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cache Magazine THE GOLDEN TOUCH

When Autumn falls on Logan Canyon THE HERALD JOURNAL

SEPTEMBER 23-29, 2016


contents

September 23-29, 2016

COVER 6 Nature takes its course as fall colors emerge in stunning Logan Canyon

THE ARTS 3 USU choirs combine for ‘Autumn Voices’ concert

4 Cache Theatre Company brings ‘The Little Mermaid’ to Ellen Eccles Theatre 4 ‘Time Stands Still’ takes

to stage at Lyric Theatre

5 Logan Fine Art Gallery names Fall Salon winners 5 Renowned illusionist Jay

Owenhouse set to return to the Ellen Eccles Theatre

MOVIES 8 ‘Sully’ maintains hold on first place at the box office

9 Two and a half stars:

New ‘Magnificient Seven’ isn’t bad, but not great

TV 8 USA’s Network’s ‘Mr.

Robot’ provides a voice for computer hackers

CALENDAR 12 See what’s happening this week in Cache Valley

Scott Henderson, left, and Melissa Otani-Jensen interact as King Triton and Ursula, respectively, during a Cache Theatre Company performance of “The Little Mermaid” at the Ellen Eccles Theatre. The production continues this Friday and Saturday. (Photo courtesy of Cache Theatre Company) On the cover: Water falls over a small cascade in Right Hand Fork Canyon. (Jeff Hunter/Herald Journal)

FROM THE EDITOR Logan Canyon is not the only place to see and photograph fall colors in the Cache Valley area, but is the most convenient. Kind of one-stop shopping. I certainly have other places where I enjoy taking photos this time of year. Cub River Canyon, Sardine Canyon, Blacksmith Fork Canyon, and, of course, the Wellsville Mountain Range, can all be glorious at certain times of the autumn, along with plenty of other places around this part of the world.

But a trip up Logan Canyon gives you a little leeway thanks to the change in elevation and type of foliage. If you happen to miss the peak color of the maples down lower around Spring Hollow and the Wind Cave Trail, you’re likely to run into some beautiful golds and yellows further up the canyon, particularly when the aspens are turning a little later in the fall. And what I’ve always found really amazing is going up the canyon first thing in the morning, spending much of the day around Tony Grove or Franklin Basin, and then driving back down Logan Canyon as the sun begins to sink lower in the western sky. It never ceases to surprise me how

things change according the light. Trees and leaves that might have not drawn my attention earlier in the day now dance and dazzle in direct or backlight, and it feels like you’re going through an entirely new and different canyon. Because of our incredibly dry summer, I have to admit that the colors aren’t as vibrant this year. And some of the colors will be rapidly disappearing now due to some of the violent storms passing through the region. But that said, this is still a beautiful time of the year to be an incredibly beautiful part of the world, as hopefully the photos on Pages 6 and 7 will show. — Jeff Hunter


USU choirs present ‘Autumn Voices’ Utah State University choirs will present the annual fall concert “Autumn Voices” for all to enjoy at 7:30 p.m. Friday, Sept. 30, in USU’s Caine Performance Hall. “Celebrate the fall season with beautiful choral music in an exquisite venue,” said Cory Evans, director of the choral program and professor in the Caine College of the Arts. The concert features the USU Chamber Singers, USU Chorale and USU Women’s Choir, groups directed by Cory Evans and Luke Shepherd. “The USU Chamber Singers will present John Tavener’s haunting ‘Funeral Ikos,’ as well as a collection of American folk songs, including the spirited ‘Ain’a That Good News’ and a new arrangement of the southern folk tune ‘Look Up, Look Down,’ featuring primitive, industrial percussion instruments to enhance this rustic American piece,” Evans said. The USU Chorale will perform music of Anton Bruckner, Philip Stopford, Mack Wilberg, Stephen Paulus and Joseph Joubert’s “absolutely rockin’” version of “Down By The River-

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Annual fall concert set for Sept. 30 at Performance Hall

The Herald Journal, Logan, Utah, Friday, September 23, 2016

ALL MIXED UP

Caine College of the Arts

This year’s “Autumn Voices” concert will feature students in the USU Chorale, USU Chamber Singers and the USU Women’s Choir at 7:30 p.m. Friday, Sept. 30, at Utah State’s Caine Performance Hall.

side,” Evans said. The USU Women’s Choir will perform a song cycle of love and loss, including the

music of Donald Patriquin and a new arrangement of “Somewhere” from “West Side Story” created for the

concert by Women’s Choir director, Luke Shepherd. For more information and tickets visit the CCA Box

Office in room L101 of the Chase Fine Arts Center on USU’s campus, call 7978022 or visit cca.usu.edu.

St. Lawrence Quartet to play Logan After more than 25 years playing together, the St. Lawrence String Quartet should be settling down. But their intensity, precision and rock ‘n’ roll vibe is still front and center. Performing the Chamber Music Society of Logan’s Eastman Nibley Hatch opening concert of the 2016-2017 season, the quartet will being “an electricity” (New York Times) to its Cache Valley audience

at 7:30 p.m. Thursday, Oct. 6, at USU’s Caine Performance Hall. Tickets are $24 for adults, $10 for students and are available at arts.usu.edu, 797-8022, and at the Caine College of the Arts box office in Chase Fine Arts Center, as well as at the door the night of the performance. Further information is available at cmslogan.org. The members of the St. Law-

rence String Quartet are Geoff Nuttall, violin; Owen Dalby, violin; Lesley Robertson, viola; and Christopher Costanza, cello. Originally formed in Canada by founding members Nuttall and Robertson, all the group’s members now live and teach at Stanford University in California. The Canadian Broadcasting See LOGAN on Page 9


The Herald Journal, Logan, Utah, Friday, September 23, 2016

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all mixed up ‘Little Mermaid’ continues at Ellen Eccles Theatre The Cache Theatre Company is excited to announce their fall production of the Disney favorite, “The Little Mermaid.” “The Little Mermaid” will be presented at 7:30 p.m. Friday, Sept. 23 and Saturday, Sept. 24, at the Ellen Eccles Theatre in downtown Logan. A matinee will also begin at 1:30 p.m. on Saturday, Sept. 24. Tickets may be purchased online at cachetheatre.com

or by calling the Ellen Eccles Theatre Box Office at 7520026. A brunch will also be offered prior to Saturday performances at 11:30 a.m., allowing fans the opportunity to meet the cast, take photographs and enjoy a small meal for $4 per person. Directed by Jared Rounds, “The Little Mermaid” also features the talents of music director Karlee Heaps and choregraphers Stephanie White

and Scott Henderson. The production stars Dani Gardner as Ariel, Chris Metz as Prince Eric, Melissa OtaniJensen as Ursula, Scott Henderson as King Triton and Avery Storms as Sebastian. “This has been an incredible experience for me,” says Otani-Jensen, who studied at the prestigious Julliard School of Music. “I love this company. There’s a lot of talent in the valley.”

The Cache Theatre Company’s production of “The Little Mermaid” runs through Saturday night at the Eccles Theatre.

‘Time’ opens at the Lyric Utah State presents Margulies-penned play “Time Stands Still,” a work from Pulitzer Prize-winning playwright Donald Margulies, will take the stage at the Caine Lyric Theatre on Friday, Sept. 23. The production begins at 7:30 p.m. Sept. 23-24 and Sept. 28-Oct. 1. The contemporary play opens Utah State University’s Theatre Arts Department’s 2016-17 season. The play contains adult content and language. The plot looks at Sarah, a wartime photojournalist badly injured by a roadside bomb in Iraq. She is forced to return to her Brooklyn loft to piece her life back together with the help of her boyfriend, James. The audience also meets photo editor Richard and his girlfriend, Mandy. The play focuses on their relationships and Sarah and James’ prospects of a more conventional life. “Are the media invasive ghouls due to their portrayal of war through stories and photos?” said Adrianne Moore, the play’s director and head of the Department of Theatre Arts in the Caine College of the Arts at USU. “Or, are they providing an incredibly vital service so that the rest of the world knows exactly what’s going on? That’s a question that one of the characters really wrestles with.” There is a particular niche that people See TIME on Page 9

Photo courtesy of USU Theatre Department

Max Falls stars as James and Claire Harlan as Sarah in the USU production of the contemporary play “Time Stands Still.”

Limerick to talk at the Arrington History Lecture Hair-raising tales from government workers and clerks? Yes, according to Patty Limerick, American West historian, author, teacher and the featured guest for the 2016 Leonard J. Arrington Mormon History Lecture in Logan. Limerick presents “Hair-Raising Tales from the Department of the Interior” at 7 p.m. Thursday, Sept. 29, at the Logan Tabernacle. The lecture is free and open to the public. The Leonard J. Arrington Mormon History Lecture is sponsored by USU Special Collections and Archives, University Libraries; the Leonard J. Arrington Lecture and Archives Foundation; the College of Humanities and Social Sciences and Utah State University. “We are honored to have Dr. Patricia Limerick deliver the Arrington Lecture this year,” said Ross Peterson, a member of the Arrington Foundation board and well-known writer, historian and Utah State University administrator. “As an award-winning historian, she presents a unique and refreshing analysis of what government servants do and feel as they work for the common good. This distinguished scholar is one of the great historians of the American West and her topic fits well with much of Leonard Arrington’s research and writing.” Leonard Arrington, the namesake of the lecture series, was a well-known historian and author and an economist. The “how and why” of Western development were important to him. The annual lecture honors Arrington, whose papers were donated to Special Collections and Archives, a division in USU’s University Libraries.


she recounted her story once again, demonstrating how art has the power to lift and to heal the soul,” said Logan Fine Art Gallery manager Julie LeFevre. During the reception, Marsh recounted the moment that led to creating “The Pilgrim.” “My adult daughter and I were traveling across country,” Marsh explained. “We were in Arizona and had stopped to visit an historic Catho-

lic mission, St. Xavier’s. We were there on a Sunday. Mass was being held for the mission’s members and tourists were crowding into the chapel and other alcoves as well. ‘The Pilgrim’ stood in a long line of the faithful and curious, patiently shuffling forward, to touch the wooden statue of St. Xavier, reclining on a raised platform. See SALON on Page 10

“The Pilgrim” by Dilleen Marsh

Owenhouse coming back COMING UP

Plein Air in Brigham City

Montana-based illusionist set to return Sept. 30 Jay Owenhouse, a legendary escape artist and one of the most awarded illusionists in history, returns to Logan for a command performance — one night only in “Dare to Believe!” Owenhouse, who visited Logan last fall, will perform at 7:30 p.m. Friday, Sept. 30, at the Ellen Eccles Theatre. Tickets are priced $29.50 to $69.50, and are available by calling 752-0026 or online at cachearts.org. “Dare to Believe” breaks new ground with a brand-new, elaborate stage show — a mindboggling, spell-binding experience that will keep you on the edge of your seat. Owenhouse’s new show is a theatrical event where audiences not only witness the magic — they experience it. You’ll see audience members float in mid-air, get sawed in half and predict the future. “Dare to Believe” also features Owenhouse’s two bengal tigers. Owenhouse spent 2008 touring China and Japan, where his show received the “Best Touring Family Show in Asia” award. Now back in the U.S., he is working on his new TV series. Owenhouse can also currently be seen on Fox TV in the show “Magic On The Edge,” and in the television special called “Masters Of Illusion,” a program profil-

Freedom from constraints producing artworks within four walls awaits participants in the Brigham City Museum’s Utah Plein Air Competition. “En plein air” is a French expression that refers to the 19th Century-style of painting outdoors. The competition is open to all ages, and the pieces must be created in Utah. Purchase prizes totaling $4,000 will be awarded. Canvases must be stamped prior to use at the museum beginning Sept. 16. There is a limit of six stamps per person. Photographers must submit EXIF data with their prints. Artists must turn in their pieces by 5 p.m. on Saturday, Sept. 24. A social will be held for all participants at 5:30 p.m. Saturday, Sept. 24, at the John Adams Park, 600 E. 100 North. Entry fees are $35 for painters and draftspeople and $20 for photographers. Artists can submit two works, which must be stamped and ready to hang. For additional information, please visit brighamcitymuseum.org or call (435) 226-1439. Artwork accepted for exhibition will hang in the museum Oct. 4 through Nov. 5. A reception will be held at 4 p.m. on Saturday, Nov. 5. The museum is located at 24 N. 300 West in Brigham City. Hours are Tuesday through Friday from 11 a.m. to 6 p.m. and Saturday from 1 to 5 p.m.

‘Carol’ musical auditions Jeff Hunter/Herald Journal

Montana-based illusionist Jay Owenhouse will perform at 7:30 p.m. Friday. Sept. 30, at the Ellen Eccles Theatre.

ing the best magicians in the world. Caught by the magic bug at 4 years old, Owenhouse first performed as a freshman in high school. Since then, in the spirit of “giving it away to keep it,” Owen-

house has invented magic effects and designed illusions not only for his show, but also for other worldrenowned magicians. Visit jayowenhouse.com for more information.

Four Seasons Theatre Company is holding auditions for its sixth annual production of “A Christmas Carol: The Musical” from 6 to 9 p.m. Monday, Sept. 26-27, at North Park Elementary School, 2800 N. 800 East in North Logan. All roles, including children, are available and auditions are by appointment. Walk-in auditions are also invited and will be seen at the first available opening. “A Christmas Carol: The Musical” will run Dec. 2-10. More information, registration, audition application and acting sides are available at fourseasonstheatre.org.

The Herald Journal, Logan, Utah, Friday, September 23, 2016

Hurricane-based artist Dilleen Marsh received Grand Prize honors at this year’s Salon d’Automne hosted by the Logan Fine Art Gallery in downtown Logan. An illustrator and painter who worked for many years as a designer for the LDS Church, Marsh received $1,500 at a reception on Sept. 16 for her painting, “The Pilgrim.” “When Dilleen accepted her award, it was an emotional time for many as

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Fall salon winners honored



LOGAN CANYON IN FALL Photos by Jeff Hunter Clockwise from above: Trees around the Wind Cave area burst with red on an autumn day in Logan Canyon. Tony Grove Lake greets the morning. Fall colors are refelected in a small pond along Beaver Creek. Maple leaves soak up the sun. A view of Logan Canyon from above the Third Dam-Spring Hollow area. Trees near Tony Grove explode with color on a mid-September morning.


The Herald Journal, Logan, Utah, Friday, September 23, 2016

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‘Sully’ holds onto top spot for second week LOS ANGELES (AP) — “Blair Witch,” ‘’Bridget Jones’s Baby” and “Snowden” didn’t ground “Sully” at the weekend box office. The Warner Bros. dramatization of the Miracle on the Hudson directed by Clint Eastwood and starring Tom Hanks as Captain Chesley “Sully” Sullenberger remained at No. 1 for the second week with $22

million, according to studio estimates Sunday. The film tells the story of Sullenberger’s emergency landing of US Airways Flight 1549 in the Hudson River in 2009 and the subsequent National Transportation Safety Board investigation. A trio of newcomers failed to fly close to the haul earned by “Sully,” which stands at $70.5 million after

two weeks. Lionsgate’s horror revival “Blair Witch” nabbed $9.7 million at No. 2, while the Working Title Films comedy “Bridget Jones’s Baby” with Renee Zellweger again starring as the titular character crawled away with $8.2 million. “We always think just because something has a recognizable brand name that it’ll automatically be a

hit with audiences, but that’s not always the case,” said Paul Dergarabedian, senior media analyst for box office tracker comScore. Open Road Films’ “Snowden,” which features Joseph Gordon-Levitt portraying NSA whistleblower Edward Snowden, domestically opened at No. 4 with $8 million. The debut marks the lowest in filmmaker Oliver Stone’s career.

‘Mr. Robot’ big for hackers LAS VEGAS (AP) — Finally, the computer hackers of the world have a TV show they can call their own. “Mr. Robot,” a mind-

bending drama in which a morphine-using computer-security drone gets enmeshed in a revolutionary plot against corporate domination, is

UTAH STATE THEATRE 2016-2017

TIME STANDS STILL Directed by Adrianne Moore

notable for many things — unreliable narration, an ominous Christian Slater, hallucinatory plot twists, a foreboding and dystopic atmosphere 2010 Tony Award nomination - Best Play

CCA.USU.EDU

by Donald Margulies

7:30 PM

SEPT 23-24 SEPT 28-30, OCT 1 Caine Lyric Theatre - 28 West Center Street, Logan UT Adults $13, Seniors & Youth $10, Faculty & Staff $8, Free for USU Students with ID CCA Box Office | Chase Fine Arts Center L101 | USU Campus | Mon–Fri 9–5PM | 435-797-8022 Time Stands Still contains adult content and language. Children under 6 years of age, including babes in arms, will not be admitted. Children 6 and older should attend at parent’s discretion.

shot through with black humor. (There’s also the star turn by Rami Malek as young hacker Elliot Alderson; he took home an Emmy for best lead actor in a dramatic series Sunday night. Malek opened his acceptance speech with a callback to one of his character’s first lines: “Please tell me you’re seeing this, too.”) But the show is also unusually dedicated to getting the details of hacker culture and computer vulnerabilities right. That’s won it a devoted following among people who know more than a little about both subjects — and who are used to seeing cartoonish hacker stereotypes and ludicrous technical jargon in mainstream programs. SWEATING THE SMALL STUFF “For me the biggest thing was, I watched all of season one and didn’t throw anything at the TV,” said longtime hacker Marc Rogers during a panel discussion that packed a ballroom at the recent Def Con hacker convention in Las Vegas. Rogers joined the show as one of its hacker consultants for its second See BIG on Page ???

AP Photo

Sally Phillips, left, and Renee Zellweger star in “Bridget Jones’s Baby.”

‘Talent’ finale brings Nielsen victory for NBC NEW YORK (AP) — The 12-year-old singing sensation Grace VanderWaal’s $1 million prize capped a successful season for summer’s favorite television show, “America’s Got Talent,” and helped NBC to victory last week in the television ratings. VanderWaal’s feel-good story and the return of Simon Cowell to a judge’s table led to a strong season for the summer favorite, which will now be shelved with the onset of television’s fall season. Last Wednesday’s season finale reached 14.4 million viewers, the Nielsen company said. It was not such good news for the Emmy Awards, which brought 11.4 million viewers to ABC on Sunday. It was the smallest audience ever recorded for the TV awards show. The Emmys were hurt by a NBC’s football game, which had 22.8 million viewers, and a CBS special on JonBenet Ramsey, with 10.4 million. Broadcasters once cleared the decks and left little competition for the Emmys. There’s little incentive to do that now, with cable networks and streaming services dominating the awards. Nielsen’s top 20 last week was clogged with 9 football games or football-related shows. NBC averaged 8.7 million viewers for the week in prime-time. CBS had 7.6 million, ABC had 5.1 million and Fox had 2.8 million. For the week of Sept. 12-18, the top 10 shows, their networks and viewerships: NFL Football: Green Bay at Minnesota, NBC, 22.75 million; “NFL PreKick,” NBC, 16.74 million; NFL Football: N.Y. Jets at Buffalo, CBS, 15.39 million; “America’s Got Talent” (Wednesday), NBC, 14.41 million; “America’s Got Talent” (Tuesday), NBC, 13.97 million; NFL Football: Pittsburgh at Washington, ESPN, 12.96 million; “60 Minutes,” CBS, 12.7 million; “Dancing With the Stars,” ABC, 12.19 million; “Football Night in America” (Sunday, 7:55 p.m.), NBC, 11.86 million; “Emmy Awards,” ABC, 11.38 million.


who appears out of the blue. With Kurosawa’s “Seven Samurai” there was an underlying idea that samurai worked for something greater than themselves. We understand that they’re willing to lay down their lives for a cause that they deem worthy of their assistance, because that is what samuaris do. It’s why they exist. With “The Magnificent Seven” laws and ruffians to come we never arrive at that back to Emma’s city of point with these charRose Creek and take on acters. They’re rushing Bogue in an epic shootout. head first into a suiMuch of the first half AP Photo cide mission, but don’t Denzel Washington, left, and Chris Pratt share a scene in “The Magnificent Seven.” of the movie is spent folnecessarily seem like lowing Sam around the the people who would frontier as he handpicks senseless murder of her do such a thing. his team: Josh Faraday, husband at the hands of It’s just not believplayed by Chris Pratt the evil Bartholomew able that all of these Bogue (Peter Sarsgaard), who is basically doing a characters, as they are Star-Lord imitation but Emma seeks out Sam’s composed in this story, help. “You seek revenge,” in Western times; Goodwould readily accept a night Robicheaux (Ethan suicide mission. There says Sam. “I seek righDirector // Antoine Fuqua Hawke) is the Doc Holli- are aspects about some teousness. But I’ll take Starring // Denzel Washington, Chris Pratt, Peter day of the crew; religious of them, revealed later, revenge.” And so it is Sarsgaard, Ethan Hawke, Vincent D’Onofrio zealot and Indian hunter, with “The Magnificent Rated // PG-13 for extended and intense that shed light on their Jack Horne (Vincent Seven.” It seeks a higher sequences of Western violence, and for historical reasoning. Most of D’Onofrio); knife-wield- them, however, start meaning, but settles for smoking, some language and suggestive material ing Asian cowboy Billy the muted catharsis of out as selfish gunslingRocks (Byung-hun Lee); almost all of them. The and warrant officer Sam revenge. ers and never have pivMexican outlaw Vasquez otal moments where film’s reason for being is Chisolm (Denzel WashAnd so duty-bound (Manuel Garcia-Rulfo); easily spelled out when ington) have a stern heart- good guy Sam Chisolm their character is and Red Harvest (Martin recently widowed Emma to-heart. sets out to round up a Cullen (Haley Bennett) team of good-heated out- Sensmeier), a Comanche See SEVEN on Page 10 Grief-stricken by the

The Reel Place AARON PECK

★★

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Yep. This is fine. Not transcendent, or even great. It’s just fine. Remaking John Sturges’ 1960 adaption of Akira Kurosawa’s “Seven Samurai” is a daunting task. Antoine Fuqua does an admirable job attempting it, although there’s not much here that proves this remake was necessary in the first place. Fuqua can imitate the Sturges motif. He can create 21st Century John Ford visuals. Yet, in the end, this iteration of “The Magnificent Seven” feels hollow. Fuqua’s vision of this story lacks the playfulness of its predecessor, and it’s sorely missing the emotional depth of Kurosawa’s singular original. It’s a revenge story that relies on revenge as its motivating force. Revenge is the thrust for a good many tales. Something profound is missing here, though. Some motives are revealed later on, helping to explain why some of the characters would take on what could amount to a suicide mission. But mostly we’re left in the dark on

The Herald Journal, Logan, Utah, Friday, September 23, 2016

‘Magnificient Seven’ is a ‘fine’ remake

‘The Magnificient Seven’

Logan Continued from Page 3 Company said, “Their irreverent, spontaneous approach to the classics, as well as their devotion to new music, has made them a model for what the modern-day string quartet should be.” The quartet’s program for the Logan concert is Haydn’s String Quartet in Eb-Major, Op. 33, No. 2 (Hob.III.38) “The Joke”; John Adams’ Second Quartet, and a Beethoven late quartet. SLSQ’s repertoire shows an intricate linkage

between Beethoven’s late Quartet in C sharp minor, Op. 131, and another John Adams’ piece, Absolute Jest, a 25-minute work for solo quartet and orchestra based on fragments from Beethoven, primarily from the Opus 131 and 135 string quartets. First performed in 2012, the piece has earned high honors, especially after a European tour in 2015: “We’re thrilled that our recording of Absolute Jest with [Michael Tilson Thomas] and the San Francisco Symphony has been picked as one of NPR’s top classical recordings of the year!” the quartet said last year. In recent seasons, SLSQ has

been highlighting first violinist Geoff Nuttall’s admiration for Franz Josef Haydn with a series of concerts in which the foursome explores the composer’s string quartets from various perspectives and then performs the works in their entirety. Nuttall, hailed as “the Jon Stewart of chamber music” (New York Times), explains, “to be really devastated by the genius of Haydn’s music, the performers and audiences have to be connected…exploring the material in a really active way.” The quartet has always enjoyed communicating with its audiences. “They have a gift for

describing musical abstractions in down-to-earth terms,” noted Alex Ross in his New Yorker article about the group in its early days. They have been quartet in residence at Stanford for nearly two decades, mentoring music students as well as collaborating extensively with other faculty and departments including the schools of medicine, education and law. In addition to their appointment at Stanford, the SLSQ are visiting artists at the University of Toronto. The foursome’s passion for opening up musical arenas to players and listeners alike is evident in their annual summer chamber music seminar at Stanford.

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Continued from Page 5 “The story is that if you raise the head of the statue up off it’s pillow three times, you are a good and virtuous person and will find comfort, for the statue was purported to take away your pain and loss,” Marsh continued. “Most people in line made the sign of the cross and raised the head of the saint. However, a big breasted, rhinestone-belted woman in front of ‘The Pilgrim’ kept her hand on her hip, never touching the relic, and after satisfying her curiosity with an impassive look, shrugged and moved on. “He, on the other hand, a diminutive and elderly Hispanic or Native American, using a wooden cane for stability, hugging his cowboy hat to his chest, and holding some ribbon tokens in his hand, gently caressed the statue’s forehead, like a mother with a sick child, made the sign of the cross, raised the saint’s head, and with care passed his hand held tokens over the body of

Time Continued from Page 4 who work in war zones occupy, Moore said. “Sarah and James are working in an environment where there’s an extraordinary amount of adrenaline and their lives are at risk, but there’s also some attractive aspects of living life so much on the edge,” Moore said. “It gives their lives not only a sense of purpose but also a sense of extremity that they miss when they return to the United States. That way of living

becomes an addiction.” It soon becomes clear to James that Sarah is eager to return to the action while he is relieved to be away from the terror and bloodshed. Meanwhile, Mandy can’t understand why journalists record what they see rather than actively try to stop the violence. Tickets for “Time Stands Still” are $13 adults, $10 seniors/youth, $8 USU faculty/staff and free for USU students with ID. For tickets, contact the CCA Box Office in room L101 of the Chase Fine Arts Center, call 797-8022 or visit cca.usu.edu.

Seven Continued from Page 9 allowed to change. Instead we’re just supposed to believe they changed at some unseen moment. The shootout at the end is ferocious, if slightly confusing. Fuqua’s directing is that of modern action directors. Even with the limited geography of

the city of Rose Creek, it’s still easy to get lost in the bedlam. The direction doesn’t do much to keep us oriented. Still, Fuqua should be commended for keeping the usage of shaky-cam to a minimum. Fuqua’s vision is fine, sure. It’s a decent action movie with some clichéd callbacks to Westerns of old. What it lacks, though, is something that can’t be easily inserted.

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The Herald Journal, Logan, Utah, Friday, September 23, 2016

Page 10 -

Salon

the statue. Then ‘The Pilgrim’ sat down, alone, on a wooden bench that happened to be directly in front of me, and bowed his head, over his cane, in prayer. “It was such a tender scene of devotion I raised my phone camera to preserve the moment to paint from. But my daughter touched my arm and stopped me from intruding. Quietly she said, “Let’s let him have his moment.” It was a good call. I had photos of him standing in line. My heart was touched and I continued to be instructed by his faithfulness as I painted ‘The Pilgrim.’” In addition to Marsh, other award winners were Leroy Transfield (second place, $500) and Dan Wilson (second place, $500), along with honorable mention artists: Glen Edwards, Nevaloni Pulotu, Brandt Berntson, Trent Gudmundsen and Richard K. Jolley. Located at 60 W. 100 North, Logan Fine Art Gallery will display the art from this year’s Fall Salon through the end of October. Visit loganfineartgallery.com for information.

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The 2016-17 Hi-Los are hosting a Hi-Lo alumni gathering for all former members at 5 p.m. Friday, Sept. 23, in the Hi-Lo Dance Room at Logan High School. A light dinner will be served; free of charge for former Hi-Los (donations will be accepted). Please RSVP to Ivie Foster at ivie.foster@gmail.com.

Melody Pulsipher will perform from 1 to 3 p.m. Saturday, Sept. 24, at Caffe Ibis, 52 Federal Ave.

SATURDAY John Allred will perform with Young North at 7 p.m. Saturday, Sept. 24, at WhySound, 30 Federal Ave. The Cache County Buddy Walk & 5K will be held Saturday, Sept. 24, at the American West Heritage Center in Wellsville. A fundraising event for the Utah Down Syndrome Foundation, the Buddy Walk will also feature carnival games, bounce houses, exhibit booths, train and pony rides, corn maze, giant slide, silent auction and other activities. The 5K race begins at 9:15 a.m.; Buddy Walk at 11 a.m. To register or for more information, visit

Big Continued from Page 8 season, which wraps up Wednesday night. He’s one of a small group of real-world experts, including computersecurity mavens and a former FBI cybercrime specialist, who share the same mission: Keep the hacks realistic while making sure that the show is still good TV. Because if they don’t, they’re going to hear about it from the real-life hackers. “It’s insane,” said Kor Adana, a “Mr. Robot” writer who worked as a network security analyst before breaking into show business. “Even if we show part of a screen for a millisecond, It will get screenshotted and it will get dissected

Bingo is back! Cache Valley Eagles will be hosting a charity dinner with bingo at 7 p.m. Saturday, Sept. 24, at 170 W. 900 North. Cost of dinner is $10. Everyone welcome over 21. We are an organization of people helping people; come enjoy a night out while helping us donate to a great charity.

the Logan River trail, then stay for music under the stars. BYOB, but no glass please. Visit logannature.org for more information. The Utah State University Homecoming Parade will begin at 10 a.m. Saturday, Sept. 24, on Center Street in Logan and head north on Main Street to 800 North. The 25th Street Farmers Market will be held from 9 a.m. to 1 p.m. Saturday, Sept. 24, at the North Logan Library, 475 E. 2500 North in North Logan.

and acting sides are available at fourseasonstheatre.org. The Logan Library Monday Movie will begin at 6:30 p.m. Monday, Sept. 26, in the Jim Bridger Room. This week’s movie is “Allegiant,” which is rated PG-13. Popcorn and admission is free.

TUESDAY The Logan Library will host Teen Tuesday from 3:30 to 5 p.m. Tuesday, Sept, 27, in the Jim Bridger Room. This week’s theme is “Lights, Camera, Anime!” Visit library.loganutah. org for more information.

information.

WEDNESDAY Constitution Party Candidates Darrell Castle (president) from Tennessee and Scott Bradley (vice president) from Utah will host a town hall meeting at 7 p.m. Wednesday, Sept. 28, at Mt. Logan Middle School, 875 N. 200 East. The public is welcome.

THURSDAY

Juniper Junction will perform as part of the Stokes Nature Center’s Canyon Jams concert series at 7 p.m. Saturday, Sept. 24, in Logan Canyon. Doors open at 6 p.m. Bring a picnic, catch up with friends, explore

Four Seasons Theatre Company is holding auditions for its sixth annual production of “A Christmas Carol: The Musical” from 6 to 9 p.m. Monday, Sept. 26-27, at North Park Elementary School, 2800 N. 800 East in North Logan. More information, registration, audition application

The Logan Library presents “Silence is Deadly: Why an Era of Self-Censorship Portends Book Bans to Come,” a lecture by USU journalism professor, Matthew D. LaPlante. The lecture will begin at 7 p.m. Tuesday Sept. 27, in the Jim Bridger Room. The public is invited and encouraged to attend. The Logan Library encourages you to stand up for your right to read; read a banned book. Call 716-9137 or visit library.loganutah.org for more

Vintage Market Days comes to the Cache County Fairgrounds at 450 S. 500 West from 10 a.m. to 5 p.m. Thursday, Sept. 29, Friday, Sept. 30 and Saturday, Oct. 1. General admission tickets are $5. Vintage Market Days is an upscale vintageinspired indoor/outdoor market featuring original art, antiques, clothing, jewelry, handmade treasures, home décor, outdoor furnishings, consumable yummies, seasonal plantings and a little more. Each Vintage Market Days event is a unique opportunity for vendors to display their talents and passions in creative venues. Visit vintagemarketdays.com for more information.

and someone will post a really intricate write up about what we’re doing; whether it makes sense or whether we’re just phoning it in.” Adana, who manages the team of consultants in addition to serving as a writer, said the focus on accuracy has always been part of “Mr. Robot.” The show’s creator, Sam Esmail, dabbled in hacking as a teenager, then saw family members in Egypt use social media and other technology to push for political change during the Arab Spring. HACKING IN ITS DNA Esmail liked the idea of young people changing the world via their superior understanding of technology. That’s more or less what the hacker characters in “Mr. Robot” try to do — though they’re not always successful, Adana said.

But Esmail insisted on doing it right. Adana and another consultant joined the show during the first season, with Adana pitching ideas in the writer’s room. Nobody wanted to see “Mr. Robot” mocked online like two hacking-centric CBS thrillers, “Scorpion” (which features faked-up computer code in its logo) and the nowcanceled “CSI: Cyber.” As with any TV show, though, the story comes first. The consultants brainstorm to create realistic hacks that get Elliot from point A to point B in the story; only then do they write the code that will show up on screens. And while reallife hackers tend to reuse hacks that work, characters on the show need to keep coming up with new ones to keep things interesting.

Next, the consultants work with the props department to make sure the sets feature appropriate hardware and give the code to an animator, who creates the text that actually appears in the show. They take care to ensure the code is typo free, although they do tweak some elements to ensure they’re not providing a “how to” guide for aspiring hackers. CONVINCING HACKERS “Seconds of screen time could be hours of discussion,” Rogers said, adding that late night phone calls from Adana to sort out last-minute technical issues aren’t uncommon. Sometimes hacks are yanked if they can’t be fixed. For example, a ransomware attack originally written into the second season premier was ultimately cut and replaced after consultants decided it wouldn’t

really work on a technical level. Adana and the consultants are also responsible for fleshing out the show’s hacker characters, ensuring that they’re more than quirky, borderline autistic geniuses. Elliot, for instance, is at heart an idealist who wants to change the world for the better, although he’s also a flawed and frequently unstable person who has a complicated relationship with both mainstream society and reality itself. “I think the young, and kind of angry, rebellious, antiauthority hackers related to him in a way,” Adana said. “He’s idealistic in the same way as a lot of hacktivists (who) want to change the world. They want to make an impact through technology and that’s what he’s doing.”

The Cache Valley Gardeners’ Market will be held from 9 a.m. to 1 p.m. Saturday, Sept. 24, on the grounds of the Historic Cache County Courthouse at 199 N. Main St. In addition to craft, food and produce vendors, Hilary Murray will perform. Visit gardenersmarket.org for more information.

SUNDAY Newfolk Revival will perform from 2 to 4 p.m. Sunday, Sept. 25, at Caffe Ibis, 52 Federal Ave.

MONDAY

The Herald Journal, Logan, Utah, Friday, September 23, 2016

FRIDAY

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calendar


The Herald Journal, Logan, Utah, Friday, September 23, 2016

Page 12 -

CrossworD By Myles Mellor and Sally York Across 1. Evidence of healing 5. Mythical monster 8. They come in pieces, in Japan 15. Deficiency 19. Cry out 20. Black gold 21. Begin, as an adventure 22. Asian wild ox 23. Confined to one’s quarters 26. Fodder holder 27. Realization 28. Given a police shield 29. “High” crime 31. Bas-relief medium, perhaps 32. Chipper 33. Diamond players 34. “___ the night before ...” 38. Backstabber 39. A caddy may hold it 40. Calypso offshoot 43. Small case 45. Charades, essentially 47. ___ fly 51. Buddy in earlier days 53. Former European group, abbr. 55. Furrow maker 56. Close-fitting jacket 57. End of the 4th qtr., usually 59. Morphologic 63. Companion of Artemis 64. Hanukkah item 66. Brokenhearted 67. Out of view, in a way 70. Whalebone 72. Certain salty chemical compounds 73. Concealed 77. Motion science 79. Baby food catcher 80. Little one 81. Before night (old word) 82. “H” on a frat sweater 83. Hushed 85. Golfing features

Deadlines

89. Silence symbol 92. Bolted 93. Accomplish by economy, with “out” 94. “Ho, ho, ho,” e.g. 96. “Help!” 98. Sort 100. Hardly the macho type 103. Break 105. Bring embarrassment to 110. “Everybody loves somebody sometime,” for Dean Martin 111. Tomorrow 113. Espresso additive 114. Ad headline 115. Some wavelengths 118. Identifying mark 119. It’s greater or lesser and it holds organs 120. Ashes holder 121. “Got other plans, sorry” 122. Cravings 123. How cliff-hangers end 124. Amber, e.g. 125. Some chips, maybe Down 1. Turned 2. Camp craft 3. West Wing workers 4. Sanctify 5. ___ and aahs 6. 2016 Olympics city 7. Association 8. Farmer, at times 9. “Gallery,” to “largely” 10. Climactic musical finales 11. “Thundering” group 12. “Seeing red” feeling 13. Almost all 14. Confidentially 15. Baked pasta dish 16. Cordial flavoring 17. “The ___ Purple” (’85 film) 18. Unstable particles 24. Brawl 25. Chucklehead 30. “Fragile” concepts 33. Absolute

35. Dam 36. Absorbed, as an expense 37. Cousin of the Venus’ flytrap 40. Merlin, e.g. 41. “. . . ___ bone’s connected to the thigh ...” 42. Cordial 44. Exact same 46. Christian of a certain denomination 48. By way of, briefly 49. “General Hospital,” e.g. 50. “Electric” fish 51. Ace 52. Cash in 54. “The First ___ the Deepest” 58. Certain salmon 59. Sir, in India 60. Certain relative, informally 61. Allegro non ___ (lively, but not too lively, in music) 62. Dismay 64. “The Count of ___ Cristo” 65. Cabernet, e.g. 68. “Back to the Future” actress Thompson 69. Deal with a computer lockup, say 70. Ale, in Aachen 71. Author Rice 74. Corner piece 75. Chief, in Italian 76. Adaptable truck, for short 77. Beer barrel 78. “The Simpsons” mouse 80. Increase, with “up” 84. “Don’t give up!” 86. Snapping beetles 87. Astronaut’s insignia 88. Dramatic side story 90. Goddess mentioned in Poe’s “Ulalume” 91. Expressing sorrow 95. “Beat it!” 97. Flattering, in an oily way

99. Acquire “the oldfashioned way” 100. Chaotic 101. At a good clip, poetically 102. Where “Otello” premiered 104. “Acetyl” add-on 106. Grape, tomato or cranberry, e.g. 107. Having a lot of buzz, maybe 108. All in 109. “__ makes waste” 111. Department store department 112. “Barbie Girl” band 113. “Be-Bop-A-Lula” Vincent 116. Cyst 117. Modern address

Cache Magazine calendar items are due Tuesday by 5 p.m. They will also run for free in The Herald Journal one to two days prior to the event. Calendar items can be submitted by email at hjhappen@hjnews.com. Any press releases or photos for events listed in the first half of Cache Magazine can be sent to jhunter@hjnews.com. Poems and photos can also be sent to jhunter@hjnews.com and run on a space-available basis if selected.

answers from last week

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