BOXBLUR 5 Year Anniversary

BOXBLUR’s 2021 program celebrates its 5th anniversary of performance-based programming.

BOXBLUR emerged from a history of performances at Catharine Clark Gallery. In 2016, this effort was formalized as BOXBLUR, a fiscally sponsored program of Dance Film SF. BOXBLUR collaborates with other organizations that amplify communal values.

A central piece of BOXBLUR’s program is its partnership with the San Francisco Dance Film Festival (SFDFF).

BOXBLUR produces socially engaged projects that are performative, often experimental, and are realized in conversation with a visual artist’s work.

We celebrate BOXBLUR’s programming and its presentation of projects that expand the possibilities for performance in non-proscenium settings.

BOXBLUR 2016 Exhibition What Endures by Kambui Olujimi.

Inspired by Depression-era dance marathons, What Endures investigated dance as a symbol of persistence and endurance amidst economic downturn and social upheaval.

Performers and Cultural Partners Film Screening ~ SFDFF. The Running Tongue by Sioban Davies and David Hinton.

Commissioned Dance ~ SITE SERIES (Inside Outside) by Margaret Jenkins Dance Company.

Commissioned Performance ~ Disintegration Series by Fauxnique.

Performance ~ That. Now. This. by San Francisco Arts Education Project (SFArtsED) students. Choreographed by Sydney Lozier. Music by Jai Wolf. Costumes by students mentored by Tiersa Nureyev.

Commissioned Talk ~ Words on Dance. Beyond the Proscenium. Deborah Kauffman with Julia Adam, Kristine Elliott, Margaret Jenkins, Weston Krukow, My-Linh Le, and Damian Smith.

Publication Donor ~ Minor Matters. All Power: Visual Legacies of the Black Panther Party. Publication release and talk by publisher, Michelle Dunn Marsh and, Kambui Olujimi.

Kambui Olujimi, What Endures, 2020.

Kambui Olujimi, What Endures, opening event.

Catharine Clark and Margaret Jenkins.

Margaret Jenkins Dance Company, SITE SERIES (Inside Outside). Full performance: https://cclarkgallery.com/exhibitions/boxblur-margaret-jenkins-dance-company-performance-2016

Fauxnique, Disintegration Series.

SFArtsED, That. Now. This.

The Running Tongue.

BOXBLUR 2017 Exhibition Hollow and Swell by Chris Doyle.

Video animations and watercolors responding to tensions between nature, labor, industry, and technology.

Performers and Cultural Partners Talk ~ Alice Gray Stites, Chief Curator and Museum Director of 21c Museum Hotels, in conversation with Chris Doyle.

Commissioned Performance ~ Swell composed by Jeremy Turner and performed by Eos Ensemble in front of Chris Doyle’s video. Followed by a program of music by Shostakovich and Ravel.

Off-site Project ~ Texas Contemporary. Circular Lament. Animation by Chris Doyle. Choreographed by Oliver Halkowich of Houston Ballet.

Film Screening ~ SFDFF. WOMB by Gilles Jobin, Martin Roehrich, and Susana Panadés Diaz.

Film Screening ~ SFDFF. The Sum of All Parts by Lukas Timulak, Peter Bilak, Celia Amade, Aurelie Cayla, Valentina Scaglia, Jiri Pokorny, and Fernando Troya. Du Blanc À L'âme by Aude Thuries, Romain Francisco, Franc Bruneau, Maximilien Seweryn, and Pierre Boulanger. Genome by Loughlan Prior, Jeremy Brick, Laura Saxon Jones, Shaun Kelly Tonia Looker, Paul Mathews, Charles McCall, Leonora Voigtlander, Alexandre Ferreira, Katherine Grange, and Jacob Chown.

Film Screening ~ SFDFF. Spirit Labour by Hugo Glendinning and Adrian Heathfield, Janine Antoni, Anna Halprin, and Helen Cixous.

Chris Doyle, Swell.

Eos Ensemble.

Above: Jeremy Turner. Below: Eos Ensemble.

Left: The Sum of All Parts. Right: Genome.

Left: The Sum of All Parts. Right: Genome.

WOMB.

Oliver Halkowich, Shu Kinouchi, and Bridget Kuhns of Houston Ballet.

Oliver Halkowich of Houston Ballet

Anton Stuebner and Catharine Clark.

Chris Doyle.

BOXBLUR 2018 Exhibition Beside Me by Josephine Taylor and Dylan Diaries by Josephine Taylor and Jon Bernson.

Drawings, texts, photographs, and music exploring adolescent friendship, music, and memory in collaboration with childhood friend, musician, and composer, Kaveh Rastegar.

Performers and Cultural Partners Performance ~ Kaveh Rastegar, Beside Me. Acoustic guitar and voice.

Film Screening ~ SFDFF. Hydra by Erin S Murray. LADIA by Álvaro Congosto. Palace of the Infinite by Kathy Rose.

XXY by Clotilde.

Film Screening and Dance Performance ~ SFDFF. Seasoned. Choreographed by Alex Jenkins.

Installation ~ Jon Bernson. Third Eye Moonwalk. Catharine Clark Gallery.

Off-site Exhibition and Theater Performance ~ Jon Bernson. Third Eye Moonwalk. Minnesota Street Project.

Commissioned Readings ~ The Complete Stories of Leonora Carrington. Curated and selected by Anton Stuebner. Performed by Indira Allegra, Monique Jenkinson, and Helen Shumaker.

Commissioned Dance and Drumming Performance ~ Danse Kaiso.

Book Drive ~ To benefit FOLSOM50. A non-profit that engages with prison populations through music and narrative-based initiatives. Books from the drive were donated to South Fork Forest Camp.

Josephine Taylor, Beside Me.

Josephine Taylor, John’s Book detail.

Josephine Taylor, Verse 4 detail.

Jon Bernson, Awakenment.

Jon Bernson, Josephine Taylor, and Kaveh Rastegar.

Kaveh Rastegar.

Josephine Taylor, Beside Me opening event.

Monique Jenkinson, Helen Shumaker, Indira Allegra, and Anton Stuebner.

Seasoned.

Dance Kaiso.

BOXBLUR 2019 Exhibition How to Fall in Love in A Brothel by Sunhui Chang, Ellen Sebastian Chang, and Maya Gurantz.

A Korean-inspired Shoji screened structure, interactive installation, video, and live performances that considered how we relate to intimacy in a world increasingly defined by transactional relationships.

Performers and Cultural Partners Commissioned Performances ~ EnTanGled (His/Her/Their) Stories: Interactive Evenings of Film, Stories, Dance, And Corn Tea. Ellen Sebastian Chang, Maya Gurantz, DaEun Jung, Odeya Nini, and Marvin K. White. Film by Sunhui Chang.

Film Installation ~ SFDFF. Hands On. Marites Carin.

Dance Performance ~ SFDFF. A response to Marites Carin’s project Hands On performed by Erik Wagner and Carolina Czechowska.

Film Screening ~ SFDFF. Crossing Culture. The Dérive by Tanin Torabi. Water by Fabrice Pinto and Marco Da Silva Ferreira.

Imagined Escape by Lauren Bedal. Ina (Light) by Aneil Karia and Alesandra Seutin. A N D R E A S by Vasilis Arvanitakis.

Memory of Forgiveness by Saki and Airi Suzuki. T.I.A (This is Africa) by Matthieu Maunier-Rossi, and Aïpeur Foundou. A Dance for Ren Hang by Lei Yuan Bin and Sara Tan. Benefit Performance and Fundraiser ~ SFArtsED. Matilda performed by the Players. EnTanGled (His/Her/Their) Stories: Interactive Evenings of Film, Stories, Dance, And Corn Tea by Ellen Sebastian Chang.

Sunhui Chang, Ellen Sebastian Chang, and Maya Gurantz, How to Fall in Love in A Brothel.

Sunhui Chang, Ellen Sebastian Chang, and Maya Gurantz, How to Fall in Love in A Brothel.

Sunhui Chang, Ellen Sebastian Chang, and Maya Gurantz, How to Fall in Love in A Brothel.

Sunhui Chang, Ellen Sebastian Chang, and Maya Gurantz, How to Fall in Love in A Brothel.

Ellen Sebastian Chang patching holes.

Maya Gurantz.

Maya Gurantz.

Sunhui Chang, Ellen Sebastian Chang, and Maya Gurantz.

Ellen Sebastian Chang.

Sunhui Chang, How to Fall in Love in A Brothel.

DaEun Jung.

Odeya Nini.

Marvin K. White.

Dark Black Dinner Invocation - Originally Performed at the Museum of the African Diaspora by Marvin K. White, Invocator

Until, Gather together, And call the name, The hungry and the hungering. Gather together, And call the name, The social justice, the social service, and the spirituality. Gather together, And call the name, The made family, the extended family, And the creative family. Look for all the same differences In our bodies—Lips that we know are full with kiss. Noses that we know swell and shine. Foreheads that soak sun and reflect moon. Hair that naps tight and curl. Be told we are sons and daughters From a long line of Sons and daughters. We who have been taught to forget, Are remembering tonight, And we will tell and retell, Write and overwrite our stories, And our histories. And it look like you, Brown and browner. Immigrant and resident. Straight and gay. Woman and man. Republican and Democrat. Believer and Non. It smell like you, Earth and musk. It strong like you, Backs and shoulders, It soft like you, Hold and stroke. It sound like you, Drums and jazz. Do you hear it tonight? In the song that’s swayed to. The song that makes you close your eyes, Shake your head in slow no’s, And beg to have your burdens lifted to. It’s the song that lulled the baby on the hip. That saved the captured on the ship. It’s the song that said, “Tonight we run to freedom,” And the night and the song, Has always been ours—The “No more auction block for me…” The “Precious lord take my hand…” The “Come by here lord, come by here” Do you hear it tonight? Do you feel tonight? It’s rolling in like a spirit riding a storm. Listen to the technology of the calm in your bones. Listen to the algorithmic cry of the trees (And they do). Listen to all things that warn you to hold on (Hold on to him and to her like this): Like sea gripping land, Like night blanketing stars, Like shores spreading pulling rivers through, Like east and west wind fighting, To hold onto one another, As they turn in wild tornado. Can you feel it, Just like justice, the shakes before an earthquake? Can you feel it, Just like coming home from jail, and the itch in your palm, When payday is near? Can you feel it, Just like the still-confounding prophetic? Can you feel it, Like the still birdsong before an eruption? Can you feel it, Rolling in like a spirit riding a storm, The tear, The anger, The veil, The funeral, The eulogy, The food, The cremation, The scattering, The babies, The rebirth, The re-entry, The return, The beloved, The bashed, The fight, The vigil, The march, The protest, The growth, The scream, The renew, The reimagine, The liberation, The spark, The knowing, The community, The voices, The prayer, The hold, The strength, The night, The love, And you who have prayed, To sun gods know, That love is nothing if not ritual. And you who have held on, To centuries know, That survival is nothing new. And you have gone, Inside one another know, That it is deep enough to hide one another. So, gather together, And call the name: Son and daughter, In the ride and on the walk, Until it burns the roof of our mouths. Gather together, And call the name: Father and mother, On the wing and by foot, Until it melts like butter candy under the tongue. Gather together, And call the name, Grandfather and grandmother: In the executive office and on the frontline, Until it runs through thick like blood.

Gather together, And call the name: Uncle and aunt, In the job and in the call, Until it raises our cries to gospel. Gather together, And call the name: Brother and Sister, Husband and Wife, Partner and Partner, Beloved and Beautiful, In the arms and in the heart Until it twirls you in a mantra of love.

I.You see, I remember my mother asking my grandmother when I was a kid, "Bessie, Why do you cook so much food?!?!?" My grandmother was poor, yes, living in public housing, yes, living in part on public assistance, yes. “Bessie, why do you cook so much food?” And I remember my grandmother answering, In her own mantra twirled in love, "Just in case somebody come by hungry." I learned in that moment that you can hang that sign on your door and you can say that you’re "Open" all you want, but if you’re not standing there telling the visitor to stop knocking and come on in, then it is not a real invitation. I learned from my grandmother that people, particularly vulnerable people, marginalized people, and the poor need proof that you are expecting them. They need to smell the chicken frying, fried tofu, from the street, they need to be able to see the spoon in your hand ready to serve, they need to be able to touch your good China pattern, they need to be able to taste that you were expecting them. The hungry and the poor recognizes a feeding spirit. Recognize love. Recognize inclusion. They know by your preparation and your readiness, if you actually saw them coming. Yes to your donation. Yes to your food drive.

Yes to one of everybody. Yes to your half-eaten sandwich on top of the garbage can and not in it. But yes, to something more too. Yes to showing up in the world looking like someobdy who is going to help!

II.You see, my grandmother used to say, As she held in her body, the intersectional-before-it-was-intersectional pains and strains of poverty, disappointment, fatherless child-rearing, dashed dreams, and illness—when she sat, and rocked and was wracked by the world's rejection of her gifts--her blackness, rootworking and giving, her womanness, when she added up the threats against her life--diabetes, white supremacy, Alzheimer's, high blood pressure, alcoholism, the death of her son, her mother, her sister, her best friend--she would say, "I wouldn't wish this hurt on my worst enemy." Don't believe for a second that love employs terror and killing as a strategy. Love eases the hunger pain. Love breaks ground. Love feeds. Love says that you are not this pain. Love makes peace. Love makes believers of people who have never been believed. I believe beloved, that There is today, in this room, love. There is in this Dark Black, an invitation for us to become neurologically, and metaphysically, and psychically a part of each other. There is in this Dark Black, love. And love has one job, to be the co-efficient, which can then multiply, unlock and unleash the love lessons and mysteries that are in our DNA. We know this math. We know this melanin-ated husk. We know this seed. We know this germination. We know this tending. We know this harvest. We know this moon. We know this preparation. We know how much salt. We know how much pork. And we know plenty of meals ain't no meat. We know being black and poor means you have been vegan at some point in your life. We know this love sifting for stones, and this love shuck for silk, And this love shelling for worm, We know this Love ancestral and through almanac and recipe moves us. Love is a movement. You cannot be stuck and in love. Love always lures us “towards” justice and unites us “with” peace.

III.The Last Supper, Somewhere around Thanksgiving, My grandmother, gathered us to her for a family meal. Let’s call that meal “Cuz.” My mother called my grandmother on the phone and asked, what time the dinner was to be served, and what she should bring. Cuz. We were hungry. My grandmother answered, “Tell everyone to come at seven and to bring appetites.” She then disappeared in plume of all purpose flour and went back into the kitchen to prepare the gizzard gravy. When the time had come. When the meats had rested, and the vegetables had been properly buttered, we sat at the folding card tables and waited. Before we began eating, my grandmother took the unevenly baked cornbread from the cast iron skillet, blessed, broke, and gave it to us, her children and grandchildren and stragglers and strangers, with eyes bigger than our stomachs, saying, “Take, eat, this is Our body. Which this world has tried to crumble.” Then She took the pot of simmering Collard Greens, gave thanks, and ladled some to each of us over our burnt cornbread, saying, “Drink from it, all of you. For this is Our pot liquor. Our Africa. Our West Indies. Our Louisiana. Our Oakland. Our leavings. Our fixings. Our big toe and titties all up in it. Our sugar low and our love high. She then said, “Remember what I taught you, make sure anybody come by hungry not only eats but gets fed." And when we ate, and oh when we ate, and when were not only full but satisfied, we sang and danced to some B.B. King, before eating Aunt Lavada’s peach cobbler.

Amen

SFArtsED, Matilda.

BOXBLUR 2020 Exhibition Complications by Chester Arnold and Strawberry Creek Harp by Kal Spelletich.

An exhibition of paintings by Chester Arnold that offered a meditation on “refuge” and the lengths undertaken to escape political chaos. Media installation by Kal Spelletich which examined the possibility of finding transcendence in a world mediated by technology.

Performers and Cultural Partners Live Music Performance and Film Screening ~ Club Foot Modern Machines. Composer, founder, and performer, Richard Marriott, and orchestra: Gino Robair, Alisa Rose, Kymry Esainko, Beth Custer, Sascha Jacobsen, with inventor Matt Heckert, and kinetic sculptor Kal Spelletich performed in front of Fritz Lang’s 1926, Metropolis.

Exhibition The Master Printer, the Artist, and the Publisher and FLOOD by Deborah Oropallo and Andy Rappaport.

A survey of print publications by Mullowney Printing and their history with Catharine Clark Gallery since 2011. Artists: Sandow Birk and Elyse Pignolet, Brad Brown and Lytle Shaw, Greg Niemeyer and Roger Antonsen, Alison Saar, Josephine Taylor, and Masami Teraoka.

Performers and Cultural Partners Commissioned Letterpress Project ~ The Broadside in Action. A LIVE. The broadside reconsidered in the 21st century in relationship to performance and political activism. Live letterpress demonstrations by Mullowney Printing. Artists: Wanxin Zhang, Julia Goodman and Michael Hall, Deborah Oropallo and Andy Rappaport, Masha Kachaeva, Katherine Vetne, and Julie Heffernan.

Club Foot Modern Machines.

The Broadside in Action. A LIVE. with Deborah Oropallo, Andy Rappaport, Erin McAdams, and Wendy Liu.

The Broadside in Action. A LIVE. with Masha Kechaeva and Paul Mullowney.

The Broadside in Action. A LIVE. with Masha Kechaeva and Paul Mullowney.

The Broadside in Action. A LIVE. with Erin McAdams and Wanxin Zhang.

Odeya Nini

The Master Printer, the Artist, and the Publisher opening event.

Wanxin Zhang, Paul Mullowney, and Wendy Liu at Mullowney Printing’s studio.

Left: Proof of Deborah Oropallo and Andy Rappaport’s DISARM. Right: Block from Wanxin Zhang’s Together Forever.

Left: Deborah Oropallo and Andy Rappaport, DISARM. Right: Wanxin Zhang, Together Forever.

BOXBLUR 2020 Exhibition To the Person Sitting in Darkness An exhibition that coincided with the 2020 election and which critiqued the concept of monumentality, political theatre, and American Imperialism. Sandow Birk, Nina Katchadourian, Deborah Oropallo and Andy Rappaport, Elyse Pignolet, Stephanie Syjuco, and Marie Watt.

Monument to the Unelected is about the peaceful transfer of power in US presidential elections.

Conceived in 2008, the installation is comprised of artist designed signs commemorating the losers of every presidential election.

Every four years, a lawn sign designed by the artist, with the name of the newest loser, is added to the installation by a firsttime voter. In 2020, the losing candidate was President Trump.

In a solemn performance, Signs placed by Susie Opare, Billy Davidson, Stanley Sallay, and Brian Douglas Benford, all firsttime voters, added the sign designed for the newest loser – Trump – to join those of past presidential elections.

Performers and Cultural Partners On and Off-site Installations ~ Monument to the Unelected by Nina Katchadourian. Presented at eight venues nationwide and through BOXBLUR at Catharine Clark Gallery, San Francisco, CA, at Roots Community Health Center, Oakland, CA, and outside the former home of former Chief Justice Shirley Abrahamson in Madison, WI.

Nina Katchadourian, Monument to the Unelected, 2008/9 and ongoing. Installation view at Catharine Clark Gallery, San Francisco, CA, 2020.b Photo: John Janca.

Nina Katchadourian, Monument to the Unelected, 2008/9 and ongoing. Installation view at Roots Community Health Center, Oakland, CA.

Nina Katchadourian, Monument to the Unelected, 2008/9 and ongoing. Installation view outside of the home of former Chief Justice Shirley Abrahamson in Madison, WI, 2020.

Nina Katchadourian, Monument to the Unelected, sign-placing event.

BOXBLUR 2020 Exhibition Muse by Timothy Cummings and The Girl by Hans Op de Beeck.

Paintings, works on paper, and a theater set informed by Cummings’ early years in San Francisco and its ethos of queer expression and creative experimentation. Op de Beeck’s video presented an ethereal and dreamlike narrative that meditated on vulnerability and precarity.

Film Screening ~ SFDFF. Finding Me. Making Men by Antoine Panier and Harold George. Family Portrait by Jingqiu Guan. I’d like to introduce myself by Benjamin Freemantle. Re-Born by Fleur Bax and Annemijn Rijk. Becoming by Irina Khokhlova and David Chicaeme. Beautiful Earth by Marvelle Reed and Shawn Hawkins. EXODUS/ÉXODO by Aïda Colmenero Dïaz and Khadija Nasibo. You Boy – Arigato Massaï by Mathis Moulin.

Dance Performance ~ SFDFF. Live dance performance by Benjamin Freemantle. Music by Emile Mosseri.

Videography by Freely Mad. Performance ~ Rufus Wainwright. Muse. Live piano and vocals performed in Timothy Cummings’ theater set.

Film Screening ~ Dance Film SF. Screening of Icarus by Pietro Pinto and Angelo Greco.

Timothy Cummings, Muse, 2020. Photo: John Janca.

Timothy Cummings, Muse, 2020. Photo: John Janca.

Timothy Cummings, Muse, opening event and performance by Fauxnique.

Timothy Cummings and Fauxnique.

Rufus Wainwright. Full performance: https://cclarkgallery.com/exhibitions/boxblur-2020-special-performance-by-rufus-wainwright

Rufus Wainwright. Full performance: https://cclarkgallery.com/exhibitions/boxblur-2020-special-performance-by-rufus-wainwright

Benjamin Freemantle. Full performance: https://cclarkgallery.com/exhibitions/finding-me-sfdff-screening-benjamin-freemantle-performance-boxblur-2020

Pietro Pinto, Angelo Greco, Lorenzo Ortona, and Maria Manetti Shrem.

BOXBLUR 2021 Exhibition Native Resolution by Stephanie Syjuco.

An exhibition that examines how photography, anthropology, and museum archives go hand-in-hand with producing and proliferating images and documents of exclusion, generating a skewed collection that mirrors an American imagination built on ethnographic record and cultural Othering.

Performance and Cultural Partners Print Release ~ Mullowney Printing and Stephanie Syjuco. Afterimages suite of five photogravures.

Exhibition Doing and Undoing by Jen Bervin.

Encompassing fiber works, installation, and video, Bervin’s presentation draws on the poetic tensions of text/textile, inviting viewers to reflect on language as a material and technology for intimate forms of connection.

Performance and Cultural Partners Commissioned Dance Performance ~ Co-produced by SFDFF and BOXBLUR. Dances for Doing. Choreographed by Catherine Galasso. Performed by Karla Quintero, Phoenicia Pettyjohn, Galicia Stack Stack Lozano, and Santiago Stack Lozano. Composed

by Catherine McRae. Costume design by Karen Boyer.

Film Screening ~ SFDFF. Experimental Film Category.

Stephanie Syjuco and Mullowney Printing, Afterimages (Interruption of Vision), 2021.

Stephanie Syjuco and Mullowney Printing, Afterimages (Deflection of Vision), 2021.

Jen Bervin, The Dickinson Composites Series (The Composite Marks of Fascicle 38), 2008.

Catherine Galasso.

BOXBLUR 2021 Exhibition Happening Interdisciplinarity: visual art, music, video, poetry, fashion, performance, architecture, and dance—in the same time and space and independent of each other. Jen Bervin, Lenka Clayton, Ligorano/Reese, Mary Muszynski, Reniel del Rosario, Stephanie Syjuco, Leilah Talukder, and Amy Trachtenberg.

Performers and Cultural Partners Commissioned Dance Performance ~ Co-produced by SFDFF and BOXBLUR. Dances for Doing. Choreographed by Catherine Galasso. Performed by Karla Quintero, Phoenicia Pettyjohn, Galicia Stack Stack Lozano, and Santiago Stack Lozano. Composed by Catherine McRae. Costume design by Karen Boyer.

Exhibition Night Watch, Time Laps Dance, and The Crossing by Shimon Attie.

The debut exhibition of Attie’s work at Catharine Clark Gallery with photographs, documentation, and immersive videos about refugees, fascism, and migrant workers.

Performances and Cultural Partners Off-site Media Installation ~ Night Watch by Shimon Attie. A media installation presenting the images of refugees, mostly LGBTQI identified, who have been granted asylum in the US. The film portraits are presented on an LED screen mounted on a boat which will motor and anchor at critical sites on the San Francisco Bay. Co-produced by Immersive Arts Alliance. Night Watch was originally commissioned and produced by Moreart.org in New York City.

Immersive Video ~ Time Laps Dance by Shimon Attie. A 3-channel, immersive video installation using Brazilian dance and martial arts to loosely reflect on the current, global nativist political moment, as well as comedic representations of fascism by American film director Mel Brooks.

Film Screening ~ SFDFF. Experimental Film Category.

Shimon Attie, Night Watch (Norris), 2018

Shimon Attie, Irlen Up (Time Laps Dance), 2021.

Shimon Attie, Time Laps Dance, 2020.

Thank you for the Gift of Performance.

Thank you to our Donors and In-Kind Supporters.

Daniel Abrahamson

Dance Film SF Staff

Dorian Katz

Paul and Megan Segre Family Charitable

Abrahamson Charitable Fund

Dance Film SF

Large Screen Video

Trust

Abrahamson Family Collection

Charles Desmarais and Katherine

Larry and Melissa Kurtz

The Pew Charitable Trusts (Pew

Hon. Shirley S. and Dr. Seymour

Morgan

Cliff Leventhal

Foundation)

Abrahamson

Durie Tangri LLP

Sacha Levy

Rappaport Family Foundation

Wendy Ackrell

Beth Yarnelle Edwards

The Lipman Family Foundation

Roots Community Health Center

Seth Ammerman

Wylci Fables

Nion McEvoy

Ropeadope

Anonymous

Deborah Fink

McEvoy Foundation for the Arts

Tara Rudman

Susan and Bill Beech

Christen Friedman

Meyer Sound

SFArtsED

Deborah Bishop and Michael Lieberman

Gigi Gamble

Minnesota Street Project

SF Dance Film Festival

MJ Brown

Tom Ginsberg and Leslie Hurtig

Kim Mizuhara

SF Foundation

Carol and Orlo Clark

Richard Grossman and Elly Chen

Janet Mohle-Boetani Charitable Fund

Steinway

Emilie Clark and Lytle Shaw

Hard Six Cellars

Julie Mullin

Anton Stuebner

Catharine Clark

Randall Heath

Mullowney Printing

Marcia Tanner

Catharine Clark Gallery Staff

Julie Heffernan

Patricia Maloney

CCA Hubbell Street Gallery (Local

Taraneh Hemami

Greg Niemeyer

Resource)

Immersive Arts Alliance

BOXBLUR is a fiscally sponsored program of Dance Film SF 5 years.

To be continued….