RICL 422 - Graham Fitkin - Metal - Version for Brass Band (Arr. Andrew Baker)

Page 1

pe

ru

y

sa l

on l

Graham Fitkin

/F

or

METAL

Arr. Andrew Baker (2018)

Full Score

C

op

yr ig

ht

by

R

ic

or d

iL

on d

on

Version for Brass Band

RICORDI


y on l sa l ru pe or /F on on d iL or d ic R by ht yr ig op

C

© Copyright 2018 G. Ricordi & Co. Ltd, London All rights reserved - Tutti i diritti riservati Printed in Italy RICL RICL 422 ISMN 979-0-57072-005-7


Graham Fitkin arr. Andrew Baker

Metal   

Solo Cornet 1&2

Solo Cornet 3&4

Repiano Cornet

2nd Cornet

3rd Cornet



 

  

 



 

2nd Trombone

Bass Trombone

  

 

   

2nd Horn

1st Baritone



f

f

f

f

                      mp                          

mp

op

yr

Bb Bass

Timpani

 metal

Percussion 1

metal

Percussion 2



metal

Percussion 3

ic

R

by

ig

Eb Bass

or

Euphonium

 

ff

 

ff

 

ff

 

 

 

        

  

one

f

 

        

  

        

© 2017 G Ricordi & Co (London) Ltd RICL 422

nl y

lo

sa ru

pe

or

mp

1st Trombone

C

f

mf

ht

2nd Baritone

          

cup mute

        

/F

1st Horn

on

Solo Horn

nd

Flugel

Lo

Soprano Cornet

di

q = 144


2

  

          

Solo Cor. 1&2

Solo Cor. 3&4

3rd Cor.



 



 

2nd Tbn.

B. Tbn.

  

 

  

ht

Euph.

ig

Eb Bass



op

yr

Bb Bass

Timp.

Perc. 1

Perc. 2

Perc. 3



mf

mf

mf

pe 



 

di 

mf

  

f

f



or

1st Tbn.

 



ic

2nd Bar.

R

1st Bar.



by

2nd Hn.

or

mf

1st Hn.

/F

       

on

           

nd

       

Lo

Solo Hn.

                         mf

     

f

    

© 2017 G Ricordi & Co (London) Ltd RICL 422

        



 

nl y

mf

 

mf

           

        

2nd Cor.

Flug.

C

lo

Rep. Cor.

sa

Sop. Cor.

open

ru

10

           

 

  

           


1st Hn.

2nd Hn.

1st Bar.



 

   

 

 

 

 

 

2nd Tbn.

B. Tbn.

  

 

  

ht

Euph.

ig

Eb Bass



op

C

Timp.

        

f

           

Perc. 2

Perc. 3



  

      

         



            

           



            

f



        

   

f

         

f

  

f

   



ff

    

     

 

   

 

  

   

        

    

  

          

         

 



                 



f

ff



             

  

  

  

   





  

  

  

   





ff

 

Perc. 1

f

tutti

yr

Bb Bass

           

by

1st Tbn.

f

f

R



2nd Bar.

 

           

 

pe

 

or

Solo Hn.

/F

Flug.

 

 

on

3rd Cor.

nd

2nd Cor.

  

Lo

Rep. Cor.

f

mf

             

                             

di

Solo Cor. 3&4

 

nl y

or

Solo Cor. 1&2

lo

sa

ic

Sop. Cor.

A 

ru

   15

 

3

  

   

  

 glockenspiel

   

  f





 

 

 

© 2017 G Ricordi & Co (London) Ltd RICL 422

   


 

ff

         ff

1st Hn.

2nd Hn.

    ff

      ff

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

                         



 

 

ff

 

 

 

 

op

C

Timp.

Perc. 1

Perc. 2

Perc. 3

     

        

     

       

     

 

      

  

   



by

     

 toms           

f

 toms  

f

      

 

 

      

ff

 

      

 

   

         

      

        

 

           



  

  

nl y

ff

 

       

    

ff

 

 

       

    

yr

Bb Bass

    

          

ig

Eb Bass

        

          

                                       

            

ht

Euph.

       

 

ff

B. Tbn.

       

lo

                        

ff

Solo Hn.

     

ff

 

sa



        

nd

3rd Cor.

                             

Lo

     

ru



or

f

2nd Cor.

Flug.

               

di

Rep. Cor.

     

or

Solo Cor. 3&4

     

/F

ff

       

ic

Solo Cor. 1&2

     

        

on

     ff

     

R

Sop. Cor.

19    

pe

4

  

 

 



© 2017 G Ricordi & Co (London) Ltd RICL 422

    

 

  

 

metal

 

 

 

   

     


5

2nd Cor.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

                        

                  

op

C

Timp.







ff

            

 

           

   

                               

or

fff

fff

/F

pe

                                   

                               

                               

 



 



on

fff

fff

 

 

   

     



yr

Bb Bass

       

ig

Eb Bass

      

       

ht

Euph.

nd

2nd Hn.

Lo

1st Hn.

      

di

Solo Hn.

               

or

Flug.

                   

ic

3rd Cor.

nl y

lo

Rep. Cor.

      

sa

      

ru

Solo Cor. 3&4

R

Solo Cor. 1&2

            

by

Sop. Cor.

23                



Perc. 1

   

Perc. 2

Perc. 3



      

  

  

  

 

 

 

 

       

 

    

 

 

  

    

  

     

 

                                                 © 2017 G Ricordi & Co (London) Ltd RICL 422


6

   

mf



mf

2nd Cor.

3rd Cor.



Solo Hn.

1st Hn.

2nd Hn.

                

mf

              mf              mf    

                         

                                                  

 

2nd Tbn.

B. Tbn.

  

cup mute

        

ic

R

    

    

mf

     

 

     mf      mf



 

  



ht

    

mf

     



    

    

              

marimba

mf

Perc. 3



RICL 422

    

Perc. 2

© 2017 G Ricordi & Co (London) Ltd

    

    

       



    

    

mf

      

 

mf

  

 

             

or

by

      

                        

  

                f

ig Perc. 1

       mf



yr op

Timp.

di

Bb Bass



pe

 

 

mf

Eb Bass

C



Euph.

     

1st Tbn.



2nd Bar.

   

 

1st Bar.

 

mf

or

Flug.

    

/F

Rep. Cor.

mf

           

on

Solo Cor. 3&4

         

   

 

nl y



nd

Solo Cor. 1&2

lo

sa

Lo

Sop. Cor.

ru

B    29


2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

op

C

Timp.

Perc. 1

Perc. 3

   

nl y

lo

f

sa

ff

     

ru

   f

     

             

          

         

                                             

                                                                       

                            

           

 

              

  

 

f

f

or

           

pe

       

    f

    f

                     f

 

                    f



 





   



          



          

f



             

 

 

  

 

f

                      

mf

f

                                  f  

                     f

mf

f

                                          mf

Perc. 2

          

   

yr

Bb Bass

f

ig

Eb Bass

       

                                                     

                 



 

mf

 

           

ht

Euph.

      

/F

1st Hn.

   

 

on

Solo Hn.

                              

nd

Flug.

                    f

Lo

3rd Cor.

         



di

2nd Cor.

            

        f

or

Rep. Cor.

mf

   

ic

Solo Cor. 3&4

R

Solo Cor. 1&2

by

Sop. Cor.

34            

 

7

f



© 2017 G Ricordi & Co (London) Ltd RICL 422

 

   

  f

    

  

                

f

 




      

     

 

      

     

  

  

  

  

  



2nd Bar.

1st Tbn.

    

B. Tbn.

  



C

op

yr

Bb Bass

Timp.

Perc. 1

  

Perc. 2

Perc. 3



 

  

  

 

 

  

   



    



p

  

   

  

 

  

 

 

p

 

     

           

           

    

one

 

© 2017 G Ricordi & Co (London) Ltd RICL 422

   

p

     

   

  

   

   

p

       

  

   

 



    

          

       



 

   

         

 



  



 

  

 

    

ht

  

ig

Eb Bass



by

 

2nd Tbn.

Euph.

 

p

/F

2nd Hn.

  

on

         

(cup mt.)

1st Hn.

1st Bar.

p

nd

Solo Hn.

         

Lo

Flug.

          

                      

di

3rd Cor.

             

or

2nd Cor.



ic

Rep. Cor.

  

nl y

       

C

lo

Solo Cor. 3&4



        

sa

 

ru

Solo Cor. 1&2

      

R

Sop. Cor.

 

pe

   38

 

or

8

p

 

 

p

    

p

 (toms)

     

      

p


                

2nd Cor.

     

   

1st Tbn.

2nd Tbn.

B. Tbn.

p

 

  



op

C

Timp.

Perc. 1



 

mp

 

        

  

           

mf

          

 

          

          

 

 

mp

  mp

 



 



 





mp

     

  

 

      

          

    

 

            

mp

mp

 

mp

 

  

    

mp

   

yr

Bb Bass

mf



           

mf



 

 



mp

Lo

 

              

             

cup mute

ru

  

ig

Eb Bass

pe

 

 

mf

or

 

     

mp



 

 



 

 

           

mp

ht

Euph.

 

              

di

2nd Bar.



or

1st Bar.

ic

2nd Hn.



R

1st Hn.

mp

by

Solo Hn.

mp

Flug.

mp

       

Rep. Cor.

3rd Cor.

                                   mp

/F

Solo Cor. 3&4

          

nl y

                     

on

Solo Cor. 1&2

nd

Sop. Cor.

 

lo

42

 

sa

  

 

9

 

tutti



 

        

Perc. 2

Perc. 3



   

 

 



   mp

 

mp

       

mp

  

  

      

     

    

  

 

   

            

           mp

© 2017 G Ricordi & Co (London) Ltd RICL 422

 


Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

op

C

Timp.

Perc. 1

Perc. 2

Perc. 3

 

       

         



  

       

 

 

     



 

 

     

f

     

f

f



    

 



f

f



  



 

    

 

 

 

 

 





           

             



           

        

  

        

  

 

 

f

 

f

    

 

 

  





 

 







  

        

 



        

 

  

   

   

 

 

  





 

toms

    

mf

f

mf

f

 



    

 

   

    

      

 





          

© 2017 G Ricordi & Co (London) Ltd RICL 422

 

 

 

f

 



     

             

f

f

    

           

f

   

    



f

  

 

      

    

     

             

f

   



f

     

    

ru

f

                

nl y



                

lo

 

          

                

 

sa



   



yr

Bb Bass

 

         

f

ig

Eb Bass

 

pe

   

ht

Euph.

 

nd

Flug.

     

Lo

3rd Cor.

f

                  

di

2nd Cor.

                  

f

     

f

   

cup mute

D                    

or

Rep. Cor.

        

f

ic

Solo Cor. 3&4

     

R

Solo Cor. 1&2

f

       

by

Sop. Cor.

       

 

or

47

 

/F

  

 

on

10

 


2nd Cor.

3rd Cor.



B. Tbn.

op

C

Timp.

Perc. 1

Perc. 2

Perc. 3

   

open

    

open

  

             



          

   



             



         

                 



       



       



        

  



 

  

 

 

  



  



 

 





 

  

        



    

 

   

    

f

   

           



    

   

    

   

            f      

 



 © 2017 G Ricordi & Co (London) Ltd RICL 422

f

           

 

    

    

f

    



(f)

           

 

   

    

f

  

 

 

 

or

  

/F

        

on

 

 



nd

pe



 

f

 

 

 

 

f

            

 metal  

nl y

  

yr

Bb Bass

 

open

                

ig

Eb Bass

    

         

ht

Euph.

                           





2nd Tbn.

 

 

 

             

2nd Hn.

1st Tbn.

      

                           



2nd Bar.

     



 

1st Hn.

1st Bar.

 

Lo

Solo Hn.

 

    

di

Flug.

lo

 

         

or

Rep. Cor.

                  

                       

ic

Solo Cor. 3&4

R

Solo Cor. 1&2

                                      

by

Sop. Cor.

 

sa

51

 

ru

  

 

11

 

 


12

1st Hn.

1st Tbn.

2nd Tbn.

B. Tbn.

              

op

C

Timp.

Perc. 1

 



                       

                

 

                        

     

 

f

 

Perc. 2

Perc. 3



 

 

 

 

 

 

               ff

    

f

    

        

  

    

  

    

  

                 

        

            

ff

  

 

ff

        

                

ff

                         

  

ff

                         



ff

ff



   

nl y

                      

yr

Bb Bass

      

            

ig

Eb Bass

f

 

 

                      

    

ff

ht

Euph.

f

                        

            

 

                    

  

di

2nd Bar.

or

1st Bar.

ff

f

ic

2nd Hn.

                        

              

ff

                 

R

Solo Hn.

     

lo

                

sa

 

ru

pe



ff

E

or

/F

2nd Cor.

             

on

nd

Rep. Cor.

Flug.

               

Solo Cor. 3&4

3rd Cor.

               

Solo Cor. 1&2

by

Sop. Cor.

Lo

   55

   

               

ff

ff

ff

 

  

 © 2017 G Ricordi & Co (London) Ltd RICL 422

   

ff

    

     

    

   

   ff

ff

ff

   

ff

             

    

   

 

 

 



ff

 

 

 

bass drum


Rep. Cor.

2nd Cor.

3rd Cor.



                 mp 

mp

   

 

 

2nd Tbn.

B. Tbn.

  

R

by

 

mp

ht

  

ig

Eb Bass



C

op

yr

Bb Bass

Timp.

Perc. 1

Perc. 2

Perc. 3



 

   



 

 

  

mp



    

 

 

   





   

 

      

cresc.

   

  

   

  

© 2017 G Ricordi & Co (London) Ltd RICL 422



 

mp

cresc.

   

  

 

 

 

tubular bells

 mp    

 

       



  

           cresc.

ic



on

 

 

 

nd



            cresc.

 

 

      

     

 





Euph.

  

    

2nd Hn.

1st Tbn.

 

   

2nd Bar.

 

      

        

         

 

one

 

1st Hn.

1st Bar.

 

        

cresc.

Lo

Solo Hn.

                mp

di

Flug.

mp

 

  

nl y



            cresc.

lo

Solo Cor. 3&4

harmon mute

 

 

sa



 

    

   

ru

Solo Cor. 1&2

         mp

or

Sop. Cor.

 

pe

61

   

or

  

 

/F

 

13



   

 

  

 

  


 

     

  



 

2nd Tbn.

B. Tbn.

    



  

ig

Eb Bass



op

yr

Bb Bass

Timp.

Perc. 1

  

Perc. 2

Perc. 3



 

   

mf

mf

 

  

 marimba

    

mf

 





 

 

 

 

f

 

 



 

cresc.



 

         

           

      

    f    

                    

          

         

f

                  

 

 

 

f

                   f

              f

               

f

         

mf

f

      f      

mf

f

                    

                         

f



cresc.

             

             

 

 

    

f



cresc.

      

                 

               

nl y



mf



mf

 

           

ic

ht

Euph.

 

f

cresc.

R

1st Tbn.

by

2nd Bar.

 

mf



f

     

   

1st Bar.

         

 

cresc.

2nd Hn.

C

  

f

         

lo

 

 

           

 

on

1st Hn.

tutti mf

 

  

 

sa



     

 

 

ru

3rd Cor.

Solo Hn.

 

       

  

mp cresc.

 

Flug.

  

2nd Cor.

 

mf

   

nd

Rep. Cor.



       

Lo

Solo Cor. 3&4

open    

   

di

Solo Cor. 1&2

 

or

Sop. Cor.

   

 

pe

68

 

or

  

   

/F

14

 

   

     

  

   

 

                 

f

                  

f

   

  

toms

  

toms

f

© 2017 G Ricordi & Co (London) Ltd RICL 422

             

             


cup mute



2nd Tbn.

B. Tbn.

op

C

Timp.

Perc. 1

Perc. 2

Perc. 3

 

 

 

  



 

    

 

 

    f



  

  

  



 

mf

mf

cup mute

cup mute

mf

cup mute

  

   

pe

or

ru

 

  

yr

Bb Bass

 

 

mf

 

ig

Eb Bass

cup mute

mf

  

ht

Euph.

 



1st Tbn.

 

  

2nd Hn.

2nd Bar.

 

 

1st Bar.

 

1st Hn.

   

mf

  

mf

mf

   

  

nl y

cup mute



lo

  

sa

/F

Solo Hn.

mf

nd

Flug.

mf

                       

Lo

3rd Cor.

  

  

           

di

2nd Cor.

 

or

Rep. Cor.

            

   

mf

ic

Solo Cor. 3&4

R

Solo Cor. 1&2

cup mute

by

Sop. Cor.

F

on

   75

 

15



      

mf

  

  

    

   

© 2017 G Ricordi & Co (London) Ltd RICL 422

glock.

 

  

mf

   



  

 

  

 


 

16

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

 



 

  

      

 

 



 

    

  



C

op

yr

Bb Bass

Timp.

Perc. 1

Perc. 2

Perc. 3







cresc.

 



mf

 



 

   

 

 

cresc.



mf

cresc.



mf

cresc.

cresc.



mf



cresc.

 

 

mf





mf

   

 





cresc.

mf

cresc.



  

cresc.

mf





       

cresc.

ig

Eb Bass

  

mf

 

cresc.

 

  



nl y

 

cresc.

 

 

lo

 



sa



or

 

ht

Euph.

 

  



/F

1st Hn.

  

  



on

Solo Hn.

 

(mf) cresc.

nd

Flug.



 

 

                   

Lo

3rd Cor.

  

di

2nd Cor.



cresc.

                   

   

or

Rep. Cor.

 

ic

Solo Cor. 3&4

R

Solo Cor. 1&2



by

Sop. Cor.

ru

79

pe

      

cresc.



cresc.

   

  

   

 

 © 2017 G Ricordi & Co (London) Ltd RICL 422

   

cresc.

 

   

  




                    

  

2nd Cor.

 

 

  

3rd Cor.



 



  

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.



 





     

 

           

 

   

ig

Eb Bass



op

yr

Bb Bass

Timp.

Perc. 1

Perc. 2

Perc. 3



 

 

            

 

f

 

f

  

 

           

   



 

pe



 



 

or

 

 



    

on



nd



ht

Euph.

 

 

Lo

1st Bar.

di



 

or

2nd Hn.

   

ic

R

1st Hn.

/F

   

by

Solo Hn.

    

Rep. Cor.

  

               

 

         

Solo Cor. 3&4

Flug.

C

nl y

Solo Cor. 1&2

          

lo

Sop. Cor.

sa

82

 

ru

      

 

17

 

         

 

© 2017 G Ricordi & Co (London) Ltd RICL 422

  

     

         


2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

 

 

 

    



ff

 

 

op

C

Timp.

Perc. 1

Perc. 2

 ff

     

  



Perc. 3

  f

      

 

ff

ff

 ff



  

ff



open

 

 

ff

 

 ff

             ff

nl y

        

    

        

mf

        

       

  

 

f

f

f

        

    

mf

f

f

        

    



mf

    

mf



    



    

f

    

f

        

mf

f

f

f

 

mf

© 2017 G Ricordi & Co (London) Ltd RICL 422

 



mf

 

f

    

                                             

marimba

lo

   

mf



      

ff

    

ff

 

        

open

ff

f

          

open



mf

       

mf





    

     



ff

        

        

mf



f

      

ff

 

mf

         

mf



    

  

    

       

mf

f

          

ff





ff

 

    



 



yr

Bb Bass

 



 

mf

ig

Eb Bass

open

 

 

open



sa



ff

ff

ht

Euph.



 

    open

  

 

pe

1st Hn.



ff

      

or

Solo Hn.

 

 

 

mf

nd

Flug.

   

        

 

Lo

3rd Cor.

ff

di

2nd Cor.

   

or

Rep. Cor.

ff

       

ic

Solo Cor. 3&4

 

R

Solo Cor. 1&2

 

by

Sop. Cor.

/F

 

85

 

on

    

G open    

ru

 

18

                              

 


2nd Bar.

1st Tbn.

     

 

ff

ff

  

  

  

  

 

 

  

  

  

 

  

   

      

ht  

        

 

  

  

        

                

   

   

 

            

     

         

f

 

ff

 

 

ff

 

 

   

  ff

    

  

                  

(glock.)

f

 

 

     

 

        

p

 

 

 

 

f

 

  

 

 

ff

ff

ff

f

 (toms)

    

f

 

f

ff

f



 

 

sfp

sfp

© 2017 G Ricordi & Co (London) Ltd RICL 422

        

ff

        

sfp

 

ff

 

       ff       ff

   

ff

ff

Perc. 2

ff

 

f

ig  

  

                   

by

  

  



  

f

 

f



 

  

 

 

  

 

 

   

/F

 

  

  

ff

on



 

nd

ff

ff

ff

   

ff

ff

mf

 

    

sa



nl y

   



H    

lo

 

mf

 

yr op

C

ff



 

   

 

Perc. 1

Perc. 3

mf

   

 

  

B. Tbn.

Timp.

ff

 

  

  

Bb Bass

   

mf

Eb Bass

ff

  

2nd Tbn.

Euph.

   

Lo

1st Bar.

 

 

  

 

1st Hn.

2nd Hn.

 

 

 

ff

di

Solo Hn.

    

or

Flug.

  

     

            







        

ic

3rd Cor.

         

2nd Cor.

    

            

Rep. Cor.

     

 

 

ru

Solo Cor. 3&4

                  

f

   

 

pe

Solo Cor. 1&2

     

R

Sop. Cor.

 

 

or

   90

 

19

ff


20

  

Solo Cor. 3&4

Rep. Cor.

2nd Cor.

3rd Cor.



fib. st. mute

 



 

     

 

 

p

on 

          

nd

Lo

di

 

or

p

ru

  

sa

          

  



 

Perc. 2

Perc. 3



ht

ig

Eb Bass

op

yr

Bb Bass

Timp.

Perc. 1





© 2017 G Ricordi & Co (London) Ltd RICL 422

nl y

lo

Euph.

C

/F

B. Tbn.



2nd Tbn.

2nd Hn.

1st Tbn.

2nd Bar.

p

         

p

        

 

1st Hn.

1st Bar.

                 

or

Solo Hn.

    

p

ic

Flug.

   

R

Solo Cor. 1&2

        

by

Sop. Cor.

pe

96


21

  

       

Solo Cor. 3&4

Rep. Cor.

2nd Cor.

cresc.

 



 

2nd Tbn.

B. Tbn.

  

2nd Hn.



pe

      

    

p

 

  



 

Perc. 2

Perc. 3



 

ht

Euph.

ig

Eb Bass

op

yr

Bb Bass

Timp.

Perc. 1





nd

Lo or

ic

1st Tbn.

R

2nd Bar.

by

1st Bar.

on

di

1st Hn.

p

cresc.

/F

             

ru

           

Solo Hn.

© 2017 G Ricordi & Co (London) Ltd RICL 422

nl y

       

p



          

 

   

Flug.

               

3rd Cor.

C

p

           

       



or

Solo Cor. 1&2

lo

Sop. Cor.

(fib. mt.)

sa

101

mp


    106

Sop. Cor.

mp

open

Solo Cor. 3&4

Rep. Cor.

2nd Cor.

cresc.

cresc.

1st Tbn.

2nd Tbn.

B. Tbn.

op

C

Timp.

Perc. 1

Perc. 2

Perc. 3

       

mp

mp

 

  

                   

mp

mf

mf

                 

mp

pe or 

          

       

open

open

         

mf

mp

        

          mp

nd

mf

Lo



 

mf

/F

         

         

                 

mf

               



   

 



mp

        

  

   

cresc.

       

© 2017 G Ricordi & Co (London) Ltd RICL 422

 

  

yr

Bb Bass

mf

          

ig

Eb Bass

fib. st. mute

 

ht

Euph.

fib. st. mute

di

2nd Bar.

        

or

1st Bar.



        

mf

   

        

ic

2nd Hn.

mp

R

1st Hn.

by

Solo Hn.

 

            

ru

                          mp

Flug.

            

sa

mp

on

3rd Cor.

                      

lo

Solo Cor. 1&2

nl y

22

 





        


23

f

        cresc.

          

mf

f

cresc.



cresc.

   

 

B. Tbn.

         f

 



 

             

          

   

op

C

Timp.

Perc. 1

Perc. 2

Perc. 3

   











   

  

f



f

                             

f

  



f

© 2017 G Ricordi & Co (London) Ltd RICL 422

cresc.

                 cresc.

 

f

 

 

cresc.

         cresc.             

cresc.

  

 

           

                

cresc.

 

      

 

f

cresc.

f

 

cresc.

f

f



 



f

 

   

cresc.



yr

Bb Bass

f

                

ig

Eb Bass

f

         

cresc.



cresc.

          

cresc.

         

on

f

  



          

Lo

          

f

pe

           

or

f

  

/F

  

      

     

mf

ht

Euph.

nd

2nd Tbn.

di

 

or

1st Tbn.



cresc.

R

2nd Bar.



cresc.

by

1st Bar.

                              

1st Hn.

2nd Hn.



f

ic

Solo Hn.



cresc.

 

f

Flug.

                             

2nd Cor.

Rep. Cor.

3rd Cor.

Solo Cor. 3&4

f

  

sa

Solo Cor. 1&2

    

ru

Sop. Cor.

nl y

111

lo

  

 

 

cresc.







                cresc.


Solo Cor. 1&2

Solo Cor. 3&4

Rep. Cor.

2nd Cor.

1st Tbn.

op

C

Timp.

bells out                

      

  

     

ff

       

                   









       

      

  

      

      

   

                      

    



 



      

più f

    

 

                  

  

 

 

   

    

        

        

        

ff

      

 

        

  

      

    

                 

          

              

 

ff

   

ff

più f

                    

  

   

ff

 

 

pe

più f

       



 

      

 

   

  

      

   



            

Perc. 2

più f

più f

 

 

      

più f

or

         

/F



          

più f

nd

ff

on

   

bells out

ru

 

Perc. 1

Perc. 3

ff



 

            





         

yr

Bb Bass

 metal st. mutes          



                 

ig

Eb Bass

      

ff

ff

ht

Euph.

    

     

    

2nd Tbn.

B. Tbn.

      bellsout      

Lo

2nd Bar.



ff

di

1st Bar.



   



1st Hn.

2nd Hn.

       

or

Solo Hn.

ic

Flug.

 

R

3rd Cor.

by

Sop. Cor.

        

 

nl y

116

 

sa

   

I

lo

24

    ff     

 

ff

ff

   

 

 

 

 

           

        

            

ff

ff

© 2017 G Ricordi & Co (London) Ltd RICL 422

 


Solo Cor. 1&2

  



          

      

 

  

          

        

          

     



          

          

 

            

      

      

    

  

     

   

  

     

   

 

     

2nd Hn.

 

 

     

     

 

        

       

 

     

or

f

 

     

2nd Tbn.

B. Tbn.

  

op

Timp.

 

 

Perc. 1

Perc. 3

Lo

ic  

      mf

 

 

mf

 

 

 

  mf

 

   

 

       

     

 

           RICL 422

    

f

   

f

 

           f            f             f   f

          

© 2017 G Ricordi & Co (London) Ltd

 

    

f

 



      

          mf

  

  

tub. bells

Perc. 2

R      

ht

  

yr

Bb Bass

ig

Eb Bass

 

     

by

 

f

  

Euph.

           

 

1st Tbn.

f

     



2nd Bar.

                

     

f

f

/F

                

  

     

or

1st Bar.



  

on

1st Hn.

     

           

nd

Solo Hn.

   

  

di

Flug.

 open    

  

pe

3rd Cor.

mf subito

f

f

mf subito

f

           



2nd Cor.

nat.

        

bell out

bell out

nat.

C

mf

Rep. Cor.

         

Solo Cor. 3&4

 

nl y

nat.

 

lo

Sop. Cor.

  

 

sa

121

 

ru

  

 

25

   

 

              

f

            f   f

 

     f

 


f

 

         

            

          

   

1st Tbn.

2nd Tbn.

B. Tbn.

  

  

  

3

                              

  

                          

ig

Eb Bass

                      

C

op

yr

Bb Bass

Timp.



 

        

        

Perc. 2

Perc. 3





ff





ff

RICL 422

        

 

 

ff

  

     

 

ff



     

        

       

      

ff

 

   

ff

  

ff

               

p cresc.



glock.

ff

 

        

     

ff

 

Perc. 1

     

 

      

ff

ff

       

3

        

ff

             

                       

   

        

     

 

    

            

ff

      

                       

      

nd

   

         

            

           

Lo



ht

Euph.

3

di

2nd Bar.

  

 

or

1st Bar.

by

2nd Hn.

           

           

on

ff

/F

                          

1st Hn.

                

ff

ic

Solo Hn.

        

R

Flug.

            ff                         ff

                       

ff

        



             ff

     

            

                                  

2nd Cor.

3rd Cor.

                

      

nl y

Rep. Cor.

      

    

 

lo

            bell out

    

     ff      

or

Solo Cor. 3&4

    

 

sa

          bell out

                          

 

ru

126          Sop. Cor.                Solo Cor. 1&2 

 

pe

26

 

         

  

 


2nd Bar.

1st Tbn.

 

fff

      fff          

 

 

 

  

  

op

C

Timp.

 

 

Perc. 1

Perc. 2

Perc. 3

     

    

  

yr

Bb Bass

  

 

 

 

fff

fff

 

    

f



f

fff

f

  

fff

fff

fff

 

f

 

 

 

    

  

sfmf

 

 

mf

    



 

   



marimba

  f

RICL 422

   

 

f

 

   

f

f

f

     

     

nl y

    

f

 

lo

sa

      

  

 

 

 



 

f





f

 

 

   

 

fff

  

fff

 

     

          

 

    

  



 

   

fff

 



fff

ig

Eb Bass

f

     

ht

Euph.

 

         



 

f

nd

 

2nd Tbn.

B. Tbn.

f

 

Lo

1st Bar.



 

fff



     

di

2nd Hn.



or

    

f

         

  

1st Hn.

ic

Solo Hn.



nat.

fff

 

ru

                   fff

f

R

Flug.

  

f

pe



    

or

2nd Cor.

nat.

fff

Rep. Cor.

3rd Cor.

          

         fff               

J

nat.

fff

Solo Cor. 3&4

nat.

/F

Solo Cor. 1&2

by

Sop. Cor.

           fff               

 

on

   131

 

27

 

    

      


1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

 div. 





  



C

op

yr

Bb Bass

Timp.

Perc. 1



           

 

 

Perc. 3



   

  

fff

               

fff

 

     

fff

    

              

 



     

 

 

      

 

       

    

 

    

               

 

       

 

 

fff

 

       

 



fff

      



 

     

 

 fff  

fff

 

              



 

  

nl y

  

fff

 

 

                         

                   

fff

      

    

    

 

    

  

    

 

 

     

 

 

 

 

 

 

 

 

fff

               

       

fff

 

           

fff

RICL 422

 

      

 

fff

   

    

      

fff

ff

Perc. 2

 

 

fff

   

ig

Eb Bass

 



     

 

         

fff

      

  

         

 

 

fff

 



 

fff

 

 

      

 

      

    

 

 

f

  

fff

     

    

fff

       

lo

 

               

   

fff

      

sa

 

 

ru

     

 

      

   

ht

Euph.

 

 

            

on

Solo Hn.



     

nd

Flug.

   fff

Lo

3rd Cor.

di

2nd Cor.

             

      

or

Rep. Cor.

 

più f

ic

Solo Cor. 3&4

 

fff

R

Solo Cor. 1&2

                         

by

Sop. Cor.

 

pe

135

 

or

                

 

/F

28

 


    

1st Tbn.

B. Tbn.

  

   

C

op

yr

Bb Bass

Timp.

  

Perc. 1

Perc. 2

Perc. 3

 



       



 

       



 



       



           

 

     

  

   

 

lo

    

    

   

   

 

       





    

  

 

 

    

 



 

 

 

  

  

 

   



       

 



 

 

   

    

    



    



 

    

 



    

 

   



           

 

 

 

 

       

            

toms



          

   

       

       



     

 

    

       

       

© 2017 G Ricordi & Co (London) Ltd RICL 422



     

nl y

       

            

ig

Eb Bass

       

   

       

ht

Euph.

 





by

       

2nd Tbn.

Lo

 

       

    



   

di

2nd Bar.

 

 



ic

1st Bar.



or

       

       

       

      

   

sa



1st Hn.

2nd Hn.

      



ru

2nd Cor.

Solo Hn.

          

pe

Rep. Cor.

Flug.

         

or

Solo Cor. 3&4

3rd Cor.

         

       

/F

Solo Cor. 1&2

     

R

Sop. Cor.

       

 

on

139

 

nd

  

 

29

                     

       


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