Fall 2019 House Program by Canadian Opera Company

TURANDOT RUSALKA PROGRAM FALL 2019 #COCTurandot #COCRusalka

Powerful. Moving. Inspirational. Photo credit: Joyce El-Khoury in Eugene Onegin (COC, 2018), photo: Michael Cooper

BMO is committed to supporting excellence in the arts, and the creative pioneers that contribute to the cultural diversity and artistic richness of our country. We are proud to be the 2019/2020 season sponsor of the Canadian Opera Company, and the artists that have been entertaining and captivating audiences since 1950.

CONTENTS 4

WHAT’S PLAYING: TURANDOT

BIOGRAPHIES: TURANDOT

WHAT’S PLAYING: RUSALKA

BIOGRAPHIES: RUSALKA

CHASING THE TASTE WITH THE CHASE GROUP

32 34 38

BACKSTAGE AND BEYOND

MANY THANKS TO OUR SUPPORTERS

PATRON INFORMATION AND POLICIES

A PART OF OUR COC STORY OPERA IS A LIVING ART FORM

We embrace the classic, the contemporary, and everything in between. The COC has proudly commissioned seven operas — most recently, Rufus Wainwright and Daniel MacIvor’s Hadrian, “a gay love story for our times” (The New York Times), which had its world premiere here in fall 2018, and a future season will see the premiere of The Old Fools by celebrated Montrealbased composer Ana Sokolovic and British librettist Paul Bentley.

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A PURPOSE-BUILT OPERA HOUSE WITH THE BEST ACOUSTICS — AND BEES

In 2006, we opened the space you’re in now. The Four Seasons Centre for the Performing Arts is the very first purpose-built opera house in Canada. Designed by the Toronto-based firm Diamond Schmitt Architects, the building has won numerous awards and even connects directly to the subway so that you don’t have to brave Toronto weather to get here. (But we do need almost 500 rubber acoustic isolation pads to block out the city noise.) We also share this space with some honeybees, whose hives are on our roof.

WORLD-CLASS OPERA, FOR YOU. COC Program is published three times a year by the Canadian Opera Company. All rights reserved. Reproduction in whole or in part without written consent is prohibited. Contents copyright Canadian Opera Company. Program edited by Kristin McKinnon, Publicist & Content Producer, and Gianna Wichelow, Senior Manager, Creative and Publications. Layout by Gianna Wichelow. All information is correct at time of printing. Photo credits are on page 61. Front cover: A detail of the Four Seasons Centre for the Performing Arts

Opera is famous for its grandeur — and sometimes infamous for its exclusivity. We pride ourselves on being elite, but not elitist. That’s why we invented SURTITLESTM, which are English translations we project above the stage to ensure you can follow the story.

coc.ca

CANADIAN OPERA COMPANY 2019/2020

TURANDOT

(Above) IrĂŠne Theorin was Turandot when this much-anticipated co-production premiered in Madrid in 2018.

New COC co-production with Teatro Real Madrid, Houston Grand Opera and the Lithuanian National Opera and Ballet Theatre of Vilnius

BY GIACOMO PUCCINI Lyric drama in three acts and five scenes w Libretto by Giuseppe Adami and Renato Simoni, based on the play Turandot by Carlo Gozzi w First performance: La Scala, Milan, April 25, 1926 By arrangement with Hendon Music, Inc., a Boosey & Hawkes company, Sole Agent in the U.S., Canada and Mexico for Casa Ricordi/ Universal Music Publishing Ricordi S.R.L., publisher and copyright owner.

NEW PRODUCTION Last performed by the COC in 2004 w September 28, October 4, 9, 15, 17, 19, 23, 25, 27, 2019 Sung in Italian with English SURTITLES™

THE CAST AND CREATIVE TEAM (in order of vocal appearance)

A Mandarin Joel Allison†

Bill/PongP Joseph HuD

Co-Lighting Designer John TorresD

Liù Joyce El-Khoury* Vanessa VasquezD**

Emperor Altoum Adrian Thompson

Costume Designer Jacques ReynaudD

Turandot Tamara Wilson*** Marjorie OwensD****

Make-up Designer Manu HalliganD

Calaf Sergey SkorokhodovD*** Kamen Chanev**** Timur David Leigh*** Önay Köse****

Conductor Carlo Rizzi

Prince of Persia Matthew CairnsD†

Direction, design, and lighting concept Robert WilsonD

Jim/PingP Adrian TimpauD

Co-Director Nicola PanzerD

Bob/PangP Julius Ahn

Co-Set Designer Stephanie EngelnD

*September 28, October 4, 9, 19, 27 **October 15, 17, 23, 25

***September 28, October 4, 9, 15, 17, 19, 27 ****October 23, 25

Dramaturg José Enrique MaciánD Video Artist Tomek JeziorskiD Price Family Chorus Master Sandra Horst^ Stage Manager Kate Porter Production Consultant Richard LeeD SURTITLES™ Producer John Sharpe SURTITLES™ Writer Cori Ellison

Tamara Wilson’s performance is generously sponsored by Jack Whiteside Joyce El-Khoury’s performance is generously sponsored by Françoise Sutton Joel Allison’s performance is generously sponsored by The Stratton Trust Matthew Cairns’ performance is generously sponsored by Janet Stubbs Sandra Horst and the COC Chorus are generously underwritten by Tim & Frances Price COC mainstage debut

†Current member of COC Ensemble Studio

^Graduate of COC Ensemble Studio

In this production, the names of the three ministers have been changed. See page 7 (over) for more information.

Program information is correct at time of printing. All casting is subject to change.

Performance time is approximately two hours and 25 minutes, including one intermission. ACTS I & II: 80 minutes INTERMISSION 25 minutes ACT III: 40 minutes

CANADIAN OPERA COMPANY 2019/2020

WHAT MAKES

Turandot

SO SPECIAL?

Big emotions: “Nessun dorma” (“None shall sleep”) at the top of Act III is

Turandot’s musical calling card. Popularized by Luciano Pavarotti at the 1990 FIFA World Cup, it’s the tune that films, commercials, and reality shows reach for when things get larger than life. In a dramatic high-point of the opera, Princess Turandot forbids the citizens of her city from sleeping until they discover Calaf’s name. With his life now hanging in the balance, Calaf delivers a show-stopping piece full of bravado, reaching a triumphant crescendo with his cry, “Vincerò!” (“I will win!”).

Immersive theatre: Director Robert Wilson’s signature style embraces theatre’s unique power to elevate us beyond the everyday, with mesmerizing, celestial bars of light; bright white makeup inspired by silent film and Vaudeville theatre; precise, repeated gestures executed in hypnotic slow-motion, and a striking set design that combines the massive with the minimal.

Modern commedia dell’arte: Originating in 16th-century Venice,

commedia dell’arte used an ingenious theatrical shorthand of archetypal characters, exaggerated gestures, and masks to present its stories. Puccini’s opera, written in the 1920s, calls back to this form, as does Robert Wilson’s directorial focus on gestures and tableaux. (l–r) Yolanda Auyanet as Liù, Andrea Mastroni as Timur, Gregory Kunde as Calaf, and Iréne Theorin as Turandot in the co-production’s 2018 premiere in Madrid.

A NOTE FROM ROBERT WILSON Puccini’s Turandot was inspired by Schiller’s early-19th-century German adaptation of an 18th-century Italian comedy by Carlo Gozzi, who drew on a French retelling of a supposedly traditional Persian fairytale set in ancient China. Gozzi created a piece in the style of commedia dell’arte, a codified theatre form with set characters, story lines, and gestures. But it was a structure within which the performers were allowed to improvise. My own work starts out being free and improvised, and ends up being highly formal and mechanical. My work and commedia are both close to Vaudeville, where performers repeated acts over and over, and broke them down technically so they became free to concentrate on timing. Comedy is all about timing.

naively pseudo-Asian names to place them in the exotically orientalist world he had created for his early-20th-century audiences. To our ears, these names are dated and offensive, and they now detract from the figures’ place in the work as sarcastic, slapstick commentators of the goings-on at court. That is why, in this production, we are calling the three ministers Jim, Bob, and Bill. In this tradition of masks, as I do in each of my productions, whether I am directing Shakespeare, Sophocles, Beckett, or Wagner, the actors’ faces have been whitened and painted over with expressionist features. Because of the contrast between light and dark this creates,

(l –r) The commedia dell’arte characters of “Franca Trippa and Fritellino” (etching by Jacques Callot, c. 1622); Buster Keaton (Go West, 1925); Miren Urbieta Vega as Liù in the Robert Wilson production of Turandot in Madrid (2018)

Puccini invented the names Ping, Pang, and Pong for his three comic characters, but they are straight out of the baroque theatre of Italy. They are Pantalone, Tartaglia, Brighella, and Truffaldino, the Venetian figures of street and puppet theatre, of carnival and clowning who Gozzi always incorporated into his comedies of errors whether in metropolitan Rome, ancient Ceylon, Tbilisi, or Turandot’s fantastical China. They are the masked stock characters of commedia dell’arte, physical comedians in league with the audience who could step out of the action, comment, and laugh about it. Puccini gave Gozzi’s Venetian clowns-asimperial-ministers the woes of contemporary bureaucrats and paper pushers, pining for a simpler life away from the capital and Turandot. However, he also gave the figures

our eyes go first to the actors’ faces. And with a smile, a grimace, a glance, the audience can grasp something about the characters and their situation. They are like the stars of silent films, Vaudeville, or the masks of commedia dell’arte with their exaggerated appearance. Buster Keaton’s face was heavily made-up. His face was like a mask. He created a language with his face. It is very different from modern ideas of psychology. Often when people stage Turandot it is extravagant fake chinoiserie, using all the clichés of Chinese culture. With Puccini’s music, one has to be careful not to do too much. There is an interior beauty to the stories and characters that is often overlooked or lost. With the opera’s overwrought emotions, in the music and the libretto, sometimes you have to CANADIAN OPERA COMPANY 2019/2020

interrupt it and change the rhythm. Otherwise it becomes monotonous. You are hitting the audience on one level only, continuously, and they stop listening, they stop seeing, they can no longer hear. Humour is essential for anything you do. My work is simultaneously

full of multiple, different and changing speeds of energy, different registers. When Liù dies, you have to have laughed a little bit beforehand, otherwise it will not truly be tragic. Puccini understood that need for humour.

THE TURANDOT PROBLEM How do we watch and listen (and hopefully enjoy) Puccini’s Turandot in 2019? It is a challenge to our sensibilities because the work comes from a vastly different historical moment than our own. Encountering Turandot today demands that we ask questions about cultural awareness and representation in the art of opera, about the treatment of women in the repertoire, and whether beauty and art deserve a free pass, when, as part of the work, they are including offensive stereotype and cliché. Puccini’s Turandot, composed in early 1920s Italy, is obviously not about any recognizably real China. It is a fantasy, concocted in the mind of the artist, who has set it in a remote location, in a kind of nowhere place. Yet saying so is cold comfort when that setting is filled in by the imagination of Europeans engaged in an act of Orientalist projection about a “barbaric” Far East filled with gongs and dragons. The story of Turandot is itself a patchwork of appropriations, of tellings and retellings: a French version of a Persian epic, which was adapted in 1700s Venice as a commedia dell’arte play, and then transformed into an opera by Puccini, with a fictitious China for its setting. With a lineage like this, how can we demand cultural authenticity? Perhaps we need to demand something else first. An honest conversation. 8

CANADIAN OPERA COMPANY 2019/2020

An honest conversation about what this operatic tradition means and how a production in 2019 can push against inherited forms of representation to offer a more inclusive space for today’s viewers. Perhaps through these conversations we can actually make change to upend caricature rather than uphold it. And by doing so, perhaps we can all champion meaningful change. I was asked to be a consultant for this production. But what does this mean? I don’t believe that my role should be to force choices on any of the artists involved. But rather I extend to them an offer of change, shining a light onto the more problematic aspects of operatic tradition, and hopefully, to invite more diverse voices into the conversation. An example of this would be the linguistically stereotyped Ping, Pong, and Pang. This production puts forward instead a Jim, Bob, and Bill to serve as the stock characters of commedia origins. This act of renaming moves Turandot into a different space, one that recognizes the urgency and creative potential of having a conversation that pushes us to greater cultural awareness and inclusivity on our stages. Is it enough? Of course not, but the end goal is for all of us to become better, and for all of us to grow in our awareness. And for that we need patience, compassion and most of all, we need to continue to keep our honest conversation going. Richard Lee, Production Consultant

PUCCINI’S FINAL MASTERPIECE Turandot’s subject matter was a departure for Puccini, who had spent almost the entirety of his career writing operas rooted in realism — La Bohème, for example, is about penniless artists trying to make it in Paris; Tosca is a thriller about an opera singer caught in a game of cat-and-mouse during the French Revolutionary Wars. But with Turandot, Puccini took a decisive turn away from stories about real people in specific places and entered a realm of the fantastical. He worked obsessively on the score for Turandot for four years, rushing to create the first draft before he even had a libretto from collaborators Giuseppe Adami (who had previously collaborated with Puccini on La Rondine and Il tabarro) and Renato Simoni. He wrote to his librettists “Hour by hour, minute by minute I think of Turandot, and all my music that I have written up to now seems to me something quite different, and pleases me no more” and “I don’t think I have ever become so absorbed in a work as I am in Turandot.”

Turandot is arguably Puccini’s most musically adventurous piece. Part of the score, including the folk melody “Mo Li Hua” (“Jasmine Flower”) heard as a theme running through the opera, were based off melodies from a Swiss music box, acquired in China, which belonged to an acquaintance of Puccini’s. He also commissioned a set of 13 pitched gongs specifically for the opera. Sadly, Puccini was diagnosed with throat cancer and died before completing the opera. Perhaps sensing the end, he begged his friend and famed conductor, Arturo Toscanini, “Don’t let my Turandot die.” He had fully completed the music and orchestration up to Liù’s death and funeral in the third act, so Franco Alfano was brought in to finish the opera based on Puccini’s notes for the ending. At Turandot’s first performance in 1926, over a year after Puccini’s death, Toscanini stopped the opera with the final note Puccini composed, and upon putting down his baton, declared “Here the Maestro laid down his pen.”

CHANGING THE WAY YOU SEE Experiencing a Robert Wilson production is like “going to a whole new galaxy” says Janice Price, President and CEO of Banff Centre for Arts and Creativity, who led Toronto’s Luminato Festival when it presented Wilson’s groundbreaking collaboration with Philip Glass, Einstein on the Beach, in 2012. He’s become “a towering figure in the world of experimental theater” (The New York Times), and his formalized, abstract style has had a huge impact on the look of the performing arts since the 1960s, with hypnotic, slow-motion gestures, minimalist set design, and striking colour palettes taking centre stage.

Wilson’s artistic partnerships have included dancer Mikhail Baryshnikov, performance artist Marina Abramovic, actors Brad Pitt and Robert Downey Jr., and singer/songwriter Lady Gaga, a testament to his enormous impact at all levels of theatre and performance. Most importantly for you, the audience, his theatrical practice creates a space “for the spectator to really free themselves,” says Pia Kleber, Professor of Drama and Comparative Literature at the University of Toronto. Within a minimalist stage stripped of conventional interpretative markers and with actors moving in abstract choreography that’s closer to ritual than realism, Wilson offers us an original encounter to change how we see and hear art.

CANADIAN CANADIANOPERA OPERACOMPANY COMPANY2019/2020 2018/2019

THE STORY Short version

Princess Turandot knows that marriage can be a dangerous commitment. That’s why all her suitors must answer three riddles — and if they get even one wrong, they must die. Despite the mortal risk, the exiled prince Calaf is determined to try and win her heart.

Long version ACT 1 It is declared that any prince who wishes to marry Princess Turandot must answer three riddles. One wrong answer, and they’ll be executed.

Turandot has reason to be wary of men: her ancestor was murdered by an invading prince. That’s why she protects herself with riddles, and that’s why the suitors who answer incorrectly are executed.

One of her failed suitors — the Prince of Persia — is to be executed and the crowd is in a frenzy. An old man, Timur, is knocked down and Liù, a slave who cares for him, cries out in alarm. The exiled prince Calaf recognizes Timur is in fact his long-lost father, the deposed leader of a distant kingdom. Liù has been caring for Timur ever since then, all because Calaf once smiled at her in court.

She asks Calaf all three riddles and, to everyone’s astonishment, he’s able to answer them correctly. Since Turandot clearly does not want to marry him, Calaf offers her a way out: if she can discover his name by morning, he will offer his life to her. She accepts his challenge.

The crowd’s eagerness for the execution of the Prince of Persia fades when they realize how cruel it would be to cut his young life short. Turandot arrives and the crowd calls for her mercy. Unmoved, she orders his death. Calaf is struck by both her beauty and her icy decree; he wants his chance to marry her. Three court ministers (Jim, Bob, and Bill) try to stop him, and so do Liù and Timur. But Calaf’s mind and heart are set: he strikes the court’s gong indicating he will face the challenge. ACT II Jim, Bob, and Bill reminisce about the many executions they have witnessed under Turandot’s orders. The Emperor tries to convince Calaf to stand down, but is unsuccessful.

CANADIAN OPERA COMPANY 2019/2020

INTERMISSION ACT III Turandot orders everyone in her realm to seek out Calaf’s name, foregoing sleep and under threat of death. While the search continues, Jim, Bob, and Bill try to bribe Calaf to leave town, but he refuses. Desperate to discover Calaf’s name, a mob threatens Timur and Liù to reveal it. To protect Timur, and under torture, Liù proclaims that only she knows the name. Mystified by this devotion, Turandot asks Liù why she would sacrifice herself for a man. Liù explains that it’s her love for Calaf, and she kills herself before she can be forced to reveal his name. The sun rises and Turandot has failed Calaf’s challenge. Calaf does not want her to marry him unwillingly so he offers her the chance to kill him instead. Between Liù’s sacrifice and Calaf’s own offer to die for her, Turandot becomes convinced that marriage and love are worth the risk. She agrees to marry Calaf and declares that his true name is “Love.”

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Joseph Hu as Bill/Pong, in rehearsal for the COC’s 2019 production.

VIOLA Keith Hamm, Principal (leave of absence) Sheila Jaffé, Acting Principal Joshua Greenlaw, Assistant Principal Carolyn Blackwell* Carolyn Farnand* Catherine Gray Emily Hiemstra* Rory McLeod* Nicholaos Papadakis* Angela Rudden* Beverley Spotton (leave of absence) Yosef Tamir CELLO Leana Rutt, Principal Paul Widner, Assistant Principal, Acting Associate Principal Maurizio Baccante, Acting Assistant Principal Naomi Barron* Olga Laktionova Ashton Lim* Elaine Thompson Kimberly Jeong* BASS Tony Flynt, Principal Robert Speer, Assistant Principal Nick Bobas* Nick Davis* Travis Harrison* Paul Langley FLUTE Douglas Stewart, Principal Shelley Brown Maria Pelletier* PICCOLO Shelley Brown OBOE Mark Rogers, Principal Jasper Hitchcock* ENGLISH HORN Lesley Young CLARINET Dominic Desautels, Principal Michele Verheul* BASS CLARINET Colleen Cook BASSOON Eric Hall, Principal William Cannaway* CONTRA BASSOON Lisa Chisholm HORN Scott Wevers, Principal Janet Anderson Bardhyl Gjevori Gary Pattison

TRUMPET Robert Weymouth, Principal Andrew Dubelsten* Brendan Cassin* TROMBONE Charles Benaroya, Principal Ian Cowie BASS TROMBONE Herbert Poole CIMBASSO Sasha Johnson, Acting Principal* TIMPANI Nicholas Stoup, Principal PERCUSSION Trevor Tureski, Principal Michele Colton* Chung Ling Lo* Blair MacKay* Ryan Scott* HARP Sarah Davidson, Principal Sanya Eng* ORGAN AND CELESTE Rachael Kerr*

Banda TRUMPETS Luise Heyerhoff* Richard Sandals* Michelle Wylie* TROMBONES William Carn* Brayden Friesen* Hillary Simms* ALTO SAXOPHONE Wallace Halladay* PERCUSSION Blair MacKay* MUSIC LIBRARIAN Wayne Vogan ASSISTANT MUSIC LIBRARIAN Ondrej Golias STAGE LIBRARIAN Paul Langley PERSONNEL MANAGER Ian Cowie *extra musician

MUSIC STAFF Matteo Pais (Head Coach) Michael Shannon^ Rachael Kerr† (Ensemble Studio Coach) Andrea Grant (Chorus music rehearsals)

ASSISTANT LIGHTING DESIGNER Nick Andison UNDERSTUDIES A Mandarin

Vartan Gabrielian†

ASSISTANT CONDUCTOR Derek Bate

DANCERS Calaf Prince of Persia Executioners Girls/Guards

Uli Kirsch David Ventosa Jeremy Segal, Deltin Séjour Penelope Artemis, Lisa Auguste, Sydney Keir

ASSISTANT DIRECTORS Marilyn Gronsdal^ Fani Sarantari ASSISTANT COSTUME DESIGNER Davide Boni ASSISTANT STAGE MANAGERS Tiffany Fraser Kristin McCollum

†Current member of the COC Ensemble Studio ^Graduate of the COC Ensemble Studio

CANADIAN OPERA COMPANY CHORUS SOPRANOS Lindsay Barrett Christina Bell Mary Bella Katy Clark Virginia Hatfield Ilona Karan Leanne Kaufman Alexandra Lennox Ingrid Martin Kathleen (Katie) Murphy Jennifer Robinson Teresa van der Hoeven Carrie Wiebe Ilana Zarankin

MEZZO-SOPRANOS Marianne Bindig Susan Black Sandra Boyes Wendy Hatala Foley Erica Iris Huang Lilian Kilianski Kathryn Knapp Anne McWatt Karen Olinyk Lyndsay Promane Megan Quick Vilma Indra Vitols Cindy Won

TENORS Vanya Abrahams Tonatiuh Abrego Stephen Bell Taras Chmil Stephen Erickson William Ford John Kriter Jason Lamont James Leatch Stephen McClare Derrick Paul Miller Ross Mortimer Kevin Myers Eric Olsen Byung Jun Yoon

BARITONES/BASSES Grant Allert Kenneth Baker Peter Barnes Sung Chung Jesse Clark Bruno Cormier Michael Downie Keith Lam Jason Nedecky Michael Sproule Michael Uloth Jan Vaculik Peter Wiens Dylan Wright Gene Wu Michael York

CANADIAN CHILDREN’S OPERA COMPANY Teri Dunn, Music Director

Ken Hall, Managing Director

Members of the Canadian Children’s Opera Company appear in all Canadian Opera Company productions requiring children’s voices. Founded in 1968, the CCOC is the only permanent children’s opera company in Canada, providing musical and dramatic training to hundreds of children and youth aged 4-18. It specializes in the development and production of operatic and choral repertoire performed by children. Auditions can be arranged through the CCOC website: canadianchildrensopera.com Lucas Drube Sophia Filip-Vicari Derin Su Firat Arianna Forgione Sarah Gorfinkel

Afarin Jahanbegloo Paulina Leyva-Arcos Clare Lowe Ashley Mattina Sophia Millan

Chase Nadeau-Evans Daniel Park Peter Rutledge Vera Sevelka Nicholas Skene

Victoria Tanner Nur Liyana Tino Sabrina Tse Elena Warkentin Kaiya Winter

CANADIAN OPERA COMPANY 2019/2020

BIOGRAPHIES: TURANDOT D

COC mainstage debut

† Current member of the COC Ensemble Studio ^ Graduate of COC Ensemble Studio JULIUS AHN, Bill/Pang (Tenor; Allston, MA, USA) COC CREDITS: Goro, Madama Butterfly (2014). RECENT: Antenore, Zelmira (Washington Concert Opera); Goro, Madama Butterfly (Lyric Opera of Kansas City, Pittsburgh Opera, San Francisco Opera/[SFO]); Bardolfo, Falstaff (Opera Omaha); Pang, Turandot (SFO, Atlanta Opera, Pittsburgh Opera, Opera Philadelphia/[OP]); Monostatos, The Magic Flute (Michigan Opera Theatre). UPCOMING: First Jew, Salome (Atlanta Opera); Goro, Madama Butterfly (Tulsa Opera, OP) JOEL ALLISON†, A Mandarin (Bass-baritone, Ottawa, ON) COC CREDITS: Schaunard, La Bohème (2019); Mr. Magnifico, WOW Factor: A Cinderella Story (Opera for Young Audiences [OYA], 2018); Superior Senator, Hadrian; Zaretsky, Eugene Onegin (2018). RECENT: Dr. Roland Angeler, Der Gesang der Zauberinsel; Soloist, YSP Final Concert (Salzburger Festspiele). UPCOMING: Bass Soloist, Handel’s Messiah (Masterworks of Oakville); Fiorello, The Barber of Seville (COC); Peter in Hansel & Gretel (OYA, 2019); Bass Soloist, Bach’s Mass in B Minor (Symphony Nova Scotia) DEREK BATE, Assistant Conductor (Toronto, ON) SELECT COC CREDITS: Otello, Elektra (2019); Hadrian, The Nightingale and Other Short Fables and Rigoletto (2018); Arabella and Götterdämmerung (2017); Norma (2016). RECENT: (as conductor) The Gypsy Baron, Die Fledermaus, Candide and The Pirates of Penzance (Toronto Operetta Theatre); Rigoletto (Opéra de Québec). UPCOMING: Turandot, Hansel & Gretel, Aida (COC)

DAVIDE BONID, Assistant Costume Designer (Milan, Italy) COC DEBUT. RECENT: Turandot (Teatro Real Madrid and Lithuanian national Opera and Ballet Theatre); Otello (Festspielhaus Baden Baden)

KAMEN CHANEV, Calaf (Tenor; Sliven, Bulgaria) COC CREDITS: Cavaradossi, Tosca (2017). RECENT: Radames, Aida; Duke of Mantua, Rigoletto (State Opera Plovdiv); Calaf, Turandot (Sofia Opera); Cavaradossi, Tosca (State Opera Varna); Radames, Aida (State Opera Stara Zagora). UPCOMING: Roberto, Le Villi (Opéra de Limoges); Calaf, Turandot (Lithuanian National Opera and Ballet)

MATTHEW CAIRNSD†, Prince of Persia (also Gamekeeper, Rusalka; Tenor; St. Catharines, ON). COC DEBUT. RECENT: Liberto, The Coronation of Poppea (Opera Theatre of Saint Louis); Count Belfiore, La Finta Giardiniera; Sam Kaplan, Street Scene; John P. Wintergreen, Of Thee I Sing; Sam Sharkey/German Lumberjack, Paul Bunyan (UofT Opera); Detlef, The Student Prince (Chautauqua Institute Voice Program); Don Ottavio, Don Giovanni (Centre for Opera Studies in Italy/UofT Opera). UPCOMING: Witch in Hansel & Gretel (Opera for Young Audiences, 2019); Messenger, Aida (COC) JOYCE EL-KHOURY, Liù (Soprano; Ottawa, ON) COC CREDITS: Tatyana, Eugene Onegin (2018); Violetta, La Traviata (2015); Musetta/Mimì, La Bohème (2013). RECENT: Elisabetta, Roberto Devereux (Welsh National Opera); Mìmì, La Bohème (Opera Australia); Imogene, Il Pirata (Theater St. Gallen); Sylvia, Donizetti’s L’Ange de Nisida (Royal Opera House – world premiere). UPCOMING: Anna, Le Villi (Opéra de Limoges); Mirra, Sardanapalo (MüPa Budapest); Rose, Awakenings (Opera Theatre of Saint Louis)

CANADIAN OPERA COMPANY 2019/2020

The COC’s 2019 production in rehearsal.

STEPHANIE ENGELND, Set Designer (Yonkers, NY, U.S.A.) COC DEBUT. RECENT: La Traviata, Giuseppe Verdi (Landestheater Linz, Austria; Perm Opera, Russia; Grand Théâtre de la Ville, Luxembourg); Power and Beauty of China’s Last Dynasty Exhibition at the Minneapolis Institute of Art; Il Trovatore, Le Trouvère, Giuseppe Verdi (Teatro Farnese, Parma and Teatro Communale, Bologna). UPCOMING: The Impossible Black Tulip (Theatrical Production, Shanghai Festival, China); Mozart’s Messiah (Mozart Week Salzburg and Théâtre des Champs Elysées) MARILYN GRONSDAL^, Assistant Director (Toronto, ON) COC CREDITS: (as Revival Director) Eugene Onegin; The Nightingale and Other Short Fables (2018); (as Associate Director) Così fan tutte (2019); The Elixir of Love (2018). RECENT: (as Revival Director) Così fan tutte (The Israeli Opera). UPCOMING: (as Associate Director) The Flying Dutchman (COC)

MANU HALLIGAND, Make-up Designer (Rostock, Germany) COC DEBUT. RECENT: Otello (Festspielhaus Baden-Baden); The Jungle Book (Grand Théâtre de la Ville de Luxembourg); Oedipus Rex (Teatro Grande Scavi); Turandot (Teatro Real Madrid); Il Trovatore (Teatro Regio di Parma). UPCOMING: Mozart’s Messiah (Salzburg Mozart Week); The Jungle Book (Düsseldorfer Schauspielhaus)

SANDRA HORST^, Price Family Chorus Master (Toronto, ON) SELECT COC CREDITS: Otello, La Bohème, Così fan tutte, Elektra (2019); Hadrian, Eugene Onegin (2018). RECENT CREDITS: (as conductor) Who Killed Adriana?, Street Scene (UofT Opera). UPCOMING CREDITS: The Barber of Seville, Aida, The Flying Dutchman (COC); The Marriage of Figaro, Maid and Master: The Massey Murder, Mansfield Park (UofT Opera) ADDITIONAL CREDITS: Director of Musical Studies at UofT Opera

JOSEPH HUD, Bob/Pong (Tenor; Plano, TX, USA) COC DEBUT. RECENT: Pong, Turandot (National Kaohsiung Center for the Arts, Tulsa Opera, Vancour Opera, Atlanta Opera, Pittsburgh); Goro, Madama Butterfly (Pacific Symphony); Basilio/Curzio, The Marriage of Figaro (San Diego Opera); Mime in Das Rheingold (National Taichung Theater). UPCOMING: Pong, Turandot (Austin Opera)

ÖNAY KÖSE, Timur (Bass; Ankara, Turkey) COC CREDITS: Lodovico, Otello; Colline, La Bohème (2019). RECENT CREDITS: Oroveso, Norma (Ópera Nacional de Chile); Timur, Turandot (Oper Köln); Basilio, The Barber of Seville; Prince Gremin, Eugene Onegin; Julian Pinelli, Die Gezeichneten; Komtur, Don Giovanni; Pluto, Orpheus; Sarastro, The Magic Flute; A Nightwatchman, Die Meistersinger von Nürnberg (Komische Oper Berlin); Méphistophélès, Faust (Tulsa Opera). UPCOMING CREDITS: Ramfis, Aida (Boston Youth Symphony Orchestra)

CANADIAN OPERA COMPANY 2019/2020

TOMEK JEZIORSKID, Video Artist (Warsaw, Poland) COC DEBUT. RECENT: Mary Said What She Said (Théâtre de la Ville); Otello (Festspielhaus Baden-Baden); Il Trovatore (Teatro Farnese); The Sandman (Ruhrfestspiele Festival and Schauspielhaus Theater). UPCOMING: Mozart’s Messiah (Mozart Week Salzburg)

DAVID LEIGH, Timur (Bass; New York, NY, USA) COC CREDITS: Turbo, Hadrian (2018). RECENT CREDITS: King Hjarne, The Thirteenth Child (Santa Fe Opera/[SFO]); Zuniga, Carmen (San Francisco Opera); Colline, La Bohème (Bolshoi Theatre), Commendatore, Don Giovanni (Festival d’Aix-en-Provence), Surintendant des Plaisirs, Cendrillon (Metropolitan Opera). UPCOMING CREDITS: Prince Gremin, Eugene Onegin (Seattle Opera); Frate, Don Carlos (Dallas Opera); Timur, Turandot (Austin Opera); Marke, Tristan und Isolde (SFO) JOSÉ ENRIQUE MACIÁN, Dramaturg (Brighton, UK) COC DEBUT. RECENT: Le Trouvère (Teatro Farnese, Parma); Turandot (Teatro Real Madrid and Lithuanian National Opera and Ballet Theatre); Last and First Men (London Symphony Orchestra); Il Trovatore (Teatro Comunale di Bologna)

MARJORIE OWENSD, Turandot (Soprano; Chesapeake, VA, USA) COC DEBUT. RECENT: Norma, Norma (Greek National Opera, Utah Opera); Senta, The Flying Dutchman (Fondazione del Teatro del Maggio Musicale, Sächsische Staatsoper); Aida, Aida (Metropolitan Opera); Leonore, Leonore (Washington Concert Opera). UPCOMING: Aida, Aida (Boston Youth Symphony Orchestra); Senta, The Flying Dutchman (COC); Turandot, Turandot (Maggio Musicale Fiorentino); Elektra, Elektra (Staatsoper Stuttgart)

NICOLA PANZERD, Co-Director (Hamburg, Germany) COC DEBUT. RECENT: Otello (Baden-Baden Festival); Turandot (Lithuanian National Opera and Ballet Theatre); Il Trovatore (Teatro Regio di Parma), La Traviata (Les Théâtres de la Ville de Luxembourg, Perm Tchaikovsky Opera and Ballet Theatre). UPCOMING: Messiah (Mozart Week Salzburg, Salzburger Festspiele and Théâtre des Champs-Elysées Paris)

KATE PORTER, Stage Manager (Toronto, ON) SELECT COC CREDITS: La Bohème, WOW Factor: A Cinderella Story (Opera for Young Audiences, 2018), The Magic Victrola (Opera for Young Audiences, 2017); Götterdämmerung, The Elixir of Love (2017); 15 productions as Assistant Stage Manager (2005-2018). RECENT: No One’s Safe (Banff Centre); The Overcoat: A Musical Tailoring (Canadian Stage/Tapestry Opera/ Vancouver Opera [VO]); Dead Man Walking, Rigoletto and Carmen (VO)

JACQUES REYNAUDD, Costume Designer (Milan, Italy) COC DEBUT. RECENT: The Life and Death of Marina Abramovic (Teatro Real Madrid); L’incoronazione di Poppea (Teatro alla Scala, Milan); Der Gefangene / Das Gehege (Staatsoper Stuttgart); Turandot (Teatro Real Madrid and Lithuanian National Opera and Ballet Theatre); Otello (Festspielhaus Baden Baden), Mary Said What She Said (Théâtre de la Ville, Paris)

CARLO RIZZI, Conductor (Milan, Italy) COC CREDITS: La Bohème (2013). RECENT: L’equivoco stravagante (Rossini Opera Festival); Roberto Devereux and A Masked Ball (Welsh National Opera); Falstaff (New National Theatre Tokyo); Mefistofele and Tosca (Metropolitan Opera [Met]). UPCOMING: Turandot and Simon Boccanegra (Met); Rigoletto (Den Norske Opera); I vespri siciliani and The Marriage of Figaro (Welsh National Opera); L’amore dei tre re (Teatro alla Scala)

CANADIAN OPERA COMPANY 2019/2020

FANI SARANTARID, Assistant Director (Paris, France) COC DEBUT. RECENT: L’Incoronazione di Poppea (Teatro alla Scala, Milan); Letter to a Man (Change Performing Arts); Les Huguenots; The Magic Flute; Rusalka; Elektra (Opéra national de Paris). UPCOMING: Mary Said What She Said (Théâtre de la Ville)

SERGEY SKOROKHODOVD, Calaf (Tenor; St. Petersburg, Russia) COC DEBUT. RECENT: Tannhäuser, Tannhäuser; Alfredo Germont, La Traviata (Mariinsky Theatre); Prince Andrey Khovansky, Khovanshchina (Teatro alla Scala); Pollione, Norma (Theater St. Gallen); Lohengrin, Lohengrin (Aalto Musiktheater Essen). UPCOMING: Erik, The Flying Dutchman (Metropolitan Opera); Prince Andrey Khovansky, Khovanshchina (Staatsoper Unter den Linden); Foresto, Attila (Sommerfestspiele Baden-Baden); Ivan, The Nose (Bayerische Staatsoper) ADRIAN THOMPSON, Emperor Altoum (Tenor; Oxford, UK) COC CREDITS: First Jew, Salome (2013); Mao, Nixon in China (2011) RECENT: Monostatos, The Magic Flute (Royal Opera House and Scottish Opera), Bardolfo, Falstaff; (Garsington Opera); Shapkin, From the House of the Dead; Scribe, Khovanshchina; (Welsh National Opera); Mr. Upfold, Albert Herring (Grange Festival [GF]). UPCOMING: Mime, Siegfried (London Philharmonic Orchestra); Snout, A Midsummer Night’s Dream (GF); Boyar Nikita Matuta, The Maid of Pskov (Grange Park Opera) ADRIAN TIMPAUD, Jim/Ping (Baritone; Nisporeni, Republic of Moldova) COC DEBUT. RECENT: Giorgio Germont, La Traviata (Glimmerglass Festival); Nardo, La finta giardiniera (Opernhaus Zürich); Moralès, Carmen; Larkens, La Fanciulla del West (Metropolitan Opera); Escamillo, Carmen (Opera Philadelphia). UPCOMING: Eugene Onegin, Eugene Onegin (Stadttheater Klagenfurt); Marcello, La Bohème (Seattle Opera); Escamillo, Carmen (Opernhaus Zürich)

JOHN TORRESD, Co-Lighting Designer (New York, NY, U.S.A.) COC DEBUT. RECENT: Tristan und Isolde (Théâtre Royal de la Monnaie); Atlas (Los Angeles Philharmonic); Mile Long Opera (High Line, New York); Cheek to Cheek Live! (PBS Great Performances); Turandot (Teatro Real Madrid); The Black Clown (A.R.T. Cambridge, Lincoln Center). UPCOMING: Sunday in the Park with George (Los Angeles Philharmonic)

VANESSA VASQUEZD, Liú (Soprano; Scottsdale, AZ, U.S.A.) COC DEBUT. RECENT: Mimì, La Bohème (Santa Fe Opera, Opera Philadelphia); Violetta, La Traviata (Arizona Opera); Liú, Turandot (Des Moines Metro Opera). UPCOMING: Donna Anna, Don Giovanni (Washington National Opera); Mimì, La Bohème (Seattle Opera)

ROBERT WILSOND, Director, Lighting Designer and Set Designer (Waco, TX, U.S.A.) COC DEBUT. RECENT: Mary Said What She Said (Théâtre de la Ville, Thalia Theatre, Internationaal Theater Amsterdam, Teatre Lliure Montjuïc, Centro Cultural de Belém, Espace Cardin and MuseumsQuartier); Madama Butterfly (Danish National Opera and Dutch National Opera & Ballet); Norma (Opernhaus Zürich); Otello (Festspielhaus Baden-Baden); Il Trovatore (Teatro Comunale di Bologna, Teatro Regio di Parma, Teatro Farnese). UPCOMING: Jungle Book (Le 13eme art, Düsseldorfer Schauspielhaus); Madama Butterfly (Opéra national de Paris); Mary Said What She Said (Teatro della Pergola, Théâtre des Célestins) TAMARA WILSON, Turandot (Soprano; Chicago, IL, USA) COC CREDITS: Desdemona, Otello (2019); Rosalinde, Die Fledermaus (2012); Elettra, Idomeneo (2010); Amelia, Simon Boccanegra (2009). RECENT: Amelia, A Masked Ball (Deutsche Oper Berlin); Chrysothemis, Elektra (Zürich, Houston Grand Opera); Aida, Aida (Metropolitan Opera); Ariadne, Ariadne auf Naxos (Teatro alla Scala). UPCOMING: Aida, Aida (COC, Houston Grand Opera); Elisabeth von Valois, Don Carlos (Oper Frankfurt); Isolde, Tristan und Isolde (Sante Fe Opera)

CANADIAN OPERA COMPANY 2019/2020

RUSALKA

Ana María Martínez was Rusalka when this production premiered at Lyric Opera of Chicago in 2014. 18

CANADIAN OPERA COMPANY 2019/2020

BY ANTONÍN DVORÁK Lyric fairytale in three acts w Libretto by Jaroslav Kvapil, after the tale Undine by Friedrich de la Motte Fouqué w First performance: National Theatre, Prague, March 31, 1901 By arrangement with Boosey & Hawkes, Inc., agent for DILIA — Theatrical, Literary and Audiovisual Agency, Association of Authors.

Last performed by the COC in 2009 w October 12, 16, 18, 20, 22, 24, 26, 2019 Sung in Czech with English SURTITLES™

THE CAST AND CREATIVE TEAM (in order of vocal appearance)

First Wood Nymph Anna-Sophie Neher†

Prince Pavel CernochD

Costume Designer Moritz JungeD

Second Wood Nymph Jamie GrooteD†

Gamekeeper Matthew Cairns†

Lighting Designer David Finn

Third Wood Nymph Lauren Segal^

Turnspit Lauren Eberwein^

Associate Lighting Designer Christopher MaravichD

Vodnik Štefan KocánD

Foreign Princess Keri Alkema

Choreographer Andrew GeorgeD

Rusalka Sondra Radvanovsky Ježibaba Elena Manistina Hunter Vartan GabrielianD†

Chorus Master Sandra Horst^

Conductor Johannes Debus

Stage Manager Jenifer Kowal

Director Sir David McVicarD

SURTITLES™ Producer John Sharpe

Set Designer John MacfarlaneD

SURTITLES™ Writer Colin Ure*

Johannes Debus is generously underwritten by George & Kathy Dembroski Major artist support made possible by Jack Whiteside Sondra Radvanovsky’s performance is generously sponsored by The Tauba and Solomon Spiro Family Foundation Matthew Cairns’ performance is generously sponsored by Janet Stubbs Anna-Sophie Neher’s performance is generously sponsored by Joy Levine Jamie Groote’s performance is generously sponsored by Patricia & Frank Mills Vartan Gabrielian’s performance is generously sponsored by Brian Wilks, Marjorie & Roy Linden Sandra Horst and the COC Chorus are generously underwritten by Tim & Frances Price

D †Current member of the COC Ensemble Studio COC mainstage debut ^Graduate of the COC Ensemble Studio *SURTITLESTM translation © Lyric Opera of Chicago, 2014

Program information is correct at time of printing. All casting is subject to change.

Performance time is approximately three hours and 30 minutes, including two intermissions. ACTS I: 55 minutes INTERMISSION 25 minutes ACT II: 45 minutes INTERMISSION 30 minutes ACT III: 55 minutes

Lyric Opera of Chicago production CANADIAN OPERA COMPANY 2019/2020

WHAT MAKES

Rusalka

SO SPECIAL?

The Little Mermaid Meets Grand, Gorgeous Opera: Danish author Hans Christian Andersen penned a huge number of fairytales — including The Emperor’s New Clothes, The Ugly Duckling, and Thumbelina — but The Little Mermaid is his most famous tale thanks to Disney’s adaptation. (But be warned: Rusalka follows Andersen’s original story much more closely, which means it doesn’t have that happy Disney ending!)

Dvorák’s Finest Music: At Christmastime in 1899, a colleague asked Czech composer Antonín Dvorák to read a new libretto (the written text of an opera) by the young poet Jaroslav Kvapil. Dvorák had already composed eight other operas by this point in his career, but Kvapil’s beautiful writing captivated Dvorák so much that he ended up creating what’s arguably his finest work.

Song to the Moon Rusalka’s lush music draws us into the opera’s world of mysterious forests, enchanted lakes, and magical sprites. The most well-known and beloved musical highlight comes in Act I, when Rusalka confesses that she has fallen in love with a human prince in her famous “Song to the Moon.” In a melancholic turn, shortly after this heartfelt song, Rusalka gives up her voice in exchange for a human form.

“

Moon, glowing in the heavens, tell me where my lover is, tell him that I hope he’s dreaming of me — Rusalka, “Song to the Moon”

CANADIAN OPERA COMPANY 2019/2020

”

A WATERY MYTH A mermaid longs for love and enters a dubious bargain with a sea witch, not realizing the ultimate cost. This classic myth exists in numerous versions, with many regional adaptations, including Hans Christian Andersen’s The Little Mermaid and Friederich de la Motte Fouqué’s Undine. In Slavic folklore, the rusalka is a seductive female water spirit that haunts the waterways, luring men to their watery graves. Despite becoming associated with malevolent forces and representing femininity as a threat, the rusalka myth’s earliest pagan origins are more benign, symbolizing fertility rather than death.

The libretto combines these various threads into a heartfelt text that the poet Jaroslav Kvapil began composing while spending his summer on the Danish island of Bornholm. Kvapil spent his holidays reading not only Andersen’s stories but also the fairytales of Czech writers Karel Jaromír Erben and Božena Nemcová. These evocative stories “accompanied [him] to the seashore… and there impressions from Andersen, the love of my childhood days, and the rhythm of Erben’s ballads, those most beautiful of Czech ballads, merged into one. This complex inspiration gave rise to a new fairytale about the love of the water nymph Rusalka for a prince — a human being — for whom she resolves to forsake her native lake.”

THE MUSIC Born in 1841, Antonín Dvorák is one of the most significant Czech composers, alongside important contributors to the repertoire like Bedrich Smetana and Leoš Janácek. Dvorák first came to opera as a musician — he played violin in an orchestra that was led by Smetana and, in 1863, played a concert of German composer Richard Wagner’s music, which was conducted by Wagner himself. Dvorák became fascinated with opera and thought that of all musical forms, it was “the most suitable form for the [Czech] nation” to develop as a storytelling medium. His works drew inspiration from traditional folk music and combined those with opulent orchestration. Dvorák completed the full score of Rusalka in just seven months. Like the librettist Kvapil, he found himself creating in an inspired state, surrounded by a fairytale

setting at his summer residence in Vysoká that transported him: “I am filled with enthusiasm and joy that my work is going so well,” he said at the time. Rusalka is often considered Dvorák’s most expressive work, filled with lyrical and impressionistic melodies like “Song to the Moon.” Dvorák’s admiration of Wagner was also on display in the distinctive leitmotifs (recurring musical themes) that accompany various characters as they appear in the story. Wagner, according to Dvorák, “was so great a genius that he was capable of doing things that were beyond the reach of other composers.” In 1901, the opera premiered at the National Theatre in Prague to great acclaim, making an immediate connection with audiences and, to this day, remaining one of the most performed Czech operas of all time.

CANADIAN OPERA COMPANY 2019/2020

THE STORY Short version

To pursue her beloved prince charming, the mermaid Rusalka trades her voice for human form. But if he doesn’t stay true to her sacrifice, there will be fatal consequences. Can love overcome a curse?

Long version ACT 1 Three Wood Nymphs tease the mermaid Rusalka’s father, Vodnik, while she is lost in thought. Rusalka confesses that she has fallen in love with a human prince, and that she wants to meet him on his land — a land of sun, away from their dark watery home. Vodnik warns how dangerous it is to leave her family home, and that the choice cannot be undone. Undeterred, Rusalka expresses deep love for the Prince in her famous “Song to the Moon” aria. She meets with the witch Ježibaba, who can exchange Rusalka’s voice for a human body and soul. The witch warns her: Rusalka will not be able to speak to the Prince, and if he ever betrays her with affection for another, they will both be cursed to eternal damnation. Rusalka is confident that her love can overcome all dangers and agrees to the trade. Once the transformation is complete, the Prince arrives with his hunters in search of a white doe. Instead, he finds Rusalka — and immediately falls in love with this beautiful, mysteriously silent girl. INTERMISSION

CANADIAN OPERA COMPANY 2019/2020

ACT II Already trouble is afoot. Everyone in the realm is skeptical of this silent, nameless woman the Prince has found by the lake. And since she’s unable to express her love to the Prince, Rusalka becomes increasingly agitated and anxious. Frustrated by her silence, the Prince’s eye wanders to another Foreign Princess, who quickly realizes the tension between the two. Vodnik is dismayed by his daughter’s fate and Rusalka laments that she has made a terrible mistake. She feels caught between the land and the water, between being a woman and a mermaid — and between life or death. The Foreign Princess is shocked at how easily the Prince has switched loyalties from Rusalka to herself; she curses them both. INTERMISSION ACT III Rusalka yearns for her watery home and past life. She returns to the witch Ježibaba, who tells her there is only one way to escape her fate: she must kill the Prince for his betrayal. Rusalka is shocked, but Ježibaba tells her that humans always end up spilling each other’s blood.

Servants of the Prince arrive, looking for help — he has grown ill, longing for the absent Rusalka. The three Wood Nymphs try to lighten the mood, but Vodnik warns them that the time for games is over.

The Prince arrives, once again looking for his beloved ‘white doe’: Rusalka. Their love rekindles, but the Prince’s betrayal means they’re still doomed by the curse. Rusalka warns him that a kiss between them will be fatal. Despite her protestations, the Prince insists on dying to atone for his sins. They kiss.

THE LOOK This stunning and “psychologically astute” (Opera News) production is from acclaimed Scottish director Sir David McVicar, making his COC debut. The shimmering sky and enchanted watery realm evoked in Dvorák’s score have been brought to life by designer John Macfarlane with a rich palette of jewel-tone blues and greens under a luminescent moon. By contrast, scenes on land are set among the harsh, red glow of a Gothic great hall. Classical ballet sequences,

choreographed by Andrew George, reinforce the Rusalka’s inability to dance herself and strike home the ultimate price of her bargain. According to the Chicago Tribune, McVicar “infused his production with the supernatural mysteries and dark humor of Czech folklore, bringing us a world in which pristine nature is progressively despoiled by humankind. This environmental decay runs parallel to the despoiling of the souls of the accursed Rusalka and her lover.”

The Gothic great hall in Act II (Lyric Opera of Chicago, 2014)

CANADIAN OPERA COMPANY 2019/2020

CANADIAN OPERA COMPANY ORCHESTRA VIOLIN I Marie Bérard, Concertmaster The Concertmaster’s chair has been endowed in perpetuity by Joey and Toby Tanenbaum Aaron Schwebel, Associate Concertmaster Jamie Kruspe, Assistant Concertmaster Anne Armstrong Sandra Baron Bethany Bergman Nancy Kershaw Dominique Laplante Clara Lee Yakov Lerner Jayne Maddison Aya Miyagawa VIOLIN II Paul Zevenhuizen, Principal Csaba Koczó, Assistant Principal James Aylesworth Terri Croft* Heemin Choi* Elizabeth Johnston Hiroko Kagawa* Renée London* Louise Tardif Andrea Tyniec* Alexander Volkov Joanna Zabrowarna VIOLA Keith Hamm, Principal (on leave of absence) Sheila Jaffé, Acting Principal Joshua Greenlaw, Assistant Principal Carolyn Blackwell* Carolyn Farnand* Catherine Gray Rory McLeod* Nicholaos Papadakis* Angela Rudden* Jasmine Schnarr* Beverley Spotton (on leave of absence) Yosef Tamir

CELLO Leana Rutt, Principal Paul Widner, Assistant Principal, Acting Associate Principal Julia Tom, Acting Assistant Principal Maurizio Baccante Naomi Barron* Olga Laktionova Ashton Lim* Elaine Thompson

TRUMPET Robert Weymouth, Principal Andrew Dubelsten* Brendan Cassin*

BASS Tony Flynt, Principal Robert Speer, Assistant Principal Nick Bobas* Paul Langley Travis Harrison* Robert Wolanski*

TUBA Sasha Johnson, Acting Principal*

FLUTE Douglas Stewart, Principal Leslie Newman* PICCOLO Shelley Brown OBOE Mark Rogers, Principal Jasper Hitchcock* ENGLISH HORN Lesley Young CLARINET Dominic Desautels, Principal Michele Verheul* BASS CLARINET Colleen Cook BASSOON Eric Hall, Principal Lisa Chisholm HORN Scott Wevers, Principal Janet Anderson Bardhyl Gjevori Gary Pattison

TROMBONE Charles Benaroya, Principal Ian Cowie BASS TROMBONE Herbert Poole

TIMPANI Nicholas Stoup, Principal PERCUSSION Trevor Tureski, Principal Chung Ling Lo* Ryan Scott* HARP Sarah Davidson, Principal

Banda HORN Jessie Brooks* MUSIC LIBRARIAN Wayne Vogan ASSISTANT MUSIC LIBRARIAN Ondrej Golias STAGE LIBRARIAN Paul Langley PERSONNEL MANAGER Ian Cowie *extra musician

GO SCENT FREE. In consideration of patrons with allergies, please avoid using scented products and fragrances.

CANADIAN OPERA COMPANY 2019/2020

IN MEMORIAM: LAURA MCALPINE COC Chorus member Laura McAlpine passed away in Winnipeg on August 12, 2019 after a brief illness. Laura attended Brandon University, the University of Manitoba as well as the University of Toronto. A vivacious performer in the Toronto music community, Laura appeared in seven COC productions over her four seasons with the COC Chorus. She will be greatly missed by all of her colleagues and friends.

CANADIAN OPERA COMPANY CHORUS SOPRANOS Lindsay Barrett Christina Bell Mary Bella Virginia Hatfield Ilona Karan Alexandra Lennox Ingrid Martin Kathleen (Katie) Murphy Jennifer Robinson Teresa van der Hoeven Ilana Zarankin

MEZZO-SOPRANOS Marianne Bindig Susan Black Sandra Boyes Wendy Hatala Foley Erica Iris Huang Lilian Kilianski Kathryn Knapp Anne McWatt Karen Olinyk Megan Quick Vilma Indra Vitols Cindy Won

TENORS Vanya Abahams Tonatiuh Abrego Stephen Bell Taras Chmil Stephen Erickson William Ford Jason Lamont James Leatch Stephen McClare Derrick Paul Miller Kevin Myers Eric Olsen

MUSIC STAFF Miloš Repický (Head Coach) Hyejin Kwon^ Alex Soloway† (Ensemble Studio Coach) Andrea Grant (Chorus music rehearsals)

SPECIAL EFFECTS Air Magic

ASSISTANT CONDUCTOR Jane H. Kim

ASSISTANT LIGHTING DESIGNER Mikael Kangas

ASSISTANT DIRECTOR Russell Wustenberg

UNDERSTUDIES Rusalka Vodnik Foreign Princess Hunter Prince Ježibaba

ASSISTANT STAGE MANAGERS Stephanie Marrs Jessica Severin

Sara Gartland Lauren Margison† David Leigh Alexandra LoBianco Joel Allison† Michael Wade Lee Nicole Piccolomini

DANCERS Jon Drake Sarahi Cardenas Michaela Gobas David Houle Nyda Kwasowsky Beth Maslinoff Godwin Merano Tarina Paquin Jack Rennie Kaela Willey

BALLET MISTRESS Annemarie Cabri

† Current member of the COC Ensemble Studio

BARITONES/BASSES Grant Allert Peter Barnes Sung Chung Jesse Clark Bruno Cormier Michael Downie Jason Nedecky Michael Sproule Michael Uloth Jan Vaculik Peter Wiens Gene Wu Michael York

^ Graduate of COC Ensemble Studio

CANADIAN OPERA COMPANY 2019/2020

BIOGRAPHIES: RUSALKA D

COC mainstage debut

† Current member of the COC Ensemble Studio ^ Graduate of COC Ensemble Studio KERI ALKEMA, Foreign Princess (Soprano; Nashville, TN, USA) SELECT COC CREDITS: Giovanna Seymour, Anna Bolena (2018); Tosca, Tosca (2017); Vitellia, La clemenza di Tito (2013). RECENT: Cio-Cio-San, Madama Butterfly (Opera di Genova); Tosca, Tosca (Washington National Opera and Palm Beach Opera); Amelia, A Masked Ball (Staatstheater Darmstadt and Gran Teatre del Liceu); Amelia, Simon Boccanegra (Opéra de Dijon). UPCOMING: Donna Elvira, Don Giovanni (Washington National Opera)

MATTHEW CAIRNSD†, Gamekeeper (also Prince of Persia in Turandot; Tenor; St. Catharines, ON) COC DEBUT. RECENT: Liberto, The Coronation of Poppea (Opera Theatre of St. Louis); Count Belfiore, La Finta Giardiniera; Sam Kaplan, Street Scene; John P. Wintergreen, Of Thee I Sing; Sam Sharkey/German Lumberjack, Paul Bunyan (UofT Opera); Detlef, The Student Prince (Chautauqua Institute Voice Program); Don Ottavio, Don Giovanni (Centre for Opera Studies in Italy/UofT Opera). UPCOMING: Witch in Hansel & Gretel (Opera for Young Audiences, 2019); Messenger, Aida (COC) PAVEL CERNOCHD, Prince (Tenor; Prague, Czech Republic) COC DEBUT. RECENT: Don Carlos, Don Carlos (Staatsoper Hamburg); Jason, Médée (Salzburg Festspiele); Sergei, Lady Macbeth of Mtsensk (Opéra national de Paris); Boris Grigorjevic, o Katya Kabanova (Royal Opera Hall); Laca Klemen, Jenufa (Bayerische Staatsoper). UPCOMING: o Vladimir, Prince Igor (Opéra national de Paris); Števa Buryja, Jenufa (Royal Opera House, Covent Garden); Boris Grigorjevic, Katya Kabanova (Metropolitan Opera); Prince, Rusalka (Dutch National Opera) JOHANNES DEBUS, Conductor, COC Music Director (Berlin, Germany/Toronto, ON) SELECT COC CREDITS: Otello, Elektra (2019); Hadrian; Eugene Onegin; The Nightingale & Other Short Fables; The Abduction from the Seraglio (2018); Louis Riel; Götterdämmerung (2017); o Ariodante (2016). RECENT: Jenufa (Santa Fe Opera); Beatrice Cenci (Bregenz Festival); The Tales of Hoffmann and Salome (Metropolitan Opera). UPCOMING: Hansel & Gretel, The Flying Dutchman (COC)

LAUREN EBERWEIN^, Turnspit (Soprano; Qualicum Beach, BC) COC CREDITS: Musetta, La Bohème (Opera for Toronto performance, 2019); Fifth Maid, Elektra (2019); The Cook, The Nightingale and Other Short Fables; Countess Ceprano, Rigoletto (2018); Giannetta, The Elixir of Love; Wellgunde, Götterdämmerung (2017). RECENT: Der Komponist, Ariadne auf Naxos; Mère Marie, Dialogues des Carmélites; Olivia, Cold Mountain (Opera Philadelphia); Messiaen’s Poèmes pour Mi (COC Free Concert Series). UPCOMING: Soloist, National Recital Tour (Marlboro Music Festival); Recital with Gilbert Kalish (The Israeli Chamber Project, NYC); Golijov’s AYRE (Curtis 20/21 Ensemble); Resident Artist (TaoArts Chamber Festival) DAVID FINN, Lighting Designer (Mill Valley, CA, USA) COC CREDITS: Arabella (2017); Götterdämmerung (2016, 2006); Siegfried (2016, 2005); Macbeth (2005); Die Walküre (2004); Venus and Adonis (2001). RECENT: Così fan tutte (Dutch National Opera, Opera Australia/[OA]); Le Vaisseau Fantôme (Festival d’Opéra de Québec); Rigoletto (Savonlinna Opera Festival). UPCOMING: The Marriage of Figaro (OA); Così fan tutte (Royal Danish Opera); The Flying Dutchman and Tosca (Metropolitan Opera)

VARTAN GABRIELIAND†, Hunter (Bass-Baritone; Toronto, ON) COC DEBUT. RECENT: Sparafucile, Rigoletto (Opéra de Montréal and New Jersey State Opera); Sweeney Todd, Sweeney Todd; Leporello/Commendatore, Don Giovanni (Opera Philadelphia and Curtis Opera Theater); Prince Gremin, Eugene Onegin (Curtis Opera Theatre); Colline, La Bohème (Orchestra of St. Peter By The Sea); Soloist, Verdi’s Requiem (Victoria Symphony). UPCOMING: Officer, The Barber of Seville (COC)

CANADIAN OPERA COMPANY 2019/2020

Left: (foreground) Lauren Segal, Jamie Groote, and AnnaSophie Neher as the Water Nymphs in rehearsal for the COC’s 2019 production.

ANDREW GEORGED, Choreographer (Tonyrefail, Wales, UK) COC DEBUT. RECENT: Don Carlos (Teatro Real de Madrid); Rusalka (San Francisco Opera); Der Rosenkavalier (Den Norske Opera); Carmen (Dallas Opera); La Traviata (Welsh National Opera); Julius Caesar in Egypt (Glyndebourne Festival); Andrea Chénier (Gran Teatre del Liceu). UPCOMING: Carmen (Göteborg Opera); Don Carlos (Oper Frankfurt); Agrippina (Metropolitan Opera); Adriana Lecouvreur (Opéra national de Paris); La Traviata (Teatro de la Maestranza)

JAMIE GROOTED†, Second Wood Nymph (Mezzo-soprano; Oakville, ON) COC DEBUT. RECENT: Page, Rigoletto (OTSL); Donna Elvira, Don Giovanni (UofT Opera); Nicklausse, The Tales of Hoffmann, Composer, Ariadne auf Naxos; Fox, The Cunning Little Vixen (WLU Opera); Roméo, I Capuleti e i Montecchi; Jade Boucher, Dead Man Walking; Mrs. Gibbs, Our Town (Opera NUOVA). UPCOMING: Hansel, Hansel & Gretel (COC Opera for Young Audiences)

SANDRA HORST^, Price Family Chorus Master (Toronto, ON) SELECT COC CREDITS: Otello, La Bohème, Così fan tutte, Elektra (2019); Hadrian, Eugene Onegin (2018). RECENT: (as conductor) Who Killed Adriana?, Street Scene (UofT Opera). UPCOMING: The Barber of Seville, Aida, The Flying Dutchman (COC); The Marriage of Figaro, Maid and Master: The Massey Murder, Mansfield Park (UofT Opera). ADDITIONAL: Director of Musical Studies at UofT Opera

MORITZ JUNGED, Costume Designer (Stuttgart, Germany) COC DEBUT. RECENT: The Flying Dutchman (Festival d’Opéra de Québec); Rusalka (San Francisco Opera and Lyric Chicago ); The Love for Three Oranges (Staatstheater Mainz); Così fan tutte (Opera Australia); Don Carlos (Bolshoi Theatre); Roberto Devereux (Theatre ChampsElysees and Metropolitan Opera [Met]); Anna Bolena (Badisches Staatstheater Karlsruhe); Les Troyens (Wiener Staatsoper and Royal Opera House); Cavalleria rusticana and Pagliacci (Met)

JANE H. KIMD, Assistant Conductor (Brooklyn, NY, U.S.A.) COC DEBUT. RECENT: The Barber of Seville (The Little Orchestra Society) UPCOMING: The Magic Flute (The Little Orchestra Society). ADDITIONAL: Charles Schiff Conducting Prize 2018; Ensemble Connect (Guest Conductor, 2018)

ŠTEFAN KOCÁND, Vodnik (Bass; Dolne Dubove, Slovakia)

COC DEBUT. RECENT: Hunding, Die Walküre (Opéra National de Bordeaux); Vodnik, Rusalka (National Theatre Prague, South Bohemian Theatre); Sparafucile, Rigoletto (Metropolitan Opera [Met]); Don Pedro, Don Giovanni (Met, Teatro Comunale di Bologna); Philippe II, Don Carlos (Slovak National Theatre). UPCOMING: Oroveso, Norma (Theater an der Wien); Prince Gremin, Eugene Onegin (Palm Beach Opera)

CANADIAN OPERA COMPANY 2019/2020

JENIFER KOWAL, Stage Manager (Thornhill, ON) COC CREDITS: Otello, Così fan tutte (2019); Eugene Onegin, The Nightingale and Other Short Fables, Rigoletto (2018); Arabella, Tosca (2017); Norma (2016). UPCOMING: Hansel & Gretel, The Flying Dutchman (COC)

JOHN MACFARLANED, Set Designer (Glasgow, Scotland, UK) COC DEBUT. RECENT CREDITS: Swan Lake; The Magic Flute; Frankenstein; Giselle; Lady Macbeth of Mtsensk; L’heure espagnole; Gianni Schicchi (Royal Opera House); Agrippina; The Flying Dutchman (Metropolitan Opera)

ELENA MANISTINA, Ježibaba (Mezzo-soprano; Saratov, Russia) COC CREDITS: Ulrica, A Masked Ball (2014); Azucena, Il Trovatore (2012) RECENT: Larina, Eugene Onegin; Vlasyevna, The Maid of Pskov; Ježibaba, Rusalka; Epanchina, The Idiot; Maddalena, The Journey to Reims (Bolshoi Theatre); The Duenna, Betrothal in a Monastery (Stanislavsky Opera). UPCOMING: The Innkeeper, Boris Godunov (Opéra national de Paris)

SIR DAVID MCVICARD, Director (Glasgow, Scotland, UK) COC DEBUT. RECENT: Don Carlos; Gloriana (Teatro Real de Madrid); Medee (Geneva); Faust (Tokyo Bunka Kaikan); I Masnadieri; Rigoletto (Savonlinna Opera Festival); The Marriage of Figaro; The Trojans (Royal Opera House, Covent Garden [ROH]); Rusalka and Andrea Chenier (San Francisco Opera). UPCOMING: Agrippina (Metropolitan Opera); Così fan tutte; Faust (Opera Australia); The Magic Flute; Death in Venice (ROH); Carmen (Göteborg Opera); Ariodante (Wiener Staatsoper) ANNA-SOPHIE NEHER†, First Wood Nymph (Soprano; Gatineau, QC) COC CREDITS: Clorinda, WOW Factor: A Cinderella Story (Opera for Young Audiences); Lavia, Hadrian (2018). RECENT: Barbarina, The Marriage of Figaro (National Arts Centre); Blanche, Dialogues des Carmélites (Opera McGill); Adele, Die Fledermaus (Opera McGill); Pamina, The Magic Flute (Bard College). UPCOMING: The Sandman/The Dew Fairy, Hansel & Gretel (COC); Gretel, Hansel & Gretel (Opera for Young Audiences, COC)

SONDRA RADVANOVSKY, Rusalka (Soprano; Berwyn, IL, USA) COC CREDITS: Anna Bolena, Anna Bolena (2018); Norma, Norma (2016); Elisabetta, Roberto Devereux (2014). RECENT: Manon Lescaut, Manon Lescaut (Edinburgh International Festival); Luisa Miller, Luisa Miller (Gran Teatre del Liceu); Floria Tosca, Tosca (Wiener Staatsoper, Metropolitan Opera [Met] and Deutsche Oper Berlin). UPCOMING: Anna Bolena/Maria Stuarda/ Elisabetta, The Three Queens; Lisa, The Queen of Spades (Lyric Opera of Chicago); Imogene, Il Pirata (Opéra national de Paris) LAUREN SEGAL^, Third Wood Nymph (Mezzo-soprano; Toronto, ON) COC CREDITS: Third Maid, Elektra (2019); Third Lady, The Magic Flute (2017, 2011); Flora Bervoix, La Traviata (2015); Meg Page, Falstaff (2014); Nicklausse/Muse, The Tales of Hoffmann (2012). RECENT: Maddalena, Rigoletto (Calgary Opera); Soloist, Haydn’s Theresienmesse (Grant Park Music Festival); Charlotte, Werther (Manitoba Opera); Olga, Eugene Onegin (Calgary Opera). UPCOMING: Soloist, Child of Our Time (Chorus Niagara); Soloist, Beethoven Ninth Symphony (Hamilton Philharmonic) RUSSELL WUSTENBERG, Assistant Director (Empire, MN, USA) COC CREDITS: Otello (2019); Hadrian (2018). RECENT: Ghosts of Versailles (The Glimmerglass Festival); Oksana G (Tapestry Opera); Die Fledermaus (Opera 5); Carmen (Brott Opera); (as director) Abraham and Isaac (Rose Festival Montréal); (as stage manager) Engagements with Eugene Opera, Fargo-Moorhead Opera, and Opera McGill. UPCOMING: Ghosts of Versailles (Opéra royale au Château du Versailles)

CANADIAN OPERA COMPANY 2019/2020

THE BARBER OF SEVILLE Gioachino Rossini

THE MAGIC FLUTE Wolfgang Amadeus Mozart

TRISTAN UND ISOLDE Richard Wagner

RUSALKA Antonín Dvořák WORLD PREMIERE

Watch the 2020 Season Preview santafeopera.org +1-505-986-5900

M. BUTTERFLY Music Libretto

Huang Ruo David Henry Hwang

CHASING THE TASTE On October 30, the Four Seasons Centre for the Performing Arts transforms into an aquatic fantasy world for the COC’s annual Centre Stage Gala. This year the theme is Subaqueous, drawing inspiration from this season’s Rusalka for everything from décor to the decadent on-stage dinner for nearly 400 people, prepared by The Chase Group. There’s only one catch for one of the city’s most accomplished culinary teams: there’s no kitchen in the wings of the opera house’s iconic mainstage. We asked Chef Taylor McMeekin how the team is pulling it off.

HAS YOUR TEAM EVER ATTEMPTED ANYTHING QUITE LIKE THIS?

We have a very talented group of people so our ability to perform in any situation is among the top in the city. Outdoor events certainly bring their share of challenges and we’ve faced everything from strong winds to scorching sun. There was one time we were working outside in a remote northern Ontario location, when the skies opened up… just imagine trying to finish an exposed pan of paella in those conditions! HOW WILL THE DINNER SERVICE FOR CENTRE STAGE BE UNLIKE A TYPICAL NIGHT AT THE RESTAURANT?

Preparing a mass quantity is the biggest difference! But there’s also a lot of food that needs to be moved around that night. For Centre Stage, we’re actually beginning the prep process, or mise en place as we call it, out of two of our restaurants: Planta Queen and The Chase. After that, we’ll need to shift everything over to the Four Seasons Centre for set-up. Delivering our signature consistency is also a big priority — seafood is delicate and requires a lot of respect and care in its preparation. Any time you’re cooking it in a place without a gas hood is going to be tricky, but we’ve done the homework and are confident about a seamless execution. WHAT’S THE PLAN FOR THE NIGHT OF THE EVENT?

Once appetizers are out, our staff will break out into teams for each dish, with their own chef and sous-chef to guide them. We’ll have our phones to communicate between venues and I’ll be on hand to coordinate everyone on-site. We’re looking forward to a great event! 30

CANADIAN OPERA COMPANY 2019/2020

OCTOBER 30, 2019 With the help of a thrilling live vocal competition, an exquisite gala dinner on the stage of R. Fraser Elliott Hall, and Rusalka-inspired décor, our Centre Stage Gala raises vital funds for the COC’s Ensemble Studio, Canada’s premier training program for up-and-coming opera stars.

COCK TAIL RECE P TIO N 5:30 PM

E NSE M B LE STU DIO CO M PE TITIO N 6:30 PM

GAL A DIN N E R SPLASHY BLACK TIE REQUESTED TICKET $1,500 l TABLE $15,000 ALL PURCHASERS WILL RECEIVE A TAX RECEIPT FOR THE MAXIMUM ALLOWABLE AMOUNT

H E LP SU PP O RT TH E N E X T G E N E R ATIO N O F O PE R A STARS 41 6 . 363 . 5 8 01 CE NTR E STAG EGAL A@ COC .C A COC .C A /CE NTR E STAG E

PLATINUM SUPPORTER

ARTIST TRAINING PARTNER

CREATIVE PARTNER

OFFICIAL AUTOMOTIVE PARTNER

CO-CHAIRS LUCIA & JEFFREY REMEDIOS

OFFICIAL CHAMPAGNE PARTNER

COMMITTEE KATE GIBBONS • KATE ALEXANDER DANIELS ANETA FRIISDAHL • JOHN ZERUCELLI

BACKSTAGE AND BEYOND! Here is a look at some of our recent activities, many shared with our wonderful COC donors, including parties, galas, and backstage meet-and-greets with artists.

Last spring (left) Angel Blue (Mimì) and the entire cast and creative team (above) celebrated the opening night of La Bohème with a postperformance toast.

Above: La Bohème Revival Director Katherine M. Carter spoke with COC General Director Alexander Neef in front of an audience of donors at the Working Rehearsal Dinner.

Above: Price Family Chorus Master Sandra Horst led another highly successful sing-along event in the Richard Bradshaw Amphitheatre, one of many free opportunities for our patrons to engage in opera! Left: Former Ensemble Studio soprano Lauren Eberwein with Ensemble pianist Rachael Kerr provided some glorious music to commuters at Union Station, part of the COC’s Opera Connect events which take place in a range of locations around our city.

CANADIAN OPERA COMPANY 2019/2020

Above: Alexander Neef in conversation with Otello Director David Alden and COC Music Director and Otello Conductor Johannes Debus at the Otello Working Rehearsal Dinner.

Above: Tenor Russell Thomas (Otello), soprano Tamara Wilson (Desdemona) and baritone Gerald Finley (Iago) celebrated opening night of Otello with a post-performance toast.

Above: A young camper at the COC’s Summer Opera Camp 2019. Right: Audience members at the COC’s Opera for Toronto La Bohème event enjoyed a pre-show chat in Farsi, led by composer Afarin Mansouri.

Right: Our 18/19 season ended with our big opera party, Operanation, and an opera house full of partiers, including (above) Operanation Committee Co-chairs Michael Greaves and Odessa Paloma Parker. CANADIAN OPERA COMPANY 2019/2020

MEET THE NEW ENSEMBLE! In late August, the COC’s hallways, warm-up rooms and rehearsal studios were already active with returning and new artists of the Ensemble Studio, Canada’s premier training program for young opera professionals. This year we welcomed four new artists: tenor Matthew Cairns, bass-baritone Vartan Gabrielian, mezzo-soprano Jamie Groote, and pianist and intern coach Alex Soloway.

The journey to become a member of the Ensemble Studio involves several rounds of auditions and finalists are invited to take part in the annual Ensemble Studio Competition which takes place annually every fall, during the final audition process. Last year Cairns, Gabrielian and Groote won first, second and third prizes respectively with Cairns also taking the CBC Music Young Artist Development Prize.

Returning this season are bass-baritone Joel Allison, mezzo-soprano Simona Genga, pianist and intern coach Rachael Kerr, and sopranos Lauren Margison and Anna-Sophie Neher.

As this program goes to print, auditions are already underway to find new artists for the 2020/2021 season, and finalists for this year’s Ensemble Studio Competition on October 30!

The artists work and learn in an customtailored, multi-year program with Liz Upchurch (Head of the Ensemble Studio), Jennifer Swan (Performance Kinetics Consultant), Wendy Nielsen (Head Vocal Consultant), Steven Leigh (Lyric Diction Coach) and visiting specialists from around the world.

Join us for this year’s exciting competition. For information and tickets, visit

CANADIAN OPERA COMPANY 2019/2020

coc.ca/Competition #COCEnsemble

#COCCompetition

JOEL ALLISON Bass-baritone Ottawa, ON

MATTHEW CAIRNS Tenor St. Catharines, ON

VARTAN GABRIELIAN Bass-baritone Toronto, ON

SIMONA GENGA Mezzo-soprano Vaughan, ON

JAMIE GROOTE Mezzo-soprano Toronto, ON

RACHAEL KERR Pianist/Intern Coach Grand Rapids, MI

LAUREN MARGISON Soprano Toronto, ON

ANNA-SOPHIE NEHER Soprano Gatineau, QC

ALEX SOLOWAY Pianist/Intern Coach Ottawa, ON CANADIAN OPERA COMPANY 2019/2020

SAVE THE DATE SEASON REVEAL

Monday, February 10, 2020 The COC is supported by an incredible community of subscribers and donors — and on February 10 they’ll be the first to discover the next season’s monumental lineup. Formal invitation to follow. Interested in attending? Contact donors@coc.ca for more details. Photo: Gaetz Photography

Wednesday, October 30, 2019 Operaâ&#x20AC;&#x2122;s next great voices compete to wow the judges â&#x20AC;&#x201D; and you.

TICKETS FROM $50 Pre-show drinks included* coc.ca/Competition

Platinum Supporter

Creative Partner

*You may be required to present Proof of Age Identification for any alcoholic beverage orders. Simona Genga, winner of the 2017 COC Ensemble Studio Competition. Illustration from a photo by Michael Cooper.

AN INSPIRED PARTNERSHIP Thank you for supporting live opera and sharing the moments that transform everyday life through art.

Here’s to our audiences — you champion live opera and make every visit to the Four Seasons Centre for the Performing Arts a special occasion. To celebrate those moments during our 2019/2020 season, the Canadian Opera Company is partnering with PerrierJouët, one of France’s most historic and distinctive champagne houses. Known for its founder’s love of the arts, Perrier-Jouët is a natural partner to the COC and our patrons’ commitment to artistic excellence and creative innovation. We warmly invite you to experience Perrier-Jouët’s elegant, masterfully crafted Grand Brut Champagne, now available at the opera house and showcased at the Champagne Bar (please ask one of our Front of House team members for more information).

CANADIAN OPERA COMPANY 2019/2020

PERRIER-JOUËT® GRAND BRUT

FLORAL • HARMONIOUS Perrier-Jouët Grand Brut epitomizes the heritage of Maison Perrier-Jouët®. Perpetuating the House’s tradition of brut champagnes. It is a harmonious cuvée in which the luminous notes of Chardonnay are perfectly complemented by Champagne’s two red grape varieties, Pinot Noir and Pinot Meunier. ®

OFFICIAL CHAMPAGNE PARTNER OF THE CANADIAN OPERA COMPANY AND FOUR SEASONS CENTRE FOR THE PERFORMING ARTS

FREEs! event

STEP INSIDE THE STORY OF

TURANDOT

Celebrate the Canadian premiere of Robert Wilson’s fascinating production. Discover the unique power of gesture and movement, used in Wilson’s abstract visual language, to tell Turandot’s story with co-director Nicola Panzer and popular lecturer Stephan Bonfield. Then, learn about the opera’s origin story — rooted in Nizami’s 12th-century Persian epic poem about a Russian princess — with musicologist Tony Sheppard. Charting its journey through its adaptations by Schiller and Goethe, he will give us new insight on this well-loved operatic classic.

STORYTELLING THROUGH MOVEMENT: ROBERT WILSON’S TURANDOT With Nicola Panzer, co-director and Stephan Bonfield, music critic Thursday, Sept. 26, 2019, 7-8:30 p.m. Education Centre

CROSSING BORDERS: THE ORIGINS AND EVOLUTION OF PUCCINI’S TURANDOT With Tony Sheppard, musicologist Wednesday, Oct. 2, 2019 , 7-8:30 p.m. Richard Bradshaw Amphitheatre

For more information and to register, visit

coc.ca/OperaInsights 40

CANADIAN OPERA COMPANY 2019/2020

MUSIC & WELLNESS If you’ve ever sought out just the right track to unwind after a long day at work or pump you up for a session at the gym, you know how music can affect our mood and state of mind. But music and wellness can also be part of a balanced healthy lifestyle. Explore the way that music can positively impact your well-being in this season’s lineup of exciting lecture-recitals, yoga classes, performances, sing-alongs and much more!

YOGA With Madison Arsenault, yoga instructor, Lauren Eberwein, soprano, and Rachael Kerr, pianist. Saturday, Oct. 19, 10:30 - 11:30a.m. Richard Bradshaw Amphitheatre General public: $24 Students: $20

MUSIC AND MENTAL HEALTH LECTURE-RECITAL With SarahRose Black, music therapist Monday, Oct. 28, 2019, 7-8:30 p.m. Richard Bradshaw Amphitheatre FREE

For more programming, details, and to register, visit

coc.ca/MusicWellness

“5,000 years of Chinese music and dance in one night.” —The New York Times

5,000 YEARS OF CIVILIZATION REBORN

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March 24–29 • Four Seasons Centre for the Performing Arts Dec 30–31 • Hamilton | Jan 8–12 • Mississauga All-New Show with Live Orchestra | Presented by Local Falun Dafa Associations

1-855-416-1800 ShenYun.com/GTA

ENHANCE YOUR OPERA EXPERIENCE! Starting at $150/year, COC members enjoy w w w w w

Private lounge access Complimentary coat check Early access to tickets Priority seating A charitable tax receipt for the full amount of their gift

JOIN TODAY Visit the Membership Desk friends@coc.ca 416-847-4949 coc.ca/Friends

COC Wig & Makeup Supervisor Sharon Ryman tranforms soprano Tracy Cantin into Anna Bolena at a Spotlight Series event. 42

CANADIAN OPERA COMPANY 2019/2020

RBC is proud to support the Canadian Opera Company.

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ADMINISTRATION AND STAFF ALEXANDER NEEF General Director CHRISTIE DARVILLE Executive Director, Philanthropy & Audiences

ROBERT LAMB Managing Director

JOHANNES DEBUS Music Director

EXECUTIVE OFFICE

PRODUCTION

Executive Assistant to the General Director Marguerite Schabas

Technical Director Mike Ledermueller Production Manager Michael Freeman

ARTISTIC PLANNING

Lighting Supervisor Daniele Guevara

Director, Artistic Planning Roberto Mauro

Associate Technical Director Jake Gow

MUSIC & ARTISTIC ADMINISTRATION

Assistant Technical Director Melynda Jurgenson

Contracts Manager Karen Olinyk

Assistant Production Manager Murphy Diggon

Company Manager Olwyn Lewis

Technical Assistant Nida Haroon

Price Family Chorus Master Sandra Horst

Head Electrician Joe Nalepka

Assistant to the Music Director Derek Bate

Assistant Electricians Douglas Claus Josh McGill

Scheduling Manager Kathryn Garnett Scheduling Assistant Lesley Abarquez

Head of Sound Bob Shindle Assistant Sound Craig Kadoke

Production Assistants Katie German Tsz Ting Lam

Head Carpenter Paul Watkinson

Orchestra Personnel Manager Ian Cowie

Assistant Carpenter David Middleton

Music Librarian, Coach Wayne Vogan

Head Flyman Michael Gelfand

Assistant Music Librarian Ondrej Golias

Head of Properties Daniel Graham

Music Staff Andrea Grant (Turandot/Rusalka) Jane H. Kim (Rusalka) Hyejin Kwon (Rusalka) Matteo Pais (Turandot) Miloš Repický (Rusalka) Michael Shannon (Turandot)

Head of Front of House Alex Maitland

Core Crew Doug Closs Gregg Feor Terry Hurley Paul Otis

CANADIAN OPERA COMPANY 2019/2020

Scene Shop Coordinator Amy Cummings Head Scene Shop Carpenter David Retzleff Assistant Scene Shop Carpenter Andrew Walker Head Scenic Artist Richard Gordon Assistant Head Scenic Artist Katherine Lilley Rehearsal Head Technician Scott Kitcher Properties Supervisor Wulf Higgins Properties Shop Tracy Taylor Costume Supervisor Sandra Corazza Costume Coordinators Chloe Anderson Nastassia Brunato Costume Assistants Erica Theriault Gwyneth Whalen-Hughes Cutter Tracey Glas Assisted by Jennifer Purcell Martin Judie Plaza Additional Costumes Avril Stevenson Assisted by Rebecca Boyd Erin Huitema Geoff Hughes Denis Pizzacalla Kim Crossley Assisted by Alanna Kitsan Debbie Kschesinski Deborah S. Lount Industry Costumes Christine Audet Marvin Schlichting for Felsen Tailors

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SHARE THE OPER A PROGR AM at the Canadian Opera Company

We live in a country with a rich and deep appreciation for arts and culture, and weâ&#x20AC;&#x2122;re committed to fund programs that enable Canadians of all means and backgrounds to enjoy the very best.

Making the Arts More AccessibleÂŽ

Head of Wardrobe Nancy Hawkins Wardrobe Assistant Leslie Brown Wig & Make-up Supervisor Sharon Ryman Head of Wig & Make-up Crew Cori Ferguson Special Effects (Rusalka prosthetics) Steven Dawley of Voodoo Dawl FX SURTITLES™ Producer John Sharpe

Manager, Adult Programs & Academy Operations Catherine Willshire

Senior Development Officer, Friends of the COC Victor Widjaja

Manager, School Programs Maureen Callaghan

Individual Giving Coordinator, Friends of the COC Sarah Westgarth

Manager, Children, Youth & Family Programs Sarah Forestieri

Free Concert Series Program Manager, Free Concert Series Dorian Cox

PHILANTHROPY & AUDIENCES

Supernumeraries Coordinators Analee Stein Elizabeth Walker

Executive Director, Philanthropy & Audiences Christie Darville

ACCESS & TRAINING

Executive Assistant to the Executive Director, Philanthropy & Audiences Elizabeth Scott

COC ACADEMY Ensemble Studio Head of the Ensemble Studio & Coach Liz Upchurch Head Vocal Consultant Wendy Nielsen Performance Kinetics Consultant Jennifer Swan Lyric Diction Coach Steven Leigh COC Ensemble Studio Joel Allison Matthew Cairns Vartan Gabrielian Simona Genga Jamie Groote Rachael Kerr Lauren Margison Anna-Sophie Neher Alex Soloway

Composer in Residence Ian Cusson

ACCESS Education and Outreach Associate Director, Education & Outreach Katherine Semcesen

Advancement Research & Operations Officer Amelia Smart

BRAND & CONTENT

SURTITLES™ Assistants Olwyn Lewis Aislinn Ritchie

Director, Access & Training Nina Draganic

Advancement Operations Officer John Kriter

Senior Manager of Operations, Philanthropy & Audiences Andrea Salin Senior Manager of Operations, Brand & Media Eldon Earle

GOVERNMENT RELATIONS Associate Director, Public Affairs Amy Mushinski

ADVANCEMENT Advancement Associate Janet Stubbs Director, Philanthropy Stephen Gilles

Director, Brand & Content Nikita Gourski Senior Manager, Creative & Publications Gianna Wichelow Web Manager, Digital Marketing Abena Asomaning Manager, Digital Content Taylor Long

PUBLIC RELATIONS Director, Public Relations Avril Sequeira Publicist and Content Producer Kristin McKinnon Public Relations Assistant Davin Leivonen-Fok

TICKET SERVICES Ticket Services Manager Chris Mercredi Assistant Manager, Ticket Services Manda Kennedy

Director of Strategic Initiatives Sarah Heim

Senior Group Sales & Ticket Services Supervisor David Nimmo

Manager, Audience Development Julia Lewis

Ticket Services Supervisor Nick Davis

Senior Manager, Stewardship & Engagement Emma Noakes

Part-time Ticket Services Supervisors Cat Haywood Stoop Rachel Barna

Program Officer, Stewardship & Engagement Stephanie Kallay

Ticket Services Representatives Nazli Akhtari Allison Cooper Alfred Erickson William Ford Peter Genoway Rebecca Gray Donna Hablich Benjamin Harvey Tahsis Jensen

Senior Development Officer, Annual Programs & Patron Engagement Natalie Sandassie Development Officer, Annual Programs & Patron Engagement Soojin Ahn

CANADIAN OPERA COMPANY 2019/2020

Kevin Kashani Keith Lam Rachel Lampreia Isabela Lozano Claire Maher Bernadka Mazgola Megan Miles Kevin Morris Ashley Proulx Karen Rajamohan

IT Services Assistant Tony Sandy Archivist, Joan Baillie Archives Birthe Joergensen

Kevin Morris Deena Nicklefork Alana Sambey Laura Stewart Sophia Wiens

Receptionist/Switchboard Denis Couillard

Patron Services Lead Erica Theriault

Mailroom Clerk/Courier Branka Hrsum

Building Services

SALES & ACQUISITION Manager, Sales & Acquisition DeeAnn Sagar

HUMAN RESOURCES

Call Centre

Human Resources Manager Lorraine Oâ&#x20AC;&#x2122;Connor

Call Centre Representatives Catherine Belyea Frank Bushe Amanda Davies Wendy Limbertie Margaret Terry Larissa Zajac-Elzinga

FOUR SEASONS CENTRE FOR THE PERFORMING ARTS Director, Four Seasons Centre for the Performing Arts Alfred Caron

FINANCE AND ADMINISTRATION Director of Finance & Administration Chris Hutchinson, CPA, CMA Finance Manager Saptarsi Saha, CPA, CA General Accountants Pamela Curva Florence Huang Payroll Accountant Jeanny Won Payroll Administrator Jovana Bojovic Finance Assistant Lorrie Element Accounting Clerk Vera Brjozovskaja Associate Director, IT Steven Sherwood Database Reporting Specialist Brad Staples

Associate Director, Business Development Elizabeth Jones Business & Events Coordinator Melissa McDonnell Patron Services Manager, Food & Beverage Christian Coulter Patron Services Manager, Front of House Julia Somerville Patron Services Assistant Managers Kim Hutchinson-Barber Kimberly Wu Senior Patron Services Supervisors Stuart Constable Lori MacDonald Patron Services Supervisors Karol Carstensen Jamieson Eakin Susannah Mackay Steven McDermott Shannon Mills

SUPERNUMERARIES RUSALKA:

John Allemang Sherily De Silva Atenna Hercules

Todd Langis Andrew McIntosh Eric Sutton

CANADIAN OPERA COMPANY 2019/2020

Associate Director, Facilities Management Joe Waldherr Facility Coordinator (FSCPA) Enrique Covarrubias Cortes Maintenance Assistants (COC) Ryszard Gad Branislav Peterman Julian Peters Maintenance Assistants (FSCPA) James Esposito Nile White Piotr Wiench Daniel Zerihun Security Supervisor Dave Samuels Security Administrator Kathleen Minor Security Guards Evan R. Bawtinheimer Natalia Juzyc Usman Khalid Amir Khan Nicholas Martin Pavithra Sugumar Alona Zlotin Building Operators Dan Bisca Dan Popescu Adrian Tudoran Dexterra Supervisor Paula Da Costa Dexterra Team Jennifer Barros Hirut Drese Nash Lim Jimmy Pacheco Sugey Torres Kinfe Wolde Nida

dwpv.com

We are proud to be a performance sponsor of the Canadian Opera Companyâ&#x20AC;&#x2122;s production of

Turandot

DAVIES WARD PHILLIPS & VINEBERG llp

COC BOARD OF DIRECTORS OFFICERS Mr. Justin Linden, Chair Mr. Jonathan Morgan, Vice-Chair Mr. John H. Macfarlane, Secretary Mr. Paul Bernards, Treasurer Mr. Alexander Neef, General Director (ex officio) Mr. Robert Lamb, Managing Director Ms. Christie Darville, Executive Director, Philanthropy & Audiences

MEMBERS Mr. Anthony (Tony) Arrell Ms. Nora Aufreiter Ms. Marcia Lewis Brown Ms. Helen Burstyn Mr. Stewart Burton Mr. Peter Deeb Mr. George S. Dembroski Mr. Menon Dwarka Mr. William Fearn Mr. David Ferguson (ex officio) Dr. Eudice Goldberg Ms. Halina von dem Hagen Dr. Linda Hutcheon

Mr. Roy Linden Mr. Jeff Lloyd Mr. Huston Loke Ms. Anne Maggisano Ms. Judith Matthews Ms. Bernadette Murphy Mr. James (Jim) Nicol Ms. Frances Price Mr. Jeffrey Remedios Ms. Colleen Sexsmith Mr. Philip S. W. Smith Mr. Paul Spafford Ms. Kris Vikmanis Mr. Graham Watchorn Mr. John H. (Jack) Whiteside

CANADIAN OPERA FOUNDATION DIRECTORS OFFICERS Mr. Tony Arrell, Chair

DIRECTORS Ms. Angela Bhutani Mr. Jonathan Bloomberg Mr. J. Rob Collins

Mr. Mr. Mr. Mr.

Christopher Hoffmann Justin Linden Huston Loke Jonathan Morgan

CREDITS AND ACKNOWLEDGMENTS

COC OPERA GUILDS

The Canadian Opera Company would like to thank all those who volunteer both on a daily basis and for special events with the company.

Kingston Opera Guild Grace Orzech, President

Michael Cooper, Official Photographer

London Opera Guild Ernest H. Redekop, President

Musical excerpts provided by Universal Classics

Muskoka Opera Guild Mr. Pierre Couture, President

The COC is a member of Opera America, Opera.ca and TAPA.

Sudbury Opera Guild Dianne Moore, President

The COC operates in agreement with Canadian Actorsâ&#x20AC;&#x2122; Equity Association. The COC operates in agreement with IATSE Local #58, Local #822, Local #828.

CANADIAN OPERA COMPANY 2019/2020

For more information, visit coc.ca/Guilds.

Dynamic Duet.

Official Canadian wine selection of the Canadian Opera Company

triuswines.

MANY THANKS TO OUR SUPPORTERS Life Trustees Council The Life Trustees Council salutes the leaders of the COC community whose efforts have been integral to the company’s artistic evolution and transformative history of accomplishment. Earlaine Collins J. Rob Collins A. J. Diamond David Ferguson, Chair

Jerry and Geraldine Heffernan Ben Heppner Henry N. R. Jackman Michael Levine

Sue Mortimer Adrianne Pieczonka Arthur R. A. Scace, C. M. David Stanley-Porter

Emeritus Council Executive Committee The COC Emeritus Council, led by the Executive Committee, salutes those Board Members who have completed their term and whose leadership efforts have been integral to the company’s artistic evolution and transformative history of accomplishment. Rosemary Dover Catherine Fauquier Michael Gough, Co-Chair

Anne Maggisano Sue Mortimer Frances Price

Colleen Sexsmith Keith Sjögren Jack Whiteside, Co-Chair

E. Louise Morgan Society A legacy of leadership, passion, and philanthropy achieved through individual lifetime giving in support of the Canadian Opera Company. Anne & Tony Arrell ARIAS: Canadian Opera Student Development Fund Earlaine Collins in memory of Gerard H. Collins John A. Cook Philip Deck & Kimberley Bozak Estate of Horst Dantz & Don Quick Peter M. Deeb Jerry and Geraldine Heffernan Marjorie & Roy Linden

The Catherine and Maxwell Meighen Foundation Roger D. Moore Sheila K. Piercey Frances & Tim Price Arthur & Susan Scace Colleen Sexsmith Estate of James Drewry Stewart Joey & Toby Tanenbaum Anonymous (3)

Major Gifts and Special Projects The COC offers its sincere thanks to the individuals listed below for their extraordinary support.

PRODUCTION UNDERWRITERS

Advancing the art form through visionary productions. $500,000 + Colleen Sexsmith

$100,000 – $499,999 Howard & Sarah D. Solomon Foundation in honour of Gerard Mortier

CANADIAN OPERA COMPANY 2019/2020

PERFORMANCE AND ARTIST SPONSORS Building a community of worldclass artists, both established and emerging. $100,000 +

George & Kathy Dembroski Jack Whiteside

$50,000 – $99,999 Robert Sherrin

$25,000 – $49,999

Marcia Lewis Brown Valarie Koziol The Tauba and Soloman Spiro Foundation Françoise Sutton Kristine Vikmanis & Denton Creighton

Up to $24,999

Peter & Hélène Hunt

COC ACADEMY SUPPORTERS Encouraging the next generation of artists and celebrating Canada’s wealth of talent.

GENERAL PROGRAM SUPPORTERS

$500,000 – $999,999

Sheila K. Piercey The Slaight Family Foundation

Providing general program support is critical to the COC’s artistic mission.

$100,000 – $499,999 Anne & Tony Arrell Marjorie & Roy Linden

$25,000 – $99,999

$1,000,000 +

Keith Ambachtsheer & Virginia Atkin Ethel Harris & the late Milton E. Harris Hal Jackman Foundation Patrick and Barbara Keenan Foundation The Stratton Trust Nora Wilson

Up to $24,999

ARIAS: Canadian Opera Student Development Fund Margaret Harriett Cameron & the late Gary Smith Catherine Fauquier Joy Levine Patricia & Frank Mills Deborah Moorthy Janet Stubbs Toronto Wagner Society Ruth Watts-Gransden Brian Wilks

Jerry & Geraldine Heffernan The Henry White Kinnear Foundation Frances & Tim Price The Estate of James Drewry Stewart Anonymous (1)

$300,000+

Estate of Roger D. Moore

$100,000 +

Mr. & Mrs. David G. Trent

$50,000 – $99,999

C. Joanne Baird in memory of Jeremy C. Scarfe James & Christine Nicol Juta Reed

$25,000 – $49,999

The MacNeill Family Foundation Anonymous (1)

Up to $24,999

Estate of Wilma Elizabeth Bell The Bennett Family Foundation Estate of Cheryl Ann Billingsley Estate of Sheila Black Simon Nyilassy Lenore Jane Wilson in memory of Ruth McCreery

$1,000,000 +

The Catherine and Maxwell Meighen Foundation

Canadian Opera Foundation

Securing the future and long-term vitality of the Canadian Opera Company through visionary, permanent investments $2,000,000 +

Earlaine Collins in memory of Gerard H. Collins Free Concert Endowment Fund Jerry & Geraldine Heffernan

$1,000,000 – $1,999,999

Dr. & Mrs. Larry M. Agranove Estate of Horst Dantz & Don Quick The Hon. Henry N. R. Jackman The Henry White Kinnear Foundation Roger D. Moore Sheila K. Piercey Michael V. & Wanda Plachta Frances & Tim Price Frank and Emily Riddell Memorial Trust George J. Zebrowski

$500,000 – $999,999

Ethel B. Jackson R. Samuel McLaughlin Foundation The Catherine and Maxwell Meighen Foundation

$250,000 – $499,999

ARIAS: Canadian Opera Student Development Fund Dr. Daphne Bell

John A. Cook Evelyn Ellen Elrick Estate of N. Faye Wood

$100,000 – $249,999

Estate of Isobel May Allen Frances V. Blue Ruth Eileen Day George & Kathy Dembroski Estate of Marion Gertrude Farr Leonore Hetherington Helen Inch Ruby Mercer Edwin & Ann Mirvish Estate of Howard Frederick Rock J. M. Doc Savage David Stanley-Porter Mrs. Ruth E. Vanderslip Anonymous (5)

$50,000 – $99,999

The J.P. Bickell Foundation David Bowen Mr. Walter Carsen, O.C. Dr. Rodney C. Ellis Estate of Mildred H. M. Hamilton John G. Hunter Michael & Linda Hutcheon

John B. Lawson, C.M. Q.C. Anthony V. Mason Rob & Penny Richards David E. Spiro Lilly Offenbach Strauss Amy & Claire Stewart Janet Stubbs Sun Life Financial TransCanada Corp. Anonymous (1)

$25,000 – $49,999

Mrs. Leonard G. (Anne) Delicaet Estate of Lynne Jeffrey Marjorie & Roy Linden Cecilia M. Longstaffe Estate of Esther Jean Macdonald Kenneth F. Read Ann D. Sutton Anonymous (1) Canada Cultural Investment Fund—Endowment Incentives

Ontario Arts Foundation

CANADIAN OPERA COMPANY 2019/2020

Individual Giving Annual Support GOLDEN CIRCLE GOLD, $50,000 +

Jerry & Geraldine Heffernan**** The Catherine and Maxwell Meighen Foundation**** Jim & Christine Nicol* Colleen Sexsmith**** Anonymous (1)

SILVER, $25,000 – $49,999

Mark & Gail Appel**** Anne & Tony Arrell**** Barbara Black*** In memory of Gerard H. Collins**** Rennie & Bill Humphries**** Susan Loube & William Acton*** Alan & Gwendoline Pyatt* Jack Whiteside*** Anonymous (2)

BRONZE, $12,500 – $24,999

Keith Ambachtsheer & Virginia Atkin**** Ms Nora Aufreiter** Lisa Balfour Bowen & the late Walter M. Bowen**** Paul Bernards*** Mr. Philip J. Boswell**** Marcia Lewis Brown** Helen Burstyn & Family Stewart & Gina Burton** Dr. John Chiu in memory of Yvonne Chiu, C.M.**** The Max Clarkson Family Foundation**** Ms Sarah Cohen J. Rob Collins & Janet Cottrelle**** Marilyn Cook** Jean Davidson & Paul Spafford**** Catherine Fauquier**** David & Kristin Ferguson**** Lloyd & Gladys Fogler**** Four Seasons Hotels & Resorts*** Robert Fung** Ira Gluskin & Maxine Granovsky Gluskin**** Dr. Eudice Goldberg** The Hon. William C. Graham & Mrs. Catherine Graham**** Ethel Harris & the late Milton Harris**** William & Nona Heaslip Foundation**** Douglas E. Hodgson**** Michael & Linda Hutcheon**** Bernhard & Hannelore Kaeser**** Ronald Kimel & Vanessa LaPerriere**** Valarie Koziol* Justin S. Linden** Jeff Lloyd & Barbara Henders** Jerry & Joan Lozinski**** Ms Anne Maggisano* Hon. Margaret Norrie McCain**** John McVicker & B. W. Thomas**** Delia M. Moog**** Jonathan Morgan*** Sue Mortimer in memory of Clive Bennett Mortimer**** Susanne Boyce & Brendan Mullen**** Ms Bernadette Murphy Frances & Tim Price****

Ms R. Raso**** Annie & Ian Sale** Philip & Maria Smith**** Stephen & Jane Smith**** David E. Spiro**** Françoise Sutton**** Riki Turofsky & Charles Petersen*** Ms Kristine Vikmanis & Mr. Denton Creighton**** Halina & Kurt von dem Hagen*** David Roffey & Karen Walsh**** The Youssef-Warren Foundation****

PRESIDENT’S COUNCIL TRUSTEE, $7,500 – $12,499

Margaret Atwood & Graeme Gibson*** Dr. Frank Bartoszek & Mr. Daniel O’Brien**** Cesaroni Management Limited**** Frank Ciccolini Sr.**** Bud & Leigh Eisenberg**** George Fierheller**** Peter & Shelagh Godsoe*** Deanna A. Gontard**** Chris Hoffmann & Joan Eakin*** Dr. Joshua Josephson**** J. Hans Kluge*** Dr. Elizabeth Kocmur & Mr. James C. Baillie**** Amy & John Macfarlane** Frederick J. Marker & Anne W. Dupré Kathleen McLaughlin & Tim Costigan*** John & Esther McNeil**** Don McQueen & Trina McQueen O.C.*** Dr. Judith A. Miller**** Bruce & Vladka Mitchell** Rob & Penny Richards**** Dr. David Shaw** Carol Swallow**** Wendy J. Thompson**** Mr. José A. Vizquerra-Benavides & Ms Jessica Schwarz Mr. Brian Wilks** Helen Ziegler***

PATRON, $3,750 – $7,499

Dr. & Mrs. Hans G. Abromeit**** Sue Armstrong**** Philip Arthur & Mary Wilson** Ron Atkinson & Bruce Blandford**** Mr. Jeff Axelrod & Dr. John Goodhew* Mona H. Bandeen, C.M.*** Mr. & Mrs. Eric Belli-Bivar**** Tom Bogart & Kathy Tamaki*** Dr. David & Constance Briant**** Dr. Jane Brissenden & Dr. Janet Roscoe**** Mrs. Donna Brock**** Alice Burton**** Margaret Harriett Cameron**** Sharon & Howard Campbell*** Neil Chander The Rt. Hon. Adrienne Clarkson** Ms Hope Elizabeth Anna Clement Josyane Cohen**** Tony Comper*** Mary and Bill Corcoran**** Bram & Beth Costin

CANADIAN OPERA COMPANY 2019/2020

Lindy Cowan† & Chris Hatley**** Peter Deeb** Carol Derk & David Giles*** Jeffrey Douglas Dr. & Mrs. Dean G. Dover**** Vreni & Marc Ducommun**** Joseph Fantl & Moira Bartram*** Darren Farwell Ms Lindsay Dale-Harris & Mr. Rupert Field-Marsham**** William & Rosemary Fillmore**** Margaret & David Fountain**** Susan Gerhard*** Miss Ann J. Gibson**** David Gordon & Beth Greenblatt** Michael & Anne Gough**** Ronald & Birgitte Granofsky**** Douglas & Ruth Grant** John & Judith Grant*** Ms Carol Gray John Groves & Vera Del Vecchio**** Mrs. Pamela Hallisey George & Irene Hamilton**** Beverly Hargraft*** Mr. Harquail & Dr. Sigfridsson** Hon. & Mrs. Paul Hellyer**** Mr. David J. Hiebert & Dr. Paul E. Cooper Michiel Horn & Cornelia Schuh**** Ken Hugessen & Jennifer Connolly*** The Patrick & Barbara Keenan Foundation**** James & Diane King*** Michael & Sonja Koerner**** Kimberley Fobert & Robert Lamb†**** Paul Lee & Jill Maynard**** Mr. J. Levitt & Ms E. Mah** Mr. Peter Levitt & Ms Mai Why**** Leanne & George Lewis Marjorie & Roy Linden**** Peter H. Lunney** Peter & Jocelyn Luongo James & Connie MacDougall**** Tom MacMillan**** Mrs. J. L. Malcolm** Dr. & Mrs. Donald C. McGillivray**** Paul & Jean McGrath**** Ronan McGrath & Sarah Perry** June McLean**** Mr. Timothy McNicholas** Mr. Ian McWalter* Eva Innes & David Medhurst** Mr. Ulrich Menzefricke**** Polk Family Charitable Fund** Varqa Mirzaagha Dr. M. L. Myers**** Matt Mysak*** Dr. Shirley C. Neuman*** Eileen Patricia Newell**** Dr. Emilie Newell** Sally-Ann Noznesky**** Simon Nyilassy** Janice Oliver*** Dr. & Mrs. William M. Park**** Douglas L. Parker**** John & Gwen Pattison*** Dr. Roger D. Pearce**** John & Carol Peterson*** Otto & Marie Pick Charitable Foundation June C. Pinkney****

Julian and Anna Porter Mary Jean & Frank Potter**** Margaret A. Riggin** Ms Sharon Cookie Sandler**** Sam & Esther Sarick**** Helen & John Scott*** June Shaw & the late Dr. Ralph Shaw**** David & Hilary Short**** Hume Smith**** Mr. Philip Somerville** Dr. John Stanley & Dr. Helmut Reichenbächer**** Wayne Stanley & Marina Pretorius** David Stanley-Porter and Colin Mailer**** Doreen L. Stanton**** James H. Stonehouse** Janet Stubbs†** Ronald & Lee Till**** Elizabeth Tory**** Ian Turner*** Sandra & Guy Upjohn*** Dita Vadron & Jim Catty** Edmond & Sylvia Vanhaverbeke**** Hugh & Colleen Washington*** Ruth Watts-Gransden**** Virginia Wesson*** Frank Whittaker*** Ms Elizabeth Wirth Mrs. Richard Wookey**** Linda Young** Susan Zorzi*** Anonymous(8)

MEMBER, $2,250 – $3,749

D. C. Adamson-Brdar**** Joan H. Addison Dr. & Mrs. Larry M. Agranove**** Mr. & Mrs. Roberto & Nancy Albis**** Mr. Brad Alexander Mr. Thomas & Mrs. Claire Allen*** Clive & Barbara Allen**** Dr. D. Amato & Ms J. Hodges**** Louis Amato-Gauci & David Hopley Stephanie, Kate & Anne-Marie H. Applin**** Gail Asper, O.C., O.M., LL.D. & Michael Paterson K. R. I. Bailey** John Bailey*** Marilyn & Charles Baillie**** Andrew & Cornelia Baines**** Janice A. Baker**** Mr. Clair Balfour and Ms Marci McDonald Richard J. Balfour**** Ms Linda Banks Karen & Bill Barnett** Dr. Thomas H. Beechy**** Mr. N. Beilstein & Mr. A. Lee Ms Marie Bérard†**** Nani & Austin Beutel**** Dody Bienenstock*** John & Mandy Birch** Douglas Birkenshaw and Ginger Sorbara Ms Tricia Black* Anneliese and Walter Blackwell**** Ian & Janet Blue*** Howard & Caroline Booth Mr. Christopher Bozek* Mrs. Carolyn Bradley-Hall & Mr. William Bradley****

Mrs. Richard Bradshaw**** Thomas J. Burton** Maureen Callahan & Douglas Gray*** Ken & Denise Cargill** Brian & Ellen Carr**** Gail Carson**** Drs. Carol & David Cass Wendy M. Cecil**** Lee Chambers Prof. Alfred L. Chan & Mr. Michael Farewell**** Dr. & Mrs. Albert Cheskes**** Mr. Amar Choksi John D. Church* Dr. Howard M. Clarke**** Stephen Clarke & Elizabeth Black*** Ms Jacqueline Code** Edward Cole & Adrienne Hood*** Brian Collins & Amanda Demers** Fred & Anne Conlin Katherine Robb Corlett**** Dr. Lesley S. Corrin**** Gay & Derek Cowbourne*** Mary & John Crocker**** Ruth & John Crow**** Greg Cumming & Bianca Marcus**** Mary Beth Currie & Jeff Rintoul Carrol Anne Curry**** Mr. & Mrs. Leslie Dan**** Mr. Stuart Davidson* Brian J. Dawson**** Jayne & Ted Dawson**** Philip Deck & Kimberley Bozak**** Mr. & Mrs. A. J. Diamond** Mrs. Shirley Diamond & Family**** J. DiGiovanni** Dr. John H. Dirks Sandra Z. Doblinger** Ms Petrina Dolby**** Mr. Steven D. Donohoe**** Mrs. Sharon Dowdal Dr. James & Mrs. Ellen Downey*** Ms Jill Presser & Mr. John Duffy** Marko Duic and Gabriel Lau**** Mr. Albert D. Dunn** William & Gwenda Echard**** Jean Patterson Edwards** Wendy & Elliott Eisen**** Dr. Frederick D. Erbiceanu, DDS Jordan Elliott & Lynne Griffin* George A. Farkass*** Mr. Derek Fayle Bill Fearn & Claudia Rogers**** Fraser & Margot Fell**** Lee & Shannon Ferrier**** Goshka Folda* J. E. Fordyce**** Robert & Julia Foster** R. Dalton Fowler**** Mrs. Ingrid Fratzl Rev. Ivars Gaide & Rev. Dr. Anita Gaide**** Mr. W. Bowen & Ms S. Gavinchuk**** Aviva & Andrew Goldenberg*** Dr. Fay Goldstep & Dr. George Freedman*** Ricardo Gomez-Insausti** Tina & Michael Gooding**** Wayne A. Gooding†**** David & Wendy Flores-Gordon** Dr. Noëlle Grace & The Shohet Family**** Ms Patricia Graham & Mr. Terry Kirby Bryan Grant

CANADIAN OPERA COMPANY 2019/2020

Mr. Finn Greflund & Mrs. M. Ortner*** Joyce Gutmann**** Dr. Albert J. Haddad & Mr. Rodney Rousseau Dan Hagler & Family**** Mr. James Hamilton** Roy & Gail Harrison**** Paul & Natalie Hartman** Maggie Hayes*** Jacques & Elizabeth Helbronner**** Dianne W. Henderson William E. Hewitt**** The Patrick Hodgson Family Foundation Sally Holton**** Mr. Roland Hoy*** Frances Humphreys in memory of Anthony C. J. Humphreys**** Peter & Hélène Hunt**** Mr. Sumant Inamdar*** Dr. Melvyn L. Iscove**** Elliott Jacobson & Judy Malkin*** Mr. Umar Jan Laurence Jewell*** The Norman & Margaret Jewison Charitable Foundation**** Asma Jinnah Ms Elizabeth Johnson*** Dr. Albert & Bette Johnston*** Lorraine Kaake**** Ann Garnett (Kadrnka)*** Miriam Kagan Dr. Amy Kaiser & Mr. Ken Rotman H. L. Katarynych**** Elaine & Jimmy Kay* Heidi & Khalid Khokhar**** Inta Kierans**** Ellen & Hermann Kircher**** Robin Korthals & Janet Charlton** William & Eva Krangle**** Mr. Leslie Lam Peter W. Lamb & Veronica Tennant Elizabeth & Goulding Lambert**** Mr. Philip Lanouette*** M. J. Horsfall Large*** John B. Lawson, C.M. Q.C.**** Mr. Duncan & Mrs. Sondra Lear Dr. Connie Lee**** Neal & Dominique Lee*** Alexander & Anna Leggatt**** Martin & Raja Leistner John & Michele Lewis* L. Liivamagi & Dr. D. N. Cash* Janet & Sid Lindsay**** Anthony Lisanti**** Dr. Vance Logan**** Mr. Huston Loke Jonathan & Dorothea Lovat Dickson*** Dr. Jan Lusis**** Dr. & Mrs. Richard Mackenzie**** Macro Properties Ltd.*** R. Manke**** Dr. & Mrs. M. A. Manuel** Mr. & Mrs. R. Gordon Marantz**** Roberto Mauro† & Erin Wall† Diane McArthur McDorman Family**** Donald R. McLean & Diane Martello* Georgina McLennan**** M. E. McLeod**** Shawn McReynolds & Elaine Kierans** Dr. Don Melady & Mr. Rowley Mossop**** Pauline Menkes

Eileen Mercier**** Mr. Seth & Ms Theresa Mersky Dr. Alan C. Middleton*** Ms Elizabeth Paton Miller** Patricia & Frank Mills*** Dr. & Mrs. Steven Millward*** Dr. Judy Miner Audrey & David Mirvish**** Dr. David N. Mitchell & Dr. Susan M. Till**** Mr. Robert Morassutti**** Alice Janet Morgan**** Ms Rosalind Morrow*** Gael Mourant & Caroline Hubberstey* Mr. Noel Mowat** Professor David J. Murray*** David & Mary Neelands*** Beth Corcoran & Jonathan Newton Dr. Steven Nitzkin**** James Norcop*** Dr. James & Mrs. Valda Oestreicher**** Emile Oliana & Alvin Iu**** Martin & Myrna Ossip** Eileen & Ralph Overend** Julia & Liza Overs**** Clarence & Mary Pace*** Dr. & Mrs. N. Pairaudeau**** Barbara & Peter Pauly*** Dr. A. Angus Peller** John & Penelope Pepperell*** Linda Lee & Michael Pharoah**** Robin B. Pitcher**** Mr. & Mrs. Domenic Porporo*** Georgia Prassas**** Mr. John Prezioso Andy Pringle* Dr. Mark Quigley & Elaine Conn**** Dr. Linda Rabeneck & Dr. Catherine Campbell Margrit & Tony Rahilly**** Stephen Ralls & Bruce Ubukata**** Carol & Morton Rapp**** Dr. Reza Rastegar Gabrielle & Greg Richards*** Carolyn Ricketts**** Janet Rieksts-Alderman Ms Nada Ristich** Emily & Fred Rizner*** Clara Robert** J. E. Robinson In Memory of John & Norma Rogers Dr. Michael & Mary Romeo**** Rainer & Sharyn Rothfuss**** Rubach Wealth - R&A Financial Group Inc. David A. Ruston**** Mr. Michael Samborsky*** Fred & Mary Schulz** Carol Seifert & Bruno Tesan*** Robert & Geraldine Sharpe**** Allan & Helaine Shiff**** Dr. Bernie & Mrs. Bobbie Silverman*** Rod & Christina Simpson Alan Sinclair Helen Sinclair Ms Joan Sinclair*** Carol Slatt** Jay Smith & Laura Rapp** Dr. Harley Smyth & Carolyn McIntire Smyth*** Dr. Joseph So**** Ms C. Soles The Sorbara Group of Companies**** Martha E. Spears**** F.E.A. Specht****

Ms Gillian Stacey Paul Steep & Anne McNeilly** Oksana R. Stein**** John D. Stevenson**** Martin Stone Mr Philip Street and Ms Vanessa Grant Dr. David Surplis Dr. William Siegel & Margaret Swaine*** Anna Talenti**** Eric Tang & Dr. James Miller*** Tesari Charitable Foundation** Mr. Theodore & Mrs. Reiko Tjaden Mr. Alex Tosheff** Vernon & Beryl Turner**** Dory Vanderhoof & Rosalind Bell**** Stefan Varga & Dr. Marica Varga* Dr. Yvonne Verbeeten*** Mr. Sam Virgilio Karen & Thomas Von Hahn Dr. Helen Vosu & Donald Milner**** Elizabeth Walker**** Donald & Margaret Walter**** Ted & Erica Warkentin Melanie Whitehead*** Elizabeth Wilson & Ian Montagnes**** Robert Elliott & Paul Wilson*** Ms Lilly Wong** John Wright & Chung-Wai Chow** Ms June Yee*** Erik Yeo Morden Yolles**** Carole & Bernie Zucker*** Anonymous (16)

Mr. Carmen & Mrs. Vittoria Guglietti*** Ms Alison Harvison Young & Mr. Herman J. Wilton-Siegel** Sylvie Hatch**** David Holdsworth & Nicole Senécal** Richard & Susan Horner**** Ms Suanne Kelman and Dr. Allan J. Fox*** Mr. & Mrs. I. P. & O. M. Komarnicky*** Dr. Milos Krajny**** Alan & Marti Latta**** Mr. Tom Le Seelleur**** Andrew & Harriet Lyons Mary McClymont**** Paul and Lynne Milnes* Mr. Carl Morey**** Sean O’Neill & Victoria Cowling**** Mr. Vlad Ovchinnikov & Mrs. Lesia Menchynska* Richard A. R. Paradiso Mervyn Pickering Dr. Peter Ray**** Dr. Shelley Rechner**** Amye & DeeAnn Hagler Sagar† Ms Elisabeth Scarff**** Marlene Pollock Sheff** Samuel and Fran Sheusi*** John Spears and Elisabeth Marsden**** Dr. & Mrs. W. K. Stavraky**** Paul Straatman and Shane Toland Ms Peg Thoen*** Susan Vorner Kirby & Graeme Kirby Zorzella Family Anonymous (4)

FRIENDS OF THE COC

CONTRIBUTING FRIENDS $750 – $1,149

SUSTAINING FRIENDS $1,750 – $2,249

Carol & Ernest Albright**** Michael Benedict & Martha Lowrie**** Iivi Campbell**** Geoffrey & Bilgi Chapman**** Mr. Kazik Jedrzejczak**** Mr. Mikk Jerkavits Dr. Paul & Mrs. Marcia Kavanagh P. Anne Mackay**** Janina Milisiewicz**** Dr. Kevin Morse Juta Reed*** Mrs. Gertrude Rosenthal**** David Smukler & Patricia Kern*** Mr. & Mrs. David G. Trent**** Joan Williams**** Anonymous (1)

ASSOCIATE FRIENDS $1,150 – $1,749

Dr. I. L. Babb Fund at the Toronto Community Foundation**** Michael & Janet Barnard*** Ellen & Murray Blankstein* Darlene & Peter Blenich** James E. Brown*** R Burkholder** Theresa & John Caldwell**** Patricia Clarke** Mr. Philip J. Conlon*** Mr. Darren Day**** Hugh Furneaux**** Georgia & Stephen Gerring** Les & Marion Green****

Sean Adams Stephen Adler and Elana Metter Sam & Jessie Albanese Leila Appleford*** Mr. Alfonso M. Arias Alyson Barnett Cowan*** Ms Vernis Barnwell*** Peter & Leslie Barton**** Mrs. Lynn Bayer*** Mr. Joseph & Mrs. Rosa Berkowitz**** Mr. Spencer Bibby* Don Biderman**** M. I. Bohn* Gabrielle and Karina Bray Murray & Judy Bryant**** Ms Judith Burrows*** Dr. Barbara Caffery Mr. Bill Cameron*** Christopher L. Cantlon*** Betty Carlyle**** Mark Cestnik and Natercia Sousa**** Dr. Wendy C. Chan* Robert D. Cook*** William Cowan & Elodie Fourquet*** David M. Cullen**** Anita Day Debbie DeLancey Mr. Stephen F. Dineley & Ms Penelope Rose*** Mr. Michael Disney** Olwen & Frank Dixon*** Peter & Anne Dotsikas*** Howard & Kathrine Eckler**** Ms Eleanor L. Ellins**** Joe & Helen Feldmann**** Margaret & Jim Fleck* Ms Rosario Flores*

CANADIAN OPERA COMPANY 2019/2020

Jennifer & Frank Flower**** Marie-Lison Fougere*** Angelo Furgiuele & Family** Dr. Hugh Gayler & Ms Eileen Martin**** Mr. M. Gerwin & Mrs. J. Rutledge*** Alison Girling & Paul Schabas*** Mr. Jack Golabek* Ms Julianna A. Greenspan Dr. & Mrs. Voldemars Gulens**** Dr. & Mrs. Brian & Cynthia Hands**** Ms Julie Hannaford Hana Havlicek Martinek** In memory of Pauline Hinch** Dr. Elizabeth Hodby* Nigel & Bridget Hodges**** Mr. Josef Hrdina** James Hughes*** Margaret and Chris Ibey**** Dr. Peter Jacyk & Dr. Lesia Babiak** Alanne & David Kee** Mai Kirch**** Dr. & Mrs. L. A. Kitchell**** Christopher Kowal* Mr. James R. Lake**** Ms Roberta Laking** Harry Lane*** Giles le Riche & Rosemary Polczer**** Dr. Jim Leatch† & Dr. Sandra Boyes† Claus & Heather Lenk*** Yakov Lerner†* Gil & Dorota Lorenson Dr. Francois Loubert** Mary P. MacLean**** Gerda Marz Jil McIntosh*** Sylvia M. McPhee**** James & Mary Morgan* Mr. Raymond Murphy and Ms Glerry Vanderkuyp Roald Nasgaard and Lori Walters** Peter Naylor* Karen Olinyk†** Ms Elizabeth Oliver* Dr. Michael O’Mahony Dr. Wadermar A. Pieczonka**** Ed & Beth Price**** Robert Radke Professor C. Edward Rathé**** Ms Cecille Ratney**** Ms Virginia Robeson*** Gordon Robison & David Grant** Ms Joan Rosenfield*** Joe & Diane Rosenthal in memory*** Robert & Dorothy Ross**** Mr. Anthony Rubin**** Janice and Paul Sabourin Mr. Paul Sabourin Dr. Anabel M. Scaranelo Patti & Richard Schabas*** Front Desk Ltd./Toby Schertzer Valerie Schweritzer & Chris Reed**** Ms Maggie Siggins** Mr. Peter W. Skoggard Kevin and Sabine Smart Mrs. Pamela A. Smith Terry S. Tator*** Ms Laura Trachuk & Mr. Martin Katz* Ms Laurie Ubben Dr. Nancy F. Vogan**** Mr. Wayne Vogan†**** George Vona & Lark Popov*** Dr. Peter Voore**** Dr. Leonard Waverman and Dr. Eva Klein

Mr. John M. Welch**** Mr. Murray Weppler Ms Diana Yenson* Mr. R. Bruce Yungblut*** Anonymous (14)

The Encore Legacy The Encore Legacy is the planned giving program of the Canadian Opera Company.

Planned giving is making the decision today to provide a gift for the Canadian Opera Company that may not be realized until after your lifetime. Gifts planned today, that will ultimately affect your estate, allow you to make a statement of support that will become a lasting legacy to the COC. The Canadian Opera Company gratefully acknowledges and thanks the following individuals who have included the COC in their estate planning: Marie Agay Susan Agranove & Estate of Dr. Larry M. Agranove Ken R. Alexander Estate of Isobel May Allen Ms Sandra Alston Estate of John H. Anderson Ms Ann Andrusyszyn Callie Archer Renata Arens & Elizabeth Frey Mrs. Rosalen Armstrong Tony & Anne Arrell Ron Atkinson & Bruce Blandford Estate of Mr. L. H. Bartelink Estate of Wilma Elizabeth Bell David K. Bernhardt J. Linden Best & James G. Kerr Estate of Cheryl Ann Billingsley Estate of Sheila Black Mr. Philip J. Boswell Estate of David Bowen Marnie M. Bracht Estate of Shirley Anne Braithwaite Gregory Brandt Ms Cindy Breslin-Carere Marcia Lewis Brown Brian Bucknall & Mary Jane Mossman Georgina M. Cameron Dita Vadron & Jim Catty Mrs. Ann Christie Earl Clark Stephen Clarke & Elizabeth Black The Rt. Hon. Adrienne Clarkson Brian Collins & Amanda Demers Earlaine Collins In Memory of John A. Cook David H. Cormack Estate of Ninalee Craig Estate of Jean Croggon Anita Day & Robert McDonald Estate of Ruth Eileen Day Ann De Brouwer Estate of Anne Margaret Delicaet Helen Drake Yvonne Earle

CANADIAN OPERA COMPANY 2019/2020

Estate of Philipp Eberhardinger Estate of Evelyn Ellen Elrick Estate of Marion Gertrude Farr David & Kristin Ferguson Carol Fordyce Rowland Galbraith Estate of Douglas G. Gardner Gatfield & Campbell Arts Foundation Susan Gerhard Ann J. Gibson Estate of Hon. Alastair William Gillespie Estate of Evelyn M. Glendenning Tina & Michael Gooding Michael & Anne Gough Donald I. F. Graham Colin Gruchy Donald Gutteridge and Anne Millar David G. Hallman George & Irene Hamilton Estate of Mildred Helen Margaret Hamilton Joan L. Harris Estate of Helen Kathleen Harrop Estate of Leonore Hetherington William E. Hewitt James Hewson Mr. Kim Yim Ho & Walter Frederic Thommen Douglas E. Hodgson Estate of Egon Homburger Estate of Mrs. Lucie Homburger Michiel Horn Matt Hughes Michael & Linda Hutcheon Elaine Iannuzziello Estate of Helen Inch Dr. Ingrid Jarvis Estate of Lynne Jeffrey Estate of Mr. Gordon Cecil Johnson Ann Kadrnka Estate of Betty Kalmanasch Estate of Barbara Lynn Kelsey Ben Kizemchuk Estate of Henri Kolin Kathryn Kossow Estate of Borge John Kraglund Jo Lander Peggy Lau Marjorie & Roy Linden Tom C. Logan, A.R.C.T. Estate of Esther Jean Macdonald Ms Lenore MacDonald Dr. and Mrs. Richard B. Mackenzie Estate of Eluned MacMillan Dr. Colin M. Mailer Estate of Pauline Mandsohn R. Manke Estate of William Allan Henry Manula Tim & Jane Marlatt Mr. Shawn Martin Estate of Anthony V. Mason Margaret McKee Sylvia M. McPhee John McVicker & B. W. Thomas Dr. Alan C. Middleton Eleanor Miller Sigmund & Elaine Mintz Donald Morse Sue Mortimer Roald Nasgaard & Lori Walters Miss Joan C. Pape Mr. & Mrs. James D. Patterson Mervyn Pickering

Gunther & Dorothy Piepke Wanda Plachta Frank Potter Mary Jean Potter Ms Georgia Prassas Estate of K. F. Read Dr. John Reeve-Newson Florence Richler Estate of Howard Frederick Rock John & Norma Rogers Mrs. Margaret Russell Sharon Ryman† Paul Sabourin in memory of Lynne Jeffrey Cookie & Stephen Sandler Estate of Maneck Khurshed Sanjana Estate of J. M. Doc Savage Estate of Helen F. H. Schaller Fred & Mary Schulz John & Helen Scott Colleen Sexsmith Claire Shaw June Shaw, in memory of Dr. Ralph Shaw R. Bonnie Shettler Dr. Joseph So William Siegel & Margaret Swaine Paul Spafford David E. Spiro Estate of Helen Kathleen Allen Stacey Dr. D. P. Stanley-Porter Doreen L. Stanton Drs. W. & K. Stavraky Estate of James Drewry Stewart The Stratton Trust Lilly Offenbach Strauss Janet Stubbs† Ann D. Sutton Ronald Taber Susanne Tabur

Wendy J. Thompson Mrs. Ann C. Timpson Riki Turofsky & Charles Petersen Tony & Mary van Straubenzee N. Suzanne Vanstone Marie-Laure Wagner Estate of Jeanie Irwin Walker Hugh & Colleen Washington William R. Waters Brian Wilks Mr. Leonard J. Willschick Estate of Marion Caroline Wilson Estate of Mary Louise Wratten Estate of Jean Elizabeth Yack Wright Estate of Nancy Fay Wood Marion York Tricia Younger Estate of Susan Zador Estate of George Zebrowski Anonymous (44)

MEMORIAL AND HONORARY DONATIONS The COC expresses its sincere appreciation to all donors who have made memorial and honorary donations. In Memory of Elizabeth Margaret Blaire Walter Bowen Brian Bunting Alastair Gillespie Louise Goldring Geraldine Heffernan Danielle Jeffery James McCarron Constance Macdougall

Paddy Menzies Suzanne Mess Johanna Metcalf Patrick O’Brien-Hitching Grant Reuber Aunt Sara Hanna Margarete Trabandt Joan Wakely In Honour of Tony and Anne Arrell Nora Aufreiter Earlaine Collins’ Birthday Mel Iscove’s Birthday Vance Logan’s Birthday Kenneth Moy Wedding of Emma Noakes & Flavio Daniel Cruz Caracas Agnes Orosz and W Niebrzydowski’s Anniversary Eric Tang’s Birthday Wendy Thompson Mark S. Waldman’s Birthday

Corporate Matching Partners The Canadian Opera Company gratefully acknowledges the following organizations that have matched gifts by their employees: Burgundy Asset Management Ltd. Canadian Tire Corporation Limited Getty Images IBM Canada Inc.

The above Individual Support Gifts were made as of August 27, 2019. * five to nine years of support ** 10 to 14 years of support *** 15 to 19 years of support **** 20 or more years of support † COC administration, chorus or orchestra member ‡ Endowment Despite the staff’s extensive efforts to avoid errors and omissions, mistakes can occur. If your name was omitted, listed incorrectly or misspelled, we apologize for any inconvenience this may have caused. We would appreciate being notified of any errors at 416-847-4949.

CANADIAN OPERA COMPANY 2019/2020

2019/2020 CORPORATE SPONSORS AND FOUNDATION SUPPORTERS

OFFICIAL AUTOMOTIVE PARTNER OF THE COC AND THE FSCPA

SUPPORTER OF ENSEMBLE STUDIO AND CENTRE STAGE

OFFICIAL CHAMPAGNE PARTNER OF THE COC AND THE FSCPA

PRESENTING SPONSOR, FREE CONCERT SERIES IN THE RICHARD BRADSHAW AMPHITHEATRE

OFFICIAL CANADIAN WINE OF THE COC AT THE FSCPA

PRODUCTION SPONSOR, VERDI’S AIDA

PRESENTING SPONSOR OF SHARE THE OPERA Making the Arts More Accessible®

PRESENTING SPONSOR AFTER SCHOOL OPERA PROGRAM & SUMMER OPERA CAMPS

ARTIST HOSTING PARTNER

GOVERNMENT SUPPORT The Canadian Opera Company gratefully acknowledges the generous support through operating grants from these government agencies and departments: OPERATING SUPPORT

ENSEMBLE STUDIO AND ENDOWMENT SUPPORT

an Ontario government agency un organisme du gouvernement de l’Ontario

SPECIAL PROJECT FUNDING For many programs and special initiatives undertaken each year by the Canadian Opera Company, we gratefully acknowledge project funding from: Employment and Social Development Canada

CANADIAN OPERA COMPANY 2019/2020

Ontario Arts Council

Canada Council for the Arts

$100,000 +

The Slaight Family Foundation

$50,000 – $99,999

The George Cedric Metcalf Charitable Foundation Chair-man Mills Inc. The Hal Jackman Foundation at the Ontario Arts Foundation

$10,000 – $49,999

Audrey S. Hellyer Charitable Foundation The Azrieli Foundation Blake, Cassels & Graydon LLP Davies Ward Phillips & Vineberg LLP Goldman Sachs Great-West Life Assurance Company Jackman Foundation The Lloyd Carr-Harris Foundation McCarthy Tetrault The McLean Foundation Norton Rose Fulbright Canada LLP Osler, Hoskin & Harcourt LLP PwC Shangri-La Hotel, Toronto Tesari Charitable Foundation Vida Peene Fund at the Canada Council for the Arts Anonymous (1)

$5,000 – $9,999

The Hope Charitable Foundation JMV Food Services Ltd. Local 58 Charitable Benefit Fund Mill Street Brewery Shinex Window Cleaning Inc. Unit Park Holdings Inc.

$2,500 – $4,999

Hicks Memorial Fund at the Calgary Foundation The Primrose Charitable Foundation

$1,000 - $2,499

Gill Ratcliffe Foundation Jarvis & Associates K.M. Hunter Charitable Foundation O’Shanter Development Company The Powis Family Foundation Anonymous (1)

HOSTING SPONSORS

The Chase Hospitality Group Drake One Fifty Rosalinda Restaurant CENTRE STAGE GALA 2018

OPERANATI0N 2019 Major Sponsor Graywood Developments Official Automotive Partner Volvo Car Canada VIP Dinner Sponsor Cartier Partnering Sponsors Air Canada Burgundy Asset Management Contributing Sponsors Clé de Peau Beauté Ernst & Young Nordstrom Torys LLP

Platinum Supporter RBC

Catering Sponsors The Chase Chase Hospitality Group

Competition Supporter Hal Jackman Foundation

Official Wine Sponsor Trius

Gold Sponsor Brookfield Asset Management

Event Sponsors BT/A Bespoke Audio Visual Chair-man Mills Corp. Equinox FASHION Magazine Faulhaber Communications Floral Fantasy Studio Fujifilm instax Mill Street Brewery No Boats on Sunday Cider Perrier Pink Twig Rosalinda Restaurant Ryan Emberley Photography Shangri-La hotel Toronto Spirit of York Distillery the detox market The Sweet Retreat Toronto Life Wellington Printworks Inc.

PHOTO & IMAGE CREDITS FRONT COVER: COC (2019). PAGES 4 & 6: Javier del Real. PAGE 7: left: R.L. Baumfeld Collection, National Gallery of Art (Washington, DC, USA); middle: Everett Collection Inc / Alamy Stock Photo; right: Javier del Real. PAGES 12 & 15: COC. PAGES 18 & 22: Todd Rosenberg. PAGE 25: J. Deschamps. PAGE 27: COC. PAGE 30: courtesy of The Chase Group. PAGE 32: Top row and middle row, left: Gaetz Photography; middle row, right: Sophie Fielder; bottom row: Spring Morris/Union Station. PAGE 33: Top row, left: Gaetz Photography; top row, right: Dan Truong; middle row, left: COC; middle row, right: Gaetz Photography; bottom row, left: Dan Truong; bottom row, right: Gaetz Photography. PAGES 34, 35 & 38: Gaetz Photography. PAGE 40: COC. PAGE 42: Karen E. Reeves. PAGE 63: photo: Gaetz Photography

CANADIAN OPERA COMPANY 2019/2020

PATRON INFORMATION AND POLICIES GO SCENT FREE In consideration of patrons with allergies, please avoid wearing scented products and fragrances. COAT AND PARCEL CHECK To uphold the safety of the building, oversized bags and parcels may be prohibited from entering R. Fraser Elliott Hall. Patrons attending COC performances may be offered complimentary parcel check. Coat check is located in the Lower Lobby, where the following services are also available: booster seats, back supports, infrared hearing-assistive devices and rental of binoculars, on a first-come, first-served basis. NOISE ETIQUETTE Patrons are reminded that R. Fraser Elliott Hall is an extremely lively auditorium and that all audience noise will be accentuated and audible to other patrons. Turn off all electronic devices, avoid talking, coughing, humming, moving loose seats, kicking the backs of seats, rustling programs, and unwrapping candies or cough drops. Please remain in your seat until the performance has completely ended and the house lights have been turned on. ELECTRONIC DEVICES The use of mobile and smartphones and all other electronic devices is extremely disruptive and is strictly prohibited during performances. If a patron has an emergency and needs to be contacted during a performance, he or she should contact Patron Services for assistance before the performance. CAMERAS/RECORDING DEVICES Please feel free to take selfies and videos at the opera house — it’s a breathtaking space — and share on social by tagging us (@canadianopera) and using our show hashtags (#COCTurandot and #COCRusalka). However, no pictures, video or sound recordings are permitted during the performance.

CANADIAN OPERA COMPANY 2019/2020

LATECOMERS In the interest of safety and for the comfort of all patrons and performers, latecomers may not enter the auditorium or be seated unless there is a suitable break in the performance (usually intermission). Patrons leaving the auditorium during the performance or returning late after intermission may not be readmitted. FOOD AND BEVERAGE Outside food and beverages are prohibited from entering the Four Seasons Centre. Food and beverages are not permitted in the auditorium. RECORDINGS Patrons consent to appear in recorded material by attending FSC performances/events. OBJECTIONABLE BEHAVIOUR Management reserves the right to refuse admission without refund, and expel from the premises, any person whose presence or conduct is deemed objectionable. CHILDREN AND BABES-IN-ARMS All patrons, including children, must have a ticket for the performance. All children must be seated next to an accompanying adult. Young children should be able to sit quietly throughout the performance. If unable to do so, children and their accompanying adult will be asked to leave the auditorium. Babes-in-arms will not be admitted. MEDICAL EMERGENCIES AND FIRST AID A house doctor is present at all performances. Please contact an usher if medical services are required. LOST AND FOUND During performances please speak with an usher or visit Patron Services at the Coat Check in the Lower Lobby. Following performances, please e-mail lostandfound@coc.ca or call 416-342-5200 for information.

PARKING There is parking on a first-come, firstserved basis for about 200 vehicles underneath the Four Seasons Centre. The entrance is located on the west side of York Street, south of Queen Street. Additional parking is conveniently located just steps away in the Green P lot underneath Nathan Phillips Square. For directions visit greenp.com. FOUR SEASONS CENTRE FACILITY TOURS Tours of the Four Seasons Centre include backstage access! For more information, visit fourseasonscentre.ca. PRE-PERFORMANCE OPERA CHATS Guest speakers offer free, insightful chats about the stories, music and background of all COC productions, 45 minutes prior to each performance in the Richard Bradshaw Amphitheatre. Doors open one hour before each performance. Seating is limited and available on a firstcome, first served basis. Please join the line-up early to avoid disappointment. SPECIAL EVENTS AND CATERING The Four Seasons Centre is available for rental for all of your presentation, meeting or special events needs, with spaces accommodating 20 to 2,000 people and full catering services. For further details visit fourseasonscentre.ca or call 416-342-5233.

TICKET SERVICES Canadian Opera Company subscriptions and individual tickets are available through COC Ticket Services: ONLINE: coc.ca BY PHONE: 416-363-8231 or long distance 1-800-250-4653 Monday to Friday – 10 a.m. to 6 p.m. Saturday – 10 a.m. to 4 p.m. Sunday (performance days only) – 10 a.m. to 2 p.m. IN PERSON: Four Seasons Centre Box Office 145 Queen St. W. Monday to Friday: 11 a.m. to 6 p.m. Saturday: 11 a.m. to 6 p.m. Sunday (performance days only): 11 a.m. to 3 p.m. Hours are extended to the end of the first intermission on performance days. EMAIL INQUIRIES: tickets@coc.ca The Four Seasons Centre for the Performing Arts Box Office also services ticketing needs for The National Ballet of Canada and all other Four Seasons Centre events. GROUP SALES Groups of 10 or more enjoy savings on regular individual ticket prices. For more information or to reserve seats, email groupsales@coc.ca or call 416-306-2356.

FOOD AND BEVERAGE SERVICE We are pleased to offer, for the convenience of all our patrons, a pre-order system for intermission purchases for all COC performances. Place your intermission preorder at any bar before the performance begins, to decrease your wait time during intermission. Bars are located throughout the Isadore and Rosalie Sharp City Room’s many levels. Food and beverages are not permitted in the auditorium.

CANADIAN OPERA COMPANY 2019/2020

THE NEW 2020 VOLVO XC90. RECHARGED. Whether you want to keep your loved ones safe or be kind to the environment, the new 2020 Volvo XC90 T8 helps you do both. Beneath its sleek exterior lies a powerful 400HP Plug-in Hybrid engine that not only lowers fuel consumption but also reduces emissions. And its world-class safety features, such as City Safety Collision Mitigation with Pedestrian Detection, provide peace of mind wherever the drive takes you. Itâ&#x20AC;&#x2122;s just the kind of thoughtfulness the world has come to expect from a Volvo. Learn more at volvocars.ca

Volvo Car Canada is proud to be the official automotive partner of the Canadian Opera Company and the Four Seasons Centre for the Performing Arts.

ÂŠ 2019 Volvo Car Canada Ltd, 9130 Leslie St., Suite 101, Richmond Hill, ON L4B 0B9. Always remember to wear your seat belt.