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für großes Ensemble 2013-2014
Partitur Sy. 4645/01 ISMN 979-0-2042-4645-8
RICORDI
al on ly us
or pe r
Shiori Usui Deep
This work was developed as a part of the BCMG/SaM Apprentice Composer in Residence during the
al on ly
2013/14 season. The first performance will be given on 27 th April 2014 by BCMG at CBSO Center,
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Birmingham, UK, conducted by Martyn Brabbins.
ii
INSTRUMENTATION
al on ly
Alto Flute/Flute/Piccolo Oboe Clarinet in B♭/Bass Clarinet (in B♭)/Contrabass Clarinet (in B♭) (harmon mute)
Tenor Trombone
(harmon mute)
Percussion I
(Bass Drum with soft mallets and a medium/big superball beater,
or pe r
us
Trumpet in B♭
Chain and bucket filled with water, Snare Drum with wooden stick, Vibraslap, Cymbal with bow, Cuica) Percussion II
(Bass Drum with soft mallets and a medium/big superball beater,
-F
Thundersheet with small and medium/big superball beaters and hard brush, Slapstick)
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Piano Voice
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Violin I Violin II
or
di
Violoncello ---------------
by
R
ic
Live Electronics (low vibration)
The instruments on the score are indicated in accordance with the initial position of
ht
performers at various levels in height (i.e. ground floor, lower balcony and upper
ig
balcony). This order is kept even after Section D.
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All the transposing instruments are notated in written pitch.
DURATION: ca. 15mins. iii
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TECHNICAL REQUIREMENTS Laptop with MaxMSP
al on ly
Subwoofer x 2 or more (Ground Floor) Microphone for voice amplification (Ground Floor) Loudspeaker x 1 for voice (Ground Floor)
Music stands with lights Plastic footwear for audience to feel the vibration on floor Cushions for audience to sit on floor
-F
LIGHTING
or pe r
us
Mixer
Dark towards the floor and lighter with dark blue towards the ceiling as if looking at the
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water surface from below. The performance space becomes darker and darker as time
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passes and becomes (almost) complete darkness at the end.
AUDIENCE
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The audience is encouraged to sit on the floor of the ground floor.
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or pe r
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al on ly
POSITION OF PERFORMERS
al on ly
BCMG Center, Birmingham, UK
Position 2
(bars 1- 109)
(bars 110 – 115)
Position 3 (bars 116 – 118)
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Position 1
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or pe r
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GROUND FLOOR
Position 5
Position 6
(bars 119 – 121)
(bars 122 – 125)
(bars 126 – 127)
Position 7
Position 8
Position 9
(bars 128 – 129)
(bars 130 – 175)
(bars 176 – 195)
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Position 4
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(bars 196 – END)
or pe r
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Position 10
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Position 2
(bars 1 - 80)
(bars 81 - 85)
Position 3
(bars 86 - 88)
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Position 1
or pe r
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LOWER BALCONY
Position 4
Position 5 Continued
(bars 115 - 129)
(bars 115 - 129)
Position 6
Position 7
Position 8
(bars 130 - 152)
(bars 153 - 199)
(bars 200 – END)
or
Position 5
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(bars 89 - 114)
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Position 2
(bars 1- 30)
(bars 31- 39)
Position 3
(bars 40- 43)
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Position 1
or pe r
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al on ly
UPPER BALCONY
Position 4
Position 6
(bars 48- 52)
(bar 53)
Position 7
Position 8
Position 9
(bars 54 - 127)
(bars 128 - 171)
(bars 172 - 194)
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(bars 44- 47)
or
Position 5
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Position 11
Position 12
(bars 195 - 199)
(bars 200 - 218)
(bars 219 – END)
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or pe r
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Position 10
LOWER BALCONY
UPPER BALCONY
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GROUND FLOOR
or
di
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POSITION OF PERFORMERS’ MUSIC STANDS
by
The total of 22 music stands are needed for the performers (rxcl. conductor). The music stands 13, 17, 21 and 22 are used by 2 different players and at different
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timings as indicated below: Muic stand 12: Flute/Alto Flute (bars 1 – 80), Trombone (bars 89 – 114) Music stand 13: Oboe (bars 1 – 80), Trombone (bars 200 – End) Music stand 17: Violin II (bars 1 – 30), Oboe (bars 219 – End) Music stand 21: Violin I (bars 40 – 43), Oboe (bars 128 – 171) Music stand 22: Violin I (bars 1 – 30), Oboe (bars 195 – 199)
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Note-heads
or pe r
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approximate/indeterminate pitch
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INSTRUCTIONS
non-pitched sound
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highest sound possible
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lowest sound possible
Rapid wide vibrato: contour indicates the scale of the intended effect.
Dynamics indicated in quotation marks: These refer to the intensity of the performance manner rather than the resultant dynamics.
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Others
Play with a palm.
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VIDEO CLIPS
al on ly
Come together with the score for the guidance of sound. Bass Clarinet TYPE 1: Multiphonics with Different Shapes:
Sustain low note and change the embouchure for getting higher pitches. Higher pitches
or pe r
us
have beating effect. TYPE 2: Explosive Sound
TYPE 3: Extremely High Pitch
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The pitches indicated are only suggestions...
-F
Move mouth away from mouthpiece
AUDIO CLIPS
Trombone
Violins
by
R
2. Growling sound
ic
1. Sing while you play
or
di
Come together with the score for the guidance of sound.
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Play E string with the metallic/wire coil of the bow. Metallic sound effect
xiv
Deep
Ground Floor Position 1
Oboe
Trumpet in Bb
Tenor Trombone
° &
-F
∑
¢&
∑
° &
∑
¢&
∑
° & ¢
or pe r
q = ca. 60
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Flute
Dark towards ßoor and lighter with dark blue towards ceiling as if looking at water surface from below. Performance space becomes darker and darker as time passes and becomes (almost) complete darkness at the end.
Be
Violin II
q = ca. 60
∑
?
di
Violin I
Feeling low vibrations from ground...
∑ .
æ wæ
pppp
¢/
&
∑
?
∑
?
∑
yr Piano
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op
∑ ∑
Voice
Violoncello
Electronics
{
/
/
ic
with soft mallets
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Percussion II
∑
R
°/
Bass Drum
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Percussion I
∑
&
by
Contrabass Clarinet in Bb
or
Lights
Upper Balcony Position 1
us
44
Lower Balcony Position 1
al on ly
Shiori Usui
æ wæ
∑
w
ææ w
f.t.
æ wæ
æ wæ
æ wæ
æ wæ
æ wæ
æ wæ
æ wæ
æ wæ
pp
Bass Drum
æ ˙æ™
with soft mallets
∑
∑
ppp
æ wæ
Œ
ppp
p
p
.
∑
Electronics: Subwoofer(s) almost unrecognizable very low beating effect pppp
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
© 2016 by G. Ricordi & Co., Bühnen- und Musikverlag GmbH, Berlin
Alle Rechte vorbehalten / All rights reserved / Tutti i diritti riservati
2
Cb. Cl.
ææ œ>
&
ææ œ
ææ ˙
p f
ff
ææ œ>
p
ff
p
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ææ w
‰
ææ œ>
ff
p
ææ œ>
ff
p
ææ œ
ææ œ>
ff
ææ ˙™
æ œ™ >
p
fp
Bass Drum
Vc.
∑
˙
æ wæ
æ wæ
?
∑
/
™™î†ü Ó
mf
p
æ wæ
¢/
Elec.
° ¢í ™™ w
Bass Drum
∑
∑
∑
∑
Elec.
=
™™î†ü Ó
∑
¿
gliss.
_™
-
p
/
∑
ææ œ™
yr
ig
& ææ œ™
/
p f
˙™
¿ ¿
gliss.
mf
mf
Ó
Œ
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f
p
ff
gliss.
p
¿
mf
∑
f
p
∑
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-
sul C
ææ œ>
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p
‰™
∑
∑
-™
¿
gliss.
∑
p
ææ œ>
f
° ¢í ™™ ˙ p
∑ ¿™
gliss.
- ¿™ p
æ æ œ> >œ™
p fp
fp
ææ œ
f
p
mf
p
∑
˙
p
f
ææ œ
ff
p
æ æ ææ œ> >œ œ™
fp
™™î†ü
mf
gliss.
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
-
p
_
∑
Sy. 4645/01
fp
p
∑
∑ - ¿
gliss.
ææ œ
bœ œ bœ nœ bœ nœ œ nœ
Play with variations in duration.
¢/ ?
ææ œ>
ff
mf
mf
Elec.
-™
p
or
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
saggy strings, like cat purring
ic
?
p
mp
f.t.
di
¢/ ˙
˙
æ b œ œ b œ n œ b œ n œ œ n œ œ œ bœ b œ b œ œ œ œ æ œ>
f
∑
op C
Vc.
p
∑
° Perc. I / œ
Perc. II
ff
ææ ˙
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p
ææ ˙
/
16 Cb. Cl.
f
ææ œ>
R
Vc.
p
ææ œ
° ¢í ™™ ˙
by
Perc. II
°
ææ œ>
ht
Perc. I
& ææ œ
Be
13
with medium/big superball beater Draw figure of 8 Play cresc. and dim with variations in duration and dynamics.
∑
=
Cb. Cl.
∑
mf
f
∑
Put down soft mallets and pick up medium/big superball beater
∑
∑
∑
p
us
Perc. II
°/
or pe r
Perc. I
with medium/big superball beater Draw figure of 8 Play cresc. and dim with variations in duration and dynamics.
Change from soft beaters to superball beater.
æ >œ
al on ly
8
∑ _
-™
gliss.
∑
¿
¿
mf
gliss.
3
ff
°/
p
ææ œ
f
mf
p
ff
Play with variations in duration.
œ
mp
mp
f
_
ff
ffp
<q
-™
p
q
ff
q
p
>
œ
mf
∑
¿ ¿™
¿™
-
gliss.
mf
p
∑
ffp
mf
-¿
pmf
∑
gliss.
œ
ffp
œ
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
_
p
_
∑
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/
ffp
æ æ ≈ j b œ œ b œ n œ b œ n œ œ n œ œæ œ b œ œ œ n œ n œ b œ <n> œ b œ œ œ œ œ œ œ œ œ œ œ™æ œ™æ > >
™™î†ü
œ
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
?
p
∑
p
Elec.
≈ j ≈ j æ b œ œ b œ n œ b œ n œ œ n œ œ™æ œ™ > >
∑
° Perc. II ¢ / œ ¢í ™™ ˙
Vc.
ææ œ
al on ly
æ b œ œ b œ n œ b œ n œ œ n œ œæ
us
Perc. I
& ææ œ
or pe r
Cb. Cl.
46
-F
19
di
Be
=
Upper Balcony Position 1
or
Ground Floor Position 1
ic
A
&
gliss.
p
≈
æj œ™ >
j bœO
mf
p
O œO ™™gliss. œ
˙O
ææ œ
ææ œ
ææ ˙
‰
by
œO
ig
Cb. Cl.
.
ht
° ¢& 22
Vln. I
p
yr
ff
C
op
Perc. I
Perc. II
Vc.
Elec.
°/
¢/ ? /
˙
f
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
mf
˙
≈ bœO gliss. -
bœ œ bœ nœ bœ nœ œ nœ
ff
p
œ
˙
p
f
∑
p
ææ œ>
p
p
mf
ff
≈
p
æj œ™ >
≈
ffp
˙™
œ
œ
Scrape surface with medium/big superball beater
p
w
mf
Ó™
Œ
∑
∑
∑ Sy. 4645/01
ææj œ™ >
bœ œ bœ nœ bœ nœ œ nœ
ffp
Thundersheet
Ó™
_
44
R
sempre molto sul pont. sempre sul G
ff
œ
p
p
al on ly
4
Upper Balcony Position 1
° ¢& Ó 24
Vln. I
œO
j bœO
gliss.
p
O ™ bO O -œ ™ œ ˙
‰
mf
œ-O œO œO œO
mf mp
p
œO
3
œO
p
.
æ œ b >œ œ œ b >œ n œ b œ œ b >œ œ œ œ œ œ œ œ œ œ >œæ™ ff
p ffp
°/ ° ¢í ™™ ˙
ææ ˙
≈ j ææ œ™ >
Play with variations in duration.
Perc. I
˙
p
¢/
∑
/
∑
p
™™î†ü
∑
sim.
Œ
Ó
rli n
Elec.
f
p
f
3
œ
≈ j ææ œ™ >
≈ j ææ œ™ >
ææ ˙
œ
œ
œ
ffp
ffp
mf
œ
w
p
mf
∑
j ‰ bœO œO gliss. mf
op C
Perc. I
Perc. II
Elec.
∑
∑
bbœ-Ogliss. œO
œOgliss. œO œO
∑
∑
mf
p
3
ht
&
Ó
ææ w
yr
Cb. Cl.
¢&
Œ
°/
ffp
æ b œ œ b œ n œ b œ n œ œ n œ b œ œ b œ n œ b œ n œ œ n œ œ b >œ œ œ n>œ b œ œ œ b œ œ œ œ œ œ œ œ œ œ œ™æ > ff p ff p ff p
ffp
∑
/
˙
° ¢í ™™ ˙
¢/
Ó
Œ
/
p
≈ j ææ n>œ ™
ig
Vln. II
3
bœO
R
27
by
° Vln. I &
ic
or
di
=
mp
∑
Be
Perc. II
ææ ˙
p
ffp
Ó
bbœ-O gliss. œO œOgliss.œO œO
or pe r
&
-F
Cb. Cl.
us
sempre molto sul pont. sempre sul G
Vln. II &
Œ
gliss.
Pick up chain
∑
Play with variations in duration.
w
p
f
sim.
œ
p
p
˙™
Πmf
∑
∑ Sy. 4645/01
™™î†ü œ
mf
∑ œ
∑ ∑
ææ ˙>
p
ff
œ
œ
Upper Balcony Position 2 Walk to Position 3 as you play
∑
° ¢í ™™ œO #<n>œO
Œ
œO ™™
p
œO œO ™™
mf
p
œO
mf
1>
œO
p
6
‰
1>gliss
.
p
f
‰™
< Π>
us
° & 30
Vln. I
molto sul pont. squeaky
Improvise with material below. Stay with same pitches but feel free to change rhythm. molto sul pont. sul G
al on ly
5
or pe r
Walk to Position 3 as you play
Improvise with material below. Stay with same pitches but feel free to change rhythm. molto sul pont. squeaky
p
ff
ææ ˙™
Drop chain into bucket.
œ
∑
° / ¢í ™™ ˙
mf
Play with variations in duration.
˙
p
∑
R ° &<Œ >< Œ
op C
Cb. Cl.
Perc. I
™™î†ü
ig
Œ Œ ¢& < > <
>
<Π>
ææ œ>
æj œ™ >
ææ ˙
yr
Vln. II
>
ht
33
Vln. I
p
by
=
& °
ffp
/
Perc. II
¢/
Elec.
/
≈
di
∑
ffp
œO
mf
˙
or
/
Elec.
° ¢í ™™ ˙
gliss.
œO p
< Œ
p
∑
p
f
™™î†ü
∑
∑
ic
∑
f
Π>
∑
with medium/big superball beater Draw figure of 8 Play cresc. and dim with variations in duration.
¢/
<
.
Pick up chain
Ó
™™î†ü
Bass Drum
Perc. II
Œ
p
f
p
ææ w
Chain and bucket filled with water
°/ Perc. I
ææ w
mf
≈
-F
& ææ >œ
∑
gliss
rli n
Cb. Cl.
¢&
∑
° ¢í ™™
1-
Be
Vln. II
1- gliss.3
∑
45
44 s. O œO glis œ
mf
ææ ˙
œO
p
œO
.
gliss
œO
œO ™™
ææ ˙™
œO
mf
™™î†ü
ææ œ
≈
ææ œ>
ææj œ™ >
ffp
ff
ææ œ>
p ff
p
ææ w
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
Sy. 4645/01
>
al on ly
6
Upper Balcony Position 3
molto sul pont. squeaky
1>gliss. 1>
° Vln. I & 37
1>gliss. 1>
1>
or pe r
.
us
S Watch conductor's cue. Play from score (music stand 21)
3
f
p mf
3
gliss.
p mf
p
¢&
molto sul pont. squeaky
.
1>
Œ
1 ™gliss
gliss.
.
mf
p
mf
1>g™ liss. p mf
Be
rli n
Vln. II
-F
S Watch conductor's cue. Play from score (music stand 18)
ææ ˙
di
or ffp
R
°/
∑
Perc. I
ff
<
q
>
œ
yr
¢/
C Vc.
Elec.
p
ff
p
≈ j ææ œ™ >
≈ j ææ œ™ >
ffp
ffp
ææ œ
ææ ˙™
≈ j ææ œ™ >
ffp
∑
í ™™ œ ¢°
mf
ht
∑
∑
op
Perc. II
p ff
æ >œ
3
∑
œ
œ
p
& Ó
‰™
/
∑
Ó
sempre molto sul pont. sul A transparent sound with a little hint of squeakiness...
mf
glis
s.
o
p
≈ ≈
1o 1o g™liss o .
mp
1o 1o ™
‰™
p
mf
gliss.
œ
˙
q
q
f
<q
∑
1o 1o
∑
Play with variations in duration.
ig
/
æ æ bœ œbœnœbœnœ œnœ œ œ >
≈ j ææ œ™ >
ic
& ææ w
by
Cb. Cl.
œ
>
œ
mf
o
1o
o
p
mf
p
3
o o 1 1o ™ gliss. o
mf
∑
p mf
° ¢í ™™
˙
mf
Play with variations in duration.
œ
œ
p
∑
p
∑ Sy. 4645/01
Ó
œ
p
œ
∑
œ
f
al on ly
7
Upper Balcony Position 4
B
¢& J
‰™
p
mf
44
∑
° ¢í ™™ œO ™™ #<n>œO œO
˙O
p
p
1
∑
3
mf
p
Œ
43
p
∑
f
∑
Be
rli n
Vln. II
‰
‰™
3
mf
> 1 1 gliss.
1
us
‰™
1 gliss.
Improvise with material below. Stay with same pitches but feel free to change rhythm. molto sul pont. sul G
or pe r
Vln. I
> 1
-F
° Ó & 41
Walk to Position 6 as you play
ffp
ææ ˙
°/
ig yr
¢/ ˙
C
Vc.
Elec.
ææ w
œ
&
/
∑
sim.
Œ
œ f
∑
∑
p
∑
Œ
∑
ht
œ ™™î†ü
op
Perc. II
ææ ˙™
by
∑
Perc. I
/ œ
ææ w
ic
ffp
ææj œ™ >
di
≈
or
& ææ >œ
R
Cb. Cl.
œ
mf
˙
3 1o ™glis o 1o gliss o 1o o 1o ™
s.
mf
œ ™™î†ü
œ
.
p
mf
p
gliss.
mf
∑ Sy. 4645/01
∑
o o p
‰™
Œ
∑
Œ
∑
∑
∑
?
al on ly
8
Upper Balcony Position 5
p
< Œ > ™™î†ü
< Π>
us
‰™
œO
or pe r
° & <#>˙O 45
Vln. I
Walk to Position 7 as you play
¢&
∑
∑
° ¢í ™™
Ó
∑
‰™
œ-O ≈ œ-O ™™ p
≈ œO ™™ ≈ œO ™™ -
˙O
f
Be
ææ w
ææ w
di
ææ w
°/
<
∑
∑
q
ææ w
q
>
° ¢í ™™
Play with variations in duration.
œ f
œ
œ
œ
œ ˙ p
{
¢/
C
op
yr
Pno.
Vc.
? Ó
<n> œ- # -œ -œ -œ œ œ“‘
? ≥ ≥ >¿ >¿ ¿
/
œ
∑
Œ
Ó
Ó
Œ
Ó
Ó
p
6
<n> œ- #<n> œœ-œ n œ-# -œœœ œœœ n œ“‘
norm. extremely distorted scratching noise
fff
Elec.
6
ig
? Ó
Play with variations in duration.
∑
by
∑
ht
Perc. II
R
ic
Perc. I
& ææ w
or
Cb. Cl.
rli n
-F
Vln. II
Improvise with material below. Stay with same pitches but feel free to change rhythm. molto sul pont. sul G
¿™
∑
‰
œ
≥
>Y
Œ
∑
° ¢í ™™ œ
∑
f
<n> œ- # -œ -œ -œ œ“‘
Ó
Œ
6
Ó
Œ
Ó
≥ ‰ j >¿
6
<n> œ- #<n> -œœœ n -œ # -œœœ n œ“‘
≥ ≥ ≥ ‰ j >¿ ¿ >¿ >¿ ¿
j ‰ ¿
∑ Sy. 4645/01
∑
<n> œ“‘
˙
œ
3
# œ-
œ- -œ
3
œ“‘ ≥
>¿
#<n> œœ-œ n œ- # -œœœ
≈ ‰ Œ
≈ ‰ Œ
≥
Œ
>Y
∑
œ
6
œ- œ -œ -œ “‘ -
6
<n> œ- # -œœœ n -œ # -œœœ “‘ ≥
>¿
al on ly
9
Upper Balcony Position 6
S Watch conductor's cue.
° &
Vln. I
42
‰™
1
1
¢&
œO
&
ææ w
or pe r
p
S Watch conductor's cue.
™™î†ü
Œ
p
˙
f
p
Be
ææ ˙
di
°/
ææ w
™™î†ü
¢/
p
?
op C Vc.
Elec.
f
3
ig
œ #œ œ œ œ <“> - - -
yr
Pno.
˙
by
{
˙
ht
Perc. II
R
ic
Perc. I
ææ w
or
Cb. Cl.
rli n
-F
Vln. II
?
<“>
?
/
3
n œ- #<n> œœ-œ n œ- œ œ ≥
>¿
‰™
Œ
‰™
Œ
≥
Œ
p
6
œ- -œ œ “‘ 6
# œ- #<n> -œœœ œœœ “‘ ≥
≥
>¿ >¿ >¿
∑
‰
‰
™™î†ü
‰™
Ó
# œ-
#<n> œœ-œ ≥ j ‰ >¿
. . . . œ œ œ œ™ Hit.
. œ
. . . . . . œ œ œ œ ≈ œ œ
‰™
Œ
Ó
Œ
Œ
Ó
Œ
n œ- #<n> œœ-œ “‘
Œ
Ó
≥
≥ j >¿
>¿
∑
3
œ- # œ“‘ 3
‰
j œ“‘
‰
j ‰ œœœ “‘
‰
≥ j >¿
∑ Sy. 4645/01
‰™
6
‰
‰
≈
3
“‘ ≈
≥
>¿
œ- œ
œ
œœœ œœœ -
œœœ
3
“‘
44
sempre molto sul pont. sempre sul G
us
50
.
Play from score (music stand 20)
¿
. . > . . œ œ œ™ œ œ
Œ
Œ
Œ
∑
fp
mf
Oœ
p
mf
Oœ
p
1
mf
1
6
ss.
Oœ gli
p
mf
Oœ
p
1 mf
Oœ™™
42
1
gliss.
p
mf
#œO ™™
1
gliss.
p
œO
mf
≈
##œO ™™ p
1 mf
Oœ ™™
gliss.
p
1
Oœ ™™
mf
1
gliss.
p
6
##Oœ
gliss.
mf p
1 mf
Oœ
1
1
p
6
##Oœ
mf
1
1
1
or pe r
¢&
.
gliss
gliss.
p
mf
Oœ glis
s.
p
mf
Oœ ™™
gliss.
p
Alto Flute
rli n
-F
Vln. II
.
gliss.
p
Play from score (music stand 19) sempre molto sul pont. sempre sul G
&
Œ
Elec.
or
œ
œ
bœ œ >œ ‰™
Œ > œ
≈
. . œ œ
. . œ œ
> œ
≈
. œ
<n>œ #bœœœ œ œœœ œ œœœ œ “‘
∑
yr op C Vc.
œ œ >
ffp
> œ
?
6
>œ
œ œ Snare Drum
> > œ œ
p
. . . . . . . . . œ œ œ œ œ œ œ œ œ
Voice
?
Pno.
6
bœ >œ
Ó
. . . . . > œ œ œ œ œ ≈ œ
bœ >œ >
Trombone
ic
. . > . > œ œ œ ≈ œ œ ™
¢/
{
R
/
Œ
+
p
Put down superball betater and pick up wooden betares
ig
Perc. II
°
<q >
by
Perc. I
ææ w
&
&
harmon mute
‰™
ht
Cb. Cl.
&
Oboe
di
Be
Trumpet in Bb
44
us
.
gliss
16
ss.
#<n>Oœ ™™
1
gli
Vln. I
44
gli ss.
° & 54
Upper Balcony Position 7
al on ly
10
œœœ œ œœœ œ œœœ œ œœœ œ œœœ
pp
?
? /
œ b œ <n>œ bœ œ œ œ “‘ °
∑
Ó
Œ
≈
≥
™ >¿
∑
œ œ œ œ œ œ œ œ œ
≥
>Y ∑
Sy. 4645/01
/
11
‰™ #<n>œO
Œ
p
f
° Tpt. &
Tbn.
Cb. Cl.
¢
?
œ-
-˙™
œ
œ
-˙™
œ
ææ ˙>
{
Elec.
ææ >œ
b >œ
fp
fp
1> ™ ˘
Ó
Œ
. . . ‰™ œ œ œ
ff
p
f
p f p
f
‰™
Œ
‰™
Œ
gliss
p
f
1> ™ ˘
.
p
p f
mf
p
p mf
6
6
6
bbœO n œO œO bœO n œO bœO n œO œO bœO n œO bœO n œO œO bœO f
p
p
f
f
p
p
f
mf
p
n œO p
mf
∑
1> ˘
gliss
.
ff
p
∑
gliss.
˘
ff
o bœ
‰™
f
p
‰™
Œ
∑
æ ‰™ œ
Œ
∑
f
Put down wooden beaters and pick up vibraslap
Œ
6
p
œ
æ b œæ
by
¢/
1> ≈ ≈ ˘ ff
harmon mute
. œ
‰™
. . œœ
∑
. . œœ
‰™
∑ . œ™
. . . œ œ œ™
. . . œ œ œ™
∑
∑
Ó
∑
∑
Ó
∑
∑
∑
. . œœ
chromatic clusters
Aª œœÚ <“>>
yr op C Vc.
œ
f
f
p
Like horse whinny half-valved Shake instrument
o + o + o bœ œ™ œ œ œ œ ˙
> œ
?
Pno.
f
œ
> œ
/
p
f
œ
ig
Voice
p
ht
Perc. II
6
-˙™
°/
p f
f
nœO #œO nœO #œO œO gliss.nœO
or pe r
f
ff
Perc. I
6
œ-
-œ+
p
bbœO n œO œO bœO gliss. n œO bœO n œO œO bœO n œO bœO n œO œO bœO n œO
.
f
f
p f
6
nœO #œO nœO #œO œO
-F
Ó
f
&
f
rli n
¢&
p
6
sempre molto sul pont. sempre sul G
‰™ Œ
f
Ob.
p f
f
Be
° &
6
nœO #œO nœO #œO nœO #œO œO nœO #œO
gliss.
or
A. Fl.
¢&
#<n>œO nœO #œO œO
6
R
Vln. II
1
#<n>œO
3
al on ly
‰™ Œ
43
Upper Balcony Position 7
us
sempre molto sul pont. sempre sul G
ic
Vln. I
Lower Balcony Position 1
di
° & 56
C 44 1
Ground Floor Position 1
Œ
ff
chromatic clusters
?
? /
Aª b œœÛ <“>>
Œ
sempre molto sul pont. sul A transparent sound with a little hint of squeakiness...
Ó
Œ ∑
&
‰™
1o
f
1o ™
gliss.
o
1o
p
f
gliss.
oo o o 1 1 3
∑
p f
p f
Sy. 4645/01
gliss
.
oo o 1 3
p f
p
1o f
gliss.
oo o o 1 1 pf
3
p mf
oo o o 1 1
gliss.
3
∑
p mf p
mf
gliss.
oo o 1 3
p mf p
44
12
mf
p mf
‰™ Œ œO
∑
∑
pp
<n> -˙
œ-
b -˙
w
+ bœ œ™
o + o œ œ œ bœ nœ ™ œ
-œ+
œ-
<n>-œ
Ó
&
Œ
œ b>œ ™
by
ht
{
. œ
op C
Pno.
Vc.
. œ
Œ
œ
Vibraslap
Ó
f
‰™
. . . œ œ œ™
6
Ó
. . . œ œ ≈ œ ™
. ≈ œ ™
1
1
f
pp
1
Ó
∑
b>¿
umg f
Œ
1 1
-™
>umg
ff
f
Change to Bass Clarinet in Bb
ææ w
∑
p
Put down vibraslap and pick up bow
∑
. . . . . ≈ œ œ œ œ œ ™ ˙ææ™
∑
æ wæ
?
∑
∑
∑
∑
?
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
&
Ó
/
pp
∑
Sy. 4645/01
1
ff
∑
o
pp
b¿ >¿ >- >_ umg umg umg umg
∑
gliss.
f
f
∑
1o
1
senza mute Growl while you play.
Ó
6
‰™
pp
æ b œ œ œ œ œ œ b œ œ œ œ œ œ b œ œ œ œ œ œ œ œ œ œ œ œæ >œ > > > > > > > > > œ
/
senza sordino extremely high pitch wide vib.
p
6
∑
∑
/
mf
Elec.
b>œ
6
∑
yr
Voice
°/
æ wæ
fl.
or
.
Œ
pp
rli n
œ-
f
¢/
∑
reed only wide vib.
Ó
Be
-œ
ig
Perc. II
pp
Pick up a spare reed
ff
Perc. I
∑
∑
w
R
Cb. Cl.
∑
-F
-œ
harmon mute
?
∑
Change to Flute
¢&
¢
Ó pp
3
° Tpt. &
Tbn.
al on ly
mf
bbœO glissn.œO bœO gliss. n œO
° A. Fl. &
Ob.
p
œO
us
¢&
nœO #œO nœO
or pe r
#<n>œO
mf
Vln. II
Upper Balcony Position 7
Floating alone in the deep sea..... 3
ic
Vln. I
Lower Balcony Position 1
di
° & 59
44
Ground Floor Position 1
?
13
° & 63
Vln. I
Lower Balcony Position 1
Upper Balcony Position 7
43
∑
»
al on ly
Ground Floor Position 1
pizz.
∑
Œ
≈
Œ
>Ϫ
∑
us
ff
»
pizz.
¢&
∑
Œ
∑
‰
j Œ œ>
∑
or pe r
Vln. II
ff
Perc. I
Perc. II
op C
Pno.
1
1
f
!
f
pp
pp
di
pp
pp
1
pp
1
f
1
f
pp
‰™
!
Put down the spare reed
Œ
1
pp
f
∑
!
1
pp
f
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
?
∑
∑
∑
∑
?
∑
∑
∑
∑
_
p
&
∑
°/
∑
ææ ¢/ w
{
/
or
Ó
f
-F
1
pp
Put down medium/big superball beater and pick up small superball beater p
arco sul A and D extremely distorted glissandi
sul A and D extremely distorted glissandi
∑
/
∑
Œ
‰™
Œ ∑ Sy. 4645/01
ff
11> ™™ gl
ffp
» --> b >œ
‰™
pizz.
iss
.
f
ff
∑
11>
ffp
11> ™™ gli
ss.
ffp
-->
11> ™™
f ffp
--> ->
.
?
11>
iss
Elec.
1
f
1
∑
gl
Vc.
pp
1
rli n
1
1
Be
f
yr
Voice
?
1
ic
B. Cl.
¢
1
∑
R
Tbn.
° &
1
∑
by
Tpt.
¢/
∑
ht
Ob.
° &
ig
Fl.
∑
f ffp
f
Lower Balcony Position 1
Upper Balcony Position 7
arco wide vib.
° & 67
Vln. I
“” œ œ ‰ J
∑
44
œ
p
f
œ
œ
œ
œ œ™
p
f
p
mf
# œ-
œ p
f
Perc. I
Perc. II
∑
∑
op C
Pno.
Vc.
!
f
∑
&
∑
°/
∑
¢/
pp
p
f
œ
œ
œ
p
f
p
-F
∑
rli n 1
1
f
pp
Œ
∑
Ó
∑
∑
∑
∑
∑ ∑
Cymbal bow
Œ
Ó
∑
œ p
∑ ˙™
l.v.
Œ
f
∑
∑
∑
∑
∑
∑
∑
?
∑
∑
∑
∑
&
?
∑
∑
∑
∑
&
{
∑
/
? >ffp
Elec.
œ
∑
Be
1
∑
di
!
?
¢
Œ
or
° &
yr
Voice
¢/
ic
B. Cl.
∑
R
Tbn.
∑
Ó
“” bœ
mf
by
Tpt.
° &
∑
ht
Ob.
∑
ig
Fl.
¢&
p
or pe r
arco wide vib.
Vln. II
˙
us
Ground Floor Position 1
al on ly
14
/
norm.
Œ
&
œ pp
f
∑
œ
œ f
p
œ f
p
œ f
p
œ f
∑
p
œ f
p
∑ Sy. 4645/01
œ f
p
œ f
p
œ f
p
œ f
p
œ f
∑
f
>œ
≈
œ
f
œ
p
>œ f
∑
¢/
∑
° &
∑
?
∑
&
∑
° Cym. / ¢/
op C
Vc.
/
p
Ó
us
f
<n> œ
∑
mf
p
&
<n> -œ
p mf
œ <n> -œ
#œ
mf
p
pp
œ
#œ
w
mf
pp
∑
∑
∑
∑
∑
∑
∑
∑
∑ Chain and bucket filled with water
Put down bow and pick up chain
Œ
.
Ó
Drop chain into bucket
œ
∑
f
∑
∑
∑
∑
∑
∑
Scrape surface with small superball beater
p
∑
≈
∑
∑
∑
≈
Pizz.
/
Πf
Ó
?
#>œ ™
s.
s gli
1
#>œ ™
gli
ss.
1
6
œ
ff
p
∑
Ó
w
“” >œ œœ ™ >œ b œ œ œ ™ # œ œ™ œ mf
& œ
Œ
f
Thunder-sheet
∑
&
∑
œ#œ ™ œ œ œ nœ#œ ™ œ œ œ w
Flute
‰™
Œ
∑
&
p Elec.
p
∑
s.
glis
1
≈
∑
> ™glis œœ
s.
1
#>œ
1
‰™
Ó ∑
Sy. 4645/01
>œ ™ #œœ ™™
∏∏∏∏∏∏∏∏∏
{
f
∑
∏∏∏∏∏∏∏∏∏∏∏
Pno.
œ
∑
yr
Voice
œ
œ
p
ig
Perc. II
œ
p
˙™
Œ
œ
Ó
f
ss.
B. Cl.
¢
œ
R
Tbn.
fp
by
Tpt.
fp
ht
Ob.
œ
fp
ic
° Fl. &
≈
fp
‰™ Œ
or pe r
¢&
bœ
gli
Vln. II
-˙ ææ
Be
<“>
-œ
-F
fp
b -œ
rli n
≈
œ >œ
di
>œ œ
or
<“> <#> œ # œ œ b >œ ° ≈ Vln. I & 71
al on ly
15
°
˙™ ˙˙ ™™
∑ ∑
>œ ™™
œ >œ
16
° Fl. &
nœ
œ #œ
ff
ff
p
Elec.
w
∑
l.v.
Ó
f
b >œÛ ™ Û <n>œÛ ™
œÛ Û œÛ ‰™
Œ
?
Œ
al on ly o o o 1
Œ
Πp
o + œ œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. >
f
Œ
p
+
oharmon mute #˙
Œ
p
f
∑
∑ w
l.v.
p
f
Œ
Œ
3
œ
Œ
Œ
˙
Œ
p
∑
œÛ Û œÛ
44
harmon mute
sim.
∑
chromatic clusters
∏∏∏∏∏∏∏∏
œ
gliss.
f
∑
∑
“” œ œ œ œbœ ™ œ œ nœ œ œ ≈ ‰
˙™
7
mf
Œ
Œ °
#>œ ™
iss.
gl
∑
1
#>œ ™
gli
ss.
1
Œ
“”
b∫ œœœœ
∏∏∏∏∏∏∏∏
<“>
o 1
∑
R
by
˙
o
-Ϫ
>˙
pp
w w & <#>w
/
œ
gliss.
œ
∑
pp
∑
yr op C Vc.
œ œ œ w
œ #œ œ
“-” œ™
mf
∑
∑
¢/
{
p
mf
œ
o 1™
˙
f
Pick up chain
&
Pno.
p
∑
&
/
œ #œ œ œ œ ™ œ œ ™
f
œ nœ
nœ #œ œ œ
nœ
ig
Voice
p
p f
?
° Perc. I /
Perc. II
p
nœ #œ ™
œ
#œ
ht
B. Cl.
¢
mf
p
° Tpt. &
Tbn.
f
43
Be
¢&
p
œ œ œ nœ
ff
#œ ™
˙
di
Ob.
<n> œ
œ
-F
‰
nœ #œ œ œ œ
rli n
¢&
Vln. II
ff
Ϫ
us
‰
œ
or
Vln. I
<n> œ # œ # œ
Upper Balcony Position 7
ic
° & 75
Lower Balcony Position 1
or pe r
Ground Floor Position 1
œ™ œ œ ™ œ
p
˙™
° ∑ ∑ Sy. 4645/01
&
Œ
arco
o 1
1™
p
mf
∑
o
œ. b >œ n œ- ™
f
p
>œ b œ- ™
° Fl. &
Ϫ
f
b œ. >œ œ- ™
f
p
∑
° Tpt. &
∑
Perc. II
Pick up soft mallet(s)
∑
˙™
¢/
{
/
“” >œ b œ- ™
yr
&
C Vc.
Elec.
& /
œ.
n>œ n œ- ™ f
Πf
b œ. >œ œ- ™
f
p
Ϫ
f
w ww bn w w
Ϫ
œ.
nœ
>˙
p
f
bœ
b˙
p
f
p
o 1™
p
o 1
gliss.
o o o 1 3
p
>˙
ff
œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.
p
f
ff
+ o o œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. p
+
ff
o
˙ p
∑
∑
∑
∑
∑
∑
∑
∑
f
o
mf
f
bœ
gliss.
mf
œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.
o #˙
Ϫ
o 1
‰™
Œ
f
w
p
#n ˙˙˙˙˙
°
b >˙ f
∑
n>œ n œ- ™
p
44
p
ww w w w
∏∏∏∏∏∏∏∏
&
f
Ϫ
bœ
∑
∏∏∏∏∏∏∏∏
op
Pno.
p
∑
Ϫ
ig
Voice
°/
>œ b œ- ™
R
Perc. I
œ.
∑
∑
&
f
p
∑
by
B. Cl.
¢
ht
Tbn.
?
Ϫ
f
¢&
Ob.
Ϫ
p
Ϫ
rli n
¢&
Ϫ
n>œ n œ- ™
Be
b >œ n œ- ™
f
42
us
p
œ.
or pe r
f
Ϫ
-F
b œ. >œ œ- ™
di
Vln. II
Ϫ
or
Vln. I
“” >œ b œ- ™
ic
° & 78
44
al on ly
17
° o o 1 g™liss.
molto sul pont. semitone trill
?
‰
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
# œ œ œ œ >˙ > fp
fp
∑
˙
»
pizz.
#>œ ∑ Sy. 4645/01
ff
#>œ ™ ≈ œ œ 3
(sul D)
gliss
.
™ >œ ∑
.
gliss
b>œ
gliss.
ppp
18
Ground Floor Position 1
Lower Balcony Position 3
al on ly
Lower Balcony Position 2
D
¢&
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
or pe r
Vln. II
∑
43
us
o o 1 gliss. 81 ° J ‰ Ó Vln. I &
Walk towards Door 1 of Lower Balcony as quietly as possible, exit and go to Door 1 of Ground Floor. Leave Flute and take Alto Flute (approx time: 1' 45") ° ∑ ∑ ∑ ∑ ∑ ∑ ∑ Fl. &
∑
∑
∑
C
op
Voice
Pno.
Vc.
Elec.
∑
°/
∑
¢/
f
¿ >
¿
.-
‰™ ‰™
p
∑
∑
-
mf
∑
Walk towards Position 4 (Lower Balcony) as you play. Materials in box is only suggestion. Player should not feel obliged to play exactly as written. Growl and play at the same time (more growling sound than trombone pitches).
¿ -Y
∑
fp
∑
f
¿ > f
¿
.-
p
‰™ ‰™
-
mf
¿ -¿
fp
¿
> ¿ ‰™ Œ f
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
by
R
&
-
mf
¿
ic
p
¿ -¿
di
.-
‰™ ‰™
> ¿ ‰™ Œ
∑
or
¿
ff
∑
Ó
œ
Œ
˙
˙
˙
˙
˙
˙
l.v.
Put down small superball beater and pick up soft mallet(s)
∑
∑
∑
∑
∑
∑
∑
∑
∑
&
∑
∑
∑
∑
∑
∑
∑
&
∑
∑
∑
∑
∑
∑
∑
Ó
∑
∑
∑
∑
∑
∑
yr
Perc. II
¿ >
gliss.
ht
Perc. I
?
ig
B. Cl.
¢
∑
Walk towards Door 1 of Lower Balcony as quietly as possible, exit and go to Door 1 of Ground Floor (approx time: 1'45")
Senza mute Growl and play at the same time (more growling sound than trombone pitches) Tbn.
∑
-F
° Tpt. &
Walk to Door 1 quietly, exit and go to Upper Balcony: Position 8 (approx time: 1'45") ∑ ∑ ∑ ∑ ∑
rli n
¢&
Be
Ob.
{
/
? /
‰™ Œ
mf
.
Sy. 4645/01
∑
19
Tbn.
° &
∑
∑
∑
¢&
∑
∑
∑
° &
∑
∑
∑
¢
?
&
Ó
Explosive Sound: Move mouth away from mouthpiece.
œ
Bass Drum
> œ
yr C
op
Voice
Pno.
Vc.
Elec.
{
/
p
∑
œ-
œ
fff
pp
ff
> œ
ff
œ
∑ ∑
∑
‰
>
œ
fff
p
‰
fff
∑
˙-
pp
œ
œ > œ
æ ˙æ™
> œ
. . . . . . . . . . . . . . . .> œœœœœœœœœœœœœœœœœ
æ ˙æ
ff
p
al on ly
∑
. . . . . . . . . . . . . . . .> œœœœœœœœœœœœœœœœœ p
Bass Drum
>
∑
fff p
> fff
>˙™
fp
. . . .> œœœœœ
. . . .> æ œæ œœœœœ
æ ˙æ
> œ
Ó
> ≈ ¿ >¿
ff
p
œ œ æ œæ™
p
ff
>
ff
p
. . . .> œœœœœ
ff
p
ff
p
ff
> œ
> œ
f
Improvise based on the materials below. white noise, extrenely forceful, consonants
∑
¿ ¿ ¿ ‰™ >¿ ¿ 6
≈
6
Œ
ku ke ko "f "
&
∑
&
∑
?
∑
/
‰
by
.. ...... œœ œœœœœœ
ht
¢/
Ó
ig
Perc. II
°/
>
œ-
pp
Perc. I
S Watch conductor's cue. Stop at Position 4 (music stand 12) ∑
p
.
B. Cl.
‰™
¿ ¿ . >
us
∑
or pe r
∑
∑
rli n
∑
Be
Tpt.
¢&
di
Ob.
∑
or
Fl.
∑
ic
Vln. II
∑
R
Vln. I
43
E 44
-F
° & 88
Lower Balcony Position 4
Ground Floor Position 1
»
ku ke ko
>œ
ff
ku
6
¿
¿¿¿ ke ko
ke ko
"ff "
>¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿
∑
∑
∑
∑
∑
∑
pizz.
Œ
≈ ¿ ¿ ¿ ¿ ≈ ¿ > >
Ó
»
>œ
Sy. 4645/01
»
>œ
Ó
»
>œ
Œ
Œ
≈
»
™ >œ
20
The rhythms of the materials in Section E and Section F do not have to be synchronized with other players as it is extremely difficult to be played in distance. The inaccuracy that will occure is intended and the notation only serves as a suggestion. pizz
Œ
‰
» » j ‰ jŒ >œ >œ
∑
Ó
∑
»
‰
>œ
ff
ff
»
‰™
>œ
»
Œ
>œ
us
° & Ó 92
Vln. I
Upper Balcony Position 7
al on ly
Ground Floor Position 1
The rhythms of the materials in Section E and Section F do not have to be synchronized with other players as it is extremely difficult to be played in distance. The inaccuracy that will occure is intended and the notation only serves as a suggestion. pizz
B. Cl.
∑
¢&
∑
∑
∑
∑
° &
∑
∑
∑
?
∑
∑
∑
Œ
op
yr
{
/ ¿¿¿¿¿¿¿¿
C Vc.
Elec.
>> œœ
ff f
3 . . . .>3> > . . >>> > >> j œœœœœ œ œ ™ œœ œœœ‰ œ œ œ
p
ff
by
ig
p
ff p
f
æ ˙æ
> œ
p
3 >> ‰œœ
p
f
S
>œ
≈
f
ff
>> œœ
ff
p
ff p
∑
Ó
∑
∑ ∑
∑
∑
>
‰™
Œ
Œ
p
. . . . > . . . . . . .> . . .> . . . . . . .> æ œ œœ œ œœœ œ œ œœœœœœœœœœœœœœœœ œæ™™
> æ œ ˙æ
. . . . > . . . . . . .> . . .> . . . . . . .> > œ œœ œ œœœ œ œ œœœœœœœœœœœœœœœœ œ ™
p
ff
ff p
ffp
p
ffp
ffp
Ó
¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ >¿ ¿ "ff "
ffp
¿ >¿ ¿
¿ >¿
䪪
ffp
∑
∑
∑
∑
&
∑
∑
∑
∑
∑
<
Ó
The rhythms of the materials in Section E and Section F do not have to be synchronized with other players as it is extremely difficult to be played in distance. The inaccuracy that will occure is intenden and the notation only serves as a suggestion.
‰
»
>œ
‰
»
>œ
Œ
Ó
∑
/ Sy. 4645/01
∑
≈
»
™ >œ
Œ
ff p
ffp
ko ka ke ka ko ko "fff "
∑
Œ
œ-
fff
&
? Ó
>œ
>3> . .> æ œ œ≈ œ œœ ˙æ
>> > > . . . .> . . . . >3> ≈œœ‰ œ œ œœœœœ œœœœ œj œ 3
>œ
»
Œ
∑
∑
œ™ - ˙
»
sim. white noise, extrenely forceful, consonants & inhaling sound
Watch conductor's cue.
Œ
Œ
∑
ic
. . . .> . . . .>3> æ œœœœœ œœœœœ œ ‰ œæ™
ht
ææ ¢/ ˙
∑
p
or pe r
∑
& ææ ˙™
‰
-F
∑
¢
»
‰
ff
∑
p
Pno.
∑
° &
° ææ™ Perc. I / œ
Voice
∑
Ó
ff
f
Perc. II
» » j ‰ jŒ >œ >œ
rli n
Tbn.
‰
Be
Tpt.
Œ
di
Ob.
Ó
or
Fl.
¢&
R
Vln. II
Ó
h
ff
>
Ob.
Tpt.
»
>Ϫ
≈
»
>œ™ »
>Ϫ
Œ
Ó
Œ
‰
Œ
Ó
Œ
‰
° &
∑
∑
¢&
∑
∑
° &
∑
∑
?
∑
¢
œ
p
by ff p
ff p
ff
. . . .> . . . . . . .> . . .> . . . . . . . > œœœœœœœœœœœœœœœœœœœœœœœœ œ ff p
ff p
ff p
‰™
ff
Œ
>œ
‰
»
Œ
>œ
‰
Pno.
∑
Vc.
Multiphonics with Different Shapes: Sustain low note and change the embouchure for getting higher pitches. Higher pitches have beating effect. Improvise based on the idea below.
> b ≈ œ œ œ œ œ
> ≈ œ œ œ œ œ
ff
Œ
Œ
Œ
œ
Œ
˙
Œ
˙
p
> . . . . . . . . . . . . . . . . . . . . . . . . . . >j 3 > > œœœœœ œ œœ œ œ œ œ œ œ œœ œ œ œ œœœœœœœœœ œ œ œ
. . . .> 3 > > j œ œ œ œœ œ œ
. . . . . . . . . . . . . . . . >3> > j œ œ œœ œ œ œ œœœœœœœœœ œ œ œ
. . . .> 3 > > j œ œ œ œœ œ œ
p
> œ
ff
Œ
p
ff
p
ff
p
ff
Elec.
&
∑
∑
∑
&
∑
∑
∑
≈
™ >œ
Ó
>œ
∑
/
? Œ
»
∑
Continue as long as necessarly
»
>œ
∑
yr C
op
Voice
»
∑
fff
ht
ff p
p
{
-Ϫ
fff p
>
. . . .> . . . . . . .> . . .> . . . . . . . > œœœœœœœœœœœœœœœœœœœœœœœœ œ
ig
ææ ¢/ œ
>
œ-
fff
° æ Perc. I / œ
Perc. II
‰™
or
>
ic
&
R
B. Cl.
»
us
≈
>Ϫ
≈
or pe r
>œ
Œ
»
di
Tbn.
‰™
Œ ¢&
≈
rli n
Fl.
>œ
Œ
Be
Vln. II
»
‰
-F
° Œ & 97
Vln. I
al on ly
21
arco, molto sul pont.
norm. extremely distorted scratching noise
≥
Kr œ b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ >¿ > >fp > p >ff ff p ff p fff 9
/ Sy. 4645/01
9
arco, molto sul pont. ≥ » ≥ » 9 Œ ¿ b >œ ™ œ œ œ œ œ œ œ œ œ œ >œ™ ' ' > pizz.
pizz.
ff
p fff
. . . . œœœœ
p
. . . . œœœœ
p
22
∑
∑
¢&
∑
∑
° &
∑
∑
¢&
∑
° &
∑
Tbn.
?
∑
&
œ
Œ Œ
œ
-F Ó Ó
ic
B. Cl.
¢
R
. . . . . . . . . . . . . . . .> ° œ œœ œ œ œ œ œœœœœœœœœœ Perc. I / . . . . . . . . . . . . . . . .> ¢/ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
fff
op C
Pno.
Vc.
Elec.
ff
> bœ œ œ œ œ ≈
Œ
Ó Ó
˙
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .> œœœœœ œ œœ œ œ œœ œ œ œœ œ œ œ œœ œ œœ œ œ œ œœ œ œœœ
> œ
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .> œœœœœ œ œœ œ œ œœ œ œ œœ œ œ œ œœ œ œœ œ œ œ œœ œ œœœ
> œ
fff
fff
p
. . . . œœœœ
p
ig
p
. . . . œœœœ
{
/
yr
Voice
∑
p
by
fff
ht
Perc. II
∑
rli n
Tpt.
∑
Be
Ob.
di
Fl.
or
Vln. II
or pe r
° & 100
Vln. I
al on ly
Upper Balcony Position 7
us
Ground Floor Position 1
&
∑
∑
&
∑
∑
?
arco, molto sul pont. 9
norm. extremely distorted scratching noise
≥
bœ œ œ œ >œ > >œ > >œ > >œ > >œ >¿
≥ ¿ '
»
pizz.
>Ϫ
arco, molto sul pont. 9
norm. extremely distorted scratching noise
9
9
9
≥
œ œ œ œ bœ œ œ œ œ œ œ œ œ œ œ œ >œ > >œ > >œ > >œ > >œ >œ > >œ > >œ > >œ > >œ >œ > >œ > >œ > >œ > >œ >œ > >œ > >œ > >œ > >œ >¿
fff
/ Sy. 4645/01
102
∑
≈
»
>Ϫ
Œ
‰
Œ
‰
ff
B. Cl.
Perc. I
∑
° &
∑
∑
?
∑
∑
&
≈
> > > bœ œ œ œ œ œ œ
˙™
. . . . . . . . . . . .> œ œ œ œ œ œœœœœœœœ
> °/ œ
fff
> Perc. II ¢ / œ
p
fff
Vc.
Elec.
»
>œ
Œ
‰
>œ
»
‰
»
>œ
»
‰
‰
»
>œ
»
>œ
∑
>œ
>œ
Œ
Œ
∑
∑
∑
∑
∑
∑
∑
∑
∑
Put down Bass Cl and pick up Cl in Bb.
Œ Œ
∑
p
fff p
fff p
> . . . . . . . . . . . . > . . . . . . . . . . . .>> œœœœœœœœœœœœœ œ œœœœœœœœœœœœœœ ‰
fff
p
fff p
fff
fff p
> œ
fff
Œ
>> . . . . > . œœœœœœ œ œ ‰ fff p
>> . . . . . . . . . . . . . . . .>> œœœœœœœœœœœœœœœœœœœœ ‰
‰
p
fff
fff
> . . . . .> . . .>> . . . . . . . . œœœœœœœœœœœœœœœœœœœœ p
. . . .> . ‰ œœœœœœ ‰ p
fff
fff p
fffp
> . >> œœ ≈ œœŒ
ig
ht
p
{
/
yr op C
Pno.
>œ
> . . . . . . . . . . . . > . . . . . . . . . . . .>> . . . .> . . . . . . . .>> œœœœœœœœœœœœœ œ œœœœœœœœœœœœœœœœœœœ œœœœ œœœœœœ Œ
. . . . . . . . . . . .> œ œ œ œ œ œœœœœœœœ
fff
Voice
‰™
œ
Œ
»
Be
¢
»
>œ
Œ
or pe r
∑
>Ϫ
>œ
»
-F
¢&
»
Œ
rli n
∑
>œ
≈
>Ϫ
»
di
Tbn.
∑
>Ϫ
»
»
or
Tpt.
° &
≈
≈
ic
Ob.
∑
R
Fl.
»
¢&
>œ
by
Vln. II
»
us
° Vln. I &
al on ly
23
&
∑
∑
∑
∑
&
∑
∑
∑
∑
? ≈
≥
™ >¿
molto sul pont. extremely metalic sound quick force on string with bow
¿
‰™
≥
>œ
f
fff
≥
>œ
‰™
sim.
≥
≈ ‰ >œ
Œ
‰
≥
≥
≈ ≈ ‰ œ> >œ
/ Sy. 4645/01
≥
>œ
‰™
»
pizz.
Œ
Œ
>œ
arco molto sul pont. extremely metalic sound quick force on string with bow
≥
>œ
‰™
‰
≥
>œ
≈ ‰
≥
>œ
≈ Œ
24
Tbn.
B. Cl.
Vc.
Elec.
>œ
¢&
∑
∑
° &
∑
?
∑
&
∑
¢
≈
>j3> œœ
by p
ff
al on ly
‰
Œ
us
3
>œ
‰
™™
∑
™™
™™
3
Give Alto Flute to person at Door 1 and pick up Piccolo from him/her. ™™ ∑ ∑
™™
∑
™™
∑
™™
∑
™™
∑
™™
∑
∑
™™
∑
™™
∑
∑
™™
∑
™™
™™
.. ...... ........ œœ œœœœœœ œœœœœœœœ
™™
.. ...... ........ œœ œœœœœœ œœœœœœœœ
™™
................................ œœœœœœœœœœœœœœœœœœœœœœœœœœœœœœœœ
> œ
Œ
................................ œœœœœœœœœœœœœœœœœœœœœœœœœœœœœœœœ
> œ
ææ œ
p
p
fff
fff
p
ht
fff
»
>œ
™™
p
™™
ig
{
/
>œ
»
≈ ff
∑
. . . . >3> . . . . . . . .> j j ¢/ œœœœœœœœœ ‰ ‰ œœœœœ œ p
>œ
™™
Œ
or pe r
>œ
»
»
Ó
∑
™™
&
∑
∑
∑
™™
∑
™™
&
∑
∑
∑
™™
∑
™™
yr op C
Pno.
»
Œ
∑
fff
Voice
»
° &
. . . . . . . .> > > > ° Perc. I / œ œ œ œ œ œ œ œ œ œ œ œ
Perc. II
3
Ó
Improvise with the material in the box.
Be
Tpt.
‰
42
di
Ob.
Œ
or
Fl.
Ó ¢&
>œ
ic
Vln. II
Œ
»
R
Vln. I
» 3 j‰ ‰ Œ >œ
-F
° Ó & 106
S Watch conductor's cue for Section F. Repeat this bar only if necessarly. (i.e. if players are not ready)*
Upper Balcony Position 7
rli n
Ground Floor Position 1
» 3
pizz.
? Ó
Œ
‰
>œ
ff
»
>œ
Œ
»
Ó
>œ
»
>œ
»
Improvise with the material in the box.
™™
≈ 3
>œ
‰
Œ
™™
/ * It takes approx. 1'45" for the players to move steadily between ‘ready-to-play’ positions in balconies/floor, using stairs. Sy. 4645/01
44
25
» » » ≈ ‰ ≈ ‰ >œ >œ >œ >œ 6
Perc. II
&
{
. . . .> œœ œ œœ
ff
> œ
> œ
ff
. . . .> > . . . .> > . . . .> > œ œœœœ œ œœœœœ œ œ œœœœ œ 3
p
yr op C Elec.
ff
.> œ œ ™™
™™
∑
3
p
ff
p
> œ
3
ff
p
™™
∑
∑
™™
∑
™™
∑
ff
> >>>> > >> > >>>> > œ œœœœ œ œœ œ œ œœœ ™™ œ Improvise with the material in the box.
> .> œ œ œ ™™
.> œ œ ™™
∑
al on ly ff
∑
™™
.> œ œ ™™
∑
> > > . . . . . . . .>3> œ œ œœ œœœœ œœœœ œ
™™ ™™ ™™
> ™™ œ ™™ ™™
∑
∑ Stop. Play from music (music stand 8). <n> >œ #>œ >œ œ™ œ œ >œ™ ‰ ææ
™™
. . . .> > >> >>> >> œ œœœœ œ œœ œ œœ œ œ
Stop. Play from music (music stand 6). >œ æJ ‰ Œ
∑
∑
3
Œ
>œ
ff
˙ ™™ æ
Improvise with the material in the box.
»
∑ Clarinet in Bb
Œ
>> > > œ œ œ œ ™≈
>> œœ
> œ
Œ
>> > > œ œ œ œ ™≈
>> œœ
> œ
Œ
fff
fff
?
» » ≈ ‰ ≈ Œ œ >œ 6
»
>œ
∑
™™
™™ Œ
∑ »
Improvise with the material in the box.
Œ
∑
™™
≈
™ >œ
ff
/ Sy. 4645/01
Œ
™™
ff
.
∑
“” b∫ œœœœÆ
f
∑
<n> >œ #>œ >œ™ f
‰™
‰™ ° ∑
œÛ ÛÛ œÛÛ
nb#b œœœœÆ
nnœœÆ ™™
ff
Play with arm chromatic clusters
&
Vc.
∑
-F
p
&
Pno.
™™
∑
Walk fast from Door 1 of Ground Floor to the position near Perc. I as you play. harmon mute o ˙ ˙ w ™™ ææ ææ ææ
∑
/
>œ
rli n
∑
∑
¢/
™™
Œ
ff
p
ig
Voice
Ó
?
°/
»
™™
Œ »
>œ
b œÛÆ Û nb ∫œœœÆ ™™ œÛ # œ ™
∏∏∏∏∏∏∏∏∏
Perc. I
Improvise with the material in the box.
∏∏∏∏∏
B. Cl.
¢
ff
‰ Œ
Œ
>œ
∏∏∏∏∏∏∏∏∏∏∏∏∏
Tbn.
6
>œ
>œ
»
∑
Walk fast from Door 1 of Ground Floor to the Position near Voice as you play. ˙ ˙ ˙ ˙ ™™ ™™
Piccolo
¢& ° &
>œ
™™
Œ
Be
Tpt.
3
by
Ob.
° &
>œ
≈
»
»
™™
‰ Œ
ht
Picc.
»
»
»
6
>œ
Improvise with the material in the box.
di
¢&
3
>œ
≈
»
or
Vln. II
>œ
»
∏∏∏∏∏
6
42
»
S Watch conductor's cue for going into bar 113. Repeat as long as necessarly.
us
» » » ≈ ‰ ≈ ‰ >œ >œ >œ >œ
ic
Vln. I
F 44 »
R
° & 110
Upper Balcony Position 7
or pe r
Ground Floor Position 2
Œ
26
Vln. II
¢&
∑
»
‰™
>œ
»
‰™
>œ
»
Œ
™™
>œ
»
Œ
∑
™™
>œ
al on ly
∑
42
S Watch conductor's cue for going into bar 118. Repeat as long as necessarly.
™™
44
∑
us
° & 115
Vln. I
43
Upper Balcony Position 7
Lower Balcony Position 5
™™
or pe r
Ground Floor Position 3
∑
∑
Walk fast from the position near Voice to the position near Perc. I as you play.
¢&
∑
Cl.
f
Pno.
{
/
Vc. Elec.
?
∑
3
mf
œ
≈
œ
Be Growl while you play.
≈ b¿ ™
gliss.
umg f
>œ
3
‰™
p
>>>>>>>>>>>>>>>>>>>>>>>> œœœœœœœœœœœœœœœœœœœœœœœœ
f
> nœœ œœ ≈ nœ ‰™ œ ?
∑
™™ ™™
6
≈ b¿ gli
ss.
-
¿
3
glis
s.
umg ff f
™™
--
¿ ¿
umg
_
ff
f
ff
∑ Improvise with the material in the box.
gliss.
™™
∑
> >3> > > > > > > > > > > > > > > œ œ œ œ œ œ œ ™™ œ œ œ œ œ œ œ œ ™ ≈ œ œ
>>>>>> œœœœœœ
ff
Thundersheet
∑
‰
™™
ff
œ
S Watch conductor's cue. ∑
nb#∫œœœœ >
˙ ™™ ææ
˙ æ
umg f
Put down soft mallet(s), and pick up hard brush and small superball beater
≈
™™
Improvise with the material in the box.
ht
p
& &
œ œ œ
> . . . . . . . . . . . . . . . œœœœœœœœœœœœœœœœ
∏∏∏∏∏∏∏
C
op
Voice
≈
ig
¢/
™™
∑
Walk to Lower Balcony: Position 6 as you play.
or
#>œ n œ ™
yr
Perc. II
S Watch conductor's cue. Œ
∑
° Perc. I /
˙™ æ
fp
?
&
>œ
> ≈ #œ ‰™
>œ ææ
di
° &
¢
™™
Walk fast from the position near Perc. I to the position near Perc. II as you play.
ic
Tbn.
™™ ™™
∑
R
Tpt.
p
by
Ob.
>>>>>>>>
-F
∑
Play very high random pitches
œ
rli n
° Picc. &
>œ
≈ nœœ ‰
∑
™™
∑
∑
™™
∑
™™
∑ œ # œœ ™™
œœ
œœ
™™ ™™
∑
/ Sy. 4645/01
>> >> œ œ ™ ≈ œ œ
Hit with hard brush
∑
>>>>> ™™ œ œ œ œ œ "ff "
™™ ™™
∑ ∑
˙ ™™ ˙
˙˙
∑
™™
&
∑
27
° Picc. & Ob.
Tpt.
»
>œ
Ó
Œ
Œ
Ó
Ó
Œ
Stop. Play from music (music stand 7). >œ œ > ææ Œ Œ ≈≈ ff
3
¢& ° &
œ # œ #>˙ æ ®
R
∏∏∏∏∏∏∏∏∏∏∏∏∏
Elec.
˙
f
˙
3
œœ œœ œ œ œ œœ
œ
3
≈ bœ œ bn œœ œœ
œœœ Œ
Ó
Œ
≈
»
>œ™ »
>Ϫ
∑
∑
Œ ∑ S Watch conductor's cue. Continue walking towards Lower Balcony: Position 6 as you play.
b¿
gliss.
˙
œ
f
œ #>œ w œ w
Ó
umg f
ff
œ
p
6
≈ b¿ gli ¿ ss. -
>-
˙
Put down small superball beater and pick up soft mallet(s)
‰™
3
umg fff
Œ
--
¿ ¿
umg
-
ff
f
ff
Ó
> . . . . . . .> . . . . . . .> >>> > > œ œœœœœœœœ œœœœœœ œœ œœœ œ ™ œ fff p
fff p
fff
Œ
Ó
> œ
Bass Drum
........ œœœœœœœœ p
∑
∑
?
∑
∑
?
∑
∑
∏∏∏∏
œ >
‰™
fff
∑
6
chromatic clusters
œÛ ÛÛ ‰™ Û œ>Û ° » ? >œ / &
Vc.
‰™
∏∏∏∏∏
&
œ
p
Scrape with small superball beater
≈
ff
Œ
∑ “” >œ œ >œ ™ œ™
>œ ææ ‰™
> . . . . . . . . . . . . . . .> > > > . . . . . . . . œ œ œœœœœœœœœœœœœœœ œ œ œ ™œœœœœœœœ
p
∏∏∏∏∏∏
>œÛ Û œÛ
∏∏∏∏∏∏∏∏∏∏∏∏∏
op C
Pno.
chromatic clusters
>œ
Œ
Improvise with the material in the box.
jœ
œ
Ó
Œ
Growl while you play.
3
œœœ nbœœœœ œœœœ
∏∏∏∏∏
{
/
>œ
multiphonics very rough, complex and rich
by
Ó
yr
Voice
¢/
fff
»
umg f
p
∏∏∏∏∏
Perc. II
Œ
Œ
>œ
»
f
Ó
∑
> œ
œ.
di
S Watch conductor's cue. Keep walking. ∑
& °/
fp
fp
ht
Perc. I
fp
»
>œ
∑
Stop. Play from music (music stand 4). >œ >œ #>œ >œ >œ œ œœ œ œ™ ≈ ™ ® ≈
ig
Cl.
>œ ææ
or
?
>œ ææ
∑
ic
¢
3
f
fp
ff
Tbn.
>œ #>œ œ
»
al on ly
Ó
or pe r
¢&
>œ
Œ
-F
Vln. II
»
Upper Balcony Position 7
rli n
Vln. I
44
Be
° & 119
Lower Balcony Position 5
us
Ground Floor Position 4
Sy. 4645/01
28
Upper Balcony Position 7
arco molto sul pont.
° Vln. I & Ó 122
œ <n>œ bœ b œ œ nœ bœ œ œ nœ bœ œ œ nœ bœ œ œ <n>œ bœ b œ œ nœ bœ œ p
Picc.
¢&
œ bœ bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ bœ bœ œ œ œ œ œ p
œ
Perc. I
° &
∑
-
∑
∑
Œ
p
Œ
. œ p
. . > > œ œ œ œ™
> œ
> œ
> œ
Ó
Put down soft mallet(s) and pick up small superball beater
Œ
fff
Ó
∑
∑
ig
{
/
ht
fff
Put down soft mallet(s) and pick up bow
fff
> > œ œ Œ
œ
p
> . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . > °/ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
> ™ Perc. II ¢ / œ Voice
∑
Ó
or
&
∑
Be
?
S Watch conductor's cue. Keep walking. Œ Ó
di
¢
Ó
rli n
∑
ic
Cl.
¢&
R
Tbn.
‰™
Keep walking to Door 2 even after playing.
f
by
Tpt.
œ
-F
fp
Ob.
Ó
f
Walk fast from the position near Perc I to Door 2. #>œ ™ ˙
° & ‰
Œ
f
arco molto sul pont.
Œ
Ó
or pe r
Vln. II
Œ
al on ly
Lower Balcony Position 5
us
Ground Floor Position 5
op
yr
? ‰™
C
Pno.
Vc.
Elec.
œ <n> œ œ œ b œ b œ œ n œ b œ œ œ n œ b œ œ œ n œ b œ œ œ n œ b œ œ œ n œ b œ œ œ n œ b œ œ
&≈
p
? Œ
? Π/
‰ # œ #œ #œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ # œ #œ #œ œ “‘ °
>œ >œ >œ ##‹nœœ>œœ
®
9
nœ #œ œœ œœœ >œ œ œ œ
nœ nœœ bœœœ 9
n œ # œ <n> œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ f
Sy. 4645/01
#œœ ™™
ff
arco molto sul pont.
p
œ
Œ
Ó
nb œœœ
∑
¢&
∑
∑
° &
∑
¢&
∑
≈
# -œ p
Tbn.
¢
œ
œ nœ ™
œ
mf
-F
p
∑ jœ
&
œ
œ
œ
œ
f
Cymbal
° Perc. I /
ic
˙™
bow
+ o
Œ
∑
+ o
≈ #œ œ ® œ œ mp
+ æ æ œ bœ ™
‰ p
æj œ-æ
mp
∑ Change to Contrabass Clarinet
Œ
∑
Put down bow and pick up soft mallet(s)
Œ
f
∑
by
R
p
‰™
f
? sim.
Cl.
≈
#>œ æ
œ #œ
rli n
° Tpt. &
Be
Ob.
∑
di
Picc.
or
Vln. II
us
∑
or pe r
° & 124
Vln. I
al on ly
29
Thundersheet
Vc.
Elec.
≈ #œ > nbn∫ œœœœ ‰ °
?
6
œœ ‹œœ-œ
≈
#œ œœ
∑ ‹œœœ ™™™
3
“” 6 b œœœœ œœœœ bœœ &n ≈ -6 -
˙
nœ. œ. œ >
p
>œ
œ œ
#œ œ
œ ™™ œ
nnœœÛ ‰
≈ nb∫œœœœ
∑
œœœœ ‰ ‰ -
?
b˙˙˙
œ n#œœœ
∑
/ Sy. 4645/01
?
nœ œ p
chromatic clusters
∏∏∏∏∏∏∏
#nnnœœœÓœ
nbnœœœ
chromatic clusters
Ó
∏∏∏∏∏∏∏
?
∏∏∏∏∏∏∏
op C
Pno.
œœœ
“” > œ n œÛ
∏∏∏∏∏∏∏
<#>œœ Ó
yr
&
f
∑
ht
{
/
˙™
p
ig
Voice
¢/
Scrape with small superball beater
∏∏∏∏∏∏∏
Perc. II
Œ
30
Lower Balcony Position 5
∑
∑
¢&
∑
∑
Ob.
Tpt.
Alto Flute
∑
¢&
∑
or pe r
° A. Fl. &
After exit the hall from Door 2, go back to Door 1 (outside the hall), leave Piccolo with the person at Door 1 and pick up Alto Flute.
∑
° æ & ˙æ -
∑
Ó
Ó
p
o æ œæ
Œ
-F
Vln. II
us
° & 126
Vln. I
al on ly
Ground Floor Position 6
S Watch conductor's cue. Walking fast towards Lower Balcony: Position 6 as you play. ¢
Growl while you play.
? Œ
Y™
umg
Be
Tbn.
rli n
Improvise with the material in the box.
f
Contrabass Clarinet in Bb
di
& Ó
or
Cl.
Play the pitches in the order indicated in the box as fast as possible.
{
C
op
Pno.
Vc.
f
ææ w
Bass Drum
p
f
Ó
∑
Put down small superball beater and pick up Slapstick
œ <n> œ b œ b œ
Improvise based on the materials below. white noise, extrenely forceful, consonants
≈
>
6
¿ ¿ ku "ff "
<
Ó
q
q
>
¿ ke
¿
¿
‰™
ko
&
œ <n>œ bœ b œ
etc., order of pitches ad lib., as fast as possible
?
?
œ <n> œ b œ b œ “‘
Ó
arco molto sul pont.
n œ # œ <n> œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ p
Elec.
∑
S Watch conductor's cue. Œ
etc., order of pitches ad lib., as fast as possible
yr
?
p
∑
R by
/
ig
Voice
¢/ ˙
ht
Perc. II
ic
° Perc. I /
bœ œ bœ >œ
f
/ Sy. 4645/01
≈
etc., order of pitches ad lib., as fast as possible
norm. extremely distorted scratching noise
≥
n>¿ ™
fff
¿
molto sul pont.
¿
<n> œ # œ n œ # œ p
31
° Vln. I & 128
Lower Balcony Position 5
Upper Balcony Position 8
U
etc., order of pitches ad lib., as fast as possible
<n> œ
#œ
<n> œ
al on ly
Ground Floor Position 7
#œ
mf
¢&
<n> œ
#œ
<n> œ
U
#œ
us
Vln. II
ff
etc., order of pitches ad lib., as fast as possible
Ground Floor: Walk fast from Door 1 to the position near Clarinet. A. Fl.
° &
etc., order of pitches ad lib., as fast as possible
œ
bœ
bœ
U
nœ
mf
Upper Balcony: Position 8. Play from music (music stand 21)
¢& <n> œ
bœ
<n> œ
-F
etc., order of pitches ad lib., as fast as possible
Ob.
bœ
Ground Floor: Walk fast from near Perc II to near Cello.
Perc. II
bœ
nœ
{
.
U
di ∑
ff
U ff
Slapstick
‰™
> œ
mf
U
U
yr op C Vc.
ff
U™ Ó
&
Pno.
U
U ææ w
ic
ææ w
¢/
/
nœ
or
& °/
bœ
Be
<n>œ
mf
ff
U
Ó
ig
Voice
bœ
R
Perc. I
<n>œ
by
Cb. Cl.
¢
?
bœ
ht
Tbn.
° &
etc., order of pitches ad lib., as fast as possible
rli n
mf
Tpt.
ff
or pe r
mf
U
?
ff
U
?
ff Elec.
/ Sy. 4645/01
32
Lower Balcony Position 6
° & 130
Vln. I
∑
∑
44
sim.
<n> œ # œ <n> œ # œ
¢&
sim.
∑
<n> œ # œ <n> œ # œ
or pe r
Vln. II
∑
ff
Ground Floor. Arrive at the position near Clarinet. Play from music (music stand 10). ° solo ‰™ bœ œ A. Fl. & œ nœ œ #˙ ™ œ œ œ œ œ
¢&
∑
∑
-F
f
Ob.
sim.
<n> œ bœ <n> œ b œ
rli n
ff
œ
œ <n>œ ™
œ œ™
sim.
∑
∑
bœ <n>œ bœ<n>œ bœ nœ bœ nœ ff
∑
œ bœ- ™
œ
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
Lower Balcony. Arrive at Position 6 (music stand 16). Play from music.
¢
?
∑
∑
sim.
Y
di
Tbn.
umg
ff
&
∑
Œ
Ó
> ¢/ œ
> œ
by
Perc II
ff
op
yr
ig
{
/
C
Pno.
Vc.
Elec.
Œ
&
> œ
ht
ff
Voice
R
> / œ
° Perc. I
sim.
or
∑
ic
Cb. Cl.
∑
bœ œ bœ >œ ff
>æ æ ˙
∑
∑
∑ Improvise based on the materials below. white noise, extrenely forceful, consonants
>Y
ku
∑
∑
"ff " sim.
<n>œ bœ b œ >œ
ff
?
∑
∑
sim.
>œ œ #œ #œ °
? /
∑
∑
sim. molto sul pont.
<n> œ # œ œ # œ ff
Sy. 4645/01
43
∑
Ground Floor. Arrive at Position near Cello. Play from music (music stand 2).
Be
° Tpt. &
42
∑
ff
∑
al on ly
42
G
Upper Balcony Position 8
us
Ground Floor Position 8
° & 135
Vln. I
43
sim.
∑
<n> œ # œ <n> œ # œ
44
∑
∑
∑
∑
al on ly
33
∑
¢&
∑
<n> œ # œ <n> œ # œ
or pe r
Vln. II
sim.
ff
Ob.
° &
™ œ ‰
<b>œ
Œ
sim.
¢&
<n> œ bœ <n> œ b œ
#˙ ™
# œ œ™ n ˙ ™
œ
∑
∑
∑
∑
∑
ff
sim.
&
∑
or
Cb. Cl.
bœ œ bœ >œ
/
ff
¢/
by
Perc II
>æ æ ˙™
R
° Perc. I
∑
yr op C
Pno.
Vc.
Elec.
>Y ™
ig
{
/
ht
Improvise based on the materials below. white noise, extrenely forceful, consonants
Voice
&
œ
œ bœ
œ ≈ nœ #œ œ™ >
∑
∑
∑
∑
∑
∑
œ. œ. nœ-
ic
ff
≈
∑
Be
Y™
umg
di
¢
sim.
?
#œ.
∑
ff
Tbn.
œ
rli n
Œ
bœ œ >
∑
sim.
bœ <n>œ bœ<n>œ bœ nœ bœ nœ
œ
∑
∑
ff
° Tpt. &
≈
-F
A. Fl.
us
ff
Put down soft mallets(s) and pick up Cuica
∑
∑
∑
∑
∑
∑
∑
∑
S Watch conductor's cue. ∑
Improvise using the suggestion in box below.
ku
<n>œ bœ b œ >œ
Y
fp
"ff "
sim.
™ ¿ ‰
Inhaling, croaking voice
> Y
∑
∑
∑
∑
Œ
f
cold
∑
∑
ff
?
sim.
>œ œ #œ #œ
?
°
? /
sim. molto sul pont.
<n> œ # œ œ # œ
∑
∑
ff
Sy. 4645/01
ff
œ“‘ °
œ bœ- ™ œ °
∑
œ œ<n> œ -
° °
˙
œ b œ- ™
°
∑
œ
34
∑
∑
∑
∑
¢&
∑
∑
∑
∑
∑
A. Fl.
Ob.
Tpt.
° & œ œ ™™ ˙ ™
∑
#˙
Ϫ
≈
3
œ œ œ n ˙>
≈ ≈ bœ œ b˙ œ
œ
œ
¢&
∑
∑
∑
∑
° &
∑
∑
∑
-F
Vln. II
al on ly
∑
∑
or pe r
° & 140
Vln. I
Lower Balcony Position 6
us
Ground Floor Position 8
∑
‰™
3
œ- nœ- œ
≈
3
∑
œ œ ˙™
∑
∑
∑
∑
Perc II
¢/
Voice
/
œj ‰ Œ
f
œ
œ œ œ
∑
Ó
di
∑
¿ >
¿
mf
gliss.
.-
p
‰™ ‰™
-
¿ -¿
mp
¿
gliss.
> ¿ ‰™
Œ
¿ >
mf
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
ic
œ
.
œj ‰ Ó
yr
ig
{
Cuíca
∑
or
∑
& °/
∑
R
Perc. I
∑
by
Cb. Cl.
¢
?
As if sounding from distance. Senza mute Growl and play at the same time (more growling sound than trombone pitches) NB: The rhythms of the materials between bars 143 - 154 do not have to be synchronized with other players as it is extremely difficult to be played in distance. The inaccuracy that will occure is intended and the notation only serves as a suggestion.
ht
Tbn.
Be
rli n
Play from music (music stand 16).
&
C
op
Pno.
Vc.
Elec.
?
<b> ˙ <“>
?
∑ œ
∑
≈
œ™ °
˙
œ
∑
ϡ
w
w
∑
∑
/ Sy. 4645/01
¿
∑
∑
∑
∑
∑
∑
¢&
∑
∑
∑
∑
∑
∑
Perc. I
Perc II
∑
∑
° &
∑
∑
∑
∑
p
-
Vc.
¿ -Y
¿ ¿™ ≈
mp mfp
mf
∑
∑
/
∑
∑
¢/
∑
& °
{
/
gliss.
.-
p
-
¿ -¿ ¿
mp
gliss.
> ¿ ‰™ Œ mf
¿ ¿ >
œ -œ
5
tu tu tu tu tu tu tu tu tu tu tu tu tu tu tu tu tu tu tu tu "ff "
∑
∑
∑
gliss.
.-
‰™ Œ
¿ ¿ >
p
mf
∑
.-
p
‰™
‰
j >¿ >¿
¿
mf
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
S Watch conductor's cue. ∑
∑
∑
∑
∑
∑
∑
?
∑
∑
∑
∑
∑
∑
?
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
/
from Subwoofer(s) almost unrecognizable very low beating effect p
∑
Sy. 4645/01
6
œ >¿ >¿ ¿. ¿. ¿. ¿. >¿ ¿. ¿. ¿. ¿. ¿. ¿. ¿. ¿. ¿. ¿. ¿. ¿. ¿.
&
S Watch conductor's cue. Elec.
¿ ¿ >
‰™ ‰™
Be
.-
‰™ ‰™
di
¢
?
Combination air sound and pitches
or pe r
∑
rli n
∑
yr C
op
Pno.
œbœ b˙-
≈ ≈ œ œ nœbœ b˙-
¢&
ig
Voice
≈ ≈ œ œ nœbœ b˙-
or
Cb. Cl.
œ œ
ic
Tbn.
œ >œ œ n ˙-
≈ ≈
R
Tpt.
3
ht
Ob.
Ϫ
≈
-F
° A. Fl. & #>˙
by
Vln. II
us
° & 146
Vln. I
al on ly
35
gliss.
36
∑
∑
∑
∑
¢&
∑
∑
∑
∑
° A. Fl. &
norm. f.t.
æ ¿. ¿. ¿. ¿. ¿. ¿. ¿. ¿. >œæ
æ ˙æ
æ œæ
Ground Floor: Sit down.
æ ‰™ Ó œ
∑
∑
tu tu tu tu tu tu tu tu
Humpback whale melody
Perc. I
Perc II
op C
Pno.
Vc.
Elec.
mfp
∑
ic
n-œ #œ
˙
œ
p
mf
p
rli n
mf
œ ≈ ≈ ™ b œ œ
Œ
∑
∑
nœ bœ œ ‰ ®œ harmon mute
∑
Ó
∑
Be
Y
∑
/
¢/
Y
p
Œ
‰ ®
∑
∑
∑
∑
∑
∑
∑
∑
∑
mf
Œ
œr ‰ ™ Œ
œ p
mf
œ œ œ œ
œ
Œ
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
&
∑
∑
∑
∑
∑
?
∑
∑
∑
∑
∑
?
∑
∑
∑
∑
∑
/
∑
∑
∑
∑
∑
{
/
Sy. 4645/01
+ bœ œ œ
mp
Quietly walk to Lower Balcony: Position 8
di
mp
& °
-
¿ -¿
mf
or
p
yr
Voice
.-
≈
p
∑
R
Cb. Cl.
¢
f
∑
≈
œ b-œ ™ œ Ó
œ
mf
° &
?
œ bœ œ ‰ ®œ
by
Tbn.
Œ
ht
Tpt.
¢& Ó
ig
Ob.
-F
p
mf
∑
us
° &
or pe r
Vln. II
Upper Balcony Position 8
H
152
Vln. I
Lower Balcony Position 7
al on ly
Ground Floor Position 8
p
al on ly
37
Upper Balcony Position 8
Ob.
∑
¢&
∑
Ó
œ ‰™
mf
Œ
‰
‰
bœ ®œœ œ
°
/ Ó
¢/
œ
op C
Pno.
Vc.
Elec.
pp
‰ ®
bœ
or œ
œ pf
p
œ
œ
f
p f
œ
œ ‰™
p
Ó
p
p
5
mf
5
6
mp
p
∑
∑
∑
∑
∑
œ
œ
Œ
∑
∑
∑
∑
&
∑
∑
∑
?
∑
∑
∑
?
∑
∑
∑
/
∑
∑
∑
Sy. 4645/01
6
p
œ
∑
{
œ ‰™
œ
∑
/
mp
o + o +o + o o + o + o + o + o + o + o + o + o+o+ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ®<n>œ #œ œ œ œ œ œ œ œ
mp
di
6
ic
∑
yr
Voice
&
5
by
Perc II
∑
ht
Perc. I
?
ig
Cb. Cl.
mf
R
5
¢
-œ J
mf
o + o + o + o +o + o + o + o + o+o + ° œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ‰™ Tpt. &
Tbn.
˙
p
b œ œ#œ
∑
f
˙
®
us
° &
‰
or pe r
∑
Œ
rli n
A. Fl.
¢&
Ó
∑
Be
Vln. II
∑
-F
° & 157
Vln. I
œ
œ
Ground Floor Position 8
Upper Balcony Position 8
p
œJ
f
œ
œ™ bbœœ ™™
Ϫ p f
≈
œ-
Œ
f
p
œ œœ
+ nœ.
‰ ®
œ #œ mp
p mf
®
‰
œ-
Ϫ
p f
-œ œœ
œœœ
œ œœ
o+ œœ
o œ
+ œ
mf p
f
p
?
p f
œ bbœœ J
‰
≈ ®
o + <n>œ#œ œ œ mf
˙ ˙˙
fp
œ
‰
f
œ- œ p f p
fp
®
p
œf
or Ó
œ
f
fp
œ-
p
œ-
f
+ œ
f
p
o + nœ#œ œ #œ ≈ ® mp
f
p
∑
fp
p
f
f
+ œ œ J ‰ p
˙ p
∑
∑
∑
∑
∑
∑
∑
&
∑
∑
∑
?
∑
∑
∑
?
∑
∑
∑
/
∑
∑
∑
¢/
ig
{
/
op
yr
Voice
C
Pno.
Vc.
Elec.
Sy. 4645/01
>œ n>œb >œ
f
œ bbœœ o œ f
∑
/ œ
®
f
p f
Œ
o œ
®
b >œ >œ
˙-
∑
∑ Ó
#>œ #>œ n>œ >œ
fp
b >œ <n> >œ >œ™ >œ œ >œ ™
Ó
o œ
®
f
Bass Clarinet in Bb
ic œ
fp
f
œ
ht
Perc II
∑
& °
p
®
b >œ <n> >œ b >œ >œ
∑
R
Perc. I
f
œ- œ
p f
∑
by
Cb. Cl.
œ ™ ‰
b >œ <n> >œ -œ >œ ™
di
¢
Œ
mf
° #-œ ™ Tpt. &
Tbn.
f
œ
f
° & ‰
¢&
p
∑
norm. Multiphonics
Ob.
f
®
b >œ <n> œ b œ œ
rli n
A. Fl.
¢&
p
œ ‰™
Be
Vln. II
mf
œ
us
®
b >œ œ#œ#œ
or pe r
160
-F
° #˙ Vln. I &
al on ly
38
p
39
lights: very dark
Ob.
¢
œ
¢
Œ
fp
fp
ss.
>œ gliss. 1
fp
fp
≈
>Ϫ
‰
ff
>œ
o œ
+ œ
f
p
1
.
gliss
≈
b >œ ™ J
œ
‰
œ
f
≈
> bœ
≈
> œ
Œ
>Ϫ
b >œ
œ
‰™
®
> b œ ™™
Ó
Ó
ffp
>œ™™
Œ
®
Œ
o #>œ ™™ ® ææ
∑
p
œ
Œ
TYPE 2 Explosive Sound:
œ-
by
> b œ ™™
ff
p
S Watch conductor's cue.
®
∑
Ϫ
w
∑
Œ
∑
œ
R
∑
/
¢/
p
ic
w
> œ
‰™
ff
∑
or
Ó
> bœ
œ
ffp
fp
Œ
∑
œ
œ
>
‰
Œ
fff
Ϫ -
p
∑
∑
∑
∑
> fff
ht
Perc II
ff
w ww
?
°
fp
b >œ
‰™
∑
f
Perc. I
>œgliss. 1
Ó
w b b w & w
&
ff
>Ϫ
TYPE 1 Multiphonics with Different Shapes:
B. Cl.
1
us
œ gli
p
+ #œ ° Tpt. &
Tbn.
>œ
>œ
or pe r
° &
<n> >˙
nœ
rli n
A. Fl.
¢&
>œ ™
œ
Be
Vln. II
≈
b >œ ™
∑
-F
163
di
° Vln. I &
∑
al on ly
∑
Lights
{
/
Ó
op
yr
Voice
ig
Improvise.
C
Pno.
Vc.
Inhaling, croaking sound
&
∑
∑
∑
?
∑
∑
∑
?
∑
∑
Ó
Œ
norm. extremely distorted scratching noise
≥
>¿
fff
Elec.
/
∑
∑ Sy. 4645/01
∑
40
° <b> ˙ ™ Vln. I &
s.
Ϫglis
166
Perc. I
Perc II
ff
fp
1
≈
ff
œ ™g
liss.
fp
1 ff
ff
op C
Pno.
Vc.
œ
1
œ 3
fp
ff
ff
fp
ss.
œ gli fp
Ó >œ æ
fp
gliss.
1 ff
∑
∑
∑
∑
∑
∑
‰™
∑
∑
∑
∑
∑
or
∑
∑
Ó
ff
1 bœ ff
Œ
rli n
Œ
1 J ‰
gliss.
Be
>˙ ™
& °
œ-
>
Improvise using the materials Type 1 and Type 2. As if making conversation with other instruments. Less and less play towards Section I. (Duration ca. 1'55")
‰
p fff
/
¢/
Ó
> ≈ œ ™
Œ
ff
∑
> ≈ œ ™
> ≈ œ ™
≈
> Ϫ
{
/
≈
> Ϫ
> ≈ œ ™
∑
> ≈ œ ™
> ≈ œ ™
∑
∑
∑
∑
∑
∑
∑
∑
∑
> ≈ œ ™
creeping on floor but also insisting
∑
& fff
bœ bœ œ œ œ œ œ œ <n>œ œ œ œbœnœ œ >œ > > >œ > > >œ > > >œ > > >œ > > > >œ > > > > >œ ◊Ÿ 1 ss.1 . 1 gli gliss b œ b œ œ œ™ ? ‰ ≈ Y™ 3 ?
3
3
3
3
fpff
Elec.
fp
nœ œ
di
° #w & ?
>œgliss. 1
∑
œ
¢
3
ff fp
1
∑
w
¢&
œ
fp
ss.
œgli
-F
° &
ff
bœ
‰
‰
1
yr
Voice
1
s.
∑
ic
B. Cl.
œ
Ϫglis
R
Tbn.
œ
3
by
Tpt.
<b> ˙
fp
1
∑
ht
Ob.
ff
bœ
ig
A. Fl.
¢&
1
al on ly
∑
or pe r
∑
Lights
Vln. II
Upper Balcony Position 8
us
Ground Floor Position 8
/
∑
5
fp
ff
fp
œ >
bœbœ œnœ > > >> >œgliss. 1
≈
ff
fp
5
>œn>œ ‰™
6
6
3
3
5
6
∑
∑
∑
∑
ff
∑ Sy. 4645/01
3
œ bœ œ œœ œ œ nœ œ bœ œ œ œ bœ œ œ > >œ > b>œ >œ > >œ >œ > >œ >œ > >œ >œ >b>œn>œ > >œ > >œ > > >œ > b>œ >œ > >œ
41
∑
° &
∑
∑
∑
¢&
∑
∑
° &
∑
∑
170
Vln. I
Vln. II
∑
∑
∑
∑
∑
Walk to Upper Balcony: Position 10 as you play.
-F
A. Fl.
∑
us
∑
or pe r
∑
Lights
al on ly
Upper Balcony Position 9
Improvise. Use the combination of really harsh multiphonics and fragments of the humpback whale melody. Start with multiphonics. Play less and less as time passes. (Duration ca. 1' 15")
>˙ ™ bb˙˙ ™™
˙™ ˙˙ ™™
B. Cl.
Perc. I
Be
& °
> / ≈ œ ™
> ≈ œ ™
¢/
Ó
∑
ig
{
/
op
yr
Voice
C
Pno.
Vc.
Elec.
∑
∑
∑
∑
∑
∑
di
∑
f
or
?
¢
ht
Perc II
∑
Œ
ic
Tbn.
° &
R
Tpt.
¢&
∑
by
Ob.
∑
rli n
e.g.
&
Œ
> ≈ œ ™
> ≈ œ ™
> ≈ œ ™
> ≈ œ ™
> ≈ œ ™
∑ S Watch conductor's cue.
> ≈ œ ™
> ≈ œ ™
> ≈ œ ™
Œ
Ó
∑
∑
∑
∑
Improvise using the suggestion in box below. Less and less sound towards the end.
∑
Inhaling, croaking sound
∑
∑
? bœ bœ œ œ œ nœ œ nœ œ bœ œ œ œbœ bœ œ<n>œbœ œ œ œ œ œ œ œ œ œ œ œ œ > > > > >œ > > > > >œ > > >œ > > >œ > > >œ b>œ œb>œ >œ >œ >œ >œ >œ >œ >œ b>œ œn>œn>œ >œ >œ b>œ b>œ >œ >œ œ >œ >œ >œ >œ >œ >œ >œ <◊>> > > > > > > > > > > > 3
6
5
6
3
3
6
3
3
3
6
3
?
∑
∑
∑
∑
/
∑
∑
∑
∑
Sy. 4645/01
3
42
° &
∑
∑
∑
¢&
∑
∑
∑
° &
∑
∑
¢&
∑
° & ?
¢
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
Perc. I
∑
/
¢/ w
op C
Pno.
Vc.
Elec.
∑ ˙
f
Ó
∑
∑
∑
∑
{
/
yr
Voice
Improvise based on the material that you have played. Play less and less as time passes. As if making a conversation with other instruments. (Duration ca. 1' 35")
ig
p
ht
Thundersheet
Perc.II.
Wonder around the space and walk to the audience seats.
R
°
ic
&
by
B. Cl.
or
di
Tbn.
∑
-F
Tpt.
∑
∑
rli n
Ob.
∑
∑
Be
A. Fl.
al on ly
∑
or pe r
∑
174
Vln. II
Ground Floor Position 9
∑
Lights
Vln. I
Upper Balcony Position 9
us
Ground Floor Position 8
∑
&
∑
œ b>œ b>œ >œ >œ >œ >œ b>œ œ n>œ n>œ >œ >œ b>œ œ<n>>œ b>œ >œ >œ b>œ b>œ >œ >œ >œ >œ >œ >œ >œ >œ >œ >œ b>œ b>œ >œ >œ >œ >œ >œ >œ >œ >œ ‰ <◊>>
?
3
3
3
3
3
3
3
3
3
3
∑
?
∑
∑
∑
∑
/
∑
∑
∑
∑
Sy. 4645/01
∑
∑
∑
∑
° &
∑
∑
∑
∑
∑
¢&
∑
∑
∑
∑
∑
∑
° &
∑
∑
∑
∑
∑
∑
¢&
∑
∑
∑
∑
∑
∑
° &
∑
∑
∑
∑
∑
∑
?
∑
∑
∑
∑
∑
∑
Ob.
Tpt.
¢
or pe r
S Watch conductor's cue.
∑
∑
di
Tbn.
-F
A. Fl.
rli n
Vln. II
Be
178
us
∑
Lights
Vln. I
al on ly
43
Add the material indicated below into improvisation.
Perc.II.
op C
Pno.
¢/
{
Vc.
Elec.
b¿
¿
b¿
¿
¿
ic
¿
R / ∑
by
°
¿
p
∑
∑
∑
∑
∑
/
yr
Voice
&
ht
Perc. I
¿
ig
B. Cl.
or
TYPE 3 Extremely High Pitch: The pitches indicated are only suggestions.
&
∑
∑
∑
∑
∑
∑
?
∑
∑
∑
∑
∑
∑
?
∑
∑
∑
∑
∑
∑
/
∑
∑
∑
∑
∑
∑
Sy. 4645/01
44
∑
∑
° &
∑
∑
∑
∑
¢&
∑
∑
∑
° &
∑
∑
∑
¢&
∑
∑
∑
° &
∑
∑
?
∑
∑
B. Cl.
Perc. I
& °
/
Perc.II.
¢/
Voice
/
Vc.
Elec.
∑
∑
∑
∑
∑
∑
∑
∑
rli n
-F
∑
∑
∑
∑
∑
∑
&
∑
∑
∑
∑
∑
?
∑
∑
∑
∑
∑
?
∑
∑
∑
∑
∑
/
∑
∑
∑
∑
∑
ig
{
yr op C
Pno.
∑
Be
¢
di
Tbn.
∑
ic
Tpt.
∑
R
Ob.
by
A. Fl.
ht
Vln. II
∑
or
184
Vln. I
∑
us
∑
or pe r
∑
Lights
al on ly
Upper Balcony Position 9
Ground Floor Position 9
Sy. 4645/01
45
al on ly
Upper Balcony Position 10 Lights: completely dark
Vln. II
A. Fl.
∑
∑
¢&
∑
∑
° &
∑
∑
∑
Sul E Play the string with the metallic/wire coil of the bow. Metallic Sound.
/
/
¿ J
¿
‰
"f "
Ó
Œ
¿
Œ
¿
¿ J
"f "
‰
Œ
Ó
∑
Perc.II.
∑
∑
∑
or
S Watch conductor's cue. ∑
°
ic
& /
¢/
{
/
op C
Pno.
Vc.
Elec.
Ó
¿
¿ J
∑
¿
Œ
¿
¿
¿
¿
Ó
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
rli n
?
¢
Be
∑
di
∑
∑
yr
Voice
∑
¿ J
R
Perc. I
° &
by
B. Cl.
∑
∑
æ wæ
æ wæ
æ wæ
Bass Drum
∑
ht
Tbn.
∑
Ó
∑
p
less and less
ig
Tpt.
Œ
Y
∑
S Watch conductor's cue. Arrive at Upper Balcony: Position 10.
¢&
¿
Sul E Play the string with the metallic/wire coil of the bow. Metallic Sound.
Put down instrument and pick up (spare) reed Ob.
¿
∑
us
Vln. I
∑
or pe r
° & 189
∑
-F
∑
Lights
&
∑
∑
∑
∑
∑
∑
?
∑
∑
∑
∑
∑
∑
?
∑
∑
∑
∑
∑
∑
/
∑
∑
∑
∑
∑
∑
Sy. 4645/01
/
Ground Floor Position 10
A. Fl.
¢/
∑
° &
∑
¿ J
¿
¿ J
"f "
¿ J
Œ
Ó
¿
¿ J
"f "
¿
∑
∑
∑
∑
∑
∑
∑
Upper Balcony: Position 10 (music stand 22) Play from music. sound of reed
Œ
∑
1
∑
&
∑
∑
or
∑
1
∑
‰™
Œ
Ó
Œ
1
/
∑
!
p
∑
∑
Ó
‰™
Œ
∑
∑
∑
∑
∑
∑
by
æ wæ
æ wæ
æ ˙æ™
æ œæ™
> > œ œ
Ó
◊ÿ ‰™™
∑
∑
∑
∑
bœ>œ
Œ
yr op C Vc.
Elec.
<n> >œ #>œ
senza sordino
f
ht
/
æ wæ
&
Pno.
&
Play from audience seats.
ig
{
1
mf
?
°
1 J
‰
p
∑
ææ Perc. II ¢ / w
Voice
Œ
&
ic
Perc. I
‰™
R
B. Cl.
¢
mf
1
∑
∑
rli n
p
° Tpt. &
Tbn.
!
Be
1
di
1 J
Ob. / ‰ ¢
∑
us
∑
∑
or pe r
Vln. II
/
∑
-F
°
195
Vln. I
Upper Balcony Position 10
∑
Lights
al on ly
46
?
ff
∑
∑
∑
∑
∑ °
?
∑
∑
∑
∑
∑
/
∑
∑
∑
∑
∑
Sy. 4645/01
&
47
I
ffp
f
b >œ ™ ≈ & ææ ¢
fp
norm.
Tpt.
¢/
f
f
>œ ææ
fp
œ ææ
fp
≈
>œ ™
œ æ
bœ ææ ‰™ Œ
‰™
Ó
∑
∑
Ó
∑
∑
ff
∑
1
∑
∑
∑
Walk to Upper Balcony: Position 12 quietly. Œ Ó ∑
f
> ° æœ œ gliss. & ff
>œ >œ >œ ææ œ œæ œ œ æ œ œ œ œ 朙 æ
p
mf
œ. ‰™ Œ
∑
Ó
∑
p
¢
?
Growl as you play and gliss to lowest note possible.
b>¿ ™ gliss. umg ffp
>-
ff
- >¿
™
>-
gliss.
umg ffp
ff
<b>>œ
b>˙
sffz
Perc. I
°
p
ig
Elec.
œ ≈b œ
p
f
p
œ ≈ œ
œ
Ó
∑ > > œ œœ ≈ œœ ® œ œ p
ff
> œ
∑
∑
∑
∑
∑
∑
b>œ œ
> œœœœœœœœœ
∑
ff
œ >œ
˙
gliss.
˙
ff
S Watch conductor's cue. ∑
∑
p
∑
∑
∑ ∑ > > > > > œœœœœœœœœ œ œœœœœœœœœ œœœœœœœœ œœœœœœœœœ ˙
p
ff
S Watch conductor's cue. ∑ p
ff p
ff
p
ff
∑
chromatic clusters
Œ
Ó
∑
∑
∑
∑
∑
∑
fff
yr op C Vc.
∑
by
A <◊>ª Æ <n>œœÛ ‰ ™ &
Pno.
f
ht
{
>> œ œ™
ff
/
p
b>¿ -™ _ - >
umg umg umg ffp ff
w
> œ Perc. II ¢ /
Voice
f
> > œ ≈ œ ≈ œ œ œ ™
w
/
∑
Growl as you play and norm. gliss to lowest note possible. brassy
ic
&
‰
p
R
B. Cl.
Œ
> œ
or
f
di
Improvise
TYPE 1 Multiphonics with Different Shapes:
> bœ
œ b>œ ™
b>œ
Be
S Watch conductor's cue.
norm. brassy
rli n
Lower Balcony: Position 8 (music stand 13). Play from music. Tbn.
∑
ff
fp
f
œ ææ ‰™ Œ
∑
-F
Ob.
‰
ffp
≈
>œ ™
∑
rall.
us
n>œ ™ æ ≈ J
∑
or pe r
n>œ ™ 200 ° Vln. I & ≈ æ æ
norm.
° A. Fl. &
Upper Balcony Position 11
rall.
Lights
Vln. II
Lower Balcony Position 8
al on ly
Ground Floor Position 10
chromatic clusters
A ª ◊ÿ œÆ & œÛ ‰ ™
»
ffff
?
A ª œÛ Û >œ
˙Û Û >˙
Œ
Ó
œÛ œÛ ™ œÛ œÛ ™
œÛ œÛ
˙Û ˙Û
wÛ wÛ
arco extremely distorted scratching noise
pizz.
? ≈
™ >œ
∑
∑
ff
/
∑
∑
∑ Sy. 4645/01
≥ ≥ ≈ j ™ ™ >¿ ¿ >¿ fff
≥
>Y ∑
‰
≥ j >¿
≥ ≥
>¿ >Y ∑
∑
∑
∑
¢&
∑
∑
∑
° &
∑
∑
∑
¢/
∑
∑
∑
° &
∑
∑
Perc. I
Perc. II
/
∑
¢/ œ
> ˙™
{
/
Vc.
∑
ff
Be
æ ˙æ™
∑
∑
æ œæ™
∑
æj œ>æ
æ ˙æ
f
∑
∑
∑
∑
∑
∑
∑
∑ æ œ™æ
æ ˙æ
æ ˙æ™
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
?
∑
∑
∑
∑
∑
? Œ
arco molto sul pont. semi-tone trills
Ÿ~~~~~~~~~~~~~~~~~~~~~ ˙™
/
∑
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
sim.
sim.
œ œ ' '
fff
≈ ≈
œ œ œ ' ' p
œ
œ
ff
œ
p
æ œ
∑
∑
p
Elec.
ææ ™ >œ
∑
&
yr C
op
Pno.
œ
∑
& °
˙™
di
œ œ™
ig
Voice
?
or
B. Cl.
¢
ic
Tbn.
R
Tpt.
by
Ob.
ht
A. Fl.
45
us
° &
∑
or pe r
∑
43
rli n
∑
205
Vln. II
Upper Balcony Position 11
∑
Lights
Vln. I
Lower Balcony Position 8
-F
Ground Floor Position 10
al on ly
48
œ œ œ œ ' ' '
fff
∑
p
∑ Sy. 4645/01
˙
œ
fff
œ
œ
p
∑
˙™
p
ff
∑
° Vln. I & 210
∑ » b>œ ™
44
∑
pizz.
Ó
Œ
Œ
Ó
Œ
f
¢&
»
#>œ ™
.
gliss
»
Ó
#>œ ™
f
Perc. I
Ó
Œ
Œ
U Œ
Ó
Œ
Œ
U Œ
∑
∑
Ó
Œ
Œ
U Œ
∑
∑
Ó
Œ
Œ
U Œ
∑
∑
∑
∑
∑
∑
∑
∑
∑
Ó
Œ
Œ
U Œ
∑
∑
∑
Ó
Œ
Œ
U Œ
&
∑
∑
∑
Ó
Œ
Œ
U Œ
?
∑
∑
∑
Ó
Œ
Œ
U Œ
?
Œ
°
∑
?
/
rli n
∑
/
ig
{
Ó
p
&
<Ÿ>~~~~~~~~~~~~~~~~~~~~ œ
∑
Be
æ ˙æ
di
¢
yr op
Ó
∑
/
C
‰™
° &
Voice
Elec.
.
gliss
∑
¢/
Vc.
U Œ
∑
Perc. II
Pno.
Œ
∑
or
B. Cl.
#>œ ™
Œ
Ó
¢/
ic
Tbn.
»
Ó
∑
R
Tpt.
>Ϫ
≈
∑
∑
by
Ob.
»
Œ
.
gliss
™ >œ
.
gliss
43
° &
ht
A. Fl.
»
gliss.
-F
Vln. II
» b>œ ™ f
pizz.
Ó
∑ pizz.
gliss.
45
us
Lights
43
or pe r
45
al on ly
49
∑
sim. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ U ≈ œ œ œ œ œ™ œ ˙ œ œ ˙ œ œ œ ' ' '
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
sim.
œ œ œ™ œ ' '
fff
p
∑
œ
ff
œ
&
p
fff
p
∑ Sy. 4645/01
f
p
∑
f
∑
50
Vln. II
A. Fl.
Ob.
∑
∑
q = ca. 40
water reflection
∑
∑
∑
¢&
∑
∑
∑
° &
∑
∑
∑
∑
∑
¢/
∑
∑
∑
∑
∑
∑
∑
Play the material in the box below. Improvise if necessarly.
° Tpt. &
∑
?
∑
Vc.
U œ œ œ
Elec.
U œ
œ bœœœ
U U bœœœ œ œ œ œ
bœ
/
<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙™
di or
∑
œœœ ™™™ nœ
œ
## œœœ
U œœœ œœœ
U œ œ #œ œ <n>#œœ
˙˙˙ ˙
œ
p
œ
# ˙˙˙ ™™™
∑
∑ ˙˙˙
5
œ nœœ œ œ™
˙
œ
mf
∑
3
œ œ
œ
Œ
œ
Œ
pp
∑ Sy. 4645/01
˙
mf
∑
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ó
pp
∑
˙
mf
∏∏∏∏∏∏∏
∑
œ
p
∏∏∏∏∏∏∏
∑
water reflection
(NB: Keep the pedal down)
?
æ ˙æ p
Œ
p
&
+ æ œ œ œ œ ® ‰ ® œ œ ∑
∏∏∏∏∏∏∏
C
Pno.
ic ∑
∏∏∏∏∏
op
&
∑
∏∏∏∏∏∏∏
{
/
≈ #œ œ ≈ ™
+ o + o
Thunder-sheet Scrape with a superball beater
∑
∏∏∏∏∏∏∏
¢/
p
+ o
æ œ
44
S Watch conductor's cue. æ ‰™ Œ #œ
R
/
yr
Voice
°
∏∏∏∏∏∏∏
Perc. II
&
by
Perc. I
Œ
∑
ht
B. Cl.
¢
ig
Tbn.
o æ œ
harmon mute
∑
∑
∑
Ground Floor: Face downward and spin slowly on the spot as you play.
Be
Vln. I
∑
42
-F
° & 214
∑
rli n
Lights
43
al on ly
42
q = ca. 40
water reflection
Upper Balcony Position 11
us
J 43
Lower Balcony Position 8
or pe r
Ground Floor Position 10
˙
∑
al on ly
51
∑
∑
∑
¢&
∑
∑
∑
∑
∑
∑
∑
∑
° &
sound of reed wide vib.
p
mp
sim.
° &
o + o + o + -œ œ -œ œ œ œ ™ Œ ææ ≈ æ 3
∑
bœœœ
∏∏∏∏∏∏∏
op
&
C
Pno.
Vc.
Elec.
&
l.v.
p
Ó
∑
œ™ œ œœ ™™ n˙
œ œ bœ œ
b˙
bnœœœ
∏∏∏∏∏∏∏
{
/
˙
Œ
∑
S Watch conductor's cue. Œ Œ ∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
œœœ ™™™ nœ
œœœ
™ n#nb˙˙˙˙ ™™™
œ“” #˙˙
œ
Œ
œœ
#œ
Œ
Œ
p
˙
œ
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
æ ˙æ
∑ ∑
∑
∑
∑
˙
˙
mf
˙ ˙
œ œœ œœ œœ œœœ œ
∑
∑
∑
∑
/
∑
∑
∑
∑
Œ
l.v.
œ™ œ
Ó
p
∑
˙ ™™ ˙
?
Sy. 4645/01
æ œæ
∑ œ œ
3
∏∏∏∏∏∏∏
¢/
o + œ- œ ≈ ™ ææ
ic
∑
R
/
°
yr
Voice
&
∑
by
Perc. II
∑
ht
Perc. I
?
ig
B. Cl.
¢
p
or
p
Tbn.
1
Be
1
∏∏∏∏∏∏∏
Tpt.
¢/
Œ
di
Ob.
Ó
!™
1 ‰ J
rli n
Upper Balcony: Position 12 (music stand 17) Play from music.
∑
∑ bœœœ
œ œ œ œœ
œ
bœœœ ™™™ œ œ œ œ
˙ ∑
bn˙˙˙
∏∏∏∏∏∏
∑
∑
-F
A. Fl.
∑
∏∏∏∏∏∏∏
Vln. II
∑
° & 219
Vln. I
∑
45
∏∏∏∏∏∏∏
∑
42
∏∏∏∏∏∏∏
Lights
43
or pe r
44
us
Upper Balcony Position 12
∑
œ™ œ
œ
∑
° &
∑
∑
∑
¢&
∑
∑
° &
∑
∑
¢/
∑
° &
∑
?
∑
&
∑
/
∑
¢/
∑
Vc.
Elec.
-F 5
?
∑
/
∑
rli n Be
or
di
∑
∑
∑
∑
∑
∑
∑
∑ S Watch conductor's cue.
∑
Inhaled, broked and high pitched voice
Ó
Œ
. . . 6. . . . ¿ ¿™ . ¿ ¿ . ¿¿ ¿ ¿ ¿ ¿ ¿. ¿
p
œ œ
Ó
Improvise using the materials in the box.
bœœœ
œœ œ™ œ3 œ nœ œ
∏∏∏∏∏∏∏
& œ œ œ #œ
p
œ
. ¿. ¿
¿.6 ¿.
bœœœ
˙™
bœœ œ œ œ œ bn˙˙˙ ™™™
bœœ œ œ
∑
6 ¿ ¿™ . ¿. . . . . ¿.6 ¿. ¿. .¿ ¿. . ¿. ¿. .¿ . ¿. ¿ ¿ ¿ ¿ ¿ ¿ ¿. ¿
œ
œ
˙™ œ bn˙˙ ™™ ˙ ™
∏∏∏∏∏∏∏∏∏
3
˙˙˙ ™™™
∏∏∏∏∏∏∏
# ˙˙
yr op C
Pno.
mf
∏∏∏∏∏∏∏
/
&
p
∏∏∏∏∏∏∏
{
∑
ig
Voice
!™
1
∏∏∏∏∏∏∏∏∏
Perc. II
°
∑
!
ic
Perc. I
1
1 1 J
R
B. Cl.
¢
∏∏∏∏∏∏∏
Tbn.
∑
∑
∏∏∏∏∏∏∏
Tpt.
‰
by
Ob.
ht
A. Fl.
or pe r
∑
225
Vln. II
Upper Balcony Position 12
∑
Lights
Vln. I
Lower Balcony Position 8
us
Ground Floor Position 10
al on ly
52
∑ ∑ Sy. 4645/01
44 ° &
∑
∑
¢&
∑
∑
° &
∑
∑
¢/
∑
° &
∑
?
∑
&
∑
228
Vln. I
Vln. II
U ∑ U ∑ .
U ∑
bœœœ
œ œœ
∏∏∏∏∏∏∏
yr C
Pno.
Vc.
Elec.
&
bœœ
∏∏∏∏∏∏∏
op
&
?
Be di or
U ∑
∑
U ∑
∑
U ∑
∑
U ∑ U ∑
w mf
p
U
nyam nyam nyam....
œ
œ
Ϫ
˙
˙™
bœœœ
bœœ
∑
Ϫ
œ œœ
œ
œ
˙™
˙
bœœ
∑
œ™ œœ ™™
bœœœ
∏∏∏∏∏∏∏
{
/
w
∑
∏∏∏∏∏∏∏
¢/
ig
Voice
∑
/
∏∏∏∏∏∏∏
Perc. II
°
∏∏∏∏∏∏∏
Perc. I
ic
B. Cl.
¢
R
Tbn.
by
Tpt.
U ∑
∑
.
ht
Ob.
rli n
-F
A. Fl.
us
U
or pe r
Lights
al on ly
53
œ
œ
œ
U ˙
œ
U ∑ U
/
U ˙
.
pppp
Sy. 4645/01