Cascade Arts & Entertainment | April 2021 | Volume 27 | Issue 4

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Flower Garden, oil on canvas, 60” x 52”

by Kenneth Marunowski

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COVER STORY KEN

MA RU NOWSKI

C O N T E N T S

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FIRST FRIDAY/ BEND EXHIBITS

Look to the Mountain, oil on panel, 16”x20” by Kay Baker

ON THE COVER 2

April 2021 | www.CascadeAE.com

Fort Rock, water-mixable oil on canvas board, 16”x20” by Gordon Baker

CAS C A D E

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ART COMMUNIT Y

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A N D RI ES G O RD ON JO REN

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F O U RI E

D O ROT HY M O LLI E

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APRIL 2021

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BA KER

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SISTERS

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CENTRAL OREGON

SUNRIVER

EXH I B I T S

ART ISTS'

SIST ERS

GA LLERY

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EXH I B I T S

JU RGENSON

MUSIC B EN D

KAY

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F I L M & T H E AT R E B E AT

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S TA R S

CALL TO ART WORKSHOPS

NEW PERSPECTIVES

L I T E R AT U R E A N I S

MOJGA NI

WAT E R S O N

W RI T I NG

EDITORIAL ADVISORY BOARD MEAGAN IVERSON Susan Luckey Higdon Billye Turner Howard Schor

PRODUCERS Pamela Hulse Andrews

Sunriver Music Festival

Jeff Martin

Tumalo Art Gallery Art Consultant

CO MP ET I T IO N

Marcee Hillman Moeggenberg

B.E.A.T.

Lori Lubbesmeyer

Lubbesmeyer Studio & Gallery

Lisa Lubbesmeyer

Lubbesmeyer Studio & Gallery

Natalie A. NiemaN Ronni wilde David Hill

Founder President/CEO Editor/Production Director Production Artist/Design/ Online Communications assistant editor/feature writer Distribution

Cascade A&E is a publication of Cascade Publications Inc., locally owned and operated since 1994 and published in Bend, Oregon the Wednesday before First Friday every month. For editorial and advertising information call 541-388-5665.

Send calendar and press releases to ae@cascadeae.com or A&E 404 NE Norton Ave., Bend OR 97701.

Cascade A&E is available for free all over Central Oregon or $25 for a year subscription. Subscriptions outside Central Oregon are $30 a year. cascadeAE.com

Oregon’s Only Arts Magazine Since 1995 | April 2021

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BEND ARTIST

KEN MARUNOWSKI

E X H I B I T S A B S T R A C T PA I N T I N G S AT P O R T L A N D ' S

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LAURA VINCENT DESIGN & GALLERY

rom April 1 to May 4, Bend artist Ken Marunowski will enjoy his first solo exhibit of abstract paintings at the LAURA VINCENT DESIGN & GALLERY in Portland’s Pearl District. The title of his show, Spirit of Play, epitomizes the artist’s philosophical and pragmatic approach to his work, one that emphasizes risk-taking, curiosity, problem-solving, intuition, spontaneity and abandon. Marunowski borrows the phrase “spirit of play” from Louis Finkelstein, painter, teacher and critic, who used it to describe the frame of mind he believed should be encouraged during an undergraduate art education (The Education of the Professional Artist. Art Education USA, 1970). Like Finkelstein, Ken is committed to an approach that embodies such an attitude but extends its timeframe to include the entirety of an artist’s career.

Marunowski’s typically large and sometimes quite colorful, oil on canvas paintings are primarily non-objective, that is, not referring to actual objects, figures or scenes. Instead, the paintings express a search, a desire to locate something within the space of the picture plane that can stir an emotion or evoke a particular feeling or sensation without directly naming it. With paintings of this formidable scale, often equal to or greater than the stature of the observer, the intensity of this search becomes a palpable reality, especially as vigorous mark-making, a hallmark of the artist’s work, emphatically activates the canvas. Spring Bloom, for example, celebrates awakening through bold, sweeping brushstrokes of exuberant color that lie directly on the picture’s surface, asserting their presence as the season. Whisper, a rare small-sized offering from the artist, suggests silent movement and general quietude as sparse marks and soft shapes of a limited complementary palette float in an ethereal space both near and far.

From Whence We Came, oil on linen, 72”x48”

Soft, Like Early Spring, oil on canvas, 48”x30”

When asked about influences on his art, Marunowski is quick to cite Joan Mitchell and Willem de Kooning, his Abstract Expressionist heros, as well as Cy Twombly and Per Kirkeby. “I gather so much insight from studying reproductions and reading books about the artists I admire most and those, like Twombly, who I initially don’t understand but who I know hold some powerful key for me,” the artist states. “I learned from de Kooning about the rigor of process, from Mitchell about whole-field color relationships established through the mark, and from Kirkeby how scientific understanding can inform creativity, among other things of course. My paintings are a vast intertextual network interpreted through my personal lens, which itself varies based upon the day or the specific project.” he concludes.

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A former Assistant Professor of Writing Studies at the University of Minnesota Duluth, Marunowski’s academic pursuits began with bachelor’s degrees in Studio Art (painting focus) and French, image and text, pursuits that continue to fascinate him.

Having put painting on temporary hold while conducting his doctoral studies in literacy and rhetoric, Ken nonetheless integrated imagebased research into his curriculum through studies in visual rhetoric, the persuasive appeal and use of images. After several years teaching advanced writing courses at the University of Minnesota Duluth, the writing professor could no longer ignore his artistic calling, and in 2015 Ken left academe to fully dedicate himself to painting. The educator’s passion for sharing his knowledge with others continues, however, as he teaches various painting and drawing classes in the Bend area and offers private lessons to those interested in a more in-depth study of painting, particularly abstract painting. “It’s quite wonderful the journey on which my passion for image and language studies have taken me. And now, having this incredible opportunity to exhibit my abstract paintings at such a gorgeous gallery as Laura’s is the rewarding realization of years of hard work that persevered despite various setbacks and moments of doubt,” Marunowski reveals.

COVER STORY

The LAURA VINCENT DESIGN & GALLERY itself is ideally situated in the heart of Portland’s Pearl District on Davis between Eighth and Ninth streets. Spacious and flooded with natural light, the gallery invites passersby a generous view unto the artworks displayed and beckons them inside for a closer look. The approximately ten paintings selected

by Vincent for Marunowski’s exhibit include works from 2017 to early 2021. Following the dark experience of 2020, the collection offers a breath of fresh air that coincides with the sense of beauty and hope that April brings.

Whisper, oil on canvas, 30”x24

Asked about how Marunowski’s exhibition, Spirit of Play, came to be, Laura Vincent shares the following: “It was upon seeing Ken’s painting, Flower Garden, that I knew at once such expressive works needed to be shared. The scale, the vibrancy of color and the conspicuous reference to nature all play a significant role in Marunowski’s more abstract paintings, but even more distinguishable is the visible exuberance of human mark making, a manifestation of elation on canvas.”

To e x p e r i e n c e t h e visible exuberance of Ken Marunowski’s Spirit of Play exhibit, please visit the LAURA VINCENT DESIGN & GALLERY from April 1 through May 4, Tuesday-Saturday, 11am-5:30pm, or by appointment (call 503-267-9225 or email lauravincentdesign@gmail.com).

Gather a sneak peak of this and other exciting exhibitions on the gallery’s website at lvdesignandgallery.com or Instagram page @lvdesignandgallery. To view Marunowski’s art, visit his website at kennethmarunowski.com or Instagram account @kenmarunowski.

Spring Bloom, oil on canvas, 48”x60”

kennethmarunowski.com lvdesignandgallery.com Oregon’s Only Arts Magazine Since 1995 | April 2021

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First Friday Exhibits Blue Spruce Pottery 20591 Dorchester E. 541-382-0197 • bluesprucepottery.com This family-owned business has been making handmade pottery in Bend since 1976. Call to arrange a time to come shop their large selection of mugs, bowls, casseroles, lamps and more. Shop online and have gifts shipped directly to your family and friends. You can also find Blue Spruce Pottery at Red Chair Gallery in downtown Bend.

Jeffrey Murray Photography Gallery 118 NW Minnesota Ave. 541-325-6225 • jeffreymurrayphotography.com The Jeffrey Murray Photography Gallery, located in downtown Bend, opened in 2013 featuring the work of local photographer Jeffrey Murray. Last year when offered the opportunity to double the size of the gallery, Murray had no second thoughts about annexing the location next door.

Visitors can now browse comfortably in the two-story gallery enjoying a visual adventure of twice the display of landscape, wildlife and contemporary work.

“We did a complete remodel and update of both the old and new location to transition seamlessly into one cohesive space,” Murray says. “I couldn’t be more proud of our continued presence in the local art and small business community.”

Open daily Tuesday-Sunday.

Photo courtesy of High Desert Museum

High Desert Museum 59800 S Hwy. 97 541-382-4754 • highdesertmuseum.org Discover the hidden art of igneous rocks from Oregon and other planets in our solar system in the continuing exhibit, Cosmic Microscapes: Seeing Into Rocks from Oregon & Space. This unique exhibition presents fine art imagery of igneous rocks from four sites in the Northwest and elsewhere in our solar system, along with scientific captions detailing their origins, mineral composition and structure. These are the largest photographic prints ever made from petrographic thin sections. Some of the actual rocks, including lunar and Martian samples, will also be on display.

Cosmic Microscapes is a project that marries art and science to reveal the dazzling abstract beauty of meteorites. Small pieces of the Moon, Mars and asteroids were sliced paper-thin and photographed at staggeringly high resolution to produce prints of unprecedented scale. This ongoing project is a collaboration between Seattle photographer Neil H. Buckland and University of Washington professor and meteorite scientist Dr. Tony Irving.

Continuing thru October 3, Dam It! Beavers and Us. In the Pleistocene era, a mammal that was up to eight feet long and 220 pounds, roamed what is now the High Desert and beyond. Dam It! Beavers and Us explores this important member of the order Rodentia and the interrelationship of people, beavers and the landscape.

And if you still prefer it, you can tour our exhibits from the comfort of your home. highdesertmuseum.org/exhibitions.

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Four Piece Panel by Lance Burke

Layor Art + Supply 1000 NW Wall St., Ste. 110 541-322-0421 • layorart.com In April, Layor Art + Supply will be featuring the dynamic work of local artist Lance Burke. Burke, while growing up in Oregon, began woodworking at an early age. His love for nature and form led him to earn a bachelor’s and master’s degree in architecture and eventually launch his art career.

The resulting body of work speaks to the relationship between nature and human design.

His abstract work on large scale recycled wood is colorful, bold and dynamic.

This show is available for viewing thru the month of April during Layor Art + Supply’s business hours: Monday through Friday 10am-5pm, Saturday 11am4pm and Sunday 12-4pm.

In support of state and federal guidelines for social distancing, most venues have attendance protocols in place, Please call or visit each venue website for updated information.

Lubbesmeyer Studio & Gallery Old Mill District, second story loft 541-330-0840 • lubbesmeyer.com The Lubbesmeyer twins offer a range of work created in fiber and paint.

Through the twins’ collaborative process, they distill literal imagery into vivid blocks of color and texture, creating an abstracted view of their surroundings.

Call the studio for hours and appointments.

Oxford Hotel 10 NW Minnesota Ave. 541-382-8436 The Oxford Hotel welcomes local photographer and High Desert Art League Member Karen Maier with her exhibit of macro photography. Her photographs of floral subjects is fueled by her love of nature and the ‘out of doors,’ and will be featured for the month of April in the Oxford Hotel’s lobby.

Peterson Contemporary Art 206 NW Oregon Ave., Ste. 1 541-633-7148 • pcagallery.com Collaborative Twin Artists This April, Peterson Contemporary Art will be hosting a special event to help Creating Truly One of a Kind raise awareness for KIDS Center here in Deschutes County. A select grouping Fine Art of works will be on display and 25 percent of the proceeds will go directly to this wonderful organization that helps so many children here in our area. Please lubbesmeyer.com stroll down the stairs on the corner of Wall Street and Oregon Avenue and into the gallery this month to see the special works that will be on display to help the children of Deschutes County.

Skyline, Fiber with overstitching, 18" x 18" Framed by the Lubbesmeyer Twins

Mockingbird Gallery 869 NW Wall St. 541-388-2107 • mockingbird-gallery.com Mockingbird Gallery is proud to feature the wonderful work of artists Jack Braman and Bart Walker for our April show Illuminations, opening April 2.

This show will run thru April.

Jack Braman works in both acrylic and oil, continually searching for the beauty which inspires his paintings. In a world that he often thinks is too busy, Jack loves to paint scenes that are a calming, pure form of Mother Nature.

Bart Walker uses oil sketches done in the field to recollect nature’s evocative beauty on a finished canvas. His radiant plein air paintings are reminiscent of early California impressionist landscapes, alive with deft brushwork and soft nuances of light.

Walker says, “As an artist, I want to do still lifes, architectural paintings, figurative works and landscapes. Some artists are known for painting landscapes well, or maybe people well . . . I want to be known for painting well.”

Red Chair Gallery 103 NW Oregon Ave. 541-306-3176 redchairgallerybend.com Drop in to see a wonderful assortment of wall art: monotypes and abstract paintings by Michelle Lindblom; oils by John Runnels, featuring his signature aspen trees; and wildlife and Western paintings

by Joren Traveller. Also on display are Traveller’s ceramic and bronze animal sculptures and hand woven scarves and cowls by Stephanie Stanley. Open 10am-6pm on Monday-Saturday and Red C 12-4pm on Sunday.

Summe

Oil by John Runnels

High Desert Art League Dee McBrienLee

“ The principle of true art is not to portray but to evoke.”

Featuring Works by

- Jerzy Koscinski

Local Artists and Quality Framing 834 NW BROOKS STREET • BEND 541-382-5884 • www.sageframing-gallery.com

Fine Art & Contemporary Craft

www.highdesertartleague.com

103 NW Oregon Avenue Bend, OR 97703 541.306.3176 www.redchairgallerybend.com

Michelle Lindblom

Oregon’s Only Arts Magazine Since 1995 | April 2021

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First Friday Exhibits Sage Custom Framing & Gallery 834 NW Brooks St. 541-382-5884 • sageframing-gallery.com April’s show featuring husband and wife, Gordon and Kay Baker, is a selection of scenes from Arizona to Alaska with an emphasis on Oregon. These “windows to somewhere else” are rendered in oil and pastel. Some are plein air, painted on site while others are produced in their respective studios at their home in Bend.

From childhood through University education, to the present, Kay has held an affinity for painting. Gordon, a life-long earth scientist discovered the overlap of geology and painting nature after retirement. From spring through fall, they can be found at many local sites in the field engaged in plein air painting.

Show runs April 1-30, open Tuesday thru Friday, 10am-4pm and by appointment.

The Old Road to Millican, oil by Gordon Baker

Morning Light, pastel by Kay Baker Scalehouse Gallery 550 NW Franklin Ave., Ste. 138 541-390-4025 scalehouse.org Continuing thru April 24 is Samuel Stubblefield, Uzbekistan, Muses, Space Travel and Sea Monsters.

Samuel is interested in shaping architecture, film, music, urbanism and digital tech to create a more interesting life for anyone that happens to come across his work. By encouraging abstract thinking and play within deep-practice teams, Sam has created art, architecture and situations for organizations like Amazon, Bill and Melinda Gates Foundation, Google, Lady Bug House, Madison Square Garden, Microsoft Research, Sears Tower Visitor Center and the London 2012 Summer Olympics.

Scalehouse hours and protocols: Wednesday-Saturdays, 1-6pm; ten visitors allowed in at a time, all visitors must wear masks and all visitors must keep six-foot distance.

CA S C A D E NEW EXHIBIT/FIRST FRIDAY Please send First Friday Submissions No Later Than April 21 for the May Issue to: AE @CascadeAE.com

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Can You Resist this Face?

Humane Society of Central Oregon

To Volunteer or Donate Call 541.382.3537 www.hsco.org

Make your house a home.

Adopt today.

In support of state and federal guidelines for social distancing, most venues have attendance protocols in place, Please call or visit each venue website for updated information.

The Wine Shop Tumalo Art Company 55 NW Minnesota Ave. Old Mill District The Wine Shop is 541-385-9144 showing the work of tumaloartco.com SageBrushers Art Society April exhibit at Tumalo Art Co., Water member Gerlinde Gelina.

Over Stone; Susan Luckey Higdon.

Gerlinde is a multi-media Transfixed by clear water flowing over artist from Cologne, geological formations of rock, Susan Luckey Germany. For the last two Higdon hones in on Oregon rivers and years she has been enjoying lakes in her show, Water Over Stone. An the people and the outdoors artist reception Friday, April 2, from 4-7pm, of her new hometown, Bend. marks a return to monthly openings, while Her abstract paintings are continuing to follow state guidelines for Autumn Reflection on Water, acrylic and collage on canvas by Gerlinde H. Gelina an invitation for viewers to COVID safety.

Well-known for her landscapes of iconic discover stories between the lines and shapes. Stop in and Central Oregon scenes, often featuring enjoy these bright and uplifting, “pandemic-proof,” works. water, fish underwater and birdlife, Susan’s Hot & Cold / Umpqua Summer Afternoon, acrylic on cradled board by Showing thru May. April exhibit features six larger format Susan Luckey Higdon The Wooden Jewel acrylic paintings. Working impressionistically she explores abstraction with tightly composed 844 NW Bond St., Ste. 100 vignettes that flirt with context. “I want to capture the details of what I’m looking at...as well as the 541-593-4151 • thewoodenjewel.com magic that has drawn me in, which often has to do with a fragment of the whole.”

The Wooden Jewel invites Central Oregon to see new Tumalo Art Co. is an artist-run gallery in the heart of the Old Mill District open 7 days a week. artist installments and designer jewelry.

The Alexander 1125 NE Watt Way 458-256-6854 • thealexanderbend.com Among the many spring exhibits by members of the High Desert Art League is a show at The Alexander — bright florals, lively goats and some handsome doggies all by of Barbara Slater. Her critters are allways endearing, painted with flair and bright colors on canvas. These are just a few examples of her paintings you may see at The Alexander displayed on the walls on the second floor lobby during the months of April and May. The Commons Café & Taphouse 875 NW Brooks Street, Bend 541-323-3955 • thecommonsbend.com The Commons Café & Taphouse will be featuring a Central Oregon Scholastic Art senior portfolio showcase thruout the month of April.

117 Roosevelt Ave., Bend, OR

541-617-0900

Join the Fun! Become a Member 150+ Community Artists Volunteer-Based Dedicated to Art Education

Oregon’s Only Arts Magazine Since 1995 | April 2021

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Rimrock Gallery's featured artist, Laurel Buchanan for their April show.

Boys & Girls Club visitors hosted by The Art of Alfred A. Dolezal Gallery what an attentive group of young questioning minds!

Photography by Marjorie Wood Hamlin

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ART COMMUNITY

Last year when offered the opportunity to double the size of the gallery, The Jeffrey Murray Photography Gallery, located in downtown Bend, had no second thoughts about annexing the location next door.

Visitors can now browse comfortably in the two-story gallery enjoying a visual adventure of twice the display of landscape, wildlife and contemporary work.

Red Chair Gallery still rotates or brings in new art every month on the Monday before First Friday. Two different artists doing their reset work in the gallery. The artists remain happy and hopeful. Deb Borine and Joanie Callen. Both glass artists.

Shabazz Larkin's exhibit at Scalehouse: Fragile Black Man Oregon’s Only Arts Magazine Since 1995 | April 2021

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ARTISTS THEIR INFLUENCES

Featured Artist: Andries Fourie

by KENNETH MARUNOWSKI, Ph.D. — A&E Feature Writer

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ndries Fourie is an Oregon-based artist, curator and educator whose current mixed-media explorations of place and identity innovatively unite both formal and conceptual artistic concerns. Fourie comes from South Africa by way of French Huguenot ancestors who fled to the Netherlands during their persecution by the Catholics in late-1600’s France, and who were then sent to South Africa during the early colonization of the country by the Dutch. This rather complex and deeply informed explanation of his lineage is an apt metaphor for the artworks of Fourie that read as visual inventories of a puzzle-like nature to be deciphered by the attentive and inquisitive viewer.

Trained primarily as a sculptor, Fourie received a masters in art from California State University, Sacramento and a master of fine art from The University of California, Davis, uniting the former program’s strength in abstract, formal concerns with the latter’s focus on conceptual matters.

The artist’s impressive exhibition record is complemented by the many distinguished positions he has held such as the U.S. Cultural Envoy to Andrews Web. Wood, galvanized steel, silkscreen, acrylic paint, 36” x 48”, 2016 Namibia (2010), Associate Professor of Art (Sculpture) at Willamette University in Salem, Oregon (2012-2017), and Curator of Art and Community Engagement at The High Desert Museum in Bend (2017-2019). Despite these and other notable accomplishments, Fourie remains understated about himself and his work, simply explaining that for him making art serves as an important means to explore and understand the world.

In pursuit of this goal, Andries creates what he refers to as “the flattest sculptures ever,” two dimensional works that incorporate various materials affixed together on a single surface. Meaning permeates all aspects of his work, from that inherent in the materials themselves to the cumulative presence born Summer Lake II. Acrylic, silkscreen and sheet metal on cradled panel, of the various abstract and representational 36” x 48”, 2020 Overlapping Elements in a System. Acrylic paint on cradled juxtapositions intentionally drawn together. panel, 31” x 31”, 2020 With respect to the viewer, however, meaning often depends on both personal and cultural lenses. Knowing this, Fourie includes a multitude of signifiers in his works that can mean in a variety of ways for a variety of people. “I try to figure out how to make art function on multiple levels: a visual level, a symbolic level, an aesthetic level. The nature of art is non-linear, and I seek to make art accessible to more people by working across these multiple levels,” he explains.

In Andrews Web, for example, a fallen tree in black silhouette painted on an aluminum square panel provides the central point from which the web of life radiates outward. As suggested through the science-based illustrations, insects depend on nutrients from the fallen tree, small animals feed on the insects, and larger animals eat the smaller ones, a natural pattern identifiable to most. In near chessboard-like fashion, wooden, white rectangles containing green circular shapes alternate with the aluminum rectangles containing the black silhouettes of plants and animals seen in profile or from above, together generating an “every-other” rhythm to the piece, perhaps suggesting the rhythms of nature herself. The green (earth) circles suggest forms of attachment or relationship as smaller and larger ones connect via an area of overlap, an abstract representation of the interdependent systems necessary for life to exist and thrive.

“In some ways this work is a puzzle,” Andries explains. “I ask myself, ‘How do all these elements connect?’ When I made the work, I spent time with

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ARTS biologists, and they would say in broad strokes, ‘Here’s what’s going on.’ The idea of this web is really interesting to me and helps me to figure out how I can connect all these layers of animals to a log in a forest.

The thesis is that when a tree dies, it spends a lot more time providing nutrients and having an influence on an ecosystem than it did when it was alive,” he offers (andrewsforest.oregonstate.edu).

The influence of science on art and, conversely, of art on science has been a longstanding one. From at least the time of da Vinci, the two have stood in mutual service, lending insights into one another’s theory and practice. Mark Dion is an American conceptual artist who Fourie cites as being particularly influential on his practice, specifically with respect to Dion’s use of scientific presentations in his installations. In Neukom Vivarium (2006), a seminal work by Dion, White-faced Ibis. Acrylic, silkscreen, the artist creates an artificial life support system in the enamel paint and aluminum on cradled form of a greenhouse for a fallen Western hemlock, panel, 17” x 12”, 2020 a permanent and interactive display in Seattle’s Olympic Sculpture Park. The installation speaks to Omandumba. Mixed media, 18” x 24”, 2012 the difficulty in recreating and sustaining natural systems once they’re gone, a topic about which Fourie is quite passionate. “I’m concerned about habitat loss and climate change, although my personality is not to be an activist in a direct way,” Andries reveals.

Like Dion, Fourie uses art to make critical statements about the environment and the impact of human’s upon it.

Integrating the conceptual with the formal is a requisite of provocative, powerful, Economy. Mixed media, 11” x 15”, 2013 contemporary art. To complement Dion’s conceptual influence, Fourie looks to Charles Arnoldi, American painter, Great Basin. Mixed media on cradled panel, 16” x 24”, 2018 sculptor and printmaker, for inspiration regarding the formal language of painting.

Having gained artistic acclaim in the 1970’s, Arnoldi has long been “fascinated with complex of wildlife together. In Overlapping Elements in a System, Fourie creates an shape and pattern as they apply to advance formal concerns” (williamturnergallery. image similar to that of Summer Lake II, yet one distilled to its essential elements, com/charles-arnoldi). In Arnoldi’s art, Fourie revels in the “pure joy of looking and forgoing any identifiable, representational forms. experiencing color and form” and admires the ways he “breaks up an image that As he seeks to explore and understand the world through art, Andries Fourie makes it a little bit like a puzzle” (Interview). “I’m drawn to abstract, modernist offers viewers the opportunity to pause and reflect not only on the web of form,” Fourie explains, “but at the same time drawn to a more postmodern, relationships that permeate his works but also on the various forces and systems conceptual content. Someone could easily say that’s a great flaw in my work, trying that shape our very lives, and reciprocally, the ways in which we influence these to simultaneously serve two masters that might be incompatible. However, I get forces and systems through our own behavior. Fourie’s art is a persuasive nudge really bored making my work if it is all ideas, and I don’t feel engaged or challenged to exit the vacuum of our individual existence and experience and respect the if there isn’t a substantive visual part to what I do.” interconnected nature of being.

Rather than a flaw, the integration of these two, fundamental artistic forces only To view the art of Andries Fourie, please visit his website, andriesfourie.com, strengthens Fourie’s art. In Summer Lake II, for example, the artist presents single or the Artists’ Gallery Sunriver where several of his works are displayed. For an silhouettes of birds that he inventoried at this south-central Oregon Wildlife interesting article on Mark Dion’s Neukom Vivarium, please read: https://art21.

Area with abstract shapes of a limited color palette. Together, the abstract and org/read/mark-dion-neukom-vivarium/. To view examples of Charles Arnoldi’s the representational create an intriguing pattern of warm and cool and light and art, please visit williamturnergallery.com/charles-arnoldi or lamodern.com/ dark, suggesting the cyclical nature of life. Avian silhouettes resonate with the auctions/featured-artists/Charles/Arnoldi. black abstract forms, creating a strong visual connection, while the abstract shapes andriesfourie.com themselves appear as water droplets illustrating the basic resource that draws this

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dvancements in technology bring changes in the way we make things, and the influence of one advancement on the next illustrates the interconnected nature of discovery. The invention of the daguerreotype in 1839 France, for example, led to the invention of the photograph not many years later, the latter of which brought with it the ability to document reality like never before (daguerreobase.org). Prior to this technological innovation, the visual depiction of people, places, things and events both real and fantastic was left to artists in the mediums of painting, drawing and printmaking.

For the French Impressionist painters (roughly 1870-1890), the photograph was both a blessing and a curse. Its immediate positive ramifications illustrated to them the value in depicting moments of the everyday and, in many ways, liberated painting from the representation of historical and mythological subject matter. In its more oppressive guise, photography presented a means of accurately capturing reality in ways with which the painters could not compete, forcing their hand in devising different modes of expression.

As Impressionism — The Influence of Photography explains, “...rather than compete with the ability of the photograph to record ‘a moment of truth’, Trees Dreaming of Desert | Open Edition Digital Media the Impressionists, such as Monet, felt free to represent what they saw in an (Phoneography) on metal, varying sizes entirely different way — focusing more on light, colour and movement in a way that was not possible with photography. Over time, these subjective observations became much more widely accepted as works of art, although initially they were thought to be ‘sketchy’ or ‘unfinished’” (kiamaartgallery. wordpress.com).

The

by KENNETH MARUNOWSKI, Ph.D. — A&E Feature Writer subjectivity of the painter also extends to the photographer, however, for she, too, selects a view and possibly alters it, manipulates it (either in the dark room or on a screen), crops it to her liking, and is similarly influenced by culture and ideology. All this is to say that the “moment of truth” a photograph was believed to depict has never quite been the case.

THE MAKERS CHIME IN!

Featured Maker: Dorothy Freudenberg

Smith Rocks Nocturne | Open Edition on metal or paper | Various sizes

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Digital photography has solidified this observation as editing programs such as Photoshop allow users to manipulate images like never before. Such manipulation has transformed the original photo from an index of “reality” into something quite different, a base from which infinite variations on a theme can be explored in combination with various media. Lacking in materiality, digital media’s ease of use may irk some traditionalists who believe such “doctoring” of a photo is simply a craft made by a savvy computer user rather than a work of art made by an artist. Providing personal insight into the matter is “digital alchemist” Dorothy Freudenberg, a Bend maker who transforms “the visual elements of texture, shape, pattern and color into new forms of imagery” (tumaloartco.com/collective-artists/dorothy-freudenberg).

ARTS

ME: Thank you for joining me, Dorothy, and offering your take on the art or craft question with respect to digital mixed-media. To begin, please describe your art / craft.

DOROTHY: Many years ago I became involved in adventures on a motorcycle accompanied by a camera, and soon I was engulfed in the darkroom experience as well.

Even when I understood the process, it still felt like magic, seeing images appear on film and on a sheet of photographic paper. In reflection, this immersion and fascination was probably the result of having a degree in music, where individual creativity was an aspect that was never discussed. When a camera came into my hands, it was part of a journey of discovery, and I took to it intensely, learning from the masters, enjoying learning the rules and then breaking them all on my own. I was not trying to reproduce the work of others, only to learn from their accomplishments. Of course, after that, it took a long time before I could develop a personal point-of-view.

However, photography is limited to viewing the external world, as opposed to the inner world, and when I transferred my efforts to the computer (which is a logical extension of the old, “wet darkroom”), it wasn’t very long before I discovered ways in which to bridge the gap between photography and painting.

Truly this becomes a form of mixed media as it incorporates photography, painting, collage and possibly more. I simply use the term digital media, which has an extremely wide range.

Follow the Dream Path | Limited Edition 20” x 22”, on paper or metal

ME: How does your work address artistic concerns, like those that a painter or sculptor considers (form, composition, color, value, texture)?

The Effects of Wind | Regular photography, varying sizes Printed on metal

ME: What is your opinion on the arts / crafts distinction?

DOROTHY: I think the arts/craft distinction is arbitrary, to say the least. It didn’t even exist until the Renaissance, and in some parts of the world, it is still non-existent. But for means of discussion, I feel that something that is done over and over again, for more or less utilitarian purposes probably comes under the heading of craft. It is a skill that can be passed on to another, with a modicum of ability most likely. For example, I can craft a simple tune for a student, but I am unlikely to compose the equivalent of Beethoven’s 5th. That requires a level of inspiration that is above the norm.

My art is not a thought process but emanates

from a place beyond me, an instinct abetted by hours of practice on my part. We become a tool of creation with the results filtered through our individual sensibilities and beliefs. And function? Well, in its highest forms we would like its function to be the upliftment of the human spirit, to reveal the hidden and expose the dark to light. There are so many ways to express this. Of course, these distinctions are arbitrary and slippery and we must point out that a craft can be elevated to an art form, and much so-called art seems more like craft. When I do a portrait sitting, I am using more craft than art, but sometimes the lines are crossed. Should you only be using art to decorate your home and fit above your couch (in the right color), then that somewhat misses the point. It should speak to you in an intense and meaningful way. And for everyone this is different.

Blue Song. Limited Edition, 30” x 40”, on metal

DOROTHY: In all those ways. There is absolutely no difference. I feel like what I do is a marriage between visuals arts, say painting and photography. Of course, photography went through its own period of establishing itself as an art form. We’re past that now, for the most part.

I like that while using the photographic process, I can also bring in the internal imagination, the highly intuitive aspect. Any art that does not effectively address composition, color, value and texture is not likely to grasp the viewer.

And all of those alone will not engage if the work does not have a viable emotional impact.

You cannot produce thoughtful, delicious art if those qualities do not live within you. We cultivate our inner dimensions, and the work always reflects that. Because there’s so much superficiality in our culture today, producing meaningful expression is especially imperative and relevant.

ME: I couldn’t agree more! Thank you, Dorothy.

Poppies Waking From a Dream. Collaged digital media, Limited Edition 20” x 30” on paper

To view the exquisite work of Dorothy Freudenberg, please visit the Tumalo Art Co. in Bend’s Old Mill District or her page on its website at tumaloartco. com/collective-artists/dorothy-freudenberg Oregon’s Only Arts Magazine Since 1995 | April 2021

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PAINTINGS BY GORDON & KAY BAKER

AT SAGE CUSTOM FRAMING & GALLERY

by KENNETH MARUNOWSKI, Ph.D. — A&E Feature Writer

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Tripoli at that time. On the dark side of their six-and-a-half years in Tripoli, the 1967 Arab-Israel war resulted in the evacuation of American and European dependents for three months. On the light side of life there, the couple made friends with people from other nations, absorbed new cultures, traveled to many countries in Europe and experienced a camera safari in East Africa.

ordon and Kay Baker are Bend artists who paint scenery from the saguaros and red rock of Arizona to the magnificent snowcovered mountains of Denali National Park in Alaska. Their many depictions of landscape, made both en plein air (outdoors) and in the studio, range from the intimate to the sweeping, often featuring mountains, rivers, waterfalls, forests, wild critters, old barns and sometimes people.

A selection of Gordon’s and Kay’s paintings will be featured this April at Sage Custom Picture Framing and Gallery, next to the Tower Theatre’s rear entrance. Renderings in oil, acrylic, watercolor and pastel reflect the wonder of nature as seen through their eyes.

Impressionistic, representational and somewhere in between, the couple’s images provide windows to elsewhere: a momentary escape, an adventure, a place to rest your soul.

Deschutes River Near Dillon Falls, pastel on sanded paper, 8”x10” by Kay Baker

Gordon’s art career started in 2000 after 31 years in the oil industry and five years of voluntary public service in notfor-profit organizations and government agencies. With no formal art education, the generous help of local artists enabled Gordon to plunge head-first into painting. Along with Kay, he has taken many workshops but has gained more by dialoguing with many good artists both locally and on Facebook. As one might expect, with adjacent studios, Kay and Gordon enjoy a productive interaction with one another’s paintings in a noncompetitive manner.

Interest in and appreciation of nature developed at an early age for both Gordon and Kay, and it’s one of the bonds that cements their marriage. Born and raised in Sioux City, Iowa, the couple met at a YWCA sponsored dance and married in December of 1957. Both attended the University of South Dakota. Kay received a bachelor of arts in art and education and pursued more formal training at the University of Wyoming while Gordon worked on a master’s of science in Geology there through the support of a three year fellowship.

In early 1965, Gordon joined a major international oil company and was assigned to Tripoli, Libya as an exploration geologist. Kay wasted no time getting involved with European artists living in

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Through the decades, Kay balanced painting with the very important job of raising three adventurous boys at home.

She has attended many art workshops and is ready to grab her gear on any suitable day for plein air painting. During inclement weather, you can catch Kay in her home art studio just across the hall from Gordon’s studio.

To view the art of Gordon and Kay Baker, visit Sage Custom Picture Framing and Gallery (sageframing-gallery.com) this April or their websites at kbakerstudio.com and gordonbakerartstudio.com.

Mountains of Sedona, oil on canvas board, 20”x16” by Gordon Baker

kbakerstudio.com gordonbakerartstudio.com sageframing-gallery.com

Peace of Expression: Painting through

ARTS

COVID

by RONNI WILDE — Cascade A&E Reporter

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ollie Jurgenson, a Central Oregon artist represented by Tumalo Art Company in Bend, says that working on her craft during the pandemic has impacted her creative process.

“Painting through COVID has had its challenges! It was personally harder for me to start the creative flow, as at times I felt weighted with difficult feelings and anxieties connected to the pandemic,” she explains.

“Some of these feelings ended up on the canvas. I realized that my painting has been an essential tool that provides me with a sense of perspective and a feeling of being connected through the creation and sharing of art. It has helped me process my own experiences and has been an antidote to these times of chaos.”

Born and raised in the Bay Area, Jurgenson was fortunate to have been exposed to the 1960’s-70’s contemporary art scene in San Francisco and its outstanding museums and art galleries. Drawing, sketching and painting from an early age on, creating art was always a compelling direction for her, she says.

In 1993, Jurgenson moved to Central Oregon, where her mother had been born in 1916 in Tumalo. Being exposed to the incredible landscapes, skyscapes and clarity of light of this high desert region has greatly influenced and inspired her creative process, she says. Painting mostly loose and large, her work varies from impressionistic to abstract.

In many of her works, she uses finely crushed glass for a special textural effect. Continuous experimentation and exploration on the canvas has led to various tweaks in her style.

Creating during COVID has further evolved her process, she says.

“Being creative takes me into an internal journey — an escape that has helped fill the void of lessened connectivity to the outside world.

Painting or creating other genres of art is another form of working remotely. As an artist among many who work solo, I commute almost daily to my home studio, which is a walled-in bonus room off the garage,” she explains. “Often, I would re-charge by taking nature walks by myself and engaging my senses to find the pause that enables one to go deeper. I found myself experimenting with new images that I hope will be worth contemplating. My goal is to continue to visually interpret via experimentation and keep learning for the rest of my life.”

Jurgenson worked as an Artist in Residence for Central Oregon Arts in Education in the 1990s, and has had her work exhibited in Bend and Portland over the past 20 years. Her work is included in private and commercial collections across the United States and internationally.

During her shifts working at Tumalo Art Company, she says she has found it interesting to hear why people have purchased certain pieces.

Many times, she says, the piece was a reminder of a certain place, or there was an emotional connection. “I believe it added a sense of wellness as

Big City Turn Me Loose: Purchased by a local who told Jurgenson she was “buying this painting instead of traveling this year, as it reminds me of entering a harbor on a past cruise”

well as beauty to their environment. Art humanizes us — through it we can express our humanity, the good as well as the bad. I believe we are experiencing an increased turn to the arts as a unifying source of comfort and strength.”

Jurgenson says she is grateful to have had her work as an “art therapy” outlet in her life over the past year. “During these isolating times, I’ve happily noticed more friends and family finding various and wonderful creative ways to pass the time. My hope is that as we emerge into the new normalcy, people will continue to take time to explore their artistic side and creativity — that it will be a lasting, positive life-enhancer.” She continues, “I’m hoping that in the near future, we can start having First Friday Art Walks again so that we can all share that sense of joy, hope and unity that viewing art brings us. Here’s to the power and healing of The Arts!” molliejurgenson.com

Thaw: Inspired by the coming of spring and the break-up or thawing of restrictions

Myth of Chaos: An abstract reflecting pandemic turmoil and anxiety

Oregon’s Only Arts Magazine Since 1995 | April 2021

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ARTS

RED CHAIR GALLERY PRESENTS ARTIST

Joren Traveller

by JULIA KENNEDY COCHRAN — Red Chair Gallery

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or many people, the social isolation and stress imposed upon the world by the COVID pandemic has been hard to bear.

Not so for Joren Traveller, sculptor and painter, whose work is showcased at Red Chair Galley in April.

The more time she spent at her home outside of Bend in 2020, the happier she was. “I was quite content,” she says. “It was a relaxing time for me, a peaceful time like being at a retreat.” She used this period to take a few online painting classes, experiment with different media and techniques and do a lot of plein air painting. Without a deadline to get anything done, it made her “not afraid to do something new.”

Joren is well known for her ceramic and bronze sculptures of whimsical animals, including beavers, ducks and hippos. She always manages to catch their expressions perfectly. Now she is displaying a number of bovine pieces, including one of a bison cow and calf. It complements her impressive painting of a bison head in profile, pictured here.

Growing up in Burbank, California, Joren dabbled in art as a youngster and later briefly attended Otis College of Art and Design in Los Angeles. But eventually she graduated from California Polytechnic with a degree in microbiology and animal science and Painting by Joren Traveller went to work. After she retired, she moved to Central Oregon and was finally able to devote more time to art. She fires her ceramic sculptures at the studio of Norman Frater, a local ceramicist and mentor.

In January, Joren displayed her paintings at the Oxford Hotel and she also has paintings at Sage Custom Framing and Gallery. Her work will be part of the High Desert Art League’s events later this year.

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redchairgallerybend.com April 2021 | www.CascadeAE.com

The Music Returns —

MUSIC

SUNRIVER MUSIC FESTIVAL ANNOUNCES SUMMER CONCERT SERIES

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unriver Music Festival’s 44th season of the Summer Festival returns August 14-23 with all concerts outside in the open air. The new season will feature two acclaimed maestros, the finalists for the Festival’s Artistic Director position, leading the world-class Festival Orchestra.

Four classical concerts, one pops concert and one solo piano concert will be held this summer. Classical Concert I launches the season August 14 at the spacious Sunriver SHARC Amphitheatre. All remaining concerts will be at Sunriver Resort’s Besson Commons, the beautiful outdoor venue near the Great Hall. All concerts begin at 6pm and end by 7:30pm.

“We are looking forward to a summer of powerful music and creative resilience,” explains Executive Director Meagan Iverson. “Our Board, staff and volunteers are nimble and committed to presenting world-class musical experiences for Central Oregon residents and visitors.”

You can place your ticket order now at sunrivermusic.org. With limited capacity in this era of COVID-19, it’s a great time to consider becoming a Friends of the Festival member because seat reservations opened to members April 1 before opening to the public on June 1.

“The comfort and safety of performers and audience is always our high priority,” Iverson added. “If health guidelines change before August, capacity may be increased, but we do expect our limited seating to sell out quickly!”

Concertgoers this summer will have a special treat to see the maestro in action. Artistic Director finalists Kelly Kuo and Brett Mitchell will each conduct two classical concerts with the full Festival Orchestra plus they’ll share the stage in a special Pops Concert. For more information on these two brilliant conductors, visit the Get to Know Your Festival stories at sunrivermusic. org/announcements.

2021 SUMMER CONCERT SCHEDULE

Photos | Courtesy of Sunriver Music Festival

Classical Concert I — August 14, 2021 — Sunriver SHARC Amphitheatre, 6pm — Maestro Kelly Kuo. Featuring the most sought-after trio in the world, the Eroica Trio.

Classical Concert II — August 16, 2021 — Sunriver Resort Besson Commons, 6pm — Maestro Kelly Kuo. Featuring concertmaster Ruth Lenz, violin.

Pops Concert — August 18, 2021 — Besson Commons, 6pm Co-hosting from the piano, Maestro Kuo and Maestro Mitchell are joined by principal musicians from the orchestra in impressive arrangements of well-known tunes including Bohemian Rhapsody, a Fiddler on the Roof medley, hits from Toto, A-Ha and the beloved John Williams.

Solo Piano Concert — August 20, 2021 — Besson Commons, 6pm Recognized for his easy virtuosity and bold musicianship, Cliburn medalist Daniel Hsu will present a powerful, thoughtful and sensitive solo performance.

Classical Concert III — August 21, 2021 — Besson Commons, 6pm — Maestro Brett Mitchell.

Featuring Cliburn medalist Daniel Hsu. Classical Concert IV — August 23, 2021 — Besson Commons, 6pm — Maestro Brett Mitchell.

Cellist Amit Peled returns to close out the monumental 44th season. sunrivermusic.org • 541-593-9310 • tickets@sunrivermusic.org Oregon’s Only Arts Magazine Since 1995 | April 2021

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MUSIC

Cascade School of Music Awards Local Students

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Fortissimo Quinn Raynak Super musical Quinn Raynak (age 13) is a guitar student of Seth Burrows. A natural born rock star, she has participated in several rock bands, playing guitar and Fortissimo singing, as well as writing her own Will Mowry C h e e r f u l a n d hardworking, music. She keeps herself rounded Will Mowry (age 13), studying piano by openly learning many styles with Becky Smith, has got a lot going of guitar. Best of all, Quinn is a for him! His dedication to studies bright soul that elevates everyone has broadened his technical abilities, around her, bringing out the best theory knowledge and helped him in her bandmates. Her singer/ play in a wide range of styles. Becky songwriter aspirations are not far says he is “up for anything;” he takes from her reach! on challenging pieces that Becky suggests as well as bringing his own CSM Student Will Mowry with Rising Star CSM Teacher Becky Smith pieces to the table. Will’s love of Ryan Duarte music carries over to music making with his family, as well as coordinating and Ryan Duarte (age 15), in the preparing a performance. words of his guitar teacher Kenny Hadden, is uniquely and truly “the primary driver of his own learning.”

His passion helps him soar through his studies, and inspires him to go above and beyond, creating his own electronic music. He is not only a fast learner, but a diligent one as well. Ryan enjoys learning; he is always forward thinking, focused not on what he has learned but what he has yet to learn. he Rising Star and Fortissimo Awards are for students who have been nominated by their teachers for showing talent, effort, achievement and great promise as musicians due to perseverance and commitment to their craft.

Rising Star Jonah Mandry Drummer Jonah Mandry (age 14) is a student of Meshem Jackson.

While he appreciates learning to copy that of other great drummers in his favorite songs, where he truly shines is his creative drive — he is always coming up with his own ideas. According to Meshem, this quality is part of the recipe for truly great and innovative drumming.

Jonah’s hard work has paid off in the remarkable progress he has made!

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April 2021 | www.CascadeAE.com

CSM Student Quinn Raynak with CSM Teacher Seth Burrows

CSM Student Ryan Duarte with CSM Teacher Kenny Hadden

CSM Student Jonah Mandry with CSM Teacher Meshem Jackson

CSM Student Sophie Dibble with CSM Teacher Ali Bylund

CSM Student Kaylee Dildine with CSM Teacher Michelle Van Handel

Rising Star Sophie Dibble Sophie Dibble (age 12) has made fantastic strides with her clarinet teacher Ali Bylund.

She is inquisitive and naturally intuitive, and this nature directly contributes to her excellent musicianship! Sophie’s care in her studies shows in her great attention to detail. She always strives for proficiency.

Rising Star Kaylee Dildine Kaylee Dildine (age 14) studies both voice and piano with Michelle Van Handel and is really blossoming into her musicianship. She personalizes the music she performs; she is never afraid to sing songs with her own musical inflection and style. Her consistency in practice allows her natural musicality to shine through. Not to mention Kaylee’s great sense of humor makes trying crazy new things a blast!

Rising Star Osc ar C lements Oscar Clements (age six) is a talented piano student of Peter Brownlee. Oscar is dedicated to his musical studies and, as a recent winner in the CSM’s Got Talent Competition (Kindermusik category), he shows great promise as a musician.

Well done Oscar!

CSM Student Rachel Burr with CSM Teacher Jay Bednorz

CSM Student Alex Renfors

CSM Student Elda Hughes with CSM Teacher Cullie Treichler Photos courtesy of Cascade School of Music

Rising Star Rachel Burr Rachel Burr, adult cello student of Jay Bednorz, is loving learning the cello! She is dedicated to her practice — especially learning new skills and techniques. Her consistent progress is evidence of her bring-it-on attitude. Rachel is especially driven to make beautiful music in the duets she plays with Jay.

Rising Star Alex Renfors Alex Renfors (age nine) is a bright violin student of Ginny Hollon. While he understands written music, his quick ear is his greatest strength. His ability to listen to, repeat and memorize a phrase gives him a great advantage. He also enjoys picking his own tunes to play. Alex’s natural gift is accompanied by an eagerness to learn!

Rising Star Elda Hughes Elda Hughes (16 years old) is a voice student of Cullie Treichler with an understated elegance.

She loves to express herself through song - she has an appreciation for classical music, and an affinity for singing in other languages. She always comes prepared and ready to work! Elda is truly committed to learning what it means to sing with freedom in order to best communicate the music.

CSM Student Oscar Clements with his mother

cascadeschoolofmusic.org Oregon’s Only Arts Magazine Since 1995 | April 2021

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MUSIC

Eddy Robinson Set to Lead Bend Pops Orchestra

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n March 2, 2021, Bend Pops Orchestra announced that Bend conductor and musician Eddy Robinson will lead the group beginning with the 2021-2022 season.

Eddy has been very involved in Central Oregon’s music community since his arrival here in 2012.

He is an experienced music educator, currently working with students at Sky View Middle School and Mountain View High School.

He is a co-conductor of the Central Oregon Youth Orchestra, has been involved in numerous school district special events and festivals and teaches string students at the Cascade School of Music. He is a graduate of the University of Oregon with a bachelor’s degree in music education.

Eddy is a successful musician in his own right.

He plays bass with the Central Oregon Symphony in the full ensemble and in the Chamber Orchestra.

He has joined Bend Pops for several concerts in the past with his bass.

Eddy will bring his background as an orchestral conductor and music educator to the group to help each musician grow. “My approach to working with a music ensemble is always through an educational lens. I want to enable each player to reach their fullest potential through thoughtful practice strategies and careful music selection to show off our strengths.”

Bend Pops Orchestra began in 2014 as the Community Orchestra of Central Oregon, a small ensemble of musicians which performed at local venues. The group has grown steadily since that time, performing an average of six concerts a year in Bend and the surrounding communities of Prineville and Madras. Select ensembles from the group perform at hospitals, senior centers, independent living homes and churches.

In the summer of 2019, the orchestra’s board reenvisioned the group as the Bend Pops Orchestra.

The rebranding brought new purpose and excitement to the group and its audience.The brand better reflects the orchestra’s true niche as the only “pops’’ orchestra in the Central Oregon region.

Eddy enjoys downtime with his two children camping and Eddy Robinson recreating across the state from the mountains to the coast, although he says he has had to expand his hobbies since the pandemic Traditionally, pops orchestras play familiar pop music arrangements, began. “I realized that my only hobbies were music-related, which was Broadway hits, big band tunes and light jazz, along with well-known tough when they all went away almost overnight! I’m gradually expanding classical works. These genres have comprised the orchestra’s repertoire my free-time activities to include exploringthe Northwest by motorcycle, dating back to its inception. backyard bird-watching and some very basic woodworking. Once the music is back, I’m sure everyone will be very happy that I will have less Robinson says that the pops repertoire was one of the attractions to time to make slightlywobbly shelves and ‘fix’ things around the house.” leading the group. “I interpret ‘pops’ to mean recognizable popular music, which incorporates both classical favorites and more contemporary Lisa Hakesley, chair of the Bend Pops Orchestra Board of Directors, works, like your favorite movie soundtracks. My goal is to program music says the group is delighted to welcome Robinson. “Our announcement that the audience will recognize and love, while simultaneously bringing to our members about Eddy joining us was met with a lot of excitement. us excitement and joy when in rehearsal.”

Many of our members know Eddy from music circles here in Central Oregon and are happily anticipating getting back to rehearsals under Due to COVID-19 restrictions, the orchestra has been unable to rehearse his lead.” or perform since March of 2020. Hakesley says the group is setting its sights on a fall 2021 startup if conditions allow. Robinson will assume leadership of Robinson shares Hakesley’s enthusiasm for joining the ensemble. “I am the group at that time. humbled and veryexcited to begin working with the orchestra, and cannot wait to get to know everyone as we enjoy the journey from rehearsal “We could not be happier that Eddy is coming to the Pops,” Hakesley adds. to performance.”

“His energy and enthusiasm are inspiring. We on the board are confident he will be an outstanding leader for our group for many years to come.”

Hakesley says the Bend Pops board considers Robinson a wonderful fit for the group. “Eddy has some great ideas to help us grow and flourish Musicians interested in joining Bend Pops Orchestra can learn more about musically. And as a group which welcomes all comers, we sometimes the orchestra at BendPops.org, or contact the group at info@bendpops.org. face challenges with section balance and diversity of abilities. Eddy’s experience will aid us in overcoming those challenges.”

BendPops.org

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April 2021 | www.CascadeAE.com

F I L M & T H E AT R E

Long Live THEATRE!

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he show must go on! Yes, indeed, no matter what the world has thrown at theatre, it has always found ways to continue. In that spirit, BEAT Children’s Theatre presents the next in its recent line of classic- style radio theatre productions — Game of Tiaras, by Don Zolidis! But wait... we’ve added a twist to the genre of radio... not only will you be able to listen to a hilarious vocal performance by our talented cast, but we will simultaneously run a slide show of them in character and costume, acting out moments of the story. That’s right — you get to see our actors wonderful faces again, as they create a laugh-out-loud spoof of some dramatic favorites.

Director Bree Beal, along with BEAT Children’s Theatre, has once again created magic with a talented group of young actors.

When the aging king of a Magical Kingdom (England) decides to split his empire between his three daughters — Cinderella, Belle and the Snow Queen (who in no way resembles a copyrighted character) — terrible tragedy ensues. Terrible, hilarious tragedy.

Making fun of the gut- wrenching plot twists of Game of Thrones, and the soul-numbing despair of Shakespearean tragedy, this adaptation of King Lear will leave you dying with laughter as the body count mounts. When you play the Game of Tiaras, you win or you die. Tune-in and listen to seriously disgruntled princesses and brainless princes... not to mention “Blood Packet Guy.”

Joey Maurer

BEAT misses you and can’t wait to see everyone at the theatre again in the future. In the meantime, grab your family and friends and fill a VIRTUAL BEAT SEAT. Tune-in to listen (and watch!), and continue to help support BEAT Children’s Theatre so that one day we can perform for you on stage again... soon!

Don’t miss Game of Tiaras streaming on your devices April 30, May 1, May 2 and May 7, 8, 9. This play has been recorded and released for streaming on your computers at home for everyone to enjoy safely and comfortably.

For more information about this presentation and tickets, visit tickettails.com.

Mike Flanagan | Photos courtesy of BEAT Children’s Theatre

beatchildrenstheatre.org Oregon’s Only Arts Magazine Since 1995 | April 2021

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F I L M & T H E AT R E

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SSCT Recognizes Dedicated Actor & Artist

Renee Anderson

by LYNETTE CONFER

t’s hard to argue with the idea that Central Oregon is home to some of the most talented artists in the state. Really, some might say, in the country or beyond. Sunriver Stars Community Theater (SSCT) has been lucky enough to draw some of these talented artists into their orbit through the years.

And, so many of these artists are not just gifted in acting or performing arts, but so often in many other classifications of art.

Renee Anderson is one such artist. First introduced to SSCT in 2014, Anderson has been involved with this community theater group in a variety of ways, first as the marketing director, later as an actor in a starring role, also a production director and most recently as the interim president of the SSCT Board of Directors. Her most recent role with SSCT was the lead in the last live show before the pandemic shutdown, Let Him Sleep Til It’s Time For His Funeral.

In the Fall of 2020, Anderson was asked to fill a vacancy on the SSCT Board of Directors as the interim president. “I was missing live theater terribly and had the idea to produce a virtual show with actors filming performances

Winter, painting by Renee Anderson

Bachelor, photography by Renee Anderson

from the safety of their own homes,” Anderson shared. SSCT’s Virtual Holiday Spectacular was the first virtual show produced by SSCT and shared on their YouTube channel. “This first virtual show as such a hit that the Sunriver Stars Board suggested producing a virtual children’s show for Valentine’s Day.” Anderson’s range of talent is evident as she served as video editor, producer and graphic designer for both SSCT virtual shows.

From her earliest memories, art has been the center of her life. “I began drawing obsessively at a very young age, communicating my feelings through art even before I could fully speak… which didn’t take long,” Anderson shared.

“I started singing and acting when I was about four years old.” Anderson continued performing in many ways throughout her youth and adolescence.

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April 2021 | www.CascadeAE.com

As a child, Anderson began doing little runway shows in malls (it was the 80’s and mall shows were a big thing, Anderson explained). She also modeled for Osh Kosh B’Gosh when she was about Anderson | Photo courtesy of six years old. In middle school, Renee Sunriver Stars Community Theater she joined band and theater.

Once in high school, Anderson played saxophone in the marching band and joined the speech team. “I lettered 16 times in academics, mostly in theater, speech and band,” Anderson said. At age 16, she was scouted for a Disney TV show called That’s So Raven. Although not chosen for the show, Anderson was accepted into the Cornish College of the Arts in Seattle. “I had been in over 100 shows by the time I was 19, performed at 2nd Street Theater, Cascade Theatrical Company, COCC and was an Usher for Keller Auditorium in Portland,” reflected Anderson.

Anderson took some time off from theater for about 14 years to work in the food and beverage industry, specifically in breweries.

“I managed McMenamins in Oregon City and helped develop spirits for Rogue Ales,” said Anderson. In 2009, Anderson’s daughter, Niko, was born. “It was during my pregnancy that I began taking up my old love of painting,” she shared. Soon her artwork was being showcased in downtown Bend, featured in such places as Silver Moon Brewing, Velvet, Astro Lounge, The Box Factory and Cosa Cura.

Currently, Anderson is taking some time off to assist her daughter with hybrid schooling and to focus on her health.

Anderson said that most people do not realize that she is an avid hiker and has logged 200 miles since January 2021. “It’s a big part of getting back to prime health,” Anderson said. “There’s no place I’d rather be right now than outside with my dogs!” Currently Anderson is focusing on her photography and writing, some graphic design and will still pull out her paintbrushes from time to time.

“Although this last year has been a challenge for many, I believe it is this shared struggle that grows art and brings people together,” Anderson stated. “I have great hope for the future of the Arts in Sunriver. I hope to return to theater someday, when audiences are live!”

Although Anderson is currently rebranding some of her websites, one that showcases some of her photography and writings can be found at naybeline.com. sunriverstars.org

L I T E R AT U R E

Oregon’s Poet Laureate Headlines Month of Verse at COCC

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nis Mojgani, a two-time National Poetry Slam champion, winner of the International World Cup Poetry Slam and Oregon’s current poet laureate, is headlining Central Oregon Community College’s (COCC) National Poetry Month celebration. From 6:30-8pm on Wednesday, April 7, Mojgani will give a virtual reading of select poems followed by a student-facilitated Q&A. The event is free and open to the public, with pre-registration required. COCC will also offer poetry fans a collaborative workshop, recorded readings from college staff — posted each Tuesday and Thursday of the month — and other verse-themed activities as part of the online celebration at cocc.edu/poetry-month/2021, where all registration for the free events takes place.

Portland-based Mojgani has served as Oregon’s tenth poet laureate since last April. In addition to his acclaim on the poetry slam stage, the poet has performed at universities, festivals and for the United Nations. A trained comic book artist, he has published five books of poetry, had his work featured on HBO and National Public Radio and designed commissions for the Getty Museum and Peabody Essex Museum.

Anis Mojgani

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cocc.edu

Invitation to Students to Enter the Waterston Student Essay Competition

reetings from the High Desert Museum! We hope you are well and looking forward to a well-deserved spring break.

The submission deadline for the Waterston Student Essay Competition is fast-approaching on May 1. The Student Prize comes with a cash prize and interaction with an amazing writing community. Submissions should be nonfiction prose addressing any aspect of the High Desert. The competition is open to all high school-age students (grades 9-12), 18 years old or younger, who reside in Crook, Deschutes, Harney, Jefferson or Lake counties. Public school, private school and homeschooled students are eligible.

The Waterston Student Essay Competition launched last year.

We were blown away by the quality of submissions and the new light young voices brought to the High Desert landscape. The winner was Al Lehto from Redmond Proficiency Academy — you can read more about them at highdesertmuseum.org/waterstonstudent-prize.

Submissions are accepted through May 1, 2021 at 11:59pm and can be emailed directly to waterston@highdesertmuseum.org. All details and instructions can be found at highdesertmuseum.org/ waterston-student-prize. highdesertmuseum.org Oregon’s Only Arts Magazine Since 1995 | April 2021

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SUNRIVER EXHIBITS

In support of state and federal guidelines for social distancing, most venues have attendance protocols in place. Please call or visit each venue website for updated information.

Artists’ Gallery Sunriver is pleased to announce that our 2nd Saturday Art Reception events have returned! Join us Saturday April 10 from 1-6pm to meet many of the gallery artists and enjoy light refreshments.

There will be artist demonstrations including featured artist, Becky Henson and her beautiful stained glass creations inspired by Central Oregon.

Henson started creating stained glass as a hobby over 30 years ago. The hobby has evolved into commission work as well as gallery pieces. Becky enjoys making panels of items found in nature. Her signature Sunriver windows with Ponderosa, Mt. Bachelor and Deschutes River are a contemporary take on our mountain scenery, bringing the rivers, mountains and trees together. The Sunriver pieces are each unique; some are clear textured glass and others filled with color.

COVID-19 appropriate face mask and distancing required.

Artists’ Gallery Sunriver Village 57100 Beaver Dr., Bldg. 19 541-593-4382 artistsgallerysunriver.com

Glass in progress.

Finished stained glass art by Becky Henson.

GREAT ART PICKS UP WHERE NATURE BEGINS 2nd Saturday Artist Reception

April 10th | 1pm to 6pm Refreshments and Artist Demonstrations showcasing the work of 30 local artists

Great Art Picks Up Where Nature Begins & a Special Surprise at the End

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s we inch closer to a much anticipated spring, we can always bring colorful cheer indoors with beautiful art! Art delights the soul, lifts our spirit with color and shape and reminds us of what is to come. In other words, great art picks up where nature begins!

When days are gloomy and skies are gray, that special painting, photo, piece of wearable art or metal and wood art brings a smile to our face. And don’t forget the practical art — handmade pottery, glass, wood, copper items that are not only special, but useful as well! If you have to eat off plates, mugs, platters and use cutting boards, why not use something handmade and special?

Cheryl Chapman glass artist Village at Sunriver, Building 19 541.593.4382 www.artistsgallerysunriver.com Hours: 10am-5pm Daily

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Becky Henson Stained Glass

The Artists’ Gallery Sunriver is filled with new art and new artists that offer unique pieces that make great gifts for that person who has everything or yourself. Want to feast your eyes with color and form? Stop in. Want to bring a smile to your face and cheer up your day?

Stop in. There is plenty of “eye candy” in our special gallery!

Two glass artists are featured this month.

SUNRIVER

Becky Henson - Stained Glass Artist

Becky’s work lets the sun shine in on art! Glass artist Becky Henson creates unique stained glass. Her popular pieces often include scenes of the surrounding mountains and rivers. She says that the stunning beauty of Central Oregon inspires her. Since childhood, Becky has loved how light filters through glass and changes as the day gets long. She has created so many various designs that her glass work includes something for everyone. If you are looking for a custom piece to be made to grace a special spot in your home, Becky is happy to work with you to accomplish your dream!

Becky has everything from sun catchers, to small window hangers, to series of themed stained glass art, to lampshades and full window and door pieces. Her use of different types and textures and colors of glass make her creations vivid, exciting and oh, so special!

Meet Glass Artist - Cheryl Chapman

Stained Glass by Becky Henson

Cheryl is new to the Gallery and her unique glass art is making a splash!

Cheryl’s whimsical paintings reflect her love of dogs, cats, animals and nature.

And she shows her unusual art via a process of she has engineered over time.

Cheryl calls what she does “high fire glass enamel reverse painting.” Simply put, but not simple to do, Cheryl’s pieces are originals she has drawn, then painted in high fire glass enamel and fired in a kiln. Part of the wonder of this process is that each painting is done in reverse and fired. Some of her pieces are fired up to five times! Her playful, heartwarming style brings a sense of fun to her colorful pieces of glass art!

Cheryl has been creating this type of glass art for the last 12 years. It’s a process she has perfected. Her art is something special and will be a big hit with the dog and cat lover, not tomention those who love nature. These unique, one-of-a-kind, handmade pieces of art will bea treasured gift for the receiver. You need to see the sun sparkle through these unique pieces, so visit the Artists’ Gallery Sunriver for your viewing!

Eagerly Anticipating the Return of Second Saturday!

The artists’ receptions at the Gallery were a highly anticipated events each month where patrons could visit the Gallery, see new work, talk and mingle with the artists and enjoy wineand appetizers. Due to COVID, these popular events had to be put on hold. But here’s the good news--weather permitting and if the state deems it safe — we are hoping to reestablish our Second Saturday events! The events will be held outside the Gallery on the patio and everyone will be socially distanced and masks are required. But attendees can watch art demonstrations, talk to the artists and enjoy light refreshments. We are elated to be bringing back this popular event!

Please mark your calendar and plan to attend the return of Second Saturday on April 10 from 1-6pm. Don’t forget to bring your mask as we want every to enjoy the event and staysafe while doing so. artistsgallerysunriver.com

Forest Walk by Cheryl Chapman

Oregon’s Only Arts Magazine Since 1995 | April 2021

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Become a Subscriber to Central Oregon’s Magazine Devoted Entirely to the Arts O R E G O N ’ S

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SISTERS EXHIBITS

In support of state and federal guidelines for social distancing, most venues have attendance protocols in place.

Please call or visit each venue website for updated information.

Hood Avenue Art 357 W Hood Ave., Sisters hoodavenueart.com • info@hoodavenueart.com • 541-719-1800 Hood Avenue Art is planning Fourth Friday receptions and artist demonstrations starting this spring. Please check our website for upcoming events. Hood Avenue Art represents the best of Central Oregon artists. Winter hours: Thursday-Monday, 11am-4pm.

Photo courtesy of Hood Avenue Art

Raven Makes Gallery 182 East Hood Ave., Sisters 541-719-1182 • ravenmakesgallery.com Our gallery offers first market Native American and Indigenous artists’ works, spanning the Arctic to Northern Mexico. Contemporary, meaningful and diverse mediums, including fine jewelry.

Open Thursday-Sunday, 11am-4pm.

Stitchin’ Post Gallery 311 W Cascade Ave., Sisters 541-549-6061 • stitchinpost.com Opening April 23 at Stitchin’ Post Fiber Arts Gallery — The Language of Flowers exhibit by Leotie Richards.

Leotie Richard’s upcoming show, The Language of Flowers, will include two triptychs of tulips and calla lilies as well as four sculptural fabric portraits of early botanical explorers. This exhibit combines her interest in botany and history. Leotie enjoys embedding scientific concepts within her art and is highly motivated to present intriguing role models to her audience.

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Oregon’s Only Arts Magazine Since 1995 | April 2021

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CENTRAL OREGON EXHIBITS

In support of state and federal guidelines for social distancing, most venues have attendance protocols in place. Please call or visit each venue website for updated information.

M a d r a s / Wa r m S p r i n g s

Prineville

The Museum at Warm Springs 2189 U.S. 26 541-553-3331 museumatwarmsprings.org Visitors to The Museum at Warm Springs will experience firsthand the sounds of ancient songs and languages, the mastery of traditional craftsmen and the sights of rich and colorful cultures that make up the Confederated Tribes of The Warm Springs Reservation of Oregon.

For the first time, their histories and traditions are told in an exciting, permanent, interactive exhibit, bringing to life the fascinating story of the Tribes.

The collections of the museum are rotated throughout the year. So, when you visit you may see an entire new display in the gallery.

The dream of a tribal collection for the Confederated Tribes of Warm Springs Reservation of Oregon began over four decades ago. Museum is open to the public with Safety Standards in place, which can be found on their website.

Rick Steber & Company — MAKERS 131 NE Fifth St., Prineville • 813-749-7143 • rickstebermakers.com On display in the retail showroom at Rick Steber – MAKERS is the incredible work of over one hundred artists and artisans from Central and Eastern Oregon. Designated as an Oregon Scenic Attraction, this unique collection of one-of-a-kind items has become a destination for many, and an opportunity to introduce your family to the creative culture of the High Desert. Here you will find Native bead work, metal sculptures, leather tooling, saddle making, wood working, silversmithing, original artwork, whittlings, carvings and the complete collection of books by popular author, Rick Steber. Open Tuesday-Saturday from 10am to 5pm.

Come Experience the Energy of Nature!

Geothermally Heated Cabins Hot Mineral Baths 541-943-3931 Crooked River Morning, 32 X 31 oil by Pamela Claflin

2 Hours SE of Bend • www.summerlakehotsprings.com 2 Hours SE of Bend • 541-943-3931 • www.summerlakehotprings.com

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Rimrock Gallery 405A NW Third St., Prineville 541-903-5565 • rimrockgallery.com Featuring Laurel Buchanan, Pamela Claflin and barn paintings by gallery artists, April 10 thru May 7.

We are thrilled to have Second Saturday Featured Shows once again.

Masks are still required. You can visit the show here at the gallery on opening day. Be sure to visit the gallery website at rimrockgallery.com to view all of the artists’ works and any new COVID info. Off-street parking available!

Open Tuesday-Saturday, 10am-5:30pm and Sunday 12-5:30pm.

Closed Mondays.

R e d m o n d / Te r r e b o n n e The Art of Alfred A. Dolezal Eagle Crest Resort, 7525 Falcon Crest Dr., Ste. 100 • 541-526-1185 alfreddolezal.com • artofaad@yahoo.com • Daily, 10am–5pm The eclectic symbolic paintings of Austrian artist, Alfred A. Dolezal combine illuminant colors with alternative visions of reality. These contemporary oils on canvas examine the deeper meaning of life and tell an uplifting human interest story. Quite often his paintings reveal a mischievous, humorous side, a dry sarcasm and his love for the unexpected. A passionate researcher in a variety of subjects, Alfred combines profound messages with evocative symbolism, his works often displaying surrealistic tendencies. Much more than a painting, come see why we are now traveler-ranked by TripAdvisor as #3 of museums in Central Oregon!

Schoolhouse Produce 1430 SW Highland Ave. 541-504-7112 • schoolhouseproduce.com Schoolhouse Produce is showing the work of SageBrushers Art Society member Stephanie Cissna. Following a career in architectural lighting design, Stephanie is now dedicating time to creating art, through a process of capturing the essence of a scene and seeking harmony. Come to buy your fresh produce and experience the beauty of the Pacific Northwest that Stephanie is sharing in this exhibit. Showing thru April.

Bob Creek Beach, painting by Stephanie Cissna

Burns

The Time Being by Alfred A. Dolezal

LTA Gallery 611 NE Jackpine Ct., Ste. 3, Redmond 541-316-0362 • darrenklingart.net Showcasing the artwork of Darren Kling with continued exhibition, Water and the Rock.

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THIS MONTH'S PICKS

See CascadeAE.com for Full Event Calendar

2 BEGINS

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FIRST FRIDAY/ Downtown Bend/Old Mill District CascadeAE.com

TODD SHEAFFER & CHRIS THOMPSON Various Locations | See Website for Times LiveOutFront.com/Todd-Chris-Spring-Tour

OUTSIDE CENTRAL OREGON EXHIBITS

Oard’s Gallery 42456 Hwy. 20 East, Burns • 541- 493-2535 • oardsgallery.com Exhibiting many one-of-a-kind items, including original, handmade arts and crafts from nine tribes around the area — baskets, beaded art, clothing, furniture, native art, paintings, rugs, jewelry and more.

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ANIS MOJGANI Virtual | 6:30-8pm COCC.edu

S E C O N D S AT U R D A Y Artists' Gallery Sunriver | 1-6pm ArtistsGallerySunriver.com

GAME OF TIARAS Virtual | See Website for Times BEATChildrensTheatre.org

Oregon’s Only Arts Magazine Since 1995 | April 2021

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CALL TO ARTISTS— ARTISTS’ GALLERY SUNRIVER

WORKSHOPS

NOW, a unique opportunity for local artists to join the Artists’ Gallery Sunriver (AGS). It’s a rare opportunity as AGS seldom has openings.

Are you a fine artist or fine crafts person? Looking for 2D artists (mixed media, encaustic, oil, watercolor) and 3D metal artist, wood turning, jewelry wearable art, unique pottery, photography or sculpture? Live locally?

We are For Artists By Artists. Participating members work shifts, have generous space to show their work, and share in the operations of the gallery business. Generous commissions percentage paid twice-monthly and low monthly expense is shared among Artist Members.

Ready to find out more information? Contact Jury Chair: Dori Kite agsrjurycommittee@gmail.com, or come on into the Gallery in the Village at Sunriver, Building 19.

57100 Beaver Dr., Sunriver artistsgallerysunriver.com • 541-593-4382

CALL TO ARTISTS — RED CHAIR GALLERY BEND Red Chair Gallery, an award-winning art gallery located in downtown Bend, is seeking new 2D and 3D artists. If you are interested in joining us, stop by the gallery (at the corner of Bond St. and Oregon Ave.) and pick up an application.

103 NW Oregon Ave., Bend redchairgallerybend.com • 541-306-3176

CASCADE FINE ART WORKSHOPS REGISTRATION IS NOW OPEN FOR 2021 WORKSHOPS!!

Contact Sue at info@cascadefineartworkshops.com for more information The Magic of Watercolor! with Stella Canfield Watercolor Zoom Workshop, Live from Bulgaria!!

May 4, 6, 11 and 13 8:30am-12:30pm PDT Painting the Figure from Photographs with Ted Nuttall Watercolor Portraits July 12-16, 2021 Impressionism in Action with Colley Whisson Plein Air & Studio Workshop Oil & acrylic artists welcome — Demos in oil October 13-16, 2021 Landscapes Unbound with Sarah B. Hansen Acrylic October 18-20, 2021

New Perspective for April

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by Eileen Lock

isten to your inner voice over the first few days before you speak up on the 3rd. Follow up with ac-tion on the 6th and enjoy whatever it is you are doing. Conversations are surprising on the 9th and could leave you wondering what to do next. Decisions are made on the 10th and opportunities begin to show up.

The New Moon on the 11th could inspire you to start something on blind faith. Trust your ideas on the 13th and begin taking small steps. You will quickly discover how much support you have near the 16th so keep moving in this new direction. Talk about what you need on the 18th and start making a plan over the next few days.

An unexpected change on the 22nd could trigger both challenges and rewards. A trusting approach will be helpful on the 24th so remember to listen to those near you. The Full Moon on the 26th is emo-tional and could bring some situations to an end. Talk about your dreams on the 29th and you could be surprised how quickly they begin to happen. Be open to changing your mind about something on the 30th and you will be glad you did.

Love and Light Always, Eileen Lock Clairvoyant Astrologer / Spiritual Medium 1471 NW Newport Ave., Bend, Oregon 97703 541-389-1159 eileenlock.freeservers.com • oneheartministry.freeservers.com Listen for the song in your heart, find the melody and dance to the music.

Check out Eileen’s radio programs online at blogtalkradio.com. Cosmic Lunch Break on Mondays at 8am, What’s Up Wednesday at 8am and Talking With Spirit on Fridays at 8am.

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