Grote Kerk | Driebergen
For Friends of the Tent Of Bethlehem
February 8 – March 8
Three kites made out of newspapers with articles on the genocide in Gaza and war crimes in the West Bank.
Tail made of 106 names of murdered journalists in Gaza, the Westbank, Israel and Lebanon
Size | 270 x 170 cm.
Poem from loudspeaker:
English / Arabic / Dutch / German
If I must die | Refaat Al-Areer (1979 – 2023)
Voices | Rezan Habash, Dani Ploeger and Hans Overvliet
Recording | Sjef Hermans
Edit | Jochem Weststrate
Thanks to / photo
Chris Kors (also production for ‘Driebergen’)
Kunstverein Ebersberg
02 - 31 May 2025
Final format poster: 3560 x 2520 mm
Movies That Matter
Foyer of The National Theater (Theater aan het Spui) | The Hague
March 21 – March 29
DISTANT SUFFERING III | may 18 2012, july 31 2014, april 5 2015
Stone and Glass / IT'S IN IT
July 7 - August 16, 2025
Maria Magdalenachurch | Goes
The New Museum of Networked Art
June - August 2025
Cinemateca Nacional de la Casa de la Cultura Ecuatoriana
September - December 2025
Cologne Alphabet Art Centre
film cooporation with Jochem Verstrate
through w.’s eye
The New Museum of Networked Art
June - August 2025
Cinemateca Nacional de la Casa de la Cultura Ecuatoriana
September - December 2025
Cologne Alphabet Art Centre
film in cooporation with Jochem Verstrate
DISTANT SUFFERING XXXX
i.d. of an artist's video portrait utterly endlessly repurposed naive incantation gesture
DISTANT SUFFERING | about the bullet
Toonbeel | Verbeeldingsroute / Imagination Pathway 2025
July 5 – September 13, 2025
ING-gebouw | Stadhuisplein / Terneuzen
2 0 2 4 – 2 0 2 5
DISTANT SUFFERING | the tale of the bullet
DISTANT SUFFERING XXXXV
i.d. of a shared gold-plated bullet variation #I
#III in production
DISTANT SUFFERING XXXXV
i.d. of a shared gold-plated bullet variation #II
#III in production
DISTANT SUFFERING XXXXVII | i.d. of an encased bullet performance / multiple (48 + 6 A.P.’s) for HOPE Vlissingen | October 25 and 26, 2024
Photos ©Bo de Jonh
Photos © Giel Louws
print of a sugar beet for a project in Brazil about industrial destruction of agricultural land 20 x 20 cm, 350 grs plano
statement
Martha Jager, curator Vleeshal in MiddelburgNL about the oeuvre (2023) after a studio visit: The dedication to art as a relational verb is central to Overvliet's work. On the one hand, the balance between poetry and criticism is special, in that the work never becomes bitter or pedantic, while at the same time the dialogue with the viewer is actively maintained. It is a tender form of activism that moves and urges action and also continuously questions the role of art.
Since 2013, by means of the ongoing art-series distant suffering, the Dutch artist Hans Overvliet (Leiden, 1952) investigates the role of the media in their representation of (military) violence. This, in the context of themes as perception, memory and identity formation.
Overvliet uses a various range of media, symbols and codes, bringing together dichotomies like beauty and violence, refinement and brutality, the sublime and the vulgar.
Aspects of power, politics, exclusion, censorship and the connection between artist, artwork and viewer infiltrate his multifaceted conceptual oeuvre. As a reporter, Overvliet was an eyewitness to the events in the Middle East during the 1980s. Of course these experiences resonate in distant suffering.
Elements of distant suffering were exhibited in the Netherlands, Belgium, Pakistan, England, France, Italy, the Czech Republic, Denmark, Albania, Germany, Lebanon, the U.S.A., Brasil, Argentina and Sweden.
In 2023, his whole body of paper collages ( 1999 – 2012 ) joined Geert Verbeke’s renowned collection of collages and assemblages.
In 2024 - 2025 the whole oeuvre of distant suffering was exhibited in the museum part of the Verbeke Foundation. All works will then be included in the permanent collection.
Next to his art-work Hans is, together with his wife Willy van Houtum, the founder and every day guardian of ruimteCAESUUR, the 30-year old space for contemporary art in Middelburg in the province of Zeeland.
Thanks - people
Willy, Giel, Geert, Marie, Jorieke, Ko, Johan, Tineke, Jürgen, Dani, Bo, Sylvia, Erjee, Ilja, leon, Hans, Chris, Onno, Jan, Sarah-Jane, Rita, Simon, Silvio, Sonja, Jochem, Tonnie, Adriaan, Daniël, Edwin, Wilfried, Sam, Ben, Neeltje, Sam, Guus, Rezan, Sjef, Marwan, Mohamed, Raed, Yasser, Maisara, Godelieve, Leni, Wissem, Marianne, Erica, Ruud, Marten, Loek, Ebeed, Dirk&Uli, Lucia, Chris, Grrit, Fé, Rita, Mohamed, Roos, Anne-Lyke, Floor, Pier, Anke, Thomas, Willy, Anjelien, Kisito, Wilfried,
Thanks - instututes
Verbeke FoundationBelgium , ruimteCAESUUr, uitgeverij De Bovenkamer, no-intituteGermany , Omroep Zeeland, Wij Zijn De Stad, Lacuna StudiosSpain , Roofprintpers, Kunsthaus HamburgGermany , Movies That Matter, Matera International PhotographyItaly , Volos Art AssociationGreece , Mohamed Hart-ArtGaza ,
Sisyphos-Gesellschaft Germany , Toonbeeld
FriendsTent of Nations Nederland,
The New Museum of Networked ArtGermany ,
An object that tells of loss, destruction, disappearance of objects. Does not speak of itself. Tells of others. Will it include them?
Deluge.
Jasper Johns
Sketchbook | 1964