nl y lo er us a
Fo rp
Liza Lim Flying Banner
&
C
o. /
(after Wang To) ‘Fanfare’ for orchestra 2005
C
op y
rig
ht by
G
.R
ic or
di
Partitur
Sy. 4709/01 ISMN 979-0-2042-4709-7
(after Wang To) ‘Fanfare’ for Orchestra by Liza Lim
lo
Fo rp
Flying Banner
er us a
Photocopying, or any other form of duplication, is strictly prohibited.
nl y
It is requested that markings are made in light pencil (HB) only. All markings should be removed from the score before the material is returned.
o. /
Commissioned by the Sydney Symphony Orchestra
&
C
A project of the orchestra's composer-in-residence programme supported by Symphony Australia with financial assistance from the Australia Council, the Australian Government's arts funding and advisory body.
Duration: c.8 mins
C
op y
rig
ht by
G
.R
ic or
di
First Performance: 8 March 2006, Sydney Symphony conducted by Gianluigi Gelmetti, Sydney Opera House
Typesetting and Music Preparation by Peter Readman
This material remains the property of G.Ricordi & Co. (London) Ltd. All requests for performance should be directed to the publisher.
© Copyright 2005 G.Ricordi & Co.Ltd, London All rights reserved - Tutti i diritti riservati Printed in Italy RICL 057 Copyright © 2005 by G. Ricordi & Co. Bühnen- und Musikverlag GmbH, Berlin Alle Rechte vorbehalten All rights reserved / Tutti i diritti riservati
+44 (0)20 7835 5380 www.ricordi.co.uk
iii
Flying Banner (after Wang To) (2005)
nl y
‘Fanfare’ for orchestra
lo
instrumentation
er us a
2 Piccolos 1 Flute 2 Oboes
Fo rp
Cor Anglais Clarinet in Eb Clarinet in Bb
o. /
Bass Clarinet 2 Bassoons
C
Contrabassoon
&
2 Horns
di
Piccolo Trumpet
ic or
Trumpet in Bb 2 Trombones
.R
Bass Trombone
Percussion (1 player):
G
Timpani (38’, 25’ and 21’)
Violin 1
rig
Violin 2
ht by
5 Chinese gongs, 3 wood blocks, 2 temple blocks, high tom-tom)
op y
Viola
Violoncello
C
Double Bass
Score is in C
Quartertones
nl y lo er us a Fo rp
iv
Flying Banner
‘fanfare’ for orchestra
o. /
dragons leaping and bowing…a phoenix dancing…a spring bubbles forth… when the hand is moved by the heart’s desire
C
(Tang dynasty treatise on calligraphy)
di
&
Flying Banner is inspired by the rhythmic freedom of Chinese calligraphic writing particularly the work of Wang To, a famous poet/calligrapher of the 17th century. Wang To made innovations in ‘wild cursive’ calligraphy in which the brush strokes of characters merge, dissolve and dance in scribbly, dramatic, luxurious, gestural ribbons of ink ‘leaping and bowing’.
.R
ic or
Flying Banner plays with the kinds of musical codes that have traditionally been associated with fanfares repeated notes played by brass instruments, high trumpets, sonorous chords and syncopated patterns. These familiar ‘standards’ are however dealt with in not-quite standard ways - their geometry is pushed into other kinds of patterns, sometimes merging in quick succession or piled on top of each other and sometimes transforming into the sliding acrobatic moves of Chinese opera.
ht by
G
A piece made out of ‘statements of announcement’ concludes with high trilling strings pushing their sound into the insect white noise of cicadas - fanfares from the natural landscape, those unmistakable heralds of Summer.
C
op y
rig
Liza Lim, April 2005
Flying Banner (2005)
Liza Lim
(after Wang To)
(*1966)
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All Rights Reserved
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ff
op y
Vln I
mp
rig
2 T. Bl.
G
H. T-t.
ht by
3 (bass)
ff
mp
Tbn
C
ic or
3
di
ff
Tpt
C
&
1 2
Hn
mf
mf
mf
Cbsn
ff
1 2
ff
mf
Bsn
ff
sfz
f
B. Cl.
lo
2
er us a
Picc.
1
Fo rp
53
o. /
3
nl y
16
mf
3
3
17
3
f
Picc.
2
Fl.
3
Cl. (Eb)
1 2
pp
1 2
mp
Tbn
2 T. Bl.
C
3
mf
6 6 6 6
3
ff
ff
3
3
3
mf
3
3
mf
3
pp
gl.
mf
mf
ord.
6
f
f
ff
f
ff
ord.
6
ff
mf
RICL 057
Sy. 4709/01
f
3
f
3
f 3
3
f
mf
3
mf
Db.
mf
mf
mf
Vc
ord. 6 6 6 6 6
Vla
ff
6 6 6 6
Vln II
3
ff
f
op y
Vln I
G
rig
3 Wd Bl.
ht by
3 (bass)
3
3
ff
.R
3
di
Tpt
f
3
mf
f
mf
ic or
Picc. Tpt
&
o. /
Hn
C
Cl. 1
3
3
ff
f
mf
f
3
3
3
mf
ff
Fo rp
3
f
C. A.
f
er us a
ff
3
mf
f
3
ff
f
mf
3
Ob.
2
3
f
1
ff
mf
3
f
3
3
ff
nl y
1
lo
56
f
18
3
3
Cl. 1
3
3
3
mf
3
3
3
3
3
Timp.
3 Wd Bl.
f
ht by
2 T. Bl.
G
3
3
3
3
ff
3
3
3
ff
3
ff
3
ff
3
ff
3
3
3
ff
3
3
f
ff
ff
f
sfz
3
sfz
3
6
3
3
ff
3
ff
ff 3
3
3
3
&
di
ic or
B. Tbn
.R
f
Tbn 2
3
C
ff
3
mf
1
o. /
3
3
mf
Bsn
2
mf
ff
3
mf
1
3
mf
3
ff
3
mf
3
3
mf
3
3
mf
3
mf
3
3
B. Cl.
3
Cl. (Eb)
3
3
C. A.
3
Ob. 2
nl y
1
lo
Fl.
3
3
(a2)
er us a
1 2
Fo rp
Picc.
59 a 2
3
3
3
sfz
sfz
col legno battuto
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
rig Vln I
ff
C
op y
col legno battuto
Vln II
Vla
ff
col legno battuto
sfz
ff
molto sul pont.
Vc
ord.
ff
sul pont.
sul pont.
f
molto sul pont.
Db.
ord.
ff
f
RICL 057
Sy. 4709/01
19
sfz
2
3
3
3
3
mf
3
Fl.
3
3
3
3
3
1
3
Ob.
3
3
2
3
3
3
3
3
3
sfz
Cl. (Eb)
3
sfz
Cl. 1
3
3
3
3
3
Picc. Tpt
Tpt
mp
mp
rig
mf
1 2
op y
Tbn
sfz
3 (bass)
3
3
3
3
3
3
3
3
3
3
3
3
f
f
3 3
3
Vc
sfz
Db.
ff
6
3
3
3
ord.
3
3
ord.
mp
RICL 057
Sy. 4709/01
f
ff
f
ff
3
3
mf
mf
mf
pp
mf
mf
mf
f
3
mf
f
3
f
pp
f
pp
mp
6
pp
mf
6
6
mf
3
pp
6
pp
mf
ff
3
6
C sfz
6
pp
mf
pp
mf
6
mf
6
f
3
f
6
6
6 6
3
f
mp
sfz
3
3
3
G
mp
f
.R
3
3
3 mf
f
mf
ht by
1 2
3
3
mp
Hn
3
mp
Cbsn
3
3
3
mp
6
6 3 6 6
mf
1 Bsn 2
f
3
3
mf
B. Cl.
3
6
6
3
mf
sfz
C. A.
3
6
6 3 6 6
mf
sfz
3
mf
sfz
f
ic or
3
3
mf
sfz
3
nl y
lo
3
er us a
3
Fo rp
Picc.
3
o. /
C
1
&
62
di
sfz
mf
mf
f
f
3
3
3
3
ff
Ob.
2
3
ff
1
3
ff
Fl.
3
ff
Picc.
2
3
3
3
ff
C. A.
3
3
ff
F (III)
sfz ff
Vln II
Vla
Vc
Db.
harm.
gl.
ff
sfz
Fo rp 3
ff
f
sfz
ff
3
ff
mf
mf
ff
mf
ff
mf
ff
f
gl.
mf
mf ff
f
harmonics
f
ff
mf ff
ff
o. /
ff
ht by
rig
op y
C
Vln I
gl.
ff
f
5 Ch. Gongs
ff
H. T-t.
.R
Tbn
3
harm.
mf ff
3
sfz
1 2
mf ff
3 ff ff
Tpt
Timp.
3
Picc. Tpt
3 (bass)
ff ff
C
3
G
1 2
3
&
1 2
sfz
ff
di
f
ic or
f
Hn
sfz
ff
ff
B. Cl.
Cbsn
3
3 3 3
Cl. 1
Bsn
ff
3
3
Cl. (Eb)
lo
1
er us a
66
nl y
20
f
ff RICL 057
Sy. 4709/01
ff
ff
21
f
2
f
Fl.
sfz
1
sfz
mf
2
mf
1
f
ht by
op y
C
mf
Db.
fff
solo
ff
mf
molto sul pont.
mf
3
ff
ff
molto sul pont.
mf
ff
f
ff
mp
ff
mf
mf
molto sul pont.
molto sul pont.
f
ff RICL 057
Sy. 4709/01
mf
ff
molto sul pont.
3
mp
5
mf
mf
f
f
mf
ff
mp
f
3
3
mf
Vc
3
mf
Vla
f
Vln II
5
mf
rig Vln I
3
ff
f
5 Ch. Gongs
&
fff
B. Tbn
a2
o. /
ff
ff
Tbn 2
C
ff
di
ic or
Cbsn
.R
1 Bsn 2
G
sfz
f
B. Cl.
Fo rp
Cl. 1
f
mf
mf
f
Cl. (Eb)
mf
f
C. A.
mf
f
mf
Ob.
ff
f
lo
Picc.
er us a
1
nl y
70
mf
22
1 Picc.
2
Fl.
1
p
p
p
nl y
74
q = 92
2
lo
p
Ob.
mp
ff
1 2
Tpt
1
sfz
ff
Tbn 2
sfz
ff
B. Tbn
ht by
C
op y
mf
Vln I
Vln II
f
mf
f
mf
f
f
mf
f
mf
3
f
mf
3
f
3
f
3 3
3
mf
mf
mf
f
mf
mf
f
f
f
mp
rig
f
5 Ch. Gongs
mf
mf
mf
.R
G
di
f
&
ic or
mp
Hn
Picc. Tpt
2
p
mp
1
mp
ff
Cbsn
mp
B. Cl.
Bsn
Cl. 1
Fo rp
o. /
Cl. (Eb)
C
C. A.
er us a
p
pp
f
f
mf
f
col legno
jeté
mf col legno
jeté
mf col legno
Vla
jeté
mf col legno
Vc
jeté
mf RICL 057
Sy. 4709/01
ff
gliss.
mf
3
3
Tbn 2
ff
f
mf
f
mf
sfz
sfz
3
7
3
3
ff
ff
ff
di
Tpt
B. Tbn
3
sfz
ff
sfz
ff
3
f
ff
f
.R
f
ht by
mf
G
5 Ch. Gongs
rig
Vln I
arco jeté
C
op y
ff
Vln II
arco jeté
ff
Vla
Vc
ff
Db.
sfz
3
arco
sul pont.
arco jeté
sul pont.
f
3 3 3
f
f
3
mf
mp
6
sfz
mf
mf
arco
sul pont.
f
arco
pont. sul
sfz
3
ff
3
3
mf
arco jeté
ff
3
sfz
ff
lo
sfz
ic or
Picc. Tpt
f
2
ff
mf
er us a
f
Hn
Fo rp
mf
1
o. /
Cl. 1
C
78
&
nl y
23
arco
molto sul pont.
ff
RICL 057
Sy. 4709/01
mf
ord.
mf
24
q = 72
Cl. (Eb)
Cl. 1
1
mf
ff
mf
ff
mf
ff
mf
mf
ff
ff mf
2
Tpt
3
3
ff
3
3
3
3
Tbn 2
ff
ff
C
rig
Vln I
ht by
5 Ch. Gongs
G
.R
f
2.
ic or
ff
&
3
1.
di
Picc. Tpt
ff
ff
Hn
nl y
C. A.
lo
1 2
o. /
Ob.
Fo rp
82
er us a
a2
3
ff
op y
C
Vln II
Vla
3
ff
molto sul pont.
Db.
ff
l.v.
ord.
3
mf
f
f
ff
3
f
mf
ff
3
mf
3
mf
mf RICL 057
Sy. 4709/01
ord.
sfz
ff
ff
ff
h. sul pont.
sul pont.
mf sfz
mf
f
ff
ord.
ff
Vc
ord.
ff 3
sfz l.v.
3
h. sul pont.
ff
25
1 2
C. A.
Cl. (Eb)
mf
f mf
mf
f mf
f
ff
f
ff
rig
op y Vln II
C Vla
Vc
poco sul pont.
ff
div. a 2
poco sul pont.
mf
ff
mf
ff
mf
ff
poco sul pont.
mf
RICL 057
Sy. 4709/01
ff
ord.
mf
ord.
mf
ord.
mf
ord.
ff
div. a2 poco sul pont.
Vln I
ht by
G
.R
ic or
di
&
C
o. /
Cl. 1
nl y
Ob.
a2.
lo
Fl.
er us a
1 Picc. 2
Fo rp
87
mf
26
1 Ob.
f
f
2
6
3
6
6
Bsn
f
rig
op y
C
Vla
ff
mf
mf
f
3
6
6
sfz
sfz
poco sul pont.
3
3
poco sul pont.
3
3
poco sul pont.
3
3
3
RICL 057
Sy. 4709/01
3
mf
3
poco sul pont.
3
poco sul pont.
mf
( ff )
unis.
( ff )
unis.
(no trem.)
6
mf
6
(no trem.)
6
6
(no trem.)
3
(no trem.)
3
3
3
ord.
Db.
f
f
3
3
3
f
f
Vc
3
3
3
3
ff
f
Vln II
3
3
3
sfz
3
3
sfz
ff
6
3
sfz
f
f
Vln I
3
f
ht by
3 Wd Bl.
3
3
.R
Tbn
2 T. Bl.
1 2
H. T-t.
Tpt
3 (bass)
3
3
G
1 2
6
2
Hn
6
3
3
f
1
Cbsn
sfz 3
f
B. Cl.
di
Cl. 1
ic or
Cl. (Eb)
3
6
sfz
f
f C. A.
3
6
6
nl y
Fl.
6
lo
6
3
er us a
6
2
Fo rp
o. /
f
C
Picc.
&
1
93
mf
mf
mf
27
96
3
3
3
3
3
3
3
3
3
3
3
6
2
3
3
3
6
ff
6 6
ff
6
Cl. (Eb)
3
6
ff
Cl. 1
3
3
f
3
1
2
3
3
3
Hn
1 2
mf
Tbn
G
op y
C
H. T-t.
3
3
3
f
3
mf
3
Db.
mf
smorzato
3
ff
mf
smorzato
f
f
a2
3
gliss.
flz.
6
ff
mf
f
mf
f
mf
RICL 057
Sy. 4709/01
3
mf
h. sul pont.
ff
3
mf
mf
mf
III
ff
ff
3
6
3
f
ff
ff
ff
6
3
f
ff
6
f
6
flz.
ff
6
flz.
f
mf
Timp.
f
rig
ht by
1 2
.R
Tpt
3 (bass)
f
Picc. Tpt
3
3
ic or
Cbsn
3
3
Bsn
3
ff
o. /
C
mf
3
&
3
di
6
6
f
mf
B. Cl.
f
mf
6
f
6
f
mf
6
f
6
ff
mf
C. A.
6
f
mf
Ob.
3
mf
1
3
nl y
3
mf
Fl.
3
lo
2
3
er us a
mf
Picc.
Fo rp
1
mp
28
port.
mf
Ob.
Hn
1 2
Tpt
f
mf
mf
3
3
3
G
mf
3
mf
f
F II
F IV
f
3
3
3
7
3
mf
3
pp
pp
mf
f
mf
f
f
mf
mf
mf
harm. gliss.
sfz
sfz hand sfz
gliss. gliss.
mf
harm. gliss.
hand
f
mf
mf
sfz
pp
f
pp
3
3
f
mf
ppp RICL 057
Sy. 4709/01
f
f
mp
Db.
3
f
ff
6
pp
(III) harm. gliss.
ff
mf
mf
p
3
op y
C
Vc
f
3
rig
Vla
ht by
Vln II
mf
&
Vln I
f
mp
5 Ch. Gongs
C
port.
mf
f
f
port.
mf
mf
port.
mf
mf
Picc. Tpt
f
mf
Cl. 1
B. Cl.
mf
mf
port.
f
di
Cl. (Eb)
ic or
C. A.
.R
2
er us a
f
Fo rp
1
o. /
Fl.
2
f
Picc.
nl y
lo
q = 72
1
q = 60
100
ff
mf
ff
ff sul pont. 3
ff
29
1. 2.
mf
Fl.
mf
ff
C. A.
ff
ff
Cl. 1
3
B. Cl.
ff
3
3
3
f
mf
Cl. (Eb)
mf
ff
3
a2
Bsn
1 2
ff
Cbsn
ff
3 (bass)
3
3
H. T-t.
mp
3
sfz
C Vc
mp
Db.
3
3
p
3
mf
mp
ff
3
a2
3
f
3
ff
3
3
f
f
3
f
mf
3
3
3
ff
sfz
sfz
mf
RICL 057
Sy. 4709/01
ff
7
3
f sfz
3 3
ff
ff
3
ff
7
3
f
h. sul pont.
sfz
mf
ord.
mf
mf
mf
ff
3
7
f
3
mf
3
3 f ff
ff
mp
f
mf
Vla
ff
3 sfz
ff
mf
mf
Vln II
f
op y
Vln I
mp
ff
rig
5 Ch. Gongs
1.
sfz
f
mf
3
mp
mf
ht by
p
3
.R
mp
Tbn
G
1 2
f
sfz a2 3
mf
1. 2.
3
3
f
mf
3
Tpt
di
Picc. Tpt
mf 3
mp
mf
6
ff
ic or
1 Hn 2
6
1. 2.
1. 2.
mf
3 3
mp
C
er us a
mf
&
1. 2.
Fo rp
o. /
a2
1 Ob. 2
nl y
lo
106
1 Picc. 2
mf
ff
30
2
ff
C. A.
ff
B. Cl.
3
sfz
ff
ff
sfz
Hn
1 2
3
sfz
Picc. Tpt
ff
sfz
Tpt
ht by
Timp.
sfz
5 Ch. Gongs
.R
sfz
f
3
ff
f
f
f
3
ff
mf
G
B. Tbn
ff
3
ff
3
3
ff
f
3
3
f
nl y
3
sfz
1 Bsn 2
3
ff
Cl. 1
ff
Cl. (Eb)
3
lo
ff
Ob.
er us a
ff
7
Fo rp
1
7
ff
o. /
Fl.
C
2
7
ff
&
Picc.
di
1
ic or
110
mf
7
rig
op y
Vln I
ff
C
Vln II
ff
Vla
ff
Vc
3
3
3
3 sfz
f
f
3
3
f
f
Db.
f
RICL 057
Sy. 4709/01
31
3 3 3 ff 3 3 7 3 3 3
115
C. A.
3
3
3
ff
ff
3
3
3
3
3
3
3
3
3
1 2
3
B. Cl.
Cl. 1
Bsn
Cl. (Eb)
ff
2
3
3
3
mf
3
3
3
f
3
3
3
ff
ff
mf
f
a2
f
op y
Vln I
C
Vln II
Vla
3
p
3
mf
p
mf
mf
mf
Db.
mf
3
3
mf
II
ff
6
ff 3
6
3
ff
ff
3
3
3
ff
III
f
6
mf
ff
ff
ff
ord.
ff
unis.
sul pont.
mf
ff
f
mf
sul pont.
mf
ff
sfz sfz sfz 3
f
f
ff
3
molto sul pont.
ff
RICL 057
Sy. 4709/01
ff
3
ff
molto sul pont.
molto sul pont.
Vc
mf
div. a 2
3
f
mf
mf
mf
3
mf ff
mf
mf
6
ff
mf
di
mf
ic or 3
f
rig
H. T-t.
ht by
mp
f
mf
Timp.
Tbn
3 (bass)
f
1 2
mp
mp
Tpt
.R
Picc. Tpt
a2
C
f
&
G
1 2
3 3
mp
Hn
6
ff
o. /
3 3
mp
Cbsn
3 3
mp
mf
6
ff
mf
3
3
6
mf
nl y
Ob.
lo
1
er us a
Fo rp
Fl.
1 2
Picc.
f
1
f
ff
mp
f
ff
mp
ff
mf
f
mf
damp
3
3
mp
3
p
ff
C
Vln I
Vln II
sfz
3
sfz
mp ff
Vla
II I III
II
3
op y
rig
5 Ch. Gongs
ht by
3 Wd Bl.
G
.R
ic or
2
ff
f
Tbn
o. /
C
&
1 2
di
120
Hn
Fo rp
er us a
lo
nl y
32
3
I mf
mp
pp
mp
RICL 057
Sy. 4709/01
33
Picc.
2
mp
Fl.
Ob. 1
pp
Cl. 1
pp
Bsn 1
Hn 1
3
3
3
ff
mp
mp
mp
slow fast change bows ad lib.
&
Vln I
mp
o. /
pp
C
3 Wd Bl.
pp
mp
pp
nl y
lo
er us a
1
Fo rp
124
C
op y
rig
ht by
G
.R
ic or
di
mp
RICL 057
Sy. 4709/01
34
mp
pp
mp
Cl. (Eb)
Cl. 1
B. Cl.
1 Bsn 2
Cbsn
1 Hn 2
1 2
mp
pp
pp
1. 2.
mp
mf
1. 2.
pp
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RICL 057
Sy. 4709/01
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RICL 057
Sy. 4709/01
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Sy. 4709/01
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