CAMILLE CAZON
projects 06 14 24 28 30 32
THE BULB E[SCAPE] CASE STUDY: VILLA MAREIA BREAKAGE THE SCISSOR FEEDBACK
drawings 38 A COLLECTION
community design 44 48 50 52 54 56 62
CONGO STREET INITIATIVE COLLABORATIVE rStore INITIATIVE 52nd STREET WINDOW DISPLAY PARK(ING) DAY 2011 LEVERAGE EXHIBITION
graphics 68 69 70 72 74 75 76 78
STOREFRONT IMPROVEMENT PROGRAM INFOGRAPHIC good design good business WORKSHOP PROJECT SAMPLERS COLLABORATIVE E-BLAST TEDDY CRUZ FLYER PARK(ING) DAY FLYER LEVERAGE COLLATERAL COLLABORATIVE CATCHER
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THE BULB albany bulb THIS EXTRAORDINARY SITE is a former landfill largely owned by the City of Albany. The Bulb is a relic of almost a century of systematic filling and the filling was halted in the 1960’s by efforts of Save the Bay. Because the bulb is geographically unorganized, it can be described as every man’s land. Urban artists, dog-walkers, runners, homeless people, and teenagers flock to the spot. The goal of this studio project is to investigate an arena network that responds to activities of specific subcultures: people that pocketbike, unicycle, and/or bmx stunt ride. These subcultures will intermix and coexist with secondary subcultures of circus activity, films, fortune telling, martial arts community, acupuncture and chiropractics.
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studio project summer 2009
ACTIVE IN BETWEEN INACTIVE
the bulb
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Extreme Martial Arts
BMX STUNT
Movement
CULTURE
Fashion Lingo Designed in response to Physics Pools/Skateparks
BMX STUNT
BMX Stunt
Olympics (2008)
RACES
30-40 s long Event lasts 6 hrs Track=300-400 m
POCKET BIKES
Videos Music
Trapeze APPEARANCE
fast lightweight
POCKET BIKES
PROCESS
No tricks simply races Since they are smaller
UNICYCLES
THE DESIGN IS BASED on careful mapping and program analysis, Using digital tools and research, I came up with the scale that dictates the organization of the programs and the pathways.
UNICYCLES
PARTS
Wheel Saddle Axle Pedals Crank Arms Hokey Spokes
DIRECTIONALITY
Circles Backwards Forwards
Unicycle
CIRCUS EVENTS
Music/Dancing
Specatacles
PERFORMERS clowns jugglers gypsies acrobatics trapeze
Circus Events
Traveling Vagabonds
TRICKS
ACUPUNCTURE
TREATMENT
Eye Tear gland Nose Palate Submaxillary and sublingual glands Mouth Salivary Gland
Pain Depression Addiction Gastrointestinal Disoorders Cardiovascular Accident Stroke
EVOKING
Chiropractic
Sensation of Pain Touch Temperature
Acupuncture
Moderate TECHNIQUES
Acupressure Shintsu Laser acupuncture Ryodoraku Scalp Acupuncture Moxibustion Electroacupuncture
Heart
CHIROPRACTIC
Lungs Stomach
Licensed in all 50 states Largest alternative Medical Profession
Acupuncture
Reposition of pelvis and spine Spinal manipulation
Liver
Chiropractic
Pancreas Adrenal gland
Headache
Small Intestine
FORTUNE TELLING
Low Back Pain Neck Pain
Ridicule Full-Time Jobs
Business
Kidney
Fortune-Telling
Bladder Sexual organs
Pocket Bikes prospects
Women consult more than men
MARTIAL ARTS
Dynamics between teller a sometimes even a 3rd part
Training for comb others and defen
STYLES
Martial Arts military training STRIKING
Fortune Telling
ALTERNATIVE FILM
Punching, Boxing, Kicking GRAPPLING Throwing, Judo, Pinning WEAPONRY Fencing LOW-IMPACT Tai-Chi MIXED MARTIAL ARTS
technology
Alternative Film resistance to join Big Six
outside “Hollywood”
+ program analysis
lure audience with spectacle
Alternative Film
Static
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studio project summer 2009
the bulb
10’ FRAME
viewing area that makes use of the views surrounding the edge
PATHS
MACHINE 20’
emphasize the idea of the machine and its industrial aspect. viewing area with benches, tables, and chairs to watch both spectacle
TRANSITION 30’
more spectacle created in these moments. “pockets” that fold people in
LEVEL 40’
place opportunities for those who wants to go down to be enveloped in nature as well as tending to the animals
PROGRAM
BODY AS A “TOOL”
45’
force people to use the body by incorporating narrow and winding paths
MARTIAL MEDITATIVE SPACE
take advantage of the natural surroundings
ARTS
BMX. UNICYCLE. POCKET BIKE.
TRAPEZE
CHIROPRACTIC
ACUPUNCTURE
FORTUNE
FREAK SHOW
50’
DISPLAY “SPECTACLE” some form of interaction
55’
ANIMALS
TELLING
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DESIGN THE PROPOSED DESIGN is a linear elevated park consisting of two main elements: the structure and the pathways. Each structure houses the specific activities of the subcultures and adheres to each programming. The programs are arranged based on an extreme scale; how much work the body is doing to perform tasks. The further the visitor goes into the park, the more labor intensive the pathways get, thus creating a mindbody interplay.
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studio project summer 2009
the bulb
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studio project summer 2009
the bulb
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E[SCAPE] uc berkeley campus THE UNIQUE SITE IS AN OPEN SPACE situated at the Southwest periphery of the UC Berkeley Campus. In addition to being the endpoint of one of Berkeley’s busiest street, the site is between Kroeber Hall (Art Building) and Wurster Hall (College of Environmental Design). The goal of this studio exercise is to create an art/architecture gallery space that can also be used as a performance space.
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studio project spring 2009
e[scape]
College Avenue
ue Telegraph Aven
Shattu c
k Aven
ue
ay Bancroft W
mapping models
+ mapping diagrams
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DESIGN THE PROPOSED DESIGN ATTEMPTS to engage passersby along the site. It consists of a superstructure, the fabric canopy, and hardscape, which are wooden elements that can be used as placemaking principles. The superstructure creates moments in the pockets that contain gallery and performance spaces. The flowing nature of the fabric canopy imitates the flow of people along the site. The design intervention is carefully placed so that it does not encroach along the main path of circulation.
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studio project spring 2009
e[scape]
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+ superstructure
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+ hardscape
studio project spring 2009
e[scape]
e[scape]
studio project spring 2009
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+ circulation diagram
+ private/public diagram
+ pathways diagram
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studio project spring 2009
e[scape]
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tectonics
1
3 2
LONGITUDINAL SECTION 1/2”=1’
1. STEEL TUBE CONNECTION 2. STEEL TUBE 3. FABRIC CANOPY
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studio project spring 2009
e[scape]
1
2
1. CATERNARY CABLE 2. PIPE MAST 3. FABRIC CANOPY 4. ANCHOR BOLTS 5. BASE PLATE 6. GROUT PLATE 7. FOUNDATION
3 4
5
6 7
SECTION DETAIL 1/2”=1’
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CASE STUDY: VILLA MAREIA noormarku, finland architect: alvar aalto Alvar Aalto and his clients wanted this house to be an experiment; they both wanted to address the issue of social dwelling. Not only were the clients concerned with improving social conditions, they also wanted to incorporate art into everyday life. Art became the driving force that shaped the form of the house. Aalto became engulfed with nature as a form of architecture. The house stands in the middle of a pine forest on top of a gentle hill. He took this idea and reflected it on the house by encompassing it in wave like forms as symbols of freedom.
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studio project summer 2008
case study
+ axonometric drawings
25 2
+ breaking fluidity diagrams 1st Floor
+ breaking fluidity diagrams 2nd
+ final model
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studio project summer 2008
case study
d
Floor
+ public/private diagram
+ materials diagram
+ art installations diagram
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BREAKAGE: A VOLUMETRIC CINEMA berkeley marina THE BERKELEY MARINA is located at the westernmost portion of Berkeley, CA at the foot of University Avenue, one of the busiest corridor of the city. The goal of this studio is to design an intervention that is experientially and cinematically linked to the existing pier. The structure must be no larger than 20,000 SF and must touch the pier at least three times.
ELEY
BERK
A
IN MAR
The proposed design for the new cinematic structure compliments the existing pier by incorporating fluid and fractured moments, which is created by volumes situated along the site. The spaces within the volumes use views from the site to amplify a movement that highlights a connection and disconnection between the individual and the site.
I-80
Unive venue rsity A
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studio project summer 2008
breakage
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THE SCISSOR construction project CHALLENGE: create a wooden water jug system that can transport five gallons of water at least three feet. Our system achieved upward movement by using the scissor effect.
+ connection detail
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studio project spring 2009
the scissor
+ detail
+ front view
+ side view
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FEEDBACK 2012 Cleveland Design Competition Work Hubs Pedestrian Walkways Bike Lanes
Bikeshare
Performance
Farmer’s market
{ 32
design competiion 2012
feedback
Bikeshare
The bridge design, Feedback, addresses sustainability and response in many ways. First and foremost the design promotes bicycling, but the bridge is no longer just a connector, but a destination as well. Four bike share racks are positioned at even increments along the bridge, meaning you’ll always be within a 2-3 minute walk of a bicycle station and anyone can travel the half mile bridge in about a quarter of the time it takes to walk. This accessibility makes the vast bridge more suitable for diverse uses at either end. A farmer’s market in the West Concourse sells fresh, locally sourced food while the East Concourse houses artist studios, collaborative workshops, and nonprofits who serve the local community. Shipping containers are used as an adaptable, modular, and temporary means of utilizing this space. The central span serves as a splendid lookout as well as a dynamic performance venue. In the Central Span, the bicycle path rises into a one-way elevated track loop that encircles the performance space, allowing for unique views while also serving the practical purpose of traffic control. Lastly, the lower level is powered by the electromagnetic energy of the vehicular traffic above passing above.
Harvest Traffic Energy +
-
Bridge as a connector AND a destination
Activity Hub Social media as a tool
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Farmer Stands
West Entrance
Performance Space
Bikeshare Station
Bikeshare Station
East Entrance
Work Hubs
SC 34
design competiion 2012
feedback
Object releases energy as friction to a surface.
Piezoelectricity is the energy caused by the motion and vibration that occur between two objects as they pass.
Piezoelectric crystals can be embedded into any surface.
}
The friction creates a voltage that can be transformed into re-usable energy.
RE-USE? WOW!
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DRAWINGS
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drawings
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“
You are not a profession that has distinguished itself by your social and civic contributions to the cause of civil rights, and I am sure this has not come to you as any shock. You are most distinguished by your thunderous silence and your complete irrelevance. -Whitney Young AIA Convention 1968
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CONGO STREET INITIATIVE
bcWORKSHOP IS A COMMUNITY DESIGN CENTER in Dallas, TX. Congo Street Initiative began in 2007 with the desire to help stabilize ownership within in 5 families in the forgotten block of Congo Street. The “Holding House” was built in order to prevent displacement during construction. Each family moved into the Holding House allowing them to work closely with bcWORKSHOP while redesigning/rebuilding their home. I was a member of the construction team, that built Ms. Ella’s LEED Platinum 950 SF, 4BD, 2 BA home, the final house constructed as part of the Congo Steet Initiative and recipient of 2 AIA Design Awards in 2010. Images courtesy of bcWORKSHOP
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community design summer 2010
congo street initiative
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community design summer 2010
congo street initiative
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The COMMUNITY DESIGN COLLABORATIVE is a community design center that...
Provides pro bono predevelopment services to nonprofit organizations
Offers unique volunteer opportunities for design professionals
Raises awareness about the importance of design in community revitalization
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community design 2011
collaborative
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STOREFRONT IMPROVEMENT INITIATIVE rStore IS AN INITIATIVE of the Community Design Collaborative that connects business owners and/or property owners with design professionals to envision and plan for physical improvements to the facade of their building and transform commercial corridors into welcoming and vibrant places that are a backbone to healthy communities.
+ corridor realities workshop
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community design 2011
rStore initiative
2009-33
rStore SPHI PROJECT II- CONCEPT DESIGN HARVEST MARKET 1428-32 POINT BREEZE AVE.
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52nd STREET STOREFRONT FACADE DESIGN 52nd Street Storefront Facade Design Phase 1 Storefront Improvement Tasks
52nd St
Market St
ornate bay18 52nd St
Ludlow St
Ranstead St
uncover
43 52nd St
Chestnut St
cornice, bay, sign, window
45 52nd St
the raelyn building118 52nd St Sansom St
two stories138 52nd St Walnut St
Philadelphia City Planning Commission
DRAFT May 2011
VIBRANT COMMERCIAL CORRIDORS provide the stability of healthy neighborhoods. Through the Philadelphia Department of Commerce, the 52nd Street Target Storefront Improvement Program has been established to revitalize the neighborhood commercial corridor. The Community Design Collaborative assisted the City of Philadelphia Commerce Department with cost estimates for 5 buildings included in the Design Guidelines.
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community design june 2011
52nd street
52nd Street Storefront Facade Design Phase 1 Storefront Improvement Tasks
Philadelphia City Planning Commission
DRAFT May 2011
140 52nd St
138 52nd St
136 52nd St
18 52nd St
20 52nd St
118 52nd St
134 52nd St
16 52nd St
14 52nd St
10 52nd St 12 52nd St
8 52nd St
6 52nd St
52nd St
Market St
17 52nd St
25 52nd St
37 52nd St 33 52nd St
35 52nd St
Ludlow St
Ranstead St
39 52nd St
Chestnut St
41 52nd St
Sansom St
43 52nd St45 52nd St
Walnut St
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47 52nd St
Chestnut Elevation
135 52nd St
A PROPOSAL IN RESPONSE to comments from businesses that there is less money available for facades upgrades. Window displays are less expensive, can be imaginative and provocative, and can increase business. The goal is to create low cost high impact solutions that promote small businesses along commercial corridors.
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community design july 2011
process
WINDOW DISPLAY DESIGN/BUILD PROPOSAL
work with one interested CDC
window display
collect six businesses who would like a storefront window remodel
THE
MID-REVIEW
BUSINESS OWNER
VOLUNTEER TEAM
Market St
GOOD DESIGN. VISUAL MERCHANDISING WORKSHOP
architects interior designers industrial designers graphic designers artists
gather volunteers, assign a team of volunteers to each business
hold a required volunteer training session
1 DAY
DESIGN DAY team+business owner consultation
1 DAY
DESIGN/BUILD INSTALLATION
2 WEEKS
CELEBRATION
1 DAY
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E COMMUNITY DESIGN COLLABORATIVE | WINDOW DISPLAY DESIGN/BUILD CHARRETTE
TEMPORARY URBANISM:
PARK(ING) DAY 2011
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community design sept 2011
park(ing) day 2011
Park(ing) DAY IS A NATIONAL EVENT where activists, artists, architects, and other citizens transform metered parking space into temporary public place. This annual event re-imagines the possibilities of 170 square feet of public space and raises awareness of the need for more pedestrian-friendly spaces in urban areas. Park(ing) Day originated in 2005 in San Francisco by the art collective Rebar.
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CONCEPT We typically think of buildings, roads and paths, parks and people as the main elements of the urban landscape. These elements are the fuel of the urban condition and create that environment of movement and constant evolution that draw people into a city. The pieces of this urban landscape that are ignored and left behind, the by-products of day to day city life, are the elements that can actually have the most potential if recognized and reconstituted. Utilizing the often ignored found objects within the city -the industrial remnants of shipping pallets - we attempt to re-purpose an urban condition from the scrap. SITE The location of our park next to the Convention Center and Reading Terminal market in Center City allows for the conditions of the site to change over the course of the day. DESIGN The design of the parking spot creates a common outdoor urban situation - a patio/outdoor lounge/garden program from uncommon materials. The elements of the design are meant to perform within various programmatic configuration as appropriate to the site. The modular banquet table can be pulled apart for a configuration of 3 separate cafe tables. The stacked of pallets allow visitors to experience the pallet in its most commonly understood form - a cluttered stack.
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community design sept 2011
park(ing) day 2011
CITY HALL
READING TERMINA L
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SEPTEMBE
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community design sept 2011
park(ing) day 2011
ER 16, 2011
+ park installation
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LEVERAGE
Strengthening Neighborhoods through Design
EXHIBITION
LEVERAGE SHOWCASES the work of design firms, nonprofit orgnizations, public agencies, and others engaged in community design. The exhibition features over 50 projects and programs from New York City, Chicago, Dallas, Philadelphia, and beyond. The exhibition serves as forum for growing interest in community design and public interest architecture and highlights the important role design plays in revitalizing neighborhoods. The featured projects pay homage to the movement and provide a vision for community design moving forward. Submissions range in scope from compact temporary structures to neighborhood master plans and help make the case that high impact projects can also be low cost.
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community design oct 2011
leverage exhibition
+ window display
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COMMUNITY DESIGN takes many shapes and forms. There is no single definition and that clearly comes up in the exhibition. As part of the exhibition, we wanted to document how the community defines community design. We set up an “interactive forum� where people can finish the sentence community design is... and my community is great because... in the back of a postcard.
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community design oct 2011
leverage exhibition
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CITY OF PHILADELPHIA
STOREFRONT IMPROVEMENT PROGRAM The Commerce Department’s Storefront Improvement Program encourages individual businesses and property owners within eligible neighborhood commercial corridors to improve their storefronts, making these areas more attractive to shoppers and growing their vitality and economic performance. The program can reimburse up to 50% of the cost of eligible improvements to a maximum of $8,000 for a single commercial property, or up to $12,000 for a multiple address or corner business property.
RETAIL
$8,000
$12,000
PROCESS Market St
CALL FOR PROGRAM DETAILS
IF IN ELIGIBLE AREA, BUSINESS WILL BE ASSIGNED A CORRIDOR RELATIONSHIP MANAGER
215.683.2025
first steps
PREPARE SIP APPLICATION
>
>
SUBMIT APPLICATION
-PHOTOS OF BUILDING & SURROUNDING STREET (EXISTING CONDITIONS) -DESCRIPTION OF PROPOSED WORK (NARRATIVE, SKETCH, ARCHITECTURAL DRAWINGS) HIRE ARCHITECT (100% REIMBURSABLE) -CONTRACTOR ESTIMATES
SIP application
REVISE PROPOSAL/ESTIMATES AS REQUIRED
SIP DESIGN REVIEW COMMITTEE COMMERCE DEPARTMENT HISTORIC COMMISSION ART COMMISSION PLANNING COMMISSION COMMUNITY DESIGN COLLABORATIVE
application review
HIRE CONTRACTOR TO PERFORM WORK
SIP APPROVED (GRANT LETTER)
OBTAIN BUILDING PERMITS (100% REIMBURSABLE)
construction
SUBMIT PROPER DOCUMENTATION REQUIRED FOR REIMBURSEMENT (RECEIPTS, “AFTER” PICTURES, CANCELLED CHECKS, BANK STATEMENTS, ETC.)
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graphics
$
AWARD GIVEN
award
storefront improvment program infographic
work shop
1 201
SAMPLE FACELIFT
PRICING Element Security Solid Rolling Door Open Rolling Grille Security Bars (door) Bars (typical residential window) Signage Flat Panel, 2 color on white background Flat Panel -as abv, Illuminated Projecting Signs- as abv, Illuninted bracket Decals: Storefront Window (4'x6') Decals: Door (hours) Cast Metal Letters: Plastic (12") Cast Metal Letters: Metal (12") Awnings Sunbrella Fabric Awning Awnings w/ no sides, no lip Graphics: Logo (Face) Graphics: Logo (Side) Installation Prices Vary
Good use of color Removal of aluminum siding; expose architectural details New awning w/ signage
Price $2,000-$2,500 $2,500-$3,000 $450 $250 $13-$15/SF $35-$55/SF $65-$75/SF $450-$500 $250-$300 $190 $30/Letter $65/Letter $110-$140/LF $80-$90/RF $135 $65
New lighting fixture
before
after
New open security gate under awning New storefront
ELEMENTS OF A FACADE DENTILS BRACKETS
C2 ZONING LOTS ON ONE STREET LINE
TWO OVER TWO WINDOW
LOTS FACING MORE THAN ONE STREET
15’ x 6 sf
25’ x 4 sf
90 sf
100 sf
total sign area
total sign area LONGER STREET
10’ x 6 sf
Accessory signs- also included in the calculation of the total sign area
60 sf
total sign area SHORTER STREET
MULLIONS (or muntons)
SIX OVER SIX WINDOW
TRANSOM
DECORATIVE CORNICE
ONE OVER ONE WINDOW
TOP RAIL MASONRY WALL
STILE MIDDLE RAIL
STOREFRONT CORNICE
WOOD PANEL
CLERESTORY STOREFRONT DISPLAY WINDOW
BOTTOM RAIL
BASE ENTRY DOOR
SHORTER STREET LINE FRONTAGE: Sign area of 6 sf for each lineal foot of street line
Permitted a total sign area of 6 square feet for each lineal foot of street line
LONGER STREET LINE FRONTAGE: Sign area of 4 sf for each lineal foot of street line The total of the sign areas permitted may be cumulated, provided that it is restricted only to one street frontage
good
business
design
good
good design good business workshop
graphics
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Community Arts and Culture
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The Community Design Collaborative
Landscape architects volunteering with the Collaborative worked with the Mural Arts Advocates on their Albert M. Greenfield Restorative Justice Project. The volunteers facilitated two design workshops with the community, youth and inmates at SCI-Graterford to create a conceptual landscape design for the Lindley Mural Garden, a proposed public art and open space in the Logan neighborhood. 07-21 Value of Services: $12,355
The Collaborative has worked with Spiral Q Puppet Theater since 2005 to help the organization assess its existing building and options for potential new spaces by offering short consultations and mini-feasibility. The Collaborative team assigned to assess a building in 2005 has continued to advise Spiral Q to help them make the most of their limited resources and find the right fit. 05-36 Value of Services: $15,109
BuildaBridge International, a nonprofit arts education organization, came to the Collaborative for help with the preliminary design for a community studio in a residential block in Germantown. The design services provided by the Collaborative team included schematic designs and an opinion of probable cost. The service grant enabled BuildaBridge to engage the community and secure funding for the project. 07-11 Value of Services: $12,970
The Print Center, located in Center City Philadelphia since 1915, is dedicated to supporting printmaking and photography and came to the Collaborative for assistance with the renovation of its existing facility. The study will help the organization, located on Latimer Street, consider strategies for how to maximize its space. Options included reconstructing the building behind the historic façade while preserving its garden and garden wall. 07-09 Value of Services: $41,000
Samuel S. Fleisher Art Memorial, a community art center was energized by a board member’s $25,000 donation to transform a neglected courtyard into a children’s teaching and display space. The Collaborative worked closely with a task force to explore options and create a conceptual plan to provide a blueprint for improvements. 06-07 Value of Services: $15,000
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graphics
1216 Arch Street | First Floor | Philadelphia, PA 19107 | ph 215.587.9290 | fx 215.587.9277 | cdesignc.org
project samplers
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Business Facade Improvements
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The Community Design Collaborative has worked with community organizations and local small business to utilize design to enhance business facades and transform commercial corridors into welcoming and vibrant places that are a backbone to healthy communities.
rStore: Facade Improvement Design Consultations rStore is an inititative of the Community Design Collaborative that connects business owners and/or property owners with design professionals to envision and plan for physical improvements to the facade of their building. Participating in the rStore program prepares business owners to apply for funding to help offset the costs of improvements.
Program Overview: A typical rStore service grant matches six business and/or property owners with a design professional for a 60-90 minute design consultation. Deliverables include a building sketch and a cost estimate. The products can then be used to apply for matching grants through the City of Philadelphia Department of Commerce’s Storefront Improvement Program (SIP), the Merchants Fund, or other similar programs.
Design Day: Individual 60-90 min consultations with a design professional Concentration on exterior facade of the building only Occurs in a central location in your community
Logan CDC is a community development corporation that serves the Logan neighborhood through several revitalziation efforts, which includes community and economic development, commercial corridor, and affordable housing development. Through the rStore program, the Collaborative assisted Logan CDC by partnering volunteer design professionals with five business owners. The final products delivered include a facade improvement guideline for Logan along with design recommendations, and an opinion of probable cost for the five businesses that they can use as leverage to get a matching grant through the City of Philadelphia’s Storefront Improvement Program.
Value of Services: $18,980 Southwest CDC Conceptual design for three business owners along the Woodland Avenue commercial corridor
Value of Services: $10,980
Frankford CDC Six businesses participated in a Design Day consultation with the Collaborative volunteers. Design recommendations suggest replacing existing signs, installing new storefront windows, and installing new facade lighting fixtures.
Value of Services: $6,553
Design products include a building sketch and cost estimate
Nueva Esperanza
Typical recommendations address: signage, lighting, awnings, security grilles, storefronts, window, and door replacement, fascia repair, window boxes or planters, painting, and general restoration, repair and maintenance.
The Collaborative worked with Nueva Esperanza to help promote community development along the North 5th Street commercial cooridor. The owners received design recommendations and an opinion of probable cost. This project is being funded by the City of Philadelphia’s Storefront Improvement Program.
▲
Value of Services: $11,735
▲
1216 Arch Street | First Floor | Philadelphia, PA 19107 | ph 215.587.9290 | fx 215.587.9277 | cdesignc.org
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ST ly E-BLA
E month
BEF O RE
ORATIV COLLAB
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graphics
e-blast BEFORE
A FTE R
e-blast AFTER
graphics
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graphics
teddy cruz flyer
2011
FRIDAY SEPTEMBER 16
Park(ing) Day Party
5-7 PM at the Center for Architecture
WHEN: Friday, September 16, 2011 5-7 PM WHERE: Center for Architecture, 1218 Arch Street RSVP: parkingparty.eventbrite.com Hosted by the Community Design Collaborative in partnership with the Mayor’s Office of Transportation and Utilities
D E P U T Y
park(ing) day flyer
M A Y O R
R I N A
C U T L E R
graphics
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graphics
LEVERAGE collateral
www.aaonetwork.org/DIA2011
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Folding instructions:
. Fold the top back. Fold up all four corners so the points meet in the middle.
It should look like this. Flip it over.
Fold up all four corners so the points meet in the middle.
It should look like this.
Work your fingers into the four corners and work the creases to form the four points
CONFERENCE
EXHIBITION BI T
EX HI IO N OP
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graphics
rg c.o gn si cd e
PUBLICATION
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te
cr ea tiv e
ac
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10 ns .1 hi 0. p 11
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PUBLIC KEYNOTE
collaborative catcher
+ collaborative catcher
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