CHRISTOPHER CHEN University of Melbourne Bachelor of Design 2018-2021 CC_1003927_2021 Portfolio CC_1003927_2021 Portfolio ccc1@student.unimelb.edu.au1003927 PORTFOLIO 作品集 Sammlung von Werken Collection of works
SEMESTER 01 2020 TUTOR - LIAM EASTOP LAZARUS INDIVIDUAL WORK INDIVIDUAL WORK INDIVIDUAL WORK CONTACTONLINEPORTFOLIO // Head coordinator - Dennis Prior https://chenatelier.wixsite.com/atelierpriord@unimelb.edu.au DESIGN STUDIO EPSILON SEMESTER 01 2020 TUTOR - ELLEN-MARY TERRILL CONTACT Tutor - Ellen-Mary eterrill@unimelb.edu.auTerrill CONTACT Tutor - Lily kts.crla@gmail.comHsu 中身 ContenuInhalt PROJ_03PROJ_02PROJ_01CONTENTSDESIGNSTUDIO DELTA URBAN OPEN SPACE SEMESTER 01 2021 TUTOR - LILY HSU
THE HIGH PRIESTESS INDIVIDUAL WORK - SEMESTER 01 2020 DESIGN STUDIO DELTA TUTOR - LIAM EASTOP LAZARUS SHARING OF PERSONAL EXPERIENCES THROUGH A LIBRARY EXPERIENCE
THE
Fig. 01
Tarot card II of the Major Arcana A motherly figure: interpreter of knowledge, sacred moments, and personal experiences. Upright Intuition, sacred knowledge, divine feminine, the subconscious mind Reversed Secrets, disconnected from intuition, withdrawal and silence - Map of the overall library schematic and atmosphere
The individuality and idiosyncracy of one’s experiences are sacred and Inprecious.response to this, the scheme acts as proponent of the city. A living interpreter for the experiences to be had, allowing people to share in the moments of others. The observer is given power, agency, and choice, and the library brings them together. Therefore the building becomes an extension of the Thiscity. highlights an inherent connection between the indivudal and the collective. The space provides chance encounters and moments, while also encouraging interest in the experiences of others. It achieves this through the interconnection of spaces, strangersaimsThus,strangersatmosphere,throughoutonwhichbuilding,momentscirculation,dynamicsemicuratedwithintheandelementsengagethecollectiveaintimatelevel.Borneofthesamegenesis,thisunitedstrangersarenolonger.theHighPriestesstoinexplicablybringtogether. HIGH PRIESTESS
LITTLE BOURKE ST PLLACEYLNCORRS 0 4m 8m 0 4m 8m GIIIRISE GB GROUND LEVEL IIIwithin.many:figuretheThusfelt.microcosmonTheengageTheidentified.AndbeingtherepeopleOuttransitoryPeoplesiteAnCONTEXTobservationwasmadethatthewasessentiallyathoroughfare.primarilyuseitasaspacebetweenmainroads.ofthiswasbornadesiretoslowdown,tosuggesttothemthatismoretothesitethansimplyapathwaybetweentwopoints.so,aneedforincentivewasfacadeservestointerestandwithindivudualspassingby.streetlevelexperiencefocusesprovidingcrevicesintowhichthewithincanbeseenandaconnectionisformedfromindividualatstreetlevel,tothebeforethem,theoneandthethefigureandthecollective Staff StaffMixedToiletsStorageroomusekitchenStudyspaceMaletoiletsFemaletoiletsMainlibrary First floor plan Ground floor plan Second floor plan Fig. 2 - Exposed axonometric diagram of the library in context Fig. 1 - Context plan of the library scheme Computer FoyerFoyerCafeBookstore/labHelpdesk
The multi directional visual access propogates the spatial qualities of the library throughout the building. Whether outside the figure, within, upstairs or down, the atmosphere of the library can be felt. The suspended shelves on the first floor are tailored towards younger readers, and so are arranged lower to the ground, with a maximum of two shelves. On the suspended floor, the shelves are higher off the floor, and consist of two to three shelves, naturally making the space more suitable for adult reads. However, anybody can access either floor. They are suspended in a state of invitation. Nothing about the library is trying to force any connections, physical or otherwise.
‘As I entered, I felt at peace. ’
The Heart of the Priestess
CarefreeEcstaticComposedRelaxedThoughtfulContent 48.895647, 2.344296 1pmEcstatic//End 48.895873, 2.352659 7amContent//Start 48.895647, 2.344296 9amRelaxed
The heart of the figure. The space in which the notions of unity, collectivity, and the interpretations of moments are realised. Again, the curtain serves as a reminder that this is a sacred space. All dispositions are to be respected here. The suspended bookshelves serve as containers of artifacts. Artifacts given meaning by the people within the library. The patrons are encouraged to leave particularly interesting and profound reads in the shelves suspended between floors. This is how the library achieves an intangible connection which unifies the individuals and brings together complete strangers on a personal and meaningful level.
Fig 1. - Perspective of the main core library space Fig Mapping2. exercise depicting a representation of the city and the experience of an individual.
‘Work this week had been taxing on both my mental and physical state. ’ ‘Coming into the library had been a good idea.’
7am 9am 1pm
‘The atmosphere was tranquil. People quietly went about their business in the building.’
‘I ascended the stairs to the main library space. If you could even call it that. ’ ‘To me, it was my own personal space in the city. ’ ‘A place where I could relax and read to get my mind off things which weighed upon me like the world upon the shoulders of Atlas.’ ‘Here I feel free. ’
‘I ascended the stairs to the main library space. If you could even call it that. ’
Fig.1 - Perspective of first floor
The overall space is one littered with smaller spaces propogated within a greater more open whole. Therefore, the moments of each indivdual becomes an integral part of a greater whole.
‘A place where I could relax and read to get my mind off things which weighed upon me like the world upon the shoulders of ‘HereAtlas.’I feel free. ’
‘To me, it was my own personal space in the city. ’
‘As I entered, I felt at peace. ’
AMOMENTSbigpartoftheschemeisthenotion of Thechoice.individual is given the agency to share in the experience of others through subtle visual and audio cues. The building does not force any particular movements. This is achieved through the interconnected spaces, merged programme, continuous dispersion of the distinct bookshelves and omnidirectional visual access throughout the Andlevels.so,the scheme aims to connect people through its connected spaces.
The library, the haven, the figure.
Every major space in the building has visual access to an adjacent space, creating a unspoken network of moments which add to the holistic nature of the scheme.
‘Work this week had been taxing on both my mental and physical state. ‘Coming’ into the library had been a good idea.’
Fig.2 - Perspective of ground floor Fig.3 - Perspective of vertical view experience
‘The atmosphere was tranquil. People quietly went about their business in the building.’
The Veil
The two contrasting conditions work in tandem to create a memorable environment as it acts as a subtle reflection of many buildings throughout the neighbouring context. This creates an interesting dynamic between the city and the library: they are one and the same, yet not. A landmark within the city grid to be used in both wayfinding and to be experienced.1_Fromthe street, a glimpse of the material can be seen through the rougher exterior facade. SEQUENCE
04 02 01 03 040302
Fig. 2 - Staircase perspective Fig. 3 - Main library perspective Fig. 4 - Ground floor library perspective
3_ The patterning is an abstracted symbol of identity, place, culture, and familiarity.
The curtain is symbolic of a space which is welcome to all. The systematic approach to the induction of new individuals is a testament to the role of people within the city and the built Theenvironment.gestureof the lifting of the curtain to enter essentially acts as an agreement: to respect the experiences, disposition and background of others within the space.
The soft material contrasts with the harder, more rigid exterior conditions to provide a threshold which embodies embracement, comfort and escape within an otherwise cynical landscape. The patterning is both unsual yet familiar, reflecting fragmented notions surrounding place, identity, and culture. Thus, the building embraces the individual. It is both inanimate and living. A space for all.
ENTRY
2_ The curtain is oriented so that in order to enter the building, it must be lifted.
Fig. 1 - Exploded isometric diagram depicting the core of the library
EXHIBIT X INDIVIDUAL WORK - SEMESTER 02 2020 CAPSTONE: DESIGN STUDIO EPSILON TUTOR - ELLEN MARY TERRIL MERGING CONTRASTING CONDITIONS FOR A NEW RESIDENTIAL EXPERIENCE
Fig. - Collage of key atmospheric experience AIM 1 - BRING EXHIBITORY ELEMENTS TOGETHER WITH RESIDENCY 2 - FOSTER GREATER COMMUNITY ENGAGEMENT 3 - PROVIDE A SUBLIMINAL CONNECTION BETWEEN THE PUBLIC AND PRIVATE 4 - RITUALISE THE RELATIONSHIP BETWEEN OUTSIDERS AND THOSE LIVING ON SITE 5 - HIGHLIGHT THE OVERLAPPING CONDITIONS OF BUILT AND NATURAL CONTEXT RESIDENCE AS AN EXHIBITION Curation Exhibit Living Exhibit X Subversion gives rise to new conditions Curation ʊ(ə)ˈreɪʃn/ thenounaction or process of selecting, organizing, and looking after the items in a collection or exhibition. "the curation of the exhibition was informed by my experience as an artist"
Programme diagram Highlighting the relationship between individuals, time, and activity
PROGRESSION Refined street interface in order for greater sense of inclusion Refined living spaces and utilising form making to break up a rectilinear atmosphere Reconfiguration of programme for greater sense of adjacency and intuitive movement Retain the notions of overlap but with new Emphasisconditions on utilising contrasting conditions to create a stronger engagement across Considerationzones of external relationships such as suburbian connections etc ITERATION Development01of ideas Focus on the overlap between the built and natural Considerationenvironmentoflocality and nodes of Useactivityof architectural elements to distinguish circulatory paths THE OverlapINBETWEENgivesrise to new conditions030201 EXHIBIT ResolvingX shortcomings Axonometric view of the final scheme
The act of curation is a very exclusive and controlled notion, something which is usually very personalised and deliberate. An arrangement which is generally privatised and specific.
Fig. 2 - Street level view into site from High street Perspective showing the connection to the High street interface.
By overlapping curatorial spaces with notions of communal activity, the resulting space creates conditions which are both intimate yet inviting.
Through the control of these connections, the dynamic community may yet shift to engage and excite the individual, whilst strengthening the collective on a greater depth and scale. Perspectives of the final scheme POP UP STALLS CAFE
The scheme aims to bring the two together as a ironic yet meaningful gesture: That it is these two very polar activities which can create a stronger sense of community.
High street is noticably more of a thoroughfare than Walker, thus an arrangement of high activity programme at the street front engages the public
Fig. 3 - Residential view into communal space Perspective highlighting the view into the central communal space. A sense of adjacency exists within the scheme.
Exhibition and residential spaces are traditionally separated in zoning and planning. There is potential within the intersection of these two unlikely partners.
Fig.1 - Walker street interface perspective Perspective showing the atmosphere around the Walker street interface. The communal garden shed is open to the public - thus the flow of atmosphere and individuals is initiated.
Displaying the collective
On the occasion that the site hosts a community exhibition, the outdoor courtyard space can be used to curate such experiences.
Fig. 4 - Pop up stalls perspective
Fig. 3 - Community exhibition perspective
The communal courtyard can be used as a everyday congregational space.
ENGAGING COMMUNITY Central communal
perspective Perspective showing the main communal courtyard space which binds the scheme together.
The outdoor courtyard can be utilised as a pop up market for the community to use on weekends.
Fig. 2 - General gathering perspective
By having a centralised communal space surrounded by residential spaces, it brings together both the residents, and also the public visitors who engage with the community activities on site.
Fig.Collectivespace1-Centralcourtyard
QVM // LAND OF PLENTY INDIVIDUAL WORK - SEMESTER 01 2021 ABPL30042 _URBAN OPEN SPACE TUTOR - LILY HSU URBAN MARKET SCHEME SEEKING TO ENGAGE A SEA OF INDIVIDUALS
01FRAMEWORK Fig. 01 Collage map Mapping the typical day at the QVM markets for inspiration MORNING GROCERIES WALKAFTERNOON MARKETSNIGHT Coffee at Cafe Gilli 9:07 AM Sourdough bread from Andrew’s Bread Shop 9:38 AM Yellowfin Tuna steaks from George the Fishmonger 10:03 AM Stroll past Albert’s Knitwear to admire the craftsmanship 10:03 AM Sitting in the new multi functional spaces 10:03 AM ENGAGECONNECTED TO COUNTRY RELAXED ACCESSIBLE ENRICH THROUGH DIVERSITYOPEN ATMOSPHERE
Fig. 01- Threshold plan EXISTING THRESHOLD TARGETEDPROPORTIONALITY“BLEED”THRESHOLDSPACEKEYAREA SCALE SEMI PUBLICPUBLIC CIRCULATION SMALL STORES CROSSING FORM STRONGER BRIDGE 01 03 IMPROVE THRESHOLD CONDITION INTERMEDIATE SPACE SENSE OF PROGRESSION AND ENTRY 02 OPEN TOWARDS MARKETPLACE QUEEN ST/THERRY ST JUNCTION KEY CONNECTIVE SPACE VICTORIA ST/QUEEN ST INTERFACE DIRECTLY ADJACENT TO A MAJOR TRANSPORT ROUTE Area of focus SITE: Queen Victoria Markets, Melbourne Targeted towards the street interface, as well as the immediate programme Improveadjacent.the level of engagement with passers by, and to enhance the connection with the street level. Ideally, programme arrangement will shift and change, thus increasing the level of dynamism and energy which is currently within the site daily. Not only is this area a transitory space, it is also a key threshold and microclimate for visitors, as both a microclimate of activity, and entry progression. 1:1250 OVERVIEW QVM01-LAND OF PLENTY MAIN IDEA Design a network of elements and space which individuals can customise to express their identity, thus affecting the market environment on a creative and spatial level. INITIAL IDEAS - MODULAR ELEMENTS INTENT INVESTIGATE EXISTING THRESHOLDS AND USE THEM AS MODELS TO PROPOGATE THEIR ATMOSPHERE ACROSS SITE. CREATE NEW AND EXCITING THRESHOLDS TO ENGAGE COM MUNITY AND INDIVIDUAL ALIKE. CREATE A GREATER LEVEL OF GROUND POROSITY AT KEY INTERFACES. ELIZABETH STREET CONNECTION CLOSE PROXIMITY TO TRAM STOP KEY NODE OF ENTRY ENABLE CREATIVITY
Inmarket.thewinter, the modular units can be arranged to break the wind which may rush through the site. Winter produce can be displayed as well, and most of the outdoor activities can be moved to the existing market spaces and thus the market can change.
December - February Summer - Warm and sunny June - August Winter - Windy but well sheltered Victoria Markets
QVM - LAND OF PLENTY INITIAL IDEAS - MODULAR ELEMENTSFLEXIBLE 02 Queen
Fig. 02 - Perspective depicting the winter market
Fig. 01 - Isometric view of the site
The use of modular units allows for a high level of flexibility and adaptable spaces. By haing spaces which afford multiple configurations, it allows for a market threshold space which changes with the individuals who frequent it. Through this new threshold, the collective gathering and programmes within begin to allow the market goers to express themselves on a ritualistic level. Thus, it allows a space originally for circulation to become a bridge of activity for people crossing through QVM. In spring, the threshold space can be organised to suit the display of spring produce. Spring produce such as berry grapefruitsbushes,and lemons can be displayed in the modular planters around the site throughout the
Fig. 03 - Perspective depicting the summer market
MODULAR DESIGN
02 + 03 - Exploded axonometric view of elements Layering of elements to form individualised units. Post and beam system allows for varied configuration. Allows for visitors to contribute practically and aesthetically. Planters with seasonal produce and/or advertisements for stalls Plants change over time - cements a spatial temporal relationship between the store owners and the market itself. Planter Green wall BenchBench + 1 Slot joint Space to store bags/groceries below the seating attachment. Seating attachments Frame level 1 Frame level 2 ColumnsplanksLightweightColumns TYPICAL PLANTER 01 WINTER BEETROOT SUMMER BASIL Fig.02 Fig. 01 - Axonometric diagram of elements Fig.03 Allows people to stay at the market for longer periods of time, more comfortably. QVM - LAND OF PLENTY ENABLE CREATIVITY MAIN IDEA Design a series of elements which individuals can customise to express their identity, thus impacting the market environment on a creative and spatial level 03 INITIAL IDEAS - MODULAR ELEMENTSELEMENTS
SLOT Lightweight easy to use joint. Allows wide range of use for people of different dispositions.
Fig.