Artzone 68

ArtZone THE NEW ZEALAND ART & DESIG N GUIDE

$6.50

THE CERMAICS SPECIAL

18 March— 16 July 2017

Masterpieces from Tate

Indemnified by

Exhibition partners

The presentation of this exhibition is a collaboration between Tate and Auckland Art Gallery Toi o TÄ maki.

Love in bloom and other sculptures Terry Stringer

17–25 March 2017 12–6 pm daily location In the garden at Main House 117 Mein St, Newtown (parking nearby in Alexandra Rd) entry Gold coin donation to go to DCM (Downtown Community Ministry) and the SPCA This is an offsite Bowen Galleries exhibition www.bowengalleries.co.nz For a special viewing please ring 04 381 0351

WHAT’S ON AT THE PAH...

Vanished Delft curated by Anna Miles 14 March – 14 May

Photograph – Rachel Ford.

WALLACE ARTS TRUST

Leo Bensemann & Friends 13 April – 28 May

Doris Lusk, Kathleen Davies Davies, 1959, oil on board, Wallace Art Trust.

The Pah Homestead, TSB Bank Wallace Arts Centre 72 Hillsborough Rd, Hillsborough, Auckland www.tsbbankwallaceartscentre.org.nz Open Tuesday – Friday 10am-3pm, Saturday & Sunday 8am-5pm

PΔULNΔCHE PRESENTS

JOHN WΔLSH ΔRT CENTRΔL » 21-25 MΔRCH 2017 » HONG KONG

26 Feb – 7 May 2017

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Cnr Norrie and Parumoana Streets, Porirua City, www.pataka.org.nz

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1. AndrĂŠ Hemer Big Node #10 2015, acrylic and pigment on canvas.

Courtesy the artist 2. Simon Morris A Whole and Two Halves (yellow ochre) 2016, acrylic on canvas. Courtesy the artist 3. Caitlin Devoy Latent Image 2016, wood, lead, dust, saline spray, polyamide, ink. Courtesy the artist

Sophie McKinnon is a prospective graduate student at Teachers College, Columbia University in New York. She became a Fellow at the Whitney Museum of American Art in 2015. Prior to New York Sophie was based in China for eight years, managing public programs at the Ullens Center for Contemporary Art in Beijing. She is from Wellington.

Editor: Alison Franks.

Editorial Assistant: Craig Beardsworth.

Contributors: Catharina van Bohemen, Michelle Duff, Alex Scott, Lily Hacking, Avenal McKinnon, Laura Pitcher, Janet Hughes, John Bristed.

Design: Shalee Fitzsimmons, Rhett Hornblow.

Distribution & Accounts: Tod Harfield.

Advertising: Craig Beardsworth.

Email: sales@artzone.co.nz

Catharina van Bohemen lives in Auckland where she reads, writes, walks and sometimes teaches.

Beth Rose loves writing about people and issues. Relocating from London in 2011, she now spends her time travelling the country in a six-metre converted bus, finding out lots of interesting stuff from the boltholes of NZ.

Telephone: (04) 385 1426 Email: edit@artzone.co.nz Website: www.artzone.co.nz Post: Box 9202, Marion Square, Wellington, 6141.

Deliveries: 31–41 Pirie St, Mt Victoria, Wellington, 6011.

The opinions expressed in this magazine do not necessarily reflect those of the publisher. Although all material is checked for accuracy, no liability is assumed by the publisher for any losses due to the use of material in this magazine.

ISSN: 1176-3752

Copyright. Š All rights reserved. No part of this publication may be reproduced, stored, or transmitted in any form without the prior written permission of Richfield Holdings Ltd

Produced by: Capital Publishing Ltd for Richfield Holdings Ltd

Welcome Welcome back to a new year. Rather than talk about the weather, we have found it more rewarding to focus on other elemental matters, particularly clay. In this issue we look at the resurgence of art pottery, the ceramic arts – call it what you will, clay is again attracting large interest in the fine arts realm.

Virginia Leonard, Too Hot To Go Home, 2016, clay, glaze and resin, 850 x 530mm Image courtesy Paul Nache Gallery

Two clay artists last year – Jake Walker (AZ64) and Sam DuckorJones (AZ65) – set us thinking. Walker surrounds his canvases in ceramic framing, while Duckor-Jones’ quizzical figures push the capacity of his kiln. Trips to opposite ends of the country were also involved in the genesis of this issue – in Dunedin we found the compelling, gnarled work of Nichola Shanley, and in Auckland the Wallace Art Awards revealed finalist Virginia Leonard’s wild, brightly coloured sculptures.

Clay has played second fiddle to other media in the fine art world – this despite Barry Brickell, Doreen Blumhardt, James Greig, Mirek Smisek and Len Castle blazing a trail through the 1960’s. A new wave of potters is pushing boundaries and repositioning ceramics centre stage – not just in sculptural form but domestic ware too. We talk to some of them in this, our first ceramic-focused issue.

Alison Franks Editor

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Contents

Camera obscura

10 Short reports

High fibre diet

18

Emma Fitts is one of many artists being drawn to fabric and fibre

Carve it up Wood sculpture in Auckland

12

The inevitability of Matariki

15

Matariki

25

Maori new year is creeping into the public

22

Seven stars in the Matariki constellation and seven stellar artists

9

Contents

Conservator of the piece

Frames need care and attention too

Books

38

44

Notepad

It’s a shore thing

40

50

The beach is a rich source of inspiration for Bruce Foster

Objects of affection

42

Grand tour Taranaki

55

Listings

57

Artist index

84

Linda Tyler reviews an object show at Pah Homestead

10 Original Unknown In 2011 Art Zone profiled Korean-New Zealand artist Suji Park. A lot has happened since, with Park graduating with an MFA from Elam School of Fine Arts, and holding exhibitions here and overseas. After travelling through Europe last year she journeyed to Korea for an exhibition. As fate would have it, the exhibition never happened, but Park decided to stay, and found herself setting up a studio in the same neighbourhood where she grew up.

Park is driven by an absolute compulsion for making. “I wake up late, I have a coffee at a cafe, where I do my drawing and meet people. Then I go to my studio and work through until 7am, and then I go home and sleep.�

Her work has changed somewhat since her earlier figurative sculptures, with her exploring more organic, rough-hewn forms that combine ceramics with new and found materials. But, as in her recent return to Korea, she finds herself going full circle, returning to figures, which now stand alongside the abstract works, drawings and paintings.

Park is back in New Zealand briefly, for exhibitions at Brett McDowell and Ivan Anthony and to celebrate her recent publication Original Unknown. She hopes to continue working between Korea and New Zealand, the two countries she calls home.

12

Short Reports

Honourable mention

Clinched a win

Pull it out

Several art industry stalwarts were remembered in the the New Year Honours list. Artist Bob Jahnke received the Order of New Zealand Medal (ONZM) while Maree Bates and Darrin Haimona each became a Member of the New Zealand Order of Merit. The other MNZM went to Terence James McNamara – the 81-year-old’s reviews have been elucidating art to the Auckland public for 50 years.

Caroline Earley won $15,000 at the annual Portage Ceramic Award for Clinch VI. Australian judge Janet DeBoos chose Earley from 52 finalists and an initial 234 entries.

Established in 2001, the awards are the country’s best-known showcase of current directions in ceramics in New Zealand. Three merit awards worth $3000 each went to Susannah Bridges, Jim Cooper and Mark Goody, and Emily Siddell.

Half a billion dollars of art is owned by the New Zealand ratepayer according to the Taxpayers’ Union Executive Director Jordan Williams, and 93% of it is out of the public eye. Most of the artworks are in mayoral offices or in storage. “Many councils designate an amount to spend each year on new artwork, despite only a tiny fraction of their existing collection being accessible to the public,” said Williams.

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Short reports

Mighty tripartite Australia, New Zealand and Canada are entering the final chapter of a three-year trination cultural exchange, First Nations Curators Exchange, which began in Brisbane in 2015 with the goal of forging lasting networks of curators working towards greater exposure of indigenous art.

Megan Tamati-Quennell from Te Papa Tongarewa Museum is

one of the First Nation curators who hosted New Zealand’s contribution in 2016, and she will head to Canada in November for the final programme of events.

“We are three countries with similar colonial history, but with unique indigenous identity.”

Tamati-Quennell joined with Reuben Friend from Pātaka Art + Museum in Porirua, Nigel Borell from Auckland Art Gallery Toi o Tāmaki and Karl Chitham from Tauranga Art Gallery to

organise the visit. According to Tamati-Quennell, New Zealand’s progress regarding recognition of Māori cultural heritage and art – particularly in connection with the Treaty of Waitangi – was a highlight for international counterparts. “We were able to offer a broader cultural experience, demonstrating the interconnected nature of Māori art with landscape, environment and cultural life,” says Tamaki-Quennell.

Sharing stories of arrival in Aotearoa.

18 March - 03 September New Zealand Maritime Museum cnr Quay & Hobson Streets www.maritimemuseum.co.nz

15

Featurette

One of the youngest graduates of an Auckland ceramic course is inundated with orders for her domestic ware. Beth Rose talks to potter Holly Houston and course founder Teresa Watson.

Houston, we have no problem Ceramicists-to-be are heading to St Michael’s Church in Bayswater, Auckland to make a commitment to pottery. Formerly a place of worship, the little church has been deconsecrated and transformed into a potter’s heaven. Teresa Watson, an award-winning ceramicist with 20 years at the wheel, now oversees the proceedings of an alternative congregation.

The building is owned by a community trust and retains much

of the original furniture and features, including the church bell.

The Ceramic College opened in 2015, and classes have been booking up fast as pottery makes a dramatic comeback. Watson puts the renewed enthusiasm for making things out of clay and for purchasing handmade pottery down a growing appreciation for slow living and a desire for ethical and sustainable products.

“It’s hard to get into a class in Auckland now, and there are often two-year waiting lists,” says Watson, who doesn’t open her bookings until a month or so before the next term begins. Current students get priority in

the consecutive term, and newcomers must check religiously for new dates.

This system means that students’ abilities in each of Watson’s classes vary greatly. “Beginners are able to see where they can go by watching and talking to more advanced ceramicists.

When they see how quickly someone has progressed they think, “I could do that.’ Everyone has a strength, whether it is on the wheel or by hand.”

Teresa and her daughter Latasha Watson, who is also a ceramicist, teach all nine adult classes each week, and there are weekend programmes and private bookings in the gaps. It’s full on, yet they still find time for their own

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Featurette

Holly Houston in her studio.

creations, which are displayed in the front entrance of the college.

Watson’s approach to teaching means that someone with little to no experience with clay can gain the skills and knowledge they need to become a selling artist by attending the Ceramic College. Themed workshops from outside tutors contribute, and provide practical advice on specific techniques. It extends to guidance on pottery photography and styling work for media, which can help devout potters become independent and sometimes profitable artists.

One student did just that and became a career ceramicist at the age of nineteen.

In 2013, Holly Houston returned to New Zealand with her boyfriend from her overseas experience with no real plans to be an artist, and soon had some very real plans to be a mother. Her own mother, Kim Evans, founder of Ponsonby cafe Little and Friday, suggested a weekly

pottery course over two months at Art Station (now Studio One Toi Tu) with ceramicist Harriet Stockman might be compatible with motherhood.

Houston’s early enjoyment of and success with clay at Art Station led her to the Ceramic College, where she took two terms of evening classes with Watson. She immediately set up her own Instagram account, posting photos of her processes and finished work, which quickly drew attention from buyers and stockists.

When Little and Friday needed tableware, Houston had the perfect outlet. She’s now made thousands of plates, and the constant practice has honed her style, which she describes as “organic and a bit wobbly.” Her immediate approval caught Houston by surprise, and still causes her to “feel like a bit of a rookie when I talk to proper potters as I haven’t had any formal training. Sometimes I have

to just smile and nod.”

Houston says that the pressure of lifting and throwing clay is taking its toll on her body. “I’m not using my body correctly at the wheel so I’m currently taking a three-month hiatus to recover from carpal tunnel and tennis elbow. I’m also doing Pilates to gain more core strength as my arms are doing too much of the work, I need to use my back more.”

Nearly four years on, her daughter is now at kindergarten and the pressure of being a new mum and break-through potter has lifted slightly. At twentythree-years old, Houston is ready to explore more sculptural work. “I’m just one person, so I have to be careful how much I commit to. The feeling of overpromising and under-delivering is horrible, so I’m being stricter about what I say yes to. I want to keep things simple and continue enjoying the years while my daughter is young.”

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Urns in transition An artistic project as open-ended as Raewyn Atkinson’s I Too Am in Paradise can surprise even the artist.

Exposed to the elements, Atkinson’s raw porcelain urns containing Kakabeak (kowhai ngutukaka) plants are being gifted to the world. The exhibition deals with thoughts of impermanence and universal themes of transition and the temporary nature of life.

This is an exploration of energy and matter. The pots are made of paper pulp, cotton rag and recovered porcelain clay. They are un-fired and displayed in the Dowse Art Museum’s courtyard gallery, so will eventually dis-

integrate around the rare native trees, which will be replanted in the community with the hope that they will flourish.

The title, I Too Am in Paradise, is borrowed from the renowned seventeenthcentury painting by Nicolas Poussin, which Atkinson says was her starting point. “I was reading an essay about the work by ecologist Rebecca Solnit, and about the same time my mother became ill and I had to consider making some difficult choices and arrangements.”

Atkinson sought to capture the idea of transition and moments of memorial in life’s circular journey, with elements of time, nature, uncertainty and surprise wrapped up in the journey of the urns and their contents. Kakabeak are

endangered trees, and when the exhibition opened in November 2016, visitors could put their names down to collect a plant at a ceremony when the display closes, in the hope that the Kakabeaks from these dissolved urns should live on.

Unexpectedly dry conditions in the Dowse’s courtyard, however, have slowed the urns’ decaying process, much to Atkinson’s delight. “I set up a time-lapse camera to capture the process, but it’s surprisingly gradual. I had no expectations and the uncertainty is a big part of what the work is about.”

Raewyn Atkinson’s I Too Am in Paradise and James Greig’s Defying Gravity exhibitions are open at the Dowse Art Museum until 12 March.

Free entry Tuesday to Friday: 10am to 4pm Sat, Sun & Public Holidays 12pm to 4pm

Nigel Buxton, Turquoise Willow. Photomontage and oil on canvas, 2015.

NIGEL BUXTON Willow 17 February to 9 April

49 Wai-iti Rd, Timaru gallery@timaru.govt.nz timaru.govt.nz/art-gallery

(detail from) Simon Schollum, Pomegranate. Archival Giclee Print, 2016.

A LOCAL FOCUS: CONTEMPORARY PHOTOGRAPHY 17 February to 9 April

20 A tile underbelly Isobel Thom’s art studio will perch high on a verdant plot of land on Lone Kauri Road, Karekare.

ILK took its exhibition title from the three-letter client code assigned to the project, which stands for ‘Isobel Lone Kauri’. A collaboration between the artist and architects James Fenton and Steven Lloyd, the project is currently in the consent stage. Curated by Balamohan Shingade, the exhibition presents a work-in-progress, and an integrated approach to aesthetic and function. Thom not only considers various designs for the studio, but also the everyday objects that will occupy it. Ceramic cups, plates, a vase, a teapot, are presented alongside models for larger pieces including a stove, a hand-basin and floor tiles. Architectural models explore designs for the studio itself, and in turn informed the final design. The largest piece in the exhibition consists of over a thousand handmade ceramic tiles. They will eventually cover part of the studio exterior, its tile-clad form glinting like the armoury of some great creature.

Isobel Thom, Studio Models, ILK, 2016.

Courtesy of Malcolm Smith Gallery.

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Make me a holy vessel

Something about the direct and honest tactility of clay in an age of mass manufacturing speaks to a new generation of New Zealanders. Lily Hacking talks to five artists working with clay about their plans for 2017.

New Zealand has a strong tradition of studio ceramics. By the 1950s commercial potteries were well established, and alongside outfits such as Temuka and Crown Lynn there emerged a generation of potters devoted to hand-making work in their studios. British potter Bernard Leach’s approach to creating functional ceramics from local materials, combined with the influence of Japanese ceramics, paved the way for artists who are now synonymous with New Zealand ceramics, including Len Castle, James Greig, Mirek Smisek, Helen Mason, Barry Brickell and Doreen Blumhardt. A new wave of potters swiftly followed, inspired by those pioneers, but also by European design movements and British studio potters such as Lucie Rie and Hans Coper. Today, the medium is generating a new groundswell of excitement. More artists are being drawn to clay in New Zealand and overseas, with pottery classes and workshops proliferating, and new ceramic galleries and museums opening their doors. Whether it’s a commitment to domestic ware, or integrating ceramics into contemporary art practice in the form of sculpture, something about the direct and honest tactility of clay speaks to the new generation in an age of mass manufacturing.

25

Make me a holy vessel

Photo courtesy of the artist.

Wundaire – Felicity Donaldson Felicity Donaldson’s Wellington studio is an old brick building that once housed stables, tucked away in the hilly suburb of Brooklyn. Outside sit plants in ceramic planters, a reminder of Wundaire’s beginnings. Having enrolled in a beginners’ course at Auckland Studio Potters, Donaldson began making pots for her own house plants in the corner of her living room on K Road. A few short years later it has evolved into a full-time gig. Mostly working with white stoneware and using slump moulds, she takes commissions for tableware from cafes and restaurants, makes pots, planters, and vessels, and runs workshops out of her studio.

Donaldson has collaborated with a number of brands and makers, and a real sense of

community is evident in her practice. A desire to share the work of other ceramic artists led her to establish Mug Mates, an annual subscription to the delivery of a new mug by four different potters.

She still hand-builds most of her work. “I like the slight asymmetry of round pieces that comes from this style of making, while still having a fine finish”. And she clearly revels in the occasional fortunate accident. “Often it’s something going awry that can change the form, make you do something different and evolve a totally new style.” This year Donaldson is returning to making planters: and, having studied textile science at university, she’s excited to progress fifteen years later a project involving textiles. www.wundaire.com www.mugmates.co.nz

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Make me a holy vessel

Photo courtesy of the artist.

Nichola Shanley Artist Nichola Shanley makes somewhat amorphous, dreamlike, and often disquieting ceramic sculptures. They appear as recently unearthed archaeological objects — a chalice, an ornamental case or etui. Others as fragmented figures whose features have morphed and shifted — a face surrounded by a shroud of ears, arms stretched and twisted into handles.

After majoring in printmaking at the Auckland Society of Art she moved to Dunedin with her sister, ceramicist Amanda Shanley, in the mid1990s. “Amanda was studying ceramics at The Otago Polytechnic and as soon as I saw her studio I longed to be working with clay as well. I held out for about 20 years but could no longer

resist. I have gained a confidence through osmosis from looking over at Amanda.”

Numerous influences inform the creation of her imagined, distorted relics, including sorcery, ritual, and pagan and Catholic symbolism. “I attended Knox Centre for Ministry and Leadership in Dunedin for a year after art school. I was asked to leave of course, they did not appreciate my poems or dress code!”

Now based in Lyttelton, Banks Peninsula, Shanley works out of her home studio. “I need to move between animals, garden, hanging out the washing, gazing at the harbour, ironing tea towels, watering visitors, the kitchen, night time, day time.”

Shanley is planning an exhibition at The National, in Christchurch in July this year. http://www.nshanley.com/

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Make me a holy vessel

Detail from The Group: Home-wares by Julia Holderness, 2015-16.

Photo: Richard Orjis

Julia Holderness There is always a compelling narrative running through Julia Holderness’ work, some real or imagined history that has captured the artist’s attention.

Holderness makes domestic ware, but each piece is part of a narrative that blends fact with fiction, and evolves out of research into various art and design archives. “It’s an archival installation practice ... I get ideas from existing works that I translate and approximate. It might be that a pattern from a textile inspires a small ceramic tile.”

An ongoing collaboration with artist Richard Orjis saw the invention of fictional historical figure Florence Weir, a character to be inserted into moments within New Zealand art history. A recent project focused on The Group, a collective of artists working in Christchurch from circa 1930

to the 1970s, gathering material from exhibition catalogues to create textile and ceramic pieces.

“Sometimes my clay items are fired and glazed, and other times not. This reminds viewers it is an unfinished archive project and still in process.”

Based in Auckland, Holderness has a Bachelor of Fine Arts from the University of Canterbury and a Master of Art & Design (Honours) from Auckland University of Technology (AUT). Despite recently becoming a mother, she’s still finding time to exhibit amid the challenges of new parenthood, and is undertaking a practice-led PhD (Visual Arts) at AUT. Sun Faded Carpet/He’s Jealous is her work, alongside other ceramics, painting, photography and drawing at Malcolm Smith Gallery, and she is working toward an exhibition at Sanderson Contemporary as part of the Glaister Ennor Art Award she received last year. www.uxbridge.co.nz/ www.thenational.co.nz/

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30 Heading Dancing Shapes

31

Make me a holy vessel

Taus Ceramic, Photo: Emma Buckton

Taus Ceramic – Tim Grocott Taus Ceramic operates out of Tim Grocott’s single garage (he notes it floods in heavy rain in winter) on Te Atau Peninsula, Auckland.

Becoming interested in pottery while researching ceramics as part of a post-graduate diploma in industrial design at Massey University, he enrolled in night classes at Auckland Studio Potters in 2009. “I didn’t finish the diploma but picked up a passion for pottery instead.” His study still informs the ceramicist’s approach to making, with research playing a big part in the development process. “I start with research, sketches, measurements, before I put my hands to clay. More often than not, my initial models

will be made from plaster or foam and resin or even wood. I won’t even see the piece made in clay until I’ve completed a mould and that whole process can take months.”

Grocott is interested in commercial ceramic practices, primarily in mould-making and slipcasting. “This allows me to have a high degree of control over the details and form of my work. I like it to be precise and repeatable, which is not easy to achieve on the potters wheel.”

While still predominantly making table ware, Grocott is currently exploring more sculptural work.

“I’m part way through sculpting a chess set at the moment. It’s small, fiddly, delicate work and it’s taking me a long time but I’ve become obsessed by it. I’ve finished the King and the Bishop so far, and I think it’s my favourite thing I’ve made yet.” www.taus.co.nz

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Make me a holy vessel

Virginia Leonard, Flattery Will Get You No Where, 2016, clay, glaze, and resin, 770 x 690mm

Virginia Leonard Virginia Leonard’s sculptures are brightly coloured, prickly stacks of overflowing abstract forms. The works appear vaguely figurative, and in fact they are a response to the artist’s own body, shaped by the chronic pain she suffers from a motorcycle accident in 1986.

Leonard lives in Matakana, north of Auckland, working out of a studio attached to the family home. Already an established painter, Leonard began making ceramics in 2013, having reached a kind of impasse with her painting practice. However, her ceramic works retain something of the bright colour palette and expressive brush marks found in her paintings. “I still apply my painting knowledge to the surface, light against dark, texture and hard against smooth and soft.”

The artist is drawn to the tactility of clay, its vulnerability as the material is wrestled into form.

Being self-taught, Leonard does not follow any particular techniques or processes. “I do not feel the constraints of traditional ceramics when I make work as I don’t really know the rules. So I break the rules of traditional ceramics daily without knowing. I have never been particularly interested in techniques, I just try everything out and sometimes it works and other times it doesn’t. Often the mistakes are the strongest works.”

2017 will be a busy year for Leonard, with an upcoming exhibition at Paul Nache, a solo show in Sydney, and group exhibitions in London and at Galerie Wolfsen in Denmark, where she will also take up the Guldagergaard Residency, at the International Ceramic Research Centre. www.virginialeonard.co.nz

33 Heading

… Francis Upritchard,Vincent Ward, Dan Arps, Shane Cotton, Tony de Lautour, Julia Morison, Bill Culbert, Peter Robinson, Neil Dawson, Rita Angus, Saskia Leek, Eddie Clemens, David Hatcher, Tony Fomison, Séraphine Pick, Jason Greig, Joanna Langford, Miranda Parkes, Zina Swanson, Robert Hood, Ruth Watson, Heather Straka, John Coley, Olivia Spencer Bower, Marie Le Lievre, Raymond McIntyre, Emily HartleySkudder, Quentin MacFarlane, Hamish Keith, Anton Parsons, Chris Heaphy, Ronnie van Hout, Barry Cleavin, Pat Hanly, Jim Speers, Toss Woollaston, Bill Sutton, Margaret Stoddart, Juliet Peter, John Hurrell, Sydney L Thompson, Trevor Moffitt, Alan Pearson, Ngaio Marsh, David Low, André Hemer, Philip Trusttum, Allen Maddox, Nathan Pohio, Gordon H Brown, Mark Adams, Simon Morris, Darryn George, Mark Braunias, Dick Frizzell, Tjalling de Vries, Tom Kreisler, David Cook, Maddie Leach, Joyce Campbell, David Rittey, Jane Zusters, Jonathan Mane-Wheoki, Carl Sydow, Paul Johns … www.fina.canterbury.ac.nz

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“My kid could paint that.”

36 Jewel of a kiln Wellington Clay Collective (WCC) is the brainchild of Wellington ceramic artist Maia McDonald. Inspired by models overseas, her idea was to establish a professional studio environment for the community of artists working with clay in the capital. “It seemed like the ideal way to create new opportunities for ceramic artists and makers, allowing them to move out of spaces that are used heavily by the public and into a space shared by people who wish to make a career from their clay work. I hope that the WCC will be a resource for established and emerging artists to share knowledge and ideas, as well for as the wider community.” While it is still in its infancy, McDonald has grand plans for the collective. “My dream would be to have a very small number of private studios and one communal area for workshops.” The jewels in the crown would be “our very own large kiln and a small gallery.”

Maia McDonald, It’s not what you know, its what you don’t know, 2015.

Image courtesy Enjoy Public Art Gallery, Photo: Shaun Matthews.

38 Notepad

Women aloud

Women artists from Canterbury are invited to enter a new art award initiated by the Zonta Club of Ashburton and the Ashburton Art Gallery. Zonta is a global organisation dedicated to empowering women.

The Zonta Ashburton Female Art Award will be launched in March. It seeks to raise awareness of earlyto-mid-career female visual artists working in the Canterbury area.

The winning artist receives a cash prize and the opportunity to exhibit at the Ashburton Art Gallery.

Munificence for MONZ

Donations and bequests of $1.45 million were revealed at the launch of the Te Papa Foundation in December. The charitable trust for the Museum of New Zealand began with a bang with a cash injection totalling $250,000 from arts patrons. America-based New Zealanders Dr Euan Sinclair and Ann Sinclair gifted five works on paper from their modern art collection, with a combined value of $100,000, and bequeathed two Jackson Pollock paintings worth more than $1 million. The foundation’s goal is to raise more than $50 million over 10 years to help fund acquisitions, education and public programmes.

Prints for Pablos

Dick Frizzell has channelled Picasso’s poster art from the 1950s to raise money for Pablo’s Art Studio. A Wellington community organisation, Pablo’s provides free materials, tuition and support for people who have mental health issues. Fifty dollars from each of Frizzell’s limited-edition prints sold at his latest show at Solander Gallery will go to Pablo’s. The exhibition runs until 18 March.

39 Notepad

Corban Estate curator CoraAllan Wickliffe

Corban curator Curator, artist and educator Cora-Allan Wickliffe is the new exhibition manager and curator at Corban Estate. Auckland-born Wickliffe is of Maori/Niuean descent and her work often explores the constructed identities of indigenous people. She has spent the past two years at the Walter Phillips Art Gallery in Banff, Canada.

Drawing on experience Now in its fifth year and with a $20,000 first-place purse, the Parkin Drawing Prize is established as a major fixture on the art awards circuit. Entries close 16 June, and the winner will be announced on the first of August at the Academy of Fine Arts Wellington.

Achy breaky shake

Nailed it

Rotorua Museum is closed until at least April thanks to the November Kaikoura earthquake last year. New cracks have appeared in beams, columns, and floor slabs, and engineers’ assessments are taking a long time on the 1903 building with Heritage 1 status. Rotorua Lakes Council has been forced to decrease staff numbers by half. Curators are planning off-site exhibitions to keep the collection in public view.

Wood sculptor Glen Hayward is finalising designs for the next permanent art work to appear on Wellington’s waterfront.

Timber salvaged from the hull of the Inconstant, better known as Plimmer’s Ark, an 1851 shipwreck that was discovered under a Lambton Quay arcade, is being carved into 20 to 30 two-metre-high square-head nails. The resulting Grove will be installed in late 2017.

40 Quite Literally

“I’ve been extremely

“Nick turned to me ...he

“It’s the most hideous

impressed by what I

kind of looked around,

thing I’ve ever seen,

call a very proactive

as if seeking a quiver

mate...”

little board.”

full of arrows, and he said to me, ‘Sam, there’s absolutely nothing you could possibly do that could hurt my feelings’.”

Invercargill City Councillor Toni Biddle is taken with the Southland Museum Board. The under-resourced institution has a 20-year backlog of items to be catalogued and is pushing for operational funding to be increased to $600,000 per annum.

Stuff.co.nz 7 December 2016

Artist and water-quality activist Sam Mahon wants to raise $12,000 to create a sculpture to challenge Environment Minister Nick Smith’s statement. The proposed sculpture of the minister defecating into a glass of water represents what Mahon thinks Smith is doing to the public water supply.

Stuff.co.nz 3 February 2017

Ricky Hunn, a beneficiary who fishes on Queen’s Wharf in downtown Auckland, expresses his displeasure at the new Michael Parekowhai sculpture The Lighthouse, with which he now has to share space. The $1.5-million replica of a state house was funded by the largest donation to a single art project in New Zealand ($1 million by Barfoot and Thomson). You can’t please all of the people all of the time....

NZ Herald 27 January 2017

Caroline Oliver, 1940, Leo Bensemann, oil on board, Private Collection

24 Nov 2016 – 26 Mar 2017

L E O B E NSE MAN N & FR IE ND S: PORTR A ITU R E A N D THE GR OU P Curated by Peter Simpson

Strangely Familiar: Portraits by Wayne Youle

Cradled in an upturned Rainbow (Ralph Hotere), Wayne Youle, acrylic on canvas, private collection.

6th April- 18th June 2017

New Zealand Portrait Gallery Shed 11, Wellington Waterfront

(04) 472 2298 www.nzportraitgallery.org.nz

Are you involved with a museum or gallery ?

Join your professional organisation to connect with our community. www.museumsaotearoa.org.nz

Many notable NZ artists have either grown up, lived on or produced art about, the North Shore of Auckland.

Lake House Arts North Shore Notable’s series profiles these artists with solo exhibitions of their work.

Inaugural exhibition North Shore Notable’s Series featuring Paul Woodruffe 1- 26 March 2017 www.lakehousearts.org.nz

42

Featurette

Henrietta Harris, Fixed It II, Oil on Canvas, 61 x 75cm, 2016

Catharina van Bohemen visits the studio of Henrietta Harris to explore her interest in portraiture.

Viscous and pink Henrietta Harris works in a shared garret up several flights of stairs in an old building in central Auckland. Above her desk she’s tacked a computer print-out of four exquisitely painted images of a young man, all pale skin, dark hair and bony shoulders. A face that must be beautiful… but you can’t really see it. In each image the face is largely obliterated by thick pink paint. Find Harris on Instagram (43.5k followers) and watch her applying the

same paint over another young face. I was struck by her considered gestures – they look spontaneous, but the film shows how thoughtfully, calligraphically, she applies each stroke.

The computer printout is a record of her process of deciding how much to conceal or reveal of her subject. The result is Fixed It II, one of a suite of oil paintings of young men and women – often friends – she’s been painting for eighteen months, all more or less obscured by various pink marks.

The young man in Fixed It II, is painted in almost invisible brush strokes, depicting his features minutely.

Harris paints the detail of flesh – lips,

eyelids, the tips of ears – so forensically they are almost tactile. But a contemplative restraint in the underlying image contrasts with the bold, viscous pink paint covering most of the face so that you see only glimpses – slightly narrowed eyes, lower lip, the suggestion of his nose.

A portrait is more than a physical likeness: a good one reveals aspects of the sitter’s identity and personality.

Historically, a portrait had a particular formality, the posed subject and viewer often looking directly at each other.

Henrietta Harris’s portraits continue this tradition. Her self-taught foray into oils is the latest stage in an investigation

44

of the body – primarily through faces of young men and women, rendered in ballpoint pen or water colour. She is pursuing her subjects’ existential fragility. ‘I like his expression – he looks kind of terrified,’ she said of one. i Their bodies might be present, but their minds drift or wander, and a way of conveying this rootlessness has been to paint them behind mist or smoke, or even not to paint their faces at all, but to suggest them – a void framed by hair, hands, or shoulders. Some portraits are warped or fractured, look surreal.

These new oils of erasure grow out of Harris’s other interest, abstraction, which literally means ‘to separate or withdraw something from something else.’ The pink marks hiding her faces

are deliberately unsettling. They seem to forbid you from being seduced by her subjects’ languorous loveliness.

The effect is to insist that colour has its own existence – it need not stand for anything else – and that painting is a physical act. The title of this suite, Fixed It, is almost aggressively physical, as if the artist wants to anchor physically her elegant wraiths.

Henrietta exhibits regularly at the Melanie Rodgers Gallery in Auckland, and for some years she has been represented by the Robert Fontaine Gallery in Miami: she had her first solo exhibition there in 2015 and has been included in group shows in Miami, New York, Tokyo, Auckland and Wellington.

The Robert Fontaine Gallery shows work by artists as diverse as

Jim Dine and Tracey Emin, with a group of portrait artists into which Henrietta fits very naturally. In a recent interview, director Robert Fontaine acknowledged a “return to detail, quality and the creation of painstaking work which related primarily to the idea and complexity of human emotions.” i i Much of Henrietta Harris’s work conforms to these scrupulous requirements. And it is work that repays long slow looking.

See Henrietta Harris’s work at henriettaharris.com i

Oliver, Henry. Wishful Thinking Sunday Magazine 2015

ii

widewalls.ch/robert-fontaineinterview/ retrieved 2017-02-06

See work

by Elam artists

See work

by Elam artists

See work

by Elam artists

Elam grad book now online

Elam grad book now online

Elam grad book now online

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47 Books

Dark Matter

From the unflinchingly raw, autobiographical work of the 90’s to her latest suite of photographs depicting ikebana-influenced plant arrangements, Ann Shelton: Dark Matter traces the 20-year career of an important New Zealand photographer.

A longlist finalist in the Ockham Book Awards (illustrated non-fiction) the book reveals how the artist’s exacting eye and fastidious research practice have developed so far. Printed to accompany an exhibition at Auckland Art Gallery.

RRP $90.00

Ironic jewels

Material girl

RRP $60.00

RRP $61.00

Lisa Walker’s audaciously imagined works don’t sit comfortably in the contours of conventional jewellery according to Felicity Milburn, curator of Walker’s latest exhibition at Christchurch Art Gallery. Walker regularly co-opts children’s toys, animal skins and kitchen utensils into her jewellery. An acute sense of colour, composition and irony has made Walker one of New Zealand’s most influential art jewellers. Produced to accompany the exhibition, the soft plastic-covered 0 + 0 = 0 offers an overview of pieces made from 2011 to the present.

Arguably New Zealand’s most accomplished and acclaimed fabric artist, Susan Holmes’ work spans craft, fashion and fabric art.

Susan Holmes Fabric Artist, recognises her contribution to wearable arts. Holmes has developed her own methods in techniques such as block printing, stencilling and spraying fabrics, dyeing and fabric manipulation. Her career ranges over five decades and has drawn numerous awards – she is one of the most awarded World of Wearable Arts designers in New Zealand .

Parkin Drawing Prize

$20,000 cash prize Plus 10 highly commended prizes $500 each “The opportunities for artists in this competition are endless – from the traditional (and not so traditional) figure drawing through to pure abstraction and beyond.” -Chris Parkin

www.parkinprize.org.nz www.parkinprize.nz

Entries close 4pm 12 16 June. Forms and full

2-27 August 11 August to2017 13 September 2015

parkinprize@nzafa.com Any questions contact parkinprize@nzafa.com

details available at www.parkinprize.org.nz www.parkinprize.nz

New Zealand Academy of Fine Arts 1 Queens Wharf Wellington

Left: 2016 Parkin Drawing Prize winner Catastrophe by Hannah Beehre.

An exhibition developed and toured by the Tairawhiti Museum

Exhibitions on now until 2 April 2017. Free entry Bob Marley features rare photographs documenting the life of the world’s foremost reggae icon.

Ngaa Hua o te Rito: Fruits From Fibre is the inaugural exhibition by members of Te Roopu Raranga Whatu o Aotearoa, showcasing taonga woven from a variety of fibres.

Left: Detail, The Natty Dread Portrait, Dennis Morris, 1973. Right: Detail, He Kākahu o Papatūānuku, Ruth Port, photo: Mark Lapwood

49

Art Notepad Zone

THE NEW ZEALAND ART & DESIG N GUIDE

John Parker: Cause and Effect It’s been 50 years since West Aucklander John Parker started making pottery. Te Uru marked the occasion in late 2016 by mounting a major survey of his work. The exhibition was accompanied by a book.

John Parker: Cause and Effect tracks a career of breaking rules and redefining what it means to make pottery in Aotearoa.

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Enjoy Art Zone delivered to your door. Five issues a year will keep you up to date with galleries and exhibitions all around New Zealand.

Subscribe online now at www.artzone.co.nz New Zealand 1 year / $30.50 / five issues 2 years / $61 / 11 issues / one issue free Asia / Pacific 1 year / $65.60 Rest of the world 1 year / $83

Sound artist and composer Susan Frykberg responds to the life and art of Edith Collier (1885-1964).

The exhibition features artworks by Collier in the context of a sound and moving image work created by Frykberg in collaboration with video artist, Brit Bunkley.

Also on view: Function & Fancy: Decorative arts from the Sarjeant Gallery collection and beyond 21 January – 16 April, 2017 2017 Belton Smith & Associates Ltd Whanganui Arts Review 4 March – 14 May, 2017

38 Taupō Quay Whanganui 4500 New Zealand

Phone 06 349 0506 www.sarjeant.org.nz

Sarjeant Gallery is a cultural facility of the Whanganui District Council

Edith Collier, Folly (detail), circa 1919

Artist: David Traub

24 March – 2 April 2017 FRI

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www.openstudios.co.nz

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Foreign assessment Kerry James Marshall, School of Beauty, School of Culture, 2012, acrylic on canvas

Placing black individuals at the centre of history is the focus of American artist Kerry James Marshall’s work. Sophie McKinnon viewed a monumental retrospective of his art.

Black art matters Kerry James Marshall: Mastry ran at the new Met Breuer in New York from October 25, 2016 to January 29, 2017, the largest retrospective of the 61-year-old artist to date. With over 80 pieces, largely unstretched canvas works pinned to the walls rather than hung, it spanned two floors, also spanning the monumental US election and presidential inauguration period.

Monumentality is a good place to start, because Kerry James Marshall questions monolithic historical structures from the perspective of who is included,

and who is not. By what measure do we deem something to be monumental, significant, or worthy of memorialization?

In their sheer scale and quantity, Kerry James Marshall’s works are undeniably monumental. The multi-work Garden Project series is presented in one room, dwarfing viewers into submitting to vast and complicated housing project vistas (most pieces are over two by three metres). Young children play, but look straight out at the viewer rather than at each other, while abstract expressionist blots bloom like pastel flowers, dripping over identifying details and disrupting the logic of the landscape. Marshall is fluent in the idiom of almost every known artistic tradition, and notoriously does not work with assistants. He

uses references to these traditions as a challenge, a loaded vocabulary that subverts the tradition, just as Mastry subverts the idea of Mastery. His earliest works collage images with a kind of iconographic intensity, taking existing forms and reclaiming them with new pictorial narratives. His paintings often purposefully include certain details while omitting others, making a deliberate visual pun on “the whole picture”.

The inescapable question seems to be, who do you see when you look at these paintings? Yes, those are the compositional forms of Holbein’s The Ambassadors, that is Le Brun’s 1782 self-portrait with brushes and palette. The angular rhythms of the Dutch De Stijl movement becomes

Sophie

54

Foreign assessment

“De Style” – a barbershop scene in which the perpendiculars carve up the linoleum floor. To see and recognize the references, however, is to recognize their history as one in which the black figure is not represented. It is a humbling moment to stand before or beneath these sweeping canvases, and understand that to attribute virtuosity and mastery to them is to do so out of resemblance to the very traditions that have excluded them.

A section of the exhibition is given to works chosen by Marshall himself from the permanent collection of the Metropolitan Museum. They illustrate relationships within his own work, and also his fascination with renderings of figures at different times, debunking the hegemony of the body represented as a pale-skinned Venus. A shadowy Seurat figure, almost disappearing at the conté crayon edges, looks at a Samurai woodblock victim, bleeding from the rib cage, which faces a West African Senufo deity. To reflect on who owned these objects, which collections they entered into, and what cultural legacy

was lost when they changed hands, is to invite irony.

This is not the European art historical canon reimagined or reappraised. This is about the absolute necessity of placing black individuals at the center of history.

The result is a multi-faceted, non-linear timeline on which the present and the future press in at the sides. Marshall’s contemporary Arthur Jafa observed, “he dedicated himself to making the blackest thing he could”. Marshall uses black on black in much of the work, including a recent photographic self-portrait in the studio. Seated side on and exposed in a room lit with UV black light, he is barely recognizable. There is mention of early Kodak film being calibrated for white skin, but larger than this is the issue of black visibility and presence.

On January 21st 2017, a day of global women’s marches, this exhibition was open until 9pm and crowded with visitors. The atmosphere was so charged it fell somewhere between a neighbourhood party and a vigil. People queued to photograph sections of Rhythm Mastr, a multi-panel graphic

story on large light-boxes, created to address the lack of black heroes in comic culture. Whole families with children moved from room to room, inhabiting the space with the same spirit that gives the work its vitality. The final weekend of the exhibition included an all-day “creative convening” at the Met on 5th avenue, in which composers, Olympic athletes, and choreographers – invited by Marshall, and almost all persons of colour – took to the stage to perform authentic expressions of their craft. This was less about responses to Marshall’s work than a carefully selected cross-section of the lived black experience his work embodies.

Marshall gives us mythic figures, drawing on Haitian voodoo iconography, on folk art and murals, on the blackface minstrel caricature, on altar painting and the European portrait tradition with figure fixed in robes and ceremony. But they are also furiously real. Paraphrasing his mentor Charles White, Marshall said of his own process “when you decide to make a picture, you make a picture – the image will take care of itself”.

IT DOESN’T MATTER WHO YOU ARE, HERE’S HOW YOU ADVERTISE YOUR ART.

Jeremy Cosmo Potts

Born in Christchurch, 1982 0800 PHANTOM posters@0800phantom.co.nz

56

Decent exposure

Upon arrival

Waterworks

Social practice is an approach to making art that prioritises process and social change over aesthetics, and encourages participants to work toward bringing about change. Tiffany Singh’s social practice art looks at the humanitarian aspect of resettlement in New Zealand.

The Journey of a Million Miles – following steps aims to strengthen the voice of newcomers and achieve better resettlement outcomes. Local actors have recorded immigrant stories for this installation and a recording booth on site can be used for immigrants to leave their own stories which in time will be turned into a digital archive.

The Hutt Valley’s streams and aquifers supply the Wellington region with water. Five commissioned art projects form the basis of a public arts festival celebrating our relationship with water. The biennial Common Ground; Hutt Public Art Festival began in 2015 and explores climate change, water quality, ecology and ownership. Picnics, discussions, screenings and a pop up library also feature.

18 March – 3 September Maritime Museum, Auckland

Inangā Love Park (detail) – one of five commisioned works.

25 February – 4 March, at outdoor venues in the Hutt Valley

57 57 Region

Maps / Listings North Island

South Island

Northland 62

Picton 76

Auckland 62

Blenheim 76

Waiheke Island

67

Nelson 76

Bay of Plenty

68

Christchurch 77

Rotorua 68

Canterbury 79

Hamilton 68

Geraldine 80

Waikato 69

Timaru 80

Gisborne 69

Oamaru 80

Hawke’s Bay

69

Dunedin 81

Taranaki 70

Cromwell 82

Waiouru

Southland 83

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Mangaweka 71 Whanganui 71 Manawatu 72 Wairarapa 72 Kapiti 72 Porirua Hutt Valley

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Artist list

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GEORGE FRASER

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Anna Miles -10/30 Upper Queen St Artspace - 300 Karangahape Rd Black Asterisk - 10 Ponsonby Rd Bowerbank Ninow - 312 Karangahape Rd Endemic world - 62 Ponsonby Rd FHE - 221 Ponsonby Rd Michael Lett - 312 Karangahape Rd Objectspace - 8 Ponsonby Rd Orex Art - 1/15 Putiki St Studio One - 1 Ponsonby Rd Tim Melville - 4 Winchester St Toi Ora Gallery - 6 Putiki St Two Rooms - 16 Putiki St

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Auckland Art Gallery Toi O Tamaki cnr Wellesley & Kitchener St, George Fraser Gallery - 25a Princes St Gus Fisher Gallery - 74 Shortland St Fingers - 2 Kitchener St NZ Maritime Museum - cnr Quay & Hobson St Trish Clark - 1 Bowen Ave

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Auckland - Newmarket

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Auckland Museum - Domain Dr Sanderson - Osborne Lane 2 Kent St The Poi Room - 17 Osborne St

PA R N E L L GALLERY

Auckland - Parnell Antoinette Godkin - APT Y32, 30 York St Artis - 280 Parnell Rd Bath St Gallery - 43 Bath St Jonathan Grant - 280 Parnell Rd Parnell Gallery - 263 Parnell Rd

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Academy Galleries - 1 Queens Wharf Adam Art Gallery - Victoria University, Gate 3, Kelburn Pde Anthesis - 131 Willis St Art Walrus - 111 Taranaki St Avid - 48 Victoria St Bartley + Co - 56A Ghuznee St Bowen - 41 Ghuznee St City Gallery - Civic Square Enjoy - Level 1/147 Cuba St Exhibitions - 20 Brandon St Hamish McKay - First Floor, 39 Ghuznee St Jane Hyder - Studio 21, Toi Pōneke Art Centre, 61 Abel Smith St Kiwi Art House - 288 Cuba St Millwood - 291b Tinakori Rd New Zealand Portrait Gallery - Shed 11, Queens Wharf Ora Design Gallery - 23 Allen St Page Blackie Gallery - 42 Victoria St Peter McLeavey - 147 Cuba St Photospace - 1st floor, 37 Courtenay Pl Quoil - 149 Willis St Roar! - 189–193 Vivian St Solander - 218c Willis St Suite - 241 Cuba St Te Papa - Cable St The Young - 70 Abel Smith St Toi Pōneke - 61 Abel Smith St Turnbull Gallery - National library Molesworth St Vessel - 87 Victoria St

MADRAS ST

BRIDGE OF REMEMBRANCE

CARLYLE ST CASS ST

FORM GALLERY

DURHAM ST SOUTH

CITY ART DEPOT MONTREAL ST

MONTREAL ST

ROLLESTON AVE

ILAM CAMPUS GALLERY

ANTIGUA ST

L’ESTRANGE GALLERY

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CANTERBURY MUSEUM

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DUNEDIN PUBLIC ART GALLERY

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Canterbury Museum - Rolleston Ave Centre of Contemporary Art - 66 Gloucester St Chamber241 – 241 Moorhouse Ave Christchurch Art Gallery – 49 Worcester Ave Form Gallery – 468 Colombo Street Ilam Campus Gallery – Block 2 School of Fine Arts, Arts Road Jonathan Smart Gallery - 52 Buchan St PG Gallery 192 – 192 Bealey Avenue The National – 241 Moorhouse Ave The Physics Room – 209 Tuam Street

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CHAMBERS 241

Christchurch

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JONATHAN SMART

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PG GALLERY 192 PETERBOROUGH ST

THE NATIONAL

Brett McDowell Gallery - 5 Dowling St Dunedin Public Art G - 30 The Octagon Gallery de Novo - 101 Stuart St Hocken Collection - 90 Anzac Ave Inge Doesburg - 6 Castle St Mint Gallery - 32 Moray Pl Moray - 55 Princes St Otago Arts Society - 22 Anzac Ave Otago Museum - 419 Great King St

62 Region Northland–Auckland Northland ART AT WHAREPUKE 190 Kerikeri Road, Kerikeri Ph: 09 407 8933 info@art-at-wharepuke.co.nz www.art-at-wharepuke.co.nz Hours: Open 7 days 10am–5pm Gallery & Sculpture Park.

BURNING ISSUES GALLERY 8 Quay Side, Town Basin, Whangarei Ph: 09 438 3108 www.burningissuesgallery.co.nz Hours: Open 7 days 10am–5pm Specialising in contemporary New Zealand handcrafted, blown and cast glass, quality ceramics and jewellery.

KAAN ZAMAAN GALLERY 4 Hobson Avenue, Kerikeri Ph: 09 407 5191, Mob: 021 163 4478 julia@kaanzamaan.co.nz Hours: Mon–Fri 10am–4pm, Sat–Sun 9am–12pm. 24 Dec–8 Jan inclusive by appointment only. ALEX CAMINITI from one island to another until 9 Apr.

REYBURN HOUSE (NORTHLAND SOC. OF ARTS) Reyburn House Lane, Town Basin, Whangarei Ph: 09 438 3074 nsa@reyburnhouse.co.nz www.reyburnhouse.co.nz Hours: Tues–Fri 10am–4pm, Sat–Sun 1pm–4pm, closed Monday Gallery has an active exhibition programme changing monthly. Also a gallery shop for a fine selection of painting, jewellery, pottery, hand blown glass and much more.

SOUTH SEA ART GALLERY 15 York Street, Russell, Bay of Islands Ph: 09 403 7268 southseaart@paradise.net.nz Hours: Open Daily 10am–5.30pm and closed Tuesday. An eclectic mix of original & print artwork, sculpture & jewellery.

VILLAGE ARTS 1376 Kohukohu Road, North Hokianga Ph: 09 405 5827 gallery@villagearts.co.nz www.villagearts.co.nz Hours: Open 7 days. Winter hours 10am–4pm Showcasing Hokianga's richly diverse arts community.

WHANGAREI ART MUSEUM TE WHARETAONGA O WHANGAREI Te Manawa - The Hub, Town Basin, Dent St, Whangarei Ph: 09 430 4240 whangareiartmuseum@wdc.govt.nz www.whangareiartmuseum.co.nz Hours: Daily from 10am–4pm. Closed Christmas day, Boxing day and Good Friday.

Auckland ANNA MILES GALLERY 10/30 Upper Queen Street Ph: 09 368 5792 am@annamilesgallery.com www.annamilesgallery.com ANTOINETTE GODKIN GALLERY APT Y32, 30 York Street, Parnell Ph: 09 309 9468 antartnz@gmail.com antoinettegodkin.co.nz Hours: Tue–Fri 11am–4pm, Sat 12pm– 3pm or by appointment.

ART INDUSTRY theblackshed, 37 Papakura, Clevedon Rd, Clevedon Village Ph: 021 238 2382 www.artindustry.co.nz Hours: Thurs–Sun 9am–4pm An artist's space run by James & Cheryl Wright. Unique works by established and emerging artists.

63 63 Auckland Region

Hills Behind, Aroha Gossage.

ARTIS GALLERY 280 Parnell Road, Parnell Ph: 09 303 1090 artis@artisgallery.co.nz www.artisgallery.co.nz Hours: Mon–Fri 9.30am–5.30pm, Sat 10am–4pm, Sun 11am–4pm JOHN BLACKBURN, New Works 2017 7–26 Mar, AROHA GOSSAGE Whenua 28 Mar–18 Apr. ARTSPACE Level 1, 300 Karangahape Road, Newton Ph: 09 303 4965 media@artspace.org.nz www.artspace.org.nz Hours: Tues–Fri 10am–6pm, Sat 11am–4pm.

AUCKLAND ART GALLERY TOI O TAMAKI Cnr Wellesley & Kitchener Streets Ph: 09 307 7700 hello@aucklandartgallery.com www.aucklandartgallery.com Hours: Open daily, 10am–5pm. Lee Mingwei and his Relations: The Art of Participation until 19 Mar, ANNA SHELTON Dark Matter until 17 Apr.

BLACK ASTERISK 10 Ponsonby Road, Ponsonby Ph: 09 378 1020 info@blackasterisk.co.nz www.blackasterisk.co.nz Hours: Wed–Sat 11–5pm, other times by appointment.

It's all over now, Natasha Matila-Smith.

Hinemoa, the Belle of the Kainga, Te Arawa, Charles F Goldie.

AUCKLAND MUSEUM Domain Drive, Panell, Auckland Ph: 09 306 7067 info@aucklandmuseum.com www.aucklandmuseum.com Hours: 10am–5pm, seven days (closed Christmas Day) The oldest art society in New Zealand holding 6 major exhibitions a year.

CORBAN ESTATE ARTS CENTRE 2 Mt Lebanon Lane, Henderson Ph: 09 838 4455 info@ceac.org.nz www.ceac.org.nz Hours: Open 10am–4.30pm daily Free entry. For information on exhibitions, art classes, artist's studios and events visit ceac.org.nz

64 Auckland FHE GALLERIES 221 Ponsonby Rd, Auckland Central Ph: 09 302 4108 fhe_galleries@xtra.co.nz www.fhegalleries.com Hours: Mon 11am–4pm, Tue–Fri 10am– 5pm, Sat 11am–2pm.

Blue Balance, Susan Christie.

ENDEMICWORLD 62 Ponsonby Road, Grey Lynn Ph: 09 378 9823, Mob: +64 21 996 722 elliot@endemicworld.com www.endemicworld.com Hours: Mon–Sat 10–5, Sun 11–3 Endemicworld was founded in 2007 by Elliot Alexander. 120+ NZ and international artists exhibit at our Ponsonby Road gallery features in The New York Times and other intl media.

ESTUARY ARTS CENTRE 214B Hibiscus Coast Highway, Orewa Ph: 09 426 5570 admin@estuaryarts.org www.estuaryarts.org Hours: 7 Days 9am–4pm Gallery, classes, cafe.

FINGERS CONTEMPORARY JEWELLERY 2 Kitchener Str, Auckland Central, opposite Auckland Art Gallery, 09 373 3974 jewellery@fingers.co.nz www.fingers.co.nz Hours: Mon–Fri 10am–5.30pm, Sat 11am–4.30pm.

Exciting works from leading New Zealand and International jewellers available as well as new works on show during the Auckland Arts Festival.

GEORGE FRASER GALLERY Elam School of Fine Arts, The University of Auckland, 25a Princes Street Ph: 09 923 8000 elamoffice@auckland.ac.nz www.georgefraser.auckland.ac.nz Elam galleries are open to the public exhibiting a wide programme throughout the year supporting fine arts research at Elam and hosting national and international visiting artists. For more information and the latest event listings please visit our website.

Photo: Sam Hartnett.

GUS FISHER GALLERY 74 Shortland Street Ph: 09 923 6646 gusfishergallery@auckland.ac.nz www.gusfishergallery.auckland.ac.nz Hours: Tue–Fri 10am–5pm, Sat 12pm–4pm.

JONATHAN GRANT GALLERIES 280 Parnell Road, Parnell Ph: 64 9 308 9125 jg@jgg.co.nz jgg.co.nz Hours: Mon–Fri 9.30am–5.30pm, Sat 10am–4pm, Sun 11am–4pm 20th Century English, Continental and Antipodean paintings, with works by FRANCES HODGKINS, CF GOLDIE, PETER MCINTYRE, GRAHAME SYDNEY, RAY CHING, PIERA MCARTHUR, SIR WILLIAM DARGIE & the Scottish Colourist, JAMES PATERSON.

65 65

Auckland Region

KURA GALLERY, AOTEAROA ART + DESIGN PWC Tower, 188 Quay Street Ph: 09 302 1151 www.kuragallery.co.nz Hours: Open 7 days From Maori carving to unique NZ art, sculpture, jewellery....

LAKE HOUSE ARTS CENTRE 37 Fred Thomas Drive, Takapuna, North shore City Ph: 09 486 4877 info@lakehousearts.org.nz www.lakehousearts.org.nz Hours: Mon–Fri 9.30am–4pm, Sat–Sun 10am–3pm Exhibitions, art classes for children and adults, venue hire, artists studios, events and café.

MALCOLM SMITH GALLERY Uxbridge Arts and Culture, 35 Uxbridge Road, Howick Ph: 09 535 6467 www.malcolmsmithgallery.org.nz Hours: Mon–Sat 10am–4pm, Thur until 8pm.

MCCAHON HOUSE MUSEUM 67 Otitori Bay Road, French Bay, Titirangi Ph: 09 817 6148 or 09 817 7200 mccahon@mccahonhouse.org.nz www.mccahonhouse.org.nz Hours: Wed – Sun 1pm–4pm (except for public holidays)

The House today operates as a vibrant insight into Colin McCahon's significant Titirangi Years (1953-1959) and provides a window into the era of Titirangi during the 1950s. Koha Admission suggested $5 per adult.

MICHAEL LETT 312 Karangahape Road, Cnr K Rd & East St, Auckland 1145 Mob: +64 9 309 7848 contact@michaellett.com www.michaellett.com Hours: Tue–Fri 11am–5pm Sat 11am–3pm.

NATHAN HOMESTEAD GALLERY 70 Hill Road, Manurewa, Manukau Ph: 09 267 0180 nathanhomestead@aucklandcouncil.govt.nz www.manukau.govt.nz/arts Hours: Mon–Fri 9am–4pm, Sat and Sun 1pm–4pm Nathan Homestead Gallery offers a wide range of exhibition programming with local, emerging and internationally recognised artists on display throughout the year.

NORTHART Norman King Square, Ernie Mays St, Northcote Shopping Centre Ph: 09 480 9633 manager@northart.co.nz www.northart.co.nz Hours: Open daily 10am–4pm.

November Treat, Amber Emm.

NZ MARITIME MUSEUM, EDMISTON GALLERY Cnr Quay & Hobson Street, Viaduct Habour Ph: 09 3730800 info@maritimemuseum.co.nz www.maritimemuseum.co.nz

MONTEREY ART GALLERY 5 Cook Street, Howick Ph: 64 9 532 9022 info@montereyartgallery.co.nz www.montereyartgallery.co.nz Hours: Mon–Fri 10am–5pm, Sat 10am–2pm.

OBJECTSPACE 8 Ponsonby Road,, Ponsonby Ph: 09 376 6216 info@objectspace.org.nz www.objectspace.org.nz Hours: Mon–Sat 10am–5pm.

66 Auckland PARNELL GALLERY 263 Parnell Road, Parnell, Auckland Ph: 09 377 3133, Fax: 09 377 3134 art@parnellgallery.co.nz www.parnellgallery.co.nz Hours: Mon–Fri 9.30am–5.30pm, Sat 10am–4pm, Sun 11am–4pm.

PROJECTSPACE GALLERY Elam School of Fine Arts, The University of Auckland, Ground floor, 20 Whitaker Place Ph: 09 923 8000 elamoffice@auckland.ac.nz www.elamprojectspace.auckland.ac.nz Hours: See website for hours Projectspace gallery is open to the public throughout the academic year. Exhibitions include a curated selection of solo and group exhibitions by Elam School of Fine Art students in various media including installation, painting, sculpture, printmaking, moving image, mixed media and photography. For more information and the latest exhibition listings please visit our website.

RED DOOR STUDIOS 1st Floor, 294 Hibiscus Highway, Orewa Mob: 027 259 2897 Hours: Mon–Fri 10am–4pm Gallery & Art Lessons.

REMUERA GALLERY 360 Remuera road Ph: 09 524 7403 www.remuera-gallery.co.nz Hours: Mon–Fri 10am–4pm, Sat 10.30am–4pm STUDIO ONE TOI T 1 Ponsonby Road, Newton Ph: 09 376 3221 studioone@aucklandcity.govt.nz www.studioone.org.nz Hours: Mon–Thu 9am–7pm, Fri 9am– 5pm, Sat 9am–4pm.

Studio One Toi Tū is a community arts facility in the heart of Auckland. Studio One is a hub for creatives of all ages with a wide programme of exhibitions, courses, events and studio hire options.

TE TUHI 13 Reeves Rd, Pakuranga Ph: 09 577 0138 info@tetuhi.org.nz www.tetuhi.org.nz Hours: 9am–5pm daily (closed on public holidays) KATRINA BEEKHUIS, SHELLEY JACOBSON , JEM NOBLE, KALISOLAITE 'UHILA until 19 Mar, YONA LEE In Transit (Arrival) 11 Mar–16 Oct.

Arc-ing Shadowing Scattering, Saskia Schut.

TE URU WAITAKERE CONTEMPORARY GALLERY 420 Titirangi Rd, Titirangi Ph: 09 817 8087 info@teuru.org.nz www.teuru.org.nz Hours: Mon–Sun 10am–4.30pm Picturing Asia: Double Take 25 Feb–21 May, HEAT: Solar Revolution until 9 Apr, Jacqueline Fahey 4 Mar–23 Apr, Cushla Donaldson: The Fairy Falls 4 Mar–23 Apr.

67 67 Auckland – Waiheke Island Region

Vanished Delft, Rachel Ford.

THE PAH HOMESTEAD TSB Bank Wallace Arts Centre Ph: 09 639 2010 enquiries@wallaceartstrust.org.nz www.tsbbankwallaceartscentre.org.nz Hours: Tue–Fri 10am–3pm, Sat–Sun 8am–5pm. BARRY LETT, 40 years until 12 Mar, SEAN COYLE Cruising Wonderland until 2 Apr, EMMA SMITH, CARILYNE BOREHAM , MAIRI GUNN , VERONICA HERBER , LOIS WHITE 28 Feb–9 Apr, ANNA MILES Vanished Delft 14 Mar–14 May, LEO BENSEMANN & FRIENDS 13 Apr–28 May.

THE VIVIAN GALLERY 39 Omaha Valley Rd, Matakana, R D 5, Warkworth 0945 Ph: +6494229995, Mob: +6421669844 thevivian@thevivian.co.nz www.thevivian.co.nz Hours: Daily Wed–Mon 11am–5pm, Closed Tuesdays A purpose built gallery exhibiting mainly group shows of contemporary New Zealand artists that change every five weeks.

Set in three acres of rural landscape, a must visit destination 4 kilometres past Matakana Village on the road towards Leigh.

TIM MELVILLE 4 Winchester St, Grey Lynn Ph: 09 378 1500 tim@timmelville.com www.timmelville.com RUSS FLAT, Take Me to the River new photography 10 Feb– 4 Mar, ANDREW BLYTHE , JOHL DWYER , ALBERTO GARCIA–ALVAREZ , ALLEN MADDOX †Group X†6 Mar–1 Apr, JOHN DWYER 4–29 Apr. TOI ORA GALLERY 6 Putiki St, Grey Lynn Ph: 09 360 4171 info@toiora.org.nz www.toiora.org.nz Hours: Mon–Fri 9am–4.30pm

TRISH CLARK GALLERY 1 Bowen Avenue, Auckland CBD Ph: 09 379 9556 info@trishclark.co.nz www.trishclark.co.nz Hours: Tue–Fri 12pm–5pm, Sat 12pm– 4pm. AMANDA GRUENWALD New Paintings until 17 Mar, AN ARCHITECTURE OF THINGS – Group Show 28 Mar–22 Apr, HEATHER STRAKA The Strangers' Room 2 May–7 Jun. TWO ROOMS 16 Putiki Street, Newton Ph: 09 360 5900 info@tworooms.co.nz www.tworooms.co.nz Hours: Tue–Fri 11am–5pm, Sat 11am–3pm.

WEST COAST GALLERY Seaview Road, Piha Ph: 09 812 8029 www.westcoastgallery.co.nz Hours: 7 days, 10am–5pm Comprehensive range of West Auckland artists. Monthly exhibitions.

Waiheke Island WAIHEKE COMMUNITY ART GALLERY 2 Korora Road, Oneroa, Waiheke Island Ph: 09 372 9907 director@waihekeartgallery.org.nz www.waihekeartgallery.org.nz Hours: 7 Days, 10am–4pm

68 Bay of Plenty–Hamilton Bay of Plenty

Flower Thrower, Banksy.

TAURANGA ART GALLERY Cnr of Wharf & Willow Streets, Tauranga CBD Ph: 07 578 7933 office@artgallery.org.nz www.artgallery.org.nz Hours: Open daily 10am–4.30pm Koula The Collections of NIKKI VELLINGA and THEO VELLINGA until 12 March, Continuum an installation by VERONICA HERBER and BARRY DABB Polynesian Gardens until 12 Mar, Paradox Inside, in partnership with Tauranga City Council and OiYou! Seven internationally acclaimed street artists work inside and outside plus the Oi You! collection, including 22 works by Banksy. See taurangastreetart. co.nz for details. Until 15 June.

TE KOPUTU A TE WHANGA A TOI WHAKATANE LIBRARY & EXHIBITION Kakahoroa Drive, Whakatane Ph: 07 306 0509 lec@whakatane.govt.nz www.whakatanemuseum.org.nz Hours: Mon–Fri 10am–5pm, Sat–Sun 10am–2pm. Closed public holidays. Museum display and three gallery spaces showcasing work by local and national artists.

Rotorua ROTORUA MUSEUM Oruawhata Drive, Government Gardens Ph: 07 350 1814 rotorua.museum@ROTORUALC.NZ www.rotoruamuseum.co.nz Hours: Daily from 9am (except Christmas Day) Da Vinci Machines & Robots 17 Dec 2016 – 26 Mar 2017.

Hamilton ARTSPOST GALLERIES AND SHOP 120 Victoria Street Ph: 07 838 6928 artsPost@hcc.govt.nz www.waikatomuseum/artspost, facebook. com/artspost Hours: Daily 10am–5pm, free entry Three galleries and retail store showcasing the best of New Zealand art and design.

CALDER & LAWSON GALLERY Gallagher Academy of Performing Arts, University of Waikato Ph: 07 858 5100 academy@waikato.ac.nz www.waikato.ac/academy/gallery Visit our website for more details.

SANDZ GALLERY 6 Kent Street, Frankton, Hamilton Ph: 07 8474344 sandzgallery@gmail.com sandzgallery.co.nz Hours: Exhibits work of our studio artists and community artists from Waikato area.

Contact us for gallery hire/exhibition details.

SKINROOM 123 Commerce Street, Frankton, Hamilton skinroom@outlook.com www.skinroomgallery.com SKINROOM is an independent artist-run space in Frankton, Hamilton, founded in 2016. Creative directors are Geoffrey Clarke and Eliza Webster.

WAIKATO MUSEUM, TE WHARE TAONGA O WAIKATO 1 Grantham St Ph: 07 838 6606 museum@hcc.govt.nz www.waikatomuseum.co.nz Our exhibitions bring you the stories of our arts, history, culture and science. Find us on Facebook www.facebook.com/waikatomu-

69 69 Region Waikato–Hawke's Bay seum. ANTHONY DAVIES, In My Lifetime until 19 March, Disenchanted Prophets until 23 April, REBECCA HOLDEN Sand In The Apricot Jam until 11 June.

Waikato HERITAGE GALLERY 85 Victoria St, Cambridge Ph: 07 827 4346 sandra@heritagegallery.co.nz www.heritagegallery.co.nz Hours: Mon–Fri 9.30am–5pm, Sat & Sun 9.30am–4pm A quality selection of contemporary creative arts of NZ – jewellery, ceramics, glass, paintings and prints.

Gisborne PAUL NACHE GALLERY Upstairs 89 Grey Street now@paulnache.com Hours: Wed –Fri 11am–5pm, Sat 11am–2pm (or by appointment) Please refer to paulnache.com for opening dates, artists and upcoming projects.

TAIRAWHITI MUSEUM Kelvin Park, Stout St Ph: 06 867 3832, Fax: 06 867 2728 info@tairawhitimuseum.org.nz www.tairawhitimuseum.org.nz

Indra’s Bow (detail), Tiffany Singh and Jo Blogg.

MTG HAWKE'S BAY 1 Tennyson Street, Napier Ph: 06 835 7781 www.mtghawkesbay.com

Hawke's Bay HASTINGS CITY ART GALLERY 201 Eastbourne Street East Ph: 06 871 5095 www.hastingscityartgallery.co.nz Hours: Open 7 days, 10am–4.30pm FREE ENTRY

WALLACE GALLERY, MORRINSVILLE 167 Thames Street, Morrisville Ph: 07 889 7791 info@morrinsville.org.nz www.morrinsvillegallery.org.nz Hours: Tue–Sun 10am–4pm.

Free entry – donations greatly appreciated.

HASTINGS COMMUNITY ARTS CENTRE 106 Russell Street South, Hastings Ph: 06 878 9447 info@creativehastings.org.nz www.creativehastings.org.nz Hours: Weekdays 9.30am–4pm, Sat 10am–2pm Showcasing Hawke's Bay Artists.

PAPER-WORKS 268 Clifton Road, Te Awanga Mob: 027 450 7517 info@paper-works.co.nz www.paper-works.co.nz Hours: Thur–Sun 11am–3pm, or by appointment. Original Works on Paper – paintings, etchings, lithographs, screenprints, photography, art books and more...

70 Hawke's Bay–Taranaki ELECTRA GALLERY Ruataniwha Street, Waipukurau Ph: 06 858 8388 info@thefestival.org.nz www.thefestival.org.nz/electra

THE RABBIT ROOM 29A Hastings Street, Napier therabbitroomgallery@gmail.com www.therabbitroom.nz Hours: Tue–Thu 1–4pm.

PARLOUR PROJECTS 306 Eastbourne St East, Hastings Mob: 021 450 279 info@parlourprojects.com www.parlourprojects.com

Taranaki

Vessels, Annette Bull.

TENNYSON GALLERY Cnr Tennyson & Hastings Streets, Napier Ph: 06 834 1331 info@tennysongallery.nz www.tennysongallery.nz Mixed 2D and 3D work throughout summer, highlights include Brent Forbes paintings through December. Elsie Fourie ceramics through January. Joshua Weeks paintings and Laura Pearce ceramics through February.

AOTEA UTANGANUI MUSEUM OF SOUTH TARANAKI 127 Egmont St, Patea 4250 Ph: 0800 111 323 museum@stdc.govt.nz www.museumofsouthtaranaki.wordpress.com Hours: Mon–Sat 10am–4pm, closed Sundays, Christmas Day and Good Friday.

Aotea Utanganui Museum of South Taranaki has on display some of the oldest dated wooden artefacts in New Zealand; taonga that date to around 1400 from the Waitore site, near Whenuakura. These artefacts help tell the story of people who lived in South Taranaki over six hundred years ago.

Govett-Brewster Art Gallery.

GOVETT-BREWSTER ART GALLERY/ LEN LYE CENTRE 42 Queen Street, New Plymouth 4342, Aotearoa Mob: +64 6 759 6060 govettinfo@govettbrewster.com www.govettbrewster.com Hours: Open six days: Sat, Sun, Mon, Wed, Thu, Fri 10am–6pm. CLOSED TUESDAYS. All Lines Converge until 26 Mar, LEN LYE Experimental Moves until 26 Mar, LEN LYE Flip and Two Twisters (Trilogy) until 26 Mar, LEN LYE , ROBERT GRAVES , LAURA RIDING On an Island 8 Apr–9 Jul, OSKAR FISCHINGER'S Raumlichtkunst (c. 1926/2012) 8 Apr–6 Aug, FLORIAN PUMHÖSL , PAUL BONET Revealed #2 7 Apr–27 Jul, TOM KREISLER Open Collection 27 Mar–ongoing, LEN LYE Fountain III 27 Mar–ongoing.

71 71 Waiouru– Whanganui Region Waiouru NATIONAL ARMY MUSEUM State Highway I, Waiouru armymuseum.co.nz Hours: Open daily 9am to 4.30pm Discover NZ's military history, stories of courage, honour and sacrifice. Guided tours, Research Library, Kidz HQ , Home Fires Café, Gift Shop.

Mangaweka YELLOW CHURCH GALLERY State Highway 1, Rangitikei Ph: 06 382 5774, Mob: 0275266612 www.webs.com/mangawekagallery Hours: Open most days 10am - 5pm RICHARD ASLETT, plus other local and funky international artists.

Whanganui QUARTZ, MUSEUM OF STUDIO CERAMICS 8 Bates Street, Whanagnui 4500 Ph: 06 348 5555 www.quartzmuseum.org.nz Hours: Tue–Sun 10.30–4.00, admission free.

RAYNER BROTHERS GALLERY 52 Guyton St, Whanganui Mob: 027 270 9497 raynerbrothersgallery@gmail.com www.raynerbrothers.com Hours: Wed–Fri 12pm–4pm, Sat 10am–1pm.

SARJEANT GALLERY TE WHARE O REHUA WHANGANUI 38 Taupo Quay, Whanganui Ph: 06 349 0506 info@sarjeant.org.nz www.sarjeant.org.nz Hours: Mon–Sun 10.30am–4.30pm.

FUNCTION & FANCY Decorative arts from the Sarjeant Gallery collection and beyond at 31 and 38 Taupo Quay until 16 Apr. Items from two local historic homesteads alongside the Gallery's collection of decorative arts. Items on display include ceramics, silverware, glassware and furniture. SUSAN FRYKBERG It shows really, a rather beautiful spirit until 7 May. A response to the life and works of Edith Collier featuring artworks by Collier in the context of a sound and moving image work created by Frykberg in collaboration with video artist, Brit Bunkley. 2017 Belton, Smith & Associates Ltd Whanganui Arts Review 4 Mar–14 May. A showcase of the dynamic and diverse array of art being produced in the Whanganui region.

WH MILBANK GALLERY 1B Bell Street, Whanganui Mob: 027 628 6877 bill.milbank@gmail.com whmilbank.co.nz Hours: 11am–5pm all days except Mon. If travelling a call or text will ensure I am here. We hold NZs largest stock of Philip TRUSTTUM's paintings & drawings and a showroom dedicated to presenting changing aspects of his work. As well, I curate exhibitions with local and national content and stock work by artists from Whanganui, around New Zealand and beyond.

WHANGANUI REGIONAL MUSEUM 62 Ridgway St Ph: 06 349 1110 info@wrm.org.nz wrm.org.nz Hours: Mon–Sat 10am–4.30pm, closed public holidays Check out our temporary space on Ridgway St and the all new exhibition Te Matapihi: looking into the museum. Free entry.

72 Manawatu–The Hutt Valley Manawatu

Kapiti

Porirua

ARTEL GALLERY 9 Mahara place, Waikanae Ph: 04 297 0937 artelnz@gmail.com www.artelgallery.net Hours: Tues–Sun 10am–5pm New Zealand-made art, featuring Kapiti artists and makers.

PATAKA Cnr Norrie & Parumoana Street, Porirua City, Wellington Ph: 04 237 1511 pataka@pcc.govt.nz pataka.org.nz Hours: Mon–Sat 10am–4.30pm, Sun 11am–4.30pm Freedom and Structure: Cubism and New Zealand Art 1930–1960 26 Feb–21 May, ROGER MORTIMER Dilemma Hill 26 Feb–21 May, 25th ANNUAL WALLACE ART AWARDS 2016 26 Feb–7 May, RACHEL RAKENA , HANA RAKENA Everything between you and me 26 Feb–7 May, TUI NUANE Rise Up Together 9 Mar–17 Apr.

Te Manawa.

TE MANAWA MUSEUM/GALLERY/ SCIENCE CENTRE 326 Main Street, Palmerston North Ph: 06 355 5000 enquiries@temanawa.co.nz www.temanawa.co.nz Hours: Open daily.

Wairarapa ARATOI MUSEUM OF ART AND HISTORY Bruce St, Masterton Ph: 06 370 0001 info@aratoi.co.nz www.aratoi.co.nz Te Marae o Rongotaketake – Redressing our Kahungunu History 8 Apr–3 Sep, NZQA Top Art Exhibition 27 Feb–31 Mar, King Street Artworks: Tutors 24 Feb–26 Mar.

AUGUSTIN GALLERY STUDIO 37 Kensington Dr, RD1, Waikanae Ph: 04 293 5956 peterfelix@clear.net.nz www.peteraugustin.com Hours: Studio open by appointment.

Works by PETER AUGUSTIN. MAHARA GALLERY 20 Mahara Place, Waikanae, 5036 Ph: 04 902 6242 info@maharagallery.org.nz www.maharagallery.org.nz Hours: Tue–Sat 10am–4pm, Sun 1–4pm.

Free entry, all welcome. BOB BROCKIE, until 2 Apr, TRACEY MORGAN until 12 Mar, MIZUHO NISHIOKA 14 Mar–2 Apr, FRANCES HODGKINS 9 Apr–4 Jun.

The Hutt Valley

Healing Pools, Brian Knep.

EXPRESSIONS WHIRINAKI ARTS AND ENTERTAINMENT CENTRE 836 Fergusson Drive, Upper Hutt Ph: 04 527 2168 www.expressions.org.nz

73 73 Hutt Valley–Wellington Region Hours: Open every day 9am–4pm, free entry. Healing Pools 18 Feb–30 Apr. A glowing interactive pool of organic patterns designed by USA digital artist Brian Knep.

Walk across the piece, and the patterns rip apart and then rebuild themselves... in the same way the human body heals.

ODLIN ART GALLERY Hutt Art Centre, 9–11 Myrtle St, Lower Hutt huttartsociety@xtra.co.nz www.huttart.co.nz Hours: Open daily 10am–4pm.

PETONE SETTLERS MUSEUM The Esplanade, Petone Ph: 04 568 8373 settlers@huttcity.govt.nz www.petonesettlers.org.nz Hours: Wed–Sun 10am–4pm Free entry.

THE DOWSE ART MUSEUM 45 Laings Road, Lower Hutt Ph: 04 570 6500 enquiries@dowse.org.nz www.dowse.org.nz Hours: Open daily 10am–5pm. JAMES GREIG, Defying Gravity until 12 Mar, Solo 2016: Six Wellington Artists until 2 Apr, RAEWYN ATKINSON I Too Am in Paradise until 12 Mar, JIM ALLEN , BRUCE BARBER , CAMPBELL PATTERSON Task Action until 7 May.

Wellington ACADEMY GALLERIES 1 Queens Wharf Ph: 04 499 8807 info@nzafa.com www.nzafa.com Hours: Daily 10am–5pm, free entry.

ADAM ART GALLERY Victoria University of Wellington, Gate 3, Kelburn Parade Ph: 04 463 6835 adamartgallery@vuw.ac.nz www.adamartgallery.org.nz Hours: Tue–Sun 11am–5pm, Free entry.

ART WALRUS 111 Taranaki St Ph: 04 382 8383 enquiries@walrusgallery.co.nz www.walrusgallery.co.nz Hours: Mon–Sat 9am–5pm, closed Sun ALPHA GALLERY 55 Abel Smith Street, Te Aro Ph: 04 382 8468 alpstu@gmail.com www.alphagallery.org.nz Hours: Mon–Fri 9am–4.30pm Inclusive gallery in the heart of Wellington.

The House that Paul Bought (detail), Paul Maseyk.

AVID GALLERY 48 Victoria Street Ph: 04 472 7703 info@avidgallery.co.nz www.avidgallery.co.nz Hours: Tue–Fri 10am–6pm, Sat 10am– 4pm, Mon by appointment Exquisite hand-crafted jewellery and art objects from New Zealand's leading artists.

BARTLEY + COMPANY ART 56A Ghuznee Street, Te Aro Ph: 04 802 4622 alison@bartleyandcompanyart.co.nz www.bartleyandcompanyart.co.nz Hours: Wed–Fri 11am–5.30pm, Sat 11am–4pm.

74 Wellington Region BOWEN GALLERIES 41 Ghuznee Street Ph: 04 381 0351 info@bowengalleries.co.nz www.bowengalleries.co.nz Hours: Mon–Fri 10am–5.30pm, Sat 10am–3pm. KATHY BARRY, until 11 Mar, TELLY TUU 13 Mar–1 Apr, EUAN MACLEOD 3–29 Apr. CITY GALLERY WELLINGTON Civic Square Ph: 04 801 3021 citygallery@wmt.org.nz www.citygallery.org.nz Hours: Daily 10am–5pm.

EXHIBITIONS GALLERY OF FINE ART 20 Brandon Street Ph: 04 499 6356, Mob: 021 062 2072 ron@exhibitionsgallery.co.nz www.exhibitionsgallery.co.nz Hours: Mon–Sat 10.30am–4.30pm HAMISH MCKAY First Floor, 39 Ghuznee Street Ph: 04 384 7140 info@hamishmckay.co.nz www.hamishmckay.co.nz Hours: Fri–Sat 11am–5pm or by appointment.

MILLWOOD GALLERY 291b Tinakori Road, Thorndon Ph: 04 473 5178 millwoodgallery@xtra.co.nz www.millwoodgallery.co.nz Hours: Mon–Fri 9am–5.30pm, Sat 10am–4pm.

An extensive selection of original prints and paintings by over 30 contemporary NZ artists including a wide range of Wellington images.

Fiesole, Jane Hyder.

JANE HYDER STUDIO GALLERY Studio 21, Toi Poneke Art Centre, 61 Abel Smith Street Ph: 027 920 0337 hyder@clear.net.nz www.janehyder.com thumbnailmedia.com Hours: Open by appointment for art and art classes. Resident artist and art tutor JANE HYDER. KIWI ART HOUSE GALLERY 288 Cuba St, Te Aro Ph: 04 385 3083 www.kiwiarthouse.co.nz Hours: Tues–Sun 10.30am–5.30pm

NEW ZEALAND PORTRAIT GALLERY Shed 11, Queen's Wharf, Wellington Waterfront Ph: 04 472 2298 admin@nzportraitgallery.org.nz www.nzportraitgallery.org.nz Hours: Open daily 10.30am–4.30pm.

Admission Free. Exhibitions on now.

NGA TOI | ARTS TE PAPA 55 Cable St, Wellington tepapa.govt.nz/arts Hours: Open 10am–6pm daily (closed Christmas Day) Discover the national art collection.

On now, Level 5, Free entry, Te Papa.

ORA GALLERY & CAFE 23 Allen Street, Te Aro, Wellington Ph: 04 384 4157 marissa@oragallery.co.nz Facebook - ORA Gallery and Cafe NZ Art, Design & Gifts.

75 75 Region Wellington PETER MCLEAVEY GALLERY Level 1, 147 Cuba Street, Wellington, Te Aro Ph: 04 384 7356 olivia@petermcleaveygallery.com Hours: Wed–Fri 11am–5pm, Sat 11am– 4pm, or by appointment.

PAGE BLACKIE GALLERY 42 Victoria St Ph: 04 471 2636 info@pageblackiegallery.co.nz www.pageblackiegallery.co.nz Hours: Mon–Fri 10am–5.30pm, Sat 10am–4pm.

PHOTOSPACE GALLERY 1st floor, 37 Courtenay Place Ph: 04 382 9502 www.photospacegallery.nz Hours: Mon–Fri 10am–4pm, Sat 11am–4pm.

QUOIL NEW ZEALAND CONTEMPORARY JEWELLERY GALLERY 149 Willis Street, Wellington Ph: 04 384 1499 gallery@quoil.co.nz www.quoil.co.nz Hours: Mon–Fri 10am–5.30pm, Sat and Sun 10am–4pm QUOIL represents exclusively New Zealand jewellery artists. Browse the current show or peruse the drawers for a treasure-trove of wearable pieces for men and women.

ROAR! GALLERY Cnr. Vivian and Victoria Streets, 189 Vivian Street Ph: 04 385 7602 roar.gallery@gmail.com www.roargallery.org.nz Hours: Wed–Fri 11am–6pm: Sat 11am– 2pm. Closed Sunday ROAR! gallery is a professional gallery and exhibition space that supports artists with limited access to traditional dealer galleries.

SOLANDER GALLERY 218c Willis St Ph: 04 920 0913 info@solandergallery.co.nz www.solandergallery.co.nz Hours: Tue–Fri 10am–5pm, Sat 10am– 4pm. DICK FRIZZELL Numbered, Titled and Signed until 18 Mar. SIMON KAAN New Works 22 Mar–22 Apr, RICHARD ADAMS KeyLines Wellington.

SUITE GALLERY 241–243 Cuba Street, Wellington Ph: 04 976 7663 info@suite.co.nz www.suite.co.nz Hours: Tue–Fri 11am–6pm, Sat 11am– 4pm. EMILY HARTLEY-SKUDDER, Fourth wall until 4 Mar,Version 4.2: Group exhibition 8–26 Mar, ROB CHERRY 30 Mar–22 Apr.

THE YOUNG 70 Abel Smith Street, Wellington Mob: 021 368 348 carey@careyyoung.co.nz Hours: Hours by appointment.

TOI PŌNEKE ARTS CENTRE 61 Abel Smith Street Ph: 04 385 1929 artscentre@wcc.govt.nz Hours: 10am–8pm Mon–Fri, 10am–4pm Sat–Sun facebook.com/toiponeke TURNBULL GALLERY Level 1, National Library of New Zealand, Molesworth Street, Wellington www.natlib.govt.nz Hours: Mon–Sat 10am–5pm See www.natlib.govt.nz for more information including related events.The Turnbull Gallery showcases the collections of the Alexander Turnbull Library.

76 Wellington –Nelson Region VESSEL 87 Victoria Street, Wellington Ph: 04 499 2321 www.vessel.co.nz Hours: Open 7 days Look - Love - Shop.

WELLINGTON MUSEUM Queens Wharf, Wellington Waterfront Ph: 04 472 8904 museumswellington@wmt.org.nz www.museumwellington.org.nz Hours: Open daily 10am–5pm except Christmas Day VINCENTS GALLERY Vincents Art Workshop, 5/148 Willis Street Ph: 04 499 1030 vincentsartworkshop@xtra.co.nz vincents.co.nz Hours: Mon 11–4, Tue 1.30–6.30, Wed 11–5, Thurs(Women's day) 11–4, Fri 10–4 Solo and group shows featuring emerging artists at affordable prices.

Picton

THE DIVERSION GALLERY 10 London Quay, Picton Waterfront Mob: 027 4408 121 bspeedy@thediversion.co.nz www.thediversion.co.nz Hours: Wed–Sat 12pm–5pm or by appointment.

Blenheim MILLENNIUM PUBLIC ART GALLERY Seymour Square Ph: 03 579 2001 marlpublicart@xtra.co.nz www.marlboroughart.org.nz Hours: 10.30am–4.30pm weekdays, 1pm–4pm weekends.

Nelson CRAIG POTTON GALLERY + STORE 255 Hardy Street Ph: 03 548 9554 gallery@craigpottongallery.co.nz www.craigpottongallery.co.nz Hours: Mon–Fri 10am–5pm, Sat 10am–2pm HŌGLUND GLASSBLOWING STUDIO & GALLERY 52 Lansdowne Road, Richmond, Nelson Ph: 03 544 6500 artglass@hoglund.co.nz www.hoglundartglass.com Hours: Open daily 10am–5pm.

NELSON PROVINCIAL MUSEUM cnr Trafalgar and Hardy Street, Nelson Ph: 03 548 9588 www.nelsonmuseum.co.nz Hours: 10am–5pm weekdays 10–4.30pm weekends and public holidays closed Good Friday and Christmas day. Free

entry for local residents, $5 for visitors Stories from Te Tau Ihu, the top of the South Island from Tasman Bay to Golden Bay. Our treasure-filled exhibitions explore the region's history, cultures and natural environment, plus short-term touring exhibitions and children's programmes.

RED ART GALLERY 1 Bridge Street Ph: 03 548 2170 red@redartgallery.com www.redartgallery.com Art Gallery - Store - Cafe.

THE SUTER ART GALLERY TE ARATOI O WHAKATŪ 208 Bridge Street, Nelson Ph: 03 548 4699 www.thesuter.org.nz Hours: Open daily 9.30am–4.30pm Art Gallery – Café – Store – Theatre.

WORLD OF WEARABLEART & CLASSIC CARS MUSEUM Cadillac Way off Quarantine Road, Annesbrook, Nelson Ph: 03 547 4573 info@wowcars.co.nz www.wowcars.co.nz Hours: Open every day, 10am–5pm (except 25th December). We recommend 60–90 min to view all galleries.

World of WearableArt & Classic Cars Museum. Be amazed by the incredible gar-

77 77 Nelson–Christchurch Region ments that feature in the WearableArt Gallery, marvel at the extraordinary garments by artists from New Zealand and around the globe. View our world class Classic Car Galleries displaying some of the most sought after models in classic motoring, beautifully set under theatrical lighting. Our Museum is like no other. Museum includes a Cafe and Gallery shop.

Geology, David Haines and Joyce Hinterding.

Christchurch Late 19th century vase, Unknown

Wet Venice, Min Kim.

BRYCE GALLERY Cnr Riccarton Road & Paeroa Street Ph: 03 348 0064 art2die4@brycegallery.co.nz brycegallery.co.nz Hours: Mon–Fri 10am–5pm, Sat 10am– 4pm, Sun 11am–4pm.

CANTERBURY MUSEUM Rolleston Avenue Ph: 03 366 5000, Fax: 03 366 5622 info@canterburymuseum.com www.canterburymuseum.com Hours: Open every day Oct–Mar 9.00am–5.30pm Natural and human history are joined by fine and decorative art. Rare Maori artefacts, Antarctic Gallery, Heritage Street, Asian Art. Frequent temporary art exhibitions.

CHRISTCHURCH ART GALLERY TE PUNA O WAIWHETU Cnr Worcester Boulevard and Montreal Street, Christchurch Ph: 03 941 7300 info@christchurchartgallery.org.nz www.christchurchartgallery.org.nz Hours: Open 10am–5pm daily, late night Wed until 9pm. SHANNON TE AO Tnei ao kawa nei 11 Mar-23 Jul, CARL SYDOW Tomorrow Never Knows 25 Mar23 Jul, FRANCIS UPRITCHARD Jealous Saboteurs 25 Mar-16 Jul, WAYNE YOULE look mum no hands 14 Apr-3 Sep.

78 Christchurch Region CHAMBERS241 241 Moorhouse Avenue, Christchurch CBD Ph: 022 677 2810 gallery@chambersart.co.nz chambersart.co.nz Hours: Tues–Fri 11am–5.30pm and Sat 11am–4pm.

Ostrich, David Shrigley.

CENTRE OF CONTEMPORARY ART TOI MOROKI (COCA) 66 Gloucester Street, Central City www.coca.org.nz Hours: Tue–Sun 10am - 5pm, free entry Located in the heart of Christchurch city, CoCA Centre of Contemporary Art Toi Moroki is a national and international cutting-edge gallery. Be moved, be challenged, be inspired! Our spring exhibition Contemporary Christchurch celebrates a range of innovative contemporary art made or located in Ōtautahi and runs until 6 Nov. DAVID SHRIGLEY, Lose Your Mind Mar 11–May 28.

FORM GALLERY 468 Colombo Street, Sydenham Ph: 03 377 1211 info@form.co.nz www.form.co.nz Hours: Tue–Sat 10am–5pm, Sun 10am–3pm See us on Facebook. Object art retail & exhibition space.

ILAM CAMPUS GALLERY Block 2, School of Fine Arts, Arts Rd, University of Canterbury Ph: 03 364 2159 sarahe.brown@canterbury.ac.nz www.arts.canterbury.ac.nz/fina/exhibitions.shtml Hours: 9am–4pm Mon–Fri. JONATHAN SMART GALLERY 52 Buchan St, Sydenham, Christchurch Ph: 03 365 7070 www.jonathansmartgallery.com Hours: Wed–Fri 11am–5pm Sat 11am– 3pm JUDY DARRAGH, & PETE WHEELER Feb, MARIE LE LIEVRE Mar, CHRIS HEAPHY Apr.

L'ESTRANGE GALLERY 53 Nayland Street, Sumner Ph: 03 326 6057 lestrangegallery@xtra.co.nz

Odysseus strays into the realm of Tangaroa, Marian Maguire.

PG GALLERY192 192 Bealey Ave, Christchurch 8013 Ph: 03 366 8487 info@pggallery192.co.nz www.pggallery192.co.nz Hours: Tues–Fri 10.30am–5pm Sat 10.30am–2pm AIKO ROBINSON, , GRACE WRIGHT Afternoon Delight until 3 Mar, MARIAN MAGUIRE Fireplaces: Odysseus, Penelope & Te Koha 7–31 Mar, JAMES ROBINSON 4–28 Apr.

79 79 Region–Canterbury Christchurch Canterbury

As is, Lisa Walker and Ready Steady Studio.

THE NATIONAL 241 Moorhouse Ave, Christchurch Ph: 03 366 3893 info@thenational.co.nz www.thenational.co.nz Hours: Tues–Fri 10.30am–5.30pm, Sat 10.30am–4pm Contemporary jewellery and objects.

THE PHYSICS ROOM CONTEMPORARY ART PROJECT SPACE Level 3, 209 Tuam Street Ph: 03 379 5583 physicsroom@physicsroom.org.nz www.physicsroom.org.nz Hours: Tue–Fri 10am–5pm, Sat 11pm– 4pm. Closed Mon & Public Holidays.

50 WORKS GALLERY 50 London Street, Lyttelton Ph: 03 328 7653, Mob: 027 423 9812 50worksgallery@gmail.com www.50worksgallery.com Hours: Thu–Fri 2–4pm, Sat and Sun 11am–4pm 50 Works Gallery's Spring Group Show features new works from eighteen artists who have exhibited at the gallery throughout the year, along with works from guest artists. Works in the exhibition include sculpture, paintings and prints.

ARTS IN OXFORD 72 Main Street, Oxford Ph: 03 312 1639 artsinoxfordgallery@xtra.co.nz www.artsinoxford.com Hours: Tues–Sun 10am–4pm Find us on Facebook or visit our website for current exhibitions and workshops.

A Series of Miscalculations, Michael Armstrong.

ASHBURTON ART GALLERY Level 1, 327 West Street, Ashburton Ph: 03 308 1133 info@ashburtonartgallery.org.nz www.ashburtonartgallery.org.nz Hours: Open daily 10am–4pm, Wednesday 10am–7pm. Find us on Facebook or visit our website for current exhibitions and events.

80 Geraldine –Oamaru Region Geraldine

Self Portrait, Michel Tuffery.

MCATAMNEY GALLERY AND DESIGN STORE Upstairs Old Post Office Building, 47/49 Talbot St Ph: 03 693 7292, Mob: A/H 027 305 3000 carolyn@mcatamneygallery.co.nz www.mcatamneygallery.co.nz Hours: Open 11am–3pm, if unattended please contact Carolyn on 027 305 3000 Modern and Contemporary Art. New works arrived to Secondary market. Modern and Contemporary Art P. NEWBURY , A.A. DEANS , M. TUFFERY , M. WEBB. SUSAN BADCOCK STUDIO Back of Old Post Office, 47 Talbot St Mob: 021 175 2853 susanbadcockstudio@gmail.com Hours: Open Tue–Sat 10–2pm or by appointment. Find us on Facebook.

Timaru

AIGANTIGHE ART GALLERY 49 Wai-iti Road Ph: 03 688 4424 gallery@timdc.govt.nz www.timaru.govt.nz/art-gallery Hours: Tue–Fri 10am–4pm, weekends & public holidays 12–4pm.

SAFFRON GALLERY OF ART LTD 325 Pages Road Mob: 021 034 4859 www.saffrongallery.co.nz Hours: Mon–Fri 10am–4pm or by appointment.

11am–3pm or 24/7 at yorkstreetgallery. com and debbietempletonpage.com Sculptor DEBBIE TEMPLETON-PAGE Studio at back of the gallery. Contemporary traditional art works by renowned artists are featured throughout the year. Artists including - MARILYNN WEBB, LLEW SUMMERS, A.A. DEANS.

Oamaru

Figurehead of the ship Northumberland c1880s, William Williams.

Two women, Debbie Templeton-Page.

YORK STREET GALLERY OF FINE ART 21 York Street Ph: 03 684 4795 www.yorkstreetgallery.com Hours: Open Thurs, Fri and Saturday

THE FORRESTER GALLERY 9 Thames Street, Oamaru, 9400 www.culturewaitaki.org.nz Hours: Open daily. Free entry, donations welcome. KERRY HINES, Young Country 18 Feb–26 Mar.

81 81 Region Dunedin Dunedin

Untitled, Martin Thompson.

BRETT MCDOWELL GALLERY 5 Dowling Street, Dunedin Ph: 03 477 5260 brett@brettmcdowellgallery.com www.brettmcdowellgallery.com Hours: Mon–Fri 11am–5.30pm, Sat 11am–1pm DUNEDIN PUBLIC ART GALLERY 30 The Octagon Ph: 03 474 3240 dpagmail@dcc.govt.nz www.dunedin.art.museum Hours: Open daily 10am–5pm Exploded worlds: Works from the Dunedin Public Art Gallery Collection ongoing, TIFFANY SINGH Om Mani Padme Hum until 2 Apr, Kushana Bush: The Burning Hours until 17 Apr, FRANCES HODGKINS , ERICA VAN ZON , IMOGEN TAYLOR , SASKIA LEEK , VANESSA BELL , RONALD GRIERSON , JOANNA MARGARET PAUL Open

Air, Still Life until 14 May, NICOLA JACKSON The Bloggs 18 Mar–5 Jun, When Dreams Turn to Gold: The Benson & Hedges Fashion Design Awards 18 Mar–25 Jun, REBECCA BAUMANN Untitled (exploded view) 18 Mar–25 Jun, EVE ARMSTRONG visiting artist project 29 Apr–9 Jul. GALLERY DE NOVO 101 Stuart Street, Dunedin Ph: 03 474 9200, Mob: 021 030 5199 art@gallerydenovo.co.nz www.gallerydenovo.co.nz Hours: Open Mon–Fri 9.30am–5.30pm, Sat & Sun 10am–3pm.

HOCKEN GALLERY 90 Anzac Avenue, University of Otago Ph: 03 479 8871 hocken@otago.ac.nz www.otago.ac.nz/library/hocken/exhibitions Hours: Mon–Fri 10am–5pm, Gallery open daily 10am-5pm.

INGE DOESBURG GALLERY 6 Castle St Ph: 03 4667 627 ingedoesburg@gmail.com www.ingedoesburg.com Hours: Thu–Sat 12pm–2pm & by arrangement.

MINT GALLERY 32 Moray Place Ph: 03 477 1763, Mob: 021 0255 9998 murray@mintart.co.nz www.mintart.co.nz Hours: Tue–Fri 10am–5pm, Sat 10am–4pm MORAY GALLERY 55 Princes Street Ph: 03 477 8060 info@moraygallery.co.nz www.moraygallery.co.nz Hours: Mon–Fri 10am–4.30pm Sat 11am–2pm.

OTAGO ART SOCIETY First Floor, Dunedin Railway Station, 22 Anzac Ave, Dunedin Ph: 03 477 9465 otagoartsociety@xtra.co.nz www.otagoartsociety.co.nz The oldest art society in New Zealand holding 6 major exhibitions a year. Paintings, ceramics, jewellery, photography, wood ware, and other locally made gift ideas.

82 Dunedin– Southland Region Cromwell HŌGLUND ART GLASS GALLERY 1767 Luggate-Cromwell Rd, 9383 Ph: 03 442 7210 artglass@hoglund.co.nz www.hoglundartglass.com Hours: Open daily 9am–5pm Jewellery, hand blown glass and paintings

OTAGO MUSEUM Science / Nature / Culture 419 Great King Street, Dunedin Ph: 03 474 7474 otago.museum@otagomuseum.nz www.otagomuseum.nz Hours: Open every day 10am–5pm (except Christmas day) Current opens 18 Mar, 2017 Otago Wildlife Photography Exhibition opens 26 Mar.

OCTA GALLERY AND WORKSHOP 71 Melmore Terrace, Cromwell 9310 Ph: 03 445 1594, Mob: 027 231 7502 octa@artlover.com Hours: 10am–4pm daily Chris and Gail de Jong's long time passion with the Arts is evident at OCTA, where they represent selected well known New Zealand contemporary Artists. The gallery also stocks an eclectic mix of limited edition prints by renowned 20th Century European artists. We also sell on behalf so 'expect the unexpected.'

Southland

Millennium, Nigel Brwon.

EASTERN SOUTHLAND GALLERY 14 Hokonui Drive , Gore Ph: 03 208 9907 jgeddes@goredc.govt.nz www.esgallery.co.nz Hours: Mon–Fri 10am–4.30pm, Weekends and Public Holidays 1pm–4pm. Closed Xmas Day, Boxing Day and New Years Day. NIGEL BROWN, Recent Gifts 25 Feb–9 Apr, STACEY BUTLER Installation 25 Feb–9 Apr.

83 Southland–Invercargill

ArtZone List with Artzone

SOUTHLAND MUSEUM & ART GALLERY NIHO O TE TANIWHA 108 Gala St, Invercargill Ph: 03 219 9069 office@southlandmuseum.co.nz www.southlandmuseum.com Hours: Mon–Fri 9am–5pm, Sat–Sun 10am–5pm. . Worlds largest indoor display of live Tuatara. Regularly changing art exhibitions and ongoing historical exhibitions of Southland's past.

Invercargill CITY GALLERY INVERCARGILL 28 Don Street, Invercargill Ph: 214 1319 www.citygallery@ihug.co.nz Hours: Tue–Fri 11am–4pm, Sat 11am–2pm Facebook: City Gallery Invercargill

300 DPI + 1Mb +

48 mm

GALLERY NAME Physical Address: Phone Number: Email Address: Website Address: Mon–Fri 10am–4.30pm Description: This could include what activities and services you offer and a list of the artists and shows that will be held at your gallery for the next 10 weeks.

NB Exhibitions are italicised and artist Names are Capitalised.

For more information contact craig@artzone.co.nz

31 mm

Barrow Man, Euan MacLeod.

48 mm

36 mm

84 Region Artist List ADAMS RICHARD

Solander G

Wellington

GRAVES ROBERT

ALLEN JIM

The Dowse

Hutt Valley

GREIG JAMES

ALVAREZ ALBERTO

Tim Melville

Auckland

ARMSTRONG EVE

Dunedin PAG

Dunedin

ASLETT RICHARD

Yellow Church Mangaweka

ATKINSON RAEWYN

BARRY KATHY BAUMANN REBECCA

GRIERSON RONALD

Dunedin PAG

Porirua

Govett Brewster

Taranaki

RIDING LAURA

PG gallery192

Christchurch

ROBINSON JAMES

PG gallery192

Christchurch

HEAPHY CHRIS

Jonathan Smart Christchurch

SHELTON ANNA

Auckland Art Gallery

Kapiti

HERBER VERONICA

Pah Homestead

SHRIGLEY DAVID

COCA

The Dowse

Hutt Valley

HERBER VERONICA

Bowen G

Wellington

HINES KERRY

Hutt Valley

Tauranga Art

HODGKINS FRANCES Mahara Gallery

Dunedin PAG

Dunedin

HOLDEN REBECCA

Waikato Museum

Pah Homestead

Auckland

JACKSON NICOLA

Dunedin PAG

BLACKBURN JOHN

Artis Gallery

Auckland

JACOBSON SHELLEY

BLYTHE ANDREW

Tim Melville

Auckland

KAAN SIMON

BONET PAUL

Govett Brewster

Taranaki

BOREHAM CARILYNE

Pah Homestead

Auckland

Mahara Gallery

Kapiti

KREISLER TOM LEE YONA

Auckland Bay of Plenty

The Forrester Gallery

HODGKINS FRANCES Dunedin PAG

SINGH TIFFANY

Dunedin PAG

SKUDDER EMILY

Suite

Wellington

Dunedin

SMITH EMMA

Pah Homestead

Auckland

Trish Clark

Auckland

Hamilton

SUMMERS LLEW

York Street

Dunedin

TAYLOR IMOGEN

Dunedin PAG

Te Tuhi

Auckland

TUFFERY M

McAtamney

Geraldine

Wellington

TUU TELLY

Bowen G

Wellington

Govett Brewster

Taranaki

Te Tuhi

Auckland

UHILA KALISOLAITE VELLINGA NIKKI

Tauranga Art

Te Tuhi

Bay of Plenty

VELLINGA THEO

Tauranga Art

Bay of Plenty

WEBB M

McAtamney

Geraldine

Dunedin PAG

Dunedin

LETT BARRY

Pah Homestead

Auckland

BUTLER STACEY

Eastern Southland Southland

LIEVRE MARIE

Jonathan Smart Christchurch

WEBB MARILYNN

LYE LEN

Govett Brewster

WHEELER PETE

Jonathan Smart

WHITE LOIS

Pah Homestead

Taranaki

CHERRY ROB

Suite

Wellington

MACLEOD EUAN

Bowen G

Wellington

COYLE SEAN

Pah Homestead

Auckland

MADDOX ALLEN

Tim Melville

Auckland

DARRAGH JUDY DAVIES ANTHONY DEANS A.A

Tauranga Art Bay of Plenty Jonathan Smart Christchurch

MAGUIRE MARIAN

PG gallery192 Christchurch

MILES ANNA

Pah Homestead

Waikato Museum

Hamilton

MORGAN TRACEY

Mahara Gallery

McAtamney

Geraldine

MORTIMER ROGER

Pataka

Kapiti Porirua

York Street

Timaru

DWYER JOHL

Tim Melville

Auckland

NISHIOKA MIZUHO

Mahara Gallery

DWYER JOHN

Tim Melville

Auckland

NOBLE JEM Te Tuhi

Te Tuhi

Auckland

Pataka

Porirua

Taranaki

FLAT RUSS

Tim Melville

Auckland

FRIZZELL DICK

Solander G

Wellington

FRYKBERG SUSAN GOSSAGE AROHA

Sarjeant Gallery Whanganui Artis Gallery

Auckland

NUANE TUI PAGE DEBBIE

McAtamney

Auckland

DEANS A.A

FISCHINGER’S OSKAR Govett Brewster

NEWBURY P

Geraldine Kapiti

York Street

Timaru

PATTERSON CAMPBELL The Dowse

Hutt Valley

PAUL JOANNA PUMHÖSL FLORIAN

Timaru Dunedin

Solander G

LEEK SASKIA

DABB BARRY

Dunedin

STRAKA HEATHER

Kapiti

Eastern Southland Southland Kaan Zamaan Gallery Northland

Auckland

Christchurch

Oamaru

BROWN NIGEL CAMINITI ALEX

Porirua

ROBINSON AIKO

Dunedin

BROCKIE BOB

Pataka

Auckland

Auckland

BENSEMANN LEO

Pataka

RAKENA RACHEL

Auckland

Te Tuhi

BELL VANESSA

Dunedin

RAKENA HANA

Pah Homestead

Dunedin PAG

BEEKHUIS KATRINA

Hutt Valley

GUNN MAIRI

Augustin Gallery

BARBER BRUCE

Taranaki

The Dowse

GRUENWALD AMANDA Trish Clark

The Dowse

AUGUSTIN PETER

Govett Brewster

Dunedin PAG

Dunedin

Govett Brewster

Taranaki

York Street

Auckland

Timaru Christchurch Auckland

WRIGHT GRACE

PG gallery192

Christchurch

ZON ERICA

Dunedin PAG

Dunedin

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Chev Te-Whetumatarau Hassett, BDes (Hons), Photography, 2016