Interior Architect portfolio

Page 1

Fineliner 0.4, Scanner. 420x297mm.

C E RY L E K A N A D I P O R T F O L I O

Ceryle Kanadi. DAM interpretation. 10 April 2015. Digital collage, pencil,


Ceryle Kanadi Phone : +62 822 663 33012 Email: ceryle.kanadi@gmail.com Instagram: cerylestudio

EDUCATION 2012-2016

Bachelor of Interior Architecture (Honours) (Monash University)

2010-2011

Diploma of Art and Design (Monash College)

SKILLS AutoCad Rhinocerous 3Ds Max Revit Sketchup Final Cut Pro

Adobe Illustrator Adobe Photoshop Adobe Indesign Adobe Lightroom Adobe Premiere Handsketch/drawing


EXPERIENCE Feb - May 2017

Intern Architect / Interior Designer IBUKU, Bali

September 2016

Main Back of House Melbourne Spring Fashion Week 2016 (by Melbourne City Council)

March 2016

Event Assitant and Back of House Melbourne Fashion Festival (by Virgin Australia)

October 2015

Event Assistant Melbourne Music Week 2015 (by Melbourne City Council)

September 2015

Front and back of house Melbourne Spring Fashion Week 2015 (by Melbourne City Council)

STUDIO WITH PROFESSIONAL PRACTICE Feb - May 2016

Siblings Architect - Perform Reform Studio



CONTENT

01

Warung Budaya (Indonesia Street Vendor)

02

Public Performance Art Gallery

03

Futuristic Workspace

04

Activists and Breakdancers HUB

05

Student HUB Pavillion

06

“R u ok?” Awareness

07

Modern Flower Kiosk

08

Detailing Plan

09

Other Arts

10

Professional Work / Intern


01.

WARUNG BUDAYA LOCATION: Setiabudi Raya Street, Jakarta.

This project starts with the concern of Joko Widodo concerns of the large number of shopping malls in Jakarta. The governor would like to reduce the number of new developing shopping malls and start building more public spaces. On the other side, the traditional culture of Indonesia are being forgotten by younger generation. Through out the research, the best way to promote culture is by inserting it into community, which is in the form of street vendor.


Setiabudi Raya Street

Social Issue JAKARTA TRAFFIC JAM PROBLEM

Site Diagram JAKARTA HERITAGE HOUSE

JAKARTA TRADITIONAL SYMBOL

JAKARTA SKYSCRAPER

Government has done forcefully reallocate the street vendors failed. One of the reason is because the reallocation planning is on aesthetically rather than physical functional and locational Therefore it has made the vendors return back to

d l Su

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an

Str

eet

Setiabudi Ra ya Street

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Concept Solution:

but it has only based function. 1 the street.

Program Solution: Cityscape Issue

LESS SHOPPING MALLS, CULTURAL PUBLIC SPACE MORE.

SinarMas Tower (Offices) HKBP Christian Church

“ 24 ”

SinarMas Tower (Offices) HKBP Christian Church

Joko Widodo_Indonesia governor

Economy Crisis in 1997 effects

Economic Issue Parking space

Crashing & Coping (1997 - early 1999)

unemployed could survive

GDP downfall many companies close down

informal sector increase

Parking space

Jobless growth (late 1999 - early 2003)

existing street vendors increased wages

insertion culture vendor

formal sectors declining r and Lily Song. “Return to the Streets” Cityscape: A Journal of Policy Development and Research 18 are (2016). Accessed by August 22, 2016. informal sectors increase new law more http://search.proquest.com.ezproxy.lib.monash.edu.au/docview/1788317775?accountid=12528 even more

“ 27 “ existing street vendors Indonesia had great financial crisis in 1997 that caused great impact to economy sector, especially many employers laid off workers and some business closed down.1 Since the unemployed workers could not

insertion culture vendor

“ 27 “


mance attractive since the performance is part of their social life, but people that live in the city are

not interested Concept designto it unless for migrated people to remind them of their village culture.

4

screen

SCREEN JOINT FROM CEILING

audience seats in front of screen light (above puppeteer’s head) puppeteer (as leader)

PUPPET TEMPORARY STORAGE References: 1. The Jakarta Post. “Batik, Kris, and wayang get UNESCO world heritage” Jakarta Post February 19, 2010. Accessed 13 September 2016. http://www.thejakartapost.com/news/2010/02/06/batik-kris-and-wayang-get-unesco-world-heritage-status.html 2. Time Byard Jones. “Development in Performance Practice, the Creations of New Genres and Social Transformations inYogyakarta Wayang Kulit”. Contemporary Theater Review. 2001. 43-54. 3. Anca Doczi. “Puppet Theaters: The beginnings: Wayang Kulit and the Javanese Legacy-Natural Context”. Studia Universitatais Babes-Bolyai-Dramatica. 2010,153-158. 4. S. Haryanto. Seni Kriya Wayang Kulit (Jakarta:Pustaka Utama Grafiti,1991) 4.

. 13.

2000 .6.

700

1500

D01

D03

D02

LAMP WILL BE HUNG

PLAN

1200

STORAGE FOR WAYANG IF NO PERFORMANCE

650

SCALE: 1/20

2000

2000

HANDRAIL FOR PUSHING THE CART

5500

300

550

. 10 .


D.01

D.02

D.01

D.02

DETAIL CEILING (D03) DETAIL CEILING (D03) . 17 .

SCALE: 1/5

SCALE: 1/5 . 16 .

. 19




C

80

E

700

1165

D

BAMBOO THAT WOULD PRODUCE NOISE WHILE

BAMBOO FRAME FOR ANGKLUNG DISPLAY

1180

940

PLAN SCALE: 1/20

STORAGE OF ANGKLUNG

. 28 .

D.02


Angklung Angklung is acknowledged by UNESCO as Indonesian Intangible cultural heritage in nairobi, Kenya on 16 November 2010. 1 The reason is because it has reflection of the mian values of Indonesian culture identity (mutual respect, principles of cooperation, and social harmony. Angklung is a musical instrument made out of bamboo, which it consists of two to four cylindrical bamboo that are tied together with rattan. The cylindrical is sculpted and cut in detail to produce certain notes.2

DETAIL HOW THE BAMBOO COULD BE OPENED D 2.01

rattan tie

PIVOT DETAIL

movement to make sound

DETAIL 2 ( D.02 )

stick to the core

vertical frame horizontal frame

References:

PIVOT

1. Tegar Utama. Ensiklopedia Alat Musik Tradisional (Bandung: Penerbit Angkasa 38. theBandung,2014) bamboo bump the base bamboo bamboo move backward 2.vertical “Indonesian Angklung Acknowledge by UNESCO” States New Service 18 November 2010. and therefore it makes sounds http://go.galegroup.com/ps/i.do?p=AONE &sw=w&u=monash&v=2.1&id=GALE%7CA243886588&it=r&asid=8e56100186dc283db824028c4cb949c3

D 2.01

. 15.

Detail of bamboo structure that allow the rickshaw to make noise by adapting angklung’s structure

base bamboo

. 22 .

. 31 .

ELEVATION E SCALE: 1/10


02.

PUBLIC PERFORMANCE ART GALLERY LOCATION: Thornbury Theater,Thornbury

The project is exploring Thornbury theater of how Thornbury suburban has developed to have more local Melbourne designer art shops. Likewise, in the art world, performance art is now moving into gallery since Marina Abramovic performs at MOMA. Hence, this project is changing into more contemporary theater, which becomes public performance art gallery.


inside to explore local Melbourne designer. From the last 5 CONNECTION years, the suburb has changed to develop into more local artist Melbourne shop owner, and therefore Thornbury theater that I am porposing to turn into more contemporary locailizedNEIGHBOURHOOD theater which it could be occupied for performance art.

Site Diagrams: LOCAL ARTISTS SHOPS Thornbury shops have interesting views that attract you to come inside to explore local Melbourne designer. From the last 5 CONNECTION years, the suburb has changed to develop into more local artist Melbourne shop owner, and therefore Thornbury theater I am porposing Sthat O F GALLER to turn into more contemporary locailized NEIGHBOURHOOD theater which it could be occupied for performance art.

Thornbury theater that I am porposin to turn into more contemporary locailized theater which it could be occupied for performance art.

P R E C E D E N T S O F G A L L E RY The site is Thornbury theater, which is for now has been used for local artists’ concert / private functions / wrestiling performance.

LOCAL ARTISTS SHOPS

REFLECTION Concept Diagrams:

Precedents: DERIVE JOURNEY THORNBURY TO NORTHCOTE

PRECEDENT

Y

The Andalucia - Museum of Memory by Alberto Campo Baeza [ using ramp to connect from one room to another ] CONNECTION

CONCEPT DIAGRAM

Thornbury theater consists of two

R E F L main E C theaters. TION

Thornbury shops have interesting

views that Main theater

attract you to come inside to explore

Red Velvet local theater LOCAL ARTISTS SHOPS

CONNECTION

Melbourne designer. From the last 5 years, the suburb has changed to develop into more local artist Melbourne shop owner, and therefore Thornbury theater that I am porposing to turn into more contemporary locailized theater which it could be occupied for performance art.

The Andalucia- -Museum MuseumofofMemory Memory Alberto Campo Baeza The Andalucia (BybyAlberto Campa Baeza) [ using ramp to connect from one room to another ] - using ramp to connect one room to another room NEIGHBOURHOOD

Guggenheim Museum by Frank Llyod

NEIGHBOURHOOD

Guggenheim Museum (by Frank Gehry) [ continuious ramp along the museum - using ramp to connect one level to another level.

Guggenheim Museum by Frank Llyod [ continuious ramp along the museum ]

]


DIAGRAM OF THE SPACE

Bar

Female Toilet

Male Toilet

Ramp to view & go to bar and toilet

Ramp to view & go to first level

PERFORMANCE SPACE 2

BAR

First level

PERFORMANCE SPACE 1

Audience viewing space

Performer going to 1st level Ticket booth Administration office Theater shop

Ramp to view and going to first level

TICKET BOOTH

Ramp to view & go to aisle exit

Bar THEATER SHOP nce could see a glimpse the lower level

Exploded Axonometric Diagram

Ground Floor


Ramp coming through second level Lower level plan

Long sectional People enter and could see the performances

Short Section Elevation The audiences could enter the viewing platform on the first floor

Upper level plan


03.

FUTURISTIC WORKSPACE LOCATION: Level 3 & 4,167 Flinders Lane,Melbourne

This project is exploring the futuristic workspace that how researchers and architects are working together. The main project is exploring to create the most productive workspace for people, which also exploring in argonometric for the body. The workspace is being used for researches to monitor argonometric of the builders and the information will be transfered to interior architects for design development.


supernormal logo -

Site Diagrams:

THE IDEA OF FUSION

interior architect workspace + behaviour lab

anna schwarts gallery

cavendish house furniture

The site is located at level 3 & 4 , 167 Flinders Lane Melbourne. A nice building with big MAPPING OFinside. CONSTRUCTIONS AND OFFICE windows allowing natural light coming

3rd and 4th level for new site

renes dry clean

dining interior design

flinders landing apartment

SIte:

Builders will communicate with the interior architects for updating informa tion how the construction goes along from the process

with japanese character to represent the right and interests of the clients and keep informed with the designers’ actions. mix Australian and japanese

Concept Diagrams:

OFFICE

LA TROBE

Precedents:

LT LONSDALE LONSDALE

RESEARCHERS brief: TO CREATE A FUTURISTIC WORKSPACE with the useSuperstudio for: , Italian young architects that were wellSuperstudio_New York ofmonitoring Brains interiority + behaviour known in 1972, wrote that+ ultimately the grid would research laboratory + design studio + form a “single continuous environment, the world renoffice workplace

LT BOURKE BOURKE LT COLLINS COLLINS

conceptual diagram FLINDERS LANE FLINDERS ST S P R IN G

E X H B IT IO N

R US S E L L

S W A N S T ON

E L IZ A B E T H

Q UE E N

W IL L IA M

K IN G

S P E NC E R

OFFICE/LAB

conceptual diagram

dered uniform by technology, culture, and all the other inevitable forms of imperialism.” This would allow for a truly democratic human experience: because every point on the grid is identical, no place is better than Photomontage_What could have muchof freedom to work and movework according any other. (Ofif office course, likeso all Superstudio’s it to our needs is polemical, in this case being both unrealizable and nightmarish to contemplate.)

CONSTRUCTION page

Graphic Presentation Analysis New York of Brains (by Superstudio) ne w

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n atio gin ima ture fu re of

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MOCK UP MODEL

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A New World of Controlling Human Brains From the Central of Brain


Working area for Architects and Researchers in Lower level

Diagram showing how the interior architect is being used

Detail plan and elevation for the researchers working space


Plan Lower Level

Plan Upper Level

PRESENTATION ROOM

Long Section


04.

ACTIVISTS AND BREAKDANCERS HUB LOCATION: Front Space of State Library Victoria

Melbourne city is a large community that consists lots of young adults come fron different nations. Besides, the city is well known to be good city for education and creative arts. Therefore, this project is drawn from looking into the educated user group , such as the activists, and the artists (such as breakdancer).


Site:

Site Diagrams: SITE ANALYSIS

DAY TIME (12PM)

Tokyo Plaza Omotesando

Holocaust Memorial (Jewish Memorial) NIGHT TIME (8PM)

The site is in the State Library Victoria which is a place that historically has been known as the brain of the city. Besides, it has become place for activists.

Tokyo Plaza Omotesando

Holocaust Memorial (Jewish Memorial)

RALLY FOR CAUSE STUDENTS

6PM - 11PM

PM

AM STOP RACISM

STOP RACISM

TER HANGER

SKATEBOARDERS

Precedents:

WHERE AND WHEN?

S SHARING ELEMENTS

ER HANGER

ACTIVISTS

ELDERLY POLICES

Concept Diagrams: WHERE AND WHEN?

COUPLE

TOURISTS

Space for discussion of the same issue they agree

Dance practice occur in the evening at hidden corner space around city that has flat surfact and reflective wall

AM

PM

12PM

4PM

To perform, they will go to public space that has flat surface which allowing public to pay attention Public space to disturb and to get attention from public

Tokyo Plaza The tokyo plaza is made out of concrete that is (Omotesando Project) arranged in pattern that could be used as seat-

ing area, thus it looks the landscape design are The tokyo plaza is made out of blend in with the surrounding space, which is suitable forthat the idea of activists that want toin concrete were arranged be accepted The tokyopromote plaza is their madeideas out ofto concrete that isby bigger pattern which also function seatcommunity arranged in pattern that could be used as seating area, it looksthat the landscape ingthusarea looksdesign likeareunited blend in with the surrounding space, which is landscape suitable for the idea ofdesign. activists that want to promote their ideas to be accepted by bigger community

Another idea that was suggested by the teacher is this Holocaust Memorial. From far away they look like the landscape, however it was actually made out of concrete that is arranged in slightly different heigh which is this precedent supports stronger for my idea which is to blend in with the Another idea that was suggested by the teacher community. is this Holocaust Memorial. From far away they

Holocaust Memorial (Jewish)

Another shape idea that is the Hollook like the landscape, however it was actually ocaust away made out Memorial. of concrete that is From arrangedfar in slightly different heighlike whichthe is this flat precedent supports they look landscape, stronger for my idea which is to blend in with the community. however it was actually concretes arranged in slightly different height which is this shape support my idea how activists would blend in with the community to share idea


AXONOMETRIC DIAGRAM

LEVEL 1 - BREAKDANCER PRACTICE SPACE

LEVEL 2 - BREAKDANCER PERFORMANCE / ACTIVISTS LEADER STAGE

LEVEL 3 - BREAKDANCER BEGINNER PRACTICE / ACTIVISTS GROUPS DISCUSSION

LEVEL 4 - CONNECTING STAGE TO THE PEDESTERIANS

Detail plan

Detail elevation


Reflective glass could be attraction for the viewers especially when the breakdancer perform in the group The breakdance usually practice at night time, therefore they could use this space while the mirror that they need could be seen on the mirror on the top.

Plan

Mirror surface to give reflection for the dancer

The stais will be used activists to stand with their posters to be seen by public

Activist protest to get pedestrian attention

Section

SECTIONAL ELEVATION SCALE: 1/200


05.

STUDENT HUB PAVILLION LOCATION: Backyard of Monash University Library Caulfield

NEW PAVILLION FOR STUDENTS STUDY SPACE

Conceptual Model:

Studying are more productive when we receive natural sunlight. Besides, there are limited spaces for Architecture / Interior Architecture students at Monash University. Therefore, this project is proposing a new study / model making space for students that has flexibility for students to work making their models and also by working outdoor (receiving natural light) would help them to work even more creatively.


Site :

Site Diagrams:

Precedents

The site is under Monash Caulfield Library, which a place that people sit there for lunch.

Concept Diagrams:

Communal area

Precedents

- created to draw people togather inside the pavilion - constructed with unique form - used simple material such asfruit basket and straps

Figment 2010 City of Dreams : Precedents:

Living Pavilion

Room

Room Central Point Room

Communal area Room

-study of public & private space -eventhough its temporary, the design still prioritize user’s comfort

Figment 2010 City of Dreams : Modular Hamster inside the Tunnel pavilion Figment 2010 - created to Modular draw people togather City of Dreams Hamster Tunnel Hotel Hotel by Raumlabor - constructed(by with unique form Living Pavilion (Living Pavillion) Ramlabor) - used simple material such asfruit basket and straps

Room

Room Central Point Room


Semi open Semi Opensurface Surface covered on the top) (glass(glass covered on top)

Rotatable Surface Flat surface that could beFlatrotated Medium Storage Medium storage Seating area Seating area

Underseat storage Underseat Storage

Open Open ceiling allowing Semi lights toSurface come in (glass covered on the top)

Seating area The Detailflat Plansurface could be rotated so it could be adjusted whether the users want to use it as working space or not. scale: 1/20

Medium Storage Medium storage

The new workplace will be adjustable to the users whether they want to use the flat surface or not. It could be rotated to outside so it will only be a flat surface for seating.

ModelSpacious Making space space for model making


Plan

Section


06.

“ R U OK?� AWARENESS LOCATION: MUMA Backyard, Monash Caulfield to Monash HUB

Learning new thing at university could be challenge for some students. Perhaps the students might have learning difficulties but they have not realized it. Therefore in September (in the mental health awarness month) Monash University promotes how students could seek help from professional. The way to promotes by designing routes from students-gathering space into Monash Health Center.


Site:

Site Diagrams: the site surrounded building of the site

Low light (tree shadow) High light (direct sunlight) Medium light (direct sunlight+tree leaves shadow)

m

g

ce spa

diagram

Surro

The project is located in the MUMA Courtyard where it is usally beng used as students gathering during free time and also smoking area.

diagra

u nd in

Light

MUMA gallery Dry plant/bush Long wooden bench

the site ture diagram Tex

Concept Diagrams:

Grass (soft, move along the wind flow) Wood (medium rough, static shape) Stone (rough, dynamic shape)

The puzzle represents our body parts need one another to assemble a healthy body The whole represents something missing in our body equal to unhealthy condition

Precedents:

There will be objects placed on the structure of the pavillion as signage.

Midtown jogging route signage by Monocle (Tokyo) Giving direction using box with the arrow. The other idea could be put a light inside with a transluency materials, thus it could turn on at night.

Omiya Football Space Stadium (Saito, Japan) The graphic looks interesting with some movement which directs they way people go

Bovisa Gallery by Silvia Amaduzzi (Bovisa) The small graphic on the wall interact people to look it closer and it becomes the direction of location they are going.


Pavillion could be used as gathering space for students as well.

smale intimate interaction

touch green bean nature soft texture

Small objects that could be touched as objects to remind them to relax

To promote the design issue, objects that attract attention are placed in several places in the pavillion. The object is inspired by turtle, which means to slow down. Besides, the object could be opened on the top and inside there were beans that could be pat by students since beans are wellknown to stimulate muscle in hands that cause relaxation as well.


stress?

alone? smile?

smile?

( L ) SCALE

sick?

stress?

alone? smile?

smile?

sick?

stress?

happy?

Near the pavillion, the wooden bench will have shade as a way leading students to the ELEVATION Monash Health Center SCALE 1:50

SECTIONAL ELEVATION SCALE 1:50


07.

FLOWER KIOSK LOCATION: Flinders Station

Flinders Street Station has been iconic local central station in Melbourne. People come and go rapidly. In this project, the flower kiosk will be moved to central inside the station. Due to the rapid movement in the station, do people still have time to order at the shop? Or perhaps they prefer to order online and just get the flowers straight away from the shop?


S EAR CH SEARCH SEARCH

P I CK UP

O R DER ORDER

PICK UP

P IC K U P

ORDE R

Site

Site Diagrams: BU S Y HOUR

BU S Y HOUR

CENTER OF S TAT I O N

C E NT E R O F S TAT IO N

BUSY HOUR

CENTER OF STATI ON

QUEUE

The site will be inside LINE Flinders Station,which is estimated replacing Baguette NEAR Kiosk to FlowerWA kiosk. ITING AREA

Legends: New flower Kiosk The flow of people to the Flinders Station Train platform

Concept Diagrams:

QUEUE L INE

NE A R WA IT ING AREA

QUEUE LI NE

NEAR WAI TI NG AREA

Precedents:

De Stijl consists geom et r y of SM ELLp r inc ip le of BUY LO O K of fundamental BUY straight line, square, combined wit h w it h a s t rong SM ELL LO O K as ymmetricality;The predominant us e of p ur e p r im a r y colors with blac k and white; and t he r ela t ions hip b et ween positive and negative elements in a n a r ra ngem ent of n on-objective for ms and lines PICK UP

Flinders Flower

day

order now

?

mon/8

Flinders Flower ?

order now

SEARCH SEARCH

time

8am-10am

UP tue/9 PICK 11am-2pm

wed/10

done

3pm-5pm time day

other mon/86pm 8am-10am tue/9

11am-2pm

wed/10

3pm-5pm

other

6pm

done

O RDER O RDER

PICK UP PICK UP

BU SY H OBU U RSY HOUR

D e St i j l c o ns i s ts o f f und a m e nta l p r i nc i p l e o f ge o m e tr y o f s t ra ig ht l i ne, s q ua r e, c o m b i ne d w i th w i th a s tro ng a s ymm e tr i c a l i ty ;The p r e d o m i na nt us e o f p ur e p r i m a r y c olor s w i th b l a c k a nd w hi te ; a nd the r e l a ti o ns hi p b e twe e n p os it iveD e a nd ti ve e nts r rat nge f l e of geom et St ne i j l ga c on s i setlse mof f uinndaanmaen a l pm reintn coi p n on - ob j e c ti ve fo r m s a nd l i ne s

s t ra i g h t l i n e, s q u a r e, c om b i n ed w i t h w i t h a s t ron g a s ym m et r i c a l i t y; T h e p r ed om i n a n t u s e of p u r e p r i m a c ol or s w i t h b l a c k a n d w h i t e; a n d t h e r el a t i on s h i p b e


ION & DESIGN 1.

the new flower shop is designed to look like modern gallery that also educate people using digital media, so the customers would be able to understand more the meaning behind the flower they are going to buy. besides there are four entrances which indicates welcoming customers from four different directions.

APPLICATION & WEBSITE DESIGN

0

40

2.

3.

the new flower shop is designed to look like modern gallery that also educate people using digital media, so the customers would be able to understand more the meaning behind the flower they are going to buy. besides there are four entrances which indicates welcoming customers from four different directions.

Plan detail of Plan Detail the information Information / Self Servebooth Booth

80

120

160


browing, smelling, interacting media: 3Ds max 2009, photoshop

smelling, the newbrowing, flower shop designed to interacting look like modern gallery that media: 3Dsismax 2009, photoshop also educate people using digital media, so the customers would be able to understand more the meaning behind the flower they are going to buy. besides there are four entrances which indicates welcoming customers from four different directions.

Floor Plan FLOOR PLAN SCALE:1/100

FLOOR PLAN

ELEVATION A Short elevation

Long elevation ELEVATION B SCALE:1/100

SCALE:1/100


08.

DETAILING PLAN REMOVE 900MM EXISTING WALL TO HAVE A DOUBLE FIXED GLASS WINDOW WITH 900MM HEIGHT AND 900MM WIDTH. REMOVE 720MM EXISTING WALL TO HAVE A FIXED GLASS WINDOW WITH 1000MM HEIGHT AND 720MM WIDTH.

RETAIN METER BOARD (688mm x 485mm x 278mm)

B

A 5055

4730

4730

D

C 4115

E 3950

1660

REMOVE KITCHEN INCLUDING REFRIGERATOR, BENCTOP, UNDERBENCH, OVERHEAD CUPBOARDS.

GENERAL NOTES

1 1000

REMOVE ALUMINIUM-FRAMED GLAZED DOORS AND SIDE LIGHTS

3420

2000

2

REMOVE ALL THE SKIRTING THROUGH ALL THE INTERIOR WALLS REMOVE ALUMINIUM-FRAMED GLAZED DOOR AND SIDE LIGHTS AT EAST AND WEST ENDS. REMOVED ALL LIGHTING AND POWER FITTINGS AND FIXTURES, EXCEPT THE METER BOARD. REMOVE ALUMINIUM-FRAMED WALL AND CEILING PANELS

REMOVE POWDER ROOM (TOILET),STAIR, AND BASIN, INCLUDING ALL PLASTERBOARD PARTITION WALL AND CEILING.

1570

RETAIN HYDRONIC HEATING PANELS

INSTALL THE EXISTING DOOR EXIT WITH LOCKABLE DOOR.

01 ID2000

COPYRIGHT

DEMOLITION PLAN

SCALE: 1/100

KANADI

MONASH UNIVERSITY,BUILDING CONSTRUCTION C


A

B

D

C

E

MICROWAVE TO BE PROVIDED BY THE OWNER 4795

4730

4730

4115

3950

2

1980

1203

273

1250

1085

1510

ID5100

2250

840

1855

1001

815

2562

1188

LF:03

1

ID3000

LF:06

LF:08

E.05

LF:01

STORE

ALLOW TO PAINT ALL EXISTING WALLS, EXPOSED CEILINGS/SLABS, PLASTERBOARD CEILINGS, COLUMNS AND DOORS. PAINT FINISH AS SPECIFIED. PREPARE FLOOR READY FOR NEW FLOOR FINISHES. APPLY SELF LEVELLING COMPOUND TO ENSURE 2 - 3 mm TOLERANCE

4

ID2300

DR 02

120 450

3

2

ID3000

LF:01

JO:02

E.05

2000

LF:07

NEW METAL LOCKABLE STATIONARY CABINET WITH TWO DOORS.

1

230

1070

JO:03

JO:03

KITCHEN

ID5300

LF:06

BUILDER TO ALLOW FOR CO-ORDINATION & INSTALLATION OF ALL EQUIPMENTS SUPPLIED BY CLIENT

LF:02

LF:01

2

LF:01

PHOTOCOPIER TO BE PROVIDED BY THE OWNER

LF:03

JO:01

JO:01

OFFICE

3138

2714

2000

1003

GENERAL NOTES E.04

ID3000

1

504

JO:02

FRIDGE TO BE PROVIDED BY THE OWNER

590

2230

1403

1

DR 05

594

ID3001

256

1

ID5300

JO:01

ID5100

JOINERY TO ENSURE STRUCTURAL INTEGRITY OF ALL JOINERY.

TV IS PROVIDED BY THE OWNER

3

2660

JOINERY NOTES

JO:01

2

ID5300

1810

602

LF:04

DR 04

450

LF:05

2420

1562

1043

2607

PROVIDE ADEQUATE SKIRTING CLEARANCE AT ALL EXISTING BUILDING WALLS. 1944

199

901

900

1500

744

441

490

540

2229

01 2200

GENERAL ARRANGEMENT PLAN SCALE: 1:100

PROVIDE ADEQUATE CABLE ACCESS TO ALL ELECTRICAL UNITS & AREAS INCLUDING CABLE ACCESS COVERS.

3141

3541

401

1475

900


210 123

1080

890

610

458

458

870

600

125

SINGLE DISHWASHER TALL DD60SDFTX7

486 384 236 1400

ALLEGRO CERAMIC TILES 300mmX300mm FINISH FOR THE BENCHTOP

E.02

PULL TYPE STORAGE DOOR KNOB

329

MICROWAVE TO BE PROVIDED BY THE OWNER

954

SATIN LIMESTONE CERAMIC TILES 300mmX300mm

E.01

1695

840

E.03

FRIDGE TO BE PROVIDED BY THE OWNER

OVERHEAD SHELVING MADE OUT OF MDF SHEET

486

"BLACKBUTT" LAMINEX TIMBER VENEER FOR STORAGE

705

"BLACKBUTT" LAMINEX TIMBER VENEER FOR STORAGE

385

540

WHITE MATT LAMINATES WALL CABINET WITH 300MM DEPTH

1501

434

1499

E.03

100

DR

02 ID7003

01

KITCHEN ELEVATION

ID3000

02 SCALE: 1/50

ID3000

MAGNETIC WHITEBOARD 600mmX450mm

STORE ROOM ELEVATION

SCALE: 1/50

MITSUBISHI 8.0 KW REVERSE CYCLE INVERTERSPLIT SYSTEM AIR CONDITIONER

METER BOARD

720

140

299

538

278

200

3750

486

486

141

HEXAGONAL DESIGN PINBOARD WITH SAND AND NAVY BLUE COLOUR

900

900 255

10MM MDF SHEET AS THE SEATING BASE

03 ID3000

OFFICE ELEVATION

1000

1200

SEATING FILL WITH POLYUTHREANE FOAM

743

OFFICE CHAIR FROM DEST3000 WITH ALUMINIUM WITH BLACK LACQUER FINISH.

688

425 NARROW LINE ALUMINIUM FRAME DOUBLE GLAZED WINDOW

SINGLE GLAZED AWNING WINDOW WITH CAPRAL ALUMINIUM FRAME

OFFICE DESK FROM ZUSTER WITH WOODEN TIMBER BLACK COLOUR FINISH.

626

614

2

ID5100

04 SCALE: 1/50

ID3000

STORE ROOM ELEVATION

SCALE: 1/50


1

ID5100

ADJUSTABLE SUSPENSION ROD-CONCRETE (RONDO 547 SERIES)

SINGLE-SIDED- PARTITION / FR L 120/120/120 WITH CSR055 FROM FLOOR TO CEILING. DESCRIPTION:SINGLE PLASTERBOARD LINING TO EACH SIDE OF THE STUDWORK.

DESCRIPTION: SINGLE-SIDED-PARTITION LINING TO EACH SIDE OF THE STUDWORK FROM FLOOR TO CEILING EXPRESS JOINT TO THE EXISTING WALL.

16mm GYPROCK PLASTERBOARD GYPROCK TRIO CORNICE

16mmGYPROCK PLASTERBOARD

75MM GLASSWOOL PARTITION WITH RN45 RATING

STUDWORK: PROPRIET Y STEE L STUD FRAMING 90MM WIDE LIPPED X 0.75 GA LVANIZED STEEL FRAMING AT 600MM MAX CENTERS

16mm GYPROCK PLASTERBOARD

INSUL ATION: ACOUSTIC INSUL ATION BETWEEN THE STUD SYSTEM WITH 75 GLASS WOOL PARTITION FOR ACOUSTIC SYSTEM WITH RN 45 R ATING.

GYPROCK TRIO CORNICE

INSULATION: NIL

EXISTING BRICK WALL

LINING: 13mm GYPROCK SOUNDCHECK PLASTERBOARD. SKIRTING: TIMBER SKIRTING 180mmx25mm WITH WHITE PAINT FINISH FINISH: THREE COAT PAINT SYSTEM ON TOP OF THE PLASTERBOARD.

LINING: 16mm GYPROCK F RYCHEK PLASTERBOARD WITH CSR055. SKIRTING: TIMBER SKI RTING 180mmx25mm WITH WHITE PAINT FINISH

STUDWORK: RONDO 155 EXPRESS JOINT FURRING CHANNEL FRAMING 48MM WIDE WITH A 10mm WIDE CENTRAL STRIP AT 600MM MAX CENTERS

1 ID5101 13mm GYPROCK SOUNDCHECK PLASTERBOARD

155 RONDO SERIES-WIDE FURRING CHANNEL WITH 10MM EXPRESS JOINT

TIMBER SKIRTING 180mmX25mm WTIH WHITE PAINT FINISH SELECTED FLOOR FINISH TIMBER SKIRTING 180mmX25mm WTIH WHITE PAINT FINISH SELECTED FLOOR FINISH LEVELLING COMPOUND AS REQUIRED

1

PARTITION TYPE 01

ID5000

COPYRIGHT

2

CONSTRUCTOR NOTES

PARTITION TYPE 02

ID5000

SCALE: 1/10

KANADI design

SCALE: 1/10

MONASH UNIVERSITY, BUILDING CONSTRUCTION C Partition Types (section Detail)

RTIST

CK

8 OCT 2013

1:10

ID5100


09.

5.

OTHER ARTS

Ceryle Kanadi. Tunnel going up to the centre. 10 April 2015. Digital collage, Fineliner 0.4, Scanner. 420x297mm.

Ceryle Kanadi. Waltz impression. 12March2015. Paper print, pasteboard, tracing paper, glue, double tap, fineliner pen. 420 x 594 mm.

Ceryle Kanadi. Tunnel going up to the center. 10 April Ceryle Kanadi. Tunnel going to the 2015. Digital collage, Fineliner 0.4up , glue, Scanner. centre. 10 April 2015. Digital collage, 420x297mm Fineliner 0.4, Scanner. 420x297mm.

Ceryle Kanadi. Dam. 10DAM April 2015. Digital collage, 10 Ceryle Kanadi. interpretation. Fineliner 0.4 ,pencil, glue, Scanner. 420x297mm

April 2015. Digital collage, pencil, tracing paper, fineliner. 420x297mm.

Ceryle Kanadi. Waltz Impression. 12 March 2015. Paper pencil, plaster board, tracing paper, double tape, fineliner paper. 420x594mm


BY: Jennifer Chung CHORUS: I remember all the times that I had spent with my friends Taking BART to San Francisco just for 350 cents Talking, laughing, joking, didn't quite know what was to come Years of memories, irreplaceable fun I remember telling mom that I'd make her proud one day She would smile and knew exactly all the right things to say

Ceryle Kanadi. Lyrics of Common, Simple, Beautiful. 11 April 2014. Bread, Nutella, Pocky, Chocolate, Dry peanut, Nori, Ritz, Banana, Broccoli, Mushroom, Cream Cheese. 420x297mm.


Ceryle Kanadi. Blue Collection. 12 March 2017. Paper, pencil, copic marker, watercolour, fineliner.


Ceryle Kanadi. Water Colour. 12 March 2017. Paper, pencil, copic marker, watercolour, fineliner.


10.

PROFESSIONAL WORKS

sketches during internship


render interior for tropical contemporary modern living room



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