Architecture Portfolio 2012-2014

Page 1

L

A

BA D SA

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P L ER


Sampler /’sæmplәr, ‘sam-/ 1. a person who samples 2. a collection of samples


Christina Badal Columbia University B.A. Architecture 2014


1

U.S. Embassy of Beijing:

9

Foreign Office of Information Awareness

Current Measures and Future Developments

Privately Owned Public Space:

19

Re-Occupy Zuccotti Park:

27

Strategies for a Public Architecture

Visual Intervention and Reinvention

Mirror/Mirage:

33 Cell Cycle:

37

Structuring Natural Processes

Performative Clothes and Exposed Skin

Library for the Performing Arts:

51 NYC Pavilion(s):

59

Living Modules as a Model for Sustainability

Interlinking Organizational Strategies

Manhattan Transform:


U. S.E B

mbassy of

A

eijing

Year: 2013

Professor:

Re-designing the U.S. Embassy in Beijing, currently the second largest in the world, entails recognizing and adapting to a complex series of enmeshed social, cultural, political, and environmental issues.

Kadambari Baxi Rather than positing a singular visionary solution that claims to tidily sweep away Course: Design III

these issues, this proposal seeks to draw out the inherent complexities as a means of critique and understanding. By assuming a certain objective naiveté and wearing multiple hats, the entangled network of entities tied up with this techno-social diplomatic project might be revealed.

Project Type: Civic/Institutional

Project Area: 600,000 ft 2

Location: Beijing, China

F I

oreign Office of

1

nformation wareness


Embassy-building guidelines, re-drafted

National Security Agency Organizational Chart*

after the 1998 East Africa bombings, have resulted in increasingly isolated and antiurban walled compounds. The

Snowden

surveillance

and

Wikileaks

disclosures

global

revealed

the

STATEROOM: Joint CIA/NSA field collection agency

astonishing degree to which governments

operating from embassies and other denied

illegally spy on their citizens and each

locations

other. The NSA’s $1.5 billion Utah Data Center,

SPECIAL COLLECTION SERVICE (SCS):

also known as the Intelligence Community

Embassy-based listening posts

Comprehensive National Cybersecurity Initiative Data Center, was completed late last year. China-U.S. relations have been tesnse Data

and almost always contradictory. Wary of the precocious growth of its rapidly modernizing

counterpart,

the

U.S.

HIGHLANDS: Collection from devices covertly implanted within denied areas

appears both politically dominant and economically dependent. Beijing is one of the most polluted cities, a fact contentiously revealed by the Embassy’s @BeijingAir Twitter account, which

drew

measurements

from

a

TURMOIL: High-speed passive collection systems intercepting foreign target satellite, microwave, and cable communications

rooftop monitoring device. The current embassy, designed in the

JUGGERNAUT:

tradition of modernist embassy-building,

Mobile/data communication collection

affects an air of transparency. Yet its curtain-walled

exterior,

described

as

an illumanited beacon at night, merely drapes over opaque walls.

*Unofficial NSA Org Chart by Marc Ambinder, 2014

2


3


6


Aerial FOIA surveillance

5

greenhouse

1

Site perimeter, street-level; FOIA inlet secured by Marine Guard

Public-facing programs and

4

interstitial FOIA network

2

Underground tunnel; 3 security checkpoints

NUCLEON Data Center and FOIA Intake Lobby

7

3


1

8

electrodes

charges

upwards

to

oppositely

2

corona

effect,

turning

the

3

network

of

underground

silos

storage,

The

food

oasis in the city.

embassy provides a self-sufficient

utilities.

bunkers, other

atomic and

station,

waste treatment facilities, a power

Additional silos contain water and

processing

releasing into the aerial greenhouse.

around elevator shafts, ultimately

data

equipment up through heat sinks

by

air deflect cyber-infiltration attempts.

produced

The silo form effectively channels hot electrode field also acts as a shield to

Internal Climate System (ICA): valuable foreign intelligence. The

house data centers for collecting

A

Total Information Awareness (TIA):

divider for public-facing functions.

for FOIA employes and a programmatic

functions both as interstitial circulation

A network defined by the heat sinks

(PPPC):

Public-Private Program-Circulation

potent symbol of power and security.

embassy into a glowing beacon and a

visible

At night, electrode pinnacles produce a

A Patriotic Symbol:

enjoyment.

the air below is cleansed for public

thick suspension of pollution while

is effectively camouflaged under a

The surveillance greenhouse above

charged metal cladding.

pulled

particulate air pollution, which is

precipitator

A highly efficient field of electrostatic

Eco-stewardship:

cover for surveillance equipment.

FOIA

thrive in the ICA and provide additional

launch

staff undetected from inside the walls.

safely

Succulents and other arid desert plants

can

employees

staff

can also closely monitor embassy

FOIA

Quality-assurance

the

an airy, lush natural environment.

fulfills

Clinton.

than

intelligence operations while enjoying

more

FOIA Aerial Surveillance Greenhouse:

guidelines set out by former Secretary

program

privacy and enclosure. This green

glazed PPPC walls, creating a sense of

Hanging ivy nourished by the ICA fill in

Greening Diplomacy Initiative (GDI):

4

5


PO S P

Year: Overview of a sectional tour, led by the Senior U.S.

2012

Techno-Defense Attaché of the Foreign Offices of Information Awareness (FOIA) [Level 12 Security Pass]

Professor: Lucien B. Wilson

Course: XIM: X-Info Modeling

5 1

Project Type:

4 2

Privately Owned Public Space: Current Measures and Future Developments

Using a new digital tool—Grasshopper—in an unconventional way—as an analytical device—this project sought to redefine the limits and capacities of parametric design and configure new means of understanding the contemporary city. New York City’s Privately Owned Public Spaces (POPS), numbering over five hundred and confined largely to Manhattan, reflect the progressive changes in rules and regulations guiding their approval. Yet the means and methods of measuring the performance of existing spaces, an effective measure for defining new guidelines, are often underdeveloped or imprecise.

Research, Urbanism Modeling existing spaces as inputs in a parametric relationship with variables

3 Location: New York City

like sunlight, street visibility, plantings, seating, and walkability allows sites to be examined both individually and as intedependent nodes in a wider network. The tool allows for not only rapid, customizable analysis but also flexible recalibration of the measurement device itself. Indeed, as urban environments continue to evolve in novel ways, both the data and the means of assessment should be reevaluated.

inputs

9

relationships

outputs

visualization


= Sampled POPS Scale = 1 : 8400

10


Spatial standards for assessing quality SEATING: Linear feet of seating as a percentage of total plaza area

SUN EXPOSURE:

RANGE: 0-4.6lf seating/sf plaza

Average sun and shade and exposure during peak hours of use

THRESHOLD: > 1sf per 30sf plaza

RANGE: 0-100%

0.25

THRESHOLD: >25%

0.20

0.10

PLANTINGS:

WEIGHTING

Number of trees in the space RANGE: 0-[4 + 1 per 1000sf plaza] THRESHOLD: 50% of ideal

0.20 STREET VISIBILITY: Percentage of unobstructed view between plaza and bounding streets RANGE: 0-100% 0.25

THRESHOLD: >75%

WALKABILITY: Percentage of population within a 5 minute walk of the space RANGE: 0-6.89% THRESHOLD: >2%

11

References: Art. III Ch. 7 Sec. 70 of the NYC Zoning Resolution, Life Between Buildings: Using Public Space by Jan Gehl, “World Class Streets: Remaking New York City’s Public Realm, NYC Plaza Program Application Guidelines 2012, PlanNYC’s ”Parks and Public Space”


Visualization of spatial analysis

SUNLIGHT

STREET VISIBILITY

WALKABILITY

PLANTING

SEATING

QUALITY THRESHOLD

LOW QUALITY

HIGH QUALITY

SUNLIGHT Areas to target for improvement

WALKABILITY

PLANTING

STREET VISIBILITY

SEATING

12


63 / 100

75 / 100

SL

SL

W

S.V.

P

HIGH QUALIT Y

Case studies: determing a plan of action

W

S.V.

P

S 88 Pine Street

S 55 Water Street

50 / 100 A. Resource input

B. Spatial re-assignment

43 / 100

32 / 100

SL

SL

W

S.V.

13

S 40 Broad Street

S.V.

P

S 1 New York Plaza

LOW QUALIT Y

P

W


Spatial relocation: exploiting existing spaces for public use

88 Pine Street

40 Broad Street

63 /100

43 /100

55 Water Street

75 /100 1 New York Plaza

32 /100

Privately owned public spaces Vacant lots, minor/unused streets, and parking lots Public parks and plazas

Goals: 1. Determine under-served areas 2. Find sites for potential development 14


Models for change: hybrid public spaces

Park

Garage

Pershing Square, Los Angeles

15

Mellon Square, Philadelphia


Current conditions

Exploitable conditions

Future scenario

Buildings within walkable distance of: Privately owned public spaces Vacant lots, unused/minor streets, and parking lots Public parks and plazas 16


Access to open space: building height as a functino of area of walkable open space per capita

Current conditions

Future scenario

Exploitable conditions

22.4 sf

Ideal: 16 sf

7.2 sf

Public Space Desert 1.4 sf

Buildings within walkable distance of: Privately owned public spaces Vacant lots, unused/minor streets, and parking lots Public parks and plazas 17

4.2 sf 2.8 sf


Wireframe for POPS Advocacy and Guidebook app

AT&T 3G Back

Site History

388 Greenwich

GOALS: 1) Build public knowledge and interest in POPS

Back

2) Evaluate POPS and target

Map

89% 89% Positive Positive Rating Rating

spaces for improvement

28 28 Check-ins Check-ins

through crowd-sourced AT&T 3G

feedback

388 Greenwich Greenwich 388

388 Greenwich between N. Moore St. and Hubert St.

Back Back

Site History

AT&T 3G

Browse Browse

388 388 Greenwich Greenwich

Back

Browse by :

388 Greenwich between N. Moore St. and Hubert St.

Neighborhood

89% 89% Positive Positive Rating Rating

Map

Basic Info

28 28 Check-ins Check-ins

Amenities Hours

Site History

Recommended Activities

Basic Info Add photo Comments “It “It gets gets crowded crowded during during the the weekdays, weekdays, but but is is great great on on sunny sunny weekends!” weekends!” -- Ted Ted D. D.

Main App

AT&T 3G

The public space that encircles this full-block development on Greenwich, North Moore, West, and Hubert Street sides is actually composed of two dierent legal and physical types of plaza. In 1984, the City transferred City-owned land on this zoning lot to a private developer under the terms of the Washington Street Urban Renewal Plan, as amended. One of the Plan's conditions required an approximately 23,000-square-foot public plaza, to be constructed to the standards of the Zoning Back Back Resolution's urban plaza. The resulting space occupies the area in front of the building entrance on Greenwich Street. An open walkway bisects the space, anked by two colonnades constructed of

5/27/12 5/27/12 3:14 3:14 P.M. P.M.

Leave Leave a a comment comment

Functions

Help us improve these spaces!

A GUIDE TO

NYC POPS

Rate this POPS

Privately Owned Public Spaces

Report an Issue Or, call the City of New York at 311 to report suspected violations directly.

Basic Info Hours: Daily 9 AM - 6 PM Type: Indoor Outdoor Outdoor Covered Seating: Benches Chairs and Tables Ledge Space None Amenities:

Find Nearby POPS Browse All POPS AT&T 3G

AT&T 3G Back

About Favorites Search Browse Nearby

Nearby

Map

388 Greenwich Street between N. Moore St. and Hubert St.

0.15 mi

105 Duane Street between Church St. and Broadway

0.50 mi

101 Barclay Street between West St. and Greenwich St.

0.52 mi

55 Church St. between Vesey St. and Fulton St.

1.20 mi

375 Hudson Street between Houston St. and King St.

1.57mi

1 Liberty Plaza between Church St. and Broadway

1.84 mi

140 Broadway between Liberty St. and Cedar St.

1.84 mi

33 Maiden Lane between Nassau St. and William St.

1.89mi

Back

Nearby

List

388 Greenwich Street between N. Moore St. and Hubert St. 89%

28

0.15 mi

59 Maiden Lane

18


R Z

e-Occupy

A

uccotti Park

Year: 2012

Professor: Joshua Draper

Course: Architectural Representation: Perception

Project Area: 1,5670 ft 2

Project Type: Installation, Civic

The Occupy Wall Street movement represents a desire to question and transform the economic division between an increasingly disparate 99% and 1%. That the effects of the daily clashes in Zuccotti Park—the testing of boundaries—reverberated up to elicit broader questions of political and financial authority indicates the significance of place and popular action in the development of what would seem to be a solely invisible, high-level global economy. However, the occupation of public space may ultimately amount only to a statement rather than an effective action. In order to go beyond mere declaration, this project proposes physically re-defining and liberating the structure, use, and symbolism of police barricades and public space. A new set of plywood barricades, fabricated on-site for and by the public, are malleable, robust building blocks for an infinite range of forms. Shedding the heavy,

Location: New York City

19

rigid linearity of police barricades, the modules allow for constant re-use according to the needs and desires of the public.

S

trategies for a

Public

rchitecture


Scale = 1:16 20


Zuccotti Park: police presence and the Occupy movement

Inventory: Patrol car

Start of occupation:

Police tape Skywatch

NYPD prohibits protesters from erecting tents, citing loitering rules

NY

Foot patrol Mobile command center

PD

Emergency patrol truck Barricade Econoline van Scooter

Enforced evacuation: NYPD begin to clear park

Bus

at 1AM; Bloomberg calls the occupation a health and fire hazard

Conditional reentry: NYPD remove barricades but enforce new rules set by owner prohibiting lying down or sleeping Re-fortification: NYPD arrest 70 people after

Repetition: NYPD re-barricade park and

protestors stream into park for 6-month Occupy

surrounding areas; arrest 185 protestors on 1-year

anniversary

Occupy anniversary Restitution: NYPD remove barricades

21

9.17.12

3.17.12 3.18.12

1.11.12

Occupation Timeline

11.15.11

9.17.11

after civil rights groups file complaint citing as violating zoning law


Targeting ambiguity: strategies for reappropriation

Manufactured aluminum Police barricade

“At several points, guards and a police commander ripped pieces of cardboard from the grasp of

OCCUPY

protesters. One guard announced repeatedly that the

NEW YORK PLYWOOD DISTRIBUTION

cardboard was ‘padding’ that was not allowed. Meanwhile some protesters shouted for him to produce On-site fabrication

that rule in writing and others complained that their pieces of cardboard were meant to serve as signs .”

The New York Times, 1/11/2012

Laser-cut plywood ‘Re-occupy’ barricade

22


Re-fabrication: testing installation scenarios test 1

test 2

set screw stainless steel 18-8

$1.45

1/2"-13 hex nut stainless steel 18-8

$0.19 test 3

7/16"-14 construction plywood pine pressure treated

$5.97

1/2”x4’x8’ test 4

test 5

test 6

23


“As the training participants streamed back into Zuccotti Park for a post-march

meeting...the

practices

provided a sort of laboratory to see what

tactics worked best in

different situations.”

The New York Times, 4/9/2012 24


25


test 1

test 2

test 3 1 form, 6 manipulations

test 4

test 5

test 6

26


M V

irror / Mirage:

isual Intervention and Reinvention

Year: 2012

Professor: Joshua Draper

Course:

“In a society where one can no longer be recognized by others, each individual becomes incapable of recognizing his own reality.” This wearable device literalizes Guy Debord’s critical assessment of modern consciousness—and simultaneously rereads it as a contemporary technique for deliberate fantasy and everyday time travel.

Architectural Representation: Perception

Project Volume: 1.02 ft 3

The message conveyed by modern technological devices is, as Malcolm McLuhan observed, related more to medium than ostensible function. An iPod is not merely a tiny, sleek record player, and a cellphone is not just an updated set of tin cans and string. The nature of digital technology creates expansions and compressions to our sense of time and space that were heretofore unknown or impossible. Yet the devices

Project Type: Installation, Wearable

produced today still attempt to mask the effects of their mediums, masquerading as unclouded conveyors of content. This device, however, strives to bypass the artifice of modern technology by acting as nothing more than pure medium.

Location:

ed

Unm

dv

i s io

n

‘Modifi

ed

’v

i

on

27

te

si

ia

Human head


+ ( Time + Space ) =

28


45X

3X

1X

The Law of Reflection N

θi θ i= θ r

θr

N is perpendicular to the mirror surface.

29


B Reflection path

B

A

A

30


31


32


P

C

C

ell

ycle

Year: 2012

Professor: Joeb Moore

Course: Design I

Project Volume: 0.3 ft 3

Project Type: Installation, Conceptual

Location: Desktop

The project responds to the objective of housing ice as it transforms from solid to liquid, exploring the boundaries between open and closed systems, natural and constructed processes, and architecture as an entropic phenomenon. How does the built environment respond to the natural world? To what degree is architecture a closed system, and what does it mean for it to decay or deteriorate through time? Can entropy and ‘chaos’ only be read as destructive processes in architecture? Can it be ‘seen’ or documented?

MIT Solar Energy Fund, Building 32, 1939

The final project is a variation on a galvanic cell: a melting sphere of ice flows into a chamber containing salt and metal electrodes, and the resulting saltwater solution activates an electrochemical reaction at the electrodes, powering a 9V battery and small light bulb. The system is arranged as a series of nested cells, each enclosed and enclosing to a different degree. It may be ‘split’ open sectionally to reveal the entire process, or closed to show only the melting ice and light bulb: that is, the start and end of the reaction. In this way, the project attempts to explore how temporal and ephemeral processes may be seen and recorded, from the invisible or hidden— chemical reactions and the ‘closed’ system—to the visible—permanent chemical residue and the temporarily lit bulb.

S N

tructuring

33

atural

rocesses


Ice

Salt

Copper + Zinc

Light

Saltwater

Copper + Zinc Ions 34


e-

eAnode Na +

Cl -

Cathode

H 20

Cu Zn

ALKALINE BATTERY

Zn

NaCl

DURACELL

Cu

DURACELL

35

NaCl

Na +

Cl -

H 20

ALKALINE BATTERY

Zn

ALKALINE BATTERY

Cu

Cathode

H 20

DURACELL

NaCl

Na +

Cl -

Anode


MIT Solar Energy Fund, Building 34, 1939

MIT Solar Energy Fund, Solar House, 1948

36


L P A

E

ibrary for the

erforming

Year: 2013

Professor: Yehre Suh

Course: Design II

Project Area:

rts

Situated at the intersection of the Lower East Side, Chinatown, and Two Bridges in Manhattan, the newly re-located New York Public Library for the Performing Arts acts as a dynamic connector between diverse spaces. Taking its cues from the performative function of clothing as an extension of the skin—focusing in particular on dancers’ stockings and skirts—the library creates an interplay between interior and exterior through changing degrees of porosity and dramatic moments of revelation.

67,400 ft 2 The facade thus becomes a generator of programmatic layout, determining function Project Type: Cultural/Institutional

as the nature of its relationship as an interface between street and interior space fluctuates. A parametrically-derived pattern of perforations mark aluminum facade panels, forming a continuous skin of variable porosity. Given the necessity of housing delicate rare books archives alongside large reserves of circulating and research

Location:

stacks, the library must function coherently at extremes of openness and public-

New York City

availablility on the one hand and privacy and security on the other. Two main “cores” at the south-eastern and north-western establish the basis for this distinction, with the bridging areas functioning as a “mixed” transitional space.

37

and

P

erformative Clothes xposed Skin


E ge

rsy

ldr id

Fo

tre

eet

Ss

Str

th

et

Ma

nh

at t

an

Bri

t

dg

Pi ke S tr ee

38

ay Ea st Br oa dw

et Di vis ion St re

e


Site performativities: clothing as a performative extension, a second skin

+

revelation, dynamism

lifted skirts

39

porosity, liminality

stretched stockings


Site performativities: facade as a performative extension, a second skin

linear circulation

composite circulation

apartment

signage

porous

dense

storefront

street porous

40


site circulation

41

building volume

‘lifted skirt’

SW-NE exposure


open-air theater, preferred vista

sloped, articulated roof

added vistas

‘stretched stocking’

42


43


Program

atria

circulating stacks

gallery

reading rooms (2)

research stacks

lobby

Fay Da bakery

administration large pods (4)

atria stacks

archives

porous

dense

medium pods (10)

archives lobby

restrooms

archives

small pods (20)

performance space 44


Circulation

public

mixed use

private

(research stacks + reading rooms)

(pods)

(archives + rare books)

porous

dense

45


Facade: panelling

aluminum panelling

46


Facade: perforations

parametricized perforations

47


Facade: perforations

porous

~2.5" diameter

~6" diameter

dense

atria stacks

archives

open

enclosed

48


49


50


S

C P

avilion(s)

The traditional model of world expositions, established by the landmark Great Exposition of 1851 in London and exemplified by the glittering Crystal Palace, celebrates the architectural “folly” as a symbol of economic prosperity and cultural extravagance. “Innovation” was viewed in the short term, focusing only on the immediate positive consequences of the unbounded execution of technological breakthroughs. Though this model persists today, it has lost its relevance in a world where sustainability—a notion of innovation as a long-term project—has become both a necessity and an increasingly potent means of establishing a nation as forward-thinking and prudent.

Year: 2013

Professor: Kadambari Baxi

Course: Design III

To address the inherent wastefulness of the expo, a transitory event which nonetheless requires massive economic and physical output, the

Project Area:

NYC Pavilion has been re-designed as a “living” installation. Rather than existing at a single expo, where it might simply languish un-used or be

12,570 ft 2

dismantled afterward, the pavilion travels from one event to another. Passing through stages of “latency,” “emergence,” “growth,” and “rest,” a modular structure undergoes formal mutations to address its changing function, “age,” and location. The dimensions of the modules, sized to

Project Type:

fit precisely into the confines of the ISO shipping container, speak to the reality of production as a complex and long-term global process in the

Installation, Cultural

contemporary world. A flat-cut pattern of simple linear perforations in light-weight aluminum allows for modular expansion into a deformable mesh.

Locations:

In Shanghai, the pavilion emerges from its “latent” form in the ISO container to a partially expanded form, creating new transitions between

Shanghai, Milan,

closed and permeable areas. The modules connect to form a continuous landscape of variable porosity, which becomes the basis for a visible

New York City

light communication installation. Utilizing this innovative technology, official expo statements from neighboring nations are transmitted through LED signals which reflect off the mutating surface of the modules. As the light is reflected across the pavilion, it is picked up by the photodiode arrays of visitors’ smartphones and automatically translated by The Official NYC Pavilion App, equipped with Google Translate. The messages become increasingly distorted as they undergo continous rounds of re-translation.

L M iving

Y

N

51

odules

as a

odel for ustainability


Latency Iso Container

Emergence Shanghai

Growth Milan

Rest New York City

The U.S.A. Pavilion NYC

X

The ISO Container

X

1851 London 1855 Paris 1862 London 1867 Paris 1873 Vienna 1876 Philadelphia 1878 Paris 1879 Sydney 1880 Melbourne 1888 Barcelona 1889 Paris 1893 Chicago 1897 Brussels 1900 Paris 1901 Buffalo 1904 St. Louis 1905 Liège 1906 Milan 1907 Norfolk 1909 Seattle 1910 Brussels 1911 Turin 1913 Ghent 1915 San Francisco 1922 Rio De Janeiro 1929 Barcelona 1933 Chicago 1935 Brussels 1937 Paris 1939 New York 1958 Brussels 1962 Seattle 1964 New York 1967 Montreal 1968 San Antonio 1970 Osaka 1974 Spokane 1982 Knoxville 1984 New Orleans 1985 Tsukuba 1986 Vancouver 1988 Brisbane 1992 Seville 1993 Daejeon 1998 Lisbon 2000 Hanover 2005 Aichi 2008 Zaragoza World Expo 2010 Shanghai 2012 Yeosu 2015 Milan 2017 2020 . . .

52


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53

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NYC Pavilion: Programmatic and Formal Transformations

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54


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更好的城 市 — 讓

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LED Array Transmitter

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Smartphone Photodiode Receiver

Long-distance • Networked • Contained

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0 0 0 1 10 1 0 00 1 0 11 0 0 1 00 0 1 0 1 1 000 0 1 1 0 0 1 1 0 0 1 00 0 0 1110 0 1 0 1 00 0 1 1 00 11 1 100001 1 00 0 10 0 0 1 0 0 11 00 0 0 0 1 1 0 0 11 0 0 0 0 1 10 0 0011 0111000 0 1 11 1 00 1 1 00 00 1 1 000 1 1 1 100 01 1 10000 0000101 0 0 000 00 0 1 0 1 00 1 11 0 00 111 0 00 011 00 100 01011 1100010 0 1110 1 0 0 1 11000 011 0 00011 0 01001010 100001 1 0 0 1 1 000 0 1 0 1 0 1 10 0 0 0 0 1 1 0 0 0 1 0 0 1 1 0 1 0 00 111 0 00111 0000 01 11000 0 10100010 011100 00 1 0 11 00 1 1010 0 0 1 11 00 0 111 000 0 1 1000 00 0 101101 100100011 1101000 01010 0010 1 10010 1000 00001 0 0 00 11 0 11000 1 1 0 0 0 0 0 0 1 0 0 1 0 0 10 1 1 0 0 0 0 1 0 11 01 00111 11000 0 01011001 0 001010000 010011010001 0001001011 110010 1 1 11 000 1 0 1 1 1 0 1 000 00 0010 1 000100 101000 010010 011010100 00100100 0000 1 1 0 0 1 0 0 1 1 1 100 00 11 00 1 0 1 0 0001110 0000010 1001 00 0 10101 1000 001011 1011001 010 0001010100100100010 111 0 10 00 0010 10 0 11 00 1 0 1 1010 0 01 0 001 0 0 1100001 10110001 0100 10 1 0100 1 1 0 000000 0010100 0 100 1 11 00100 1 1100 0 1001 01 00010 1011010 1 00010010101011010010011 00010 001000 11001 0 1 0 0 0 0 0 0 0 0 110 001 0 0 0000 11 1 010 1 01010 0011 1 00 1 0 0 1100 01000 0110 00 110100010 0 0 1010 11100100010100 10001001100101 000001000001 001011010 0 0010 100 0 0 11 0 1 1010001 10100010 0 0 1101011000 00 01 0100 100110 011001 11001010 1010 10 00 1 0 1 000 10 11010 0 00 00 10 1100010101 0010010001 1100101101 1000101 001 0101 1 00 1 0 0001010 1001010101 10 0 1 010101 111 10001011 0000101000 110001100 100100000010001101101000 00001 0 01001 00010 0 1 0 0 0 1 0 1 1 1 0010 1 001 0 0 1001 1 10 1 000001 1 110010010011110010 00 10 01010 0 1000 0 10010101 00 1 0000 0 01 0 1 0 0 000 10101 1 1 00 00 01 1 0010 010011 0001011 0 01010011 11001010 110101 0 010 01010 0 00 1 11010100 0 10 1 01110 0 01 0 0 1 01001010101011010100101000100001010101010110001 100100010 0 1 0010 01000 010010100000 010000 0 1 1 1 11001010110 1111001 1001010101 0 1000 10 0 1 00 1 11010 000100 0 1 0 00 1 00100101 10 001010 110 00 0 1 1 1 0 0 00 10010000010 011010 0101010011100100110011011101000010101001 000 0101 1 00 0 11100 0 111101010001 1001010101 0 0 11 00 10 110100100 0101101 10 010 01010 0010100001011101100110010 00 10 0 01 1 0010111110100 10 1010 100101011 010100 0 1 00 10 0010010101010 1 1 0 100 11 01 10000100100101 101010 11011001101010101000110001001100 00 00 00 0 0 01001000101 011001 110001 1 10 01001 010100010 110 110 0 1 01 100 00 00111011000010 1 0100001001111000 00 11 01 11 11010 011100 0101001011100010101100 0 0 1 1 1 0 1 0 1 1 1 0 0101100010100101 1110100 0100111000 0 1 0 1 0 11 10 0 0 001 1 0 00 01 111 0000001 10100001 0010101 1001010 01 100 1010 0100101 101000000001111000 01 11 1 0110010010 0 0 0 1 10101000111000111010 0 0101 0 1 11 00 001 111 0011101111011 1010 10101 010100 010101011 1111000 10 01 1 00 0 0 1000 110 0 011011 1 0 0 1 0 1 0 0 1 1 0 1 1 1 0 1 110110100000101 10100000 011110 0 0 1 1 1 1010100001110110 1 0 01 11 0111001 11010101100000 01100010100100101001 11 0 0 0 0 0 0 1 1 1 1 0 0 1 1 0 1 0 0 0 0 0 0 0 1 1 1 0 1 1 1 1 10 0 1 10 10 1 1 11 01 10101110010001001110 1001000 010110101000 11011010010110 000001011100100001101100 11 1 0 1 1 1 010 0 1001000 0111011 000110101 101011100 00101 1 10001 1 0 1 1 01 11 01000101110110000001 101010000101001110 101010 0 0 1 1 10 0 0010 10 111 10 1 1 1 0 0 0 001 0 01110011 00011101 101010111000001011010000 11100 0 1 1 1 10 01 11011000101010111 00 1100111101101010100 000011 110 0 001 0 1011 11 010 11 1 1 0 0 0 0 1 0 101 1 0 100 0 1 1 1000 0010 10 111 10 0 1 10 10 01101011100111001 10 101011000000110111001000010111101100001101011010101001111100101001001100100011111 0 0 1 0 0 0 0 1 1 1 0 0 1 0 1 1 0 01 0 1 0 0 11 10 1101110101001011100 001010011100100001011110110001110111001001101100110100010011100010000111101100101 1 1 0 1 1 1 0 1 0 011 1 10 0 001 0 1 1 1 0 10 11 100010110001000101110010001001110110001101011100101101001010010011100001100001111110101000110101111 1 0 0 1 0 1 1 1 0 0 1 0 0 0 1 1 01 0 01 1 0 0 1 00 10 10010001111100100010111011100010110111001011010010001001100001010001101111001010000111011001101111001 1 1 0 0 1 1 10 0 001 0 101 1 110 0 1 1 1 0 0 00 00 111100100011111011000111011100101101001000100110001010010111100101001001101011100101011 11010001 01010 1 1 0 0 001 0 101 1 110 0 101 0 1 0 1010 110 1 0 0 11 00 00111110010101110111001011010010001011000101001011100110100111011100010110111010110001 001 0 0 1 0 101 1 110 0 101 0 110 0 0 0 10 01 011 0 1 1 0 01 11 00010111011000101100010001011000101001011100110101110110010101110101100000 10100010 111 0 0 00 1 1 1 110 0 10 1 0 11 0 0 00 0 1 0 1 0 1 01 1011 11101001 1 1 00 01 1010001011000100010110001010010111001101011101100010110 0110000 010000 11 10 010 1 0 0 0 1 1 1 0 1 0 0 1 1 1 0 1 1 0 1 0 0 10 1 0 11 0 0 00 1 101 000 0 0101 10111000101 0 1 01 00 0100010011011000101010111001101011101100010110 0100010 1 1 010 001 01101000000 11 10 0 1 1010 1 1 0 11 0 0 00 0 1 01 1 1 11 0 0 01 101000 0 1 0 10 01 0101100000101011100101011101100010110 0100010 1000101 1 1 11 000 10 01 1 0 0 00 0 1 01 1 1 11 0 0 01 1 0 0 001 010 100 001110100 00 111 0 0 0 0 1 10 10 0010101110000101111100010110 0100010 1000101 101110000101 11 0 00 10 0 0 1 01 1 1 11 0 0 01 1 01 10 01 010 100 001 110 100001110 10 001 0 0 0 0 01 10 1100010101010001010 0100010 1000101 1011100 0101 00 10 1 00 0 1 0 0 0 1 0 0 0 1 1 1 0 1 0 1 1 11 0 0 01 1 01 10 001 010 0 00 0 10 1 11 0001 100 1 0 1 0 10 01 10 010000010 010010 1000101 1011100 0101 01 00 1 01 0 0 0 1 0 0 1 0 0 1 0 0 0 1 1 1 0 0 01 1 01 10 001 010 100 001 0 10 1 11 0 00 100 001 1 1 0 0 1 0 10 00 10 011010 100001 1011100 0101 0 00 01 11 1 010 001 0110 100000001 110 1010 001 11 100 00 00 10 01 00 11 01 0 1 1 1 0 0 0 1 1000 0 0 1 0 10 00 10 011010 100 001 110 100 001 11 100 00 00 10 001 00 1011 01 0000 11 011 00 110 1 0 0 0 0 0 1 10 1 0 01011 1001 0 1 00 0 0010 0 1000 1 1101 0 11 00 0 1 10 0 0 01 0 0 100 001 110 100 001 11 100 00 00 100 01 001 11 010 00 110 1 001 0 1 0 0 1 10 1 0 001 11 100 00 00 10 01 00 11 01 0 11 1 00 11 1 00 0 1 0 0 0 1 10 0 0 010 0 1000 1 1101 0 0011 1000 001 0 00 1 0 0 1 0 0 1 0 1 1 0 001 11 100 00 00 10 01 00 11 01 0 11 0 0 1 00 0 1 0 10 00 100 10 01 00 11 01 00 11 1 00 0 1 00 0 11 0 00 1 0 0 1 1 1 0 0011 1000 001 010 110 01 0 0 0 0 1 0 10 001 00 10 01 00 11 01 00 11 1 00 0 1 0 0 1 0 0 1 11 00 1 1 00 0 1 0 0 1 0 0 1 0 0 0 0 1 0 1 0 100 01 001 1 010 110 001 10 0 00 1 1 00 0 1 0 0 1 0 0 1 11 0 0 0 1 01 00 010 1 10 0 1 0 0 1 0 0 0 1 10 0 0 11 0 0 10 1 000 0 11 0 0 1 0 0 1 0 0 1 0 0 1 0 01 0 10 0 0 1 0 0 1 1 0 0 0 1 0 0 0 0 1 0 0 1 0 0

BETTER CITY — BETTER LIFE

Short-distance • Dispersed • Open

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APIARY • BIODINDICATION • LIBRARY • ARCHIVING • SITE • EXPANSION • HOST • CATALYZATION • ENVIRONMENT • ABSORPTION

DATA • FILTRATION • STRATEGIC • INSERTION • BIOLOGICAL • GROWTH

NYC PAVILION: 2015 MILAN EXPO


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Year: 2011

Professor: Madeline Schwartzman

Course: Architectural Representation: Abstraction

Project Area: 1.6 ft 2

Project Type:

As an alternative means of understanding Manhattan as a spatial system of order, organizing principles were derived from a study the Yellow Pages. Its unique characteristics as a physical object and informational tool suggest that Manhattan might be reformed according to a curated, internal logic of specific economic, social, and even geological orders. In this study, the programmatic seamlessness of UN Studio’s Möbius House became a jumping off point to consider how seemingly disparate systems—topography and zoning codes—might be united and expressed according to the same spatial logic.

Möbius House by UN Studio

Exercise, Conceptual Organizational strategies, such as dividing listings by business Location: Desktop

type, alphabetizing entries, and differentiating sections by font and bounding boxes, were identified and extracted from the Yellow Pages. Overlaying these yielded what might be read as a diagram, or plan, demonstrating how to reconnect sections previously separated by the simple layering logic of physical pages. Borrowing this strategy, Manhattan was re-formed by literally interlinking its grid. Organized along axes of topography and zoning, this grid folded in on itself to meet at geographic extrema, namely topographic peaks and troughs and the edges of residential and commercial zoning areas.

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nterlinking

rganizational trategies


Yellow Pages Analysis: Organizational Systems A Vogel Joshua S 1270 Avenue of the Americas @ WServices 51st St Lawyer Information & Referral

1

LAWYER

Residential Aaron Daniel J PC Lawyers 420 Lexington Ave.

2

C

Fonts

3 A

Aaron Daniel J PC Legal Clinics 11 Madison Avenue @ 23rd St

RESTAURANTS

4

Container Boxes

L Aaron Esq LegalWertz Document Preparation Svcs. 800 3rd Ave @ E 49th St

5

REAL ESTATE

Starting Letters

PHYSICIANS B

6 Aarons Law Service Offices Plans Legal 575 Lexington Ave Flr 4 @ E 51st St

P

HOTELS

DENTISTS CLOTHING

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Commercial

Business Categories

JEWELRY ESCORT

Business Sub-Categories

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Name Listings

Size of Category Relative to Position

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Manhattan Analysis: Organizational Systems

Topography

Residential

Commercial

Topographic Extrema

Troughs

Peaks


Peaks

Residential

Commercial

Troughs

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