Paris Photo 2016 by Carlos Carvalho Arte Contemporânea

CARLOS CARVALHO ARTE CONTEMPORÂNEA

Paris Photo Works on display

NovATÉ 10 -06/06 13 2016 2014 | ON DISPLAY UNTIL 06/06 2015

Noé Sendas

In photography, sculpture and collages, the artist uses assembly strategies such as removing, filling, tampering or duplication and sequence. Through this small deviations the image real sense is changed, because the context its nullified. This technique allows him to create an unique form of visual writing and creative play of hues between blind, suggestion and revelation. Always creating enigmatic and amazing works.

Noé Sendas (b. 1972, Brussels). He’s currently living between Madrid and Berlin. Noé Sendas started exhibiting his works regularly and internationally by the end of the 90’s in various institutions that we highlight: Yerba Buena for the Arts, S. Francisco. VAC-Visual Arts Center at the University of Texas,  USA; Kunsthalle Bonn e Akademie der Kunst Berlin Alemanha; Frankendael Foundation e TENT- Holanda; Le Plateau, Paris; Espace Photographique Contretype Centre d`Art Contemporain pour la Photographie, Bruxelas; MEIAC, MUSAC, Fundación Botin, Fundación ICO e Casa America - Espanha; Fundação Calouste Gulbenkian, Fundação EDP, Museu Berardo, Culturgest, Porto & MNAC. Museu Nacional de arte contemporânea - Portugal. We can also mention the following exhibitions that were held in 2015-2016: ALLURE [Photographs from the Susanne von Meiss Collection] C/O, BERLIN, ALEMANHA, 2016. MATERIAIS TRANSITÓRIOS, [Sculptures from the PLMJ Foundation Collection], Sociedade Nacional de BelasArtes (SNBA), Lisbon, 2016. H.D. BUTTERCUP’S APARTMENT, [group show by Michael Fuchs Galerie], Los Angeles, California, United States, 2016, ESTADO DE ALERTA, [Screening], Fundação Calouste Gulbenkian, Lisbon, 2016, FOUNDATION, [group

show], Maus Hábitos- Espaço de intervenção Cultural, Porto, Portugal, 2016. ENTRE OUTROS, [gallery show], Galeria Presença, Porto, Portugal, 2016. AFINIDADES SELECTIVAS [Julião Sarmento Collection], Museu da Eletricidade, Lisbon, 2016. TWIST THE REAL, [group show], Plataforma Revolver, Lisbon, 2015. MEIAC. 20 AÑOS, [MEIAC Collection], CEART de Fuenlabrada, Madrid, 2015, ME & THE OTHERS - Alberto Caetano Collection, MNAC The National Museum of Contemporary Art - Museu do Chiado, Lisbon. 2015. DEAR DARKNESS, Michael Fuchs Galerie, BERLIN, 2015, 25 YEARS, [Pedro Oliveira Collection], Galeria Pedro Oliveira, Porto, Portugal, 2015, NOÉ SENDAS, SET Espai d a ́ rt, Valencia, Espanha, 2015, FUGITIVA, Galeria Juan Silió, Santander, Spain, 2015, THE LADY VANISHES, Michael Hoppen Gallery, London, 2015 His work is represented in many public and private collections such as: Antonio Cachola Collection, Museu Elvas, Portugal. Ar.Co (Centro de Arte e Comunicação) Collection, Lisbon, Arts Council of Haarlemmermeer, Amsterdam. BESart – Banco Espírito Santo - NOVO BANCO Collection, Lisbon, Fundação Calouste Gulbenkian, Lisbon. CAV Foundation Collection, Coimbra, Portugal. Caixa Geral Depósitos/ Culturgest Collection, Lisbon. Charlotte Olympia, London. Contretype Centre d`Art Contemporain pour la Photographie Collection, Bruxelas. DGARTES Instituto das Artes Collection, Portugal. EDP Foundation Collection, Lisbon. D. Luís I Foundation Collection, Cascais, Portugal. Leal Rios Foundation Collection, Lisbon. Luís Serpa Projects Collection, Lisbon. L’Wren Scott Collection, London. MEIAC Museum Collection, Badajoz, Spain. MAR Museu de Arte do Rio, Rio de Janeiro, Brazil. PLMJ Collection, Lisbon, Madrid, Susanne von Meiss Collection,Switzerland. Also Belgium, Brazil, Germany, Holand, Italy, Libya, Mexico, Peru, Portugal, Spain, Switzerland, Turkey, United States e United Kingdom.

Crystal Girl 45 2016 - inkjet print 40 x 30 cm [

t (pigmented inks) on Luster paper [28 x 20 cm]

NOĂ&#x2030; SENDAS | Peep series, 2016 - inkjet print (pigmented inks) on Luster paper, 17 x 12 cm [24 x 18 (with vintage frame)]

NOĂ&#x2030; SENDAS | Peep series, 2015 - inkjet print (pigmented inks) on Luster paper, 17 x 12 cm [24 x 18 (with vintage frame)]

NOĂ&#x2030; SENDAS | Sprezzatura (studied carelessness), 2016 - inkjet print on Luster paper, 45 x 80 cm

NOĂ&#x2030; SENDAS | Sprezzatura (studied carelessness), 2016 -inkjet print on Luster paper, 45 x 80 cm

NOĂ&#x2030; SENDAS | Sprezzatura (studied carelessness), 2016 - inkjet print on Luster paper, 45 x 80 cm

Daniel Blaufuks Daniel Blaufuks uses mainly photography and video, presenting his work through books, installations and films. He has a predilection for issues such as the connection between time and space and the intersection between private and public memory. Solo shows (selection) Prece Geral, Fundação Eugénio de Almeida, Évora, 2015 (curated by Filipa Oliveira) Toda a memória do mundo, parte um / All the Memory of the World, Part One, Museu Nacional de Arte Contemporânea, Lisboa, 2014 (curated by David Santos) Fábrica, Usina Cultural, João Pessoa, 2014, Fábrica, CAAA, Guimarães, 2013Utz, (Vera Cortes, Lisboa, 2012), Works on Memory, (curated by David Drake and Filipa Oliveira, Ffotogallery, Cardiff, 2012), Três quartos de memória (Fundação Eva Klabin, Rio de Janeiro, Brasil, 2011), Hoje é sempre ontem (curated by Luiz Camillo Osório, MAM, Museu de Arte Moderna, Rio de Janeiro, Brazil, 2011), Perecs Büro (curated by Sérgio Mah, Kunstverein Ruhr, Essen, Germany, 2010), A memória da memória, (Carpe Diem, Lisboa, 2010), O ofício de viver, Galeria Carlos Carvalho, Lisboa, 2010, Viagens com a minha tia / Travels with my Aunt, Solar - Galeria de Arte Cinemática, Vila do Conde, 2009 Album (Centro Cultural Vila Flor. Guimarães, Portugal, 2008), O Arquivo, Agencia Vera Cortes, Lisboa, 2008 Terezin, Galeria Manoel Macedo, Belo Horizonte, 2007, Blaufuks, Galeria La Caja Negra, Madrid, 2007, Cinema Motel, (Elga Wimmer PCC, New York City, 2006), No Próximo Sábado, (Gallery Carlos Carvalho Arte Contemporânea, Lisbon, 2006), A Perfect Day, (Museu do Chiado, Lisbon, 2005), Collected Short Stories, (Centro de Arte Moderna, Fund. Calouste Gulbenkian, Lisbon, 2003), Exile, Image Galery, Aarhus, 2001, Lisboa, Pessoa, Exílio, Saramago, Galeria Luís Serpa, Lisboa, 2001, Fotografias Recentes, Galeria Maria Martin, Madrid, 2000, andorra, Galeria André Viana, Porto, 2000, Uma viagem a São Petersburgo, Encontros de Fotografia, Coimbra, 1998, Flores para Walt e otras historias, Galeria Maria Martin, Madrid, 1998, The White Sands Project/ion Room, Project Room, ARCO, Madrid, 1998, O Livro do Desassossego, Galeria Luis Serpa, Lisboa, 1997, Tasso, Mois de la Photo, Paris, 1996, Ein Tag in Mostar, Haus der Kulturen der Welt, Berlin, Goethe-Institut, Madrid, 1996, London Diaries, Primavera Foto, Barcelona, Centro Cultural de Belém, Lisboa, The Akehurst Gallery, London,1994, A Terra é azul como uma laranja, Galeria Cómicos, Lisboa 1992, Fund. Athos Bulcão, Brasilía, 1995, Cinema Paraíso, Cinema Eden, Lisboa, 1991, My Tangier, Ministério das Finanças, Lisboa, 1991, Para mais tarde recordar, Galeria Ether, Lisboa, 1990 Group exhibitions (selection) [7] Places, [7] Precarious

Fields, Fotofestival Mannheim, Ludwigshafen, Heidelberg, 2015 (curated by Urs Stahel), Usine de Rêve, Centro de Artes Visuais,Coimbra, 2015 (curated by Ana Anacleto) Visitação (Corte), Igreja de São Roque, Lisboa, 2014 (curated by Paulo Pires do Vale), Photobienanale Logos, Museum of Photography, Thessaloniki, 2014, Entre Memória e Arquivo, Museu Coleção Berardo, Lisboa, 2013 (curated by Ruth Rosengarten), Territórios de Transição #11 - A Experiência do Silêncio, BES, Lisboa, 2013 (curated by Luís Serpa), Tarefas Infinitas, Fundação Calouste Gulbenkian, Lisboa, 2012 (curated by Paulo Pires do Vale) Between Times, Instants, intervals, durations (Photoespaña.Teatro Fernán Gómez, Centro de Arte . Madrid, Spain, 2010), Da outra margem do Atlântico, alguns exemplos da fotografia e do vídeo português (curated by Paulo Reis, Centro de Artes Hélio Oiticica . Rio de Janeiro, Brazil), Parangolé: Fragmentos desde los 90 en Brasil, Portugal y España Patio Herreriano - Museo de Arte Contemporáneo Español, Valladolid (curated by Paulo Reis and David Barro), 2008, 50 Anos de Arte Portuguesa, (Fundação Calouste Gulbenkian, Lisbon, 2007), BES Photo, (Centro Cultural de Belem, Lisbon, 2007), Del Zero al 2005, (Fundacion Marcelino Botin, Santander, 2005), Erich Kahn, (Museu de Arte Moderna – Colecção Berardo, Sintra, 2005), 20 + 1, (Centro Galego de Arte Contemporânea, Santiago de Compostela, 2004), We Are The World, (Chelsea Art Museum, New York City, 2004), RE-Location Shake, (National Museum of Contemporary Art, Bucharest, 2004), Pallazzo delle Libertà, Palazzo delle Papesse, Siena, 2003, Arquivo e Simulação - Archive and Simulation, (LisbonPhoto, Centro Cultural de Belém, Lisbon, 2003), Artists in Residence 2002-2003, (Location One, New York, 2003), Open Studios, (International Studio and Curatorial Program, New York, 2002), London Art Biennale, (Shoreditch Town Hall, London, 2000), O Autoretrato na Colecção, (Fundação Calouste Gulbenkian, Lisbon, 1999), Linha de Sombra, (Centro de Arte Moderna, Lisbon, 1999), Biennale Internazionale di Fotografia, (Palazzo Bricherasio, Torino, 1997), En la piel de Toro, (Centro de Arte Reina Sofia, Madrid, 1997), Imagens para os Anos 90, (Fundação d e Serralves, Porto, Culturgest Lisbon, 1993). Collections (selection) Byrd Hoffman Foundation, New York, Centro de Arte Moderna da Fundação Calouste Gulbenkian, Lisbon, Centro Cultural de Belém, Lisbon, Centro Galego de Arte Contemporânea, Santiago de Compostela, Colecção BES, Lisbon, Fundação PLMJ, Lisbon, MEIAC, Badajoz, Museu de Arte Contemporânea, Funchal, Museu de Arte Contemporânea - Colecção Berardo, Sintra, Palazzo delle Papesse, Siena, Sagamore Art, Miami, The Progressive Collection, Ohio

DANIEL BLAUFUKS | All the memory of the world, part one series, 2014, C-Print, 100 x 160 cm

DANIEL BLAUFUKS, All the memory of the world, part one series, 2014, C-Print, 100 x 160 cm

Roland Fischer Roland Fischer’s Cathedrals and Palaces uses a technical procedure to emphasize the composition obtained by the mixture of formal elements of architecture and nature. This composition is made simultaneously from many vantage points and is placed in different frames in order to bring out the subject’s essence. A delicate and disturbing composition of lines, textures, rhythms is placed into a twodimensional image and makes our perception altered as we find ourselves in a nebulous zone, lacking in certainties. “Old Palm Tree” is an example of the mystery and strangeness of nature as well as the idea of unexplored territory.

[Solo shows (selection/most recent)] From Granada to Shanghai (Carlos Carvalho Arte Contemporânea, Lisboa, 2016), Israeli Collective Portrait (Eretz Israel Museum, Tel Aviv, 2016), … And There was time (curadoria de Maria Jesus Àvila, Centro de Artes Visuales Helga de Avelar, Cáceres, Espanha, 2015), Façades (Walter Stormes Gallery . Munique, Alemanha, 2015), Retrospective Roland Fischer (Saarlandmuseum Saarbruecken, 2012), Roland Fischer and Flatz (FLATZ Museum, Dornbirn, 2012), Retrospective Roland Fischer (Centro de Arte La Regenta, Las Palmas, 2011), Retrospective Roland Fischer (Museo Domus Artium DA2, Salamanca, 2011) Roland Fischer. Portraits and Architecture (Galeria Michael Schultz, Beijing, China, 2010), Roland Fischer (Von Lintel Gallery, New York, 2011), Roland Fischer (Walter Storms Galerie, Munich, 2010), Roland Fischer (Musée d'Art Moderne de la Ville de Paris, 2010), Roland Fischer (Pinakothek der Moderne, Munich, 2009), Roland Fischer (Goethe Institut Hong Kong Art Center, 2008), Workshow (Carlos Carvalho Arte Contemporânea, Lisboa, 2008) [Group shows (selection/most recent)] Architectures And Spaces in the collection RAC (Centro Cibeles, Madrid, Spain, 2015), Arco Madrid (Carlos Carvalho Arte Contemporânea, Madrid, Espanha, 2015) (Daimler Art Collection (Daimler AG . Estugarda, Alemanha, 2015), Reproductibilitat 1.0 (Es Baluard - Museu d'art Modern i Contemporani de Palma . Palma, Espanha, 2014), 2000+ Neu im Saarlandmuseum (Saarlandmuseum . Saarbrucken, Alemanha, 2014), The Human Touch (SMoCA, Scottsdale Museum of Contemporary Art . Estados Unidos, USA, 2013), The Edge of Vision (Louisiana Art & Science Museum . Estados Unidos, USA, 2013), Language Games (Centro de Artes Visuales Helga de Avelar . Cáceres, Espanha, 2013), Babel (Palais de Beaux-Arts de Lille . Lille, França, 2012), Paisagem Humana - Exposição #15 (BES Arte & Finança . Lisboa, Portugal, 2012), The Human Touch (RBC Wealth Management Art Collection . Nevada Museum of Art, USA, 2010), Exposição #07 Arquite(x)turas (curated by

Sara Antónia Matos, BES Art & Finança . Lisboa, Portugal, 2010), Pasions Privadas, Visions Publicas (MARCO . Museo de Arte Contemporánea de Vigo, Vigo, Espanha, 2008), Mixed Emotions. Apuntes para una colección del siglo XXI (DA2, Domus Artium, Salamanca, Espanha, 2008), X mal ICH (Städtische Galerie . Fruchthalle Rastatt, Rastatt, 2007), Grey Water (IMA Institute of Modern Art, Brisbane, 2007), Existencias (MUSAC, León, Espanha, 2007), Expansiones implosivas. Derivas de la escultura en la Colección Caja de Burgos (Centro Cultural de la Villa, Colección Caja de Burgos . Madrid, Espanha, 2007), Surrounding Matta-Clark (Carlos Carvalho Arte Contemporânea. Lisboa, 2006), Outras Arquitecturas, Outros Artistas...Outras Alternativas (Carlos Carvalho Arte Contemporânea . Lisboa, Portugal, 2005), Abstraction in Photography (Von Lintel Gallery New York, NY, 2003), Impressions of a Revolution: New Prints (Elias Fine Art Allston, MA, 2003), Gotische Reflecties (Stadsgalerij Heerlen, Netherlands, 2001), Fotografie und Archiv (Stadthaus Ulm, 2001), Dans le bain (Institut d'art contemporain Villerbanne, 2001), Haus Huth Berlin (Das Gedächtnis öffnet seine Tore - Kunst der Gegenwart im Lenbachhaus, Städtische Galerie im Lenbachhaus, München, 2001) T'es toi quand tu te regardes (Musée GéoCharles, 2001), Echirolles (Im Spiegel der Zeit, Portait and Selbstportrait, Kunstverein Schloß Plön, 2001), Regards croises (Forum Culturel du Blanc-Mesnil, 2001), Faith: The Impact of Judeo-Christian Religion on Art at the Millennium (the Aldrich Musuem of Contemporary Art, Ridgefield, Connecticut, 2000), Faces, entre Portait et Anonymat ( Maison de la Culture Namur. Belgium1999) [Colections (selection)] Artium, Centro-Museo Vasco de Arte Contemporáneo, Vitoria-Gasteiz, Ayuntamiento de Santander Colleccion, Bibliotheque National, Paris, CAB Centro de Arte Caja de Burgos, Burgos, CGAC, Centro Galego de Arte Contemporánea, Santiago de Compostela, DA2, Fondacion Salamanca Ciudad de Cultura, Salamanca, The European Central Bank, Frankfurt, Fondació Rafael Tous d'art Contemporani, Barcelona, Fundación Ordoñez, San Sebastian, Fondation La Maison Rouge - Collection Antoine de Galbert, Paris, FRAC Basse-Normandie, Caen, FNAC Paris, FRAC Lyon, Frac Bretagne, Helga de Alvear Colleccion, Madrid, IVAM (Institut Valencià d'Art Modern), Valencia, Musée d'art Moderne de la ville de Paris, Paris, MuHKA, MUSAC, Leon, Musée d'Art Moderne, Pinakothek der Moderne Munich, Saarland Museum Saarbrücken, Städtische Galerie, Rastatt, Tichy Foundation, Zürich, The Thyssen-Bornemisza Art Contemporary, Vienna, Bank of America, New York, BESart, Lissabon, Baker Botts LLP, New York, Dain Rauscher Corporation, Minneapolis, Dow Jones and Co, New York City, Merril Lynch London, Microsoft Seattle, Pfizer Inc. New York.

ROLAND FISCHER | Old Palm Tree,1896, 2012, C-print/Diasec, 254 x 180 cm

ROLAND FISCHER | Garden in Sevilla, 2009, C-print/Diasec, 171 x 122 cm

ROLAND FISCHER | Waterloo, Singapore, 2016, C-print/Diasec, 180 x 125 cm