THE MASTERS _ 2016
| ETCHING
P R I Z E S
JOHN PURCELL PAPER AWARD £150 worth of paper
ART ANGELS PRIZE £250 plus the possibility of the image being published on an Art Angels greetings card
FENNER PAPER PRIZE £250 worth of paper
GREAT ART PRIZE Art materials vouchers to the value of £150
LAWRENCE’S PRINTMAKERS PRIZE £100 worth of materials
RED HOT PRESS PRIZE free studio membership 2017 plus invitations to take part in their exhibitions
THE EAMES FINE ART PRIZE £250 cash prize
A
O B
T U
The Masters, established by the Royal Society of PainterPrintmakers (RE), is a series of annual exhibitions focusing on a particular branch of printmaking. This year’s exhibition is curated by Norman Ackroyd RA RE and devoted to works that employ any intaglio printmaking techniques. The show has an exciting and diverse blend of work by emerging young artists and established professional printmakers. As an art organisation run by artists, the Royal Society of Painter-Printmakers is constantly working to create longer-term opportunities for artists and to promote printmaking to a wider audience. Exhibition dates: 9 - 20 November 2016
INTAGLIO PRINTMAKER PRIZE Materials to the value of £100
THE RE PRIZE One year’s membership of the RE to one outstanding artist
We are grateful to the Royal Society of Painter Printmakers for inviting us to be involved in this latest edition of ‘The Masters’ series of exhibitions as we have a particular passion for intaglio at Eames Fine Art. Intaglio printmaking, encompassing the venerable techniques of etching, aquatint, engraving, drypoint and mezzotint, puts such a rich language of mark making at an artist’s disposal. It is a language that can express a rich, deep tonality alongside the most fragile, elegant line in the same breath. There is also a tangible heft, a weight to intaglio printmaking that is an echo of the huge pressure required on the press to force an image from the lines and crevices made below the surface of a plate. We describe printmaking methods to clients and visitors on a daily basis, but we can never quite capture the ‘magic’ of peeling back the paper from the plate to reveal a new print. Any printmaker will tell you that this moment of revelation is hard earned and there is a fine balance to creating a successful print. Orchestrating tone, line (and particularly impressively) colour to create a sophisticated composition without stifling the image by overworking the plate is a delicate balance to strike. Furthermore, while intaglio can reward good draughtsmanship and the effects of scratching or biting with acid into a plate can produce beguiling and beautiful results, it is not a method to be hidden behind. It will expose a lack of expertise and talent very quickly and we have immense respect for any artist who can wrestle with these various tensions to create a vibrant beautiful artwork. There are manifold frustrations to this way of working but the ‘alchemy’ of intaglio printmaking, the sheer joy of exploring its almost boundless potential for mark making, presents an irresistible challenge to a certain kind of creative intelligence. The roll-call of artists that have taken up this challenge at some point in their career from Rembrandt to Goya, from Picasso to Hockney stands as a rich and vibrant tradition that demands immediate critical respect and provides a vital foundation for artists working in the medium today. A signal and enduring contribution to this tradition has been made by Norman Ackroyd, whose evocations of the British Isles in etching and aquatint have been captivating collectors for over 50 years. His touch can be light and enigmatic when capturing the fleeting detail of sea-spray or a bird in flight. He can also imbue an image with a stirring gravitas when conveying the monumentality of rock formations and the grandeur of topography in even his smallest plates. All the while, Norman’s work retains an acute emotional charge as he navigates the space between the fleeting and the ephemeral and the enduring and the permanent. He continues to provide us with a consummate demonstration of the wide range of expression available to the intaglio printmaker. So, who better to select and curate this ‘Masters’ show of intaglio printmaking? It is wonderful to join him in celebrating the fine work of so many contemporary printmakers who are exploring the creative potential of intaglio techniques to such exciting, fresh and vibrant effect. Rebecca & Vincent Eames | Directors, Eames Fine Art
Rodolfo Acevedo Rodriguez ARE Hilary Adair RE Ade Adesina Helen Adie Emiko Aida RE Seyma Akoglu Christopher Allan Jim Anderson RE John Angus Lucy Annan Lidija Antanasijevic Diana Ashdown Margaret Ashman RE Sinclair Ashman Nicola Atchley Mataio Austin Dean Michelle Avison Robert Baggaley RE Sharon Baker Julie Ball Juliet Bankes Mychael Barratt PRE Hon. RWS Ailbhe Barrett Jo Barry RE Adrian Bartlett RE Richard Bawden RWS RE Denis Baxter Melanie Bellis Matthew Benington Alison Bernal Beata Bialek Sarah Bishop Linda Black Jeremy Blighton RE Giulio Bonatti Kit Boyd James Boyd Brent RE Dawn Brooks Kate Browne Meg Buick Student ARE Catherine Butler Jim Butler Corinna Button RE Holly Cantley Catherine Cartwright Ian Chamberlain ARE Chenxi Chen
Sara Clark RE Jeff Clarke RE Austin Cole Daniel Connolly Lucy Cooper James Crittenden Hilary Daltry RE Frances Fay Davies Louise Davies RE Dolores de Sade ARE Máire D’Eathe Quinn Diarmuid Delargy RE Francesca DeMasi Mucciolo Kate Desforges Frank Dolphin Peter Doubleday John Duffin RE Marilyn Durkin Meg Dutton RE Anthony Dyson RE Oscar Eaton Lili Eichinger Ruth Evans Justin Falzon Camilla Fanning Julia Farrer Fernando Feijoo RE Marianne Ferm RE Gustavo Fernandes Megan Fishpool RE Peter Ford RE Ros Ford ARE Peter Freeth RA RE Buckmaster-French Minne Fry Mila Furstova Colin Gale RE Patricia George Veta Gorner RE Susan Gradwell Noreen Grant Patricia Grant Terence Greaves RE Jolanta Grzybowska Jemma Gunning Julie Ann Haines Paul Hawdon RE
Heather Haythornthwaite Louise Hayward RE Jess Hebden Lorena Herrero Christopher Hibbard Jason Hicklin RE Paul Hodge Sam Hodge John Howard Biddy Hudson Sarah Humby Claire Hynds Masaharu Imamiya Student ARE Alice Irwin Barbara Jackson Barry Idris Jackson Howard Jeffs RE Frederick Jones Katherine Jones ARE Helen Kennedy Cecily Kenny Karen Keogh RE Kate Kirk Peter Michael Kirkilo Anita Klein PPRE Hon. RWS Christopher Knox Linda Landers RE Martin Langford RE Diego Lasansky Stephen Lawlor ARE Ann Le Bas RE Debbie Lee Lisa Chang Lee Sharon Lee ARE Eurfryn Lewis David Lintine Temsuyanger Longkumer LUCE Robin MacFarlan RE Selena Maestrini Sarah Mander Julia Manning RE Sasa Marinkov RE Marie-Louise Martin Sonia Martin Toni Martina RE Debby Mason
participating artists
Brian McKenzie Flora McLachlan RE Sally McLaren RE John McPake RE Michael Middleton RWS RE Julia Midgley RE Terence Millington Elspeth Milnes Martin Mitchell Maurice Moeri Elizabeth Moriarty Frederic Morris ARE David Morris Stephen Mumberson RE Dawson Murray ARE Jackie Newell RE Marianne Nix Lars Nyberg RE Molly Okell Charley Openshaw Freya Payne Sumi Perera RE Georgia Peskett Miltiadis Petalas Neil Pittaway RWS RE John Preston Trevor Price VPRE Rosey Prince Ian Rawlinson Simon Redington RE Kitty Reford Wendy Rhodes Martin Ridgwell RE Christopher Roantree Elliot Robinson Sarah Rogers Judith Rothchild Chris Salmon ARE Amrita Saraogi Aoife Scott Margaret Sellars RE Nana Shiomi RE Pamela Silver Helen Slater Chris Smith Ivy Smith
Peter S Smith RE Tammy Smith Agathe Sorel RWS RE Tim Southall Richard Spare Frances St Clair Miler William Stables Ursula Starr Kate Steenhauer Jane Stobart RE Julie Sullock Maki Takizawa Jeannie Taylor Will Taylor Paul Thirkell RE Maggie Thompson Francis Tinsley Sam Towler Edward Twohig ARE Ruth Uglow RE Bren Unwin PPRE Hon. RWS William van Boesschoten Kirsten van Schreven Tara Versey Jill Vigus Akanksha Vikash Chhajer Philomine Wales Martin Ware Frans Wesselman RE Oscar Whicheloe Claire Willberg Annie Williams RWS RE Dominik Wlodarek Pamela Wright Minami Wrigley Christine Wylie Peter Wylie Denise Wyllie Ali Yanya Mary Yazhari Fouzia Zafar ARE
From top left (clockwise): Emiko Aida RE, Night Bloom, photo transfer aquatint & gold gilding | John Angus, Portrait D, etching | Karen Keogh RE, The Holm Oak, etching | Anita Klein PPRE Hon. RWS, Fingers & Toes, drypoint | Juliet Bankes, Are You Afraid of the Dark, photogravure | Diana Ashdown, The Singer, etched lino
Left column from top: Julie Ball, Captured I.D., solar etching | Adrian Bartlett, After the Beheading (after Mattia Preti), etching | Robert Baggaley RE, Farm Machinery, France, etching | Julie Ann Haines, Coast, etching & aquatint | Middle column from top: Helen Adie, Follow, aquatint | Mataio Austin Dean, The Golden Calf, etching | Louise Davies RE, Distant Shores, etching | Right column from top: Linda Landers RE, Sorceress, aquatint & etching | MarieLouise Martin, Fragment II, etching & drypoint
From top left (clockwise): Peter Michael Kirkilo, Bird 8, etching | Debbie Lee, Hypnotist, solar etching | Sally McLaren, Dusk, carborundum & drypoint | Catherine Cartwright, Still life with Sparrowhawk and Blue Tit, drypoint | Michelle Avison, Yard Shadow I, etching | Sharon Baker, Sidney Smith 300 AN I, photo etching | Sinclair Ashman, Variations 3.18, collagraph | Ade Adesina, Light House, etching
Left column from top: Alison Bernal, Breaking Clouds, aquatint | Sarah Bishop, Moel y Gest, etching | Linda Black, Growth, etching | Middle column from top: Catherine Butler, The Wall, etching | Chenxi Chen, Seeping Hard Ground, aquatint, spit bite | Right column from top: Biddy Hudson, Shooting Season, etching | Helen Kennedy, Heron, etching & monoprint | Christopher Roantree, Los Mochis, spitbite & soft ground etching
Left column from top: Susan Gradwell, Inversion II, etching | Tammy Smith, Void (Splatter), photo etching | Frances St Clair Miler, The Dingle Peninsula, etching & aquatint | Middle column from top: Sara Clark, Reification: 2, photopolymer etching | Peter Freeth RA RE, A View Of B, aquatint | Right column from top: Hilary Daltry RE,Olympia, drypoint | Diarmuid Delargy RE, Mako and Muse, acquatint & etching | Stephen Mumberson RE, Fortitude Hermetic , etching
Left column from top: Richard Bawden RWS RE, My Garden,etching | Jo Barry RE, An Untimely Frost Upon the Sweetest Flower, etching | Trevor Price VPRE, Shooting Star, etching & drypoint | Middle column from top: Jim Butler, Folk Festival VII, aquatint | Martin Ridgwell RE, But, O, How Vile an Idol Proves this God!, etching | Right column from top: James Boyd Brent RE, Animals in the City (Loring Park), intaglio & monoprint | Denis Baxter, Still Life with Lemons, etching & aquatint | Freya Payne, Between the Earth and The Sky II, etching
From top left (clockwise): Mila Furstova, Motherhood III, etching | Rodolfo Acevedo Rodriguez ARE, Venus Falling From Above, etching | Margaret Ashman RE, Pavane II, photo etching | Nicola Atchley Columbus Split Frame, etching, aquatint | Maggie Thompson, Taut Series: 2, etching | Christopher Allan, Gars Hunt Catfish II, drypoint | Toni Martina RE, The Tube, London, etching | John McPake RE, Beneath the Surface, colour etching | Howard Jeffs RE, Spout of Water, aquatint | Barbara Jackson, Thinking of Home, etching & aquatint | Gustavo Fernandes, Constanรงa, etching
From top left (clockwise): Agathe Sorel RWS RE, Titania, etching & woodcut | Julia Manning RE, The Gothercatcher’s Nest, etching | Matthew Benington, Bucharest Grid, aquatint & hard ground etching | Dolores de Sade ARE, B1147, Shepton Cross, etching | Dawn Brooks, Transient, drypoint & carborundum | Melanie Bellis, One Blackfriars Construction, etching | Jackie Newell RE, Pylon III, etching and aquatint
From top left (clockwise): Kate Desforges, Peak II, etching on steel | Oscar Eaton, Weddell Sea, 1915, aquatint & etching | Christopher Hibbard, North, etching & aquatint | Dominik Wlodarek, Staircase, aquatint & etching | Jason Hicklin RE, Stac an Armin, Stac Lee and Boreray, etching & aquatint | Francesca DeMasi Mucciolo, Like a Big Coat, etching & aquatint | Lars Nyberg RE, Small and Big Avocado, drypoint
Top row from left: Martin Ware, Dance at Banuyls, etching & aquatint | Georgia Peskett, Cuckoo Wasp, mezzotint | Holly Cantley, Harpsichord, drypoint | Middle row from left: Rosey Prince, One Day at Grain, mezzotint, drypoint & etching | John Preston, Floodlit Lantern, Ely Cathedral, aquatint | Jeannie Taylor, Cry God for Harry, etching, aquatint & drypoint | On the right: Chris Smith, Westminster I, drypoint
From top left (clockwise): Eurfryn Lewis, Training, drypoint | Frederic Morris ARE, Get Scum, etching | Jim Anderson RE, TopiaryRasputin, drypoint | Sam Hodge, How Could this Happen on her birthday?, drypoint | Marilyn Durkin, Untitled, drypoint | Justin Falzon, Ira, etching & drypoint | Charley Openshaw, Interval I, etching
From top left (clockwise): Sasa Marinkov RE, Dispute, drypoint | Beata Bialek, L’Enfant, etching & aquatint | Corinna Button RE, Big Girl Now, etching, drypoint & chine-collé | John Duffin RE, Another Arrival - King’s Cross St Pancras Station, etching | Camilla Fanning, Tractor & Pump, etching | Ruth Uglow RE, Sinews, etching, aquatint &drypoint
From top left (clockwise): Frances Fay Davies, Soho, etching | Anthony Dyson RE, On The Brink, etching & aquatint | Kate Kirk, Tree in Grass, hard ground etching & chine-collĂŠ | Edward Twohig ARE, Sping Tracery, drypoint & etching | David Lintine, Sun Deck, aquatint & etching | Jeff Clarke, Objects on a Greek Table, etching & stencil | Lili Eichinger, Friends Forever, mezzotint
Left column from top: Lucy Annan, Shadowplay II, etching | Giulio Bonatti, Remembering a Country, aquatint, open bite, drypoint | Jeremy Blighton RE, Corfe Castle and the Purbeck Ridge, aquatint | Philomine Wales, Tympath, sugar lift & etching | Middle column from top: Jess Hebden, My Old Art Departments Being Bitten Away, photopolymer etching | Marianne Ferm RE, Next the Oceans IX, aquatint | Annie Williams RWS RE, Still Life in the Garden Room, aquatint | Right column from top: Peter S Smith RE, Amaryillis, metal engraving, drypoint & mezzotint | Kate Browne, Brighton Garages, etching | Denise Wyllie, Brook: Dollis Valley, spit bite, litho crayon, aquatint, soft ground etching
From top left (clockwise): Julia Farrer, Bridge I, etching & aquatint | Wendy Rhodes, Surface layers, etching | Louise Hayward RE, On Green Dragon Lane, engraving | Masaharu Imamiya student ARE, OnomatopÊe II, etching | Barry Idris Jackson, Time’s Glory, etching, aquatint, & drypoint | Ian Rawlinson, 1970, etching | Maki Takizawa, Reverberation, etching | Meg Dutton RE, Reflected City, etching & watercolour | James Crittenden, Axarquia, etching
From top left (clockwise): Austin Cole, Nic’s NY version II, etching & aquatint | Peter Doubleday, The Ambassadors, photo etching | Miltiadis Petalas, Genesis, etching & aquatint | Ros Ford ARE, Lagoon, etching & aquatint | Below from left: Elliot Robinson, Saints and Sinners: Swithun, etching & aquatint | Judith Rothchild, Clams, mezzotint | Stephen Lawlor ARE, Reinette (Rococo Fantasy), etching | Amrita Saraogi, Everyday, etching
Top row from left: Daniel Connolly, Plymouth Hoe, etching & aquatint | Minne Fry, Windscape, etching | Colin Gale RE, Truck Loughborough Junction, etching | Middle row from left: Terence Greaves RE, Storm, Portland Bill, mezzotint, etching & aquatint | Megan Fishpool RE, Balance, etching | Bottom row from left: Bren Unwin PPRE, Planar Surface, etched copper | Molly Okell, Within Reason, etching | Ivy Smith, Backstroke, etching
From top left (clockwise): Patricia George, The Day of the Dead (Frida and Judas), drypoint, etching & collage | Martin Langford RE, Nucleus, etching | Heather Haythornthwaite, Cold Turkey, aquatint & etching | Lucy Cooper, Grandma’s House I, etching & aquatint | Patricia Grant, Drawing Breath I, photo etching | BuckmasterFrench, Betula Pendula, etching onto paper made with silver birch leaves | Fernando Feijoo RE, Character III, etching | Peter Ford RE, Typhoon, etching & aquatint
Left hand-side (clockwise): Paul Hodge, The Waiting Room, drypoint | John Howard, Cave Study No. 1, etching & aquatint | Ursula Starr, I’ll Give You Delicate, drypoint | Ian Chamberlain ARE, Mirror III, etching Right hand-side (clockwise): Sumi Perera RE, UNBUILDING BLOCKS XX [Artist Book Scroll], etching, aquatint & embossing | Ruth Evans, Carw Rhedynfre, The Stag of Rhedynfre, etching | Sonia Martin, Arrival, etching & aquatint
From top left (clockwise): Mychael Barratt PRE, Dutch Mordant - Homage to Hercules Segers, etching | Temsuyanger Longkumer, Stairway, etching | Paul Hawdon RE, Rain Approaching Isola Madre, Lake Maggiore, etching | Lorena Herrero, Some Light Still, etching & drypoint | Martin Mitchell, Winter Oak Walk, mezzotint | Paul Thirkell RE, Exoskelete, photo etching, chine-collĂŠ & archival inkjet | Mary Yazhari, The Rising Sun, etching | Jolanta Grzybowska, Helford River Path, colour etching & aquatint
From top left (clockwise): Jemma Gunning, New Gaol Development, etching | Brian McKenzie, Honey Thief, etching | Veta Gorner RE,Knots, etching & thread emboss | Michael Middleton RWS RE, They Looked Back, etching | Noreen Grant, Costume Fragments IV, Intaglio, photographic, aquatint, blind emboss | Tim Southall, Everybody Loves Snow, etching & aquatint | Sharon Lee ARE, Morphology of a Gastropod, engraving, drypoint, relief & chinecollĂŠ
From top left (anticlockwise): Hilary Adair RE, The Punchbowl Winter, etching & aquatint | Kit Boyd, A Rural Rhapsody, etching & aquatint | Selena Maestrini, Verso Livorno, mixed media | Frans Wesselman RE, Man, Dove, Olive Branch, etching | Frederick Jones, Window, Paris, mezzotint | William Stables, New York, A View from the World Trade Centre, aquatint etching | William van Boesschoten, Cuckoo II, etching
From top left (clockwise): Minami Wrigley, Northfolk, aquatint & photo etching | Peter Wylie, Le Corbusier Villa Savoye II, etching | Kate Steenhauer, Speyside Cooperage, etching | Helen Slater, Seawall Path, Dusk, soft ground | Katherine Jones ARE, Money Plant, etching | Ann Le Bas RE, San Giorgio and the Lagoon, Sunrise, aquatint | Pamela Wright, From Trafalgar Tavern to Greenwich Pier, etching
Left column from top: Fouzia Zafar ARE, Tea Circles, etching | Julia Midgley RE, Lead Huntsman with Magnet, etching & aquatint | Middle column from top: LUCE, Wanderland IV, intaglio | Cecily, Kenny, Halflight, drypoint | Frank Dolphin, Swim for Evermore, solar etching | Right column from top: Simon Redington RE, Ellington, etching | Robin MacFarlan RE, Contemplating the Beauty of White, etching | Kirsten van Schreven, Array II, drypoint | Seyma Akoglu, Bekle (Wait), aquatint
Left column from top: Claire Hynds, New Town 1, polymer gravure | Sarah Humby, The Path to Dancing Ledge, drypoint | Alice Irwin, Faces of War 8, etching | Middle column from top: Ali Yanya, Father, drypoint | Francis Tinsley, The Waverley, etching & aquatint | Maurice Moeri, Tulips in a Lucie Rie Pot, etching | Right column from top: Richard Spare, The Mimosa, drypoint & watercolour | Margaret Sellars, Restoration III, etching & chine-collĂŠ
Left column from top: Terence Millington, Pears with Pot, etching | Claire Willberg, Sugar Stick, etching & chine-collĂŠ | Kitty Reford, Shorham Adur Estuary, After Seurat, photo etching | Middle column from top: Nana Shiomi RE, 9 + 6 = Infinity, etching | Julie Sullock, Yorkshire Landscape, etching | Right column from top: Sarah Mander, Boneyard VI, etching | Diego Lasansky, Martin Luther in Red, intaglio | Jane Stobart RE, Foundry Work II, hard ground etching
From top (clockwise): Meg Buick ARE, Tree, etching & aquatint | Pamela Silver, Music Within the Trees, sugarlift & aquatint | Christine Wylie, Herbarium II, etching | Flora McLachlan RE, Shadowed Air, etching | Sarah Rogers, Tea Party, etching | Akanksha Vikash Chhajer, Look Inside, etching | Debby Mason, Fangtooth (The Twilight Zone), mezzotint | Elspeth Milnes, Glen Shiel, aquatint & etching
From top (clockwise): Oscar Whicheloe, Hayward Gallery I, etching & aquatint | Tara Versey, Cleaning Tables, etching, aquatint | Jill Vigus, Distant Barns I, etching | Marianne Nix, Summer Showers, etching & aquatint | Christopher Knox, Chanctonbury Rain, East Sussex, polymer Intaglio | Elizabeth Moriarty, Let Sleeping Dogs Lie, etching | Sam Towler, Tiger Lobster, drypoint on acrylic | Aoife Scott, Brian Boru Cottage, etching & aquatint
Left column from top: Máire D’Eathe Quinn, Sunbeams, Shadowlands: Rostrevor, aquatint | Will Taylor, The Rape of the Rye Townswomen, etching | Ailbhe Barrett, Evening, Doorlus, etching | Middle column from top: Dawson Murray ARE, Drifting III, etching | Lisa Chang Lee, Poem 91 page 4, drypoint & letter press | Neil Pittaway RWS RE, Britannia Square, etching | Lidija Antanasijevic, Focus, etching & photopolymer | Right column from top: David Morris, Steel Making, Redcar, etching & aquatint | Chris Salmon ARE, Cyberman and Cat, etching
UART R ERLY L PRINT Q QU UA LY
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Bankside Gallery | 48 Hopton Street | London SE1 9JH | 020 7928 7521 www.re-printmakers.com info@banksidegallery.com | cover image: Norman Ackroyd RA RE, Skelling Rocks, etching