Graduate Portfolio

Page 1

ENARC CRANE

HAN YU portfolio


"...in one of his voyages in search of the terrestrial paradise, he reached the horizon where the earth and the heaven met, and that he discovered a certain point where they were not joined together, and where, by stooping his shoulders, he passed under the roof of the heavens..." — Flammarion. The Atmosphere (engraving, 1888)


If we draw a cloudy atlas for the Meadowland, is it both retrospective and prospective? When winds blow through Barrow, can we share a shelter with tundra above the permafrost? With fire ants connecting together in storm, drifting alone, is there a prototype of common conciousness already given? My name is Han Yu. I value curiosity, empathy, and creativity. I explore puzzles through design.



Contents

Graduate Studio Projects 1

Ritual Remediation

19

Full Spectrum Symbiosis

35

Evolving Common Conciousness Other Works

45

Landform Fabrication

47

Estuary Ecology Study

49

Tidal Garden

51

Community Streetscapes

53

0.5 Ma Overlapping Continuum

55

Vortex Near Old Rocks Internship Projects

57

Rees Street Free Forest

63

Venice Biennale Pavilion


"OUR LIFE IS NOT OUR OWN, FROM THE WOMB TO TOMB, WE ARE BOUND TO OTHERS, AND BY EACH CRIME, AND EACH KINDNESS, WILL DETERMINE OUR FUTURE REBIRTH." * Sonmi, "Cloud Atlas"


RITUAL REMEDIATION A Cloudy Atlas Of Community Generated Futures The speculative atlas is an open-sourced guide to an uncertain future. It is the catalyst for grass-roots action and the progenitor of a new resonance. The Meadowland is a sinuous park, one that supports infinite moments of ‘impermanence and multiplicity,’ it is continuously made and remade by the lives, materials, and stories that create the physical and ephemeral social infrastructure of communities that occupy it. The atlas is intended to sustain, prolong, and provoke this social infrastructure through a series of phases and designed interventions, catalyzing community action and imagination. We argue that resiliency and adaptation in the face of climate change cannot be accomplished without the imagination of the communities affected. As the result of our initial provocations, we offer you a cloudy atlas of community generated futures, embedded in the material histories of the area. This atlas serves as a road map of possibilities by which communities, designers, governments, and institutions can navigate the unpredictable future in real time. Sea level is the datum by which ritual is organized around, not inhibited by. Through distinct insertions and ambiguous provocations about life in the future Meadowland, we encourage community members to fill in the blanks, writing and enacting their own stories based on our initial excitation. Unfolding in small moments or over decades, these interventions generate a proliferation of futures for the Meadowland, grown in the generative incubator of rich community dialogue, housed in mascots, prophecies, landmarks, and legends, and engaged with through the practice of everyday rituals. Foundation Studio III | University of Virginia, 2018 | Meadowland, New Jersey | |

Kelly Katie, Kirk Gordon Programs are done through close cooperation. I took the lead on the concept and structure of cloud atlas, as well as scenario collages.


IDENTITY | COMRADERY | HERITAGE | OWNERSHIP | SOLIDARITY | PRIDE | I

EMPOWERMENT | RESOURCES | SKILLS | VOCUBULARY | INFORMATION OUTREACH | COMMUNICATION | SHARING | RECOGNITION | INVITATION |

IMAGINATION | SPECULATION | EXPERIMENTATION | LEGENDS | STORIES |

IDENTITY | COMRADERY | HERITAGE | OWNERSHIP | SOLIDARITY | PRIDE | I

EMPOWERMENT | RESOURCES | SKILLS | VOCUBULARY | INFORMATION OUTREACH | COMMUNICATION | SHARING | RECOGNITION | INVITATION | IMAGINATION | SPECULATION | EXPERIMENTATION | LEGENDS | STORIES |

IDENTITY | COMRADERY | HERITAGE | OWNERSHIP | SOLIDARITY | PRIDE | I EMPOWERMENT | RESOURCES | SKILLS | VOCUBULARY | INFORMATION 3

OUTREACH | COMMUNICATION | SHARING | RECOGNITION | INVITATION | IMAGINATION | SPECULATION | EXPERIMENTATION | LEGENDS | STORIES |


INVESTMENT | COLLECTIVITY | MASCOTS | LANDMARKS | SYMBOLS | LOGOS

| COMMUNITY | EXCHANGE | TRANSITION | MOBILITY | ACCESS | CARE | OPENNESS | BROADCASTING | ATTENTION | CELEBRATION | RHETORIC

| NARRATIVES | CREATIVITY | POSSIBILITY | DREAMS | TALES | AMBITIONS

INVESTMENT | COLLECTIVITY | MASCOTS | LANDMARKS | SYMBOLS | LOGOS

| COMMUNITY | EXCHANGE | TRANSITION | MOBILITY | ACCESS | CARE | OPENNESS | BROADCASTING | ATTENTION | CELEBRATION | RHETORIC | NARRATIVES | CREATIVITY | POSSIBILITY | DREAMS | TALES | AMBITIONS

INVESTMENT | COLLECTIVITY | MASCOTS | LANDMARKS | SYMBOLS | LOGOS

Our project offers a collaborative and iterative community-oriented design process that emphasizes, exaggerates, and re-contextualizes the shared meanings of local material artifacts to: • Foster and enrich collective identity • Provide foundations for empowered remembrance and transition • Catalyze imaginative speculation + experiment regarding potential futures

| COMMUNITY | EXCHANGE | TRANSITION | MOBILITY | ACCESS | CARE

| OPENNESS | BROADCASTING | ATTENTION | CELEBRATION | RHETORIC | NARRATIVES | CREATIVITY | POSSIBILITY | DREAMS | TALES | AMBITIONS

4


CHAPTER FIVE

MURMURS OF AN AMERICAN DREAM Resonance | Heritage

map sea level rise

5

CHAPTER FOUR

FINDING OUR GROOVE Rebirth | Succession

read land use metamorphosis

CHAPTER THREE

THE GREAT SALT HAY MIGR Transition | Adaptation

conclude reality possibilities


RATION

CHAPTER TWO

CHAPTER ONE

IGNITING THE REGION Outreach | Empowerment

insert relevant interventions

SMELLS LIKE TEAM SPIRIT Identity | Community

weave intervention networks

discuss involved characters

6


erosion control

oxygen exchange

sediment trap

ripple formation

toxin accumulation

orbital motion in tides

high tide suspended load

turbidity maximum

bedload transport

ion

ens

usp

res

low tide

bioturbation

FLUVIAL

ESTUARINE

FLOW

EROSION

The convergence of fluvial and tidal currents creates an area pf dynamic flows that crash and calm, slip around, and grind past one another. Difference in salinity creates different conditions of density and capabilities to carry particles. The movement of these various flows along the borders of wind and soil create high energy conditions that can launch particles into far reaches of the system.

fluvial current tidal current

tidal range

fluvial

estuarine fluvial

Shear stress and frictions factors along shores, soil beds, and water surfaces create high energy moments that transport coarse bedloads and disrupt consolidated sediments. The movement and intensity of flows dictates the ability to carve shorelines and shape bed formation. In the fluvial shores erode into meanders, transporting sediment into the estuary and marine environment.

fresh water

salt water

turbidity & sediment concentration

estuarine

estuarine marine

marine

fluvial

estuarine fluvial

estuarine

estuarine marine

marine

biodiversity & ecological communities

fluvial

7

estuarine fluvial

estuarine

estuarine marine

marine

fluvial

estuarine fluvial

estuarine

estuarine marine

marine

bedrock

san


nds/silts

flocculation

erosion of bar

saline mixing

orbital motion in waves

MARINE ACCUMULATION

clay

marine sands

unconsolidated bed

Accumulation is a key aspect of land and bedform creation in the estuarine environment, and where particles deposit can have significant effects on the environmental health of that area. Stronger currents keep small particles in suspension, depositing only coarse material. In other areas, like where tidal and fluvial currents meet, conditions of slowed energy are created allowing settlement velocities to deposit sediment in the area.

clay particle flocculation

fluvial

estuarine fluvial

estuarine

sediment particles

toxin particles

suspended sediment

accumulation

flooding sequence mapping

estuarine marine

marine

clay particles flow and deposition

fluvial

estuarine fluvial

estuarine

estuarine marine

marine

8


9


In two days we explored the Meadowland through experiments, interviews, and documentation. Field experiments involved material explorations on six sites, testing water through chromatography. With observations drawn from experiments and residents interviews, we started to develop preliminary intervention strategies, explore how these interventions affect each other in time.

10


11


Imagine the atlas as a book. With these interconnected story lines, we can begin to portrait chapters. Each chapter has its own goals and themes. Residents, scholars, and community partners will all participate in the creation of stories and chapters.

12


DANCING CRANE As the joke goes,the "crane" is the new official bird of the meadowland.

THE GREAT SALT

Shaggy cyborgs roam the conditions and performin

SALT HAY BONFIRE Pyres of reed grass mark sites of progressive sea level rise across the park, and are burned when finally inundated.

1 FT

Home Goods Exchange mimi's kitchen

"on'de r water since 2025"

Using American Dream Complex as our testing ground, we experiment with how chapters could be written differently, and how they interact with each other through time.

13

dredging& hydrological manipulation


THE MEADOWLAND MEDIA LIBRARY Residents, visitors, drones are all invited to submit photographs and other recordings of their time in the park, The wall becomes a palimpsest of layered memories.

HAY MIGRATION

e park, monitoring environmental ng landscape operations.

report - 7.04hrs air temp - 67 F water temp - 61 F low tide - 3.04ft high tide - 3.56ft

bank manipulation & erosion regimes

Thatched "roof" 30in 11ft Spartina patens

cyborg technician habitat

5 FT

4 FT

3 FT

2 FT

14


INTERVENTION Existing Rail

Inundated Rail

New Rail

Salt Hay Monster

Postal Drone Route

Swamp Line Routes

Salt Hay Bonfire

Radio Towers

Residential

Landfill

Utilities

Airfield

Recreation

Entertainment

Schools

INUNDATION Industry

15


s

industry | rail | landfill

rail | commercial | residential | school

industry | utility | residential | hotel

hospital | recreation | landfill | commercial

residential | recreation | entertainment

Protective Berms

After analyzing the relationship between sea level rise and land use configuration metamorphosis, we try to map the ranges, trajectories and durations of our interventions.

Commercial

16



American Dream Complex From an ambiguous past To an uncertain future...


“WE USED TO BUILD OUR HOUSES UNDERGROUND AND BURY PEOPLE IN THE SKY. NOW WE DO OPPOSITE THINGS AND HAVE BEEN COLD..." * Jack Heber, Cold Climate Housing Research Center


FULL SPECTRUM SYMBIOSIS Arctic Building-Ground Interface Strategy As the north-most tip of United States, Barrow exhibits an extreme geology-meteorology condition. At high latitudes, low average radiation in limited light time throughout the year, as well as continuous permafrost layer, contribute to the specific cold moist climate regime across the area. Low biodiversity makes the ecosystem even more fragile. Based on the homogeneous topography, human construction makes it possible for the environmental conditions to change without obvious natural ground relief. Intentionally or not, road grid and building structure deeply reshaped the radiation distribution and air flow pattern within the settlement. However, mutual beneficial relationship hasn’t been observed from the lifted building structure subsided in the melted active layer. Interim space between building and ground becomes the most problematic area across the city, which could also be viewed as the breakthrough point to redefine the relationship between environment, human and species. With carefully designed form, function and transparency of building-ground interface, micro-climate mode, as well as spatial configuration could be re-programmed according to specific site features. Varied typologies created from a spectrum of demand and limitation may weave a new socio-environmental matrix, within which human and other species could make a step forward toward a symbiosis relationship. Research Studio | University of Virginia, 2017 | Barrow, Alaska | |

Xinxin Huang, Yue Han Programs are done through close cooperation. I took the lead on the researches, experiments, regional plan, detailed site designs.


up: residential area bird view below: active layer under the building melt in the summer


THE NORTH END: BARROW, ALASKA Through photography, measurement, interviews, conferences, etc., we developed a major interest in the dynamic changes of the frozen ground and the coping strategies of the building interfaces.


EXISTING INTERFACE TYPOLOGY

LIFESTYLE POSSIBILITIES

23


VEGETATION FACT SHEET species

temperature

> -20 C

moisture

species

wind

survived in strong wind

height

15 - 100 cm wet and boggy meadows, stream banks, pond, lake margins

Carex

> -25 C

survived in strong wind

7 - 8 cm

tundra lake beds, bogs, fens

Calliergon

> -25 C

Drepanocladus

habitat

survived in strong wind

7 - 8 cm

tundra lake beds, bogs, fens

Integrate strategies from natural tundra system and traditional human interventions. Imagine different interfacial relationship prototypes that creates new living modes.

24


THERMAL PERFORMANCE EXPERIMENT Use dry ice and thermo camera to record different interface thermal performances in simulated wind and snow situations. Use experiment results as a start to develop new bottom-ground prototypes.

25


26


wind field manipulating

ground relationship remapping

ground relationship mapping

transport system connecting

environmental agency interacting

intervention area demarcating

A PERFECT RING "A PERFECT RING" is a discussion about how building-ground interface strategies can be applied to various urban conditions. Through a circular geometry we apply an urban anatomy into Barrow, show hidden connections between different components, and test how designed prototypes could reshape the relationships. 27


ORIGINAL vegetation type 1 vegetation type 2 vegetation type 3 gravel paved road naked ground ice thawing ice PROPOSED enclosed space protected polygon vegetation type 1 vegetation type 2 vegetation type 3 gravel paved road paved runway snow drift muddy soil airplane

N 50m


SCHOOL PLAYGROUND SECTION

the fireplace provides light and heat to the vegetation under the building

COMMUNITY GARDEN SECTION

AIRPORT MARKET SECTION

SCHOOL PLAYGROUND PLAN

29

COMMUNITY GARDEN PLAN


tundra grows with the heat passed through the column

thermosyphon helps to adjust the micro-climate in interim spaces

open ground floor provides social space for people during the summer

AIRPORT MARKET PLAN

30


31


SCHOOL PLAYGROUND Through opening the ground floor of the teaching building and removing part of the hard paving, tundra system got a chance to reoccupy this space. The wooden structure around the column can accumulate heat passed down and become the center points in this social space. The folded ceiling reflects the light from the sky as well as the tundra on the horizon.

32


COMMUNITY TUNDRA GARDEN When the active layer under the buildings melt in the summer. With designed landform melted water could be stored in the tundra garden, preventing building structures from sinking even more, and contributing to shape a pleasant community environment compared to its current muddy ground.



“ AROUND 100 ANTS ARE NEEDED TO BEGIN TO FORM A RAFT, AND IN THE WILD, THE STRUCTURES CAN FLOAT ALONG FOR WEEKS OR EVEN MONTHS...." * Fiona Macrae, "The Daily Mail"


EVOLVING COMMON CONSCIOUSNESS In An Ant's' Eye: Dr. Lambeth & His Stadium Reading the space from a hydrological perspective, Lambeth Field exhibits characteristics of isolation, separation, and fragmentation under the influences of cumulative anthropocentric environmental modifications. Realizing that, I tried to find different coexistence strategies from other species. The unique behavior of fire ants forming floating rafts by linking their bodies together during flood shows a completely different living philosophy: by sharing consciousness not only between individuals but also with the environment, the whole system could be seen as a super-organism. Through this lens, Lambeth Field could also be seen as an organism gathering consciousness from all the species living in it, as well as the environment itself. To achieve this goal requires a composite design process. Veiled axes of the field are extracted and materialized by water gathering from the surrounding environment, forming a resilient scheme. Potential episodic scenarios — construction of residence, growth of vegetation, reproduction of animals — work as "islands" exerting influences onto the scheme, contribute to shape a primitive landform. After that, interactive events happening in the field would act as mediators between species and the environment. The field continuously evolves to stand for the interest of all participants. Inhabitants not only live with the environment in a more harmonious way, but have a chance to better understand the wise of nature. Foundation Studio I University of Virginia, 2016 Charlottesville, Virginia



FLOW

INTERFERE

CHANGE

ADAPT

EVOLVE

GAIA

A SUPER-ORGANISM Rainwater runoff, collected from nearby communities, pouring down from the stone colonnade, shape the field ground over and over with interferences from all inhabitants.

38


A raft of 500 fire ants connected together tarsus to tarsus. The raft would continuously change shape with currents and obstacles. Thus the ants can remain in the raft for weeks until the floodwaters subside.

Image sequence of an ant raft composed of about 3,000 ants spreading out on the surface of water. (original photos from article: Fire ants self-assemble into waterproof rafts to survive floods)

39


g evolvin

living:

ction

: intera

media

on

enerati

field: g

ing

mbedd

:e events

on

xtracti site: e

DESIGN PROCESS

40


sunny day: evaporation

rainy day: accumulation

41


When water falls from the colonnade, step by step, creeks meander through the houses. People step out, celebrate the coming of the rain.

42


“HOW DID COMPONENTS OF WATER, SUN, AND SOILS GIVE CREATION TO THE ORIGINAL CITY?" * Alex Wall, "Becoming Cartographers"


OTHER WORKS "It is up to you to claim what ‘collection’ or ‘dispersion’ of surface water might be, how big or small they are, where the water might all be headed to or repel from." * Leena Cho, Digital Practice I

"As with stage and film direction or choreography, landscape designers compose the sequence and duration of events people encounter in the constructed environment." * Zaneta Hong, Digital Practice II

Planted Form is called as not to be confused with ‘planting design’ – that kind your great aunt thinks you do as a landscape architect. * Julie Bargmann, Planted Form + Function II

You are going to learn how to design the constructive system of a path through the understanding of the ground attributes, the resistance, and the main uses of your path. * Teresa Gali-Izard, Ecotech I

These relationships exist between the human body, our climate, as well as species of plant & animal. How might questioning relationships offer opportunities for design decisions? * Sean Lally, Research Studio: You’re Living All Over Me Course Works, Studio Exercises University of Virginia, 2016-2018 Southeast University, 2015


LANDFORM FABRICATION Digital Practice, 1 week University of Virginia, 2016,2017

left: PLASTER CASTED LANDFORM: collecting / dissipating water based on the same prototype "ridge" right: 3D PRINTED LANDFORM terrain generation from repeated patterns

45


42



ESTUARY ECOLOGY STUDY Foundation Studio III, 1 week University of Virginia, 2018 (line drawings collaborated with Kelly Katie, Kirk Gordon )

By constructing series of topological models we tried to explore land morphology dynamics in an estuary area. Through the combinations from different prototypes we intended to discuss various possibilities.


To kids longing for their own neverland, spaces shaped by plants act like waves, luring them to explore the unknown world, allowing them spaces to be alone.

canopy

understory

shrub

ground cover

N 20ft

49


TIDAL GARDEN Planted Form And Function, 1 month University of Virginia, 2017 GROUND LAYER

PLANTED FORMS

SPECIES

1. billowing drifts

2. rictilinear drifts

3. tapis vert

4. flowering drifts

5. fleshy drifts

6. carpet

SHRUB LAYER 1. flowering shrub drifts

2. shrub thicket

3. flesh shrub drifts

4. shrub mass

5. curving shrub drifts

UNDERSTORY LAYER

1. liner

2. clump and gap

3. hip hop

50


50 mm top soil 50 mm sand

50 mm blocks in earthy 50 mm sand

50 mm granite slabs 30 mm sand

subbase: 200mm granular

roadbase: 110mm DBM

subbase: 250mm granular

subbase: 75mm type1 subbase: 150mm type1

subgrade: 5% CBR soil

subgrade: 10% CBR soil

50 mm permeable bricks 30 mm sand

50 mm asphalt 30 mm sand

roadbase: 150mm type1

roadbase: 100mm CBM1 subbase: 50mm type1

subbase: 25mm type1 subbase: 225mm type1 subgrade: 5% CBR soil

51

subgrade: 30% CBR soil

50 mm concrete blocks 50 mm sand subbase: 150mm granular

subbase: 175mm type1 subgrade: 10% CBR soil

subgrade: 30% CBR soil


COMMUNITY STREETSCAPES Ecotech I Foundation Studio II, 1 month University of Virginia, 2017 (axon collaborated with Ziqing Ye )

left top: proposed community streets left bottom: the ground from hard to soft right: proposed streetscape scenarios 52



0.5 MA OVERLAPPING CONTINUUM Research Studio, ongoing University of Virginia, 2018 Unwrap, connect, and design relationships between an evolving body and environmental context through diorama and video making.



VORTEX NEAR OLD ROCKS Hilltop Park Redesign, 2 weeks Southeast University, 2015


"GROWTH, DEATH, IRREGULARITY, AND REGENERATION COMPLIMENT THE SPACE, RATHER THAN DETRACT FROM IT.." * Gena Wirth, SCAPE


INTERNSHIP WORKS Free Forest Park | Venice Biennale Pavilion The Rees Street Park competition is the main project I participated during my internship in SCAPE. We started with analyzing Toronto's geological structure and ecological histories. In this process, we realized how ravine system has shaped the hydrological characteristics as well as basic urban configurations of Toronto. Above such structure, the forest is deeply intertwined with its cultural history and still plays an active role in urban life today. Inspired by the history of southern Ontario deciduous forests and their human interactions, we tried to propose a free forest on the site, Rees Street Park in downtown Toronto. We imagine it as "a place equally for trees and for people, evokes a new cultural identity of stewardship and inclusion along the waterfront."(Gena Wirth, competition proposal) To achieve this goal, we introduced various programs into the park, used wood material for fences, benches, and bonfire. All these elements are embedded in interactive activities that change through a year. We hope the park could evolve to meet the needs of citizens. Another major project I participate in is the design for the Venice Biennale Pavilion. I'm mainly involved in the plan iteration, digital / physical model construction, and perspective renderings. Internship | SCAPE, 2018 | New York City | |

Team Work Programs are done through close cooperation. The images shown is the main part of my participation.


OUTWASH PLAIN + HYDROLOGY

59


N

m 0

5

15

35 SITE PLAN 60


A fence to define the edges: Along the Queens Quay, the fence is composed of diagonal smooth driftwood pieces ranging from 0.8 - 1.2 meters in height, densely arranged in the same direction.

A fence for play: As the fence structure begins to weave into the forest, it transforms from a practical barrier, to a playful vertical element that is porous, allowing park users to easily pass through it, interact with it.

61


The Cloud: The Cloud is an interactive water feature for all ages and abilities. Wrapped by a large scale urban bench for sitting and watching.

The Hearth: In the winter, the cloud recedes to reveal the Hearth, a commissioned art work that provides a safe place for winter fires.

62


63


ITERATIONS OF PAVILION PLAN & SECTION

TEST LIGHTING EFFECTS THROUGH MODEL

64


PHOTOGRAPH


RENDERING


Oct.01.2017, Alaska Jack Heber's ultraviolet green house


ONE DAY I SEED AUTUMN WITH TUNDRA DANCING WITH THEM RIDING FOSSIL MAMMOTH IN THE PERMAFROST REINDEER'S LIPS, FROZEN ON ICY WHISKEY MAYBE THAT DAY I COULD BE A POET IN THE ULTRA-VIOLET


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