If i’d got paid by each time i have kissed, i could buy two marzipans.. “Bonito” is a piece of comic movement, that explores the extreme use of the body and arrhythmia. Inspired in the teenage universe and its intensity. A work that adresses an extense emotional spectrum through movement techniques and a peculiar visión of the theatrical clown. A pause to open the eyes bigger, to admire, to receive stimulus, to listen and sense in the soul any everlasting bit. An improbable choreography of gazes and everyday actions to the pace of a murmur that shrouds you little by little, the bit addition that makes you advance Omar Barrios
.Research Process Is a perfomance proposal for a comic choreography with an approach from the visual theater with elements inspired in illustration books and graphic works. We build over three main research lines: -The small perceptions of tiny stimulus that upset us and transform us affectionatelly. The implications in the gestural, reactions, breaks and transformations of the expressive body. -The pretty in Destruction - the horror in construction: the manipulation and limits of “the pretty” and “the ugly” by the current social structures, media, economy, markets, education, religion, etc. where is the pretty? where and how can is the mood of most people? what motivations emerge to advance and repeat routins? why humans accept and make non-pretty actions every day? -The fragility as a way to sense limits. The astonishing in the simple and boundless. The minimum and maximum of our own acrobatic body. The imagination that builds realities going beyond the present, the feeling of life and transcendence.
Subjects: transgresión, provocación, pausa, movimiento espontáneo, velocidad, trascendencia, belleza, asco, crueldad, amor. Technical Information ·Bonito· Duration - 60 minutes Movement Theater, clown, silent humor Circus Techniques, coreography and visual dramaturgy Adressed to all audiences 1 act includes partial nudity
How far are we from being close? I am what you see if you see me
.Motivations We have the need of taking risks, producing performances that open routes for creation. Crossing disciplines, venture in the techniques with bases that are apparently unconnected, change the materials. With this work we want to expand a search for stories in images, starting with disciplines that are “natural� to the circus, like dance, theater, music and visual arts. We are interested in working with diverse teams, atracted to learning and the challenge of finding different languages and rythms in common between artists from different backgrounds. Since our teenage we enjoy exploring detailed experiences that are provocative. We search from laugh, to question the serious and to keep our self surprised. To create a show that moves small threads in our bowels. We trust in the potential of circus to inspire, evoque and provoque the ritual of meeting and play.
bonito
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I like to stare at your butt..
General Requirements and Technical Rider Escenarios / Tramoya 1 italian stage 10m front by 8m depth by 7m tall, with woden flor color black or gray. Blackbox, 1 background curtain, 1 front curtain. 3 anchorage points over the stage with an appropriate structure that supports a minimum of 1/2 ton. for aerial acts. 2 fog machines
Iluminación 8 leko lamps 26º 1000 watts. 2 leko lamps zoom 25-50º 750 watts. 12 par 64 lamps 1000 watts. 6 par 64 lamps 500 watts. 4 fresnels 8” 1000 watts. 4 electric bars with 8 circuits 2.4 kilowatts each. 8 circuits on floor (4 each side). 4 circuits at the catwalk. 1 light console for programming 25 light groups and record 50 cues. 1 dimmer bank 2.4 kilowatts 1 spotlight 2000 watts
Audio 3 ambient microphones 1 sm 57 o 58 1 sm86 condensador 2 stands con boom 12 channel mixing console 2 monitors
Props 1 Bag of fine cotton (provee compañía) 1 Mattress - 2mt x 1.20mt x 20cm with 2 old chairs (provee el contratante)
Nevertheless we still missing wise music for our desire.. Spaces 1 dressing room, with toilet, mirrors. 1 big table for props, next to the stage * Available space _1_ day(s) before presentation, for 2 rehearsals with all the team and technical equipment * Enough time before presentation for setup and sound, light or video test. * Catering (water, coffee, fruits, chocolate, carbohydrates) * Personal suficiente de Staff y Seguridad
for Tour: - Travel allowance for 5 PEOPLE (accomodation, food, transport) - Equipment for TRANSPORT: •2 Plastic BOXES - 20 KG •3 big SUITCASES - 25KG. •1 AERIAL HOOP - 1mt diameter
SHOW HISTORY 2014 - 2017 • • • • • • • • •
Circo em Cena - Teatro Alfredo Mesquita - Sao Paulo, Brasil Feverestival Inernacional - Campinas, SP, Brasil FIL - Feria Internacional del libro de Guadalajara Palestinian International Circus Festival - Palestine Official premier - Teatro Alarife Martin Casillas - Secretaria de Cultura Jalisco Residence and Pre-oppening - Teatro Jaime Torres Bodet - Guadalajara Creation Residence - Canapé Circus / Festival Deltebre Dansa - Barcelona Winner of Proyecta Grant 2015 for production - Secretaría de Cultura Jalisco 1st Creation Laboratory 2014-2015 / Encuentro Internacional de Creadores Escenicos – Guadalajara
CRÉDITOS Director Omar Barrios
CAST Violeta Castro Fernando Mánica César Omar Barrios
CREATIVE TEAM Selene González - light design Carlos S. Vilches – Music Composer Rombo - Costume and Props design Les Slovaks – Dance trainning Giovanna Piazza – Vocal trainning Aldo Barrios – Photography C u a r t a – Media and Executive Production
Support • “Proyecta” Production Program · Secretaría de Cultura de Jalisco • FiCHo · Festival Internacional de Circo y CHou de México
Contact Selene González (Technical Coordinator) +521(33) 1175 9444 César Barrios (Direction) +521(33) 1439 7408 cabaretcapricho@gmail.com www.cabaretcapricho.com @cabaretcapricho