Carlos Carballo Carlos Carballo Carlos Carballo Carlos Carballo Carlos Carballo Carlos Carballo Carlos Carballo Carlos Carballo Carlos Carballo Carlos Carballo Carlos Carballo Carlos Carballo Carlos Carballo Carlos Carballo Carlos Carballo Carlos Carballo Carlos Carballo Carlos Carballo Carlos Carballo Carlos Carballo
Bachelor of Architecture Bachelor of Architecture Bachelor of Architecture Bachelor of Architecture Bachelor of Architecture Bachelor of Architecture Bachelor of Architecture Bachelor of Architecture Bachelor of Architecture Bachelor of Architecture
University of Texas University of Texas University of Texas University of Texas University of Texas University of Texas University of Texas University of Texas University of Texas University of Texas
Table of Content Airport Boulevard U r b a n Intervention
A u s t i n Museum of Natural Science
Hornsby B e n d Bird Blind
â–ś
Interior Perspective
M u s e o della Arte Moderna
Aqua Dulce V i s i t o r C e n t e r
Related W o r k s Printmaking P a s t e l Watercolor Photography Printmaking P a s t e l Watercolor Photography Printmaking P a s t e l Watercolor Photography Printmaking P a s t e l Watercolor Photography Printmaking P a s t e l Watercolor Photography
Table of Content Airport Boulevard U r b a n Intervention
A u s t i n Museum of Natural Science
Hornsby B e n d Bird Blind
â–ś
Interior Perspective
M u s e o della Arte Moderna
Aqua Dulce V i s i t o r C e n t e r
Related W o r k s Printmaking P a s t e l Watercolor Photography Printmaking P a s t e l Watercolor Photography Printmaking P a s t e l Watercolor Photography Printmaking P a s t e l Watercolor Photography Printmaking P a s t e l Watercolor Photography
date: narative:
Charles Di Piazza Spring 2012 Redevelopment of a portion of one of the neighborhoods along Airport Boulevard, focused on developing communication skills between diff erent members. Within each group, subplots would help determine how each student would contribute to the group with inturn had to respond to certain studio wide parameters that were placed as a means to obtain a cohesive masterplan. Selected to be shown to the city of Austin, Site A, subdivision C, was a two story multiuse complex that would look at providing rudimentary services at a low-income demographics while still contributing to a betterment of Airport Boulevard.
Modular Relations
instructor:
9 weeks
Terreces and Community Nodes
duration:
Circulation and Displacement
Airport Boulevard U r b a n Intervention Airport Boulevard U r b a n Intervention Airport Boulevard U r b a n Intervention Airport Boulevard U r b a n Intervention Airport Boulevard U r b a n Intervention
date: narative:
Charles Di Piazza Spring 2012 Redevelopment of a portion of one of the neighborhoods along Airport Boulevard, focused on developing communication skills between diff erent members. Within each group, subplots would help determine how each student would contribute to the group with inturn had to respond to certain studio wide parameters that were placed as a means to obtain a cohesive masterplan. Selected to be shown to the city of Austin, Site A, subdivision C, was a two story multiuse complex that would look at providing rudimentary services at a low-income demographics while still contributing to a betterment of Airport Boulevard.
Modular Relations
instructor:
9 weeks
Terreces and Community Nodes
duration:
Circulation and Displacement
Airport Boulevard U r b a n Intervention Airport Boulevard U r b a n Intervention Airport Boulevard U r b a n Intervention Airport Boulevard U r b a n Intervention Airport Boulevard U r b a n Intervention
Several models (all exploring either program composition, structure, and circulation) were made to bes fit the requiered programs and search for a building method that could best represent the need configuration.
▶
The program boxes pest represent space volumes requiered by the programs. Spaces inbetween are considered as structure oppertunity. The use of heavy and light structure to best support the main circulation gesture. The upper story on the south side become a giant glazed facade with the main gallery having become condradictory to what its program requiers.
▶
▶
A quick parti model demonstrates the main gestural move that first sparked the design. With Street Level hoasting the main gallery, the circulation ends on the south-east corner of the building exiting towards the trail.
date: narative:
Judith Birdsong Several models (all exploring either program composition, structure, and circulation) were made to bes fit the requiered programs and search for a building method that could best represent the need configuration.
Spring 2013 Design of a natural history museum along the edge of the City of Austin focused on developing schematic design and construction-ready drawing skills. The site had both historical and environmental factors that help determine design and provide for a creative intervention that could provide for further river edge development. The design offers three various galleries ranging from open-plan, liner, and spinal, integrated café area supported by interior and exterior lounge and 300 person amphitheater.
The program boxes pest represent space volumes requiered by the programs. Spaces inbetween are considered as structure oppertunity.
▶
instructor:
14 weeks
▶
duration:
The use of heavy and light structure to best support the main circulation gesture. The upper story on the south side become a giant glazed facade with the main gallery having become condradictory to what its program requiers. A quick parti model demonstrates the main gestural move that first sparked the design. With Street Level hoasting the main gallery, the circulation ends on the south-east corner of the building exiting towards the trail.
▶
A u s t i n Museum of Natural Science A u s t i n Museum of Natural Science A u s t i n Museum of Natural Science A u s t i n Museum of Natural Science A u s t i n Museum of Natural Science
Wall Sections provided for a visual interpretation of oppertunities that can arise to fully intergrate mechanical and structure systems inbetween the main spaces. ▶
▶
Wall Sections provided for a visual interpretation of oppertunities that can arise to fully intergrate mechanical and structure systems inbetween the main spaces. ▶
Several models (all exploring either program composition, structure, and circulation) were made to bes fit the requiered programs and search for a building method that could best represent the need configuration.
▶
The program boxes pest represent space volumes requiered by the programs. Spaces inbetween are considered as structure oppertunity. The use of heavy and light structure to best support the main circulation gesture. The upper story on the south side become a giant glazed facade with the main gallery having become condradictory to what its program requiers.
▶
▶
A quick parti model demonstrates the main gestural move that first sparked the design. With Street Level hoasting the main gallery, the circulation ends on the south-east corner of the building exiting towards the trail.
date: narative:
Judith Birdsong Several models (all exploring either program composition, structure, and circulation) were made to bes fit the requiered programs and search for a building method that could best represent the need configuration.
Spring 2013 Design of a natural history museum along the edge of the City of Austin focused on developing schematic design and construction-ready drawing skills. The site had both historical and environmental factors that help determine design and provide for a creative intervention that could provide for further river edge development. The design offers three various galleries ranging from open-plan, liner, and spinal, integrated café area supported by interior and exterior lounge and 300 person amphitheater.
The program boxes pest represent space volumes requiered by the programs. Spaces inbetween are considered as structure oppertunity.
▶
instructor:
14 weeks
▶
duration:
The use of heavy and light structure to best support the main circulation gesture. The upper story on the south side become a giant glazed facade with the main gallery having become condradictory to what its program requiers. A quick parti model demonstrates the main gestural move that first sparked the design. With Street Level hoasting the main gallery, the circulation ends on the south-east corner of the building exiting towards the trail.
▶
A u s t i n Museum of Natural Science A u s t i n Museum of Natural Science A u s t i n Museum of Natural Science A u s t i n Museum of Natural Science A u s t i n Museum of Natural Science
Wall Sections provided for a visual interpretation of oppertunities that can arise to fully intergrate mechanical and structure systems inbetween the main spaces. ▶
▶
Wall Sections provided for a visual interpretation of oppertunities that can arise to fully intergrate mechanical and structure systems inbetween the main spaces. ▶
Hornsby B e n d Bird Blind Hornsby B e n d Bird Blind Hornsby B e n d Bird Blind Hornsby B e n d Bird Blind Hornsby B e n d Bird Blind Hornsby B e n d Bird Blind
duration: instructor: date: narative:
4 weeks Lois Weinthal Spring 2011 A study into client/architect relations and implemetation of design and desired results, This small pavilion tries to mediate the human impact over a nature preservation on the outskirts of Austin. As an epicenter for bird watching, The site warranted a simple raised platform design that could be used by the public. The design focuses on viewing areas and increases cover as it approaches open areas. A transparency filter is used to determine massing along the sides and use of human proportions create the design envelope that shapes pragmatic form.
M u s e o della Arte Moderna M u s e o della Arte Moderna M u s e o della Arte Moderna M u s e o della Arte Moderna M u s e o della Arte Moderna M u s e o della Arte Moderna
duration: instructor: date: narative:
team members:
6 weeks Smilja Milovanovic-Bertram Winter 2013 Between the future and recently discovered Etruscan past of the City of Castiglion Fiorentino, the site chosen heightens the medieval wall structure of the city while visually connecting the railway to the old Etruscan gate. The group developed a sensibility to the resources the project would incur and provided for by implementing boardwalk water recollection that would support a tourist growth in the city.
Chirstina Hunter & David Mora
M u s e o della Arte Moderna M u s e o della Arte Moderna M u s e o della Arte Moderna M u s e o della Arte Moderna M u s e o della Arte Moderna M u s e o della Arte Moderna
duration: instructor: date: narative:
team members:
6 weeks Smilja Milovanovic-Bertram Winter 2013 Between the future and recently discovered Etruscan past of the City of Castiglion Fiorentino, the site chosen heightens the medieval wall structure of the city while visually connecting the railway to the old Etruscan gate. The group developed a sensibility to the resources the project would incur and provided for by implementing boardwalk water recollection that would support a tourist growth in the city.
Chirstina Hunter & David Mora
Aqua Dulce V i s i t o r C e n t e r Aqua Dulce V i s i t o r C e n t e r Aqua Dulce V i s i t o r C e n t e r Aqua Dulce V i s i t o r C e n t e r Aqua Dulce V i s i t o r C e n t e r Aqua Dulce V i s i t o r C e n t e r
duration: instructor: date: narative:
15 weeks Francisco Gomes Spring 2012 The visitor center at Aqua Dulce hydroponics farm would enable the center to educate visitors how and what the farm wanted to achieve. Using an old shed as a base structure, dismantling and repurposing of materials was a major theme, followed by a budget and client's needs. This semester long project helped understand built structures better and also improved our understanding of the design/build construction methodology.
Aqua Dulce V i s i t o r C e n t e r Aqua Dulce V i s i t o r C e n t e r Aqua Dulce V i s i t o r C e n t e r Aqua Dulce V i s i t o r C e n t e r Aqua Dulce V i s i t o r C e n t e r Aqua Dulce V i s i t o r C e n t e r
duration: instructor: date: narative:
15 weeks Francisco Gomes Spring 2012 The visitor center at Aqua Dulce hydroponics farm would enable the center to educate visitors how and what the farm wanted to achieve. Using an old shed as a base structure, dismantling and repurposing of materials was a major theme, followed by a budget and client's needs. This semester long project helped understand built structures better and also improved our understanding of the design/build construction methodology.
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Watercolor/Pastel - “Biennale Dancer”
Watercolor - “Venice”
Long Exposure - “Light Graffiti”
Sense of Place - “Halcyon”
Watercolor/Pastel - “Biennale Dancer”
Watercolor - “Venice”
Long Exposure - “Light Graffiti”
Sense of Place - “Halcyon”
Carlos Carballo
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