CASSEY THAW: INTERIOR DESIGN PORTFOLIO

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THE INTERIOR DESIGN PORTFOLIO CASSEY THAW



TABLE OF CONTENTS 01 CAPSTONE: CULTURAL CENTER 2019 - 2020 The Taunggyi Center for Cultural Preservation

02

OFFICE WORKSPACE 2019

St. Frank Headquarters 03

ADAPTIVE REUSE 2018

Kehoe Iron Works: Multipurpose Center 04

PERSONAL WORKS



01 CAPSTONE: CULTURAL CENTER 2019 - 2020

THE TAUNGYI CENTER FOR CULTURAL PRESERVATION ADDRESS: Corner of Zay Bine St. & Thit Sar Rd., Taunggyi, Shan State, Myanmar

APPLICATION: Revit, AutoCAD, Photoshop, Enscape BACKGROUND: This capstone focuses on a

cultural center designed to recognize different ethnic minorities of Shan State to bring back tradition lost from different issues. It will take advantage of Myanmar’s developing perspective towards modernization to conduct a unique space that sparks interest to explore older customs.


SITE LOCATION: TAUNGGYI, SHAN STATE, MYANMAR

VIEWING THE ISSUE: LOSING TRADITION 1 Armed groups and military conflicts Destruction of homes and ethnic displacement 2 Forced assimilation & forced relocation / stolen lands ‘Dilut[ed]’ culture through Burmanization 3 Corruption & complications within the government - too many linked internal problems (i.e. drug trade) 4 Moving - belief that larger cities bring opportunities Effects of globalization and modernization

FORMING THE ANSWER

The aim is to create a space that will reshape perspectives and revitalize memories for those who hope to redefine their views of ‘modernity’ and ‘culture’.

USER GROUPS Rural Families

Advocates

Urban Families

Explorers


CONCEPT: REVERED MEMORY; A METAMORPHOSIS Inspired by a revolutionary poem “To Wilt Is To Bloom” and the beauty of the pathein parasol, “revered memories” demonstrates the importance of tradition and honor with the acceptance of modernity. By also looking into the role of psychology and the formation of identity, the design will ignite the positive memories of one’s culture that has been concealed due to the negative issues within the country as well as reinstill those who have lost it.

INSPIRATIONS

CONCEPT DESIGN CONCEPT: APPLIED THEORIES IN DESIGN Identity Process Theory (Breakwell 1996) i.e. maintaining a sense of self

SENSE OF PLACE

MEANING

Place-Identity Theory (Proshansky 1978) i.e. the feeling of home

SOCIAL IDENTITY

PERSONAL IDENTITY

Multistore Model of Memory (Atkinson & Shiffrin 1968)

PHYSICAL SETTING

ACTIVITY

THOUGHT

ACTION

EFFECT


CONCEPT: JOURNEY OF THE SPACE THROUGH MEMORY Based on the Multistore Model of Memory (Atkinson & Shiffrin 1968) this journey of space will begin with exploration and end with preservation.

SHORT TERM MEMORY

SENSORY REGISTER

LONG TERM STORAGE

BUBBLE DIAGRAMS

lounge library

market

recreational space

lobby

exhibition

main lounge food court

dining space

kitchen / stalls

staff space / break room

class/studios

language

restrooms

arts

auditorium

restrooms dance / music studios

kitchen / stalls auditorium

food court

market

recreational space

staff space / break room

lobby dining space

class/studios exhibition

main lounge

lounge restrooms

language

arts

dance / music studios

library

restrooms


FLOOR PLANS 8 9

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LEVEL 1: GROUND FLOOR 1/8” = 1’ - 0’ 1 FOOD MARKET 2 FOOD STALLS 3 INFORMATION COUNTER 4 THE WATER LOUNGE

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2 6

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5 MULTIPURPOSE/LOUNGE

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6 THE FLOOR LOUNGE

7 CRAFTS MARKET 8 RESTROOM

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9 FITTING ROOM

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10

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10

4’

8’

16’

32’

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LEVEL 2: MEZZANINE 1/8” = 1’ - 0’ 1

2

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CULTURE CORNER

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CLASS ROOM 01 LIBRARY OPEN THEATRE CLASSROOM 02 THE GLASS LOUNGE STAFF OFFICE TRADITIONAL EXHIBITION IMMERSIVE EXHIBITION RESTROOMS DIGITAL ANCESTRY TRADITIONAL ANCESTRY

ZONING & SPACIAL PLANNING Sensational (sensory) Sensational blending schematic episodic & mood congruent

GROUND FLOOR

MEZZANINE


IMMERSIVE EXHIBITION ‘MODERN’ The immersive exhibition is a digital presentation that displays different photograpy or digital work that conveys the landscape or lifestyle in Shan State. Surrounding the user, the scenes aim to evoke nostalgic emotions or memories that may have been repressed by the constant issues many people have faced. For others, it is a unique method to experience Shan State.


THE FLOOR LOUNGE ‘MODERN’ - ‘TRADITIONAL’ Celebrating the typical Myanmar household, the floor lounge is a communal space where users can enjoy a soothing moment by utilizing the traditionally styled floor seating. The space showcases large prints based on art by Khin Zaw Latt, a revolutionary contemporary artist know for depicting scenes of lives of people from Myanmar as well as both their struggles and personal beauty.



OPEN THEATRE ‘TRADITIONAL’ The open theatre will be a place where different ethnic performances can be carried out, adding as both a family friendly educational feature as well as an inviting space for special occassions or celebrations that can involve demonstrations or theatric art. There is a beautiful view towards Taunggyi’s main market, forming a relationship between the interior and exterior’s cultural environment.



02 OFFICE WORKSPACE

2019

ST. FRANK HEADQUARTERS ADDRESS: 641 Indian St. Savannah, GA 31401

APPLICATION: Revit, AutoCAD, Photoshop, Enscape BACKGROUND: This is an adaptive reuse project focusing on workplace design for a St. Frank

headquarters in Savannah, while acting as the main showroom for St. Frank’s products. Here, open hoteling and large collaborative spaces are emphasized.


CONCEPT: RAW Defined as the early state of materiality; ‘raw’ also conveys not only the purity of the elements fused in St. Frank’s textiles and art, but also the company’s endeavor towards honesty and authenticity. With the incorporation of the building’s industrial pretense and the elegance of St. Frank, the office will demonstrate a scene where origination meets completion.

INSPIRATIONS

origination

formation

completion

CONCEPT: CONNECTING ST. FRANK’S STORY

ITEM’S STORY

MATERIALITY

AUTHENTICITY

ART OF ST. FRANK

The path throughout the space is inspired by St. Frank’s own journey of support and investments in their products. One must consider its first stitches and touches and the transformation into their finalized and textured form.


FLOOR PLANS 5

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4 10

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12

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UP

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8 A68/36 A68/36 A68/36

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LEVEL 1: GROUND FLOOR 3/32” = 1’ - 0’

0’

LEVEL 1 - FURNISHING PLAN Copy 1 1/8" = 1'-0"

1 RECEPTION / LOBBY 2 MAIN CONFERENCE ROOM 3 OPEN LOUNGE & DISPLAY

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6 7

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ELECTRICAL / DATA & STORAGE BREAK ROOM COLLAB BOXES PHONE CALL STATIONS 6 PERSONS CONFERENCE ROOM MECHANICAL ROOM

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4’

8’

16 RESTROOMS 17 EXECUTIVES’ ROOM 18 PRIVATE BATHROOM

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LEVEL 2: MEZZANINE FLOOR No. 3/32” = 1’ - 0’ 2

DN

6

Address: SCAD College of Art and Design

LEVEL 2 - FURNISHING PLAN Copy 1

LEVEL 2 - FURNIS 1/8" = 1'-0"

15 GYM WITH SHOWERS

3

2

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10 COPY ROOM 11 4 PERSONS COLLAB SPACE 12 OPEN HOTELING 13 MARKETING, BRANDING, SERVICE OFFICE 14 SHIPPING & RECIEVING OFFICE

1

1

32’

UP

1

cathaw20@student.scad.edu

16’

7

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Revisions

OPEN HOTELING LIBRARY / READING ROOM WATER CLOSET 10 PERSONS CONFERENCE ROOM BREAK ROOM / ROOF ACCESS Sign & Seal BUYING & PRODUCTION OFFICE ACCOUNTING & LEGAL OFFICE

Date


CONCEPT DIAGRAMMING recreation

collab.

hoteling main offices

main offices

collab.

hoteling recreation semi-/private

public

Overall, the design hopes to encourage collaboration with respect to the idea that St. Frank’s employees should gain excitement and develop a variety of relationships while also having moments for rest. Spacial categorization is inspired by textile patterns and weaving methods seen in St. Frank’s pieces.

DESIGN ELEMENTS - HERMAN MILLER

PHONE BOOTH

sound - proof & privacy

COLLABORATIVE OFFICE POD

sound - proof & collaboration

BOOTH SEATING

privacy & collaboration


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Closest to the entryway, this space represents the Origination: Here the story of this site’s past is expressed as a industrial structure that is now brightened with the arrival of the empowering brand, and has now become a part of a ‘Saint’s Story’. This embodies St. Frank’s inviting nature and their desire to expand their perspective beyond “bohemian” .

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RECEPTION / LOBBY GROUND FLOOR

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LEVEL 1 - FURNISHING PLAN Copy 1 1/8" = 1'-0"

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MAIN CONFERENCE ROOM (VIEW) GROUND FLOOR

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Going deeper, one will reach the Completion: Here, users will feel the industrial atmosphere change into a true St. Frank space. This area is where artisans, the environment, and their handicrafts will come together for the finale; containing the most collaborative areas as well as the largest conference space. With the addition of green spaces, it transforms the factory-like setting into a more lively place.

A68/36

DN

42/S

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UP

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LEVEL 1 - FURNISHING PLAN Copy 1 1/8" = 1'-0"

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No.

Address: SCAD College of Art and Design Sign & Seal

cathaw20@student.scad.edu

Revisions

LEVEL 2 - FURNISHING PLAN Copy 1 1/8" = 1'-0"

Date

O



OPEN HOTELING MEZZANINE FLOOR A small collaborative space with expressive artwork that aims to intrigue users and to help develop new ideas and concepts. It is a more informal, loose environment that gives users a chance to relieve stress and get away from the bustling office surroundings.

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PLAN Copy 1

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No.

Date

Owner: Christina Bryant

St. Frank Savannah

640 Indian St. Savannah, Georgia 31401 Date Created By: Cassey Thaw Checked By: Prof. Monica Letourneau Approved By:

College of Art and Design

student.scad.edu

Revisions

LEVEL 2 - FURNISHING PLAN Copy 1 1/8" = 1'-0"

Sign & Seal



03 ADAPTIVE REUSE 2019

KEHOE IRONWORKS: MULTIPURPOSE CENTER ADDRESS: 660 E Broughton St, Savannah, GA 31401 APPLICATION: Revit, AutoCAD, Photoshop, Enscape BACKGROUND: This is an adaptive reuse

commercial project designed to inspire healthy living in the people Savannah, while introducing a modern take on life as a growing city. This project will implement sustainable features and universal design to create a space enjoyable for people of all ages.


CONCEPT: PERSONIFIED SUSTENANCE Representing a moment in time where humanity discovers the beauty of nourishment, “personified sustenance” supports a life where wellness dominates. There is the internal discovery of self, for this is a place where devotion towards one’s own health and environment meet; and where nutrition and one’s body unites as the human aura is explored.

INSPIRATIONS

NUTRITION VS. HUMANITY


PROJECT GOALS Implementing universal design to allow users of all types and ages

Allowing social interactions and including spaces for personal learning

Applying sustainablitiy and encouraging sustainable practices

Providing a range of acitivities that support healthy living and increase exercise

USER JOURNEY start day eager to face a new experience

sustainable branding encouraging setting

organic foods

nutrition & sustainability

morning routine experience @ the center yoga / movement class

cooking / nutrition class interactive kids space

SPACIAL CONCEPT Formation of spaces were planned based on the interactions users would undergo in the user journey.

cycle of life

evening routine

activities

personal learning

healthy cafe

implement what is learned at the center in daily life


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LEVEL 1: GROUND FLOOR 1/8” = 1’ - 0’ 1 FOOD RETAIL 2 PUBLIC LOUNGE 3 RESTROOMS

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ART/MOVEMENT CLASSES COOKING CLASES POP UP STORE STAFF OFFICE MECHANICAL ROOM PUBLIC LIBRARY

IDEA SKETCH 01 It was planned for the first floor to contain supermarket space with organic foods; in cooperation with the Savannah Food Co - Op. This place features sustainable felt lighting as well as acoustical wall paneling.

0’

4’

8’

8

16’

32’


3

2

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4 5

LEVEL 1: GROUND FLOOR 1/8” = 1’ - 0’ 1 FOOD COURT 2 KITCHEN 3 KID’S AREA 4 VIEW SEATING 5 RESTROOM

IDEA SKETCH 02 Food court space contains a green wall, helping with air purification and circulation. Having greenery also fulfills our instinctual desire to be near nature.

0’

4’

8’

16’

32’


POP - UP STORE ‘SUSTAINABLE RETAIL’ This thought of inviting only international ecofriendly brands: i.e. Simon Miller, recognizes the center’s encouragement of sustainability alongside its support for a healthy lifestyle and respect towards adaptive reuse design. Elements related to the environment are also reflected on the ground floor as it is with the mezzanine floor.


MIAM CAFE ‘HEALTHY FOODS’ A small cafe caters healthy food; demonstrating and showcasing sustainable foods for all ages through methods inspired by figures like Dan Barber. With this bright, energetic space, the aim is to teach people of the benefits of eating healthy; while also acting as a family friendly space with a blackboard feature.


04 PERSONAL WORKS 2017 - 2019 This section contains personal works regarding different rendering styles and methods.


INTERIOR RENDERING: ABSTRACT “Surreal Perspective” 2019 Application: Revit, Photoshop


BUILDING EXTERIOR RENDERING: CONCEPTUAL “Structure’s View” 2019 Application: Revit, Photoshop *Interior space sample from Pinterest


ELEVATION RENDERING: REALISTIC “External Materiality” 2019 Application: Revit, Photoshop


HAND RENDERING: RESIDENTIAL FLOOR PLANS “Studio I: Libbie Summer’s Home” 2018 Application: Pen, Marker

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1

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LEVEL 1: GROUND FLOOR 1/4” = 1’ - 0’ 1 LIVING ROOM 2 STORAGE ROOM 3 MUDROOM

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UTILITIES LIBBIE’S OFFICE OPEN BAR PANTRY KITCHEN CONTENT FILM CORNER DINING ROOM


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LEVEL 2: SECOND FLOOR 1/4” = 1’ - 0’ 1 CONCEALED LOUNGE 2 GALLERY HALLWAY 3 INFORMAL DINING

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MASTER BEDROOM WALK - IN CLOSET MASTER BATHROOM OUTDOOR LOUNGE OUTDOOR BAR OUTDOOR KITCHEN ROOF GARDEN


INTERIOR PERSPECTIVE RENDER “Modern Asian Home: Living & Bathroom Space” 2017 Application: Pen, Marker, Colour Pencil




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