CamCat Books - Fall 2023 YA Sampler

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Fall 2023 SAMPLER

• YOUNG ADULT TITLES •

“BOOKS

TO LIVE IN”

THESE ARE UNCORRECTED PROOFS.

PLEASE DO NOT QUOTE FOR PUBLICATION UNTIL YOU CHECK YOUR COPY AGAINST THE FINISHED BOOK.

Excerpt from The Confession of Hemingway Jones

© 2023 by Kathleen Hannon

Young Adult Science Fiction

Excerpt from Girl on Trial

© 2023 by Kathleen Fine

Young Adult Thriller

Excerpt from Bladestay

© 2023 by Jackie Johnson

Young Adult Western

All rights reserved. For information, address CamCat Publishing, 1281 E. Magnolia St., #D1032, Fort Collins, CO 80524. Distributed by Independent Publishers Group. To order, visit: camcatbooks.com/Bookstore-and-Library-Orders.

INTRODUCTION. CamCat Publishing, LLC, opened for business in 2019. Our founder, Sue Arroyo, launched the company for the love of story, those tales that bewitch and dazzle you, grab hold of you and won’t let go. She calls them Books to Live In.

’Cause that’s what she did when growing up. She was a bookworm who lived and breathed stories the way her friends would live and breathe the cool kid on the block or the latest rock star. To her, the characters in her books were the cool kids and rock stars. Who needs awkward teenage parties when you can live epic adventures, find romance, and save the day right there in your mind as you read that favorite book? You know, the one with the creased edges.

Sue is a self-proclaimed entrepreneur. CamCat Publishing is her seventh company. In early 2019, she sold her interest in her most successful business, Trident Technologies, and was able to turn her substantial business skills towards her life-long passion for books.

That’s not a surprise. Growing up, the books Sue read taught her that anything is possible. Anything. And precisely this belief motivated and sustained her as a female entrepreneur pushing that glass ceiling time and again. It was only a matter of time until she’d put her mind and heart and business acumen back to books.

Sue brings a fresh perspective to publishing, a strong desire to establish long-term relationships with both authors and readers, and a passion for a great story.

Therefore, CamCat Publishing is more than a publisher. CamCat Publishing is the sum of its readers and writers . . . and then some. We facilitate and engage in communication between readers and writers because that’s where the magic happens. We involve our authors and readers every step of the way—in the process of choosing the books we publish, the formats in which we offer them, even the way we advertise and publicize them.

But in all this, there’s one thing we never forget. Yes, books are products to sell, but they are something else, too. They are the expression of an author’s creativity and the touchstone for a reader’s imagination. When the two meet, something extraordinary happens. We walk in other people’s shoes and see the world anew.

We appreciate your time and the opportunity to earn that spot on your shelf.

Fall 2023 SAMPLER • YOUNG ADULT TITLES • “BOOKS TO LIVE IN” The Confession of HemingwayJones........................................1 by Kathleen Hannon Girl on Trial.................................................................................27 by Kathleen Fine Bladestay ..................................................................................51 by Jackie Johnson

It’s time to raise the dead.

Moments after a devastating car accident kills his father, 17year-old Hemingway Jones takes his father’s body to Lifebank, the cryogenic preservation research center where he interns. Hijacking the lab in a desperate attempt to reverse the natural order, Hemingway holds police and medics at bay as he works to revive his father. As dawn breaks, the heart monitor beeps, and his father slowly creeps back to life.

Days later, Hemingway arrives at the hospital to learn that his father’s skin has turned ashen gray, he can’t exist in temperatures above 55 degrees Fahrenheit, and hydrogen sulfide has become his only source of food. Facing arrest for his reckless actions, Hemingway is offered a proposal by the billionaire owner of the lab: recreate the experiment he swore he’d never do again, or go to prison, leaving his father to die a second time.

“The Confession of Hemingway Jones grabs you on page one and never lets go, with a story that is equally pulse-pounding and heartbreaking.”

Melinda Metz, author of the Roswell High series, writer for Roswell

Hardcover ISBN 9780744302578 | $19.99 | Releases 9/26/2023

Having worked as a Hollywood development executive for many years, Kathleen Hannon’s career got turned upside down by the Writer’s Strike of 2007. With nothing to edit, she turned her desk from west to north, and her editing skills to writing. Her Middle-Grade novel Bye for Now was published by Egmont in late 2011. After a couple screenplays for Hollywood, she has returned to books. The Confession of Hemingway Jones is her first YA novel. Hannon lives in Charlotte, N.C., and is the single mom of two daughters.

THE CONFESSION OF H EMINGWAY JONES

THE CONFESSION OF H EMINGWAY JONES

KATHLEEN HANNON

CamCat Publishing, LLC

Brentwood, Tennessee 37027

camcatpublishing.com

This is a work of fiction. Names, characters, places, and incidents are either products of the author’s imagination or are used fictitiously.

All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information, address CamCat Publishing, 101 Creekside Crossing, Suite 280, Brentwood, TN 37027.

Hardcover ISBN 9780744302578

Paperback ISBN 9780744302585

Large-Print Paperback ISBN 9780744302592

eBook ISBN 9780744302639

Audiobook ISBN 9780744302653

Library of Congress Cataloguing-in-Publication Data available upon request

Book and cover design by Maryann Appel

5 3 1 2 4

To my mom, Liz Saxon, who taught me my love of books.

Without you, this book would not have been possible.

Thanks, from “your weird and morbid child.”

TO WHOEVER FINDS THIS

This isn’t a diary. So if you’re reading this in hopes that I’ve actually written down exactly how I did what I did, you’re going to be extremely disappointed. I haven’t written that down anywhere and I never will. This is a confession, pure and simple. And I’ll tell you right now, before you start reading, or listening, or whatever it is you’re doing: I’m the bad guy. Don’t forget that.

It’s weird to be the villain in your own life story, but it is what it is. Confessions are done for the sake of forgiveness. I don’t deserve forgiveness. I know that. And I could claim I don’t want forgiveness, but I guess I do. So if this is you, Melissa, know that it’s your forgiveness I’m asking. I don’t deserve it, but I loved you then and I love you now. I’m sorry for ruining your life.

Just for the record, I was trying to save you.

PART I

CHAPTER ONE

It’s been a few months, but sour memories of the day I killed my father still burp back up, and my gut clenches every time. Todd and I were absolutely blazed, sitting on the front steps of his family’s double-wide when Dad pulled up, the tires on his Ford F250 skidding to a stop about three inches from my sneakers, while the Jones Construction and Restoration lettering was practically shoved up my nose. Dad hiked himself out the driver’s-side door with a slam and I knew I had about fifteen seconds to sober up.

We hadn’t planned on doing this—skipping school and getting baked. Or at least I hadn’t. But Todd had found this brick of hash in his parents’ barn, and well, it was the first spring day where temps were due to hit 65 degrees. We cut out fourth period, rode our bikes back to his place, and got rocked. Seemed like a good idea at the time, and we’d had fun tormenting the chickens, but now I was going to pay for it.

I wasn’t the only one who was nervous either. Todd tucked his drink behind his back while my dad crunched gravel. Todd had obviously

forgotten that all he had was a Yoo-hoo. He nodded and called out, “Hey there, Mr. Jones.”

Dad murmured “Todd,” in his general direction, but kept his eyes focused on me.

He was just standing there, directly in front of the late-afternoon sun. I squinted, but all I could see was this ominous black silhouette of rippling muscle.

I realize I’m making him sound scary, but he’s not. Everybody likes my dad, even Todd. Even me. He’s this pretty cool, off-the-grid kind of guy. He can build or fix just about anything, and I’m not just talking about when you’ve had a kitchen fire or a burst pipe—that’s just what he does for work. He’s also the guy who pulls over when you’ve got a flat and the one who starts applying the Heimlich on some choker in Kentucky Fried. (It’s happened.) He’s smart too. He doesn’t have a college degree or anything, but he can talk about black holes and Relativity. He can take any online Mensa or IQ test and come up genius, every time. He even beats my scores, and I’m not easy to beat.

The point is stand-up guy Bill Jones can be a little scary when he’s mad. And I was about to get reamed.

He turned his face profile before he spoke, so I could see just how much air he was furiously pumping through his shadowy nostrils. “Got a call from the school. And another one from Cass.”

My first impulse was to cringe, make excuses, and get up, knowing I was busted. But over the last year or so I’d learned that if I waited long enough in these fights, my pangs of guilt would pass and I’d turn into a cocky asshole, someone far more capable of fighting with Bill Jones. So I waited until I saw Dad as a thunderstorm, rudely blocking out my sun. And I shrugged. I mean, big deal. So I skipped school again. I knew the real problem was the call from Cass. I’d never skipped the Tuesday/Friday afternoon internship before, and that was what he was really pissed about. He’d filled out all the paperwork for that internship himself—he’d even written the essay when I refused—all so that I would have “the future” he never did.

Kathleen Hannon 7 13 8

“Hem, I’ll uh—” Todd looked around quickly, hoping some excuse for his desertion would magically appear. “I think maybe I gotta help with dinner. See ya, Mr. Jones.” He practically ran inside.

“Do you have any idea what you’re doing?” Dad exhorted. “You have this gift. My God, you want to end up like that?” He gestured at Todd’s disappearing form.

“Dad, that’s low. Leave him alone.”

He didn’t even pause. He just growled, “Hemingway Jones,” in that low, throaty way that he always does before lecturing. And he knows I hate my name. But he rarely calls me Hem—he says it sounds like a pronoun.

“You have absolutely no idea what you’re risking. NONE!” And with that crack of thunder came the rain. He blasted on, salting his sentences liberally with words like responsibility and commitment.

I rolled my eyes. The lecture was so generic I didn’t taste anything close to regret. I could recite a variation of this speech as easily as I could the periodic table. Anyway, due to some really good dope, the tweaks and nuances of this particular version are lost forever.

I finally interrupted him. “I didn’t even want the fucking internship!” I stared at him, waiting for a response. That fact was empirically true. But he just stuffed his hands in his pockets, so I charged on. “I don’t want college, either. School bores the crap outta me. You know that. Why would I pay for more torture, when I could be a project manager at your company and earn some money? Stanton got an honors degree from Chapel Hill. He’s still working at the gym full-time AND living at home, just to pay the loans. Why would I buy into all that crap?”

I tilted a little, trying to duck down and check my face in the side view mirror of the truck without him noticing. I was pretty sure I was smirking—a dead giveaway. No smirk, but the face that looked back at me was a little worrying. My black hair had gone all stringy from sweat and was stuck in clumps around my face. My eyes, normally green, were cayenne-pepper red. I looked like a stoner. If I didn’t shift the conversation soon, he’d notice. I needed a move.

THE CONFESSION OF HEMINGWAY JONES 7 14 8

So I conjured up the ghost of my mother. “Mom wouldn’t make me go there. Do you have any idea what I do in that place? Undressing dead bodies? So some quack doctor can do experiments on them? Do you think she’d want me to do that? Do you think she’d want that done to her?”

That worked. Dad looked as if I’d punched him. “Of course not,” he finally choked out.

I knew the image was unfair. Bottom-feeding, in fact. I instantly wished I hadn’t said it, but I didn’t take it back, because if the situation were reversed, he wouldn’t take it back. My dad sucks at apologizing.

Still. I could practically read his memories of Mom in his body language. His shoulders sagged with her diagnosis, quickly followed by a head nodding south to the ground, as she exacted promises out of him about how I was going to be raised. By the time his hands found his hips, I knew her body was being carted out of the cancer ward at Northeast into a mortician’s hearse. That was two years ago.

Now, who sucks at apologizing?

Fair would be admitting Bill Jones didn’t have the faintest idea what company I’d be interning for when he applied in my name. He’d just been all excited that this fabulous new biotech research center was going to take high-school students on as interns. He’d gone on and on about what an “amazing opportunity” that would be for me. That said, he’d grimaced when I got the acceptance letter. He’d guessed almost immediately what kind of company it was. But he still wanted me to do it because he thought it would lead to better scholarships for college. He rattled on that even if I didn’t want to go to college right now, I should still want the option. When I finally gave in, he told me what they did, or at least, what he thought they did. I absolutely flipped. I’d told him there was NO WAY I was going to work there.

The curtains shifted. Todd was watching us. I glared at him, and he pulled them tight again, but his fingertips were still visible at the seams. He really could be a dumbass.

My dad saw it too and checked himself, knowing he’d lost his temper and embarrassed me in front of my friend. He suddenly tossed me the keys.

Kathleen Hannon 7 15 8

“We’ll talk about this at home. You drive.” He climbed into the passenger’s side.

I did pause, keys in hand. That much is true. But I didn’t confess. I used to think it was because I was so shocked that I’d won the round. But the truth is, I was pleased with my merit-less victory. I didn’t feel like ruining it and getting another lecture.

Plus, I really wanted my license. Bad enough I was the only senior at school that didn’t have one. I wanted my freedom. I wanted to be able to get up and leave—just drive away—whenever he started in like this Truth? I don’t really remember what I was thinking. I just climbed in, stuck the keys in the ignition, and pulled away.

Todd and his parents live way the hell out on Gold Hill Road, which is the kind of road your grandparents take you on for a Sunday drive in the country. While the southern half of Concord has been transformed into commuter sprawl for the city of Charlotte, this easternmost tip is the last gasp of Cabarrus County farmland. Rolling fields of corn and collard greens rise and dip in every direction, interspersed between wide pastures of native wildflowers and woods. The road rises and curves with those fields, and there’s only the occasional little clapboard house visible. Most of those are recessed way back too, stuck deep in the trees so the farmers can get a break from the scorching summer sun. Other cars are rare, but when they come, they come fast.

I remember the pickup that zoomed by, headed in the opposite direction. The road was so tight and his speed so great that I felt the backdraft blast me through the open driver’s-side window. I pulled my head back inside, knowing I was a mental train wreck. But too late now. If I confessed, my dad would cut up my learner’s. He’d told me if I ever got caught driving under the influence, I’d have to pay for my own car and insurance, and of course any attorney fees required to defend myself in court.

I concentrated on each turn, going over it slowly, careful to lift and twist with the road. He didn’t watch me. He was lost in thought, staring out the windshield. I bet he was still thinking about Mom. But we’ll never know.

THE CONFESSION OF HEMINGWAY JONES 7 16 8

The dope overtook me again in the silence. I got all caught up studying the budding spring green on the trees against the impossibly blue sky. Spring in Piedmont is something to see. Everything flowers in April—dogwoods, Bradford pears, weeping cherry trees, azaleas, Loropetalum, and bulbs of all kinds. We were only days away from a rainbow bath.

That’s when I missed the curve.

I wasn’t speeding, but I didn’t have to be to wreck on this road. My reactions were slow, my instincts hairy. Dad yelled and tried to grab the wheel, but for some reason, I pushed his hand away, as I used the other to try and correct the spin. But I was going against the spin, rather than with it like he’d taught me to do.

Off the road, careening down an embankment, I felt his arm slam against my chest. He grabbed the handhold above me, pinning me in place because he didn’t trust the seatbelt. When we hit rocks at the base of the creek, the resulting smack! lifted the bed. My airbag exploded as the truck vaulted over the creek like a gymnast doing a hand flip. I felt the roof above us buckle. The second flip—the one that righted us—was much slower, more like a backbend.

You know what the first thing I did was? I giggled. I say all this to keep reminding you—I’m no hero. I was absolutely fine, nervously wondering what kind of trouble I was in for now. I was even stifling a laugh when I turned toward Dad.

His eyes were open and glassy, his mouth gaping. A punched dent in the metal roof was seemingly melded to his brain. He wasn’t breathing.

“Dad? OH FUCK.” I touched him, hoping to get his eyes to blink. Nothing. “Oh God, oh God! DAD! DAD!” This time I pushed him a little. Nothing. “DAD! WE HAD AN ACCIDENT! BLINK YOUR EYES! TELL ME YOU’RE OKAY!”

But he just stared. I grabbed his wrist, and then his neck, looking anywhere for the faintest hint of a pulse.

9-1-1. No signal. 9-1-1, 9-1-1. Hold the phone out the window. Slap the phone on the dashboard. Nothing.

Kathleen Hannon 7 17 8

CPR. Compressions.

That meant moving him. I contemplated the head injury for a moment. If he was still alive, and he had to still be alive, there was seriously no alternative, he could bleed out from the head wound. I ripped off my shirt. I was shaking so badly I struggled, but eventually, I used the sleeves to knot it like a tourniquet around his head. I ran around the other side of the car, splashing in the creek, and grabbed his shoulders.

“STAY WITH ME, DAD.” I held on to his shoulders, letting his legs clatter down into the water, and pulled him up on the bank. He’d forced me to take every course the Red Cross had to offer before I was ever allowed behind the wheel. I proceeded to perform them all.

Thirty compressions, two breaths, pulse. “Ah, hah, hah, hah, staying alive, staying alive.” I don’t know whether I was singing the song in my head or out loud, but that’s what they teach you to do in CPR: sing the Bee Gees, so the compressions stay nice and even. Keep oxygenating the blood. After finishing the song the second time, I paused to check the signal—still nothing.

COLD.

The word boomed in my head like it came from a divine entity that was trying out 110-decibel speakers for added effect.

HE’S GOT TO BE COLD.

My sneakers were already soaked with freezing-cold creek water. Why hadn’t I put him in the creek immediately for the compressions? I slapped my head several times—stay in the moment. I tugged at his shoulders and then at his legs until his whole body was in that frigid creek. My hands were red, raw, and shaking by the time I’d arranged him, my bare chest shaking with the slightest breeze, but I paused to hit the timer on the phone—like I knew what had to happen. Except I didn’t. Honestly, I was still waiting for him to just wake up and start yelling.

I checked the phone again. Still no signal, out here in the boonies, down an embankment, in a creek full of frigid water.

Again, with the compressions and the song. Rinse and repeat. Nothing, and my arms were giving out.

THE CONFESSION OF HEMINGWAY JONES 7 18 8

I started screaming. Then I barfed in the grass.

I tried again—pumping his heart over and over again—while getting no frigging signal. I was going to have to climb the embankment to call, and that meant leaving him. I climbed, grabbing on to the knee-deep vines of dead kudzu to pull myself up. I kept turning back to check, fully expecting him to be awake and seriously pissed.

Calculations ran through my head as if I had nothing to do with them. It’d been approximately twenty-two minutes since the accident, so I tried to hurry up, but the ground was still loose from rain, so I kept slipping. Every time I did, the calculations shifted. It was going to take another five minutes—minimum—to get to the top of the hill. Total: twenty-seven minutes. Barring an EMT out on the prowl, it would take an ambulance at least another twenty to get here from downtown. That’s forty-seven minutes. How much more time to unload and power up a defibrillator?

The answer mattered—I only had thirteen minutes left to play with. If Dad was clinically dead for more than sixty minutes when the EMTs arrived, they wouldn’t even try to revive him. I knew this. They’d say he’d end up a vegetable at best, pat me on the back, and let me ride next to his body on the way to the morgue.

I could lie. Tell the medics he’d been down only a few minutes. But even if they bought it and tried to revive him, they had less than a 5-percent chance of success.

And at that point, with all that company, it wasn’t like I could then move on to Plan B.

I’m not really sure when Plan B materialized. I mean, I’d instantly wanted the Gaymar machine to chill him down when I dragged him into that creek water. The Gaymar is what they put people in when they’ve fallen through the ice, or had a heart attack and they’re completely unresponsive. Keep ’em cold until you’re at the hospital and ready to go to work reviving them. But I don’t know when that silent wish transformed into a plan to sneak my dad’s body into the Paul D. Calhoun Biotech Research Center.

It was one or the other. Call 9-1-1. Or the Gaymar Meditherm.

Kathleen Hannon 7 19 8

The ground gave way and I fell again—that cinched it. This time I let the kudzu go and slid down the hill all the way to the bottom.

Bill Jones didn’t believe in God. Or heaven. Even when my mom died, he didn’t pretend he’d had some sort of a religious epiphany for my sake. He just told me she was gone and that was pretty much it, as far as he was concerned. That little nugget of truth should’ve told me what Bill Jones would want, what was right. But it just spurred me on: if there is no God, then there is no heaven. Only Earth. And no one deserved heaven more than my dad. So, if Earth was Bill Jones’s only heaven, I had to bring him back. At least, I needed to try.

I checked my dad and the road again. Nothing from him, and no one around. No one could see us. No one had come running, and there weren’t any farmhouses visible nearby with some old granny in the window dialing the police and an ambulance.

No one knew he was dead. Except me.

Did the truck work? If it didn’t, this plan was over. I pocketed the cell phone, popped the airbag, and stuck the keys in the ignition. I silently vowed if the truck didn’t start—or didn’t run—I’d climb the hill again and call the cops no matter what.

I turned the key gently and the car responded. I stuck it in gear and lurched a few tentative feet before switching it off again: I was going to have to load up my dad. In the bed. The idea of putting him there made me nauseous, but there really wasn’t any other option.

But it was more than that. He was so heavy. I’m tall, but I only weigh about 150 pounds. I tested moving him—I could drag him—barely. Lifting him by myself was a no go. I couldn’t fail for this stupid reason. My hands were still shaking, and my eyes were bleeding tears, but I glanced around— Dad’s dolly and incline were still trussed to the bed. He always secures them. Now I knew why. I grabbed them and set up.

I heard a car go by on the road. Then another. Every time one roared past I ducked, but they were going too fast, too high above me to notice. I guess we’d have been pretty hard to see, even if someone was looking. The

THE CONFESSION OF HEMINGWAY JONES 7 20 8

embankment was high, and we were veiled in thick gray vines of kudzu that draped from all the trees like hair extensions.

Once he was inside the bed, I kissed him on the forehead and covered him with a tarp.

My next thought was ice. The cold from the water wouldn’t last long enough. I needed ice right away. Lots and lots of it. Which meant I needed money, which meant I already had to go back to the bed and rifle for Dad’s wallet. Took me a couple of goes to work up the nerve to do it, but I finally got his card.

Too Much Ice is at the corner of 601 and 73. I could back the bed of the truck right up under the machine and just start paying for load after load. Nothing unusual in that—Todd and I did it all the time when we had keggers.

Then I’d drive to Kannapolis. To the research center. I’d go in under the pretense of apologizing to Cass. If she was there, I’d have to wait until she left. But I needed that Gaymar.

“Warm and dead is dead. Cold and dead means hope still exists.” That’s what Cass had told me on the first day of my ghoulish internship as she explained to me how to strip a body, get them into the Gaymar, and artificially induce hypothermia.

If I could keep Dad cold in a Gaymar, hope still existed for us both.

The motherlode would be getting him inside, because even if Cass wasn’t around, there’d still be reams of scientists wandering the halls until well past midnight. I knew this because I’d hung out there one night with Stephens and Tan, chomping on pizza while I ignored my dad’s calls because I was pissed at him. Guys in lab coats kept dropping by to chat. They were all geeks, losers, toads who had Domino’s delivered every night of the week. They immersed themselves in their work because they didn’t have wives and families to go home to. They were nothing.

“Why’d you want me to be like them, huh?” I shouted at Dad through the back windshield. I was crying like a baby. “That was the only reason you showed up, instead of calling. Because I missed the fucking internship. If you hadn’t . . .” I didn’t finish, because at that point the tears won out.

Kathleen Hannon 7 21 8

I wracked my memory for Cass’s schedule, but I couldn’t remember. If she wasn’t there, I’d wait until dark, snag a dewar and wheel it out to the parking lot. At least the security guards never stopped me with a dewar. They just wrinkled their noses as I rolled past.

Dewars. Like the whiskey. That’s what they’re called. Huge, cylindrical freezers-on-wheels that cost more than your house. They fit a grown man perfectly, because that’s what they’re designed for: to haul and store dead bodies at Cass’s mad lair, Lifebank.

Lots of medical researchers use dead bodies. I knew that even before I was offered the internship. And while I wasn’t looking to get involved in that, I probably could’ve handled it if it was some normal research, just testing new surgical methods. Most doctors aren’t trying to bring corpses back from the dead.

But Lifebank was. My dad had guessed the name Lifebank meant cryogenic storage. That’s why we’d argued about whether or not I’d do the internship. But like everything else at the biotech research center, it turned out Lifebank wasn’t just cryogenic storage. That would be too generic for this state-of-the-art facility. Dr. Elaine Cass was leading a research team in a quest to reanimate the dead, using a hybrid twist of cryogenics, stem-cell research and therapeutic hypothermia.

This was the loser lot I’d drawn in the internship lottery. Most of the kids I knew were working in agricultural engineering, making genetically altered super bananas. Meanwhile, I was transporting bodies in the dewar—rodents, dogs, people. I told you I protested. I seriously did not want to do this internship, especially when I had to sign all those “nondisclosure” agreements that no one else did. But Bill Jones wasn’t a quitter, which meant I couldn’t be one either, at least not until I was eighteen. Plus he bribed me: if I did my stint, I’d be off the hook for Governor’s School this summer. I could stay home, work with him on the Richardses’ house, and hang out with my friends at the pool. No more “academically gifted” camps at Duke, no more geeks. At that point though, if I could’ve turned back the clock, I’d have picked Governor’s School. Trotted my ass off to Raleigh and been

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the biggest geek on campus all summer. Then my dad would’ve been safe at home. He wouldn’t have driven to Todd’s house. I wouldn’t have cost him his life and technically be an orphan right now. I’d just get chewed out for skipping school.

Frigging Gold Hill Road. The name is literal, you know. Way back when, some guy named John Reed found a seventeen-pound chunk of gold in his creek bed. He didn’t know what it was—just used it as a doorstop. A visiting silversmith spotted it and ripped him off for it. Reed located more gold on his property and eventually opened a mine, and Cabarrus County, North Carolina became the site of the first Gold Rush in the United States. For real. Gold Hill Road was the dusty track that took people from the mines into Concord, where they could weigh in and bank their fortune. There are all kinds of legends about the bandits that ambushed miners along that road, people who were willing to kill for what John Reed had found. That’s what a little gold will do.

I didn’t know it at the time, but I was about to revive Gold Hill’s legacy of priceless discovery, thieves, ambush, and death. Trouble with using that analogy is that I’m dumbass John Reed, using his chunk of gold to hold the kitchen door open.

I turned right at 73 and punched the gas.

7 23 8
Kathleen Hannon

MORE SCI-FI READS FROM CAMCAT BOOKS

Available now, wherever books are sold.

Does doing one bad thing make you a bad person?

Sixteen-year-old Emily Keller, known by the media as Keller the Killer, is accused of causing the deaths of a family of four, including young children. Emily is one of the youngest females to be accused of a crime so heinous, making this the nation’s biggest trial of the year. But what really happened that fateful night—and who’s responsible—is anything but straightforward.

Living in a trailer park in Baltimore with her twin brother and alcoholic mother, Emily’s life hasn’t been easy. She’s had to grow up fast, and like any teen, has made questionable decisions in a desperate attempt to fit in with her peers. Will her mistakes amount to a guilty verdict and a life in prison? It’s up to the jury to decide.

Kathleen Fine received her master’s in Reading Education from Towson University and a bachelor’s in Elementary Education from University of Maryland, College Park. She is a member of the Maryland Writers Association, The International Thriller Writers, and the Author’s Guild. When she’s not writing or selling real estate, she enjoys spending time with her family, traveling to the Outer Banks, and of course, reading anything she can get her hands on. She currently lives in Baltimore, Maryland, with her husband, three children, and Sussex Spaniel. Girl on Trial is her debut novel.

Hardcover ISBN 9780744306835 | $19.99 | Releases 10/24/2023

GIRL O N TRIAL

KATHLEEN FINE

GIRL O

TRIAL

KATHLEEN FINE

N
O N
KATHLEEN
O N
KATHLEEN FINE GIRL
TRIAL
FINE GIRL
TRIAL

Content Warning: This novel touches upon sexual assault, self-harm, and substance abuse and may be disturbing to some readers.

CamCat Publishing, LLC

Brentwood, Tennessee 37027

camcatpublishing.com

This is a work of fiction. Names, characters, places, and incidents are either products of the author’s imagination or are used fictitiously.

All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information, address CamCat Publishing, 101 Creekside Crossing, Suite 280, Brentwood, TN 37027.

Hardcover ISBN 9780744306835

Paperback ISBN 9780744306859

Large-Print Paperback ISBN 9780744306873

eBook ISBN 9780744306903

Audiobook ISBN 9780744306934

Library of Congress Cataloguing-in-Publication Data available upon request

Book and cover design by Maryann Appel

5 3 1 2 4

who showed me it’s never too late to write your first book.

To Mimi
i

“I expect to pass through this world but once; any good thing therefore that I can do or any kindness that I can show to any fellow creature, let me not defer or neglect it. For I shall not pass this way again.”

Prologue

“The only reason I come to this meeting is for my weekly caffeine high,” Tiffani with an i admitted. Emily nodded at her friend as she took a sip of her lukewarm, watered-down coffee, a taste she’d gotten used to. A taste she now associated with healing.

“I’m not no strung-out addict or nothin’,” Tiffani continued and then focused on Emily, remembering that Emily, in fact, wasn’t there just for the coffee. “No offense—wasn’t tryin’ to say nothin’ bad about addicts. It’s just they don’t give us caffeine inside, ya know?”

“No offense taken.” Emily smiled as she wrapped both hands around her coffee cup, relaxing her tense shoulders. She’d become used to Tiffani’s candor and had grown to appreciate the woman’s raw honesty. She watched as Tiffani sprinkled some sugar into her undersized paper cup and stirred it with the plastic spoon tied to a container with blue yarn. Tiffani glanced around the room and then untied the yarn, placing the spoon into the pocket of her gray, stateissued sweatpants. Emily bit her lip, debating if she should stop her,

i
JANUARY 12, 2022

but then decided not to. Tiffani was going to do what Tiffani wanted to do—she always did and always would.

“I gnaw on the edges of this enough and it gives me a sorta sharp blade.” She gave Emily a wink as she patted her pocket, keeping the new weapon safe as she took a seat in the circle with the other women.

“One minute, ladies,” the guard announced to the group as the chatter quieted down and the women took their seats in the circle. Emily picked up an NA book from the only empty seat in the circle that Nikki left for her as a placeholder. She sat down in its place, shifting uncomfortably in the metal chair. She moved her eyes toward the group secretary, Darlene, as she flipped through a stack of papers on her lap.

“Hello, I’m an addict and my name is Darlene. Welcome to the Lincoln Juvenile Correctional Center’s group of Narcotics Anonymous. Can we open this meeting with a moment of silence for the addict who still suffers, followed by the serenity prayer?” Emily closed her eyes and took a deep breath as she tried to stop her palms from sweating. She still got anxious even though she’d been attending the meeting every week for the past year. How has it been an entire year? she wondered. So much has happened in only twelve months.

“Is there anyone here attending their first NA meeting or this meeting for the first time?” Darlene asked. “If so, welcome! You’re the most important person here! If you’ve used today, please listen to what’s being said and talk to someone at the break or after the meeting. It costs nothing to belong to this fellowship; you are a member when you say you are. Can someone please read, Who Is an Addict? and What Is Narcotics Anonymous?”

“I will,” Chantelle volunteered as she reached across the circle, grabbed the paper from Darlene, and began reading aloud to the group.

“Yo, Em,” Nikki leaned over and whispered in Emily’s ear. “You celebratin’ today?” Emily nodded at her timidly. She didn’t like speaking in front of people even if it was a group of women she trusted.

Kathleen Fine 7 39 8

“You’ll do great,” Nikki whispered as she punched Emily lightly in the arm. Emily peered around the circle to make sure no one was paying attention to Nikki’s whispers. They weren’t supposed to have side conversations during the meeting—the guard would send them out of the room if he caught them.

When Chantelle finished the reading, Darlene thanked her and said, “Now can someone please read Why We Are Here and How It Works?”

Emily watched anxiously as the paper was passed down to Trina. She closed her eyes and listened to Trina’s words, clenching her jaw tightly.

“I used last night,” Nikki muttered so quietly, Emily wasn’t sure if she was meant to hear her. She glanced over at Nikki, who was staring down into her coffee cup shamefully. Nikki had been the first person to introduce herself to Emily at her initial meeting, making her Emily’s OG friend in the group. Emily furrowed her brow and placed her hand on top of Nikki’s. She wished Nikki had told her about the relapse earlier—then she could have had an actual conversation with her about it. She wondered where Nikki could’ve gotten her hands on anything since she’d heard a rumor the guards had been doing weekly bunk checks.

One day at a time, Nikki had told Emily, so many months before when she’d been a broken shell of herself. “One day at a time,” Emily whispered, trying not to let the guard hear their buzzing.

Seeing Emily’s tentative face, Nikki mumbled, “My roommate snuck some smack up her papusa. Had her boyfriend’s kid bring it in when he visited her. Whack, dude. Whack.” She shook her head and rubbed her buzzed hair with her rugged hands. “She’s a bad influence on me. I gotta get a new roommate.”

Emily frowned, aware that there was nothing she could do to help Nikki. Nikki had to want sobriety for herself, just like Emily had wanted it. She squeezed Nikki’s hand tightly and whispered, “Glad

GIRL ON TRIAL 7 40 8

you’re here.” As much as Nikki’s relapse upset her, it gave her a tiny bit of strength to share her story. Maybe she could help Nikki even a little bit today by sharing her own struggles.

“No touching,” the guard yelled from across the room, eyeing Nikki and Emily. As if being scolded by a teacher, Emily reddened and instantly pulled her hand away from Nikki’s.

Darlene reached below her chair and lifted a shoebox to her lap. “This group recognizes length of clean time by handing out key tags. If you have one coming to you, please come up and get it. The white one is for anyone with zero to twenty-nine days clean and serene.”

Darlene opened the box to reveal a white key tag and dangled it in the air. Nikki glanced at Emily and then hesitantly stood up to collect her tag. The group clapped and whistled wildly as she crossed the circle and took her tag. She gave a couple of the women fist bumps as the group chanted, “What do we do? Keep coming back!” Emily put her fist out as Nikki gave it a bump. She hoped this small gesture, this modest group of women cheering for Nikki, would be the reason she’d quit for good this time.

“The orange one is for thirty days clean and serene.” Emily watched as two women got up, collected their tags, and sat back down. Applause and chanting “What do we do? Keep coming back!” vibrated the room.

As Darlene handed out the tags for two months, three months, and so on, Emily gripped her chair, knowing her turn was coming. Her palms, damp with her sweat, began to slip along the chair’s metal sides.

“The yellow one is for nine months clean and serene,” Darlene announced.

Nikki peered at Emily and nudged her bicep. “Your turn is coming up soon,” she whispered. Emily smiled at her, trying to give the façade of bravery, but she felt anything but brave. What she really wanted to do was run as fast as she could out of the room and into the parking lot.

Kathleen Fine 7 41 8

“The glow-in-the-dark one is for a year clean and serene.” You can do this, Emily thought as she unsteadily stood up and walked toward Darlene. All the women in the room clapped loudly and chanted as she took the tag and went back to her seat, her face flushing with pride.

Darlene placed the box back under her chair and collected the sheets of readings from the women who had read. “Today, Emily is celebrating her one-year anniversary with us. You ready, Em?”

The women’s applause quieted and all eyes turned toward her. Clenching her fists tightly, she felt her beating heart rise to her throat. She scanned the room at the women and girls before her. Addicts, inmates, and friends. My people, Emily thought as she said, “My name is Emily, and I am an addict. This is my story . . . ”

GIRL ON TRIAL 7 42 8

TRIAL DAY 1: JANUARY 7, 2019 i

The alarm on Emily’s phone chimed just as Sophie whispered in her ear, “Wake up, Emawee. Wake up.” She opened her eyes widely, her body covered in sweat, her sheets soaked yet again. “Time to wake up.” She heard Sophie’s whisper get farther away, humming distantly from somewhere in her dreams.

From somewhere in her nightmares.

As she turned off the alarm, she tried to overlook the numerous text messages that’d surfaced from numbers she didn’t recognize.

“Die, killer”

“You’ll pay in hell for what you did.”

“Murderer”

How can people I don’t even know want me dead?

With shaky hands, she deleted the texts as a CNN report popped up on her screen, updating her on the “Trial of the Year,” that was beginning that day:

1

CNN Breaking News

The Biggest Trial of the Year Begins Today, January 7, 2019. Emily Keller, also known by the media as Keller the Killer, is accused of causing the deaths of four family members, two of them small children. Only 16 years old, Emily is one of the youngest females to be accused of a crime so heinous.

Emily buried her face in her pillow, taking a deep breath. She tried to hold back the habitual tears that were creeping out from the corners of her eyes. I have to be strong today; no crying, she told herself as she rubbed her temples slowly I need to put on my protective armor, or I’ll never make it through today alive. She reached under her mattress, grabbed her orange pill bottle and gave it a shake, the rattling sound of the tablets comforting her. She poured two pills onto her clammy palm and placed them gently on her tongue. Protective armor.

“Emily?” her brother, Nate, quietly inched open the bedroom door, “You awake? It’s time to start getting ready for court.”

Without looking up at him, she nodded as she rolled out of bed, trying not to think about how wrong the prosecution had the facts and how she could be sent to prison because of it. As she attempted to walk toward the door, her ankle monitor snagged on her lavender bedsheet. She yanked the sheet off in frustration and dragged her feet to the bathroom to prepare for the first day of her new life.

Debbie and Nate were already waiting for her in Debbie’s rumbling Toyota Camry when she stepped out of the trailer.

“It’s your turn for shotgun.” Emily opened the door to the backseat where Nate was already buckled in.

“You can take it today,” he muttered, avoiding eye contact with her.

“I don’t need pity shotgun just because I’m on trial for murder, Nate,” Emily replied curtly as she reluctantly sat down in the front

Kathleen Fine 7 44 8

seat. As she buckled her seat belt, she already regretted scolding Nate for doing something kind. I’ll apologize to him later, she told herself. Nate had been up with her until three o’clock that morning, listening to her cry and consoling her. I don’t deserve him, she thought, squeezing her eyes shut.

She rolled down her window and took a deep breath of fresh morning air as her mom lit a Virginia Slim, her hands trembling.

“Morning vodka shot hasn’t kicked in yet?” Emily muttered under her breath as she turned on the radio. Or maybe one shot doesn’t cut it anymore, Emily thought.

“What hasn’t kicked in?” Debbie asked as she ashed her cigarette into an empty coke can, oblivious to Emily’s disrespectful comment.

“Coffee hasn’t kicked in yet?” Emily corrected herself as she investigated her face in the cracked side mirror of the car. The face staring back at Emily was swollen from weeks of nonstop crying. Although she’d put on some of her mom’s waterproof mascara, she still looked like someone had run her over with a truck. You’re so repulsive, she thought as she tried to comb her drab chestnut hair with her fingers, squinting at her image through the cracked glass. She wanted to disappear. Sink down into the seat of the car and disappear forever.

As she pinched her upper cheekbones to give her face some color, she glanced at Nate through the corner of the broken mirror, hoping he couldn’t tell she was staring at him through the mosaic lens. Since he had headphones in his ears, she assumed he was listening to a news podcast about the trial. The expression on his face looked like it was straining to stay calm, but she could read his emotions no matter how hard he tried to hide them. When you shared a womb with someone, you knew everything they were feeling.

There was actually supposed to be three of them. Her dad had left when he’d found out Debbie was pregnant with triplets. He’d said since he didn’t want one baby, he definitely didn’t want three. Emily used to sometimes think about how different her life would’ve been if

GIRL ON TRIAL 7 45 8

their other brother hadn’t died at birth. Maybe he would’ve punched Tom Swanson for dumping her two years ago since Nate didn’t do a thing about it. Maybe he would’ve taught Emily to throw a football since Nate was anti-athletics.

Maybe he could’ve stopped Emily before she lost herself. Maybe he could’ve stopped this whole situation. Maybe no one would have died.

“Valerie told us to meet her around back when I spoke to her on the phone last night,” Emily directed her mom as they pulled up to the courthouse. Debbie nodded as she navigated her ancient car around to the back of the building, avoiding the crowd hovering at the entrance.

“Shit, look at all of the people,” Nate announced as he stared at the crowd and cameras surrounding the front of the building. No one seemed to notice their rickety car escape past the swell to the rear parking lot. Maybe they were expecting some sort of official-looking black SUV like you see in crime movies and not our pathetic piece of tin, Emily speculated, thinking about how some seniors at her school owned nicer cars than her mom’s. She peeked down at her gray dress and nervously picked little lint balls off it as her mom parked the car.

“You look fine, Em,” Debbie insisted as she opened a mini bottle of vodka from her purse and took a swig, “That dress looks lovely on you.” Debbie had spent her tip money to buy Emily “new” thrift store clothes for the trial. Emily was now pulling at a seam on the edge of the dress, making it unravel.

As she waited for her mom to finish her shot, she felt around for the phone in her purse to make sure it was turned off. She’d turn it on later that night once her mom and Nate were sleeping so she could read through her texts and the news in privacy. That way, if she cried, no one would see her. Strong people don’t cry, she told herself.

“You need a pill?” Debbie asked as she fumbled through the large purse on her lap. The Valium Emily had taken that morning was beginning to set in, and she was starting to feel unreasonably calm.

Kathleen Fine 7 46 8

“I’m good.” Although I’ll need another one soon, she thought. It hurt her too much to live in reality.

Emily’s lawyer, Valerie Anderson, was standing at the back entrance of the building, propping open the heavy metal door with her bright red heel. As Emily stepped out of the car, Valerie waved her hands frantically, “Quick, before they catch on that you’re back here!” she shrieked as she lifted her long, hot pink nails to her mouth.

“We better hurry.” Debbie grabbed Nate’s and Emily’s hands, tugging them toward Valerie.

“Wait,” Emily urged as she struggled to catch up to her petite mom’s gait. Without warning, her black heel wobbled to the side and she stumbled, falling onto the hard concrete. Before she had the chance to assess the damage to her knees, Nate dropped his mom’s hand, grabbed Emily up by the arm, and quickly escorted her to the door. As they approached Valerie, all eyes looked to the blood running down Emily’s knees. Emily was surprised the wounds stung so badly even though the rest of her felt numb.

“We’ll have to find some Band-Aids ASAP before we converse.”

Valerie’s heels echoed in the hallway as she led them to their room. Emily slouched over even more than she had been as she followed Valerie, spying the name Keller stuck to a metal door with a yellow Post-it. As they stepped inside, the heavy door slammed behind them with a loud thud.

GIRL ON TRIAL 7 47 8

MORE EPIC READS FROM CAMCAT BOOKS

Available now, wherever books are sold.

Does doing one bad thing make you a bad person?

Sixteen-year-old Emily Keller, known by the media as Keller the Killer, is accused of causing the deaths of a family of four, including young children. Emily is one of the youngest females to be accused of a crime so heinous, making this the nation’s biggest trial of the year. But what really happened that fateful night—and who’s responsible—is anything but straightforward.

Living in a trailer park in Baltimore with her twin brother and alcoholic mother, Emily’s life hasn’t been easy. She’s had to grow up fast, and like any teen, has made questionable decisions in a desperate attempt to fit in with her peers. Will her mistakes amount to a guilty verdict and a life in prison? It’s up to the jury to decide.

Cover Design: Maryann Appel

Illustration: Ed2806

BE THE FIRST TO HEAR about new CamCat titles, author events, and exclusive content! Sign up at camcatbooks.com for the CamCat Publishing newsletter. Young Adult Fiction USD$17.99 CAD$24.99 GBP£15.99

Be Careful Who You Root For

When a violent, decades-long feud between two powerful men comes to a head in the small settlement of Bladestay, Colorado, cunning resident Theo Creed must use her wits to stay alive. Disguising herself as a young boy, seventeen-yearold Theo bluffs her way into the inner circle of August Gaines, the magnetic leader of the ruthless gang that has descended on her town. But the deeper Theo gets into the con, the more she starts to question her loyalties.

Complicating her subterfuge is a mysterious outlaw whose small moments of kindness contradict the blood he has on his hands, making Theo wonder who, exactly, is conning who. To save her town, Theo must parse façade from reality and choose between the barefaced malevolence she’s infiltrated and an evil she didn’t know lurked at home.

Jackie Johnson is a San Diego born poet and novelist. Her background as a journalist, BA in history, and education in armed defense gives her a uniquely authentic voice within the historical genre. She’s been riding horses for over twenty years and had her own real-life cowboy love story when she fell in love with and married a horse trainer. Together, they established a ranch in Southern California where she spends her days writing, riding, and chasing after their dreams, their two children, four horses, six cats, and two dogs. Bladestay is her first novel.

Hardcover ISBN 9780744306941 | $19.99 | Releases 11/28/2023

BLADESTAY BLADESTAY JACKIE JOHNSON

BLADESTAY BLADESTAY JACKIE JOHNSON

BLADESTAY BLADESTAY JACKIE JOHNSON

BLADESTAY BLADESTAY JACKIE JOHNSON

Content Warning: This novel touches upon sexual assault and domestic violence and may be disturbing to some readers.

CamCat Publishing, LLC

Ft. Collins, Colorado 80524

camcatpublishing.com

This is a work of fiction. Names, characters, places, and incidents are either products of the author’s imagination or are used fictitiously.

All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information, address CamCat Publishing, LLC, 1281 E. Magnolia St., #D1032, Ft. Collins, CO 80524.

Hardcover ISBN 9780744306941

Paperback ISBN 9780744306958

Large-Print Paperback ISBN 9780744306972

eBook ISBN 9780744306989

Audiobook ISBN 9780744307122

Library of Congress Cataloguing-in-Publication Data available upon request

Book and cover design by Maryann Appel

5 3 1 2 4

TO ALL THE KIDS WHO HAVE EVER FELT POWERLESS.

w
w

I

YOUNGBLOOD

there’s a small gap between theological fanaticism and social disorder; therein lies charisma.

It was two in the morning when the coyotes started hollering at each other, but by then Brody Boone had already slipped into wool trousers, a matching vest, and a buckskin jacket with copper rivets down the sleeve hems. The coyotes were a common nuisance; the crack of gunfire was not.

Relying on the silvery light of a fat moon, Brody strapped a ream of ammo over his hips and shoved pistols into the holsters hanging at his thighs. He thumbed shells into a wide-barreled shotgun as he quietly heeled the door shut on his way out.

Both his parents were heavy sleepers, but his little brother, Billy, was not. Brody’s feet had hardly left the porch when he heard padding footsteps behind him. He wheeled around, shotgun snug in the hollow of his shoulder, finger off the trigger.

He dropped his aim to the ground as soon as he saw his little brother at the end of the barrel.

w
CHAPTER 1

Brody smiled calmly as he reached out and tapped a finger against Billy’s narrow chest, and when Billy looked down, Brody lightly flicked Billy’s nose. Billy swatted at him, but Brody danced away from the slower reflexes, grinning.

“Cabron,” Billy said.

“If you’re gonna curse, do it in English.”

Billy looked past Brody, hugging himself. “Adónde vas?”

“English, Bill.”

Billy crossed his arms. “No estoy usando grocerias.”

“Just you wait till your stubbornness costs your life.”

Billy repeated the question in exaggerated aristocratic English.

“Burro,” Brody said with a chuckle. “Hear the cows?”

They were lowing mournfully, and Billy nodded. “Wolves?”

“Coyotes,” Brody said. “I’m just gonna go give them a scare, okay?”

“Be careful.”

“Careful is for city folk and dandelions.” Brody winked. “Go back to bed.”

Billy began to protest, but Brody said, “How does coyote stew sound for breakfast?”

Billy wrinkled his nose. “Can’t be worse than the rattler Pa insisted would taste like chicken.”

Brody grinned again. “Go on now.”

Brody made his way to the southern gate, ducked between the wood panels, and crossed a large, vacant prairie. At the edge of the patch of grassland, the terrain grew jagged with granite as the slope steeped to the west, a conglomerate of ponderosa tightening together the higher he climbed. Rays of pearl seeped through the branches, guiding Brody’s steps to the plateau, hillsides he could likely hike blindfolded.

He stilled.

A breeze whispered from the east, tinged with the indication of campfire. Their homestead was too far from Ruidoso for this to come

Jackie Johnson s 62r

from town—this was coming from somewhere on their property. Catching his breath from the quick ascent, Brody scanned the valley and the accompanying hillsides for the glow of fire. Finding nothing, he continued eastbound and up, maintaining the advantage of high ground.

He followed a familiar deer trail, stopping again about a mile down the path. He lowered himself beside a pair of boulders pressed closely together, a landmark he called dicelegs—dice, because of how oddly square the outcropping had shaped and eroded; legs, because of how the bottom portion stretched almost like pillars down the steep slope of the hillside.

Swallowing, Brody found his mouth uncomfortably dry. He cursed himself for not bringing a canteen. He should know better, being a product of both the desert and the mountains, a child of survival and lawlessness.

Around and below the bend of the widely berthed outcropping was the orange glow he’d been after.

The thing about Brody was that he was fiercely protective, unflinchingly loyal, and above all, an ego safely in check by his wits. At nineteen years old, he was already acutely discerning when it came to battles he could win and battles he could not.

Crouching, he stepped around the dicelegs and crept toward the glow, shotgun held steady at the orange as he kept a constant eye for movement. Brody spotted the chestnut mare before he saw the tips of flame, yellow and orange flicking into his vantage above the lip of the outcropping like the forked tongue of a diamondback tasting the air for prey.

The lip of the outcropping stood about six feet from the firepit below, and as Brody went flat on his belly to crawl to the edge, he noticed a pair of boots crossed at the ankle lounged stolidly.

Heart pounding, Brody appraised the wilderness for others. The noises of night chirped and howled and echoed a familiar cacophony,

BLADESTAY s 63r

both distant and near. Mentally bouncing two ideas—of going back or confronting the lone stranger—he weighed the level of threat against his options. Plenty of travelers had seen themselves through these hills, a common connecting route between Texas and California, but rarely did anyone come this close to home. The Boone ranch was several hundred acres of staked land from his father’s father, a hold that precariously survived the Mexican-American War. The validity of the family’s claim to the land wasn’t so much permitted as it was overlooked in a time when thousands of other Mexican families were displaced in America’s ubiquitous annexation of southern territories, a destiny of manifest proportions that would soon segue into a far bloodier conflict.

After long observation, Brody concluded the man by the fire was sleeping, and better still, that he was alone. Pushing off his stomach, he held the shotgun in one hand, a groove in the rough stone with the other, and gracefully lowered himself to the mild slope of the clearing below. He landed with a soft thud and immediately set the butt of the shotgun against his shoulder.

The boots belonged to an imposing figure with a barrel chest and a frontier-hardened girth to his limbs. The duster of the slumbering man encased him, his hands interlocked behind his head, hat purposefully askew across his forehead to darken his eyes from the blaze.

Without a twitch or stir, the slumbering man spoke. His voice was as callous as his skin, the same way a thundercloud commands respect when it rumbles, not because it is cruel, but because one does not negotiate with forces of nature. One endures them.

“You belong to these parts?” the man drawled, shadows dancing menacingly across the exposed, lower half of his face in the firelight.

“ These parts belong to me. Family by right,” Brody said, a defense in the statement that was as much genetic as it was tangible. “Who are you?”

“August Gaines.”

Jackie Johnson s 64r

Brody waited for the man to expand, but after a few moments of nothing but the sound of wood popping and hissing, he presumed— correctly—the man lacked verbosity.

Brody took a step closer, finger now on the trigger. “Don’t you want to know my name?”

August poked a finger on the underside of the brim and lifted the hat from his face, showing the deep lines of many miles and long years. He gave the young man a slow appraisal as if considering a piece of livestock, then said, “I ain’t decided yet if that’s pertinent.”

A bead of sweat fell down the back of Brody’s neck, making him feel feverishly cold for a moment regardless of the waves of heat he stood next to.

“What’s your business on my land, mister?”

“Yours,” August echoed.

Brody stole a glance around. Somehow, the trees felt closer. The horse seemed larger. The fire, hotter. Swallowing past the feeling of cotton in his throat, Brody regripped his weapon.

Before Brody could respond, August spoke again. “Sit down, boy.”

Brody was itching to do the opposite, felt the mistake of his choices before the vaporous reasons turned solid. From the corner of his eye, he thought he saw movement. He swept the shotgun in that direction, took a step back to angle himself better between a possible threat in the woods and the potential one on the ground.

“Good Lord, boy. You’re making me nervous.” August sat up and leaned his back against a propped saddle. He pulled out a pipe. “Sit down a beat, would you? I gather I’m not going back to sleep anytime soon, so I’d like to talk at you for a minute.” He reached into the saddle pack, paused to make purposeful eye contact with the boy as to convey his nonnefarious intents, and once he received a single nod of consent from Brody, he pulled out a moccasin water bag. Without taking so much as a sip for himself, August lifted the water in the boy’s direction.

Brody glanced at it but made no move for it.

BLADESTAY s 65r

August tossed it at Brody’s feet.

Brody had every intention of hightailing it back home, but soon he found himself sitting fireside. Lulled by the stranger’s pervasive calm, compelled by the dull ache in the man’s deep voice, Brody never felt himself being coaxed out of his armor until he was no longer wearing any. The more August spoke, the heavier felt the weight in Brody’s body. Soon, the shotgun lay forgotten beside him. A glass bottle surreptitiously replaced the moccasin. Furrows were traded for laugh lines. Brody had never met a man like August. A man who smiled only when it was earned, a man whose convictions seemed to blanket surrounding ones, a man who was a force of nature in every availing sense.

In the span of a few hours, Brody had developed a fondness for the patriarch, and although it never occurred to him why, the base reason was blatant: August seemed to buck society at every turn, but it didn’t seem that society had punished him one bit for it.

Jackie Johnson s 66r

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THE PROBLEM WITH THE DEVIL ISN’T THAT HE’S EVIL, THE PROBLEM IS THAT HE’S CHARMING.

When a violent, decades-long feud between two powerful men comes to a head in the small settlement of Bladestay, Colorado, cunning resident Theo Creed must use her wits to stay alive. Disguising herself as a young boy, seventeen-year-old Theo bluffs her way into the inner circle of August Gaines, the magnetic leader of the ruthless gang that has descended on her town. But the deeper Theo gets into the con, the more she starts to question her loyalties. Complicating her subterfuge is a mysterious outlaw whose small moments of kindness contradict the blood he has on his hands, making Theo wonder who, exactly, is conning who. To save her town, Theo must parse façade from reality and choose between the barefaced malevolence she’s infiltrated and an evil she didn’t know lurked at home.

Cover Design: Maryann Appel

Illustration: Jeffrey Thompson / Bobb Klissourski

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Young Adult / Western USD$17.99 CAD$24.99 GBP£15.99

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Articles inside

THE PROBLEM WITH THE DEVIL ISN’T THAT HE’S EVIL, THE PROBLEM IS THAT HE’S CHARMING.

0
page 75

I YOUNGBLOOD

6min
pages 65-71

BLADESTAY BLADESTAY JACKIE JOHNSON BLADESTAY BLADESTAY JACKIE JOHNSON

0
pages 62-63

Does doing one bad thing make you a bad person?

1min
pages 55-56

CNN Breaking News

5min
pages 49-52

Prologue

6min
pages 43-48

GIRL O TRIAL KATHLEEN FINE

0
pages 38-39, 41

MORE SCI-FI READS FROM CAMCAT BOOKS

0
pages 30-32

PART I

18min
pages 17-28

TO WHOEVER FINDS THIS

0
page 15

THE CONFESSION OF H EMINGWAY JONES

0
pages 11-13

THE PROBLEM WITH THE DEVIL ISN’T THAT HE’S EVIL, THE PROBLEM IS THAT HE’S CHARMING.

0
page 75

I YOUNGBLOOD

6min
pages 65-71

BLADESTAY BLADESTAY JACKIE JOHNSON BLADESTAY BLADESTAY JACKIE JOHNSON

0
pages 62-63

Does doing one bad thing make you a bad person?

1min
pages 55-56

CNN Breaking News

5min
pages 49-52

Prologue

6min
pages 43-48

GIRL O TRIAL KATHLEEN FINE

0
pages 38-39, 41

MORE SCI-FI READS FROM CAMCAT BOOKS

1min
pages 30-32

PART I

18min
pages 17-28

TO WHOEVER FINDS THIS

0
page 15

THE CONFESSION OF HEMINGWAY JONES

0
pages 11-13

THE PROBLEM WITH THE DEVIL ISN’T THAT HE’S EVIL, THE PROBLEM IS THAT HE’S CHARMING.

0
page 76

I YOUNGBLOOD

6min
pages 66-72

BLADESTAY BLADESTAY JACKIE JOHNSON BLADESTAY BLADESTAY JACKIE JOHNSON

0
pages 63-64

Does doing one bad thing make you a bad person?

1min
pages 56-57

CNN Breaking News

5min
pages 50-53

Prologue

6min
pages 44-49

GIRL O TRIAL KATHLEEN FINE

0
pages 39-40, 42

MORE SCI-FI READS FROM CAMCAT BOOKS

1min
pages 30-31, 33

PART I

18min
pages 17-28

TO WHOEVER FINDS THIS

0
page 15

THE CONFESSION OF HEMINGWAY JONES

0
pages 11-13
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