Portfolio Anthony Goicolea by Carlos Carvalho Arte Contemporânea

ANTHONY GOICOLEA

Monument | 2011 C-Print sobre Di-Bond com Plexiglass UV sem brilho C-Print on Di-Bond with Non-Glare UV Plexi Laminate Face Mount 127 x178 cm 50 x 70 inches ÂŠ2011

Sleeping Giants | 2011 C-Print P/B sobre Di-Bond com Plexiglass UV sem brilho B&W C-Print on Di-Bond with Non-Glare UV Plexi Laminate Face Mount 114 x158 cm 45 x 62 inches ÂŠ2011

The Follow | 2011 C-Print sobre Di-Bond com Plexiglass UV sem brilho C-Print on Di-Bond with Non-Glare UV Plexi Laminate Face Mount 127 x171,5 cm 50 x 67,5 inches ÂŠ2011

Stained Glass Forest | 2013 C-Print sobre Di-Bond com Plexiglass UV sem brilho C-Print on Di-Bond with Non-Glare UV Plexi Laminate Face Mount 114,3 x165 cm 45 x 65 inches ÂŠ2013

Ruis in the Forest (after Caspar David Friedrich) | 2011 C-Print sobre Di-Bond com Plexiglass UV sem brilho C-Print on Di-Bond with Non-Glare UV Plexi Laminate Face Mount 114,3 x179 cm 45 x 70,5 inches ÂŠ2011

Guardians | 2007 C-Print sobre Di-Bond com Plexiglass UV sem brilho C-Print on Di-Bond with Non-Glare UV Plexi Laminate Face Mount 101 x 238,76 cm 40 x 94 inches ÂŠ2007

Black House | 2010 C-Print sobre Di-Bond com Plexiglass UV sem brilho C-Print on Di-Bond with Non-Glare UV Plexi Laminate Face Mount 50,8 x 50,8 cm 20 x 20 inches ÂŠ2010

Temporary | 2013 C-Print sobre Di-Bond com Plexiglass UV sem brilho C-Print on Di-Bond with Non-Glare UV Plexi Laminate Face Mount 127 x104 cm 41 x 40 inches ÂŠ2013

Born in 1971 in Atlanta, Georgia, Anthony Goicolea is a first-generation Cuban American artist now living and working in Brooklyn, New York. His extended family immigrated to the United States in 1961, fleeing Cuba soon after Castro came to powerâ&#x20AC;&#x201D;a fact that underpins many of the artistâ&#x20AC;&#x2122;s works. Employing a variety of media, Goicolea explores themes ranging from personal history and identity, to cultural tradition and heritage, to alienation and displacement. His diverse oeuvre encompasses digitally manipulated self-portraits, landscapes, and narrative tableaux executed in a variety of media, including black-and-white and color photography, sculpture and video installations, and multi-layered drawings on Mylar. Best known for his powerful, and often unsettling, staged photographic and video works, Goicolea made his artistic debut in the late 1990s with a series of provocative multiple selfportrait images. These early works featured groups of young boys on the threshold of adolescence, acting out childhood fantasies and bizarre rituals of revelry and social taboo in highly staged domestic or institutional settings or dense, fairy-tale forests. Revealing a playful self-consciousness, they often consisted of complex composites of the artist himself, in all manner of poses and guises. Soon thereafter, Goicolea garnered international attention with his ambiguous, yet strangely compelling, landscapes, ranging from dream-like woodland environments to vast, unforgiving urban and industrial wastelands. The artist has created several series of digitally composited, and heretofore uncharted, topographies, often

Self - contained works (anonymus - self portrait) | 2014-2015

populated by bands of masked and uniformed figures. In recent series, many of the images are devoid of humans, although the landscape reflects an anonymous and increasingly tenuous human presence. In these works, primitive lean-tos and crudely constructed shanties coexist in an uneasy union with the technological vestiges of an industrialized society. Suggesting a world on the brink of obsolescence, these chilling images further cement the pervasive undercurrent of human alienation—from one another as well as the natural environment—that can be traced throughout the artist’s work. In a marked departure, Goicolea trained his unflinching eye on his own personal history in a highly acclaimed body of work exploring his roots and family heritage. These poignant, sometimes cinematic, images and installations are characterized by a fervent search for ancestral and social connections to a mythical homeland, Cuba—at once revealing nostalgia for a past that the artist never actually experienced, as well as a pronounced sense of cultural dislocation and estrangement. Remarkably prolific and inventive, Goicolea continues to intrigue his viewers with meticulously crafted, thought-provoking works. The artist has exhibited widely in group and solo exhibitions throughout the United States, Canada, Europe, and Asia—notably at the Museum of Contemporary Photography, Chicago, Illinois; the Corcoran Gallery of Art, Washington, D.C.; the International Center of Photography, New York; Postmasters Gallery, New York; Haunch of Venison Gallery, London, United Kingdom;

Galerie Aurel Scheibler, Berlin, Germany; the Groninger Museum, the Netherlands; and the Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain. Alter Ego: A Decade of Work by Anthony Goicolea is the first major traveling museum exhibition devoted solely to his work. Goicolea’s art is held in many public collections, including those of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Museum of Modern Art, New York; as well as the Yale University Art Collection, New Haven, Connecticut; the North Carolina Museum of Art, Raleigh; and Telfair Museums, Savannah, Georgia. To date, Goicolea’s work has been the subject of four books. It has been featured in ARTnews, Art in America, Art Forum, the New Yorker, the New York Times, the Los Angeles Times, the Chicago Sun-Times, and the Chicago Tribune, among many others. The artist’s grants and awards include a Cintas Fellowship (2006) and the BMW Photo Paris Award (2005) and the Joan Mitchell Fellowship Foundation. Goicolea holds a B.A. in art history, with a minor in romance languages, and a B.F.A. in drawing and painting —both earned at the University of Georgia, Athens, in 1992 and 1994, respectively. He received an M.F.A. in sculpture and photography, from Pratt Institute of Art, New York, in 1997.

Self - contained works (compression sculpt) | 2014-2015

Chorus | 2014 - 2015 "CHORUS" is a collection of 18 X 18 inch drawings rendered in acrylic and graphite on Mylar and mounted to aluminum. They rest on chrome-plated folding music stands. The seamless photo back-drop or skype is approximately 96"H X 216"W X 84"D and is constructed from ply-wood, plaster, and paint. A soundscape is composed by reducing the playback speed of Mozart's Mass Requiem one time for each choral member; thus producing a low chanting hum.

Widowâ&#x20AC;&#x2122;s Speak | 2013 12 Digital play-back cameras on tri-pods surround a life size effigy of a horse in the guise of a PiĂąata. The horse is constructed from a taxidermy resin casted form, artificial hair, leather, metal, rope, canvas, paint, and black tissue festooning. The video plays on the camera flip-screens as if it were a live feed. The cameras are connected and synched via a network of co-axial cables and stream the video into the next room as a large projection. The video can be seen at the following link: vimeo.com/73065360

Self - contained works | 2014-2015 Máquina de escrever e acrílico, grafite e tinta spray sobre Mylar Vintage Type-Writer and Acrylic, Graphite and Spray Paint on Mylar resting on Steel Table 132 x 33 x 33 cm 52 X 13 X 13 Inches ©2014

Splint | 2014-2015 Grafite , acrílico e fita Acid-Free sobre Mylar e paperl kraft montado em 45 livros Graphite, Acrylic, and Acid-Free Tape on Mylar and Butcher Paper Mounted on 45 Leather Bound Books Coated in Enamel with a Hidden Steel Rod Base. Cerca de Approximately 13 x 45,72 x 190 cm 13 X 18 x 75 Inches ©2014

Anthony Goicolea (Cuba, 1971. Lives and works in NY) EDUCATION: Born 1971 and Lives and Works in New York. Pratt Institute of Art, MFA, Sculpture; Minor, Photography, 1994–96 The University of Georgia, BFA, Drawing & Painting, 1992–93 The University of Georgia, BA, Art History; Minor, Romance Languages, 1989–92 SOLO EXHIBITIONS: 2015 HERE and ELSEWHERE: Galerie Ron Mandos, Amsterdam, The Netherlands. 2014 Middle Ending: Galerie Crone, Berlin, Germany. NSEW: Monte Clark Gallery, Vancouver, Canada. WIDOW’S SPEAK: Luis Adelantado,DF, Mexico 2013 PERMENANT MARKER: Galeria Ron Mandos, Amsterdam, The Netherlands. WANDERING WILD: La Galeria Particulier, Paris, France. 2012 DOMESTICATED: Galeria Senda, Barcelona, Spain 2011 PATHETIC FALACY: Postmasters Gallery, New York City, NY. ALTER EGO: A Decade of Work by Anthony Goicolea; (catalog) NC Museum of Art, Raleigh, NC Telfair Museum, Savannah, GA 21c Museum, Louisville, KY 2010 HOME; Ron Mandos Gallery, Amsterdam, NL DECEMBERMAY: Galerie Scheibler Mitte, Berlin

RELATED; Houston Center for Photography, TX 2009 ANTHONY GOICOLEA,MCA,Denver Museum of Contemporary Art THE LAST MAN STANDING; photography & video works; Fireplace Project, East Hampton, NY ONCE REMOVED; Postmasters Gallery, NY 2008 RELATED I; Aurel Scheibler, Berlin RELATED II; Haunch of Venison, London RELATED III; Sandroni Rey, Los Angeles ALMOST SAFE; Monte Clark Gallery, Toronto 2007 ALMOST SAFE; Photographs, Drawings and Video,Postmasters, NY THE SEPTEMBERISTS: Photographs by Anthony Goicolea; Gallery Hyundai, Seoul, Korea 2006 THE SEPTEMBERISTS: Monte Clark Gallery, Toronto, Canada ANTHONY GOICOLEA, Photographs, Monte Clark Gallery, Vancouver, Canada THE SEPTEMBERISTS, Aurel Scheibler, Berlin, Germany ACTOS COMPULSIVOS, MAPR, San Juan, Puerto Rico DRAWINGS: Sandroni.Rey Gallery, Los Angeles, CA 2005 Anthony Goicolea, Photographs, Drawings and Video: The Arizona State University Museum of Art, Tempe, AZ SHELTERED LIFE, New Drawings, Photographs and Video Installation, Postmasters Gallery, New York, NY. OUTSIDERS, Photographs and Video, Cheekwood Museum of Art: the Contemporary Temporary Series, Nashville, Tennessee. ESTACIONES; Galeria Luis Adelantado, Valencia, Spain. ANTHONY GOICOLEA, Galeria Adelantado

Miami, Miami, FL. 2004 SHELTERED; New Drawings, Photographs and Video Installation, Galerie Aurel Scheibler Cologne, Germany RECENT WORKS, New Photographs, Angstrom Gallery, Dallas, TX KIDNAP; New Drawings, Photographs and Video Installation, Sandroni-Rey Gallery, Los Angeles, CA KIDNAP; New Drawings, Photographs and Video Installation, Torch Gallery, Amsterdam, The Netherlands TEA PARTY; New Video Installation, Madison Avenue Calvin Klein Space, NYC ANTHONY GOICOLEA, New Videos, Spazio-(H), Milan, Italy BOYS WILL BE BOYS; The John Michael Kohler Arts Center, Sheboygan, WI KIDNAP: Galerie Aurel Scheibler, Cologne, Germany 2003 Galerie Aurel Scheibler, Cologne, Germany Photos & Films, Curated by Edsel Williams, The GREEN BARN, Sagaponack, NY Gow Langsford, Sydney, Australia Gow Langsford, Auckland, New Zealand Cotthem Gallery, Barcelona, Spain Cotthem Gallery, Brussels, Belgium Casa De America, Madrid, Spain Contemporary Center of Photography, Melbourne, Australia The Sargeant Gallery, Wanganui, New Zealand 2002 Land, RARE Gallery, New York, NY Water, Sandroni-Rey, Los Angeles, CA Arizona State University Art Museum, Tempe, AZ

Art Space, Auckland, New Zealand Galerie Aurel Scheibler, Cologne, Germany The Museum of Contemporary Photography, Chicago, IL Torch Gallery, Amsterdam, Holland 2001 DETENTION; RARE Gallery, New York, NY Angstrom Gallery, Dallas, TX The Corcoran College of Art and Design at The Corcoran Gallery of Art, Washington, D.C. MCMAGMA, Milan, Italy 2000 SOLO, Vedanta, Chicago, IL Fabien Fryns, Marbella, Spain Luis Adelantado, Valencia, Spain 1999 YOU AND WHAT ARMY; RARE Gallery, New York, NY GROUP EXHIBITIONS 2015 I AM: Always New: KCAD, Grand Rapids, MI 2014 A BOOK BETWEEN TWO STOOLS: Boghossian Foundation, Brusells, Belgium. CUBAN AMERICA: AN EMPIRE STATE OF MIND: Lehman College Art Gallery, Bronx, New York. VANITAS: Works from the Collection of Stephane Janssen. Arizona State University Museum of Art HYBRIDITY: 21C Museum, Bentonville, AK 2013 "The Adventures of truth" curated by Bernard-Henri LevyFoundation Maeght, SaintPaul-de-Vence, France 2012 3am: WONDER AND PARANOIA: Bluecoat Gallery. Liverpool, UK 2011 PERFORMING FOR THE CAMERA: Arizona Sate University Art Museum. Tempe,

AZ HIDE/SEEK: Brooklyn Museum. Brooklyn, NY CUBA NOW; 21c Museum. Louisville, KY DEAD LINES; Death in Art-Media-Everyday Life: Von Der Heydt Kunsthalle. Wuppertal Germany (10/2011-02/2012) 30: A BROOKLYN SALON: Celebrating Thirty years of Contemporary Art. BRIC Rotunda Gallery. Brooklyn, NY (09/2011-10/2011) COLORIFIC: WE MAKE AN ART RAINBOW; Postmasters Gallery, NYC. LATE SUMMER BLUES: Storefront Gallery. Brooklyn, NY 2010 HAUNTED; Guggenheim Museum of Art, NYC, NY IKON Gallery: Birmingham, England TOOL; Fotofestival Cultuurcentrum Scharpoord, Knokke-Heist, Belgium OPEN SEASON; Flanders Gallery, 2010 TRANSPARENCY AND TRANS-FORMATIONS: US Embassy, Stockholm SUPERFICES DEL DESEO, curated by Cecilia Delgado Masse: Museo Universario Arte CONTEMPORANEO, Universidad Nacional Autónoma de México [catalog] HIDE/SEEK; Different and Desire in American Portraiture: National Portrait Gallery, Washington, DC 2009 GROUP SHOW, Monte Clark Gallery, Vancouver, BC MASCULINE: Interpretations of Manhood; Charles Cowles Gallery, NY MI VIDA. From Heaven to Hell, Műcsarnok , Budapest MYTOLOGIES; Haunch of Venison, London, UK GENERATION: Art Gallery of Alberta, Canada

2008 OH L’AMOUR; Center for Creative Photography, University of Arizona, Tucson, Arizona BOYS OF SUMMER; The Fireplace Project, East Hampton, NY DARGER-ISM; Contemporary Artists and Henry Darger, American Folk Art Museum, New York BADLANDS; New Horizons in Landscape, Mass Moca, MA GEN-X: Post-Boomers and the New South; Mobile Museum of Art, Mobile, AL AMERIKA: Back to the Future, Postmasters, NY PEOPLE AND PLACES: Selections from the Allen Thomas Jr Photography Collection; SECCA (Southeast Center of Contemporary Art), Winston-Salem, NC RETHINKING LANDSCAPE; Contemporary Photography from the Allen Thomas Jr. Collection, Taubman Museum of Art, Roanoke, VA 2007 NEW DIRECTIONS IN AMERICAN DRAWING, Columbus Museum, Columbus, GA KUNST FILM BIENNALE, vertreten durch SK Stiftung Kultur, Koln ICH WAR’S NICHT, Haus am Waldsee, Berlin OMINOUS ATMOSPHERE; Heather Marx Gallery, San Francisco, CA PLANO INTIMO; Ciclo de Videoarte, Sala Parpallo, Valencia SHELTER; Museum De Fundatie Zwolle, Heino Contemporary Cool and collected, Mint Museum of Art Charlotte, NC OPENING SHOW, Max. Durchfahrts-hohe, Berlin STALKING SUBURBIA, Westport Arts Center, Westport, CT

EXISTENCIAS, Museo De Arte Contemporeaneo De Castilla Y Leon, Spain MAT COLLISHAW & ANTHONY GOICOLEA, Haunch of Venison Zurich GLOBAL ANXIETIES; The college of Wooster Art Museum, Wooster,Ohio ROLE EXCHANGE; Sean Kelly Gallery, New York, NY BEHIND INNOCENCE; Gallery Hyundai, Seoul, Korea International Video Art Exhibition: Today Art Museum, Beijing 2006 SENSACIONS EN PRIMEIRA, CGAC, Spain CONNIVENCES; Collection of Stphane Janssen, Musee Dixelles, Brussel and Arizona ASU Museum MODERN PHOTOGRPHS, Miami Art Museum, Miami, FL LOOPED; engages in time, CAS Gallery, University of Miami KRIEG DER KNOPFE, Ursula Blickle Stiftung, Kraichtal-Unterowisheim, Germany DIE JUDGEND VON HEUTE; Schirn Kunsthalle, Frankfurt, Germany MIDDLE GROUND: Photographss ffrom the whitney Museum of American Art, Culumbia University in the City of New York CINTAS EXHIBITION: Finalists, The Buena Vista Building, Miami, FL THE HUNGRY EYE; Chelsea Art Museum, New York ARCADIA; Yancey Richardson Gallery, New York MAKING A SCENE; Haifa Museum of Art, Haifa Isreal EMOTIONAL LANDSCAPE: Rotunda Gallery,

Brooklyn, NY 2005 IN FOCUS; Contemporary Photography from the Allen G. Thomas Jr. Collection, The North Carolina Museum of Art, Raleigh, NC WESTERN BIENNALE; Guest currated by Edward Lucie-Smith, The John Natsoulas Gallery, Davis, CA DESVELAR LO INVISIBLE, Videocreacion contemporanea, El Consejeria de Cultura yDeportes. Comunidad de Madrid, Madrid, Spain. MIXED UP CHILDHOOD; Auckland Art Gallery, Auckland, New Zealand MY SO CALLED LIFE; Monte Clark Gallery. Toronto, Canada. OBSERVITORI 2005, Museo de las Artes, Valencia, Spain NARRATIVES OF THE PRESUMED INVISIBLE, Kunsthalle Lophem, Lophem, Belgium. REPRESENTING REPRESENTATION VII: Arnot Art Museum, Elmira, NY 2004 NOCTURNAL EMISSIONS; The Groninger Museum, Groninger, The Netherlands WILL BOYS BE BOYS? Questioning Adolescent Masculinity in Contemporary Art, Independent Curators International, New York, NY. WORKS ON PAPER; Sandroni-Rey Gallery, Los Angeles, CA ME,MYSELF,&I; Photographs, University Galleries, Florida Atlantic University, Boca Raton, Florida DITTO; Multiples From the Collection, The Museum of Contemporary Photography, Chicago, IL The Amazing and the Immutable, University of

South Florida Contemporary Art Museum, Tampa, FL EXCESS; Food as Metaphor and other Strategies of Consumption, Fine Arts Center Galleries University of Rhode Island, Kingston, RI OUT OF PLACE; Part II, Indianapolis Museum of Contemporary Art, Indianapolis, IN IS ONE GOOD THING BETTER THAN ANOTHER; Galerie Aurel Scheibler, Cologne, Germany PRETTY WORLD; Aeroplastics Contemporary, Brussels, Belgium SWIMMING POOL; Yossi Milo Gallery, New York, NY DRAWINGS ON PAPER; Lucas Schoreman Gallery, New York, NY DREAM WEAVER, Yancey Richardson Gallery, New York, NY THE DRAWINGS SHOW, Curated by Edsel Williams; The Green Barn, Sagaponack, NY NEW LOCATION; Sandroni-Rey Gallery, Los Angeles, CA ROYAL HIBERNIAN ACADEMYR, Gallagher Gallery, Dublin, Ireland OPEN HOUSE: Working in Brooklyn, The Brooklyn Museum of Art, Brooklyn, NY BOYS BEHAVING BADLY; Contemporary Arts Museum, Houston, Texas LIJF: Reizende tentoonstelling over het lichaam, RAZA, Flanders, Belgium Á Fripon Fripon et Demi (Pour une école buissonniere), Collection Lambert en Avignon, France SCHOOLIN’; AOV Gallery, San Fransisco, California

ONLY SKIN DEEP; Changing Visions of the American Self, International Center of Photography, New York, NY 2003 MAMA’S BOY; White Columns, New York, NY POTENTIAL IMAGES OF THE WORLD; SPEED Art Museum, Louisville, KY PICTURES FROM WITHIN; American Photographs, 1958-2003, Whitney Museum of American Art, New York, NY REALITY VS. FICTION; Jamaica Center for the Arts, Queens, NY TOMBE LA NEIGE, Galerie Anne De Villepoix, Paris, France Atlanta Celebrates Photography; Momus, Atlanta, GA ART UNLIMITED; Installation: Basel, Switzerland WHISPER; Galerie Aurel Scheibler, Cologne, Germany ANTHONY GOICOLEA AND PATRICIA PICCININI; Gow Langsford Gallery, Auckland, New Zealand WINDSTILL; Cotthem Gallery, Brussels, Belgium NAKED BEFORE GOD; The Museum of New Art, Parnu, Estonia BAD BOYS; Galeria Luis Adelantado, Valencia, Spain CHILD IN TIME; The Museum of Helmond, The Netherlands COMIC RELEASE; Negotiating Identity For A New Generation, Carnegie Mellon University, Pittsburgh, PA & other locations CONSTRUCTED REALITIES; Las Vegas Art Museum, Las Vegas, Nevada

GROUP EXHIBITION, Gow Langsford Gallery, Auckland, New Zealand HOW HUMAN: Life in the Post-Genome Era; International Center of Photography, New York, NY MURSOLLAICI; Centre Culturel Suisse, Paris, France 2002 ART DOWNTOWN; New Photography, Wall Street Rising, New York, NY CONSTRUCTED REALITIES; Grand Arts, Kansas City, MO THE DUBROW BIENNIAL, Kagan Martos, New York, NY ENOUGH ABOUT ME; Momenta, Brooklyn, NY GUIDE TO TRUST No. 2; Yerba Buena Center for Arts, San Francisco, CA, and other locations WHISPER; Galerie Aurel Scheibler, Cologne, Germany HASH BROWN POTATOES; Smack Mellon Studios, Brooklyn, NY HOME MOVIES; SF Cameraworks, San Francisco, CA NTERPLAY; The Moore Building, Miami Design District, Miami, FL MASQUERADE; John Michael Kohler Arts Center, Sheboygan, WI SITUATED REALITIES; Alyce de Roulet Williamson Gallery, Art Center College of Design, Pasadena, CA SITUATED REALITIES; Maryland Institute, College of Art, Baltimore, MD SITUATED REALITIES; MCAD Galleries, Minneapolis College of Art and Design, Minneapolis, MN WHO? ME?; Role Play In Self-Portrait

Photography, Zabriskie Gallery, New York, NY 2001 Collector’s Choice, Nassau County Museum of Art, Roslyn Harbor, NY FOR SKIN; Henrique Faria Fine Arts, NYC, NY 2000 Art in General; New York, NY Collector’s Choice; Exit Art, New York, NY FLESH OF THE BOY; Flesh of the Girl, P.S. 122, New York, NY GOOD BUSINESS IS THE BEST ART; The Bronx Museum, Bronx, New York HARD; TATE, New York, NY MANLY; Art in General, New York, NY NEW NEW YORK; Texas Fine Arts Association, Austin, TX POSTERS; White Columns, New York, NY SIDELONG GLANCE; IM n IL, New York, NY SUMMER SHOW 2000; Angstrom Gallery, Dallas, TX UNTITLED (CONJECTURE); SF Cameraworks, San Francisco, CA 1998 GENDER (Con)sumption Assumption Exhibition; The Bronx Museum, Bronx, New York OPEN; TATE, New York, NY FILM FESTIVALS/ VIDEO PROJECTS 2011 The Septemberists; The Cartier Foundation, Paris The Grid of One; Pacific Film Archive, Berkley, CA Cine Y Casi Cine 2004; The Museum National Center of Art Reina Sofia, Madrid, Spain Videocreación Contemporánea; Barcelona and Madrid, Spain The Intternational Canary Islands’ Multimedia and Video Festival; Canary Islands, Spain artFORCE, PLUM TV; Currated by Yvone Force,

New York, NY MIT LIST Visual Arts Center; Media Test Wall, Cambridge, MA The 17th Annual Dallas Video Festival; Dallas Theater Center, Dallas, TX Fear No Film Festival at the Utah Film Festival; Salt Lake City, UT Art Film; Art Basel 35, Basel, Switzerland The Sunset Boulevard Video Billboard Project; Sponsored by the West Hollywood Arts and Cultural Affairs Commission, Los Angeles, CA Gallery 845/LAAA; Video screening, Los Angeles, CA 2003 Art Film; Art Basel 34, Basel, Switzerland The New York Video Festival; New York, NY The Belgian Film Festival; Brussels, Belgium The Indonesian Film Festival; Indonesia The Rotterdam Film Festival; The Netherlands Video International; F A Projects, London, England

Arizona State University Art Museum, Arizona The Museum of Helmond, The Netherlands The Groninger Museum, Groninger, The Netherlands Museum of Contemporary Photography, Chicago, IL Yale University Art Collection, Photography, CT El Museo de Arte Contemporaneo de Castilla, Leon, Spain The Herbert F. Johnson Museum of Art at Cornell University, Ithica, NY Centro Galego De Arte Contemporanea, Santiago De Compostela, Spain The Telfair Museum of Art, Savanah, GA The University of Georgia Museum of Art, Athens, GA The Israel Museum, Jerusalem

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