P
O
R
T
F
O
L
I
O
Carlos Gonzรกlez del Mazo carlosglezmz@gmail.com
TABLE OF CONTENTS -- INDICE 01 Curriculum vitae 02 Culinary center 03 AgriCULTURE 04 Thalassotherapy the buildings 05 Chinese wall PROFESIONAL, 06 Hainan Global 110 07 Campus of Fudan University 08 Marmomacc Stand
Hard-working, Trustworthy, Team-player, Motivated...
Trabajador, De confianza,Jugador de equipo, Motivado...
Gran laboratore, affidabile, Spirito di squadra, motivati... Travailleur, digne de confiance, esprit d’équipe, motivé...
01
BIO Carlos González del Mazo
Web
20/12/1986 Madrid, SPAIN
phone +34 618033442
skype carlos.gonzalez.del.mazo
email carlosglezmz@gmail.com
http://carlosgmarchitect.tumblr.com/
WORK EXPERIENCE
EDUCATION - Architect by Universidad Politecnica San Pablo CEU, Madrid. July, 2013. - Landscape architect by Universidad Politecnica San Pablo CEU, Madrid. July, 2012. Erasmus Scolarship (Landscape architecture) at La Sapienza - Università di Roma, Italia, 2011 - 2012. - Thesis Project Supervised by Mª Auxiliadora Galvez (Gálvez + Wieczorek arquitectura) and Andres Perea. - Summer intensive course “ Intro to architecture” in New York, USA, 2009. Columbia University.
and workshops - Workshop“ Trenzado”
in Barcelona, Spain, 2014. Wicker work for the project “Citadel“ BCN Re.Set. Enric Miralles Foundation.
- Workshop “muevete (II) en el paisaje”
in Madrid, Spain, 2013. Interdisciplinary workshop about movement perception and plastic exploration by TOUCHandGOreality Collective (www.touchandgoreality.org). Directed by Mª Auxiliadora Gálvez, Begoña López y Fátima Sarasola (Proyectual exploration).
- Workshop “ Sustainable Futures for the changing landscapes of the Henares Corridor” , Madrid, Spain, 2011. Directed by Profesor Steinitz Harvard University.
- Workshop “ Paisaje futuros:experiencias y acción”
CURRICULUM VITAE
in Granada, Spain, 2010.
Miralles Tagliabue EMBT. Apr - Dec 2014. Assistant Architect Oct ‘14 – Dec ‘14 - Developed from the conceptual ideas to the final design of Guangzhou museum in China based on the architectural competition details and sustainable regulations. Researched for and created the 3D model, set together plants and sections and composed the final submission panels. - Modified master plan of the German parcel in Hainan theme park “Global 110” in China to reorganize streets, green areas and buildings and to simplify 3D models to fit budget constrains with loyalty to the original design. - Multitasked and prioritized duties while working with several projects at the same time. - Created Photoshop images for the Moscow river competition in Russia. Intern Architect Apr ‘14 – Sep ‘14 - Developed the final design for the Decormarmi Stand for Marmomacc 2014. Verona, Italy. Discussed with the engineers and integrated changes for the final implementation. - Modified and developed new rooflights and facade for the Fudan University in China in both 2D and 3D. Calibrated final adjustments after the new designs were validated. - Designed and built concept hand models for a new building for Foto Colectania Foundation in Barcelona, Spain.
- Workshop “ San Pablo Ceu-Zhejiang University”
Tinsa. Sep- Oct, 2012. - Graphical Data collection of the building facades and differences in different neighborhoods of the Community of Madrid.
AWARDS
Ortiz Bordallo Studio of Architecture. Jun - Sep, 2008. - Basic project of a new technological area, shopping and entertainment, Spain. - Execution project of an hotel in Laos, Nigeria.
Finalist, December 2013. International Competition “Links: Urban regeneration”. “Future Magazine”
IT SKILLS
Coordinated by DJarq.
in Hangzhou, China, 2010. Urban and architectural pzroposals for a new urban plan.
PUBLICATIONS Sustainable Futures for the changing landscapes of the Henares Corridor Workshop. http://issuu.com/sunlightlab/docs/_workshop_henares , Spain, 2011. Muralla china, Future Architecture Magazine nº 26 + 27. May 2011.
2D - Autocad, Photoshop, Illustrator, Indesing. 3D - Autocad, Sketchup, Rhino+ VRay. Structural - CYPE and Metal 3D. Facilities - Dialux. Revit - (30 hours) Microdesk, Washington Dc
02
CULINARY CENTER Cooking the Landscape Final Project, San Sebastian, Spain, July 2013. The proyect revolves around the creation of a new restaurant for Arzan located in San Sebastián. The main concern of the intervention is based in the natural surroundings where is located. The chosen location for the intervention is the “Monte Urgull” because it is a strategic place whitin the city. Its nearby ot he markets, the nature and fron there you have a vision of 360º of the city and its surroundings.
carlosglezmz@gmail.com
02 Culinary center in San Sebastián, Spain. 2013
new landcape After a field survey I detect a poor preservation of the mountain, so i decided to perform a landscape intervention to reactivate and give to the place a new life. The visitor has a magnifying effect of the surroundings and that what happens there because of the performances I propose. By varying its route depending on the season of year.
carlosglezmz@gmail.com
02 Culinary center in San Sebastiรกn, Spain. 2013
activation reaction All this heterogeneous elements generate a continous landscape of movement and surprise where the person can act as an stpectator or participant.
carlosglezmz@gmail.com
02 Culinary center in San Sebastiรกn, Spain. 2013
outside inside The landscape interventions invade the restaurant and their immediate environment. Therefore, clients enjoy their dinners with with small sceneries of the overall intervention.
carlosglezmz@gmail.com
02 Culinary center in San Sebastiรกn, Spain. 2013
continuity From outside and from inside you can see the surrounding landscape and become an active part of it. The restaurant is located between the treetops. Pathways and spaces without doors, voids separating rooms introduce nature into the building. The intention is to suggest by reflections and refractions the space below without seeing it .
carlosglezmz@gmail.com
02 Culinary center in San Sebastiรกn, Spain. 2013
movement Movements associated with supplies provision are naturally introduced in the environment as an additional component of the visual expreience.
carlosglezmz@gmail.com
02 Culinary center in San Sebastiรกn, Spain. 2013
dynamism The building changes according to the different seasons of the year, modifying the internal space with natural lights and shadows.
carlosglezmz@gmail.com
02 Culinary center in San Sebastiรกn, Spain. 2013
transparent translucent Transparent and translucent elements modify or distort the perception, understanding and dimension of space with reflections and shadows.
carlosglezmz@gmail.com
02 Culinary center in San Sebastiรกn, Spain. 2013
continuity The construction follows the idea of the project that blends with the landscape considering as important the outside and the inside.
carlosglezmz@gmail.com
02 Culinary center in San Sebastiรกn, Spain. 2013
details Both at large scale and small scale the building uses nature to create unique experiences.
carlosglezmz@gmail.com
02 Culinary center in San Sebastiรกn, Spain. 2013
lightness mechanism The structure of masts and suspenders give the building the feeling of being suspended in the forest. As if it were released from the ground and blended with the forest. This building act as a mechanism that adapts itself to weather changes and internal comfort conditions.
carlosglezmz@gmail.com
02 Culinary center in San Sebastiรกn, Spain. 2013
conclusion The restaurant has no buildong fachade, it is the actual forest that serves as its facade. The restaurant is built in the woods so that the clients feel as if they disappeared inside and feel the rain, sun wind and even sounds of the enviroment. Rainwater and metal is used to generate refelctions and sounds. Light mobile elements serve to show the wind moving. Translucent elements provide light effects and colors. To generate light effects and colors I use translucent elements. The wood creates warmth and unique sounds of the forest. In addition , a net is used to catch the tree leaves and generate the ambiance of floating inside the forest.
carlosglezmz@gmail.com
02 Culinary center in San Sebastiรกn, Spain. 2013
03
AgriCULTURE International Competition “Links: Urban regeneration” Future arquitecturas magazine Urban regeneration, Harbin, China, December 2013. This new proposal aims to create a new source of entertainment and culture for cities. Not only will it strengthen cultural activities and contact with nature in the cities’ growing neighborhoods, but also it will contribute to the affirmation of the distinct attitude and personality of each city. The space created is adaptable to events with different needs, such as meetings, theatre shows or exhibitions. The prefabricated and dynamic structural systems can be move with rails and therefore, help to create the necessary shapes to adapt to the audience size, and define internal illumination, temperature and image projection conditions.
carlosglezmz@gmail.com
03 AgriCULTURE, China. 2013
04
THALASSOTHERAPY FOR BUILDINGS Concurso arquideas Reuse project, Tenerife, Spain, December 2013. The project involves the transformation of an incomplete urbanization into a thalassotherapy center reusing existing homes. The building concentrates the atention to the interior, to generate a relaxing place. For the exterior I used the materials from the island such as the volcanic stones.
carlosglezmz@gmail.com
04 Thalassotherapy the buildings, Spain. 2013
05
CHINESE WALL Colaboration between San Pablo CEU and Zhejiang University Residential building, Hangzhou, China, June 2010. In a country of such a population as is China, I proposed a building of high-density housing without losing the Chinese city life. The project
includes
community places and projects chinese entrepreneurial lifestyle. The space can be changed it can be expanded and contracted, it becomes brighter or darker, or it becomes a public area. Houses that can be extended or converted into shops.
carlosglezmz@gmail.com
05 Chinese wall in Hangzhou, China. 2010
06
HAINAN GLOBAL 110 Professional. Miralles Tagliabue EMBT Themepark project, Hainan, China, November 2014. The project proposes an architectural promenade through a contemporary reinterpretation of German and Swiss villages, that aims to display the highlights of its history. The design of the ground floor reflects the peculiarity and complexity of old European towns where every house, corner, street and square is unique; therefore it combines fragments of old German and Swiss engravings. The roof is shaped as the features of mountains and valleys among German and Swiss landscapes. The result is a complex and abstract environment with a distinctive atmosphere that links to the whole project. The result is a renewed old town where to stroll, experiment and discover the peculiarities of each building and the variety of commercial activities they provide.
carlosglezmz@gmail.com
06 Hainan global 110, China. 2014
07
CAMPUS OF FUDAN UNIVERSITY SCHOOL OF MANAGEMENT Professional. Miralles Tagliabue EMBT University project, Fudan, China, July 2014. Fudan is a part of a network of universities and their respective buildings located in Shangai. Is also a very special and unique university with an extensive history and a very unique character. The master plan for this new zone defines the density and heights. The new buildings must have a relationship to the surrounding buildings, the volumes must relate to the urban context, and be adjustable to the different functions. We modified the volumes of the master plan within the given specification to create that mixture. The buildings become part of a network of connections, instead of forming borders. The program of the business school is expected to engage about 8000 people in the complex at peak times. In this aspect the building require an easy and clear organization of the complex program.
carlosglezmz@gmail.com
07 Campus of Fudan University, China. 2014
08
MARMOMACC STAND Professional. Miralles Tagliabue EMBT Marble Stand, Verona, Italy, September 2014. Marble is a material usually associated with qualities such as strong, noble and eternal. The new techniques of working the stone offer us a wider range of possibilities. This made us think of it in a non traditional way. We were seduced by the idea of showing this fabrication process, to let the visitors realise the transition from the rough origin of the marble to its delicate ending On the pavillion for MARMOMACC 2014, our concept is based in a system of wavy panels of braided, petrified wicker rising in front of the visitors, lightly hanging and adapting to a curvy surface that seems to move. The natural colours of the marble resemble the genuine colours of wicker. In contrast with it, the rough blocks of marble in the floor show the first stage of the work.
carlosglezmz@gmail.com
08 Marmomacc stand,
Italy. 2014
Thanks for your time
carlosglezmz@gmail.com
P O R T F O L I O N o v e m b e r
.
2 0 1 4