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Rolf Hind
The Horse Sacrifice for six players
Order Number: RICL 104
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Published by G. Ricordi & Co (London) Limited.
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Unauthorised reproduction of any part of this publication by any means including photocopying is an infringement of copyright.
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Edited and typeset by Derrick Coonghe and Peter Readman
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I II III IV
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Movement Movement Movement Movement
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Excerpt from KA by Robert Calasso Instrumentation Performance notes Layout
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Contents
ii
The Horse Sacrifice for Six Players
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When the sun rose, and sun was the horse, they were ready to greet it with twenty-one formulas. . .Each homage was a phrase, a musical articulation. Behind every composition lies the sequence of these formulas. . .
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The Narrative wandered around like the horse. The secret thought of the narrative is the horse. The secret thought of the horse is the narrative. And what did the pariplava recount, every ten days of the horse's absence? “This cyclical legend recounts all realms, all regions, all the Vedas, all the gods, every being. . .”
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There is a horse's head rolling along the surface of the sky: it is the sun.
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There is a horse's head rolling across the earth: it is the receptacle of sweetness.
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There is a man's head rolling across the earth: it is the person who hasn't evolved the enigma of the horse's severed head.
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Like everything, the asvamedha, which is everything, began and ended with water. There was a bath at the beginning. There was a bath at the end. After the final bath “those who do good and those who do evil return to their village together hand in hand.”
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taken from KA, by Roberto Calasso
The Horse Sacrifice was commissioned by the Brighton Festival for performance by the New Music Players
iii
Instrumentation Bass Flute / Piccolo / Treble Recorder / Triangle / Water Gong E flat Clarinet / B flat Clarinet / Bass Clarinet / Treble Recorder / Triangle / Water Gong Violin / Triangle
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Violoncello
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Piano / Ratchet / Triangle
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Percussion: tubular bells marimba water gong on G below middle C three different wood blocks anvil whip suspended metal plate log drum three different motor horns bicycle bell triangle two different small stones police whistle bass drum smashing glass (either sampled on a drum pad or a sampler or use a biscuit tin filled with broken glass, sealed and hung in a string bag.)
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Notation of Piano Part depress silently engage third pedal lift third pedal
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strum strings; notes indicated resonate
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strike string with thumbnail
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strike string at harmonic with fingernail
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inclusive cluster: black and white keys
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harmonics: in 1st movement at third partial; elsewhere at ninth (these harmonics are just in front of the dampers)
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SLAP - use left hand to slap under the piano for maximum resonance from the notes held in the middle pedal
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Slam - upwards, against the instrument, for better control Lid
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The following strings are prepared with Blu-tac at the near end throughout the piece:
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in bar 627 remove the Blu-tac from G above middle C
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an E-bow is used for the final pages
Other notes
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In the second movement, some players hum. This should be very subtle and quiet and with the mouth closed.
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Players who walk (clarinet, flute, violin) should not hurry, pose or clatter
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Layout In the first movement, the instruments that play in unison should be paired up, even, if possible, playing from the same part. The percussion layout should allow the paired instruments to be as close together as possible (eg. wood blocks and E flat clarinet, marimba and bass flute).
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The ‘cello, piano and percussion do not move in the piece.
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Position Two
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Position Three
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For the final movement, clarinet and flute go slowly to the water gong which they play until the end. One strikes, one lowers. . .
1 to Ray
The Horse Sacrifice (2001) Rolf Hind
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9 The Horse Sacrifice
Pno.
6
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The Horse Sacrifice
2
2
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6
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11 The Horse Sacrifice
5. 1 8
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12 The Horse Sacrifice
#
8
& 60
Pno.
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6
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depress notes silently
H
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60
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poco f
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13
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6
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Whip
walk to Position 3 and take Bass Clarinet
rig
Bb Cl.
ly
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al
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on
Tempo II˚ q = 132
155
Picc.
The Horse Sacrifice
. EEEE
F ..0 .00
'
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8
8
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6
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6 , , $ III˚ until bar 219
walk slowly to Position 3
6
72 p
6
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# $
'
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# $
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# $
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# $
2
. 1 ff
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14 The Horse Sacrifice
I
2 Sm. Stones
.0 1
60
6
9 5B
8
#
8
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9 ./
8
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* 9 5B
8 9 5B
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6
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6
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6
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6
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f
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* see performance notes
175
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Pno.
6
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170
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8
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rig
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8
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2 Sm. Stones
9 .0 6
8
n
B. Cl.
9 .0 8
ru s
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do
Picc.
pe
tempo primo q = 140
164
6
9 .0
8
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/. 1
'
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8
15 The Horse Sacrifice
J
#
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# $
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60 9 8 6 5B
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rig
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Pno.
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6
8 -.9 8 .9
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9 8 -. . . 8 /. 6 1
6
60
60
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60
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6
16 The Horse Sacrifice
K
Pno.
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6
re
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rv ed
9 .0 8
195
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17 The Horse Sacrifice
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18 The Horse Sacrifice
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< "
" 720 " 7 20
7 20
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sub.ppp
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'
7I
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simile
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5
7. 7 .
@.
" " " "
7 20
J !<
sub. ppp RICL 104
'
E EEEEE < EE ! .I
E EEEE . -.
mp
< ! :
'
7 20
" "
20 p
R
trem.
Vc.
6
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n
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ht
.
rig
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con sord. Ton-wolf gliss. sempre
ord.
Vc.
EEEEE . mp 5
s
p ma marcato
Vln.
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se
'
re
Pno.
rv ed
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or
pe
sffzpp
< !
'
ly
< "
'
on
*" "
al
#
Piano
ru s
291
< !
1 . gliss. 7 I0
pp
:
8 .9 20 pppp
very slow gliss.
27 The Horse Sacrifice
p
Vln.
7, 0
* :
"
.
7 20
7 20
+&, ! & I0 * :
7,
7, 0
'
< "
'
# "
'
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20 ''
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'
< "
'
# "
'
< !
" "
'
< "
'
# "
" "
'
< 6 ", , $ III˚
più f
20
" "
I0 ord.
7 20
.
20
on
+
p
ly
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7 ,0
sul pont.
ppp
< !
' trem.
+
.
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gliss.
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I
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cresc.
20
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6
+
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'
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7I
.
ppp
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rig
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B. D.
" 50 * " -2
'
se
W. Gong
'
re
B. Cl.
ru s
306
pe
! "& *
n
S
do
!* < " * ! -I 311
* < .. 6 : ! .5 p ma marcato +&,
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op y C Vln.
Vc.
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3
3
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7, ,
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6
$ III˚
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6
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mp
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'
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:
'
rig
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di Lo n
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3
ic or
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p
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W. Gong
-. . . . . .
y
B. Cl.
. -. -. 3
*
< 20 "
" -I "
Hum *
pppp
" 7. 6 " EE 5 EEE . mp 5
:
$ III˚
" "
< " 7 ,, ,
6
$ III˚
*see performance notes
" "
S
I0
*< " !-I p
" "
I0 3
col legno 3
< "
I
sempre senza espressione
- . - . .0 . . . - . - .0 .
:
RICL 104
3
9 @ . - . @.
" " .
6
:
< "
" "
20 '
" "
28 The Horse Sacrifice
315
B. Fl.
B. Cl.
< !7I
'
p
< I !
2
*" " * " -2
7.
.
-.
< " 7 20
" " 20
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- 20
.
< !
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'
:
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:
5
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rv ed
EEEE 6 < ! .5 EEE
mp
/. *" 1 8 6 "
/A ll
< ! .5 7. 9 8 ' EEEEEEE5 . EEEEEE 5 mf
-2
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< !
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< 2 7. .EE ! . . EEEEEEEEE
ppp: enter imperceptibly
< "
'
3
R
sfz
y
+&,
:
ic or
sfz
< " 6
n
< I0 !
C
op y
rig
ht b
Pno.
(hum)
do
-2 0
*" 6 "
di Lo n
#
rig
ht
s
re
se
W. Gong
! " ) ""
/F
or
pe
ru s
al
on
p
.
ly
! " &"
Vln.
! " &"
I ' 2'
trem. sul pont.
Vc.
*" " "
< ! ' 2'
ord.
gliss.
remove mute
I0
< ! -I
< "
20
sempre ppp
.
mp
RICL 104
1.
< " -2 0
" "
< !
-I
" 20 "
-.
< !
29 The Horse Sacrifice
319
B. Fl.
*< "* !
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'
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'
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.
-.
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< ! -I
.
.
< " 20
< I !
pp
*
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pp
8
5. EEEEEEEE 8
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:
p
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se
"6 "
'
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:
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< "
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2
'
n 20
Pno.
di Lo n
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'
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$ III˚
ht b
rig op y C Vln.
Vc.
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T
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RICL 104
< !
I
.
-.
7I
.
.
ppp
< !
mf soloistico
< "
< "
-2
'
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'
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do
#
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rig
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s
W. Gong
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re
Hum
or
pe
ru s
al
on
B. Cl.
" "
ly
! < & ! I0
/F
T
20 7 20
30 The Horse Sacrifice
323
B. Fl.
3
# $
3
pp
"& *
9 .
72
ppp
" . . . 3 " . 7. . . 7.0 .
# 8 $
3
'
Hum
'
pp
Hum
2
8
2
ppp: enter imperceptibly
" "
'
" "
# $
'
# 60 $
.
or
.
/F
0 # . $
.
6
.5
'
p
8 6 6
8
9 .5 8
Bass Drum through felt
'
'
pppp
n do
#
/A ll
rig
ht
s
")
'
6
rv ed
)
Met. Pl.
B. D.
" . "
se
!* 20
re
Hum
pe
ru s
al
on
B. Cl.
" . . . . . . . .0 . "
'
ly
! &
* 20
di Lo n
6
6
@.
# .0 $
.
'
keyb'd
ic or
" 6 " $ III˚
keyb'd
7,, ,,
7/. . # 1 8 8 6 2 . EE.EEEE.EEEEE $ E E . EEEEE 3
$III˚
60
f
loco
3
7. 2 . . E.EEEEEE & .5 EEEEEEEEEEEE assai libero &%
C
op y
rig
ht b
+&,
8 7. . 20 7. . . EEEEEEEEEEEEEEEEE mf EEEEEE 3
R
* 6
/.
y
Pno.
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(hum)
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'
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3
. - . . . . . . .0 .0
gl.
7 . . . . . . . .0 .0
gl.
p
Vc.
"
*
F
pizz.
3
'
" "
3
mf recitando
3
RICL 104
. .
# 60 $
.
mp
# $
'
3
F .F 9 -. ..
8 6
'
31 The Horse Sacrifice
! & 2 327
6
'
.0
pp
"& 8 *
2
9 .
2
ppp
.
9 .
2
8
6
8
8
'
6
'
7. 1
2
. 1
or
'
/F
Hum
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pe
ru s
al
on
B. Cl.
8
ly
B. Fl.
ppp
p
.5 1
8
60
'
ppp
rv ed
60
'
se
")
6
8
.5 1
5.
6
8
8
'
Pno.
8
/A ll
2
n
'
do
*
2
. 1
2
8
ppp
& 7.9 8 /
8
*
ic or
$III˚
6
di Lo n
#
rig
ht
s
B. D.
5.
'
re
)
Met. Pl.
$ III˚ &%
8
3
. 9 2 .EEE.EEEE.EEEEEEE & -. / .5 EEEEEEEE
8
8
6
6
8
assai libero
*
. 1 . EEEEEEEE E E E E E .E &% 3.7. 3
rig
ht b
y
R
loco
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C
op y
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Vln.
ppp: enter imperceptibly 3
& 60
Vc.
"
9 .
* 6
8 8 & .0
. F .F 9 -. ..
gliss.
f molto intenso
9 .
6 8
9 .
2 F
60
6
. 6
9 . 7722
. . . . 7. . . 7.0 72 RICL 104
3
F .F 9 -. . 7. . . 1
gliss.
9 .
2
9 7. 8 .
8
6
8
8
9 .
32 The Horse Sacrifice
! &
Play
331
'
6
2 '
.0 '
sfz
"& 6 *
.0
.0
pp
.
poco cresc.
8
.
/. . /. . /. . ! "
Play
60
6
! "
8
6
p
9 .5 8
0 ") 6
mf
pp
'
ppp
'
5 .
mp
! "
6
8
or
8
/F
'
59 .
60
6
8
'
! "
'
! "
ht
s
re
se
B. D.
)
5 .
rv ed
Met. Pl.
!
pe
ru s
al
on
B. Cl.
'
ly
B. Fl.
frullato trem.
rig
#
8
6
60
'
3 7. 3
. -/. . 1 & 1
2. . mute with hand &% .
8
K .9 K 8
ord.
60
*
.
3 7.
3
.
..
. 1
! "
ht b
y
R
ic or
8
di Lo n
- /. * 1
.
n
pp
EE
Pno.
.0
do
* 6
/A ll
@ .0
(hum)
rig
! &
op y C
6
'
(hum)
-. 0
8
2
pp
'
! "
'
! "
Vln.
F
& 60
Vc.
7.0 "& . 0
F . 9 -. -. . 7.
sempre non arpeggiato 3
. gliss.
. . 1
8
+ 9 . 77..00
8
'
6 /. -. 1
2 2
gliss. gliss.
/ 7.9 7. .. . .. . .. . .. /. 7 . 7. . . . . 6
RICL 104
6
. . 1
gliss. gliss.
! "
33 The Horse Sacrifice
U
7
f
! "& " *
'
p
'
f
'
. . . . .
'
5
on
f
6
p
" ) "!
6
.5
'
mp
K .90 5
/F
6
'
'
p
rv ed
K .90 5
'
6
.5
mp
/A ll p
loco * ! /5. "1
6
ic or
8
6
'
8
6
'
p
6
K
.4 f &%
.
..
7.
.
. 1
8
6
6
K
f
y
R
f
do
8
C
op y
rig
ht b
Pno.
. 1
n
. *! 1 " Play
di Lo n
#
rig
ht
s
re
Log Dr.
!) ! 6 "
se
Met. Pl.
or
pe
ru s
al
B. Cl.
2 '
'
ly
B. Fl.
335 ! ! /. 7. /. . /. . . 6 &"
Vln.
U
! !6 &"
9 .. K . 7 .. 7.
8
arco poco col legno gettato
'9 .0'
K
6
K
mf
leggiero, poco flautando
Vc.
! "& " 8
gliss. gliss.
. 3
gliss.
p subito, sospirando
+ 9 .
8
-. ''1
8
6
2
pizz. 5
.0 7 .. .
3
cantabile, poco flautando RICL 104
9 . .. .
8
6
-2 3
5
..004. f &%
..
7.
.
34 The Horse Sacrifice
V q = 90 - 96
B. Fl.
'
p
f
.0
5.
-. 1
marcato
5 . 7. 1
7.
7. 1
.
"& *
f molto cantabile, quasi sax
!)
'
'
'
")
'
'
'
3
.
'
K
'
6
.5
on
3
5
/F rv ed
9 8 /.
6
mf
' .'
6
p
'
mf
/A ll n
5. 5 . -5. &
do
6
6
75.
3
mf
7.5
.5
mf
8
6
9 .5
8
6
8
6
'
f
'
'
/5. 1
loco
6
.. &%
3 3 7.
.
..
. 1
y
R
-. * . 1
75.
C
op y
rig
ht b
Pno.
8
di Lo n
. * 1
ic or
#
rig
ht
s
re
Log Dr.
'
se
Whist.
or
pe
ru s
al
B. Cl.
. 7. . . . . . .
'
e=e
ly
! 2 & ' 339
Vln.
V q = 90 - 96
! & 6
9 . 8 .. . 7 .. /. 5
80
8
piĂš f
Vc.
"&
72 3
7.
.
arco poco col legno gettato
e=e
72 3
CL C C3 C C C3 C . . - . 7. 7 . . @ . f ruvido
arco sul G
2
8
8
8 3
. 3
pizz.
9 . .0 glis
s.
5
+ 9 .
sub.p leggiero, poco flautando RICL 104
7 ..
9 .. 8 7.
'9 .0'
-. ''1
6
saltando
8
meno p
8
K
35 The Horse Sacrifice
! 2 &'
poco a poco accelerando
"& *
5. 5. 5. 5. 5.
'
5
take Piccolo
- 5.0
5.0 K 1
@ 5.
.0
. .0
'
% $
' @5.
-. 0
take Eb Clarinet
.
.0
-. 0
piĂš sforzato
% $
' .'
6
' .'
6
'
p
9 /.
'
8
/F
6
8
'
% $
'
'
% $
'
% $
6
rv ed
")
9 /.
'
* 5. 1
6
'
di Lo n
6
do
n
/A ll
#
9 & -.. 8 5 f
6
6
'
. 1
6
'
mp
3
.. 4. &%
..
7.
. 1
8
3
6
.. 4. &%
f
..
7.
. 1
% $
.
% $
y
R
ic or
8
9 -... 8
C
op y
rig
ht b
Pno.
rig
ht
s
re
Log Dr.
!)
se
Whist.
or
pe
ru s
al
B. Cl.
2 '
'
on
B. Fl.
ly
344
Vln.
Vc.
! 6 &
"&
. 9 --.. . 7 .. 1
pizz.
52
3
. 3
mf e cresc.
.
8
6
-2
. 9 --.. . 7 .. 1
6
3
752 3
3
RICL 104
/. 8 8 1 arco
poco a poco accelerando
7.
.
8
3
.
/ . -. 7. 7. / . 3
ff
9 .
3
.0 ff
% $
36 The Horse Sacrifice
III
. -. . . % &$ . .
.
. &%
3 7.
.
..
. -. . . .
. 7. . -. . .
5. .
. 1
60
q = q.
pizz.
q. = 96 - 100
% 69 8 8 60 & " $ .
8 60
60
.
.
-.
pizz.
9 7.. 7 .. 7.
3 7.
. &%
.
..
8 60
. 1
- 5. 1 60
. .
mp
f
6
'
'
rig
'
/A ll
ff disperato
. -.
7.. 7. p
ht
'
-. -. . .
((((((
.
. 9 -.. 7 ..
se
W
'
mf
rv ed
mf
ff disperato mp
Violoncello
8 60
ly
'
/F
60
pochetino ped.
! % 69 &$ . 8 8
Violin
.
. . .
p sereno molto legato
- ... * % .. 8 8 60 $ 1
Piano
. -.
'
on
&5
'
'
re
#
.0
9 8 8 60 /.
'
al
0 " ) %$ 6
Whistle
9 8 8 60 /.
ru s
'
s
Triangle
q. = 96 - 100
pe
!) % $ 349
q = q.
or
W
n
#
di Lo n
do
+&, . -. @. . -. . . . . . . . -. . . . . . . . 7. . -. . . . . . . -. -. & . . . . .
354
ic or
'
R y
! "&
' '
'
' 79 . 8 8 60
8 8 , $ IIIË&#x161; sempre al fine ,
'
' piĂš ped.
'
'
'
fff
rig
Vc.
*
ht b
Pno.
C
op y
#
360
+&,
& .
Pno.
*
X
-.
-. -.
. - . @ . -. . . . . -. . . . . . . . . -. . . -. . . . . -. . . . . . . - .0
.0
(stress the muted notes a little*)
'
'
'
5.0 pp
RICL 104
- 5.0
.0
.0
#
37
+&, . . 7. . -. . &
The Horse Sacrifice
366
Pno.
- .0
-.
-.
.
.
.0
- 5.0
.0
. -. . .
-.
.
.
- .0
- . @ . -.
.
-.
. -. .0
- .0
5.0
.
.
.
5.0
.
on
ly
*
5.0
.
-.
#
ru s
al
+&, . . . . . . -. . . -. . -. . . . . . 7. -. . . . -. -. -. -. @. -. . 7. . . & . . . .
! "&
'
'
- .0
or
.0
.0
- 5.0
5.0
'
'
con sord. arco trem.
60
-. 20 ''1 '' +
6
s rig
+&,
- 5.0
''9 -. . ''
.0 ''
. -.
.
/A ll .
.0
. ''
.0
.50
- .0
. .0 '1 '
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-. 0 ''
. .0
-.
-.
-.
.
- 5.0
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2 ''
. . -. . . .0
- .0
' .0'
' .'
-.
.
. '1
ht b
y
R
ic or
' 20'
. . -. . . . . 7. . -. .
n
. . .
di Lo n
Y
poco p
#
.
.0
- .0
* 5.0
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.
. . -.
do
-. . .
& .
Vln.
- .0
ht
#
Y
377
Pno.
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/F
.0
7 .0
re
Vln.
5.0
- .0
rv ed
*
.0
se
Pno.
pe
371
+&,
rig op y C
Pno.
Vln.
383
& . * 5.0
! "&
20 ''
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-.
.
.0 20 ''
.
5.0
.
.
. .0
. . . . . -. -. . . . . . 7. -. . . -. . . -. . . .
dim. poco a poco (R.H. only)
. ''1 -. '
- .0
5.0
7 .0
.0
- 5.0
.0
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'9 ' .' .0'
' .0'
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RICL 104
.0
. '1
. ''
.
& .
Pno.
- .0
* 5.0
! "&
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-. -. -. -. @. -. . 7. . 7. . -. . . -. 0
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pp
- 5.0
- .0
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-. 20 '1 '
. . -. . . 7. -. @. @. -. . 8 7. 8 -. . @. 7. 5.0
- .0
.0
'9 -. .' '
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- 5.0
.0
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2 ''
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* 5.0 Z
- .0
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ht b
y
molto distinto
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#
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op y C
Pno.
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Vln.
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se
7. . .1 8 8 -.1 8 8
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s
re
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60 60
/ -. 0
5.0
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'
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2
/ .0 /. /. 1 1 8 8
6
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20 ''
-. 20 '1 '
/ 9 8 .1 8 . /
rig
Eb Cl.
8 -.1 8 .1 -. -. 8
di Lo n
2 ''
. .
ht
- .0
7.
rig
.
'
'
/A ll
. . -.
ic or
Picc.
'
ff subito violento, quasi del primo pezzo
R
Vln.
'
or
+&,
! "&
5.
5.
"& 6
#
'
ff subito violento, quasi del primo pezzo
& .
Pno.
'
n
Eb Cl.
'
do
Picc.
5.
5.
395
/F
! 6 &
rv ed
Z
pe
ru s
Vln.
. -.
ly
+&,
on
#
389
The Horse Sacrifice
al
38
/ -.
5.0
.0 ''
20 .0
molto distinto
. . . . 7. . 1 8 8 1 8 1 1 8 8 -. @. .9 8 8 1 8 8 .0
- .0
.0 ''
. '' RICL 104
5.0
. '1
20 ''
.0
.0 ' 20'
7 5.0
. .0 ''1 ''
. ''
. 7/. 8 8 1
- .0
.0
/ -.
6
8 60 52
-. . 9 -. 8 8 . .0
-. 0
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.0 ''
39 The Horse Sacrifice
*
'9 -.'
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' .0'
' .0'
5.0
.0
-. 0 '
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.0
ly
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. ' '1 .'
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20 '
rig
ht
s
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se
rv ed
Vln.
5.0
. 8 8 1
.
6
on
+&, . 9 . -. . 8 . 8 8 & 1 8 -. 1 8 8 1
60
/ -. 1 8 8
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.
/. 1
al
#
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ru s
Pno.
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- . /5 -. 8 /5. 8 8 1
.0
pe
Eb Cl.
520
20
or
Picc.
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.0
407
/F
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n
3 '20 $'
60
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#
/. 8 ''
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8 8
fff
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60
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3. $'
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8
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3 $
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di Lo n
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AA
AA
% '' $ 20
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% 69 8 8 8 69 8 $. / /.
'9 -. .' '
pizz.
'
ff
RICL 104
6
.0 '
69 ./ 60
. '
. .0 '1 '
69 ./ 8 8 60
40 The Horse Sacrifice
5.0
- .0
! '.0 &
-. 0 '
*
Vln.
"&
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- 5.0
.0 2 '
69 ./ 8 8 60
'
.
.
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.
.
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5.0 . '1
20 '
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on
ly
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ru s
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8 7. 5
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/. 1
69 ./ 8 8 60
.
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20 '
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5.0
.
.
6
69 69 ./ 8 /. 8
60
5 8 -.0 8 1
. ''
8 60
!* "
#
+9,
. /5
-. -. . . . & 8
C
op y
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60
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7.
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6
- 5. 5. 1 1 8 8
'
rig
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60
7 5. 1 8 8
di Lo n
8
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R
Eb Cl.
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/A ll
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8 8
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60
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Pno.
2 ''
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or
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52
rv ed
Mar.
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8 8
20
60
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60
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60 . . 8 . .0
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arco
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6
ff RICL 104
. .
.
/52
6 .
. -.
-. ''1 -. -.
.0
R.H. sempre dim. al niente
5.0 .0 ' .C
. ' 8 60
-. '1
41 The Horse Sacrifice
Vln.
-. . 7. . . .
- 5.0
0 "& 6
' 20'
7 .C 1
6
.
5.0
.0
- 5.0
. ''
. .0 ''1 ''
7 .C 8 1 8 6
.C 1
'9 .
.0 ''
-. ''
7.
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60
'
ly
. -. -. . @. 7.
5.0
on
60
- .0
. 5. 1
- .0 '
8 8
e più a più leggiero
- .0
.0
20 ''
2 ''
5. 1
. -. . . @. -. . 8 7.
8
.0
-. 0 .0 ''
.0 ''
. 7 .C gliss .C gliss. 1 8 8 8 1 8 :
7 .D . . 7 . . 5
ffff appassionato
rig
ht
s
Vc.
! &
. ''
:
. 8 8 60 1
al
8
5. 1
ru s
#
. '
* -. 0
5. 1 6
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f honking
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Pno.
mf
520
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-5.
6
rv ed
Mar.
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8 8
se
Eb Cl.
2
5.
6
re
Picc.
or
428
/F
! & -.5 -.5 8 60
BB
+9,
Vc.
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8 60
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C .D 7 .
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8 7. . 60 5 5
60
mf
6
9 .5 .
mf
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% 60 $
6
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60
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di Lo n
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#
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ff
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5. 8 1 8 60
ic or
Mar.
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R
Eb Cl.
7.5 1
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y
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20 '
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- .0
@ . . - .0 7:9
RICL 104
gliss.
ppp
% .0 $ % '.1 7'. $
- .0
% $
5.0
.0 ' '
- .0
.0
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6
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75.C 1
42 The Horse Sacrifice
Vln.
9 9 -. . 9 -. 8 & 8 7. 8 . . -. 8 @. .50 - .0 - 5.0 0 . *
! '.0 &
-. 0 ''
C 8 7.9 8 60 & " 5
.0 '' 60
8
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5.0
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8
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/. 7.
60
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ly
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6
on
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al
60
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8
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pppp
.0
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pe
#
+9,
mp dim.
.0
'
'
7 5.0
or
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.
'
'
mp
' 20'
. . -. -. -. .9 8 8 60 9 8 8 .
.
9 8 -. 8 8
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arco
9 . 8 8 6
pizz.
5:6
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di Lo n
do
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rig
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60
take Recorder
take Recorder
/F
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8
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'
rv ed
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rig
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7:6
RICL 104
;! $ ;! $
43 The Horse Sacrifice
CC
Pno.
Vln.
.0
- .0
.0
5.0
! ;! '20 &$ '
;! "& $
% $
8 -'. '.0 ' '
.
% $
7:12
/ B 8 8 ;! $ 60 1
;! -5.0 $ CC
. .0 '1 '
20
- .0
-. 0 ''
60 .0
gliss.
6
8 B 8 60 1 -. 0
6
;! 60 $
- 5.0
@.0
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;! 60 $
- 5.0
ly
60
. .0 '1 ''
on
Triangle
-. 0
. ;! ''1 8 8 60 $
al
'
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%6 $
7. . - .0
60
% $
20
ru s
% $
'
8 60
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B 1
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8 6
mf
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Vc.
8
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8
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B 8 8 60 1
* % .0 $
7 .0
5.0
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60
6
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& %$
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Pno.
20
'
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% 20 "& $ !* % " $
7.0
60
R
Tr. Rec.
7.0
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Tr. Rec.
n
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60
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saltando
8 B 8 60 1
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7.0
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60
6
B 60 1
60
B 8 8 1
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6
mf
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8
4:3
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RICL 104
9 9 9 60 .5 . 7 .5 .5 / / / 4:3
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60
7 .0
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60
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% $
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7 .0 !* ;! '' " $
% $
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20
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;! "& $
'
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Tr. Rec.
% $
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Tr. Rec.
re
'
448
s
! ;! &$
8 60
60 -. 0
take Triangle stick
8 B 8 1
- 5.0
' '
44 The Horse Sacrifice
! 60 & 458
"&
20
20
.0
20
20
;! 720 $
60
.0
;! 60 $
.0
.5 8 8 % $ 1
20
% $
60
- .0 ''
;! :0 $
6
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% $
60
6
B 60 1
% $
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5 -. 0 8
/F
. ''1 8 8 60
rv ed
8 -''.
ht rig /A ll
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7 .0
B 8 8 60 1
;! 8 $
- .50
7 .0
n
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B 1
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do
6
;! $
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8
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-. 15
60
% $
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di Lo n
#
& 60
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y
R
Pno.
s
re
se
Mar.
!* 60 "
or
pe
ru s
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on
Tr. Rec.
7.0
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Tr. Rec.
op y
rig
play triangle ! 60ossia conductor 8 B 8 & 1
'
60
B 8 8 1
;! 60 $
60
6
B 60 1
% $
'
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60
;! 8 -'. $ '
60
60
60
% $
/ 60 -. . -. - . 9 . . /5
% $
C
Vln.
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mf
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arco
7. 7. &
.+
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7 .0
pĂŹu a pĂŹu vib.
20
;! $
f magico
. -. furioso
RICL 104
. -. /. @. 7. 12:16
45 The Horse Sacrifice
! % &$ 462
Tr. Rec.
720
20
60
'
7.0
.0
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20
. 7.
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20 take Triangle Stick
più f
% 20 "& $
7.0
'
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.0
20
60
2:3
più f
*% $
'
'
. '1 8 8
.0 ''
'
'
B 8 8 60 1
'
60
8 B 8 60 1
B 60 1
6
6
9 -.5 20
'
f
60
'
60
'
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Pno.
*% $
60
60
8
ic or
'
7 .0
n
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do
& %$ 60
di Lo n
#
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rig
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s
"
-. 8 '
B 1
or
'
6
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'
60
rv ed
'
& %$
Tub. B.
Mar.
B 8 8 1
se
! ) % 60 $
re
Tri.
pe
ru s
al
on
ly
Tr. Rec.
'
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-.
5.0
B 8 8 60 1 - 5.0 .0
' .0
60 .0
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60
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60
B 8 8 1 - .0
rig
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y
R
sfz
C
op y
! % &$
Vln.
& %$ 60
'
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60
' .0'
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720
mp
mf
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% "& $
' 60
'
6 -'. '. '1 ' gliss.
RICL 104
8 60
' ,0 .0
60
' 60
mf
8 -'. '
60
' 6 -.'
8 B 8 1 8 8
mp
7.0
'
6 7.9 7.
.
8
mf espressivissimo
46 The Horse Sacrifice
DD
Tr. Rec.
469 ! 20 &
'
&
'
"&
'
60
'
Triangle
B 8 8 1
3 $ 20
720
'
3 $
'
% $
.0
% $
'
60
.0
3 20 $
.0
% $
. ' * '1 8 8 60
"
Pno.
#
-.50
.0
f
'
6
B 1
60
3 B 8 8 60 $1
60
% $
9 -. .0 5
3 .0 $
60
60
% $
'
3 60 $
60
8
'
/F
60
6
'
/. '
% $
B 8 8 1
f e dim.
B 8 8 B 8 8 1 1
do
& 60
n
/A ll
rig
ht
Mar.
8 B 8 1
rv ed
60
'
&
Tub. B.
60
se
B 8 8 1
re
60
)
s
!
di Lo n
Tri.
or
pe
ru s
al
'
on
'
ly
Tr. Rec.
al
- 5..0 5. -5.0 1 8 1
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B 8 8 B 8 8 1 1 5.0 60
B 8 8 3$ 1
60 7 .0
p
.0
3 $
% $
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60
8
/, .
% $
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y
R
f
DD
C
op y
rig
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Vln.
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'
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60
8
.,
mf
Vc.
60 "&
0 -.5 gl. .5 gl. -.5 gl. .5 gl. 6 / / / /
pizz.
2:3
fff barbaro
2
6
' 8 8 -'. '1
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B 60 1
3 :0 $
8 B 8 %$ 1
'
3 ,0 $ 20
60
mp
f
% $
+ + . 5. 5. 9 /5. . 3 . -. . . 7 . @ . . . % 8 . 8 5. -5. .5 . -. $ . $ 7. . . arco
smanioso
RICL 104
7:6
14:9
47 The Horse Sacrifice
! % & $ 20
20
% "& $ 2 0
20
474
Tr. Rec.
;! :0 $
' '
20
20
20
20
% $
20
:0
% $
mp
;! 20 $
20
;! 6 B 60 $ 1
60
;! $
'
60
'
'
.50
' - . .0 '' 6 1'
'
'
'
B 8 8 60 1
;! :0 $
B 8 8 60 8 B 8 60 1 1
6
:0
B %$ 1
% $
-250
. '' 0 8 6
'
% $
B 8 8 60 1 5.0 0 .
% $
'
% $
n
/A ll
rig 60
7 .0
60
5.0
60
;! .0 $
B 8 8 60 1 5.0
.0
.0
:0 - 5.0
60
% $
ic or
60
5.0
;! :0 $
ht b
y
*% $
- 5.0
B 60 1
6
R
Pno.
B 8 8 1
do
& %$ 60
di Lo n
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s
re
. ' *% 1 0 " $ 8 8 6
8 B 8 60 1
pe
B 8 8 60 1
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B 1
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% &$
Tub. B.
Mar.
6
rv ed
! ) % 60 $
se
Tri.
ru s
al
on
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Tr. Rec.
'
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rig
! % &$
C
Vln.
Vc.
% & $ 60
60
' 6
''9 .
mf
B88 1 '
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. -. @/. . * . -. % . 7.- . /. .-. . 7. 8 60 "& $ . /5 4
' 8
;! :0 $ '9 8 ;! $ 6 .' 60
' 2' mf
B 8 8 60 1 60
.0 ,.00 f
'
5 7. .0 7 . = ;! 5 5 -. @5 $ . -. . . ff
ffff
RICL 104
7:9
.0 . ,.00 8 .,
.0 .,00
8
mf
5. 5@ 5. 5. 5.0 5 5 . @. 6 0 6 -. 3:2
ff ecstatico
8 -'. %$ '1
3:2
% $
48 The Horse Sacrifice
Tr. Rec.
.0
60
'
20
720
.0
;! $
60
20
20
3 $
crescendo possibile
% 720 "& $
.0
.0
20
60
20
;! $
20
20
3 $
crescendo possibile
.0
take Triangle
ff
20
.0
take Triangle
ff
* % 60 6 -'. '.0 '1 ' " $
60 B 8 8 ;! 60 $ 1
60
. 8 60
60 . 0 5
'
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8. 5
60
'
8 B 8 60 1
6
B 3$ :0 1
B 88 1
5 8 8 -. . 0 1
3 . 8 60 $
;! $
'
3 $
'
;! B 8 8 60 $ 1
60
- .50 .0
5.0
;! :0 $
60 '
n - .50
.0
7.0
-5.0
60
B88 1 .0
60
;! 60 $
60
B 8 8 3$ :0 1
3 $
60
- .50
B 88 1 60
.0
C
op y
rig
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R
* % 7.0 60 $
B 8 8 60 1
'
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Pno.
do
& %$ 60 B1 8 8
di Lo n
#
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rig
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s
Mar.
'
6 B 60 1
or
'
8 B 8 60 1
/F
& %$
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B 8 8 60 1
rv ed
'
se
! % ) $
re
Tri.
pe
ru s
al
on
Tr. Rec.
.0
20
ly
! % &$ 480
Vln.
Vc.
! % .0 0 &$ ' 6
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=% " $
80 *
'
60
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9 8 . .88 6 , 2 ., .,
;! 60 $
f
9 80 60 7/.0 /.0 /0 0 0 0@.0 microtonal gliss. (articulated)
pizz.
5:4
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arco
RICL 104
' ..'00
' 7 ..'00
;! 60 $
8 -'. 8 60 1 /. -.
8 8 .9 3$ 20
senza sord.
subito cantando mf
5 . . -. 75. 7:9
+ .0 f
- /. -. 5. 5 . . -. 3 . $ -. 7:9
49 The Horse Sacrifice
IV EE
")
/B
7:9
;$ /B $
/B 7:9
60
60
;$ :0 $
'
/B 1
/B
3 $
:0 6
8
'
8 5B B 5B 3$ B B 5B 1 1
3:2 7:9
B 5B 1
3:2
3:2
7:9
3:2
B 1
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Tubular Bells
rv ed
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Triangle
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relax tempo a little q. = 92 - 96
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50 The Horse Sacrifice
*
Vln.
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60
60
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3:2
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60
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#
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60
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Move slowly into position for Water Gong
'
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Pno.
ff
B /B :0 1
rv ed
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'
s
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se
3
Move slowly into position for Water Gong
or
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51 The Horse Sacrifice
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20
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60
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W. Gong
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20
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20
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52 The Horse Sacrifice
Vln.
Vc.
! 20 & '' "
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W. Gong
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Vc.
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53 The Horse Sacrifice
Vln.
! & .0 .0
Vc.
"
720 250
20
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9 . . . .5
20
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54 The Horse Sacrifice
Vln.
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20
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Pno.
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3 $
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% $
3 $
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% $
'
20
3 $
55 The Horse Sacrifice
KK
60
#
250
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f
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20
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6
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60
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3 "& $ 6 & 3$
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op y
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C
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3 $
60
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f
3 $
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20
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20
20
3 $
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rv ed
W. Gong
20
60
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56 The Horse Sacrifice
!)
583
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60
8 . .0 5
'
60
8
'
6 -.9 20 5
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60
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Vc.
52
mf
'
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&
Pno.
60
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60
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W. Gong
y
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Pno.
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20
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20
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20
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20
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20
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57 The Horse Sacrifice
* :0
5.0
9 . 5
6
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60
20 -,0
60
20
f
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60
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Vc.
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60
do
Pno.
60
di Lo n
Tub. B.
rig
603
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rv ed
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Vc.
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rig
W. Gong
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Tub. B.
Pno.
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58 The Horse Sacrifice
NN
615
Pno.
#
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60
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60
60
20
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8 -. 5 ,0
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rig & *
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re
60
9 .5 20
60
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60
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60
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20
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Pno.
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'
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Tub. B.
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W. Gong
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20
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59 The Horse Sacrifice
20
: 20
520
: :0
cresc. al fine
: :0
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'
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2
pp
520
20
20
or
:
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20
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20
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Pno.
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20
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Pno.
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pe
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20
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