The Collegian, Vol. 140, No. 3

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ADDITIONAL HOMECOMING PHOTOS – SEE PAGES 4 AND 5

The Collegian CENTRAL METHODIST UNIVERSITY • FAYETTE, MO.

Vol. 140 • No. 3

Friday, October 21, 2011

The stars were out early on a brilliant autumn day as Central Methodist University’s student Homecoming Court was featured during festivities Saturday, Oct. 8. Seniors Jacob Heppner (math major from Mansfield) and Gaby Hernandez (nursing major from Delicias Chihuahua, Mexico) were voted as CMU’s Homecoming King and Queen during coronation ceremonies at halftime of the Eagle football game. They were selected by votes of the CMU student body in the weeks leading up to Homecoming. Homecoming had an Hawaiian theme this year. Other senior candidates for King and Queen included Chris Doak (education, Corder); Khobic Johnson (music education, Fayette); Aaron McGee (music education, St. Clair); Merikate Novak (sociology, Richland); Melea Shimkus (English, Columbia); and Kayla Yount (business, Overland Park, Kan.). Junior Class attendants were Kristen Bailey (chemistry, St. Louis), and Drew Hinton (athletic training, Chillicothe). Representing the Sophomore Class were

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KaeLeigh Brown (education, Marshall) and JohnMichael Emmons (pre-nursing, Columbia). Attendants for the Freshman Class were Suzanne Howerton (pre-education, Hurdland) and Austin Rapp (business, Boonville). From music, theater, and sports, to lectures and alumni reunions and food, CMU welcomed guests with open arms during its traditional autumn celebration. Highlights included the Homecoming Parade, reunion activities for alumni classes of 1961, ‘66, ‘71, ‘76, ‘81, ‘86, ‘91, ‘96, 2001, and ‘06; and a theatrical presentation of Noel Coward’s “Present Laughter.” Sports fans found plenty from which to choose, including the Gary Stoner Invitational Cross Country Meet, football against Benedictine College, and volleyball against Peru State College. Also, softball and men’s and women’s basketball taking on alumni squads. Alumnus Richard Dailey (‘70) presented the Gaddis Lecture on Thursday before the big day and on Friday internationally-known economist C. Fred Bergsten (‘61) presented the Friday Forum on “The World Economy and U.S. Politics in 2012”

News to applaud: wireless access coming

Homecoming queen and king Gaby Hernandez and Jacob Heppner. (COLLEGIAN PHOTO BY ANDIE BORCHARDT)

Meeting on campus last Friday and Saturday, members of the CMU Board of Trustees approved a recommendation to install secure, wireless access to all floors and rooms in residence halls at Central. University President Marianne Inman said she expects this project to be complete before the

fall 2012 semester. Also of interest, the board elected officers to serve tor the next three years, with Glenn Cox (Class of 1951, Bartlesville Okla.), continuing as chair; Dr. Robert T. “Tad” Perry (Class of 1965, Ft. Pierre, S.D.) as vice chair; and Dr. Nancy Walker Peacock (Class of 1982,

Nashville, as secretary. Additionally, this was the first meeting for the newest board member, Rick Dailey (Class of 1970) of Lewes, Del. Board discussion focused on various aspects of CMU’s future plans. A decision on constructing new student housing is on hold pending enrollment projections.

More than Bingham at Ashby-Hodge Gallery; exhibit closes Oct. 30 The current exhibit at CMU’s Ashby-Hodge Gallery of American Art features “Bingham in the Boonslick,” one of the most significant exhibits ever presented here. But that’s not all. In the annex there is also an exhibit of similar works attributed to William Morrison Hughes, Bingham’s first and most prominent student. In 1845, when Caleb Bingham was 34 and had traveled some and made a name for himself as a painter, Bingham was encouraged to return to the Boonslick area to take on a promising young student, his first protégé, a 27-year-old named William Morrison Hughes. For the next five years, the lives of these two artists were inexorably entwined. Their painting styles were, as expected, very similar; their talents compatible; and their passions intense. William Morrison Hughes was born in Howard County in 1818. In 1828 his family home, Plum Grove, was built and today remains in the Hughes family through Morrene Hughes Britton and her husband, Robert.

Morrison, as he was called, turned to painting and in his twenties decided to pursue it as a career. Bingham was hired as his tutor by Morrison’s uncle, John S. Cleveland. Hughes was clearly an apt student. He followed his mentor to St. Louis in 1846 to one of Bingham’s exhibits. He also modeled for Bingham. In fact, in one version of The Jolly Flatboatmen (1846) by Bingham, Hughes is believed to be the man joyously dancing on top of the boat. Sadly for the art world, Hughes was wildly enthralled not only with art but also with all things new, creative, or adventurous. By later in 1846, Hughes had already run off to fight in the Mexican War. Luckily he survived unscathed and rejoined his mentor. In 1848 Hughes followed Bingham on a steamboat headed down the Missouri River from Boonville to St. Louis. From there the two went to New York to study art. Apparently the two succeeded in making it to New York, but by 1850 William Morrison Hughes once again abandoned Bingham and headed west

in pursuit of other experiences to engage his highly creative but clearly undisciplined spirit. It is believed that Hughes never saw Bingham again; and, in fact, he seems to have permanently stashed his brushes and saddle-bagged his easel. He died in poverty there in 1892. He never married. He left no progeny. His legacy lies in a handful of Binghamesque paintings, technically and aesthetically pleasing and hard to distinguish from his mentor’s. Although Bingham spent his life enmeshed in art, and politics—and Hughes perhaps half a dozen years painting—their styles are remarkably alike. Art experts still debate whether certain artworks were painted by George Caleb Bingham or his first and arguably most talented pupil, William Morrison Hughes. Students are reminded that Sunday, Oct. 30, is the last day for both exhibits at the gallery. It is open from 1:30 to 4:30 p.m. Sundays, Tuesdays, Wednesdays and Thursdays. William Morrison Hughes’ painting of Virginia Clemm Poe


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