CARD— BOARD CITIZENS BIG ANNUAL REVIEW 09—10
BIG WELCOME
CEO & Artistic Director’s Review This has certainly been a big year for us. Our Event Theatre production of Mincemeat caused as much excitement as an unexploded World War Two bomb discovered in Shoreditch – a lot of people became newly aware of the company and its ambitions, in the atmospheric re-telling of this big espionage story with a little (homeless) man at its centre. And it was especially pleasing that the reverberations were felt in all aspects of our work – three community performances spun off in an amazing partnership with the Churchill Museum, featuring our Skylight groups and the young refugees we have been working with over the past several years; the reaction of newly arrived Afghanis and others from war-torn states to the Churchillian narrative was particularly fascinating. But partnership has been a wider feature of our year, it being one of the most effective ways a small organisation like ours can punch above our weight. 2009 saw the inauguration of ACT NOW, the company’s new youth project, featuring the National Youth Theatre, the Roundhouse and Centrepoint. The first year has been wonderful, both in the achievement of its outcomes and in the opportunity to welcome into the company a truly exceptional group of young people, who have already grown into articulate exponents of the difference that participation in theatre can make in chaotic lives.
Led Easy, commissioned from much-in-demand new writer David Watson, was one of the best-received Forum shows of recent years and was also catapulted from the small hostel spaces we are used to performing in onto the bigger stage of the World Forum Festival in Austria, where it was shown to great acclaim in five towns, finishing up in Graz. And we cannot forget that this has also been the sad year in which we lost our great friend and inspiration, Augusto Boal, who I was privileged to commemorate in the keynote speech at the Austrian festival. And on we go. We are already plotting a version of Measure for Measure as our 2012 project for the International Shakespeare Festival, with our esteemed Kolkata-based colleagues, Jana Sanskriti. And in the meantime we have been working on another story of little people caught up in big history, as the next in the History Play sequence inaugurated with Mincemeat – A Few Man Fridays will tell another true story, this time of the people of the Chagos Islands made homeless to make way for a military base. So the future looks big too. Adrian Jackson
About Cardboard Citizens Cardboard Citizens changes the lives of displaced and homeless people through theatre and the performing arts. We make theatre that can effect positive change – personal, social and political – both in the lives of homeless and displaced people and in society’s perceptions of them. We are the UK’s leading practitioners of Theatre of the Oppressed. Every year we reach more than 2,000 homeless and at-risk Londoners by: — Presenting plays performed by homeless people for homeless audiences, to share experiences and problemsolve together; — Enabling excluded and confidence;
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— Meeting participants’ practical needs through supporting them in matters of housing, education, employment and health; — Producing high quality work for general audiences so that a wider public can share in the company’s learning and understand the issues facing marginalised people.
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BIG AUDI— ENCES …Amazing! One of the most powerful Forum pieces I have seen. Audience member on Led Easy
The five stars awarded here are not just for the high quality of both David Watson’s script and the performances, but for the overall work of Adrian Jackson’s Cardboard Citizens, a theatre company that must surely rank as being amongst the most genuinely life-changing in the UK. Theo Bosanquet, What’s On Stage
They talked about the play for days after. Hostel worker, Salvation Army Hopetown
Over the years, we have performed in dining rooms, in halls, in prisons, in tents, in churches, even in theatres. Sometimes our audience has been hundreds, sometimes five men and a dog, sometimes just the dog... But we are always amazed by the warm reception we receive. Adrian Jackson, CEO & Artistic Director What is it? Bringing theatre to homeless audiences and into improbable environments is a cornerstone of the company’s work. This year marked the 10th anniversary of our trademark Hostel Tour, a unique and ambitious endeavour, which brings a professional theatre production to hostels, day centres and prisons. To make matters even more interesting, we use interactive Forum Theatre performed by ex-homeless actors, to engage homeless people in debate about the issues they face and help them reconnect with support services.
How does it work? This year’s show Led Easy was written by award-winning playwright David Watson, his first piece for Cardboard Citizens. Developed after research and interviews with members of the company, the plays addressed issues that included peer pressure in young people, alcohol and drugs recovery and the obstacles faced by well-intentioned social workers. During each of the plays, the audience was asked: what would you do if you were the protagonist of this story? Led Easy was performed in venues across London including 3 showcase performances for the general public as well as venturing internationally to the World Forum Festival in Austria. Highlights included an incredible Forum during a show in HMP Holloway. The final intervention imagined protagonist Eve at her graduation ceremony having completed her degree, and singing karaoke at the after-party. Terry O’Leary, Led Easy’s Joker (facilitator) coaxed a prison officer onto the stage along with several inmates, all playing the part of guests at the party and dancing, to boot. It was a brilliant example of the meaningful breaking of boundaries that Forum Theatre can make possible. After each performance in whatever venue, the actors engage one-to-one with members of the audience, providing them with information on support services available to tackle the issues addressed in the shows, and encouraging them to join Cardboard Citizens’ Members programme. Through our tour, we enrolled 107 new members into the company, who will be able to receive tailored support on employment, training and housing matters, and learn new skills through the company’s performing arts workshops. Overwhelmingly enthusiastic responses from residents, staff and members of the general public ensured that the Hostel Tour’s 10th birthday was a memorable one!
Big Impact
47 33 1,663 694
47 performances between October and December 2009
33 hostels and day centres visited
1,663 people reached
Total homeless/at-risk audience: 694 people
BIG STAGE I am the man who never was. And that is what I always was, the man who never was. Major Martin, Mincemeat
Its chief aim is to remind us of the people’s war, and to demonstrate the perennial danger of treating the lost and homeless simply as so much mincemeat. Michael Billington, Guardian
Occasionally you turn up at a show with meagre expectations only to discover that you have stumbled across theatrical treasure. Charles Spencer, The Telegraph
This is rich and unsettling work, a salute to individual struggle and humanity. Sam Marlowe, The Times
What is it? Through its Event Theatre programme, Cardboard Citizens develops large-scale productions for the general public focused on telling stories from the lives of homeless and displaced people. Mincemeat, the first in Cardboard Citizens’ cycle of History Plays, was mounted as a site-specific production at Cordy House, a disused warehouse in Shoreditch, for a fourweek run in July of 2009. Originally performed ten years ago this production is part of a cycle of forgotten or untold stories all based on actual historical events in which ordinary little people affect a bigger sweep of national history. Written by Adrian Jackson and Farhana Sheikh and directed by Adrian Jackson, Mincemeat traces the story of an astonishing World War Two deception, in which the corpse of a nameless homeless person was transformed into that of a military man and used as a decoy by the Allies.
How does it work? The show was performed by a professional cast including ex-homeless actors, with considerable involvement of Cardboard Citizens’ company Members both in aspects of the production and its accompanying projects. Mincemeat was enhanced by a series of linked special site-specific events: — Keep Calm & Carry On was devised with a group of young refugees and asylum seekers, working with director Emma Bernard and dance artist Joe Moran, creating a response to the Churchill Museum and Cabinet War Rooms, and the history of homelessness and displacement during wartime. 6 months of weekly workshops at the Refugee Council culminated with a promenade performance through Churchill’s underground bunker at the end of May. — Keep it Under Your Hat also directed by Emma Bernard, was devised with company Members and presented in the atmospheric corridors of Churchill’s underground bunker. — Created with the support of the Wellcome Trust, The Coroner’s Inquests brought together scientists and historians to investigate the science behind the enigma that was Operation Mincemeat. incemeat secured widespread – and overwhelmingly positive M – coverage in the national press with features in The Times, Evening Standard and Big Issue and reviews in The Telegraph (*****), Guardian (****), The Sunday Times (****) and The Stage. Mincemeat designer Mamoru Iriguchi was awarded the Evening Standard Theatre Award for Best Design. A radio version is to be produced by Radio Three for broadcast in 2011.
Big Impact
1ST 3RD 2,755 250 2,460
Evening Standard Theatre Award for Best Design
3rd in the The Observer’s list of top 10 shows of the year
Total audience reached: 2,755
Total number of homeless and at-risk people reached: 250
2,460 hours of paid employment for ex-homeless actors
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BIG TALENT Cardboard Citizens’ Forum Week was my first step into acting – it got me out of my hostel room at a point when I was not doing much with myself. Cardboard Citizens unlocked my passion for acting: I took a Playing Up 2 qualification at NYT and applied for Drama School. Cardboard Citizens made me feel I belonged to something and it gave me the support to move forward with my life. K, Company Member
I’ll do you a deal – you let me be in the play, and I’ll make sure I sort out my probation B, Company Member
What is it? Over the past year we have provided training, guidance and a platform for expression to 350 people who have experienced homelessness. We have worked with them through our weekly performing arts workshops at Crisis Skylight, our new youth theatre programme ACT NOW, and professional training courses in Forum Theatre techniques. The workshops remain one of the cornerstones of our work and often the first point of contact between our participants and Cardboard Citizens. We aim to provide a safe haven where anyone who has experienced homelessness can come and play, share, meet, learn, grow and be creative together. It allows our team to build trust and relationships with participants, which is crucial in enabling us to further support them in their move away from homelessness. Coming to the workshops has been the start of great journeys for many people. It is a chance for people to build key skills, along with confidence and self-esteem, and to explore solutions to challenges they face in a supportive, nonjudgmental environment. Others develop further through accessing Information, Advice and Guidance support. Finally, the workshops are a training ground for actors who may then star in Cardboard Citizens community productions, Hostel Tour or professional Event Theatre productions.
How does it work? — Three annual terms of weekly workshops at Crisis Skylight in Spitalfields, for people with experience of homelessness who are over 18. Throughout the year we offer the opportunity to take part in a variety of performing arts and participate in public performances. This year’s workshops included Forum Theatre Improvisation, Choir, Contemporary Dance, Acting for Theatre, Audition Techniques, Stage Combat and Singing.
Big Impact
— ACT NOW: a new programme of workshops for young people under 25, in partnership with the National Youth Theatre, Centrepoint, and the Roundhouse. The programme has been designed to help young people who are homeless and NEET (not in education, employment or training) to move on with their lives and away from homelessness.
8-15 100 224 25 35
Workshop participants have the opportunity to showcase their work at public performances. In 09-10 participants took part in 35 shows including: — Stick to the Script (Oxford House and Redbridge Housing Services staff conference, September 2009) — A Samba parade (Mayor’s Thames Festival) — 4 choir performances at community events — 2 performances by Music Making participants led by Reynaldo Young (Dalston Jazz Quarters and ICA) In March 2010, Cardboard Citizens was awarded the prize for ‘Improving Arts Activities’ at the Tower Hamlets Third Sector Excellence Awards.
184 156
184 workshops at Crisis Skylight
156 homeless adults attended Crisis Skylight workshops
Average attendance per Crisis Skylight workshop
100 ACT NOW workshops at NYT
224 ACT NOW participants attended workshops
Average attendance per ACT NOW workshop
35 community performances were mounted
2009 APR MAY JUN JUL AUG SEP OCT NOV DEC 2010 JAN FEB MAR
BIG YEAR
New website launched – now generates 3500 monthly visits. Cardboard Citizens organised ‘Theatre in Difficult Times’ lecture with Cicely Berry and Julian Boal. Spring term of workshops begins at Crisis Skylight, including Forum Theatre Improvisation, Choir, Contemporary Dance, Acting for Theatre, Audition Techniques, Stage Combat and Singing.
Augusto Boal, the founder of Theatre of the Oppressed and long standing collaborator, and friend dies. Keep Calm & Carry On and Keep it Under Your Hat show at Churchill Museum and Cabinet War rooms.
More Bums on Seats comedy fundraiser with Steward Lee, Simon Amstell and friends at the Hackney Empire sells out and raises 15k. 12 June: Mincemeat opens at Cordy House in Shoreditch.
Kate Winslet attends Mincemeat. Company members Angela, Wendy, Terry and Yasser enrol on the Personal best programme – resulting in a Public Event qualification and work at the 2012 Olympics.
ACT NOW outreach workshops around London’s hostels.
18-19 September: ACT NOW launch show Stick to the Script at Oxford House and Redbridge Housing annual staff conference. 12 September: Cardboard Citizens’ 40-strong samba band performs at the Mayor’s Thames Festival. Autumn Season of workshops launches.
Led Easy goes on tour and is performed in 40 hostels. Led Easy performed at World Forum Festival in Austria.
Led Easy is performed at Holloway Prison for 35 female inmates. 16 arts and social sector professionals attend the Joker training course led by Adrian Jackson. Mincemeat wins the Evening Standard Award for best design.
Freddie is elected as a Members Representative and attends his first board meeting.
12 Company Members go to see Cirque du Soleil’s show, Varekai, at the Royal Albert Hall.
Cardboard Citizens create a promenade version of Shakespeare’s The Tempest with 100 children at the Sacred Heart school in Southend.
Cardboard Citizens is awarded the prize for ‘Improving Arts Activities’ at the Tower Hamlets Third Sector Excellence Awards. Starting Points, the end of term ACT NOW show, is performed at Wieden+Kennedy’s space on Hanbury Street.
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BIG FAMILY The project opened my eyes to wider possibilities for working with communities. An experience that will allow and encourage the Churchill Museum and Cabinet War Rooms – and I hope other cultural institutions – to explore ideas outside their normal expectations and parameters. Phil Reed, Director of the Churchill Museum and Cabinet War Rooms
A real understanding of how effective, when led properly, Forum Theatre can be to empower people. Participant, Forum Training Week
The project displays two key qualities of great work in schools. Firstly it demonstrates how gifted practitioners will make young people achieve far beyond our expectations. Secondly it reveals how accessible Shakespeare is when it is learnt through performance. An inspired matching of play, theatre company and cast! Paul Collard, CEO of Creativity, Culture & Education
What is it? Cardboard Citizens is part of a community of practitioners who are passionate about using the arts as a tool for engagement, participation and change. We collaborate with like-minded organisations to share our models of practice and to maximise the reach of our work. During the year, we extended the family, made new partnerships and consolidated existing ones. How does it work? Training: Cardboard Citizens is recognised worldwide as an expert in participatory theatre methods. Every year, the company’s artistic team delivers training courses and masterclasses in Theatre of the Oppressed, a tool for creating personal and social change through theatre. In addition to the company’s annual training programmes in Forum Theatre and Rainbow of Desires techniques, the artistic team also visited Croatia, Norway, Brazil, Austria, France, Spain, India and the Netherlands to train hundreds of theatre and social inclusion professionals. The Hostel Tour play Led Easy was also performed at the World Forum Festival in Austria in November 2009, where Adrian Jackson gave a keynote speech, paying homage to the late Augusto Boal and his legacy as the creator of the Theatre of the Oppressed.
Partnerships: For the launch of ACT NOW in September 2009, Cardboard Citizens set up a formal partnership with the National Youth Theatre and Centrepoint to deliver a youth theatre programme working with homeless young people. This collaboration allowed the partners to deliver a combination of creative activities, one-to-one support and exciting progression opportunities for participants including the NYT’s Playing Up course and Centrepoint’s employability programme, Workwise. In March 2010, Cardboard Citizens was commissioned by the Roundhouse as part of their Set the Scene project, aimed at engaging homeless and socially excluded young people in their Creative Projects programme. Following workshops in hostels reaching 40 young people, Off the Shelf was devised by the company’s Director of Projects Tony McBride with the participants. The company collaborated with filmmakers SDNA and performed at the Roundhouse Studio theatre. In February-March 2010, the company was commissioned by Creative Partnerships to work at the Sacred Heart primary school in Southend, creating a promenade version of Shakespeare’s The Tempest with 100 children. The year was also marked by an exciting partnership with the Churchill Museum and Cabinet War Rooms to develop a season of participatory projects accompanying the run of Mincemeat. The company was also involved in setting up a peer review process with Clean Break and Graeae theatre companies who work with those with an experience of the criminal justice system and people with disabilities respectively. Finally, to deliver the Hostel Tour, Cardboard Citizens further developed its links with London’s main homelessness sector providers, including St Mungo’s, Look Ahead, Centrepoint, Providence Row and Broadway.
Big Impact
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100 children performed a promenade of The Tempest at Sacred Heart primary school in Southend
335
335 theatre and social inclusion professionals reached through training
BIG DIFFER— ENCE I had severe depression – I had stopped going to work and could hardly get out of my flat any more. Going to the workshops helped me become comfortable around people again. When I first got on stage I was so nervous, but with the following shows I could really see myself getting better, and that definitely boosted my confidence. I didn’t think that would have happened so quickly! Being in Mincemeat alongside professional actors made me feel like my dream could become real. I even met Kate Winslet! S, Company Member
When I stepped through those doors. well I was an arrogant little bastard I give you that. I suppose it was just all the negative experiences of life, turned me into a great big ball of negative energy I couldn’t get rid of and the way that I was doing it was robbing, busting into cars. I left school about year 9. I was doing nothing with my life and I had no hopes and futures. Now thanks to Cardboard Citizens I feel like I’m really doing something with it. B, Company Member
What is it? Cardboard Citizens’ work with homeless people does not end with a performance. The company builds on the inspiration generated by its workshops and productions to engage participants in further activities and help them progress away from homelessness. Support for progression happens holistically both within the creative environment of workshops and rehearsals and through more structured support provided through our Members programme. How does it work? As well as theatre and life skills development, each workshop focuses on celebrating completion, achievement, progression through the programme, and encourages reflection. Participants experience a growing sense of self-awareness, motivation, and ability to manage feelings – all of which contribute to their sense of well-being, and willingness to engage in other opportunities and services. Participants become Members of Cardboard Citizens, for which the only qualification is experience of homelessness. Membership gives access to personalised one-to-one Information, Advice and Guidance (IAG) support. The aim is to reconnect people with support services, education and employment, and other development opportunities. IAG sessions can cover a wide range of issues, including benefits, housing (avoiding eviction from hostels or flats, hostel referrals, applications for support to local homeless person’s units and accessing council support), accessing education and training courses,CV development or accessing health and mental health services.
Over the past year Cardboard Citizens has connected Members with a variety of opportunities including Personal Best, a training programme aimed at people excluded from employment or education, offering volunteering opportunities related to the 2012 Olympics, or Talent Boost, an initiative organised by the BBC and the Actors’ Centre to develop and mentor new and culturally diverse acting talent.
Big Impact
The progression routes are as varied as the Members of the company. Some have progressed onto further accredited training with The National Youth Theatre. Others have moved into paid employment or volunteering with Cardboard Citizens or organisations such as the Roundhouse, Look Ahead and Centrepoint, The Salvation Army and GAP.
107 new Members in 2009-2010
Members also receive regular information from the company on training and employment opportunities, free tickets to cultural events, and access to the computers and resources available at the Cardboard Citizens office. Members can give input and feed back on the company’s work during bi-annual Members Meetings and through elected Board Representatives who represent Members’ views at Board level. 33 ACT NOW participants took part in regular focus groups, and evaluation sessions were held with the young people attending the workshops in order to collect feedback from them on the progress and benefits of the programme. This feeds into the company’s formal evaluation process across all its programmes.
685 107 402 81
685 Company Members
402 Members accessed IAG support.
81 of these Members progressed into education, training or employment
28%
28% of ACT NOW participants received accreditation equivalent to Levels 1-3 (a qualification at GSCE – A-Level standard)
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BIG PERSON— ALITIES The role that Cardboard Citizens, as an organisation, has played in the lives of some of its members has not only helped change their lives, but also restored their sense of self-confidence and pride. Kate Winslet
I think that there’s a distancing effect that you can feel between yourself and homeless people. What was really good about the work that I saw Cardboard Citizens doing was that you were reminded that homeless people are the same as you but have just ended up in different circumstances. Stewart Lee
What is it? Cardboard Citizens wouldn’t be able to bring theatre to so many people without the contribution of some exceptional personalities from the world of the performing arts – from the celebrities who have donated their time and energy to help us raise funds and public awareness to our many artistic collaborators. This section is a tribute to those who helped us make the year such a big success.
How does it work? Over the last three years Cardboard Citizens has been proud to have Kate Winslet as the company’s Ambassador. Her contribution has been hugely important in terms of attracting both media attention and financial contributions to the company’s work. This year, Kate hosted a special event at the UK première of her Oscar-winning film Revolutionary Road, with all proceeds going to the company. A short film on Cardboard Citizens was screened prior to the main feature. Much to the delight of our cast and crew, Kate also came to see a matinée show of Mincemeat in July 2009. In June 2009, a brilliant line-up of star comedians came together at the Hackney Empire for the 2nd edition of our comedy night More Bums On Seats, which was a huge sellout success. Stewart Lee was back on board, together with Richard Herring, Simon Amstell, Brendon Burns, Josie Long and the brilliant Jarred Christmas as the compère. Thank you to all of them for stepping up! Over the coming year we will be looking to recruit more Ambassadors to support the company by donating their name and profile to our cause. Could it be you?
BIG AMBITION As we enter our 20th year in 2011 both the arts and social sector in the UK are faced with a changing and challenging landscape in which to operate. Cardboard Citizens remains committed to its mission of using the performing arts as a tool for effecting change in the lives of homeless people. As usual, the company is aiming high with more big ideas in the pipeline.
18 Incoming Resources (Total: £750,278)
£189,513 £101,618 Voluntary Income
Cost Of Generating Funds
Activities For Generating Funds
Cost Of Providing Training Courses
£72,060 £61,129 Resources Expended (Total: £790,668) Continuing to build audiences following Mincemeat’s success, the company is preparing for its next Event Theatre production, which continues our exploration of the role of the small man in big history. A Few Man Fridays will take its audience on an investigative journey into the story of the Chagos Islanders, dispossessed from their homeland in the 1960s and 1970s. Working with Mauritian theatre-maker and long-time friend Henri Favory, the project will include an international cast and will run for 5 weeks at the Arcola Theatre, Dalston in February 2011. A number of linked projects exploring stories of eviction and exile will also give our Members a chance to flex their creative muscles.
An important priority will be to develop more opportunities for Members to become involved at all levels in the company’s work. We have learnt over the years that working on a peer-topeer level is the best way to engage with the most marginalised. We will recruit a team of mentors and ambassadors to assist with all projects and represent company Members’ views at all levels in the company.
Cardboard Citizens has secured a grant from the Big Lottery Fund to support outreach activities until 2012, which will allow the company to engage with more hard-to-reach people in London’s hostels and day centres. Partnerships continue to be central to this, and we aim to further develop and consolidate our links with the capital’s main homelessness and social sector providers.
Further afield, we are in discussion with the RSC regarding our participation in the 2012 Shakespeare festival as part of the Cultural Olympiad, with a Forum Theatre version of Measure For Measure in collaboration with our friends from Kolkata-based company Jana Sanskriti.
We will continue to nurture new talent, by commissioning a new writer for our next Hostel Tour, by training more social and arts sector practitioners in participatory techniques and by providing opportunities for professional development, training and employment for company Members.
We will work to improve the level and quality of support we are able to offer our Members, to ensure that the inspiration generated by their participation in the arts also translates into positive changes in their lives.
£455,731 £3,416 Project Income
Project Costs
Other Income
Governance Costs
£647,497 £9,982
BIG THANK YOU We would like to give a very big thank you to all our staff and trustees as well as the friends, volunteers, funders and supporters who make our work possible. We couldn’t possibly do it without you! A special thank you goes to our Ambassador Kate Winslet for her continued support.
Trusts and Foundations Alma Jean Henry Charitable Trust C P Fairweather Charitable Trust City Parochial Foundation Coutts Charitable Trust De Laszlo Foundation Dischma Charitable Trust Dorothy Howard Charitable Trust D’Oyly Carte Charitable Trust Ernest Hecht Foundation Esmée Fairbairn Foundation Georges J Lambert Charitable Trust Gibbs Charitable Trust Gledswood Charitable Trust Goldsmiths’ Company Henry Smith Charity Hon M L Astor 1969 Charitable Trust J&D Hambro Charitable Trust John and Susan Bowers Fund John Thaw Foundation Lawrence Atwell’s Charity Lloyds TSB Foundation for England and Wales McPin Foundation Molly Forster Charitable Trust Monument Trust Mrs E G Chadwick’s Charitable Settlement Mrs Margaret Guido’s Charitable Trust N Smith Charitable Settlement Odin Charitable Trust Paul Hamlyn Foundation R G Hills Charitable Trust R S Brownless Charitable Trust Sir Jules Thorn Charitable Trust SLF Charitable Trust Steel Charitable Trust Syder Foundation Trusthouse Charitable Foundation Unity Theatre Trust Wakefield and Tetley Trust design by interabang.uk.com
Wellcome Trust Westminster Amalgamated Charity Woolf Charitable Trust Statutory Bodies Arts Council England Big Lottery Fund London Borough of Tower Hamlets London Councils Corporate Supporters Capital International Limited JP Morgan Lombard Street Research Makinson Cowell Limited Marketing Opinion Research Institute Community Groups Clacton Quakers The Godolphin and Latymer School Raise the Roof Singers Individuals Tim Arthur, Diana Choyleva-Bryant, John Higgins, Kathleen King, Bill Miller, Lara Pellini and Howell Schroder for giving their time and energy. Circque Du Soleil, The British Museum and the Qatar Philharmonic Orchestra for donating free tickets to company Members; The comedians who performed in More Bums On Seats for giving their talent... Dan Mace for giving his wisdom for five years at Chair of our Board. And thank you to all the Friends of Cardboard Citizens for giving their ongoing support
Gifts in Kind Ashridge Business School Pret A Manger Wieden+Kennedy Trustees Andy Ganf Barbra Mazur Dan Mace (Chair) John Moffatt (Teasurer) Mary Ann Hushlak Mojisola Adebayo Philip Parr Sean Dalton Sian Edwardes-Evans Sue Timothy Connect With Us: Cardboard Citizens, 26 Hanbury Street London E1 6QR, United Kingdom Visit: www.cardboardcitizens.org.uk Email: mail@cardboardcitizens.org.uk Call: 020 7247 7747 Facebook: Cardboard Citizens Twitter: @CardboardCitz You Tube: CardboardCitzTv Reg Charity No: 1042457