Nelson, Steve Roberts and Scott Olsen, three of the four founding members of The Fender Benders, formed Relic, an acoustic classic rock and easy listening band, in 2010. Relic, which typically puts on 15-20 gigs a year, was back at Summerfest last Friday and performed nearly 20 famous cover songs. “We’ve played (all over) in Idaho and Utah,” said Roberts, who is originally from southern California, but moved to Cache Valley 16 years ago. “We’ve played down in California and Wyoming, but the most fun (we have) is right here in Cache Valley, where our friends can come and listen. We enjoy that probably the best, and we really enjoy Summerfest.” Olsen, Nelson and Roberts all take turns as the lead singer of Relic, which prides itself in its ability to harmonize. “It’s pretty unique, isn’t it? And it gives us three-part harmonies, too, which is really, really sweet,” said Nelson, who resides in Smithfield and currently teaches private piano, guitar, bass and vocal lessons. “And it also gives us three different voices. Our voices are very different from each other, and so the songs sound different. I’ve noticed many times that when you hear a band when there’s one singer, after the third song they all sound the same.” “I think it’s just serendipitous that we all knew how to sing and could sing harmonies,” said Olsen, who grew up in Young Ward and resides in Garland. “It just worked out well that way. I’ve always wanted to do something like that, be able to sync your harmonies.”

In addition to performing iconic songs such as “Heart of Gold,” “Knockin’ on Heaven’s Door,” “California Dreamin’” and “Brown Eyed Girl” last Friday, Relic’s three musicians spent a lot of time interacting with and cracking jokes to the audience. This is something Olsen, 55, thoroughly enjoys. “ We realized with the acoustic (band) we didn’t have this big set-up,” said Olsen, who is a truck driver for Hancock Transportation. “I wasn’t so much work, so we could play in smaller venues and we didn’t overpower everything with a lot of loud music. … The Relic band is a lot more intimate, and that’s what it’s all about is the connection with the (audience).” Nelson, who has been playing guitar in bands since 1976, was just grateful he was able to sing last week. The 62-year-old had been battling laryngitis for nearly three weeks and said he couldn’t even sing the day before Relic took the stage at Summerfest. Roberts, 64, Olsen and Nelson have more than a combined 100 years of performing experience. Roberts starting drumming when he was 11 — the Providence resident is the drummer for The Fender Benders — and has been playing the guitar for the past 10-12 years. Olsen’s passion for the guitar started his senior year at Sky View. Ever since he was a teenager, Olsen, who is also skilled with a harmonica, has virtually jammed out on a guitar every day. The fifth-generation Young Ward native even takes his guitar with him when he’s on the road for his job. “I just never looked back,” said Olsen, who’s love for music started as a youngster when he listened to his grandfather play the accordion. “It’s a part of me. ... It’s who I am.” Nelson, who grew up in Salt Lake County, took piano lessons when he was 8, and music has been a big part of his life ever since. See RELIC on Page 10

Story by Jason Turner • Photos by John Zsiray


STEVE ROBERTS

IRV NELSON

SCOTT OLSEN


The Herald Journal, Logan, Utah, Friday, June 24, 2016

All of our vacation time was used driving to eastern historical destinations such as Gettysburg, the Liberty Bell and some lobster shack on the coast of Maine. It is only through traveling that you can comprehend how many people there are and how they seeming like wherever it is that they live no matter how dismal it may seem to you. This is a good thing. It was on such a sumthing around you; things mertime trip to some Eastwere different then. ern destination that we all I grew up in St. Louis, saw a neon sign declaring and for some reason we “LUNCH BEEP.” This never traveled further kept my mom, father and west than Kansas City. We I entertained for most the also never flew because remaining miles of the trip. Whenever the con“only rich people flew.”

Slightly Off Center

versation or the scenery lagged one of us would shout out “lunch beep!” or “I sure could go for a nice lunch beep right now.” What kind of toothless hillbillies would put up a “lunch beep” sign? This memory slapped me on a drive from St. Louis to Memphis last week. I could have flown, but sometimes you have to see the country from six inches off the ground. Perhaps because of it or in spite of never going west I have become a westerner who gets easily disoriented when driving through the flat lands. Other than the times when the sun is rising or setting, I can’t tell east from west when I’m driving Interstate 55. There are no mountains to orient me. Sure, I have my cheerfully voiced GPS phone to help me out, but I-55 driving is like slipping through a green leafy tunnel on cruise control. Outside the air is thick and it crushes down on you if you leave the climate control of your rental car and the calming voices of your audio books. I probably would not have noticed a “lunch beep” if it splatter on my windshield. It was many years, and I don’t mean just a few, later that it hit me. Oh, the sign really said: “LUNCH BEER,” and the right leg of the “R” had just burned out. It was typical of the era for bars and cafes to save money by just having single words such as eat, beer, lunch or food in all capital letters. None of these could have formed another word just by partially burning out right? It makes a better memory not knowing for sure. ——— Dennis Hinkamp wishes you all great summer vacation memories.

‘Sherlock’ work There’s nothing worse than a play that revolves around a theatrical gimmick when the gimmick doesn’t work. The Lyric Repertory Company’s ongoing production of “Baskerville: A Sherlock Holmes Mystery” is the exception that proves that rule. It’s a gimmick show ... and the gimmick works like a

narrator. Blankenship’s performance is wryly selfaware, with just a delicious hint of absurdity. But the central characters are cheerfully upstaged at every turn by their co-stars — Lee Daily, Richie Call and Shannon Leigh Peters. It’s no surprise that local favorites Daily and Call can skillfully mine comic gold while rapidly switching in and out of dozens of bizarre characterizations and accents. The wonder is that a Lyric newcomer like Ms. Peters can shine so brightly while sharing the stage with these old pros. “Baskerville” is also a tour de force of technical wizardry. Hats off to Bruce Duerden, Joshua Roberts, Patrick Mathis, Shawn Fisher and Bryan Richards, who combined their behind-the-scene charm and the whole pro- talents to create thoroughly entertaining speduction is fabulous. cial effects. Kudos are Had you worried there also due Russel Terwelp for a minute, huh? for clever designs that In “Baskerville,” genius facilitated seemingly playwright Ken Ludwig impossibly quick costume turns Sir Arthur Conan changes. Doyle’s classic “The Additional evening Hound of the Baskervilles” performances of “Baskeron its head by making the ville: A Sherlock Holmes mystery into a comedy and Mystery” are slated at having the story’s dozens the Caine Lyric Theatre of quirky characters played on June 25; July 9, 13, by just five actors. That’s 21 and 29; and Aug. 6. A a do-or-die gimmick, but matinee will be offered on director Jason Spelbring July 16. Visit cca.usu.edu triumphs by delivering a for tickets information. fast-paced ensemble show ——— that is marvelously staged Editor’s Note: Charlie Schill is a former city editor and performed. of The Herald Journal. He Lyric newcomer Sean has directed and performed Peters personifies the with theater groups in the smugly cerebral Holmes, United States and overinfuriatingly pompous as seas. Schill also served as always while exploring a theater critic for the Temple mystery. Cameron BlanDaily Telegram in Texas and kenship is equally superb the Pacific Stars & Stripes as the sleuth’s sidekick and Japan Times, both daily newspapers in Tokyo. and the show’s de facto

Aisle Views

Charlie Schill

The “lunch beep” vacation was about 48 summers ago, but I remember it like it was yesterday’s selfie. In the days before all cars had entertainment centers or air conditioning and nobody had a pocket computer, you had to roll down the windows and experience the blunt force of your surroundings. Maybe you played Automobile Bingo. Maybe you sang songs a cappella or along with radio stations that seldom lasted more than 50 miles before fading out. Maybe you just tried to notice every-

DENNIS HINKAMP

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Who wants a lunch beep? Lyric Rep makes


Hull Continued from Page 5 while the haunting “Birthday” and “Fallen Man” offer somber reflections on strained relationships and impossible choices. The album closes on an optimistic note, with the sweetly assertive “I’ll Be Fine,” and the uplifting, philosophical closer, “Black River.” Fleck, Giddens, Krauss, and Washburn all guest

★★★

‘The Shallows’

on this track, on which Hull reflects, “A thousand years is but a day, and maybe in a thousand years, I’ll find my way.” Veteran music scribe and fellow musician Peter Cooper writes, “Hull’s bluegrass roots inform and inspire this soundscape, but bluegrass does not define or limit ‘Weighted Mind.’ This is not bluegrass music, or chamber music, or pop music. This is original music, from a virtuoso who tells the truth and speaks from herself.”

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The Herald Journal, Logan, Utah, Friday, June 24, 2016

sible to tell. The other special effects are hit and miss. A school of dolphins are decidedly CGI, but most of the scary shark moments look realistic enough. With its simple premise and primal story of survival, it’s almost impossible not to become immersed in this movie. At under 90 minutes, it’s a taught thriller that provides just enough not just for food, but for sport. You know, like that unease that I found myself unconsciously monstrous hybrid dino clenching my toes they created in “Jurassic whenever she went World.” AP Photo into the water. After the initial attack, Blake Lively stars as Nancy in the new thriller, “The Shallows.” Lively is great, Nancy is marooned on a the shark is menacsmall rock jutting out of great white. It’s masing, and the seagull, the bay. She can see the sive. I’ll leave it up to well, that bird can shore, but the shark cirshark experts to explain act. There’s not much cles the rock waiting for whether or not a shark so a moment to strike. It’s a to this movie. It’s big would wander into a Director // Jaume Collet-Serra tenacious animal. Venge- stripped of any superbay so tiny, but that’s the ful even. Oh, and boy is Starring // Blake Lively, Oscar Jaenada, Sedona fluous fluff and is crux of the movie so we’ll that thing patient. Legge, Brett Cullen fully devoted to its let it be. There’s a whale Rated // PG-13 for bloody images, intense one subject premise: So, essentially we end carcass floating not far off, up with a woman versus sequences of peril, and brief strong language survive or become which gives a plausible shark food. shark movie that flies scenario for why a great One last thought: by. Nancy befriends an shots of Nancy dipping suspense quite nicely at white shark might be perhaps this wasn’t injured seagull. A small the beginning. The movie below the waves propatrolling shallow reefs. the best movie to part of the movie, really, understands there’s a very vide ample, “Is this the This isn’t just any shark, but it left me wondering if watch before I take moment?” anticipation. good chance you know though. It’s sentient. You the seagull was computer my family to Newport It’s a perfect day of you’re about to watch a get the feeling that it generated or a trained bird. Beach for vacation surfing, until Nancy shark attack movie, so it next week. Honestly, it was imposenjoys killing people, is attacked by a large teases you. Slow motion

The Reel Place Aaron Peck

In a summer movie season stuffed to the gills with globally epic blockbusters, it’s a nice change of pace to get a movie like “The Shallows” — a laser-focused survival story about a woman, a shark and a seagull. Sometimes small dedicated movies like this one feel even more satisfying because of their simplicity. If the filmmakers are able to do that one thing well, then they don’t run the risk of spreading themselves too thin. Nancy (Blake Lively) is working through some issues. Her mother recently passed away, she’s put her medical school education on hold, and now she’s in Mexico headed to a secretive beach. A beach her mother knew about and the locals know about, but nobody will tell her the beach’s actual name. No matter, it’s paradise. A small bay surrounded by beautiful sand beaches, inlaid with coral reefs, crystal blue water and some gnarly waves. And Nancy surfs. The cleverness of “The Shallows” is that it builds

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Lively keeps intense ‘Shallows’ afloat


The Herald Journal, Logan, Utah, Friday, June 24, 2016

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USU alumni shows begin Utah Theatre naming Utah State University’s Alumni Band opens the summer concert season with its spirited “Strike up the Band” concert at 7 p.m. Sunday, June 26, on the USU Quad. Founded in 1963 by Max F. Dalby, the Alumni Band is made up of more than 300 USU band program alumni who have continued to perform seriously since graduation. Home for the Alumni Band is the band program and Music Department in the Caine College of

the Arts at USU. During the summer, several talented students are invited to perform with the band as well, as are USU Music Department faculty members. Each concert features 45-60 musicians, all of whom donate their services. Personnel changes for each concert, depending on musical needs and schedules of individual band members. “The USU Alumni Band reaches through the ages,” Rebecca Nelson, Alumni Band member, said. “My father, Max

Dalby, began the tradition in the 1960s with USU music educators and others attending. Since then, many who have joined along the way are still coming to play.” This year’s future Alumni Band concerts are July 3, 17, 31 and Aug. 7. In the case of inclement weather, performances move inside from the Quad to the Morgan Theatre in the Chase Fine Arts Center. For more information, call 797-8022 or visit cca.usu.edu.

Relic

It’s fair to say the three Arguably Roberts’ close friends have created fondest memory was several fond memories when he performed in his over the years. Nelson native state. Continued from Page 6 will never forget when “We traveled down to Southern California The three musicians The Fender Benders performed at USU’s Perforand played kind of a big were eating at the Nelson-owned Pier 49 mance Hall as the back-up birthday bash down there, band for the university’s and that was a lot of Pizza in Providence ’70s concert. The building fun,” said Roberts, who when they decided to designs bridges for JUB form an acoustic band. was jammed packed both nights, Nelson recalled, Engineers. “I think we all Nelson first met enjoyed that. It was a long Roberts in 2003 when “and people were waving their cell phones. It was way to travel, but it was Roberts was playing pretty neat.” fun, a lot of memories.” with a pop rock band. Nelson liked what he saw from Roberts and approached him about starting what would On e Last Time turn out to be The Fender Benders. Roberts and Nelson posted a flyer at USU looking to find another band member, and Saturday, June 25 that’s how they were 10 am - 6 pm introduced to Olsen. O l d Crookston Homestead Olsen recalled receiv1491 East 2300 North ing a phone call from his nephew Chris, “and www.artonthelawn.net (Chris) said these two www.artonthelawncachevalley.net old guys are looking for a guitar player.” Ironcially enough, Olsen and Nelson were already acquaintances as they had worked on a project together for the Stage Stop Theatre — now known as the Old Barn Theatre — in Collinston.

Art on the Lawn

“THE BEST LITTLE ART SHOW IN UTAH”

rights now available

After nine years, the renovation of the Utah Theatre in downtown Logan is nearly complete. The 1924 building has undergone an $11 million expansion and restoration, and it opened on Thursday night with the musical version of the children’s tale “Peter Pan.” In conjunction with this massive undertaking, the Utah Festival Opera & Musical Theatre has announced seat-naming opportunities. Participants can have their name engraved on a plaque that will be mounted on a seat of their choice forever. Prices range from $300-$500 depending on seat location. There are only 340 seats in the theatre, so availability is limited. The Utah Theatre will be a multipurpose facility. The Utah Festival Opera & Musical Theatre plans to present movies, organ concerts on the Mighty

Wurlitzer organ and live performances of all sorts from chamber music to theater. In addition, the stage will be used by youth who are studying in UFOMT’s education programs including the Conservatory and Opera by Children. It will be a classroom by day and a theater by night. “The students in this valley deserve to be able to perform in a first-class facility,” says Julie Pitcher, development consultant for Utah Festival. “With the diminishing arts education in our schools this resource becomes increasingly important.” Seats for naming and tickets to “Peter Pan” or any of the Utah Festival Opera & Musical Theatre’s 2016 productions and events are available online at utahfestival.org, by calling 750-0300 ext. 3 or by visiting the UFOMT box office in the Dansante Building at 59 S. 100 West.

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The My Friends band will be joined by solo artist Tony Whitney from 7 to 11 p.m. Friday, June 24, at the Logan River Golf Course banquet room at 500 W. 1000 South. Admission is $15 which includes a catered dinner beginning at 6:30 p.m. Tickets are available at the door or at the door, or in advance at the Island Market. Proceeds will benefit the Cache Community Food Pantry. The Star-Spangled Rodeo will begin at 7:30 p.m. Friday, June 24, and Saturday, June 25, at the Hyrum Rodeo Grounds. Admission is $8 for adults, $5 for children 12 and under and $28 for a family pass. Visit hyrumcity.org for more information.

an open house for people to get acquainted with its Paso Fino horses at 1 p.m. Saturday, June 25 at Cala de Vison, 6843 E. Hwy. 36 (Mink Creek), Preston, Idaho. Gaits, disposition, training, riding and showing will be demonstrated. Horses of various ages and types available for sale. Cala de Vison is located 17 miles northeast of Preston. For more information, call Richard and Vickie Free at 208-852-2993 or Jeff and Leigh Knudson at 208-852-7159.

The Concerts at Noon Series at the Logan Tabernacle continues on Friday, June 24, with Ryan Frazier & Friends. All concerts begin at noon. Admission is free and everyone is welcome. For a more information, visit logantabernacle.blogspot.com.

The 12th and final Art on the Lawn event will be held from 10 a.m. to 6 p.m. Saturday, June 25, at the Old Crookston Homestead, 1491 E. 2300 North. There will be entertainment all day long (including Lorisa Pulotu, Ana Anawalt & Friends, Ben Watkins, Cottonwood Run and the Blue Blazers), with more than 40 artists creating on the lawn and you can help local artist Michael Bingham paint a mural on an old barn. Some lawn space is still available. Contact luciart@comcast.net or visit artonthelawncachevalley.net for more information.

The Summer Concert Series continues at Cherry Peak Resort in Richmond with a performance by Ryan Shupe and the Rubber Band at 7 p.m. Friday, June 24. Tickets are $12 for general admission, and $24 for the VIP section. For more information and/or to purchase tickets, visit skicherrypeak.us.

The Bridger Folk Music Society will host a concert by renowned singer and mandolinist Sierra Hull at 7:30 p.m. Saturday, June 25, in Bruner Hall at the Presbyterian Church, 200 W. Center St. Tickets are $20 in advance; $25 the day of the show. Tickets are available at bridgerfolk.org.

SATURDAY Cala de Vison Farm will hold

Gala Continued from Page 4 ticket to the premiere of “Ragtime” is $128.70. Tickets can be purchased at the Utah Festival Box Office in the Dansante Building, 59 S. 100 West, or by calling 750-0300. Utah Festival’s 2016 season runs from July

My New Mistress will perform with Driver Out and Kid Brother

6-Aug. 6 and includes 139 events with repertory performances of “Peter Pan,” “Show Boat,” “Porgy and Bess,” “Ragtime” and Puccini’s “Trilogy,” as well as concerts, dozens of Academy classes, backstage tours, breakfast with the stars and other special events and activities. Log on to utahfestival.org for more information.

at 7 p.m. Saturday, June 25, at Why Sound, 30 Federal Ave.

USU Quad. The show is free and open to the public.

The Gunsight Gallop 3-mile run and 1-mile kids run will begin at 8 a.m. Saturday, June 25, at 50 S. Main St. in Clarkston. Registration begins at 7:15 a.m. Come and see if you can beat the long standing men’s course record of 14:57, or the women’s record or 19:01. For more information, call or text Darcie 890-2056 or Ryan 881-9789.

If I Fail will perform at 7 p.m. Sunday, June 26, at Why Sound, 30 Federal Ave. Admission is $7.

My Friends band will perform at 9 p.m. Saturday, June 25, at the Eagles Lodge, 894 N. 200 West. Admission is $5 and open to the public as member guests. More than 1,500 cyclists will hit the road this weekend to raise funds to support cutting-edge research and life-changing programs and services for people living with multiple sclerosis at the 30th annual Bike MS: Harmons Best Dam Bike Ride. The ride will begin at 7 a.m. Saturday, June 25, and Sunday, June 26, at the Cache County Fairgrounds, 500 S. 500 West. For more information, visit msutahidaho.org. Katie Jo will perform from 1 to 3 p.m. Saturday, June 25, at Caffe Ibis, 52 Federal Ave.

SUNDAY Utah State University’s Alumni Band opens the summer concert season with its spirited “Strike up the Band” concert at 7 p.m. Sunday, June 26, on the

Lyric Continued from Page 3 McCabe (Miss Dinsmore). Filling out the Lyric Rep’s ensemble are Clarissa Boston, Parker Burningham, Camille Decker, Michael Francis, Christóbal Perez, Sean Peters, Shannon Leigh Peters, Anthony

The Sunday Under the Trees lecture series will continue at 1 p.m. Sunday, June 26, south of Old Main on the USU campus. This week’s speaker is Dr. Alexis Ault, assistant professor of geology at USU. Admission is free; bring a lawn chair. Robert Linton will perform from 2 to 4 p.m. Sunday, June 26, at Caffe Ibis, 52 Federal Ave.

MONDAY The Logan Library Monday Movie will begin at 6:30 p.m. Monday, June 27, in the Jim Bridger Room. This week’s movie is “The 5th Wave,” which is rated PG-13. Popcorn and admission is free. Open Mic Night will begin at 7 p.m. Monday, June 27, at Why Sound, 30 Federal Ave. Admission is $1. The Concerts at Noon Series at the Logan Tabernacle continues on Monday, June 27, performers from the 2016 season of the Utah Festival Opera & Musical Theatre. All concerts begin at noon. Admission is free and everyone is welcome.

TUESDAY Disservice will perform at 7

Othello Pratt Jr. and Gill Vaughn-Spencer. “The cast is filled with so many wonderful and talented people and I’m lucky to have worked with most of them on previous projects during school,” Falls said. “I think because a lot of the cast is made up of students who knew each other prior to the show, it has made the process more

p.m. Tuesday, June 28, at Why Sound, 30 Federal Ave. Admission is $7. The Concerts at Noon Series at the Logan Tabernacle continues on Tuesday, June 28, with Iolite Duo. All concerts begin at noon. Admission is free and everyone is welcome. For a more information, visit logantabernacle. blogspot.com.

WEDNESDAY Chasing Morgan will perform with Something More at 7 p.m. Wednesday, June 29, at Why Sound, 30 Federal Ave. Admission is $7. The Concerts at Noon Series at the Logan Tabernacle continues on Wednesday, June 29, with Brad Ottesen & Jessica Roderer. All concerts begin at noon. Admission is free and everyone is welcome. For a more information, visit logantabernacle. blogspot.com.

THURSDAY The Home Team will perform with Hycie at 7 p.m. Thursday, June 30, at Why Sound, 30 Federal Ave. Admission is $7. The Concerts at Noon Series at the Logan Tabernacle continues on Thursday, June 30, with the Broadbent Family. All concerts begin at noon. Admission is free and everyone is welcome. For a more information, visit logantabernacle.blogspot.com.

enjoyable. We already work well together and have great chemistry.” Opening June 23 and 24 with evening performances and June 25 with a matinee, “Singin’ in the Rain” runs on select dates through Aug. 6. Evening performances begin at 7:30 p.m. and curtain for matinees is at 1 p.m. The Saturday, June 25, evening performance is “Baskerville: A

Sherlock Holmes Mystery.” Also part of the Lyric Repertory Company’s 2016 season are “Arsenic and Old Lace” and “You Can’t Take it With You” which opens June 30. For more information and tickets, call 7978022, visit lyricrep.org or visit the Caine Lyric Theatre Box Office at 28 W. Center St.

The Herald Journal, Logan, Utah, Friday, June 24, 2016

FRIDAY

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calendar


The Herald Journal, Logan, Utah, Friday, June 24, 2016

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CrossworD By Myles Mellor and Sally York Across 1. Verve 5. Skier’s domicile 10. Transparent sea creature 15. Dull sound 19. Essence 20. Eye layers 21. Vegetable that makes you cry 22. Take on 23. It was originally known as “curbstone brokers” 27. Bagpiper’s wear 28. Extol 29. Pillow filler 30. Jubilant 34. Cries out 36. Georgian, for one 38. Bird beaks 39. Raucous 41. Salad bar supply 46. Thin and transmitting light 49. Qualified for hire 51. It’s pumped in a gym 52. Coming 53. Sometimes ceramic 54. Spice mixture 61. Metamorphic rock 65. Student aid 66. Treaty org. 68. It blew its stack in Italy 69. “Miracle on Ice” winners 72. Race in Austin 79. Long slippery fish 80. Create 81. Waikiki wiggle 82. Romantic setting 83. Braque’s art 85. Foreign harbors, e.g. 90. Caddy or Jag 93. Musical scale note 95. Intro word to King Henry VIII 96. Buff 100. Harp-like instruments 106. Shouts of praise 107. Undergarment 109. Pharaoh’s symbol 110. Girl in a gown

Deadlines

111. Divvy up 112. Subdued 114. Kind of home 118. Danny Kaye song key word 119. “Uh-huh” 121. Washington or Franklin 130. Old cows 131. Promotes 132. Gem weight 133. Orchestral instrument 134. Bismarck’s first name 135. Clergymen in Normandy 136. In a suitable way 137. Consume Down 1. Bleat of a goat 2. Intoxicating liquor 3. Outrage 4. Yale rower need 5. Comprehensible 6. An office 7. Job for a body shop 8. Fill ‘er up stuff 9. Tampa time 10. Self-styled 11. Elephant goad 12. Dissembled 13. Plague 14. Post-apartheid org. 15. Pad ___ (noodle dish) 16. Hart’s partner 17. Press for 18. Big game 24. One of the Clantons 25. Earthen water pot 26. Burdensome 30. Extreme 31. Head wreath 32. Lawyer’s grp. 33. 5 milliliters 34. “She loves __” Beatles 35. Officer with a halfinch stripe, abbr. 36. Addition 37. Christ the Redeemer overlooks it 39. Wood-ox 40. Weight measure-

ment 41. Intro 42. Beanery sign 43. Kimono belt 44. Down 45. General in gray 47. “It Must Be ___” 48. Supply with weapons 50. Puss 54. Sticker 55. Superior 56. Race course feature 57. Small insect 58. Sayings 59. Plaster base 60. Used 62. Pilot’s announcement, briefly 63. Hampton, for one 64. Bummed 67. Scandinavian port 69. ___ Major (constellation) 70. Threshold 71. Olympics jump 73. Walking bird 74. Pat 75. Take a downhill ride 76. Trendy cars 77. Needlefish 78. Computer photo, for short 83. Imogene of comedy 84. ___ as a wet hen 86. Abdicator of 1917 87. Running water sediment 88. Left over 89. Emolument 90. Sound at a spa 91. Alien craft 92. “___ better to have loved and lost . . .” 94. Smoothing machine 97. Madagascar primate 98. Atomic number of hydrogen 99. Get the drop on 100. Greek letter 101. Order to Fido 102. Like sushi 103. Writing fluid 104. Barely make, with “out” 105. Bashful

108. Eastern European 111. Strong twill 112. Devout non-clerics 113. “Look here!” 114. Ocean menace 115. Leave out 116. Out house? 117. Nabisco cookie 118. Give the cold shoulder 119. Tentlike dwelling 120. And others, for short 122. Numbers guy 123. White, in prescriptions 124. Andes tuber 125. Car race section 126. Agree, in a way 127. ___ of Tiflis, Christian saint 128. Line 129. Want a lot

Cache Magazine calendar items are due Tuesday by 5 p.m. They will also run for free in The Herald Journal one to two days prior to the event. Calendar items can be submitted by email at hjhappen@hjnews.com. Any press releases or photos for events listed in the first half of Cache Magazine can be sent to jhunter@hjnews.com. Poems and photos can also be sent to jhunter@hjnews.com and run on a space-available basis if selected.

answers from last week

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