RECICLAJE Y REVITALIZACIÓN DE NÚCLEOS RURALES ABANDONADOS by Carla Mata Amigó

APROXIMACIÓN A LOS PRINCIPIOS DE ACTUACIÓN PARA EL RECICLAJE Y LA REVITALIZACIÓN DE NÚCLEOS RURALES ABANDONADOS !"#$%!&'()*+)',)-)'!./01 #"#$%&'234)*35'36',/046+'!*7589: ($;#"#$%&'!8-58/5'<)++43',)*-=86>

AGRADECIMIENTOS

A mi FAMILIA por su incombustible paciencia, a mis AMIGOS por su generoso apoyo y a mis TUTORES por querer compartir conmigo sus inestimables conocimientos.

IDENTIFICACIÓN TRABAJO DE INVESTIGACIÓN AUTORA!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!""#$%&$"'$($")*+,TÍTULO!!!!!!!!!!!!!!!!!!!!!!!!!!!! ).%/0+*$1+-2"$"&/3".%+21+.+/3"45"$1(6$1+-2".$%$"5&"%51+1&$75"8"&$"%59+($&+:$1+-2"45"2;1&5/3"%6%$&53"$<$24/2$4/3 CURSO!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! '=3(5%"52")%>6+(51(6%$")9$2:$4$?"@$+3$75?"A%<$2+3*/"8"B+35C/!"DE25$"FG")%>6+(51(6%$"8"H=<+($("I/3(52+<&5 TUTOR!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! J46$%4/"45"'+,65&")%</2K3 CO-TUTOR!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!")2(/2+/"L$&&64"'$%(E25: FECHA DE ACEPTACIÓN!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!"MN"45"35.(+5*<%5"45"FOMF

1.0 RESUMEN

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4.2 APLICACIÓN A UN CASO PRÁCTICO: MASÍA DE LA ARTEJUELA, CASTELLÓN

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Geología

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Hidrología

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Geomorfología

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106

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138

5.0 CONCLUSIONES

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140

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6.0 BIBLIOGRAFร A

!"#$%&#'(&$%)*%&+,(-).

BCCB6

#/#")01*(23456*Atlas Pintoresco Vol.1: El Observatorio6*/3789:;<3.* *HY[H +L )\YYH *HY[H WHYH SH *VUZLY]HJP}U KL 3\NHYLZ KL =HSVY =>?@3A;*=5:51*BCCD6 Cultural6*/>7731*#>?@73:53.*(-)')01*KGhG6 E6* Atlas Pintoresco Vol.2: Los Viajes6* /3789:;<3.* =>?@3A;* =5:51* -V)#e1* g73<i;5?96* Alegorรญa Del Patrimonio6* /3789:;<3.* =>?@3A;* BCCF6 =5:51*BCCh6 E6* 5H[\YHSLaH ` (Y[Pร JPV! ,S 0KLHS 7PU[VYLZJV ,U 3H (YX\P[LJ[\YH -"j'&$%1*=5::9?6*4HUPร LZ[V +LS ;LYJLY 7HPZHQL6*/3789:;<3.*=>?\ y El Paisajismo Contemporรกneos6*/3789:;<3.*=>?@3A;*=5:51*BCCG6 @3A;*=5:51*BCCh6 #$(/#,,)1*'5H>9:*I<H9:6*El Raso De La Estrella En Aranjuez: Un ##6bb6*,S -\[\YV +L 3VZ ,ZWHJPVZ 9\YHSLZ $ ;OL -\[\YL VM 9\YHS ,Z[\KPV 7HPZHQPZ[PJV6*'3J75J.*'357931*BCKC6 Areas6*03<@3<J97.*097A585;*J9*!>Q:58385;<9?*J9*:3*L<5A97?5J3J*J9* -3<@3Q7531*BCCk6 #,#'/L,L*'#ML#1*'N*!3OP*&?875Q3<;*/;RQS<1*,3T39:P*"+!&U* V&,$I$W&U1*,3X>9:P*0I$-V&U*,#')01*!3Q:;6*Cartografรญa Del (J[HZ KLS 00 *VUNYLZV 0U[LYUHJPVUHS ZVIYL 7LYTHULUJPH ` ;YHUZ 7HPZHQL +L 3H *VT\UPKHK (\[}UVTH +L 3H 9PVQH6*'3J75J.*L<5J3J* MVYTHJP}U LU *VUQ\U[VZ /PZ[}YPJVZ! ` KL MLIYLYV KL W;89<@9* J9* !:3<5T58385Y<* Z* !7;Z98@;?6* W9[37@3R9<@;* J9* !7;Z98\ 20126*">5?*g73<85?8;*V97797;*=378S3*l9J6m6*b3:9<853.*&J5@;753:*L<5A97\ @;?*Z*!:3<5T58385Y<*,>73:6*&6%606(*';<@9?6*L<5A97?5J3J*!;:5@]8<583*J9* ?5@3@*!;:5@]8<583*J9*b3:n<8531*BCKB6 '3J75J1*BCC^6 *VU]LUJP}U +LS 7H[YPTVUPV 4\UKPHS *\S[\YHS ` 5H[\YHS6* !37S?1* (YX\P[LJ[\YHZ :PU 3\NHY 6* /3789:;<3.* -;:_:9H5* KGhB6 J`#7X>5@98@9?*J9*-3@3:><Z3*#7@?*03<@3*'a<583\W9[37@3R9<@*J9*->:\ *VU]LUJP}U :VIYL 3H 7YV[LJJP}U +L 3VZ )PLULZ *\S[\YHSLZ ,U @>73*J9*:3*=9<973:5@3@*J9*-3@3:><Z31*BCCG6 *HZV +L *VUร PJ[V (YTHKV6*"3*V3Z3.*L$&0-)1*KGDk6 /&b&,(W=&1* -c37:9?* &6* -YLKLYPJR 3H^ 6STZ[LK! +LZPNUPUN [OL Convenio Europeo Del Paisaje6*g:;79<8531*BCCC6 (TLYPJHU 3HUKZJHWL6*$9d*e;74.*L<5A97?91*KGGF6 /)0-V*-#0#W&b#""1*f;?9[*'37536*Buenas Prรกcticas De Paisa -,LU* b(""#"+$1* f;?9T5<3P* ,#')01* &J>37J;6* /HJPH <U 5\L]V je: Lรญneas Guรญa6*/3789:;<3.*=9<973:5@3@*J9*-3@3:><Z31*W579885Y*=9\ :PZ[LTH 9\YHS6*'3J75J.*'5<5?@975;*J9*#H758>:@>731*!9?83*Z*#:5R9<@3\ 85Y<1*09879@37S3*=9<973:*%]8<5831*-9<@7;*J9*!>Q:58385;<9?1*KGGD6 <973:*J`#7X>5@98@>73*5*!35?3@H91*BCCF6 -#,&,(1*g73<89?8;6*>HSRZJHWLZ! ,S (UKHY *VTV 7YmJ[PJH ,Z[t &Wo#,W01* /753<6* .\xH )mZPJH +L 3H :VZ[LUPIPSPKHK6* /3789:;<3.* [PJH $ >HSRPUN HZ HU (LZ[OL[PJ 7YHJ[PJL6*/3789:;<3.*=>?@3A;*=5:51* =>?@3A;*=5:51*BCCF6

142

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:;<=>#'.%?@%A"&'B,)CD+E-'Acciones Conceptuales En El Paisa ?%!Xn':'o%?@&'B,)E^'$X:!;>I@&'3)D*)^';I>@SG"&'!2JJ)-'0U QL! 7HPZHQL *\S[\YHS! 3H (JJP}U +LS (N\H ,U ,S ;LYYP[VYPV $ *VUJLW KPJHKVYZ +L 7HPZH[NL 9LW[LZ P 7LYZWLJ[P]LZ-'%M,K1'%562*L)K,*0'/2M' [\HS (J[PVUZ PU [OL 3HUKZJHWL! *\S[\YHS 3HUKZJHWL! ;OL (J[PVU VM $)06)KV2&'788h>H[LY VU [OL ;LYYP[VY`-'.)/*0/1'.)0*2)'305*,6&'7889?%!Xn':'o%?@&'BD)E-'El Paisaje En La Cultura Contemporรกnea-' F%%3G""H&'I2J-'Espacio Basura. Barcelona1'!D6K)L,'!0M0&'7889- .)/*0/1';05M0,K2O)'?D2L)&'788jN-'3H *P\KHK .LUtYPJH-';)*O2M,E)1'!D6K)L,'!0M0&'788P-

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