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Cache Magazine DOWN IN THE VALLEY scenes from california’s yosemite national park

The Herald Journal

OCTOBER 16-22, 2015

contents

October 16-22, 2015

COVER 8 The majestic scenery

of Yosemite National Park

THE ARTS 4 Music Theatre West to deliver new dinner-theater 4 ‘Jekyll & Hyde’ musical

comes to Heritage Theatre

5 Cache Valley Ballet

brings haunted tours and ‘Dracula’ to Eccles Theatre

5 Annual ghost tours now underway in Cache Valley

MOVIES 3 Three and a half stars:

Hanks and Spielberg team up for ‘Bridge of Spies’

7 Three stars: New film

‘Crimson Peak’ takes a rather unique approach

12 Looking back at some of Hollywood’s biggest mistakes at the box office

COLUMNS 12 Writer Dennis Hinkamp contemplates the pros and cons of ‘jumping the shark’

CALENDAR 15 See what’s happening this week

Two of the icons of the U.S. National Park system, El Capitan, left, and Half Dome are two of the most photographed mountains in the world. On the cover: El Capitan is reflected in the Merced River, running at just a trickle due to drought. (Jeff Hunter/Herald Journal)

FROM THE EDITOR I’m pretty jealous of Lafayette Houghton Bunnell.

Here I am, a longtime writer and a photographer who recently made my fifth visit to Yosemite National Park, and I can’t come close to describing the beauty of the Yosemite Valley the way Bunnell did more 160 years ago.

Part of the 57-member Mariposa Battalion, Bunnell was one of the first non-Native American men to visit that stunning area of California. After breaking off from the rest of the battalion to get a better view, Bunnell wrote:

“The grandeur of the scene was but softened by the haze that hung over the valley — light as gossamer — and by clouds that partially dimmed the highest cliffs and mountains. This obscurity of vision by increased the awe with which I beheld it, and as I looked, a peculiar exalted sensation seemed to fill my whole being, and I found my eyes in tears and emotion.”

While I can’t say I was brought to tears during my most recent visit to Yosemite, I did experience one near perfect moment.

While in San Francisco less than 24 hours earlier, I felt myself getting more and more anxious while being surrounded by so many people, all of whom seemed to be traveling the same steep and narrow roads at the same time that I was.

But I told myself that the following morning, I would be able to enjoy at least a few minutes of tranqulity along the Merced River and beneath the iconic face of El Capitan before Yosemite woke up.

And I was right.

The best time to out and about in any national park is before 8 a.m., and that autumn morning, nothing but a single mule deer was around as made my way along the Merced.

While I didn’t find a way to describe the scene in the manner of Bunnell or John Muir, and I certainly didn’t take any photographs worthy of the great Ansel Adams, I was able to once again enjoy one of the most gorgeous vistas I’ve ever beheld in complete peace and quiet.

— Jeff Hunter

Spielberg pulls three stories together in Hanks’ movie

By Aaron Peck Cache movie critic

The title “Bridge of Spies” might be a bit misleading.

That’s a title that conjures up James Bond imagery. Instead, Steven Spielberg’s latest — a slow-burning, based-on-atrue-story Cold War thriller — is anything but. That’s not to say it isn’t suspenseful and exciting. It is. But not in a conventional espionage thriller sort of way.

From the opening sequence, a wordless catand-mouse “chase” between federal agents and suspected Russian spy Rudolf Abel (Mark Rylance) provides the perfect set up for the film’s tone. Spielberg lingers with the camera, building tension as Abel traverses the city with undercover federal agents in tow. After he’s caught, Abel is swiftly sent to trial for crimes of espionage against the United States.

In order to provide Abel a “fair” hearing, lawyer James Donovan (Tom Hanks) is assigned to defend him. Donovan is dubious. With American-Russian relations almost at a breaking point and the threat of nuclear war seemingly just around the corner, Donovan doesn’t want to be seen as the defending face of an alleged spy.

The duty and honor inherent in the justice system and

– Cache humor columnist Dennis Hinkamp (Page 12)

PET OF THE WEEK Available for adoption AP Photo

Tom Hanks portrays lawyer James Donovan in “Bridge of Spies.”

★★★ ‘Bridge of Spies’ Director // Steven Spielberg Starring // Tom Hanks, Mark Rylance, Amy Ryan, Alan Alda, Dakin Matthews, Sebastian Koch, Michael Gaston, Eve Hewson, Domenick Lombardozzi Rated // PG-13 or some violence and brief strong language

Donovan’s character makeup convince him to take the case. In what amounts to a kangaroo court, Donovan soon finds out he’s set up to fail. Abel needs to be shown that he’s getting a fair trial on the surface, but underneath the façade public opinion has already declared him guilty. A certain parallel can be drawn to any time

period in American history where hyper-sensitivity of the public’s current fears warps our collective sense of justice.

Somehow Spielberg, using a marvelous script penned by Joel and Ethan Coen, is able to fit in not just one, but three interlocking stories. While Donovan is fighting the righteous, but

fruitless fight for Abel using Constitutional law, a secret plan is underway 70,000 feet above Russia.

At this time in history, the United States has secretly rolled out the U-2 spy plane and has enlisted a handful of American pilots to fly high over the Soviet Union and take detailed pictures of their nuclear capabilities.

During one of these flights, pilot Francis Gary Powers (Austin Stowell) is shot down and taken prisoner by the Russians.

Finally, in Berlin, as soldiers crudely construct the Berlin Wall, American student Frederic Pryor (Will See SPIES on Page 13

Pet: Princess From: Cache Humane Society Why she’s so lovable: It’s true what they say about good things coming in small packages.

This pint-sized pup is the perfect amount of fun. She enjoys meeting new people and exploring new places, but she is also a big fan of sleeping on laps. She is quiet, calm and collected and adores children. She would make a great family dog. This princess is fit for a royal family, and is looking for a forever kingdom. Contact the Cache Humane Society at 7923920.

The Herald Journal, Logan, Utah, Friday, October 16, 2015

‘Spies’ dives into Cold War

“If I were to promise to post nude photos of Bernie Sanders in my next column just to increase diminishing readership, you might say that Slightly Off Center had ‘jumped the shark.’”

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ALL MIXED UP

Quotable

The Herald Journal, Logan, Utah, Friday, October 16, 201

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all mixed up MTW delivers original murder-mystery This Halloween, Music Theatre West is doing something new.

They have joined forces with the Logan Golf & Country Club and Hamilton’s to bring you a highclass dinner theater experience in the murder-mystery style. The evening will take you back to the elegance of the Roaring ’20s as you enjoy world-class cuisine

and stunning entertainment.

Audiences will enjoy deciphering the clues and interacting with the cast of this delightful “whodunit.”

Along with some showstopping Broadway numbers, Music Theatre West will be premiering a new work by local playwright David Sidwell entitled, “Death of a Diva!” This murder-mystery musical centers around five

divas as they prepare to star event. The evening begins in a vaudeville show. When at 7 p.m. each night (doors one of the women comes to open at 6:30 p.m.). On dinan early demise, the cast real- ner-show nights — October izes that one of their own is a 22, 23, 29-31 — the buffet murderer. Can you figure out begins at 7 p.m. and a cash which of the cast and crew bar will be available. Deshas motive and means to sert will be served during committee the crime? intermission on all nights.

Audience members are The show is appropriate for invited (not required) to dress all ages and the dessert show in the style of the 1920s — Monday, Oct. 26 — is for this exciting Halloween priced especially for families

Good and evil in Perry

‘Jekyll & Hyde’ starts tonight at Heritage Theatre

The Heritage Theatre in Perry will present “Jekyll & Hyde: The Musical” on select dates from Oct. 16 to Nov. 7.

Based on the book with lyrics by Leslie Bricusse, music

by Frank Wildhorn and directed

by Leslie Richards, “Jekyll & Hyde: The Musical” will be performed at 7:30 p.m. Mondays, Fridays and Saturdays, with 2 p.m. Saturday matinees on Oct. 24 and Nov. 7.

Tickets are $10; seniors and children are $9. For tickets, visit the Heritage Theatre at 2505 S. U.S. Hwy 89, visit heritagetheatreutah.com or call (435) 7238392 from 11 a.m. to 2 p.m. daily, except for Tuesdays and Sundays.

“Jekyll & Hyde: The Musical” is a rousing gothic musical based on the classic tale of good and evil, which includes favorites like, “This Is The Moment” and “Take Me As I Am”.

This show mixes together characters from both ends of the social spectrum, songs and scenes that provide ample chills

Photo courtesy of Heritage Theatre

Alisha Hall, left, Jeremy Hall and Emilie Miller star in the Heritage Theatre’s production of “Jekyll & Hyde: The Musical.”

and thrills, and a main character split between the extremes of morality.

The music is frightening,

inspiring and beautiful, with melodies that will haunt your mind and your heart long after the curtain has fallen.

and students.

You don’t want to miss the premiere year of what is sure to become a Cache Valley Halloween tradition. The show will be presented at The Logan Golf & Country Club, 710 N. 1500 East.

Tickets can be purchased at musictheatrewest.org or at the door. Call Debbie Ditton at 232-3054 for more information.

Magicians set to compete Oct. 26 On 7 p.m. on Monday, Oct. 26, the ThatcherYoung Mansion stage will become a battleground for area wizards competing for top honors in the fifth annual Cache Valley Conjurers Competition.

This annual event attracts magicians from throughout Northern Utah and Southern Idaho to compete for cash prizes.

First, second and third prizes will be determined by a panel of judges and a “People’s Choice” prize will be determined by a vote of ticket holders.

Performers are limited to eight-minute performances so that a new performer can be showcased every 10 minutes.

Judging the competition this year will be Charlie Huenemann of Utah State University’s Department of Philosophy, Dennis Hassan of USU’s Department of Theatre Arts and David Goodsell of Orem, past president and honorary lifetime member of the Society of American Magi-

cians, the world’s oldest magic society.

Deceptionist Richard Hatch of the Hatch Academy will again serve as host and master of ceremonies of the event, performing a few of his specialities during the judging period.

“This is always a fun event,” Hatch says. “Seasoned professionals, who have appeared on the ‘Tonight Show,’ have competed against talented tyros; 82-year-olds against 12-year-olds, and the styles range from comedy magic to mentalism.

Anything can happen, and usually does!”

Tickets are $10; seating limited to just 56. Tickets are available online at the Hatch Academy website at hatchacademy.com The historic 1878 Thatcher-Young Mansion is part of the Bullen Center in downtown Logan and is located at 35 W 100 South. For more information or to compete, call (435) 932-0017.

paranormal activity too close for comfort during Ghost Hunts.

Your private guided walking tour will start at the Dansante Theatre at 59 S. 100 West. Each tour will take participants into the heart of Logan’s Historic Center Street District’s haunted history as you visit sites with the Bridgerland Storytelling Guild to learn about some of downtown’s most infamous ghosts.

Each guided tour lasts approximately 90 minutes and walking

Mnozil Brass show

distance is less than a half mile.

Tours run nightly between 7 and The Cache Valley Center for the Arts is pleased to 11 p.m., Fridays and Saturdays on present Mnozil Brass at 7:30 p.m. Saturday, Oct. 17, Oct. 9-10, 16-17, 23-24 and 30. at the Ellen Eccles Theatre.

The Historic Downtown Logan The unique brass band septet has created a comeGhost Tour is technically a family- dic performance of a very special kind. A plethora of highly entertaining cover songs and stunning friendly tour; however, it is not choreography combine to make it an unforgettable recommended for small children or for people who don’t like to be evening.

“Yes, Yes, Yes” is the ultimate new show from scared.

Mnozil Brass and their best, most spontaneous and Reservations are required and can be secured at logandowntown. humorous of all time. Tickets are available at cachearts.org, at the box office at 43 S. Main St. or by org. For more information, call phone at 752-0026.

752-2161 ext. 4.

Pumpkin Walk to begin

Come see hundreds of painted pumpkins displayed in dozens of scenes at the 32nd annual North Logan Pumpkin Walk.

This favorite fall tradition is set for Oct. 22-24 and Oct. 26-27 at Elk Ridge Park, 1100 E. 2500 North in North Logan. Hours are 9 a.m. to 10 p.m. Admission is free. This year’s theme is “Now THAT’S Funny.” The Pumpkin Walk is wheelchair accessible. Free shuttle bus service will be available starting at 6 p.m. with the pickup stop at Greenville Elementary, 2500 N. 400 East. Free parking for the shuttle is available at the school and next door at Cache Valley Hospital.

A free puppet show will play daily in the afternoon and on Saturday. For more information, visit pumpkinwalk.com or facebook.com/pumpkinwalk.

Hail the Harvest concert

Get your Halloween started with your dancing shoes on Saturday, Oct. 31.

Members of Hail the Harvest, a Cache Valley Photo by Shanda Lynn Call band, met just this year, but they have taken the The Cache Valley Civic Ballet will present “Dracula” on Friday, Oct. 23, and Saturday, Oct. 24. local music scene by storm. Their music nests comfortably as a bluegrass, mountain ensemble, dabbling in rack and folk, as well. The band’s name is a tribute to their homestead lifestyles.

This is Stokes Nature Center’s last Canyon Jams concert for the year. Tickets are $8 or $20 for a fampurchased by calling the box office ily of four or more. Doors open at 8 p.m. Costumes dark streets of London long ago.

Cache Valley Civic Ballet’s at 752-0026.

“Our dancers love performing original production of “Dracula” are recommended. For more information or tickets, this ballet, and our audiences leave Following each performance, returns to the Ellen Eccles Theatre call 755-3239 or email logannature.org. the Cache Valley Civic Ballet will asking when are we going to do the weekend before Halloween. present a Haunted Tour of the it again? This year is the year for Featuring original choreography Ellen Eccles Theatre. Hosted by our ‘Dracula’ — we may not do by the Cache Valley Civic Ballet’s Count Dracula, tour attendees will The fifth annual Zombie Walk will begin at 6 p.m. it again for several years — so I artistic director, Sandra Emile, the hope everyone that enjoys the story be given a thrilling tour of the production will be presented at Friday, Oct. 30, along Main Street in downtown Ellen Eccles Theatre, including 7:30 p.m. Friday, Oct. 23, and Sat- of ‘Dracula’ will come to see this Logan. exclusive backstage access. great Halloween treat.” urday, Oct. 24, at the Ellen Eccles Participants, dressed as zombies (or perhaps The tour will begin at the Ticket Prices range from $8 to Theatre. zombie hunters), will gather at the intersection of Thatcher-Young Mansion. Tickets Church Street and Federal Avenue. Every zombie $16, with students receiving a 25 “This is a spine-tingling story percent discount. Tickets are avail- are $10 and are available at cvbal- and on-looker is encouraged to bring one or more ballet, full of special effects and able at cvballet.org and at the Ellen let.org, at the Ellen Eccles Theatre non-perishable food items in support of the Cache strong dark music with bold choBox Office, or by calling 752reography,” Emile said. “Everyone Eccles Theatre Box Office at 43 Community Food Pantry.

This event is free and open to the public.

0026.

S. Main St. Tickets may also be will easily be transported into the

‘Dracula’ ready to return

Downtown Zombie Walk

The Herald Journal, Logan, Utah, Friday, October 16, 201

Haunted structures, nighttime spirits and eerie stories await your arrival this Halloween season in Historic Downtown Logan.

Learn about downtown’s most infamous ghosts and spirits doomed to the realm of mortals in the Historic Center Street District.

You’ll learn about the ghosts of the Thatcher Opera House, the Palace Hotel and the Unquiet Grave. You might also see the Headless Horseman on Center Street. And guests will also be invited to witness

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Ghost Tours now underway COMING UP

The Herald Journal, Logan, Utah, Friday, October 16, 2015

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‘The Martian’ remains on top at box office LOS ANGELES (AP) — “Pan” produced no Neverland magic at the box office.

The fantasy, which cost an estimated $150 million to produce, earned $15.5 million in its opening weekend, according to Rentrak estimates Sunday making it one of the worst bombs of the year. Early tracking did not look promising for the Joe Wright-directed film but still preAP Photo dicted that “Pan” would open at least “The Martian” continues to soar the box office, in the $20 million range. bringing in $37 million last week.

The PG-rated epic, sold as a Peter

Pan origin story and a lavish visual feast, has had a bumpy ride from the beginning, starting when actress Rooney Mara, who is white, was cast as Tiger Lily, who is historically Native American. The film, starring Hugh Jackman and Garrett Hedlund, also had been pushed from July to October. It has not been wellreceived by critics, either.

“Pan” now ranks among 2015’s biggest flops, including “Fantastic Four” and “Tomorrowland.” International earnings don’t look promising

Jobs playing dual roles Founder of Apple is the hero, villain in movies

SAN FRANCISCO (AP) — Apple co-founder Steve Jobs became renowned for conjuring a “reality distortion field” that made people believe whatever he wanted.

If he were still around, it’s easy to imagine that Jobs would be summoning all his powers of persuasion to protect a legacy that’s getting muddied with each cinematic take on his fascinating life.

“Steve Jobs,” which opened Friday, is the latest movie to examine a charismatic visionary who mesmerized the masses with his trendsetting gadgets while alienating his subordinates and friends with an almost-inhumane cruel streak.

It’s the second movie about a Silicon Valley icon written by Aaron Sorkin, who won an Academy Award in 2011 for “The Social Net-

AP Photo

Michael Fassbender stars in the title role of the new movie, “Steve Jobs.”

work,” a dramatization of the friends and enemies that Mark Zuckerberg made while building Facebook into an Internet power.

Zuckerberg, now 31, ridiculed that movie as mostly fiction and publicly lamented, “I just wished that nobody made a movie of me while I was still alive.”

Jobs’ supporters probably won’t be happy with Sorkin’s posthumous interpretation of

Jobs either, even though previously released movies have drawn similar portraits depicting him as an acid-dropping hippie turned megalomaniacal genius who berated and betrayed people.

Here’s a look at how the latest biopic compares with some of its predecessors: “STEVE JOBS” (2015) This is the most provocative and best acted of the bunch, spearheaded

by Michael Fassbender,

who stars as Jobs. The story unfolds in a much different format, but the overriding message is the same: Jobs was a tortured soul who tortured those around him while striving to design machines that were made better than he was.

The film, based loosely on a best-selling book by Jobs’ hand-picked biographer Walter Isaacson, unfolds in three acts that See JOBS on Page 11

either. The film brought in a weak $20.5 million. For comparison, “The Martian” earned $58.1 million.

“This had a lot going against it,” said Paul Dergarabedian, a senior media analyst for Rentrak.

He also believes competition in the family market from the Halloweenthemed animated feature “Hotel Transylvania 2” hurt “Pan.” “Family films always have an audience, but that audience is extremely See BOX on Page 13

‘Walking Dead’ slowing down?

NEW YORK (AP) — The zombies on “The Walking Dead” may be starting to stagger.

An estimated 14.6 million viewers watched the season premiere of the hit AMC series on Sunday, the Nielsen company said. That’s down from the 17.3 million who saw last year’s season opener and the 16.1 million people who watched in 2013.

Last year’s season premiere was a viewership record for the series, so this year’s numbers may be an indication that the show has peaked in popularity.

AMC points out that “The Walking Dead” was up against a Sunday-night football game between San Francisco and the New York Giants that was competitive to the last play. This year’s season premiere was 90 minutes long, instead of an hour, and the extra time may have turned off some viewers, AMC said.

Last season’s full season average was 14.4 million viewers on the night of an episode’s first showing, up to 20 million when time-delayed viewership was figured in. Time-delayed numbers for this week aren’t immediately available. Among the 18-to49-year-old viewers that AMC most actively seeks, Sunday’s telecast had 9.42 million viewers, down from 11 million in 2014.

Still, “The Walking Dead” was second in popularity only to “NCIS” among television dramas this past week. The 2.8 million younger viewers that “NCIS” attracted, however, was less than a third of the count of “The Walking Dead.”

CBS easily won the ratings crown for the week, averaging 10.3 million viewers.

For the week of Oct. 5-11, the top 10 shows, their networks and viewerships: NFL Football: San Francisco at N.Y. Giants, NBC, 19.59 million; “NCIS,” CBS, 16.87 million; “60 Minutes,” CBS, 15.41 million; “The Big Bang Theory,” CBS, 15.4 million; NFL Football: Indianapolis at Houston, CBS, 15.08 million; “The Walking Dead,” AMC, 14.63 million; NFL Football: Detroit at Seattle, ESPN, 14.4 million; “NCIS: New Orleans,” CBS, 14.18 million; “Sunday Night NFL Pre-Game,” NBC, 13.94 million; “Empire,” Fox, 13.1 million.

ders how they “fell in love” so fast. Thomas is followed around by his skulking sister, Lucille (Chastain), who’s never one to turn down a scowling side-eye. Yep, that’s the character that knows more than she’s letting on.

Thomas soon takes Edith to England to live in a wonderfully dilapidated house that seems like it was born straight from del Toro’s deliciously warped brain. As is most often the case with a del Toro picture, the stunning production design and deft camerawork are the real stars. “Crimson Peak” is visually exquisite.

What transpires is a formulaic tale of sorts. Hauntings, scary ghosts, frightening flashbacks, wrongs that need righting and all that. While it’s a semi-intriguing story, the real reason to see this film is to look at it — to take it all in — because the scenery is dreadfully over the top in all the right ways.

See, Edith is visited by nasty ghouls who appear to be a ghastly mix between the zombies of the “Walking Dead” and the bride from Disneyland’s Haunted Mansion.

Universal Pictures/AP Photo Her visions are terribly Jessica Chastain and Tom Hiddleston share a scene in “Crimson Peak.” creepy, yet she handles them with startling writing contains a ghost, composure. Are they metaphors or something which causes everyone more? Something siniswho reads it to think ter? it’s a ghost story. She She’s soon whisked quickly corrects them Director // Guillermo del Toro away into a lovely bliss saying, “It’s not a ghost Starring // Charlie Hunnam, Jessica Chastain, of sorts by an English story, rather it’s a story Mia Wasikowska, Tom Hiddleston, Jim Beaver, with a ghost. The ghost is gentleman named ThomLeslie Hope, Burn Gorman a metaphor.” This seems as Sharpe (Hiddleston) Rated // R for bloody violence, some sexual conwho wishes to wed her. an interesting thing for tent and brief strong language Their courtship is quick Edith to say since she and frustratingly brief. herself informs us that, Cushing (Wasikowska) ies go, it’s treading the Even with its near twobeen-there-done-that fancies herself a fiction “Ghosts are real. That path that many haunted writer. The story she’s much I know.” hour runtime, one wonhouse movies have taken before. Yet, there’s someAction!

PROVIDENCE 8 UNIVERSITY 6 thing about the way it’s 535 West 100 North, Providence 1225 North 200 East, Logan ** presented that gives it a Bridge of Spies (PG-13) 12:30 3:30 Crimson Peak** (R) 12:00 2:25 4:50 leg up on the competition.

6:30 9:30 2297 N. Main October 16 - October 22 7:15 9:40 Del Toro commits Goosebumps 2D** (PG) 12:15 4:50 5:30 Crimson Peak** (R) 12:50 3:15 5:40 MOVIE HOTLINE 753-6444 • WWW.WALKERCINEMAS.NET 2D SEATS $4.00 • 3D SEATS $6.00 MOVIES 5 totally to the period (the 9:45 8:00 10:25 OpEN FRI - SAT AT 11:30 AM FOR MATINEES 2450 North Main, Logan OpEN SuN - frI AT 3:45 pM • NO 9pM SHOWINgS SUNDAY Goosebumps 3D** (PG) 3:05 7:40 late 1800s), creating Everest (PG-13) 12:05 7:20 9:55 TIMES EFFECTIvE FRI OCT. 16 - THURS OCT. 22 Bridge of Spies** (PG-13) Fri-Sun 1:15 4:15 Goosebumps 3D DBOX** (PG) 3:05 7:40 a whimsical setting in 7:15 10:15 Mon-Thurs 7:20 Goosebumps** (PG) 12:00 10:15 INSIDE OUT (pg) 2D MINIONS (pg) Hotel Transylvania 2 2D (PG) 1:00 3:05 which to weave his tale.

4:40 & 7:30 5:00 & 7:15 Hotel Transylvania 2** (PG) 2:40 5:35 7:40 Highway to Dhampus** (PG-13) Fri-Sun 5:00 7:00 Fri & Sat Matinees Fri & Sat Matinees With this sort of “Pride 12:45 3:00 5:20 7:40 10:00 12:00 & 2:20 11:40 & 2:00 The Intern (PG-13) 4:40 Mon-Thurs 3:45 6:10 8:30 The Intern (PG-13) 9:10 and Prejudice” vibe MISSION IMpOSSIBLE: ONCE I WAS A The Martain (PG-13) 1:00 2:50 4:00 5:00 Hotel Transylvania 2** (PG) Fri-Sun 1:45 Martian 2D (PG-13) 12:05 3:00 6:05 9:00 bumping up against ROgUE NATION BEEHIvE (pg) 4:00 4:00 6:15 8:20 Mon-Thurs 4:00 6:15 8:20 Pan 2D** (PG-13) 2:30 5:20 7:25 10:15 7:00 9:50 Fri & Sat Matinees (pg-13) straight-up gothic horror, 12:20 9:20 Just Let Go* (PG-13) Fri-Sun 12:30 2:50 Pan 2D DBOX** (PG-13) 5:20 Maze Runner: Scorch Trails (PG-13) 2:15 del Toro is able to con5:10 7:30 9:45 Mon-Thurs 3:30 6:05 8:25 2D ANTMAN Pan 3D** (PG-13) 12:40 MAN FROM Pan (PG) 7:50 coct a story that is seri(pg-13) 6:40 The Martian (PG-13) Fri-Sun 1:00 3:50 6:45 Pan 3D DBOX** (PG-13) 12:40 U.N.C.L.E. (pg-13) Sicario (PG-13) 12:15 9:45 ous enough to cause mild 3D ANTMAN 9:35 Mon-Thurs 3:50 6:45 9:40 The Walk 2D** (PG-13) 12:30 3:00 7:45 (pg-13) 9:10 panic, but just campy The Walk* (PG) 12:20 7:45 The Maze Runner: Scorch Trials* (PG-13) 3D JURASSIC The Walk 3D** (PG-13) 9:55 2D JURASSIC Fri-Sun 10:20 Mon-Thurs No Showing enough to add a knowing The Walk 3D* (PG) 10:20 WORLD (pg-13) WORLD The Walk 3D DBOX** (PG-13) 9:55 9:30 wink into the mix. (pg-13) Private Screenings & Events Showtime Updates: Fri & Sat Matinees 4:20 & 7:00 Main character Edith www.MegaplexTheatres.com 12:40 435-752-7155

★★★

‘Crimson Peak’

The Herald Journal, Logan, Utah, Friday, October 16, 201

The Reel Place Aaron Peck

In this hyper-sensitive Hollywood climate of billion-dollar franchises, bankable stars, and endless synergistic marketing, “Crimson Peak” is an oddity. The film industry is often labeled — many times rightly so — as lacking in ideas, and that much of what they churn out feels familiar and tailored to increase the bottom line.

As an R-rated horror period piece, “Crimson Peak” bucks every sort of trend we’ve come to expect from a major studio release.

One might expect an off-the-beaten path approach in an independent film, but this is a huge studio production. Nothing about it screams box office success. Funding it probably gave the studio accountants panic attacks. Though it seems to be a testament on what types of movies can get made if the right people are backing them.

Guillermo del Toro, one of film’s truly original directors, is at the helm. And while there are some notable faces in the featured acting quartet — Mia Wasikowska, Tom Hiddleston, Jessica Chastain and Charlie Hunnam — it is del Toro who headlines this horror show.

Many casual filmgoers will know him from his work on the monster vs. robot melee picture “Pacific Rim.” However, his best work, by far, are his two “Hellboy” films which still stand as the pinnacle of comic book filmdom.

Taken solely on the merits of its narrative, “Crimson Peak” leaves something to be desired.

As far as horror mov-

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‘Peak’ takes a unique route to the top

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*NO DISCOUNT TICKETS OR PASSES ACCEPTED **Last scheduled showtime at Movies 5 on Sunday is 8:10 PM

THE WO PHOTOGRAPHS

BY JEFF HUNTER

Left, Cathedral Spires and Cathedral Rocks are reflected in the Merced River from the floor of Yosemite Valley. Above, Yosemite Falls tumbles a total of 2,425 feet in three sections. Facing page, clockwise from top: the rising sun hits the massive walls of El Capitan. A mule deer enjoys a quiet morning in Yosemite Valley. Determined hikers make their way up the cables below the summit of Half Dome. Yosemite National Park features several groves of giant Sequoia trees. The iconic face of Half Dome as seen from the mountain’s eastern shoulder.

ONDERS OF YOSEMITE

Above, one of the most popular vistas in Yosemite National Park is found at Glacier Point, which provides a view of Yosemite Valley, Half Dome and Vernal and Nevada waterfalls. Left, Vernal fall is a mere trickle on a late September day during California’s current drought. Far left, the remnants of the Jeffrey pine tree immortalized in a photograph

by Ansel Adams in 1940 still linger atop Sentinel Dome.

The tree, which died during a drought in 1977, finally collapsed to the ground in 2003.

who blasted the film in a $150 million in Apple at story had really ended, March tweet as “an inac- a time it nearly declared there probably would have never been another curate and mean-spirited bankruptcy.

If that is how the movie made about Jobs. view of my friend.”

“PIRATES OF SILICON VALLEY” (1999) This made-for-TV movie came out before Jobs transformed Apple and society with the release the iPod, iPhone and iPad. Jobs, played by Noah Wyle, shares top billing with Microsoft co-founder Bill Gates in this movie, based on the book “Fire In The Valley.” It covers Jobs’ staunch refusal to recognize Lisa as his daughter and his caustic attitude toward people.

Although the movie depicts Jobs as the hipper of the two men, the more nerdy Gates ends up outmaneuvering his rival to get the technology that became Windows and helped turn Microsoft into “Outdoor Seating” the world’s most valuable company at one point.

Kristi Grussendorf Utah Artist The movie closes with Water Color Gates looking down at 60 West 100 North Jobs from a giant video 18 x 22 Logan screen during a 1997 conference announcing that Julie LeFevre - Gallery Director Microsoft had invested

Logan FineArt Gallery

$900

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The Herald Journal, Logan, Utah, Friday, October 16, 201

Continued from Page 4 take place before three presentations orchestrated

by Jobs: the 1984 debut of the Macintosh computer; a 1988 showcase for the NeXT computer; and the 1998 unveiling of the iMac. None of the pre-event scenes or dialogue actually occurred, but the drama is designed to capture the relentless drive and haunting demons that made Jobs who he was.

Director Danny Boyle describes the movie as a “heightened version of real life” while Sorkin calls it a “painting and not a photograph.”

The story is told through Jobs’ interactions with six central figures in his life: his former marketing chief, Joanna Hoffman; his former girlfriend Chrisann Brennan; Apple co-founder and friend Steve Wozniak; former Apple engineer Andy Hertzfeld; former Apple CEO John Sculley; and Lisa, the daughter that Jobs refused to acknowledge for many years.

Wozniak (played by Seth Rogen) delivers two of the film’s pivotal lines when he tells Jobs, “Your products are better than you are,” and “You can be decent and gifted at the same time.”

“JOBS” (2013) Ashton Kutcher didn’t get an Oscar nomination for his interpretation of Jobs like some critics are already predicting Fassbender will get, but give Kutcher credit for nailing a lot of the real man’s mannerisms, including the loping way he walked.

The movie picks up on Jobs’ life as a bare-foot, shaggy dropout at Reed College in Oregon and follows the path that led to him teaming up with

airing a version narrated by actor Richard Dreyfuss.)

“STEVE JOBS: MAN IN THE MACHINE” (2015) This documentary from another Academy Award winner, Alex Gibney, leaves viewers with an appreciation for Jobs’ achievements and a disdain for his often boorish behavior.

It’s a particularly damning portrait because it’s told through clips of Jobs himself and interviews with some of the people who knew him best. The list of participants includes: Brennan, Lisa’s mother, and Daniel Kottke, who befriended Jobs at Reed College and became one of Apple’s early employees only to be denied stock when the company went public.

What the movie lacks is the perspective of Jobs’ admirers, including Apple executives who still lionize him. Among that group is Eddy Cue, the company’s senior vice president of Internet software and services,

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Jobs

Wozniak to start Apple in 1976, recruiting Sculley to become CEO, leaving Apple in a power struggle, and returning to engineer the greatest comeback story in corporate history.

Along the way, the movie features scenes showing Jobs ripping off Wozniak on a job for video-game maker Atari; denying stock to early Apple employees who were once his friends; and berating Apple workers.

Shortly before Sculley ousts Jobs from Apple, a tearful Wozniak (played

by Josh Gad) wonders what happened to the friend he knew when they were making illegal boxes to make free long-distance phone calls. “You are the beginning and end of your own world,” Wozniak tells Jobs.

This movie ends on an upbeat note, with Kutcher, as Jobs, narrating “Here’s To the Crazy Ones,” a famous TV commercial that ran as part of Apple’s “Think Different” campaign. (Although Jobs did record a version of this bit, Apple wound up

The Herald Journal, Logan, Utah, Friday, October 16, 201

I am increasingly getting nostalgic for yesterday. No, not yesteryear, but seriously yesterday, as in “All my troubles seemed so far away; Now it looks as though they’re here to stay; Oh, I believe in yesterday.”

That was my Beatles reference, which probably goes way too far back for most people to get.

It’s so old it should be on dial-up, which itself is an anachronism because you never actually dialed anything with dial-up anymore than you have really cut-andpasted anything in the

Slightly Off Center DENNIS HINKAMP

Page 12 -

Get ready for an epic column, Fonzie

last 30 years.

I like the term “jump the shark,” even though I had to look it up on Wikipedia to figure out where it came from. You have to be 50 or older to understand that it all

goes back to a TV show called “Happy Days” and increasing lame attempts to boost viewership.

For instance, if I were to promise to post nude photos of Bernie Sanders in my next column just to increase diminishing readership, you might say that Slightly Off Center had “jumped the shark.”

I promise that I would rather just sneak out the back door rather than resort to this; but alas, “jumped the shark” itself has jumped the shark. It is being thrown around more carelessly than the word “epic.” Unless you are actually parting the Red Sea, you are probably

not doing anything epic today or in this lifetime.

I also don’t care about your new app. I would, in fact, like an app that would automatically delete any app on my phone that I have not used for more than a year. But, oh heck, why do I need to do that when I can just get more storage?

Storage has jumped the shark. It’s like everyone has a giant storage unit on the edge of town where they can put all their old sweaters and toasters … just in case.

At least once a month I have someone offering me a free kajillibyte of free Cloud storage. Also, my $20 camera storage

cards have long exceeded the storage capacity of what I paid $300 for six years ago.

Streaming music has also jumped the shark.

I do like the idea that I have not spent $10 on music over the last five years, but there are only so many streaming options I can attend to. And wither the mix tape/CD? How do young people even date now?

Do they send each other Spotify playlists?

I guess concussions have also jumped the shark because once the pee wee/high school/ college/pro season starts, people seem to just want the sit back with their

Doritos and tune out all those wimpy Ph.D types who are just jealous they never made and epic hit playing free safety.

And this “hon” thing?

Where did that come from, and why won’t it jump the shark away? I don’t expect to be called “sir” unless I am knighted by the Queen, but why would a thirtysomething woman with a nose ring serving up sandwiches refer to a 59-year-old customer as “hon?”

“Thanks babe, the tuna looks epic,” I want to say.

——— Dennis Hinkamp will never jump the shark or surf anywhere where he could be eaten.

Remembering Hollywood’s biggest disasters LOS ANGELES (AP) — “Pan” walked the plank this weekend and it didn’t go well.

Warner Bros.’ $150 million live-action Peter Pan origin story captured a dismal $15.5 million from North American theaters, and its international prospects don’t look much more promising. The film earned only $20.5 million from 52 markets.

Unlike Disney’s largely profitable foray into liveaction fairy tale adaptations, “Pan, “starring Hugh Jackman, Rooney Mara and newcomer Levi Miller, might find Warner Bros. taking a write-down for their losses. Only time and the promise of an Oct. 22 China opening will seal “Pan’s” ultimate fate, but it already has the dubious distinction of being one of 2015’s biggest bombs, up there with Disney’s “Tomorrowland” and Fox’s “Fantastic Four.”

In honor of the rare, fascinating spectacle of the box office bomb, here are some of Hollywood’s most infamous financial catastrophes.

HEAVEN’S GATE

It might not come close to matching some of the epic losses on the list, but director Michael Cimino’s Western starring Kris Kristofferson and Christopher Walken is one of cinema’s most famous flops.

The $44 million film made only $3.5 million domestically and effectively destroyed the estimable United Artists.

TOWN & COUNTRY Somehow this no-frills Warren Beatty, Diane Keaton and Goldie Hawn romantic comedy cost $90 million to produce, and earned $10.3 million worldwide. Suddenly Beatty’s 1987 “Ishtar” embarrassment didn’t look so bad.

HOW DO YOU KNOW Having not learned any lessons from “Town & Country’s” out of control budget, writerdirector James L. Brooks made this romantic triangle comedy, starring Reese Witherspoon, Jack Nicholson, Owen Wilson and Paul Rudd, for $120 million. It went on to gross only $48.7 million worldwide.

CUTTHROAT ISLAND Geena Davis starred alongside Matthew Modine in this

AP Photo

“Pan” only brought in $15.5 million at the box office last weekend after costing $150 to make.

pirate adventure, directed by her then-husband Renny Harlin, as a woman seeking buried treasure and vengeance. The $98 million MGM film made only $10 million domestically and for years was considered the biggest money-loser ever.

THE ADVENTURES OF PLUTO NASH Warner Bros. sat on this $100 million Eddie Murphy space comedy for two years before finally pushing it out to theaters. The result? A worldwide sum of $7.1 million.

THE 13TH WARRIOR This John McTiernan-directed 10th century Viking saga

starring Antonio Banderas cost a whopping $160 million to make, bringing in only $61.7 million worldwide.

MARS NEEDS MOMS This already forgotten, $150 million CG-animated disaster featured the voices of Seth Green and Joan Cusack, and netted only $39 million worldwide.

47 RONIN With a budget that’s been reported to be in the $175 to $225 million-range, Keanu Reeves’ samurai epic was a flop before audiences had the chance to decide for themselves. Universal let the stinker sit on the

shelf for a year, reporting a $175 million loss before the film even hit theaters.

THE LONE RANGER After spinning box office gold with the “Pirates of the Caribbean” franchise, director Gore Verbinski, producer Jerry Bruckheimer and star Johnny Depp tried their hand at a $215 million take on “The Lone Ranger.” The film, which co-starred Armie Hammer, grossed $89 million domestically and $260.5 million worldwide, but Disney still prepped shareholders for a $160 to $190 million loss.

JOHN CARTER The century-old story may have directly inspired some of modern sci-fi’s biggest hits (hello, “Star Wars”), that didn’t seem to matter much to anyone in the end. Disney poured a reported $250 to $275 million into producing the film, resting it all on the broad shoulders of small screen star Taylor Kitsch. “John Carter” opened to only $30.2 million, and the studio took a $200 million write-down while it was still in theaters.

in theaters, nabbing the top spot once more.

Its domestic total now stands at $108.7 million.

“Hotel Transylvania 2” took second place in its third weekend with $20.3 million, bumping its total to $116.8 million. “Pan” came in at No. 3.

Nancy Meyers’ workplace comedy “The

Spies Continued from Page 3 Rogers) is captured by Russian sympathizers from the German Democratic Republic.

Balancing all three of these stories, and giving each the weight it deserves, is something of a circus act. It’s not easy to keep us invested in

Intern” earned $8.7 million, and the border thriller “Sicario” brought in $7.4 million, rounding out the top five.

Outside the top 10, “Steve Jobs,” the biopic of the late Apple CEO directed by Danny Boyle and written by Aaron Sorkin, opened in four theaters in New York and Los Angeles every story while simultaneously moving the story along at a brisk enough pace. Nonetheless, Spielberg and the Coens are able to do this without any noticeable hiccups.

Donovan is brought in, unofficially, by the U.S. government to negotiate the exchange of Powers for Abel. From that point on, “Bridge of Spies” pulls away from its courtroom drama beginnings

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to a powerful $520,942.

Its $130,000 per-theater average ranks as the best of the year and should bode well for the film’s expansion across the next two weeks.

“This is a movie everyone’s talking about, and now they’re going to be talking about it even more,” Dergarabedian said. and jumps into the world of metaphorical cloaks and daggers.

Well, perhaps that’s not the right way to explain it. This is a movie about the negotiations that go on behind the scenes and navigating the impossibly tangled web of international bureaucracies. There’s a scene in the movie where Donovan is negotiating with a Russian emissary (Mikhail Gorevoy).

Here’s the real crux of the movie. Two men ostensibly discussing a matter that, if done incorrectly, could lead to World War III. It’s an immensely powerful scene, because one of the screenplay’s main purposes is to convey its dire subtext — nuclear annihilation — in every scene.

The suspense doesn’t come from explosions or highconcept action scenes.

Instead, the tension is built expertly by engaging the audience in a time period where relations between Russia and America were hanging by a thread. The idea that it came down to a few gut-wrenching negotiations is enough to make anyone tense.

The Herald Journal, Logan, Utah, Friday, October 16, 201

Continued from Page 4 fickle and hard to please, just like the kids who go to these movies,” Dergarabedian said. “You just never know what’s going to resonate.”

end, bringing its total to $6.4 million. Joseph Gordon-Levitt stars in film directed by Robert Zemeckis.

Not all was bleak at the box office, though.

Ridley Scott’s space adventure “The Martian” earned a solid $37 million in its second week

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Box

Sony’s high-wire spectacle “The Walk” also stumbled in its first weekend in wide release, after debuting on IMAX screens last week. The tale of Philippe Petit’s tight-rope walk between the towers of the World Trade Center earned $3.7 million this week-

The Herald Journal, Logan, Utah, Friday, October 16, 201

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CrossworD

By Myles Mellor and Sally York Across 1. Handle 6. Layer of rock 13. Continue to irritate, as bad feeling 19. Bright annual 21. Magic man 22. Leaping antelope 23. Getting a nap 25. Hotel offerings 26. Mariner’s compass direction 27. Shell out 28. Nada 30. “___ back for you” Lil’ Kim 31. Core military group 34. “Belling the Cat” author 37. Pricing word 38. Desert-like 39. Fastening clips 41. 1945 conference site 44. Hold 47. Parrot 48. More antiquated, of ideas 54. Receive help on the roadside 59. Slight 60. “We ___ the World” 61. Lots 62. Add to the expense account 63. Winnie-The-Pooh author 64. Captivated with 66. Renter’s document 67. “Git!” 69. Looks at lustfully 70. Blow off steam?

72. Jazz player locale 74. Improvise 77. Consequently 81. Benches, for example 84. Purse 88. Complimentary close 89. Great time 90. Caught red ______ 92. Obstacle 93. Struck out

Deadlines

95. Complains about a business 98. Space satellite 100. Extremely 101. Hot dances 102. Atom related 105. High ___; (shoes) 107. Tell all 111. Expected 112. “I’m to blame” 114. Sight from Notre Dame 118. Royal 119. Cleanse 121. Thus 123. Filch 124. Beverage of immortality 126. Accommodating a very wide foot 131. French brandy 132. Abrasive minerals 133. Sleep 134. Souvenir item 135. Makes drinkable 136. Instruments Down 1. Quetzalcoatl worshiper 2. Tropical woody climber 3. Signed 4. Bird with bladelike bill 5. “___ City” 6. Young hogs: var.

7. Encyclopedias, e.g.

8. Wish undone 9. Wood-shaping tool 10. State of agitation 11. Opens 12. Deceived 13. Search 14. Symbol on an Australian coin 15. Kind of bandage 16. Mongol invader 17. Tree resin used in varnishes and perfumery 18. Demolished 20. Respectful Turkish title 24. Ginger cookie 29. Jam-pack 32. Emmy winner Perl-

man 33. Down-to-___ (unpretentious) 35. Contradict 36. Short story 40. Places to sit 42. Golf hazards 43. Finish, with “up” 44. Seaweed gelatin substitute 45. Whatever will be, will be word 46. ___ on it!

47. Bellicose deity 49. South Pacific island 50. Slender 51. “___ cost you!”

52. Ocean eagle 53. They may be seeded 55. Extract 56. Federal health agency 57. Backrub response 58. Fanfare 65. Desert craving 68. Surpass in performance 71. “The Wild Duck” playwright 73. Fearsome fly 74. Affirmatives 75. Hamlet 76. Hog roast 78. Chop 79. “To ___ is human ...”

80. Gullible 81. 1962 #1 hit by the 4 Seasons 82. Like pie?

83. Tiny toiler 85. Spheres 86. Band member 87. Falls 91. Indian vegetable dishes 94. Boisterousness 96. ___ player 97. Other 99. Antelope with corkscrew horns 103. Kept in check 104. Lentil, for one

105. Dog 106. Ford model 107. Leaflike part 108. Red carpet cars 109. Disgusted pirate outburst 110. Small Russian pancake 113. Sire 115. Greek god liquid 116. Rope loop 117. Fencing swords 119. Hostilities ender 120. Looks at 122. “___ the fields we go” 125. Pitch 127. Certain investment, for short 128. Zip 129. Sushi fare 130. Snoop

Cache Magazine calendar items are due Tuesday by 5 p.m. They will also run for free in The Herald Journal one to two days prior to the event. Calendar items can be submitted by email at hjhappen@hjnews.com. Any press releases or photos for events listed in the first half of Cache Magazine can be sent to jhunter@hjnews.com. Poems and photos can also be sent to jhunter@hjnews.com and run on a space-available basis if selected.

answers from last week

www.ThemeCrosswords.com

Common Ground Outdoor Adventures will hold its Fall Harvest Festival at 2 p.m. Friday, Oct. 16. Call 713-0288 to register.

Help the American West Heritage Center bring in the harvest the old-fashioned way during its annual Fall Harvest Festival on Friday, Oct. 16, and Saturday, Oct. 17. Press apple cider, shell corn and make brooms. The historic steam tractor and grain thresher will also be up and running. Your Fall Harvest ticket includes the Fall Harvest Festival, Corn Maze on the Farm and the Haunted Hollow. Visit awhc.org or call 2456050 for more information.

SATURDAY Willow Park Zoo’s annual Boo at the Zoo is a familyfriendly, Halloween event with lots of carnival-type games, upclose animal encounters, vendor booths for education and shopping, crafts and pony rides, for a little extra. It is the zoo’s biggest annual fundraiser event which helps the facility get through the long winter in Cache Valley.

Bring treat bags and feel free to wear costumes from 11 a.m. to 4 p.m. Saturday, Oct. 17, at 419 W. 700 South. Admission is $3 or $6. Visit willowparkzoo.com for more information.

The Cache Valley Center for the Arts is pleased to present Mnozil Brass at 7:30 p.m.

Saturday, Oct. 17, at the Ellen Eccles Theatre. “Yes, Yes, Yes” is the ultimate new show from Mnozil Brass and their best, most spontaneous and humorous of all time. Tickets are available at cachearts.org, at the box office at 43 S. Main St. or by phone at 752-0026.

Prepare your finest witch or wizard outfit and join the American West Heritage Center for our first annual Witches Walk for Breast Cancer Awareness on Saturday, Oct. 17. Join us for a service project for cancer

patients, a witch pageant and a walk for breast cancer awareness. Visit awhc.org or call 2456050 for more information.

Lace ‘N Levis Square Dance Club will be dancing on Saturday, Oct. 17, at 1650 E. 2600 North in North Logan. Round dancing class starts at 6 p.m., main stream class at 7 p.m. and plus and main stream club dance at 8 p.m. For more information, call Mike at 757-4479.

Join Stokes Nature Center and Andrew Durso for an early morning of birding at Hyrum Reservoir from 8 to 11 a.m. Saturday, Oct. 17. Durso, a longtime birder, will lead a hike to spot the late migrators and the birds that winter here in Cache Valley. Transportation and binoculars/spotting scopes provided, but feel to bring your own as well. Meet at First Dam. Cost is $5; $3 for SNC members. For more information, visit logannature.org, call 755-3239 or email nature@logannature.org.

Annie Worthen will perform from 9 a.m. to 1 p.m. Saturday, Oct. 17, at the final Cache Valley Gardeners’ Market of the season on the grounds of the Historic Cache County Courthouse at the corner of Main Street and 200 North.

Come swing and dance to a live band at Elite Hall in Hyrum from 8 to 11:30 p.m. Saturday, Oct. 17. Lessons are offered from 7-8 p.m. Admission is $6, lessons are $2 and refreshments will be served. Visit usu. edu/swing for more information.

Cache Valley chapter meets for dinner and socializing at a local restaurant at 6:30 p.m. every Sunday evening. Newcomers welcome. For more information, call Jeff at 770-4263 or visit postmormon.org/logan.

MONDAY The William Hyde DUP Camp will meet at 12:30 p.m.

Monday, Oct. 19, at the Hyde Park Civic Center and car pool to the Hyrum City Museum.

The Summit DUP Camp will meet at 1:30 p.m. Monday, Oct. 19 in the Smithfield Senior Citizen Center, 375 E. Canyon Road. The lesson will be taught

by Ruth Swaner. Visitors welcome.

The Elite Hall Art and Quilt Show will be held Nov. 6-7 at Elite Hall in Hyrum. Artists of all types and skill levels are invited to submit their best works to be exhibited and compete for cash prizes. The theme is “The Heritage of Hyrum” and entry forms are due by 3 p.m. Saturday, Oct. 24. Visit hyrumcitymuseum.org for entry forms, or contact the museum at museum@hyrumcity.com or 245-0208 for more information.

The Elizabeth Mathews DUP Camp will meet at 1 p.m. Monday, Oct. 19, at Chuck-A-Rama, 138 S. Main St. Hostesses are Margaret Jorgensen and Jeannette Brown, history by Linda Coates and lesson by Eloise Hansen.

Nick Welch will perform from 2 to 4 p.m. Sunday, Oct. 18, at Caffe Ibis, 52 Federal Ave.

The Friends of the Logan Library Bookstore will hold a book sale Oct. 19-23. Stock up on some good books for you, your friends and family. Bring your grocery size plastic bags and fill them up with books for just $5 a bag. The store will be open from 10 a.m. to 2 p.m.

Monday through Thursday, and from 10 a.m. to 6 p.m. Friday.

The Post-Mormon Community is a non-sectarian organization of individuals and families who have left Mormonism. The

The Logan Library Monday Movie will begin at 6:30 p.m.

Monday, Oct. 19, in the Jim Bridger Room. This week’s

Clementine will perform from 1 to 3 p.m. Saturday, Oct. 17, at Caffe Ibis, 52 Federal Ave.

SUNDAY

movie is “The Jungle Book,” which is rated G. Popcorn and admission is free.

TUESDAY Soup ‘n Stroke, an education and support gathering for those impacted by stroke, will meet at 4 p.m. Tuesday, Oct. 20, on the second floor of the Aquaworx Building, 209 W. 300 North. Join us for a discussion about advanced directives. Bring any questions, concerns and successes. Call Amy at 535-5296 for more information.

Floral, a Lifetime Service Award Recipient and both Dolores and Allen Wheeler, Gossner Foods, and Randy and Kathie Watts, President’s Award Recipients.

For more information, contact Alta Markeson at 754-0203.

THURSDAY Helicon West will showcase Gary Dopp, as part of the Utah Book Festival, and the USU Bull Pen Flash, at 7 p.m. Thursday, Oct. 22, in the Jim Bridger Room at the Logan Library.

Open-mic portion to begin around 8:00.

The Logan Library presents The Logan Library presents “Learning @ the Library” — “Learning @ the Library” — classes showing how to get the classes showing how to get the most from your e-reader device most from your e-reader device or computer using the free resources available at the library. or computer using the free resources available at the library.

“Computer Basics” will be taught “Facebook Basics” will be taught at 7 p.m. Tuesday, Oct. 20, at at 7 p.m. Thursday, Oct. 22, at the Logan Library. You can use the Logan Library. You can use the library’s devices or bring the library’s devices or bring your own. Sign up in person at your own. Sign up in person at the information desk or call 716the information desk or call 7169120.

9120.

The annual Newman LecBurn Infinite will perform ture at Utah State University’s with Turncoat, Harsh RealNewman Center will feature Dr. ity and Worthiest Sons at 7 Maureen Condic, professor of p.m. Thursday, Oct. 22, at Why neurobiology at the University of Sound, 30 Federal Ave. AdmisUtah Medical School, speaking sion is $6. on “The Beginning of Life” at 4:30 p.m. Tuesday, Oct. 20, in Come see hundreds of Room 046 of the Eccles Scipainted pumpkins displayed in ence Learning Center. dozens of scenes at the 32nd annual North Logan Pumpkin Walk. This favorite fall tradition is set for Oct. 22-24 and Oct. Smithfield seniors (age 55 26-27 at Elk Ridge Park, 1100 and older) will meet at noon E. 2500 North in North Logan.

Wednesday, Oct. 21, at the Hours are 9 a.m. to 10 p.m.

Smithfield Senior Citizen Admission is free. This year’s Center at 375 Canyon Road for theme is “Now THAT’S Funny.” a meal at noon of beef stew in The Pumpkin Walk is wheelchair a bread bowl, green salad and dessert. There will be a pumpkin accessible. Free shuttle bus activity after lunch. Come social- service will be available starting at 6 p.m. with the pickup stop at ize with other seniors any time Greenville Elementary, 2500 N. after 10 a.m.

400 East. Free parking for the The Sunshine Terrace Foun- shuttle is available at the school and next door at Cache Valley dation will recognize its 67th Hospital. A free puppet show will Founders Day Honorees at 5 play daily in the afternoon and p.m. Wednesday, Oct. 21, at the on Saturday. For more informaRiverwoods Conference Center. tion, visit pumpkinwalk.com or We’ll celebrate the contributions facebook.com/pumpkinwalk. of Ed Winger, Plant Peddler

WEDNESDAY

The Herald Journal, Logan, Utah, Friday, October 16, 201

Friday

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calendar

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The Herald Journal, Logan, Utah, Friday, October 16, 201