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Commissioned by Spitalfields Music with funds from its New Music Commission Fund and additional support from the Britten-Pears Foundation.

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First performance given by Stuart King (clarinet) and Chroma, conducted by Tim Murray, on 20th June 2011 at Shoreditch Church, London.

Instrumentation: 2 Treble Recorders Clarinet in B flat Horn in F

on

rin on G (with a ceramic jug full of water), two whirly tubes (G and A flat), two suspended gongs (low and high G), 3 gongs laid flat (high-medium-low), bass drum, conga with cymbal on top, policemanʼs whistle, two metal cans, two woodblocks, spring drum, large gong drum

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These two notes have their strings muted hard with blu-tac to create a near pitchless, whip-like attack.

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The following pitches are also muted with blu-tac at the near end, but pitch remains clear:

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The “pizzicato sforzato” effect: Pluck the string forcefully, lifting it vertically. Where the dotted lines and diamond heads continue the same pitch, do NOT re-attack, but rest a small metal implement on the indicated string and allow a metallic resonance to be set off by the stringʼs vibration for as long as possible.

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Percussion (1 player)

In OPEN: Harmonics are indicated by diamond note heads above a conventional one. The lower note is the fundamental (the note played) ; the higher one is the sound heard. For practical reasons, alternative fundamentals may be substituted, though where possible the marked ones should be used.

Strings Viola and cello 2 are tuned as shown in bar 1. Viola reverts to the usual tuning where indicated.

Stage Layout Throughout SIT, all but the solo clarinet, celli and percussion should be very soft: offstage/at a distance and hidden behind screens/doorways as much as possible.

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* At bar 1, only the percussion and 2 celli are onstage. * Bar 2: solo clarinettist enters and moves to a central downstage position where he stays throughout. *Bar 266: pianist to piano. *Bar 278: violin and viola to first position. *Bar 293: harpist to harp. *Bar 305: accordion to position. *Bar 320: ensemble clarinettist enters. *Bar 336: recorder 2 enters. *Bar 346: recorder 1 enters. *Bar 395: horn go to position. *bar 415: viola walks to final position. *bar 437: violin to final position. *bar 465: clarinet to final position *Bar 467: accordion to final position. *bar 473: recorder one to final position. *bar 476: recorder two to final position.

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<5*

* * , A ,

* ,

<,* A

* 52

, , @ @ A A

arco pizz.

4

* B,2

42

@ ;, '

5

p

;5

'

,

, A

SIT STAND WALK

" #& $

'

42

mf

+

F < ,2

,2

#$ ,2 =

,, +, A

#$ , ,A = 42

* , D,* ,2 A

pizz.

p

@ 42

* ,2

2 @ ,, ,

42

* #$ 52 =

pizz.

-2 ; 5*

4

'

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* 5

4

p

s

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,

@ 42

pizz. arco

-2

ht

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arco

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5

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p

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< 5F

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95

@ ;,

by

" #& $

42

op C

C + @ ,

Vla

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Vc. 1

+

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* + 52

#

on @ 42

'

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'

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!= 42

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2 @ +, ,

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arco pizz.

yr

ig

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,

I ! =

,

I

ht

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iL

!&

rd

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'

ic o

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Whirly Tube on G (Harp)

do

n

-

arco

<52

/A ll

Vc. 2

'

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+

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arco

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'

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ly

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on

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ru sa l

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#$ = 42

'

,2

<, , , A A

4

mf espress.

Whirly Tube (Harp)

!&

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,2

pe

B. Cl. (solo)

52

or

Accord.

,12

#$ = 42

'

/F

Whirly Tube on G (Harp)

'

ed

90

re se rv

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9

,

arco

, ,2 A

pizz.

F < ,2

arco

!=

,

,

, ,2 A

* D,* ,2 A

* 52

-2

! =

'

* 52

! =

'

pizz.

'

'

'

'

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2 @ ,, ,

'

pizz. * * , , , @ , ,2

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@

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4 * 5

;5

,

@ 42

arco

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42

4

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<, 52 A

; 5*

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SIT STAND WALK

10

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'

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'

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ic o

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rd

iL

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do

n

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rig

ht

s

re se rv

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ed

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or

'

ru sa l

on

ly

101

arco

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pizz.

arco

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pizz.

ig

+

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5

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arco

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4

pizz.

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yr

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4

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52 )) )

52 )) )

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'

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,

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pe

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,

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do

n

,

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arco

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pizz. arco pizz. arco pizz.

arco pizz.

,

, , @ @ @ , @ 4 , #$ A A A A =

arco pizz.

,

4

4

C @ ,

pizz.

arco

ig

ht

by

R

ic o

arco " , pizz. , ,2 Vln & A

rd

iL

on

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/A ll

rig

ht

s

'

re se rv

ed

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or

42

ru sa l

on

ly

107

11

'

42

4

,

<5

5

,

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< ,2

#$ =

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op

yr

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+

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+ 4

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;5

4

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42

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'

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#$ =

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SIT STAND WALK

12

J

Rin Gong wake up!

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(,

114

subito f

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,

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,

52

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yr

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n do

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52

;,

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4

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< 5*

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ht

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on

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'

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p

* * 1, ; 5 @ A

117

pizz. arco

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< ,12 , A A @ @ 42

4

,2

, , , , , A

arco

re se rv

42

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Accord.

, @ @ A

pizz.

s

F * ,* ,2 A

+ #$ -2 Vc. 2 # =

-

,

rig

,

+ #$ = -2

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ht

, 42 A

/A ll

+ #$ =

@ ,,

ly

,2

on

,, +, A

" #$ arco & = ,2

Vla

52

ru sa l

" #$ 42 #& = $

,

,2

mp dolce cantando

J

Vln

, , A

pe

B. Cl. (solo)

'

3

or

Rin Gong (Perc.)

, A

pizz.

< ,2

! =

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!=

@ !=

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!=

42

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,

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,

F * ,* ,2 A

-2

!=

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! =

arco

ordinario senza vib.

-2

-2

* 52

-2

(

* 5

, @ @ ! = A

pizz.

*

,1

!=

SIT STAND WALK

, , ,

+ !=

pizz.

< 5*

@ 42

'

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,2

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@ ,A ,

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4

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;5

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ordinario

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@ , pizz.

arco

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<5

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pizz.

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n

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ic o

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by

R

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yr op

+

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#

f

)) B5

@ #$ = 3

,

,

,

#$ = #$ =

42

poco a poco rit. to bar 169

arco

ig

ht

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'

rd

iL

'

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)) 52

on

4

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))G ;,

poco a poco rit. to bar 169

do

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/A ll

rig

ht

-

C

'

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; 5*

4

'

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'

'

(! Vc. 2 # = 4

'

arco

'

+! =

Vc. 1

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)) 52

ru sa l

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'

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)) 52

)) ,2

pe

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)) ,

or

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" ! G 4 #& = (, , , ,

, ) )A

/F

Rin Gong (Perc.)

52 ) )

52 ) )

ed

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re se rv

Cl.

ly

K

120

13

,

pizz.

,

5

@ ,

4

+ 42

B1,2

* , * + A ,

* ,

4

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arco

pizz.

,

, A

@ ,A @ 4 arco

,2

; 52 <,* A

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< ,2

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RICL 165

, A

pizz.

arco

,2

,

,

F * ,* ,2 A

, A

42

' '

(

, @ @ #$ = A

pizz.

-2

#$ =

;5 ,1 @ A

#$ =

* 5

*

,1

#$ =

SIT STAND WALK

14

L

+ #$ =

Vla

,2

arco

* ,2

, @ @ @ , , A A

ord.

4

'

arco pizz. arco pizz. arco

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p

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5*

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pizz.

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ly

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pizz.

arco

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pizz.

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,

5

-2

42

B1,2

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* ,

4

+

< 5*

@ @

<,* A

rig

ht

s

( #$ 4 # =

; 5*

4 < 5*

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42

'

+ #$ -2 =

Vc. 1

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@ ,,

) 5)

ru sa l

'

B. Cl. (solo)

) 5)2

pe

" #$ #& = $ L " #$ arco Vln & = , 2

mp

G , ,) ,) )) ;, )A

or

@ @ ;)5

42

/F

timbral tremolo

'

ed

#$ Accord. & = 42 !

'

re se rv

Rin Gong (Perc.)

on

5 " #$ G & = (, , , , , , , , , @ 42 #

130

) 5)2

on

))G ,

iL

) ,)

) ))G ,) ,

) ,)2

) 5)2

q. = 132

'

'

by

" B. Cl. (solo) & # $

) ,)2

q. = 132

42

op C

+ @ , ; 52

Vc. 1

+

Vc. 2

* + 52

#

,

* ,* ,2 A

< ,2

, @ @ 2 , A

* , * , ,

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< ,12 A

arco

yr

ig

ht

pizz. " arco , pizz. , @ @ arco , @ 4 , @ Vln & 4 A A A A

Vla

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)G ) ,) ,) ,)2

-2

@ ,,

,2

* ,2

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42

< ,12 A

rd

!&

ic o

Accord.

q. = 132

R

133

do

n

/A ll

-

-2

-2

1, ; 5 @ A

* 52

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(

-2

1, RICL 165

4

4

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, A @ @ 42 4

< 5*

,2

arco

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; 5*

ord.

4

< ,* ,* 5*

4 5 ,*

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15

M ! & )) 32 136

" , #& $

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,

@ @ @ ,

42 4

+

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B1,2

; 52

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1, ; 5 @ A

(

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arco

42

,* A -2

,

, @ @ ,2 A

ly

,

5

' * ,2

,

, , @ @ A A

4

on

, 4 A

q. = 126

pizz.

ru sa l

9 ,

arco

pizz.

pe

arco

* 5

* ,1

42

4

42

42

4

< 1,2 A

< 5*

ht

s

#

pizz.

or

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* ( ,2

'

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'

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arco pizz. arco

, + A @ @ 42

Vla

'

M

" , Vln & @ A , pizz.

-2

ed

B. Cl. (solo)

'

re se rv

Accord.

q. = 126

" Rin Gong & (Perc.) # 139

iL rd ic o

" -2 #& $

by

C

op

yr

ig

ht

" , pizz. , Vln & A

, + A @ @ 42

Vla

+ 4

Vc. 1

Vc. 2

,2

arco

#

* ( 5

; 5*

@ ,,

,2

,

* ,2

, @ @ A

@ ,A ,

42

< ,12 A

ord.

4

< ,* ,* 5*

4

@ 42

pizz.

arco

-2

'

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pizz.

, A @ @ 42

5

<5

* ,2

* ,2 RICL 165

4

,2

4 ,

' ,*

(52

-2

'

on

'

R

B. Cl. (solo)

do

n

/A ll

rig

-

+

< 5*

* ,

, @ @ A

@ @ 42 @ @ -2

5 42

B,12

,* * A ,

* ,

, , <,* ( * A 5

;5

* ,1

SIT STAND WALK

16

(,2 ,2 ,2 ,2 ,2 ,2 ,2 ,2 ,2 (, , , , , , 42 2 @ ,, ,

+ -2 < 5*

42

4

,

2 , , ,

,

< , 52 A

5

-2

42

,2

42

q. = 116

, @ @ ,2 , , , 52 A

arco

-2

,

on

,2

< ,*

,* ,* 5*

42

* ,2

* ,2

;5 , @ A

42

4

< , 52 A

-2

ord.

< 5*

4

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s

5*

'

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4 < 5*

5

,* ,*

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n

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rig

( Vc. 2 # 4

@ @

'

ht

Vc. 1

* ,2

5* 2

; 5*

assemble instrument

@ 42

pe

< ,12 , 4 A A @ @ 42

'

ly

ppp

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Vla

,

or

'

+ 42

42

/F

" B. Cl. (solo) & # $

, ,

q. = 116

ed

,

5

ru sa l

142

re se rv

" Rin Gong & (, 2 ,2 (Perc.) #

R

ic o

rd

iL

on

do

-

by

" * Vln & , 2

,* 2

,*

q. = 100

,

,

,

G , ,

, A ,

pizz.

,

,

,

#% G , = ,

,2

+

Vla

C

op

yr

ig

ht

146

+

Vc. 1

Vc. 2

#

,2

52

42

52

* ( 5

'

-2 < ,*

* 52

#% =

,* * A 5

RICL 165

arco

< ,C

,*

#% =

,*

52

, A # "

* ; 5* , @ A

* , A # "

ppp

#% = -2

' * 4 +,2

, ,2 A

,

pppp

* * ,2 , A

* 5 pppp

,* 2

"#

SIT STAND WALK h. = q

+ "#

Vla

-

Vc. 1

+ "#

Vc. 2

+ "#

#

< ,F

. 5 " ".

,*

. "

,

. "

change to normal mute

4

-

52 3*

,*

3

,

to suspended gong (low G) 3 " 0 ' Rin Gong & " (, , , , , , , , , (Perc.) #

quasi cadenza

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ht

0 !& "

"!

/A ll

rig

' quasi cadenza

" !& "

3

op

yr

ig

" " &" $

C

B. Cl. (solo)

" #& "

" " Vln & " Vla

+" # "

n

rd

'

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'

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'

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'

4

0 "

4

0 "

""

'

".

'

""

-

ghost : finger low C#

'

! "' "!

5

'

3 ". 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 "" 5

'

'

"" )) 3

'

".

'

O ghost : finger low C# "" *

".

'

""

. "

'

".

'

gurgle into instrument: very little pitch

O tempo poco ad libitum " "3

ppp appena udibile, ma sensibile

'

3

ppp

. " ".

-

52

appena udibile

ppp

' RICL 165

3

O tempo poco ad libitum " ' " ""

'

6

* 2

very lightly, but strictly, tongued rhythm ppp

"0

'

'

do

on ! "3 1

ic o

'

Low G Gong

ht

Whirly Tube on G (Harp)

Low G Gong

by

Low G Gong

! >>>>>>>>>> > > > > " 5

iL

"( " # " 155

'

".

granular breath sound (growl into instrument)

R

-

0 "

'

s

ppp

" 0 B. Cl. (solo) & " -2 # $

3*

"0

-

'

-

152

Whirly Tube on G (Harp)

4

ly

" # , Vln & "

4

on

h. = q

q = 48

, ))

5 ))

52 )

ru sa l

N

".

pe

# , !& " )

"0

'

or

Whirly Tube on G (Harp)

3 5 6 ". (, , , , , , , , , , , , , , , , , , , ,

/F

149

ed

5 " # Rin Gong & " 8 (, (Perc.) #

q = 48

re se rv

N

17

3

2

@

' pitchless sound (on strings, wrong side of left hand sul ultimo tasto!)

-2

>>>>

ppp appena udibile

SIT STAND WALK

"( Low G Gong #

'

"% 52 1

!&

'

"%

'

3 3 % " G " , 9 , 9 , 9 , 9 , 9 , 9 ,2 9 2 , " , @ 4

ppp

'

"0

""

'

"0

alternate fingered/harmonic

5 " + > > > > > #

"%

'

""

'

-

0 "

'

"0

/F

or

Vla

'

""

on

" B. Cl. (solo) & # $

) 5)2

4

ru sa l

Whirly Tube on G (Harp)

4

,

pe

160

ly

18

re se rv

ed

-

q = 75

" 09 9 9 9 9 9 9 9 9 99999999999 &" 3 , $

5 3 "" 0 ,, +,,, +,,, +,,, +, ,, +, ,, +, ,, +, ,, +, ,, +, =

0 #& " <3

""

3

5

6

6

Sing create rhythm through beats between played and sung pitch (bend pitch!)

/A ll

,

-

legato possibile

0=

'

on

do

n

B. Cl. (solo)

rig

ht

s

164

" 0 Rin Gong & = (Perc.) #

R

ic o

rd

iL

-

by

166

""

%

4

ppp

$%

-

C

op

yr

ig

ht

'

B. Cl. (solo)

Vc. 1

" 0 #& = ,, $ "+ 0 =

0 Vc. 2 & = #

+,

,,2

+,2

,,

"" +,

'

"@ "

'

* IV " " <,

ppp

RICL 165

III

,*

,*

,,2 * , 52

ppp

* ,

5

* * * , <, <,

* +52

+,2

$% % $

% $

SIT STAND WALK

P

" % #& $ 168

4

ppp

+5

-

'

on

ly

'

'

'

+ $%

'

* ,* , ,

5*

* * * * * * <, <, +, <, , ,

5*

III

@ IV

,*

5

s

% #& $

'

-

'

-

'

do

n

/A ll

rig

ht

'

pe

+ $%

'

or

'

ru sa l

P '

Vc. 1

-

'

" % &$

Vla

Vc. 2

-

/F

Vln

" % #& $ ,5 $

%

ed

B. Cl. (solo)

'

re se rv

Rin Gong (Perc.)

19

R

ic o

rd

iL

on

-

" Vln & @

* ,2

IV

yr op C

Vla

+ @

III

Vc. 1

IV

* * *, < ,* < ,* , , A

3* 5*

5* 2

3

* * ,* , , ,

5 * * * * ** <, +, Vc. 2 & <, , ,<, #

IV

,*

-

4

3

3

ppp

+ @

,*

* ,* 2 5

ppp

ig

ht

by

171

* * * * ,* ,* , < , 6 : * ,2 A 4 8, ,

5*

* 5

-2

4

&

@

* * <, ,

IV

* ,* < ,* < ,* + ,* * , * A A ,* <, <, 3

3

-

-

'

'

&

(

* * * , , ,

4

* ,* < ,

* * , ,, 5

* < ,* * * * < , *, * +,* <,* +, 52 * * < , < , < , ,* &,* , 5

3

4

""

@ 4

"" "" ""

attacca RICL 165

SIT STAND WALK

20

Papanca 2 Q prestissimamente, molto leggiero h = 200

(Harp)

) 5)

' ) 5)

". ))5

5 ))

'

ppp

) , ,) ))

, ))

, ))

free, fragile: moving between these two pitches ad lib.

' ) ,)

) , ,) ))

, ))

) , ,) ))

Q '

'

. "

'

'

Vc. 1

ppp

", & # "

. "

-

'

3*

* ,1

* ,

s

4

* ,

3:5

* ,1

ppp

* ,

' * ,

* ,

* ,

4:5

* * * , ,2 , ,

* < 512

/A ll

rig

ht

Vc. 2

* * * , , 5

. * "5 1

III

" & " 3*

'

pe

'

or

. "

ed

" &"

Vla

'

/F

prestissimamente, molto leggiero h = 200

re se rv

" " Vln & "

) ,)

ly

" Whirly Tube on G ! & "

".

on

Low G Gong

ru sa l

"( " Low gong # " 31 p 174

) ,)2

h = e = h

)G . ) , = ,)

,2 ))

@

h = 160

".

4

by

R

ic o

,2 Whirly Tube on G ! & ) ) (Harp) 178

rd

iL

on

do

n

-

C

op

yr

ig

ht

" Vln & 4

Vla

Vc. 1

h = e = h

ppp

* Vc. 2 & # ,

52

* , * * , < 1,2

* ,

G . , " ; 52 1

. =

' * ,

h = 160

.= 5

senza vib, poco sul tasto

8 ,G2

& * & ,1

'

* , *G3:2e* , ,

* , * ,

. +"

'

* .= ,1

. * * = G .G , <, 5 RICL 165

* ,

3:5e

, ,2 ,

* ,

,

'

* ." 2 ,

* ,2

* ,2

(i.e. same speed as previous bar)

8 @

-

p

. " * ,1

* <,

4:5

* ,

* ,

SIT STAND WALK

21 h = e = h

h = 128

" 4 #& $ 181

8 ;,2 A

p tentative ma espressivo

4

4

;, ,

8 ,2

.= 5 . =

'

& * <,

* ,

.= * < ,1

* ,

* ,

3:5e

,

* ,

,2 ,

ly

12 ". ;5 . "

'

,

,

'

* * ". ,2 < ,2

* ,2

+

(i.e. same speed as previous bar)

8 @

-

re se rv

* ,

G ,

,

;,

on

52

,

ru sa l

G ,2

8

G , ,

4:5

pe

,

". , 1

or

, ; ,2 1

.= G , ; ,.G 5

/F

3:2e

ppp poco sul tasto

Vc. 2 & * # , 1

;, ".

h = 128

+ 4

Vc. 1

, A

h = e = h

" Vln & ,

Vla

.= 5

52

ed

B. Cl. (solo)

5

rig

ht

s

-

, ;,2 B5

; , ;, B,

do

4

by

" Vln & ,1 ; ,

,

ht Vc. 1

+

,

+ 4

,

4

. =

'

#&

'

'

. =

. "

'

'

. =

'

.=

R h = e = h

;,2 ,

* ,* 2 52 8 92 ,2 A

,

,

,3:2e A , ,

.=

; ,1

,

.= G ;,.G 5 , .=

'

. =

8@ ". ,2 ; ,2 ,2

(i.e. same speed as previous bar)

3:5e

,

". , 1

;,

4:5

'

. " RICL 165

,

,

* ,* ; 52 A . " ; 92 ; 512

5*

ppp

Vc. 2

q = 205

. "

q = 205

ig yr op C

Vla

h = e = h

on

iL

ppp

rd

" , #& $

G ;, , ,

. =

R

B. Cl. (solo)

2 !& -

ic o

Accord.

3

n

184

/A ll

R

,1

* * * , ,2 , ,

,*

;,

,

,* ; 1,* 2 ,*

+

4

* 52 * ,2 8 A

IV

ppp

,

* * ,* , , A 3:2e

simile

'

,

.= .= . =

SIT STAND WALK

22 h = e = h

".

'

" . ;5 B. Cl. (solo) & = @ # $

8 <,G2 , ;,

4

'

pp

<52 ".

, 5

1,

;, , ?

, ,2 ,

. "

'

q = 164

, , , A 3

h = e = h

" . Vln & =

,

'

* * 8 ,G2 52

4

ppp

+. =

4:5

* * * ,* ,2 , ,

,* <51*2 A . "

,*

* , <1,2 ,*

,

.=

".

'

or ,*

,*

s

#

1,* ; ,*

,*

*G , ".

* ; 1,

,*

,*

".

3:5e

,* <,.*G 5* . A =

* * ,* , , A 3:2e

. "

rig

Vc. 2

5*

,*

; ,*

ht

Vc. 1

".

1,*

/F

,* ; ,.*G 5* + .= A

".

@ 4

.=

'

ed

3:5e

.= ,

pe

;,2 ". ,2 ,2 8 @ -

,

,

re se rv

1 + .= ;,

".

* . 5 =

(i.e. same speed as previous bar)

Vla

.= ;, B, , 4

ly

. !& =

on

Accord.

q = 164

ru sa l

188

do

n

/A ll

-

ic o

ig

ht

) ,)

+ ".

'

* * ,2 , * , , 4

,2 , 8A

+. "

+. Vc. 2 # "

* * ,2 * ,2 ; ,2 * ,1

) ,)

, )

q = 105

.= 5 ) . =

8@ ,*

<,*

* * , A , , 3:2e

5

, )

'

' ,*

1,* * <,

,*

,*

4:5

RICL 165

,*

q = 105

* ". ,

* .= ,G 5* 5

,*

'

1* . <, =

,* ,* 3:5e

. "

, )A ,,

mp

4:5

* ,

* ,

, 1 A ". <52

. =

) ,)

, )

, , ,2 , @ A

. "-

* G ,.

. =

ppp

(i.e. same speed as previous bar)

Vc. 1

, ) '

* * * * , 2 , , ,

q = 131

yr op C

, )

))G . )) , " ,2

h =e = h

" . 5* 2 Vln & "

Vla

, )

h =e = h

'

by

" . B. Cl. (solo) & " # $

) 5)

rd

.5 !& " )

R

Whirly Tube on G (Harp)

iL

q = 131

192

on

h =e =h

,

,2 ,

' (i.e. same speed as previous bar)

. "

* ,2 <,2 ,2

8@ -

,

SIT STAND WALK

Sh

".

'

". 4

<,2 , ,G ,

S , ;, , A ". A

,

5

@ 4

.=

5

* ., =

Vc. 2

-

,

, A

, ,

,* ,*

.= ,A <,.G 5

,* 2 8A

ppp

+

rd ic o R

. !& =

'

ht ig Vc. 2

#

+ .=

.=

'

.=

'

. =

,

,* * 2 * * , , ,

<,

,

* *,; ,2 ,*

,*

,

,

,* * * A , , 3:2e

'

.= . = .=

'

n

, ,2 ,

,

,

, ;1,2

, , A

,

,

3:2e

.=

'

. "

'

'

. =

'

'

.=

'

. =

4

8 ,2 A

.=

52

ppp

q = 66

(i.e. same speed as previous bar)

,

,

3:5e

* *, ; ,.G 5* + .= A

Vc. 1

4:5

'

".

".

'

yr op

+ .= <1,

'

<,

.=

h =e=h

" . Vln & =

Vla

q = 66

;152 ".

* ; 52

,

".

iL

. #& =

'

do

, A

1,

on

" .5 &=

by

Whirly Tube on G (Harp)

C

.=

'

200

Tr. Rec.2

-

1 ." , ,* . A "

* .5 =

5* 2

h =e=h

Tr. Rec.1

G , ,2

S q = 84 (i.e. same speed as previous bar) * * * 2 . " ,2 , ,2 8 @ -

ht

,1 <,2

+ 4 #

p

rig

,

3:2e

Vc. 1

3

'

/A ll

+

5

pe

* ,

,*

3:5e

Vla

'

or

* ,

,*

.=

ppp

h = e = h

" * & ,

,2 52 8A

4

/F

Vln

, ,12

'

.=

' ,

.=

'

ed

" B. Cl. (solo) & # $

@ -

".

ly

!&

, ))

'

re se rv

Accord.

, ,)) & ) ! )A

.=

s

Whirly Tube on G (Harp)

'

q = 84

on

196

= e = h

ru sa l

" Tr. Rec.1 & #

23

2 . , <,2 " * . 1, "

'

".

,2

8 @

; ,*

,*

,*

1,*

; ,*

,*

,*

4:5

' RICL 165

'

,*

. = .=

SIT STAND WALK

24

T q = 42

h =e =h

Tr. Rec.2

. 5 #& =

,

;,

1, ;,

,

, . ;1, =

, ,

4:5

, ". ;52 A 1

(i.e. same speed as previous bar) ." ,2 ;,2 ,2 8 @ -

, , 3:5e

, ,;1,2 , ,G , , .= ,;,.G 5 A

, ,2 , ,

.1 ",

3:2e

,

q = 53

q = 42

,2 52 4 8A

3:5e

.=

h + e = h

, <152 A . "

5

, ,2 , ,

pe

* *2 ,* , . ,* 2 ; , ,* 2 8 @ "

(i.e. same speed as previous bar)

or

ppp non flautando, poco vib, poco espressivo

/F

"+ . Vc. 1 # =

,

T

h =e =h

* ; 1,

4:5

;,

ly

1, ".

203

ru sa l

" . ,;,.G 5 Tr. Rec.1 & = A

h + e = h

on

q = 53

. ;, =1

,

,

3:5e

, , ". ,2 ;,2 ,2 8 @ -

. =

'

s

,

ht

208

#% =

'

rig

" 1 Tr. Rec.2 & , ;, #

h+e=h

q = 36

re se rv

ed

-

,, , A

. "

1,

,

<,

,

1, <,

,

1 , , . <, #% = =

,

,

4:5

3:5e

mp

iL

on

3:2e

, .G . A <, 5 =

n

, <1,2 ,

do

"+ , Vc. 1 #

/A ll

h+e=h

q = 36

by

R

ic o

rd

-

U

ht

" #% Vln & =

subito prestissimamente h = 223

yr op C

'

.=

'

G ". ,

5

pp

Vla

+ #% =

Vc. 1

+ #% =

Vc. 2

".

'

ig

213

#

+ #% =

'

".

'

'

.=

'

".

'

. =

'

. "

3

5

, <52 A . "

-

3*

5*

1* ,* <52 A ".

* * , ,2 ,

,

,

,

pp

,*

* * ,* , <,12 ,

3:2 * ,* ,* , A

e

,

3

RICL 165

,*

* ,* </, 5 .AA = ,

. "

SIT STAND WALK

.= 5

52

5 )

, )

) ,)

) 5)

, )

ru sa l

) ,)

pe

. 5)) & " !

".

on

p

, A

ly

8 ;,2 A

4

'

.= , )

) ,)

))G ,

".

G <,

. "

. !& "

.=

'

s

'

" . B. Cl. (solo) & " # $

/A ll

rig

ht

Accord.

re se rv

ed

Whirly Tube on G (Harp)

h = 183

or

217

h + e =h

/F

" . Tr. Rec.2 & " #

25

4

,

,

,

,

<,

f

,

, .A =

. "

4

rd

iL

on

do

n

'

; ,2 8 A

" . Vln & " 52 1

ic o

h + e =h

h = 183

,2 ,

,

3:2e

,2 1

G , ,

,

,

. ,G =

G ,.

5

. "

ig

ht

by

R

,

+ ".

'

'

.=

'

".

Vc. 1

+. "

'

'

. =

'

. "

C

op

yr

Vla

+. Vc. 2 # "

* ,1

,*

<,*

,*

1,*

<,*

4:5

RICL 165

,*

,*

,*

1* . <, =

,* 3:5e

,*

. "

SIT STAND WALK

26 h + e = h

1, <, , ,

. 2 !& " ,

<1,

" . B. Cl. (solo) & " -2 # $

+. "

Vc. 2

-

,1

* ,2

+. # "

* ,2

<,* 2

" . 152 &"

8 @ -

h = 118

on

do

n

, ;,2 ,

<,

iL

,

. ;1, #& "

yr op

" . Vln & "

/F ,

,

,

, 1,

,

, 1 ,2

,

ic o

ly ".

. =

'

. "

. =

'

'

<,

,

,

., =A

;,

,

,

. ;, =

rd

,

'

'

,

;,

; D,2

,

3:5e

,

,1

. "

'

. "

.=

'

".

.=

'

".

;,.G

5

. " ,

. "

<,

3:5e

.= ;,2 ;,2 B, <, ,

".

. =

'

. "

'

.=

'

".

' , ; ,2 ,

; 52

".

.=

. =

G3:2e, ,

'

ht

" . #& " $

-

4:5

R

. !& "

ig

B. Cl. (solo)

C

,

'

by

Accord.

,1

,

4

5

'

223

Tr. Rec.2

, ,2

ed

,

,

h + e =h

Tr. Rec.1

' ,

".

G .= ,) -

) ,)2

5 ))

h = 146

4:5

.= ,A <,.G 5

3:2e

@2 , , , ?

,

re se rv

Vc. 1

) ,)2

, , A

/A ll

+ ".

,

h + e = h

" . Vln & " Vla

H

D < ,2

, ;1,2

on

)G ,)

5 ))

,

G . , "

.= 5

ru sa l

. , )) ! & " ))A 5

, ,

52

s

Accord.

, <,2

8 ,2G

ht

Whirly Tube on G (Harp)

1 52

. #& "

4

rig

Tr. Rec.2

'

pe

h = 146

220

or

" . Tr. Rec.1 & "

,

, , A 3

mf

4

h + e =h

h = 118

,2

,2

,2

8 @

-

Vla

+ ".

'

'

. =

'

. "

Vc. 1

+. "

'

'

.=

'

".

+. Vc. 2 # "

'

4 RICL 165

; ,2 A 8 & p

52

. =

5

, A

. "

SIT STAND WALK + e =h

h + e = h

h = 93

3

Vla

Vc. 1

'

. "

'

'

. =

'

. "

'

. =

'

. "

3

'

h + e = h

'

'

+ ".

'

,2 52 8 A

+ ".

'

4

p

'

.=

, <,2 , ,

'

h = 75

.=

'

12 , . 5 A "

.5 =

3:2e 12 : ; ,A , ,A , , , ,

".

/F

h = 93

or

+ e =h

. Vc. 2 & " 52 # 1

, ,2 , ,

".

'

'

1 .;, "

. ,G .G = <, 5

/A ll

,

,

<,

4:5

iL

on

do

n

-

rd

" B. Cl. (solo) & # $ 230

h + e = h

.=

'

by

ht Vc. 1

". -2

H

,2 , , ,

,

+ 4

, < ,12 ,

.= , , , A 3:2e

&8 p

Vc. 2 & , # 1 <,

, < , ; ,2 ,

5

.G

, .= ,A

,2 52 A

. 5 =

;,

1 .= ; ,

,

,

' 5

q = 118

".

1 ." , , . ;52 A "

, <,

3:5e

' <,

4 ,

,

,2 52 8 A pp

,1 < ,

,

,

,2 ,

,

,

, ;,2 ,

,

,

.=

, B, , A

. =

3:2e

'

.=

.=

4:5

2 ." ; , ,2 <,2 8 @ RICL 165

1, B , , A 3

h + e = h

'

ig yr op Vla

+

q = 118

R

ic o

'

" Vln &

C

. =

ed

" . Vln & "

'

, , ,2 , , , A 4

5

f

;,2 8 @ ". ,2 ,2

3:5e

re se rv

Vh

;, , <,2 , , B, @ A ?

, ;,

ly

-

.= 1 ,

h = 75

on

. ,;, , , , <, 4 & " !

,

, ,

,2 <,2 8 @ -

. 2 #& " ;,

" . B. Cl. (solo) & " # $

1, ;,

,

s

Accord.

;,

ht

Tr. Rec.2

,

rig

Tr. Rec.1

4:5

ru sa l

" . & " ,1 226

pe

Vh

27

.=

SIT STAND WALK

28 h + e = h

p

. "

'

".

'

.=

'

".

'

. =

'

3:5e

. , "

. #& =

8 @

;,

&

B,

4

8 ,G2 52

3:2e

pp

'

, .G . A ;, 5 =

pe

,

, ;,

;,

4:5

. "

B, ;,

,

G . , "

.= 5 . ;, =

B, ;,

3:5e

. =

'

. "

'

. " . "

ht

'

-

,

or

2 < ,2 ,2 ." ,

,2 , ,

, , , A

<1,2 ,

/F

,

,

,

ed

< 1,

. "

rig

Vc. 2

'

h + e = h

, ; 152 A ".

. ,G & = A ;,. 5

Vc. 1

.=

h + e = h

re se rv

Vla

'

q = 94

" . 5 Vln & = + .=

q = 94

'

ly

;,2 , B, <, , 8 . , ". ;,B, <,

. <, ;, 2 , , !& =

" . B. Cl. (solo) & = # $

'

on

".

'

s

Accord.

. !& =

ru sa l

234

Whirly Tube on G (Harp)

h + e = h

q = 94

. )) Whirly Tube " & 5 on G ! (Harp)

)) ,

5 ))

rd

iL

q = 75

ic o

238

do

h + e =h

on

W

n

/A ll

-

1 , , , ,2 , ; , ,

by

R

, ; , B, <, " . ? B. Cl. (solo) & " # 5 $

ht

,

ig

4:5

yr op C

Vc. 1

Vc. 2

. 12 &" 5 . , ;, B, A &" . #& "

)) 5

5 ))

, @

4

* ,1

;, ,2 ,

,

,

<, , < 1,2

,

. = ;,

,

, , A

,

3:2e

' RICL 165

))G . , "

.= 5 ))

'

5

W h + e =h q = 75 * " . <, Vln & " , 1

Vla

)) ,

,

.= <1,

' , ;, 3:5e

, . A .G = ,5

. "

". . "

'

. =

'

. "

'

.=

'

".

SIT STAND WALK

5 .= 5 5

,, ,A

multiphonic

'

ppp

q = 60

. ,1 " & #

,

8 @ -

. =

' ,

<,

,1

4:5

,

<,

,

,

'

.1 =,

,,22 ,2

'

,, ,

,, ,

@ 4

'

'

,

,2 < ,2 ,2 A 8

,

'

3:5e

pppp

/A ll

rig

ht

s

Vla

" . & " ,2

quasi corale, delicatissimo

re se rv

Vln

2 <,2 ,

'

ly

, ) )A

on

'

, 5 ) .= ) ) )A

ru sa l

q = 60

5 ) )

pe

))G 5 , ) )

)) ,2

5 ))

or

" . B. Cl. (solo) & " # $

)) ,2

/F

. !& "

quasi corale, delicatissimo

ed

241

Whirly Tube on G (Harp)

q = 60

29

by

R

ic o

rd

iL

on

do

n

-

" Low G Gong I #

ig

ht

246

X '

yr op C

$ "

@

5 $" 5 5

51

5 " 5 B. Cl. (solo) & # 5 $ " Vla & #

@

,, ,A

55 5

tune lowest string to C as discreetly as possible

'

'

X "$ RICL 165

h + e = h

q = 50

'

'

55 5

'

'

h + e = h

q = 50

'

'

'

+

SIT STAND WALK

'

' 5 55

" 55 B. Cl. (solo) & # 5 $ Vln

#

'

+ * 5

'

* 5

'

'

'

5*

5*

'

* 5

5*

5

55 5

5

4

4

'

,

4

'

'

'

4

4

pppp

* 5

#+

'

'

+

or

9

'

4

5

pppp

3

9 ;5

-

4

9

3

3

-

5

3

; 55 5

'

4

5*

9

9

,

3

,

4

4

3

265

!&

by

ig

ht

(

" 5* & 5

yr op

whistle

Vla

#

+

'

iL

' '

" 55 B. Cl. (solo) & # 5 $

Vln

'

5 4

5* 5

'

'

5 ))

5 ))

pppp

/ =

'

'

'

'

'

'

/ =

'

'

'

'

'

'

/ =

'

'

'

4

'

/=

'

'

'

/ =

'

'

'

/ =

Pianist enters!

R

&

Pno

rd

!

'

ic o

Whirly Tube on G (Harp)

on

do

n

-

9 ,

s

-

9 ;,

rig

'

3

ht

9 ;5

/A ll

Vla

'

Y

" Vln &

/F

55 5

259

ed

" ; 55 B. Cl. (solo) & # 5 $

Y ; 55 5

re se rv

-

C

; 55 5

'

pe

Vla

'

'

55 5

; 55 5

5

" &

'

ly

251

on

" Low G Gong I #

ru sa l

30

5 4

5*

5 4

5

5 4

5

RICL 165

;5 5 5

, , ,

SIT STAND WALK

31

Z

'

q. = 72 * " / 52 &=

Vla

-

whistle

,2

/ & = -2 #

+ /=

'

'

'

'

@

'

,2

52

42

42

52

,2

'

52 ))

(

Vla

'

)

,2

'

on

AA

do

n

,2

" &

52

iL

ic o '

52

whistle

ht

To Rin Gong

42

ig

yr op

Pno

512

!

'

42

>2

42

,2 )) 42

52 )) >

'

,2 ))

, A 42

42

'

'

'

'

'

'

'

'

,2

52

,2

,2

52

,2

,2

52

,2

add ALL water to lower pitch gradually

'

,2 52 )) ))

0'1 > ;, A @ 42 & 4 0 )1

52

'

'

#= & = ,2

,2 2

5

'

,2 ))

> , , <, A A 42 '

'

@

' ,2 < , ,2 > ; ,

>2

on strings

2 2 21 2

@ 42 42

ppp

RICL 165

'

#= =

5

2 2 21 2

@ 42

'2

/ = /=

'

> , , <, , , , #= A @@ = 4 A #= =

2 2 2 2

gliss.

quasi q= 60

52 ! & ))

(

'

Rin Gong

282

Whirly Tube on G (Harp)

,,2 2 ,2

viola enters

#+

" Low G Gong I #

; 552 2 52

violin enters

whistle

'

42

by

-

pp cresc.

R

Vln

42

remove wedge and replace with foot

'

" ; 52 B. Cl. (solo) & # < 52 $

42

>2

re se rv

!

'& >2

s

'

'

ht

&

'

rig

'

rd

Pno

!&

/A ll

277

'

'

ed

AA

Whirly Tube on G (Harp)

C

'

,2 ,

,2 ) )

'

52

pppp

52 ) )

or

Vln

* ,2

,2 ) )

-2

'

ly

" / B. Cl. (solo) & = # $ Z

42

on

@ 42

ru sa l

/, ! & = ))

/F

Whirly Tube on G (Harp)

pe

q. = 72

272

>

,

,

/ = /=

SIT STAND WALK

32

2 : Stand

, < ,2 A

<,

#J =

BD> 2

/=

'

, <, , ;, A

pp cresc. poco a poco, inquieto ma lontano

( /=

ordinario

#J =

42

;; 5515222 quasi tamtam '3 )

'

==

'

D> ; , D , ; , B , B> /= A A A

==

/ =

= =

'

/=

' ,

,

, <, A

, A /=

'

/ =

/F

Pno

#J =

ly

',& , /= A &

: , 8 @ @ 42

on

gliss.

ru sa l

!

5

or

Rin Gong (Perc.)

pe

" / #& = <,

andante: rocking, poco minaccioso q. = 72

287

s ht

A

291

".

'

( /=

'

. "

'

n

iL

rd

(/ =

'

. "

'

""

'

0=

'

'

" "

'

0 =

D> , , <, , , A A

'

D> B ,2 < ,2 A

'

, ; , D> ; , , ; , B , 0 A "" = " "

'

'

0 =

by

R

0 )1

ic o

!

on

0'1 BD> 2 B ,2 < , , ; , D> ; , , ; , B , A . & /= "

Pno

'

harpist enters

/A ll

'

do

Hp.

/ &=

rig

!

re se rv

ed

-

ig

ht

A

op

yr

" / Vln & = 42

C

'*& 52

senza sord.

. "

ppp

* 52

sul D

, 5*

,*

5*

-

,*

3* '& < 5* 2

senza sord.

" "

, 5*

5* 2

0 = ,* ,* 0 =

+ /=

'

. "

'

'

Vc. 1

( /=

'

".

'

'

'

""

'

0=

Vc. 2

(/ # =

'

".

'

'

'

""

'

0=

Vla

RICL 165

-

&

ppp

" "

5*

SIT STAND WALK

5

/ =

/ =

'

/=

'

#J =

'

/=

,2

ig

* ,2 ,* 2

".

,* 2 '

= =

'

D5

s ht

, ;, B, 4

3

. "

'

52

* ,* ,2

,* 2

* ,* ,* < ,A / =

ly

,* 2

==

'

/=

==

'

/=

52

D> , A -

'

,* ,* 2 A ".

<, , A

, @

G <, 5 '3

5

5* 2

52 52 ,

""

52

5

5*

* * ,* < , 5 A A

" "

5 5

D> B ,2 A

, ;, A " "

< ,2

52 42

' ,5

* 52

5 D5

" "

5 (

* , ,2 A

/=

on

==

/ =

rig D> ; ,

iL rd

by

" / #& = $ B 0'1 * 52 " / Vln & = 0'1* 52 / Vla & =

ht

, ;, A . " . "

, 5* 2

5* 2

52 52

5 D5

R

52 0'1 0 )1

<,

ic o

(/ =

B ,2

; 52 BD52

do

52 2 D5

. "

* ,2

52

/A ll

f sempre molto risonante

( / 42 =

!

".

D5

; D52

n

D52

,2

re se rv

(0 =

yr op

42

/=

/=

0'1 BD> 2 & /=

C

#J 42 =

< ,* 5* 4 A

#J =

'

!

#

52

5*

#J =

Hp.

Vc. 2

4

* 52

'

B & /= 42

Vc. 1

* ,* ,2 A

/=

301

B. Cl. (solo)

, /= A 4

5

=4 =

-2

ru sa l

5

52

'

#

Pno

,2

/ =

, , <, , , A / A == =

pe

0 )1

#J =

(0 =

Vc. 2

-

52 '3

mp

0'1 ,2 " 0 Vln & = 0'1 ,2 0 Vla & = Vc. 1

/ =

'

D> ; , , ; , B , BD> /= A A A

, <, , ;, A

or

( 0=

on

Pno

#J =

BD> 2

/F

!

, , < , , < ,2 A /= A

ed

0'1 D> , < , , A 0 &=

296

33

@ <, 1

5

pp appena udibile

* 52

5* 2

,*

,*

" "

"" ""

(/ =

'

. "

'

'

'

" "

(/ =

'

".

'

'

'

""

RICL 165

0'1 D> ; , D> , ;, B, " 0= &"

Pno

( ""

, , <, A

0 = G -2 ,

3 0'1 0 )1 accordionist to position

" Accord. & " !

0=

D, < , > /= A / =

/=

'

, < ,2 A

52

,2

== = =

'

""

3 3

BD,2 ; ,

> ;, A

D5

5 5

5 D5

D, > , ; , B , ""

3

" "

3

==

'

""

'

==

'

""

'

5

do

,2

52

,2

5* 2

,* 2

on

/= 52

iL

rd

,5

0=

,2

5

/=

==

5

G , ,sul ,* ,*

* "" 3

by

R

0'1 5* " " Vln & "

0= ,2

n

"( " # "3

ic o

B. Cl. (solo)

/A ll

rig

'

< ,2 <D,2

==

5

on

/= -2

""

ru sa l

'

3

pe

0=

==

or

5 D5

/= -2

/F

!

5 5

'

ed

( ""

0=

<D,2

re se rv

Hp.

D5

s

& ""

,. ,

5

ht

!

305

ig

ht

0'1 * "3 &"

/ =

= =

3*

" "

5*

5*

C

op

yr

Vla

* ,* < ,

*2 0 , =

Vc. 1

( ""

'

0 =

'

/ =

'

= =

'

" "

'

Vc. 2

(" # "

'

0=

'

/=

'

==

'

""

'

RICL 165

ly

SIT STAND WALK

34

SIT STAND WALK

/ =

'

'

'

#J =

G < , ,2 , < , , D ,2

; ,2 ; D,2

D, < , B ,2 A / =

; ,2

@

< ,2

pe 52

,2

/ 52 =

,2

52

,2

D> , < , , ; ,2 A A

/F

or

D> , , , <, B, , , A 42

< ,2

42

p

mp

,12

,

,2

42

1, A @ 4

#J = #J =

loco

ht

s

0'1 0 )1

/=

B,

ed

( -

D> ; , , ;, A

"( #

'

52

,2

1 52

,2

42

pp

#J =

do

n

B. Cl. (solo)

#J =

re se rv

0'1 D, < , , , , > A A &

Pno

'

rig

!

3 3 D

'

ru sa l

(

'

/A ll

Hp.

, <D, ,2; ,. D,2 A /= ;,

ly

&

D 3

on

!

310

35

iL

,* 2

5* 2

,* 2

* ,* / 52 =

* ,2

* 52

* ,2

,; ,* 2

* 52

* ,2

ic o

rd

* / 52 =

5* 2

,* 2

'

#J =

'

#J =

R

" 3* Vln &

on

0'1

ht

by

0'1 52 &

C

op

yr

ig

Vla

(

Vc. 1

Vc. 2

#

(

IV

'

/= -2

&

'

/=

'

'

* 52

* ,2

ppp

' RICL 165

'

* ,2

#J =

-2

'

#J =

SIT STAND WALK

@ /=

'

= =

'

! =

'

; D52 #J = #J = ;52 ; D52

/=

-

/ =

on

!=

or

pe

5 D5

'

'

ly

4

==

D> , < , , A A /=

, ;, B, A

( #J =

/ 42 =

'

0 )1

D> , < , , <, A A ==

mp

1, A @ @ 42

/F

!

'

always resonating unless marked otherwise

0'1 D>2 ; , & #J =

D , ; , B> 2 ; ,2 A ! =

< 1, G A @ 42

=4 =

,

'

#J 42 =

'

#J ;, B, =

> ,

, <, A / =

,1 4 A @ 42

/ =

ht

s

p

! =

; D, B , #J A =

rig

Pno

@ /=

ed

( #J = 42

4

re se rv

Hp.

D5

; , B 1,2 , D ;, , ;, /,A A /=

"( #J 5 B. Cl. (solo) # =

/A ll

!

C & #J = 42

315

ru sa l

36

questioning, conversational, quasi ad. lib.

pp

do

n

42

6:5

= =

'

! =

mf

, ,2 ;1, ,.G, / A , = 6:5

iL

on

mf

42

,*

/=

5* 2

,* 2

5* 2

,* 2

==

'

!=

* 52

#J =

* ,2

5*

,* 2

/=

yr

ig

ht

by

R

ic o

rd

C IV * ,3 " #J Vln & =

& #J = 42

4

,* 5* A

/=

==

,* 2

5*

* ,; ,* 52 A ! =

#J =

* 52

-

/=

C

op

Vla

IV

Vc. 1

Vc. 2

#

& #J =

'

/=

'

==

'

!=

'

#J =

'

/=

( #J =

'

/=

'

==

'

!=

'

#J =

'

/=

RICL 165

SIT STAND WALK

==

& /= (/ =

#J =

'

==

'

%= '

#J =

'

= =

'

% ' =

#J = 52 2 D5

( / 42 =

==

< 1, A @ G == G @ @ 42 , p ,

42

-

/=

'

==

-

'

= =

on ru sa l

ed

/F

or

/ =

% =

; D,2

4 %= 42

#J =

D,

#J = 4

> , A

, <,

1, A @ -2

, <D, > A / A =

, <, , ; , A A = =

/= 42

42

, /= <1,2 , , ,12 ,12

42

mp

,1 A @ G = = p

;,

1,

42

==

'

D %= ' #J & = , ,1 , ,1

'

%= '

D #J =

'

/=

'

==

%= '

#J =

'

/=

'

+= =

%= '

#J =

'

* /= @ ,

rd

iL

@ 42

on

do

n

/A ll

0 )1

"( / # =

> ; , B ,2 A

, ; D, A = =

D52

6:5

D G ,.

42

==

by

" / &=

52

42

/ &= 4

Vla

C

op

yr

ig

ht

Vln

R

ic o

B. Cl. (solo)

'

re se rv

0'1 D, < , B> B , < , A & /= A

Pno

/=

'

s

!

%= '

ly

!

'

ht

Hp.

'

rig

Cl.

D Ensemble Clarinet enters

pe

" / #& = 320

37

/ &=

Vc. 1

Vc. 2

#

( /=

,* 52 A

== ==

'

'

== ==

,; 3*

'

*2 %= ,; , & sul B!

'

RICL 165

,* 2 #J =

* 52

==

ppp

5*

,* 2

* /= ,A @ @ 42

42

==

SIT STAND WALK

! =

'

52 D52

>

, D, A

0 , = ,

@ 42

@

@ 42

@

; ,. ;,

D5 5

@ 4

ly

'

@ 4

;5 ; D5

4

/F

or '

ed

<D, > , < , , A 0 =

0= 4

,1 A 4

4

> ;, A

; D, 4

s

, 0 )1

< ,1 A 42 mp

!=

G @ -2

,

<,

re se rv

! =

D,2

ht

p

,

G G @ 4 , ,

rig

" = B. Cl. (solo) & = #

!=

'

/A ll

( ==

;, , , ;, , A

'

n

!

0'1 D> & ==

Pno

'

0=

,

pe

(= =

'

!=

7:6

, 0= <, < , < , 2 , , , <,

,

8:7

5

3

3 1 1 ;1, ;, ;, ;,2 G ,1

8:7

,

R

'

!=

5* 2

5* 2

0=

yr

ig

ht

by

" = Vln & =

ic o

rd

iL

on

do

Hp.

= &=

D52

on

!

325

ru sa l

38

+ ==

'

! =

'

-

0 =

,* A

5* 2

5* 2

,* A

,* 2

@ 5*

C

op

Vla

,*

5* 2

Vc. 1

Vc. 2

* ! 52 =

= 3* &=

= #& =

'

!=

,* @ @ 42 A

'

' RICL 165

0 =

'

0=

'

,;5* 2

* , A

IV

pp

'

SIT STAND WALK

39

E

'

'

D,

mf

""

; , , ; , B , B ,2 /= A A /=

'

'

,2

, <, , , A A ==

==

'

" ; D,2 B. Cl. (solo) & #

#J =

'

on

-

ed

re se rv

s '

/= ;,1 <,1 A /=

p

f

iL

8:9

;,

9:8

<D,2

D,2

@ 42

42

@

8:9

==

'

==

'

= =

E

w = w4e

#J =

q. = 81

""

'

/= 42

-

" "

'

/ =

'

,* ,* 2 4 A

5* 2

,* 2

==

by

R

'

mf

1 1,2; 1, B 1, 1, 1, ; , 1 1 < , 1 1 < , " , ;, / " =

rd ic o

" Vln &

,1

1 ; ,1 B 1, 1, 1, ,1 < ,1 < , A A A

(RH in previous tempo!)

/A ll

0 )1

>

mf

""

'

, ;, A

ht

#J =

'

D, < , A

rig

(

D, , < , , , > #J A A "" =

n

!

0'1 >2 ; D, B , , &

Pno

#J =

==

'

/F

(

'

'

ly

!

'

'& ; D,

"" -

do

Hp.

&

#J =

/=

'

on

mp

""

ru sa l

42

q. = 81

pe

8:7

330

or

D, " , <, #J Cl. & ;, B, .G = , @ # ,

w = w4e

,* ,* 2 A #J =

* & 52

* * , #J 52 = A

5*

"" 3*

/= 3*

* #J 52 =

* 5

* "" 3

* /= 52

ig

ht

5* 2

+

42

'

'

= =

'

==

C

op

yr

Vla

Vc. 1

* @ , 5 2 Vc. 2 & #

7th on B!

pp

RICL 165

@

* ,2

* 52

42

==

SIT STAND WALK

"$

'

'

0=

'

""

'

"$ '

42

'

""

'&, D > ; , B , A B ,2 A 0= A

p

. =

p

( == 3 3

.=

rd

'

iL

" = #& =

.=

'

2

p

0= ;52 ; 52

on

p

0;5 =

' '

,

/A ll

3

,

* " =3 Vln & =

by

ht

> , < , , ; D, B ,2 < , , , , "" A "$

B> ; , BD, ;, B, A A

" "

'

"' $

-

@ ""

'

" -2 $

, 52 @ A

@ ""

'

"$ -2

mp

@ ,G 52 , 52

/=

/=

@ G4 ;,

/ =

4

/ =

4

/=

@ 4

/=

mp

, ( 0 ;, <,2 B, A =

1,

6:7

artificial on Bb

9 0 92 A =

""

'

" -2

&$

9 "* A "

"$ '

3*

5*

3:5

; ,12

<,12 ,12

-2

1,

,*

/=

pp

ig yr

'

/=

5*

IV

.=

'

0= 42

Vc. 1

= &=

'

. =

'

0 =

'

" "

'

" $

'

/ =

Vc. 2

= #& =

'

. =

'

0 =

'

" "

'

" $

'

/ =

RICL 165

"$

3*

'

pp

""

III ,* ,* 2 A

+ ==

Vla

C

op

, D

D52

; D,

p

mf

.= 9 ;5

'

"$ 2 D5 "$

s

42

n

!

0=

D ;D, . ; ,A @ A = 4 @ G 0= G 4 -

0 )1

= &=

D "" 3

R

B. Cl. (solo)

BD,2 ( ==

-

'

.= -

4

ic o

Accord.

@ 42

, ; ,2 A 0=

do

!

0'1,

& ==

Pno

.=

'

4

ht

(= =

5: G , ,<,<, , /= 1,

p

0'1 , , <, , ,; , , ; , , =A .= &=

Hp.

/=

ly

'

rig

!

""

ru sa l

.=

'

pe

'

0=

or

= #& =

Cl.

'

/F

.=

Recorder 2 enters

ed

'

335

re se rv

" = Tr. Rec.2 & =

on

40

/=

SIT STAND WALK

F 340 " / Cl. & = #

'

mf

( / 42 =

D,2

'

#$ =

'

#$ = -2

'

-2 '

##=

ly

, A @ @ 42

on

, ; D, , , ; , , , ; , B , B , A #$ A =

ru sa l

,

42

42

0 )1

D #$ @ ;, =

D 4 5

42

42

;3

(/ =

'

@ ;3 ;3

#$ =

ht

@

rig

'

s

##=

#$ =

, ,

B ,2 , > , ## A =

or

/F

p

& /=

B,

D @ ,,

42

, < ,2 A

## =

'

@

'

@

'

@

<, <, <,

,2

52

,2 ,2

52 52

##= ## =

" / B. Cl. (solo) & = #

5:4

; , <, , ,2 ,B 1, B , #$ @ ;, A @ , A = ;, , 6:5

'

D ;,.G

## =

'

R

ic o

rd

'

on

do

n

/A ll

!

3:2

##=

42

pe

'

iL

Accord.

3:2

ed

(/ =

!

<, , @ ,1 ,<, , ,<, A A @ @ 42

42

re se rv

!

, <, , , A

, B ,2 < ,2 A

0'1 B> A / & = @ @ -2

Pno

#$ = -2

'

mp

'&B , & /=

Hp.

41

,* 2

5* 2

42

42

,* 2

5* 2

52

3* 2 #$ =

5* 2

32

32

#$ =

-2

##=

Vla

+ /=

Vc. 1

& /=

'

'

#$ =

'

'

## =

Vc. 2

/ #& =

'

'

#$ =

'

'

## =

C

op

yr

ig

ht

by

F* " / 52 Vln & =

RICL 165

##=

SIT STAND WALK

( ##=

'

0 =

!

Pno

!

'

0 =

## Accord. & = !

'

0=

> , A

p

< ,2 '

B, #$ A @ @ 42 =

#$ G G@ = , ,

,

, <, , ; , ,; ,B, ; ,B, '

-2

42

'

52 #$ = 52

'& G 4 ;;,, D

'

-2

42

<, 52 4 <, 52 A

" ## B. Cl. (solo) & = #

ic o

rd

'

iL

on

do

n

'

,

-2

/A ll

( ##=

0 )1

#$ =

'

0'1 , < , , ; , > ; , B , ; D, B , ## A 0= &=

< , B ,2 A

ly

'

'& B, @ #$ =

'

on

## &=

D ;,D, ,, ; 0 4 =

D ,2 ,2 < , 2 , <,2 ,2 2 ? H@ @ 2 < , ,2 ,2 D D

3:2

mf

#$ = 42

'

'

ru sa l

0=

@ @

pe

'

1 1 ; ,1 ,1 ,1 <,1 <, ,

or

Hp.

## #& =

'

#$ = 42

'

'

ed

Cl.

'

'

re se rv

Tr. Rec.2

0=

Recorder 1 enters

#$ =

s

& ##=

'

0=

ht

344

rig

" ## Tr. Rec.1 & =

/F

42

6:7

1,2;,2;,2,2 1,2 0= ;, , ,1 , B, #$ = 12 <, 5:6

42

42

'

by

R

f

C

op

yr

ig

ht

" ## Vln & =

Vla

Vc. 1

+ ##=

,2

3

0 =

' 52

* * 4 ,A 0= 52

& ##= '

## Vc. 2 & = #

0 =

'

'

0 =

'

#$ =

'

@ #$ =

'

-2

'

* * , #$ 32 A =

* 32

* #$ 32 =

* 32

RICL 165

42

4

*G ,

SIT STAND WALK

G

42

52

52

52

4

; , 52 ;, 52 A

-2

ly

G ;, D

on

; , , ; , , B , B> , , A

/F

,2 '3

Accord. & 42 !

, <, , ; , , > A A @ A A

f

p

0 )1

@

B>2

'

52

, <,

,2

ed

( 42

, , <, A @ A

4

ru sa l

G & ,, 4

42

pe

0'1

-2

@

,2

re se rv

!

'

s

Pno

(

; , ,2 ;, ,2 A

,2 ,2

42

-2

" B. Cl. (solo) & #

-2

'

iL

on

'

do

n

/A ll

simile

4

ht

Hp.

@ ,G @ 42 <D, '

-2

or

, , <, G D D ;, ;, @ @2 B,,22 D

348

rig

!

0'1 , , & A

43

42

rd ic o

G

ht

* 32

* 32

ig yr op C

Vla

Vc. 1

+

'

'

'

& 52

-2

'

'

* 2 3 Vc. 2 & #

,2 <D, ;,

mf oscuro

R by

" * Vln & 32

(

* 32

* ,2 RICL 165

* * , ,, A

* 52

SIT STAND WALK

44

!

0'1 , &

<, , B, A A

351

ly

/F 52

rig

'

n

/A ll

'

42

&

3:2

, ;,2 B,<, , , ;, 4

4

3:2

iL

on

do

D D <,; , , B,

D, ;D,2 B,12<,12

D, , ; D, A

ic o

rd

molto cantando

* 32

* 32

Vla

+

'

'

42

C

op

yr

ig

ht

by

R

" * & 32

Vc. 1

& 42

Vc. 2

* #& 32

@

* ,

* 52

@

s

< ,2

ht

, 52 ,A 52

1,2 1,2

-2 42

32

4

-2

'& <, > B, A

pe

@ ,G @ 42 <D,

32 0'1 0 )1

42 !&

'

or

0'1 : & @ ;,G @ @ @2 BB,,-2 D D

"( D , ,2 , B. Cl. (solo) #

Vln

G @2 ;,2 D

42

on

'

(

Accord.

<, , A

ru sa l

'

ed

!

, ;, B, B, , , , A

f

(

Pno

, ;, A ;,G

<, , ; , A

re se rv

Hp.

B ,2

3* 2

3* 2

* 32

* 32

RICL 165

@ ,

52

, ? 8@

SIT STAND WALK

'

ly

'

ru sa l > A

;, A

;, @ A

@

B, ;, B, > A @

(

@

@

,

!&

s

re se rv

< 32 0'1 0 )1

1, A

,

ht

'

,

pe

,D , ;,

, , <, A

1, , A

@

B, A

,

,2

'

,2 ,2 2<,1.G;, ,1.G B, ,

do

8 2 <,2 B,2 , ;,

,

,

on

" 4 #&

82

;,2 B,2 ,2 <,2 ,2 <,2 ; , B , 2 2 2 , ,2 2 , D ; ,2 B ,2 < ,2 ,2 D

R

" & 32

by

32

ig

ht

Vln

ic o

rd

iL

B. Cl. (solo)

n

/A ll

Accord.

, <D,

or

!

'

G <, D,

, ;D, D,

on

(

0'1 <, &

Pno

@

rig

Hp.

8 : 2 ;, ;, D

/F

& ;,

ed

!

0'1

354

45

32

Vc. 1

& 3* 2

3* 2

Vc. 2

* #& 32

* 32

C

op

yr

+ 32

Vla

RICL 165

SIT STAND WALK

H x. = e vivacissimo, con slancio q. = 108

" Tr. Rec.1 & -2

1,2

356

,

, < ,2 A

, A

;,

;,

,

; D,

> A

;,

rig

ht

(

ly

<, B ,

;,

B,

ed

B ,2

@ 42

B, ,

, <,

,

D ;,2 ff

;,

' B,

B>

, ;, A D

G , , D

42

-2

/A ll

32 0 )1

<, 3

3

' , < ,2 A

B,

,2

on

, B1, A

;, A

s

!

3

B ,2

(

,

,

3

f

0'1 D> &

Pno

;,

<1,2

/F

!

1,

42

B,2

ru sa l

ff

;,2

<,

,

re se rv

Hp.

;,

,

,

B,

or

,

Cl. & 42 #

&

; 1,

<,

<,2

B,2

f

& -2

Tr. Rec.2

;,2

pe

46

, <, G , , D

on

do

n

D ; ,2 ; ,2 B ,2 ,2 ,2 ; D,2 ? H @ @ 2 ,2 ,2 ,2 , 2 Accord. & < , 2 ! , 2 2 , < , D ,2 < ,2 < ,2 D

,

iL

rd

,

,

,

to Clarinet in A

'

vivacissimo, con slancio q. = 108

by

" Vln &

, <D,

ic o

H

, ;, B,

R

" D, B. Cl. (solo) & #

'

'

C

op

yr

ig

ht

x. = e

Vla

+

-2

'

4

, ,2 )A )

non misurato

p ma intenso

Vc. 1

&

Vc. 2 & -2 #

42

'

@2

)G <,2

) 52

non misurato

p ma intenso

42

4

))G ,

non misurato

) 32

p ma intenso

RICL 165

SIT STAND WALK

" Tr. Rec.1 & 358

&

Cl.

#&

' ,2

<,2

,2

'

42

'

(

52

re se rv

B ,2

; D,2

s

, A

ht

< ,12 D

,

rig

D,

>

rd

iL

!&

'

) <,2

non misurato

p ma intenso

yr op C

Vla

Vc. 1

Vc. 2

) 52

) 32

+ 32 )

32 )

) & 32

) 32

) #& 32

) 32 RICL 165

ru sa l pe

,

>

;, A

;, A

, A

B,

;, A

, A

B,

'

,

'

ig

ht

by

R

" Vln & 42

;, A

32

on

0 )1

<, A

/A ll

( G ,

,

,

/F

; ,2

ic o

Accord.

B ,2

n

!

, A

'

0'1 <, & A

Pno

,

do

Hp.

,

<, A

ed

!

,

<, & A

'

or

'

on

ly

Tr. Rec.2

47

SIT STAND WALK

48

;, B, ;, B, , > A A A

1, A 42

,

42

-2

rd

iL

on

do

n

,2

42

) 32

+ 32 )

32 )

32 )

) & 32

) 32

) 32

) #& 32

) 32

) 32

by

R

ic o

) 32

ht Vc. 1

Vc. 2

ru sa l

/F B>2

rig

42

< 52 0 )1

" ) & 32

ig C

op

yr

Vla

'

ed re se rv

, ; ,2 A

<,

ff grandioso

(

Vln

> , A

s

0'1

> , , <, B, , , A &

Pno

, , <, , , <,

pe

'

ht

!

'

;, B, , ; , B , , A A A

or

(

B ,2

, ; ,2 A

<,

/A ll

Hp.

, , A

on

ly

!

, , , <, B, , , A &

360

RICL 165

, , <, , , <, 1, @ A @ 42

SIT STAND WALK

'

,

< ,1

; ,2

do on iL

, ff

, A

, A

ic o

) 32

by

ht ig yr

+ 32 )

32 )

C

op

B , B> A

;,

-2

rd

42

R

" ) & 32

& , <, B, ,) 3

mp

Vc. 2

ly on

ru sa l

ed

B>2

,

@

@

1, A

,

42

n

0 )1

;, A

-2

@

,

" Cl. in A (solo) & -2 #

Vc. 1

,

/F , <, A

re se rv

>

s

0'1

( 42

Vla

,

or

'

, & A

Vln

B, B, A

;,

/A ll

!

; ,2

pe

(

Pno

; , B ,2 A

,

ht

Hp.

, <, A

rig

!

,

, & A

363

49

) ,2

) 52

) 32 ) 32

) #& 32 RICL 165

,

,<,.G ;, D

,2

DG ,.

B,2

42

(

, <,

'

'

or ed

/F 42

s

-2

@

; ,2 B ,

4

/A ll

0 )1

, ,

; , ,2 A

,

n

,2 ;D,2 ,2

, BD,<D,

D2 ,2 ,

fff

rd ic o

I

) ) , B, , ;, ,)2 mp

) 52

) 32

ig yr op

+ 32 )

32 )

32 )

& 3) 2

) 32

) 32

) #& 32

) 32

) 32

C Vc. 1

Vc. 2

, , > , B, <,

'

ht

by

R

" ) Vln & 32

, <,

1, A

iL

on

'

D,2

do

" Cl. in A (solo) & #

B> A

re se rv

>

, ;, A

< ,1 @ A @

( -2

Vla

, , , , B, <,

on

B, , A

; ,2 B ,

ht

!

; , ,2 A

'

0'1 < , , , , B> B , B , , A &

Pno

,

rig

Hp.

, ;, A

ru sa l

&

<, , , , B, B, , , A

pe

!

365

I

ly

SIT STAND WALK

50

RICL 165

,2

52

SIT STAND WALK

" Tr. Rec.1 & -2

1, , , , A @ @ @ ;,1 B, , ,

368

, , ,1<, ,;, B,A @

42

'

-2

D, A @ @ 4

D, D A @ @2 ,A 2

3:2

D 8 , 42 ?

f

ly on

3:2

42

ru sa l

@

D, D A @ @ ,A @ @ 42

42

ed

, A 4

< , , ,2 A

;, @; ,

4

@ 4

;, > A

;,

/A ll

!

<, , , <, B, G 8 @ BB,, 4 D D, B, ' 8 ,?

42

rig

ht

'

,

re se rv

(

; , , ; , D , ; ,2 B ,2 A ;;,, B, 2 B< ,,22

s

<, B, A

0'1 <, B, & A

B ,2 D , ; ,2 ;;,, B, 2 B< ,,22

, , A ;;,,

< , , ,2 A

< 1, @ @ A 42

-2

LH

<, , , <, B, ; , @ @ ;, D D, ,D, , D, , ,, @ @ A A @ @ A @ @

iL

,1 ( @ A @ G @ @ -2 ;, '3 0 )1

>

rd

Pno

'

pe

" -2 #I

!

1,2 ,2 <,2 A 8 @ 42 ,2 ,2

n

Hp.

'

or

'

&

42

/F

#&

do

3 Gongs laid flat (Perc.)

@2 <,G2 1

42

on

Cl.

42

4:5

& -2

Tr. Rec.2

51

42

42

'

G@ @ , D

'

by

R

ic o

2 D1 " , ,2 2 4 Cl. in A (solo) & #

,;, , ;, A

) 32

) 32

+ 32 )

32 )

32 )

& 3) 2

) 32

) 32

) #& 32

) 32

) 52

ht

" ) & 32

ig C

op

yr

Vln

Vla

Vc. 1

Vc. 2

RICL 165

) ,2

) , ,;, ,;,

mf

SIT STAND WALK

52

J

'

'

Cl.

#&

'

'

" -2 #I

D2 @2 ,A 42

D , @ G @ @ 42 A D,

'

42

re se rv s

rig

'

-2

+ 32 )

32 )

& 3) 2

) 52

#& 3) 2

) 32

C

op

yr

ig

ht

) 32

Vc. 1

Vc. 2

* 2 D,

'

, ;, , , , ;, , , A

, , , , , , , ,

4

'

iL

-2

" Vln & ) 2 3 Vla

* <,2 D

-2

42