Architecture Undergraduate Portfolio by Chaitanyaa_Agrawal_

01 02 03 04 05 06 07 08 09

B O M B AY V E T E R I N A R Y C O L L E G E A rchitec tural D esign Studio I SEMESTER 6

C R E M AT O R I U M A rchitec tural D esign Studio I SEMESTER 3

M I X E D U S E FA C I L I T Y A rchitec tural D esign Studio I SEMESTER 5

W O R K I N G D R AW I N G S C o n s t r u c t i o n Te c h n i c a l S t u d y I S E M E S T E R 6

S PA N I S H C A F E Interior Design I SEMESTER 4

RE-CONNECT Comp etition I SEMESTER 6

D O C U M E N TAT I O N S SEMESTER 2 & 4

RESEARCH I WRITING ARCHITECTURE P U B L I C AT I O N & C O M P E T I T I O N S

MISCELLANEOUS INTERESTS

B O M B AY V E T E R I N A R Y C O L L E G E CAMPUS DESIGN

Location : Lower Parel, Mumbai Area : 31,800 m2 F a c u l t y : A r. S h e k o b a S a n a p A rchitec tural D esign Studio I SEMESTER 6, 2021

The Bombay Society for the Prevention of Cruelty to Animals was founded in December 1874 and is over 144 years in existence. Sir Dinshaw Petit decided to make the provision of a veterinary hospital his own special care. The foundation of The Mumbai Veterinary College, Mumbai, in 1886 marked the establishment of the veterinary profession in this country. The aim of the project is to create a youthful vibrant environment for students, creating formal-informal learning spaces. The site has a heritage significance, with a lush green cover which adds to the serenity of the space. Designing a campus with hostel facilities for students, alongwith an animal hospital and rehabilitation facility, the brief also includes designing an animal cafe. Preserving the existing vegetation and creating a micro-climate, enhancing the human-animal-environment interactive experience is the key concept.

CONCEPT

AT T R I B U T E S Existing vegetation cover on site

C O M PA S S I O N

ENHANCE

COMPREHNSIVE

AID

STRESS

REDUCE

EMERGENCY N AT U R E

UPLIFT COMBINE

Massing of structures based on green cover and connecting through experential bridges

Passive design methods used to create a microclimate

SEMINAR HALL

SECTION

DEVELOPMENT

ZONING

BOY’S HOSTEL

G I R L’ S H O S T E L

ANIMAL CAFE

LEGEND 1. ADMIN BLOCK

CONFERENCE ROOM WA I T I N G A R E A ADMIN AREA FA C U LT Y R O O M S LIBRARY TOILE T SEMINAR HALL

2 . H O S P I TA L

PHARMACY PAT H O L O G Y X - R AY A N D M R I S C A N OPD- SMALL ANIMAL OPD LARGE ANIMAL P R AY E R A R E A

3 . A N I M A L WA R D S

L A R G E A N I M A L WA R D S

( C AT T L E A N D H O R S E S H E D )

4. AC ADEMIC BLOCK

TRUSTEE ROOMS DEAN’S ROOM OFFICE AREA

5 . G I R L’ S H O S T E L

RECEPTION W A R D E N A N D S TA F F A R E A LAUNDARY R E C R E AT I O N A L A R E A

6. BOY’S HOSTEL

RECEPTION W A R D E N A N D S TA F F A R E A LAUNDARY CANTEEN

7. CAFE

BIRD CAFE C AT C A F E KITCHEN ENTRY

PLAN

(GROUND FLOOR)

4 5

LEGEND RCC floating roof Skylight

1. ADMIN BLOCK BOARD ROOM MEETING ROOM STORAGE

2 . H O S P I TA L Service Core

Classroom (40 capacity) Classroom (40 capacity) Classroom (60 capacity) Laboratory

O P E R AT I O N T H E AT R E PAT H A L O G Y L A B OPD- SMALL ANIMAL P R AY E R A R E A

3 . A N I M A L WA R D S SMALL ANIMAL WA R D S ( C AT A N D D O G W A R D S )

4. ACADEMIC BLOCK

CLASSROOMS ( 6 0 C A PA C I T Y ) CLASSROOMS ( 4 0 C A PA C I T Y ) COMMON ROOMS

5 . G I R L’ S H O S T E L

HOSTEL ROOMS R E C R E AT I O N A L A R E A

Bridge connecting to hospital

Library Admin office Conference room Waiting lounge Entry

S E C T I O N A - A’

6. BOY’S HOSTEL HOSTEL ROOMS COMMON READING AREA

7. CAFE

BIRD CAFE C AT C A F E

PLAN

(FIRST FLOOR)

6 1

WA I T I N G A R E A I N S I D E H O S P I TA L The waiting area in the courtyard for hospital with circular columns allows for a free movement

LIBRARY SPILL OVER

The library spills over the green open space near the animal wards, creating a space for human-animalenvironment interaction and promote informal learning.

INSTITUTE

A N I MA L WA R D S

H O S P I TA L

VET INSTITUTE CORRIDOR

The skylight and circular collonade offers play of light and shadow inside the academic block. The staircase becomes a design feature as well.

BRIDGE OVERLOOKING CAMPUS Bridges, ramps and staircases throughout the campus act as experential movement spaces amidst the lush green vegetation on site

BOY’S HOSTEL G I R L’ S H O S T E L

CAFE

ADMIN OFFICE

TRANSCEND

C R E M AT O R I U M AT B A N G A N G A Location : Malabar Hill, Mumbai Area : 6700 m2 F a c u l t y : A r. P o r u s M a s t e r A rchitec tural D esign Studio I SEMESTER 3, 2019

The site is situated on Malabar Hill one of the seven islands of early Mumbai. The crematorium is the only one in ward D. The site with its prominent north south orientation has a sea on the west. The Banganga crematorium is the only crematorium in Mumbai which is located on a part of naturally sloping ground towards the sea. The site has major historical importance because of Banganga tank and Walkeshwar temple which is merely 200mts away. The project aims at redefining the idea of a crematorium. Various interpretations relating Life, Death and Memory were drawn, forming a concept. The poet Maurice Maeterlinck said in 1911 about cremation: “Purified by fire, the memory lives in the heights as a beautiful idea; and death is naught but an immortal birth cradled in flame.” As Life implies Death, and Death implies Life, there is a duality in every aspect, through which we experience emotions Happiness and Sadness. These interpretations have been expressed architecturally through Light and Dark, Mass and Void, Concave and Convex form.

B’ B

C’

PLAN N

LEGEND 1. BMC

1a. ASTHI STORAGE

2. 3. 4. 5. 6. 18

TOILET C A R E TA K E R ’ S H O U S E CANTEEN POOJA SHOP TEMPLE AND SAMADHI

7. CHILDREN’S BURIAL 8 . C R E M AT I O N P Y R E ( W O O D ) 8.a CHIMNEY

9. PRE-RITUAL AREA 1 0 . C R E M AT I O N P Y R E 1 1 . WAT E R C O O L E R 1 2 . F LO W E R G A R D E N

(ELECTRIC)

SEA

A’ 2 10

S E C T I O N A - A’

SECTIONS

ENTRANCE TO THE SITE

SECTION B-B’

SECTION C-C’

VIEWS

TRADITIONAL PYRE The small pockets / openings created with and within the structures provide a glance of the spaces ahead. The sea is not directly visible to the users, but gets framed by the structures .

MEMORIAL A space connected with nature providing a serene environment for quiet contemplation. The openings/pockets created within the structures provides a glance of this momorial, intriguing the users to visit. An arch on the base of the stone memorial allows sea to enter the space, providing a water channel to offer earthen lamps.

S I D D H I V I N AYA K B O U L E VA R D M I X E D - U S E FA C I L I T Y

Location : Prabhadevi, Mumbai Area : 13800 m2 F a c u l t y : A r. S w a p n a H a n k a r e A rchitec tural D esign Studio I SEMESTER 5, 2020

The Mumbai metro, cutting across the island city, suburbs and MMR, brings tremendous development potential. The metro rail infrastructure has a positive impact on land value, specially the zone in its immediate surroundings. MMRCL had thus evolved such a policy which shortlists land uses integrated along with the metro stations- hospitality, commercial, retail among the most viable uses. Prabhadevi/Siddhivinayak Metro station is one such great potential, given its central location and next to one of the most preeminent religious site in the country. The corporation thus aspires to develop and invite design proposals for a business hotel and mid-size, high end retail facility. It also wishes to construct its own head office building, considering the prime and central location. This tri-pronged development will also add value to the existing urban setting and the surrounding, by an expected dynamic architecture. It is visualized as a kind of mini high-street throb, thronged by all the three users and public.

S I T E O B S E R VAT I O N S

Identifying Axis (Trails) w.r.t Nodes and Conflicting areas in site

Site Development considering pathways and movement

Public, private and semi-private zoning based on movement

Zoning and orientation based on views to and from site

CONCEPT

Amidst the chaos, Amidst the bustling trail, Honking cars, construction, clamour everywhere! Yet, the tranquality of morning prayers Still prevails. The city that never sleeps, But only dreams. The city that connects the rich, the poor, the ordinary, Into a new realm. The divide exists, Social, cultural, physical. This leads to discipline, Communities, people and vehicles. Yet what binds all together, Can be seen, can be felt. Amidst the chaos, Even peace can be felt. If only one changes the path, and dares to divert the trail. Amidst the chaos, Even peace can be felt.

B’ A

FIRST FLOOR

GROUND FLOOR

SECOND FLOOR

LEGEND 1. BUSINESS HOTEL GROUND FLOOR

RECEPTION ADMIN OFFICE MEETING ROM

FIRST FLOOR

CONFERENCE ROOM (2 NOS)

SECOND FLOOR

24-HR CAFE BAR T E R R A C E S E AT I N G A’

THIRD FLOOR FINE DINE

FOUR TH FLOOR

M U LT I P U R P O S E H A L L

2. MMRCL OFFICE 3. COMMERCIAL COMPLEX

STORES PLAZA O U T D O O R S E AT I N G

2 0

THIRD FLOOR

PLAN

FOURTH FLOOR

S E M I - O P E N S E AT I N G The form of the commercial complex allows for semi-open seating spaces created intertwined with the walkway, making the users discover these spaces on their trail

V I E W F R O M S AYA N I R O A D

C A N T I Cantilever L E V E RDetail D E TA I L

Architectural detail of ﬁns on facade

FA C A D E D E TA L - F I N S Architectural detail of ﬁns on facade

SECTION B-B’

S E C T I O N A - A’

MASS

DIVIDE

V I E W F R O M WA L K WAY S TA G G E R

CONNECT

FORM DEVELOPMENT The cantilevers along with the facade create a dynamic form. The multipurpose hall area creating a bridge between the two built forms adds to the dynamism of the form.

VIEW FROM JUNCTION

W O R K I N G D R AW I N G S FOR MMRCL OFFICE SEMESTER 6 20 MM THK CHINA MOSIAC 25 MM THK PCC 100 MM THK BBC 3 MM THK WATERPROOFING

20 MM THK CHINA MOSIAC 25 MM THK PCC

25 MM THICK PLASTER

100 MM THK BBC

LIFT MACHINE ROOM

3 MM THK WATERPROOFING

3170

RCC OVER HEAD TANK 1500 MM DEEP

TERRACE TERRACE FLOOR LEVEL

3500

20 MM THK VITRIFIED FLOOR TILE

OFFICE AREA

D15

20 MM THK SCREEDING

NINTH FLOOR LEVEL

260

840

880

2080

1200

3160

3300

RAILING 1800 MM HIGH

2150

+34.34M LVL

820

1270

25 MM THICK PLASTER

LIFT LOBBY

2080

D15

3500

OFFICE AREA 260

840

880

3300

1200

2900

2M X 3.5M CURTAIN WALL SYSTEM

3160

LIFT LOBBY

3310

1270

25 MM THK NEERU FINISH PLASTER WITH WHITE PAINT

200 MM THK BRICK WALL

820

600

+31M LVL

EIGHTH FLOOR LEVEL

3500

3300

260

SEVENTH FLOOR LEVEL +24M LVL

2400

SERVICE FLOOR

260

700

2020

REFUGE AREA

2060

1650

1200

D15

360

1800

OFFICE AREA

D15

750

650

600

ACP CLADDING FROM GF TO TERRACE (3M X 1.3M)

840

880

2080

2900

1200

3160

LIFT LOBBY

820

600

+27.50M LVL

1270

RCC BEAM (300MM X 600 MM)

SERVICE FLOOR LEVEL

3300

3500

820

3160

D15

OFFICE AREA

FIFTH FLOOR LEVEL

260

880

CURTAIN GLAZING FROM GF TO TERRACE

840

2080

2900

1200

1270

600

+20.50M LVL

LIFT LOBBY

3300

3500

820

3160

OFFICE AREA

D15

260

880

FOURTH FLOOR LEVEL +14.60M LVL

820

3500

GENERAL NOTES

THIRD FLOOR LEVEL

3300

3160

OFFICE AREA

D15

260

840

2080

2900

880

3500

820

LIFT LOBBY

1200

1270

600

+11.10M LVL

SECOND FLOOR LEVEL

3300

3160

OFFICE AREA

D15

FIRST FLOOR LEVEL

260

840

2080

2900

880

3500

820

LIFT LOBBY

1200

1270

600

+7.60M LVL

3300 2090

20 MM THK VITRIFIED FLOOR TILE 20 MM THK SCREEDING

D16

PLINTH LEVEL +0.60M LVL

4000

600

840

2080

RECEPTION

D15

600

880

3500

1210 3160

820

LIFT LOBBY

1200

1270

600

+4.10M LVL

2900

3500 4000

1) All dimensions are in 'millimeters' unless specified 2) The drawing is not to be scaled. The dimensions are strictly to be followed. 3) All levels are unfinished levels unless specified. 4) The contractor shall verify all on site dimensions including elevations prior to the commencement of work on site. 5) The contractor shall inform the architect and/or project engineer on site regarding any conditions/ modifications required to be done prior to the commencement of work. 6) The contractor shall coordinate and verify the work indicated on the drawings between the architectural and various trade drawings, including but not limited to structural, electrical, plumbing, fire protection and exterior enclosure systems. 7) All work shall conform to relevant BIS codes and shall be best practice of each trade. 8) Any discrepancy is to be brought to the notice of the architect/ consultant before commencement of the site. 9) All work is to be completed to the satisfaction of site engineer/ project manager and architects

OFFICE AREA 260

880

D15

840

2080

2900

3300

3160

LIFT LOBBY

1200

1270

600

20 MM THK FLOOR FINISH VITRIFIED TILE 20 MM THK SCREEDING

840

2080

2900

1200

1270

600

+18.10M LVL

LIFT LOBBY

RAMP

2040

BASEMENT

1800

SPACE BELOW RAMP FILLED WITH SOIL

C1, C7

C6 0

C12

C11

D E

C5, C10, C13

C4, C9

B B'

5570

SECTION B-B'

5340

6160

6370

1 2 3

N 49320 E 11030

1000 MM x 400 MM

N 45950 E 14210 7060

400 MM x 1000 MM

11 10

FIRE EXIT

7060

3900

C3 , C4, C5

8 7 6 5

N 43340 E 14580

800 MM

3690

4 3

N 38530 E 19750

800 MM

N 33720 E 24920 800 MM

2 1

12 13 14 15 16

1470

1480

17 18 19 20 21 22

3690

N 41280 E 9460

15460

10110

10110 00

F.FL : -4.00 M

5630

BASEMENT PARKING

1000 MM x 400 MM

39 0

266 0

5 6 7

N 41280 E 3510

7200

464

5 6 7

1000 MM x 400 MM

C9, C10

29 00 39

N 34540 E 9910

1000 MM x 400 MM

N 31120 E 12860

N 26240

C10 E 18110

REVISION TABLE

800 MM

DATE

C11

REVISION

N 29820 9910

C11 E

C3 C4

956

5500

DESCRIPTION 0

1000 MM x 400 MM

81 80

120

240

SEWAGE TREATMENT PLANT

BMS ROOM

250

9210

10560

318

SUMP

ELECTRICAL ROOM 0

PUMP ROOM

C12, C13

5500

N 26620

N 19350

C12 E 3890

C13 E 11700

1000 MM x 400 MM

AHU PANEL ROOM, FAN ROOM C10

1000 MM x 400 MM

C11 FLUSHING TANK

DOMESTIC WATER TANK

R.W TANK

A' NE 14590 11230 0

0 0

CENTRE LINE PLAN 1 : 50

B B'

D E

B B'

D E

5570 FL : +0.15 M FL : +0.30 M

5340 1300

FL : +0.45 M

6160 1790

570

2000

580

6630

FL : +0.60 M

1780

820

1 2 3

2210

3860

3440

3900

420

4890 TOILET FFL = +0.620 M UFL = +0.375 M

1820

7060

1690

3250

700

1480

550

2840

1410

18090 2300

1300

770

1 2 3

D14

FFL = +0.640 M UFL = +0.60 M

19 18

D15

7200

17 16

8 9

D16

LIFT LOBBY FFL = +0.640 M UFL = +0.60 M

SW 1

1650

FFL = +1.79 M UFL = +1.75 M 0

C10

1800

D17

1550

SW 2

C11

FL : +0.45 M

1350

FL : +0.60 M

G. LIFT

5970

1910

0 62

5 6 7

22 21 20

AIR HANDLING UNIT

14420

RECEPTION

H.V 0 88

5 6 7

D13

2000

2370

D12 L.V

D11 F.F 0 0 14

PASSAGE 2210

2000

2600

5630

FFL = +1.79 M UFL = +1.75 M

FFL = +0.640 M UFL = +0.60 M

10110

420

2360 TOILET

D10

MMRCL OFFICE AREA

18090

10110

1100

1830

1380

1500

1300

FL : +0.30 M

FL : +0.15 M

W2 10920 80

0 98

SW 5

G. LIFT

72 10

57 00

SW 4

10660

0 0

B B'

C13

C12

D E

H GENERAL NOTES

160

D15

600

1550

TOR 8MM DIA LINKS AT 150MM C/C STEEL FOR STAIRCASE TOR 8MM DIA MAIN 300 TOR 8MM DIA STIRRUPS AT 300MM C/C TOR 8MM DIA LINKS AT 150MM C/C

850

DETAILED SECTION THROUGH STAIRCASE LANDING

2900

ARCHITECTURAL DETAIL

2900

DETAILED SECTION THROUGH STAIRCASE LANDING

900

D15

ANTI SKID GROOVES

310

D15

900

8 8 8

600

1550

600

25MM THICK ROUGH KOTA STONE TREAD TILE 25MM THICK ROUGH KOTA STONE TREAD TILE 20MM THICK CEMENT MORTAR 20MM THICK CEMENT MORTAR

10MM THICK POLISHED KOTA STONE FOR RISER 10MM THICK POLISHED KOTA TOR 8MM MAIN REINFORCEMENT STONE FOR RISER TOR 8MM MAIN REINFORCEMENT

140

160

140

160

850

ACP CLADDING LEVEL FIRST FLOOR FIRST +4.10M LVLFLOOR LEVEL

ANTI SKID GROOVES

310

8 8 8

850

FLOOR LANDING

ACP CLADDING

1600

ARCHITECTURAL DETAIL

1100

1550

STAINLESS STEEL HANDRAIL ALUMINIUM AWNING WINDOW (2000MM) ALUMINIUM AWNING WINDOW (2000MM) FLOOR LANDING

300

230X600MM RCC BEAMTOR 8MM DIA STIRRUPS AT 300MM C/C

TOR 16MM DIA MAIN STEEL FOR RCC BEAM

+7.60M LVL

230MM THICK BRICK WALL MID LANDING 25MM THICK PLASTER 230MM THICK BRICK WALL 25MM THICK PLASTER STAINLESS STEEL HANDRAIL

1710

1600

FOR RCC BEAM TOR 16MM DIA MAIN STEEL 230X600MM RCC BEAM

SECOND FLOOR LEVEL SECOND LVL FLOOR LEVEL +7.60M MID LANDING

1710

160

D8 FOR STAIRCASE TOR 8MM DIA MAIN STEEL

900

810

D15

810

1100

CTURAL LAYOUT GROUND FLOOR

1) All dimensions are in 'millimeters' unless specified 2) The drawing is not to be scaled. GENERAL NOTES The dimensions are strictly to be followed. 3) All levels are unfinished levels specified. 1) Allunless dimensions are in 'millimeters' unless specified 4) The contractor shall verify all on site dimensions 2) The drawing is not to be scaled. including elevations prior to thedimensions commencement The are strictly to be followed. of work on site. 3) All levels are unfinished levels unless specified. 10MM POLISHED KOTA STONE RISER 5) The contractor shall inform 4) theThe architect and/or contractor shall verify all on site dimensions STAINLESS STEEL HANDRAIL project engineer on site regarding any conditions/ including elevations prior to the commencement 25MM THICK ROUGH10MM KOTAPOLISHED STONE TREAD modifications required to be done priorontosite. the of work KOTA STONE RISER commencement of work. 5) The contractor shall inform the architect and/or 20MM THICK CEMENTSTAINLESS MORTAR STEEL HANDRAIL 6) The contractor shall coordinate and verify the on site regarding any conditions/ project engineer 150MM THICK RCC FOLDED STAIRCASE SLAB 25MM THICK ROUGH KOTA STONE TREAD work indicated on the drawings between therequired to be done prior to the modifications architectural and various tradecommencement drawings, including of work. 20MM THICK CEMENT MORTAR but not limited to structural,6)electrical, The contractor shall coordinate and verify the 150MM THICK RCC FOLDED STAIRCASE SLAB work indicated on the drawings between the plumbing, fire protection and exterior enclosure architectural and various trade drawings, including systems. but not limited structural, electrical, 7) All work shall conform to relevant BIS codestoand shall be best practice of eachplumbing, trade. fire protection and exterior enclosure systems. 8) Any discrepancy is to be brought to the notice All work shall conform to relevant BIS codes and of the architect/ consultant 7) before commencement of the site. shall be best practice of each trade. discrepancyof is to be brought to the notice 9) All work is to be completed8) toAny the satisfaction ofand the architects architect/ consultant before site engineer/ project manager commencement of the site. 9) All work is to be completed to the satisfaction of site engineer/ project manager and architects

FOR STAIRCASE TOR 8MM LINKS AT 150MM C/C FOR STAIRCASE TOR 8MM LINKS AT 150MM C/C

+4.10M LVL D8

RCC FOLDED SLAB 150MM THICK STAIRCASE RCC FOLDED SLAB 150MM THICK STAIRCASE

D15 D8

900

1750

D15

PLINTH LEVEL +0.60M LVLPLINTH LEVEL +0.60M LVL

150 MM THK PCC 230 MM THK RUBBLE SOLING150 MM THK PCC 230 MM THK RUBBLE SOLING MURUM

ARCHITECTURAL DETAIL

NOSING DETAIL OF STAIRCASE TREAD SCALE 1:2 ARCHITECTURAL

MURUM

PART SECTION DETAIL OF STAIRCASE TREAD

DETAIL

NOSING DETAIL OF STAIRCASE TREAD SCALE 1:2

REVISION TABLE DATE

REVISION

REVISION TABLE DESCRIPTION DATE

PART SECTION

REVISION

DESCRIPTION

DETAIL OF STAIRCASE TREAD

80MM DIAMETER HANDRAIL STAINLESS STEEL HOLLOW CIRCULAR SECTION 80MM DIAMETER HANDRAIL

STAINLESS STEEL HOLLOW CIRCULAR SECTION

6600

230MM THICK SHEAR WALL

18 12

20 15

21 16

22 17

5 10

3 9

1 7

D15

5050 6400

22 21 20 19 18 17 16 15

PART PLAN 16

STAIRCASE DETAIL STAIRCASE DETAIL 16

PART PLAN DETAIL OF STAIRCASE

C10

3 4 5 6 7

18 17 16 15

1 2

C10

13 4

5 6 7 8 9 10 11

KEY PLAN KEY PLAN

20MM THICK STAINLESS STEEL BASE PLATE (ANCHOR FASTENED TO STAIRCASE TREAD) STEEL BASE PLATE 20MM THICK STAINLESS (ANCHOR FASTENED TO STAIRCASE TREAD)

PROJECT NAME: PROJECT NAME: METRO HEAD OFFICE METRO HEAD OFFICE

SHEET TITLE:

ROOF PLAN

SHEET NUMBER:

SHEET TITLE:

16 ROOF PLAN

SCALE : SCALE :

NAME :

DETAIL OF STAIRCASE

1 2

14 13 12

1250

6400

1250

5050

MID LANDING STAINLESS STEEL HANDRAIL STAINLESS STEEL HANDRAIL

ALUMINIUM AWNING WINDOW (2000MM) ALUMINIUM AWNING WINDOW (2000MM) A' (1710X300) KOTA STONE TILE FOR TREAD (1710X300) KOTA STONE FLOOR LANDING TILE FOR TREAD FLOOR LANDING ACP CLADDING ACP CLADDING

810

STAINLESS STEEL HOLLOW SECTION

MID LANDING

40 MM DIAMETER BALUSTERS STAINLESS STEEL HOLLOW SECTION 40 MM DIAMETER BALUSTERS

230MM THICK BRICK WALL 230MM THICK BRICK WALL 25MM THICK PLASTER 25MM THICK PLASTER

2130

FFL = +0.640 M UFL = +0.60 M

2130

FFL = +0.640 M UFL = +0.60 M

FFL = +1.79 M UFL = +1.75 M

1800 12

3250

2000 3250

2000

4750

230MM THICK SHEAR WALL

1800

6600

4750

DETAIL DETAIL OF STAIRCASE RAILING AND BALUSTER 1:2 DETAIL OF STAIRCASE RAILING AND BALUSTER 1:2

NORTH

CHAITANYAA AGRAWAL NAME : CHAITANYAA AGRAWAL

SEMESTER 6

ARCHITECTURAL DETAIL ARCHITECTURAL

NORTH

T . Y . B.ARCH

SEMESTER 6 ACADEMY OF ARCHITECTURE, MUMBAI

SIGN AND STAMP

ROLL NO.

T . Y . B.ARCH

ACADEMY OF ARCHITECTURE, MUMBAI

SIGN AND STAMP

ROLL NO.

OHT

2250

RCC OVER HEAD TANK 1500 MM DEEP

OHT 20 MM THK CHINA MOSIAC 25 MM THK PCC 100 MM THK BBC

2250

3 MM THK WATERPROOFING

STAIRCASE MUMTY

CURTAIN GLAZING CONTINUED AS RAILING 1800 MM HIGH

TERRACE FLOOR LEVEL

600

1550

D15

+34.34M LVL

3160 2100

RCC BEAM (300MM X 400 MM) 200 MM THK BRICK WALL

2900

1950

25 MM THK NEERU FINISH PLASTER WITH WHITE PAINT

OFFICE AREA

NINTH FLOOR LEVEL +31M LVL

3300 2100

2900

1950

FOLDED RCC STAIRCASE 150 MM THK

600

1550

900

D15

D15 D6

OFFICE AREA

EIGHTH FLOOR LEVEL +27.50M LVL

600

1550

900

3300

D15

SEVENTH FLOOR LEVEL +24M LVL

2900

3300

1300 100

SKIRTING

OFFICE AREA

600

1550

20 MM THK FLOOR FINISH VITRIFIED TILE 20 MM THK SCREEDING

2100

2900

1950

ACP CLADDING FROM GF TO TERRACE

D15 1550

900

OFFICE AREA

SERVICE FLOOR LEVEL

2400

1400

+20.50M LVL

SERVICE FLOOR

FIFTH FLOOR LEVEL +18.10M LVL

OFFICE AREA

FOURTH FLOOR LEVEL +14.60M LVL

D15

OFFICE AREA

THIRD FLOOR LEVEL

+11.10M LVL

2100

1100

2900

3300

850

600

1550

900

1100

2900

3240

850

600

1550

2100

D15

900

1100

2900

3300

850

600

1550

D15

D15 D6

OFFICE AREA

SECOND FLOOR LEVEL +7.60M LVL

2100

1100

2900

3300

850

600

1550

900

OFFICE AREA

FIRST FLOOR LEVEL +4.10M LVL

2100

3300

850

600

1550

900

D15

900

1750

D15 D6

OFFICE AREA

PLINTH LEVEL +0.60M LVL

150 MM THK PCC 230 MM THK RUBBLE SOLING MURUM

GENERAL NOTES 1) All dimensions are in 'millimeters' unless specified 2) The drawing is not to be scaled. The dimensions are strictly to be followed. 3) All levels are unfinished levels unless specified. 4) The contractor shall verify all on site dimensions including elevations prior to the commencement of work on site. 5) The contractor shall inform the architect and/or project engineer on site regarding any conditions/ modifications required to be done prior to the commencement of work. 6) The contractor shall coordinate and verify the work indicated on the drawings between the architectural and various trade drawings, including but not limited to structural, electrical, plumbing, fire protection and exterior enclosure systems. 7) All work shall conform to relevant BIS codes and shall be best practice of each trade. 8) Any discrepancy is to be brought to the notice of the architect/ consultant before commencement of the site. 9) All work is to be completed to the satisfaction of site engineer/ project manager and architects

20 MM THK CHINA MOSAIC GASKET

25 MM THK CEMENT MORTAR

VENT HOLE

SECTION A-A'

100MM THK BBC

METAL FLASHING AT PARAPET 100 X 300 MULLION

100

25MM THICK EXTERNAL SANDFACE PLASTER HILTI BOLTS MULLION GRADE 316 SS BRACKET ASSEMBLY AND TENSION ROD

200 MM THK BRICK WALL PARAPET RCC BEAM (400 MM x 600 MM THK) MS CLIP CONNECTING MULLION TO RCC BEAM 780X1750X100MM ACP PANELS 160 MM THK RCC SUNK SLAB

GRADE 316 SS TENSION ROD

1500

PRESSURE PLATE ALUMINIUM CAPPING

150X100 MS TRANSOM

45°

EDGE DETAIL DETAIL SHOWING FACADE SYSTEM

230 MM THK BRICK WALL

A-401

95 250 20 MM THK CLEAR HST/LAMINATED GLASS

230

2000 300 X 100 TRANSOM

Ø60

GRADE 316 SS BRACKET AND FITTING 195 MM THK FLAT SLAB

780X1750X100MM ACP PANELS

25 THK MM FLOOR FINISH

SECTION

20MM THICK CEMENT MORTAR 150MM RCC SLAB MS CLIP CONNECTING TRANSOM TO MULLION

DETAIL SHOWING GLASS CANOPY SCALE 1:10

MS TRAY FOR FACADE PANEL TO SLIDE 2MM THICK METAL FLASHING AT THE GROUND LEVEL 300X600MM RCC PLINTH BEAM 150 MM THK PCC 230 MM RUBBER SOLING

6000

REVISION TABLE

BACKFILLING

DATE

REVISION

DESCRIPTION

200

END WALL SECTION DETAIL SHOWING FACADE SYSTEM SCALE 1:25 20 MM THK CLEAR HST/LAMINATED GLASS

2000

GRADE 316 SS BRACKET ASSEMBLY AND TENSION ROD

GRADE 316 SS BRACKET AND FITTING 300 X 100 TRANSOM

PROJECT NAME:

METRO HEAD OFFICE SHEET TITLE:

SHEET NUMBER:

100 X 300 MULLION

2000

SCALE :

2000

NORTH

FLAT SLAB

NAME :

CHAITANYAA AGRAWAL

SEMESTER 6

ARCHITECTURAL DETAILS

PLAN DETAIL SHOWING GLASS CANOPY SCALE 1:10

T . Y . B.ARCH

ACADEMY OF ARCHITECTURE, MUMBAI

SIGN AND STAMP

ROLL NO.

B B'

D E

5570 FL : +0.15 M FL : +0.30 M

5340 1300

FL : +0.45 M

6160 1790

570

6630

FL : +0.60 M

2000

1 2 3

B1 300 MM x 600 MM B8 300 MM x 600 MM

1300

3900

420

1 2 3

7060

FL : +0.375 M BATHROOM SLAB SUNK BY 250 MM

7060

700

B16

300 MM x 600 MM

DP1

DP3

DP2

SW 2

1300

1480

550

SW 1

300 MM x 600 MM

MMRCL OFFICE AREA 0

14420

10110

RECEPTION

3 0 MM BMM1x 60

11 M SW 11600 M BMM x

0 30

5 6 7

10110

2000

BMM3x 60

300 MM x 600 MM

4 0 MM B1x 60

M M

5630

F.FL : +4.10 M

420

BATHROOM SLAB SUNK BY 250 MM

5 6 7

20 19

7200

17 16

15 2

2 0 MM BM1x 60

BMM5x 60

0 0 MM BMM1x 60

0 30

1550

1350

FL : +0.60 M

1 C1

G. LIFT

FL : +0.45 M FL : +0.30 M

0 30

BMM4x 60

BMM9x 60

FL : +0.15 M

DP5

DP4

LIFT LOBBY

C10

0 30

4 5 6 7 8

13 12

1800

1910

B6x 60

2000

SW 13

G. LIFT 0

57 10

8 00

10660 0

0 0

B B'

600

STRUCTURAL LAYOUT GROUND FLOOR 1 : 50

C13

C12

D E

GENERAL NOTES

150MM THK RCC SUNK SLAB

800

RCC BEAM 300X600MM

4710

25 MM THK NEERU PLASTER FINISH 150 MM THK BRICK WALL

HER

RCC BEAM 300X600MM EXHAUST FAN ACP DRY CLADDING

HER

DISABLE

1500

1270

1150

1000

230 MM THK BRICK WALL

3500

MIRROR

WASH BASIN 12MM CERAMIC TILE

600

150 MM THK BRICK INTERNAL WALL 25 MM THK PARTITION 300X300MM DADO TILE

2200

HF WC

FLUSH TANK STAINLESS STEEL GRIP HANDLE HEALTH FAUCET

450

2300

GRANITE COUNTERTOP

2200

2080

890

2200 1800

300X300MM DADO TILE BIB TAP MIRROR

700 790

3500 2900

2100

12MM CERAMIC TILE

25 MM SCREEDING BRICK BAT COBA

PLINTH BEAM 400X600MM 150 MM PCC 230 MM RUBBER SOLING

BACKFILLING

SECTION B-B'

SECTION A-A'

1) All dimensions are in 'millim 2) The drawing is not to be sc The dimensions are strictly to 3) All levels are unfinished lev 4) The contractor shall verify a including elevations prior to of work on site. 5) The contractor shall inform project engineer on site reg modifications required to be commencement of work. 6) The contractor shall coordin work indicated on the drawi architectural and various tra but not limited to structural, plumbing, fire protection an systems. 7) All work shall conform to re shall be best practice of ea 8) Any discrepancy is to be br of the architect/ consultant b commencement of the site. 9) All work is to be completed site engineer/ project mana

5340 570

9560 600

25 MM THK NEERU PLASTER FINISH 150 MM THK BRICK WALL

1440

1100

2200

25 MM THK PARTITION

URINAL WATER CLOSET 12MM CERAMIC TILE 25 MM SCREEDING BRICK BAT COBA

600

2840

1410

B N

PLINTH BEAM 400X600MM 150 MM PCC 230 MM RUBBER SOLING BACKFILLING

3250 700

1480

550

950 450

3500

RCC BEAM 300X600MM

HER

300X300MM DADO TILE

950

3440

3900

A' 1690

2900

2210

3860 4890 TOILET FFL = +0.620 M UFL = +0.375 M D4 D5

3600

PLUMBING SHAFT

1450

2300

1300

HIS

A 420

150MM THK RCC SUNK SLAB

3880

850

1300

REVISION TABLE DATE

REVISION

SECTION C-C'

1100

1380

1500

1300

LEGEND 300X300MM CERAMIC DADO TILES

420

600X600MM 10MM THICK CERAMIC FLOOR TILES 20MM THICK CEMENT MORTAR

2360

D10

STONE THRESHOLD

SYMBOL

ITEM

DESCRIPTION

SYMBOL

ITEM

DESCRIPTION

COUNTERTOP

25MM THICK GRANITE FINISHED COUNTERTOP

MIRROR

MIRROR WITH FROSTED BEVELED EDGE AND AIR GAP WITH CLIPS

WASH BASIN

JAQUAR - SLS-WHT-6601, 600X400X185MM COUNTER TOP BASIN

DUSTBIN

PIGEON STAINLESS STEEL DUSTBIN MATTE FINISH 170MM DIA 300MM HEIGHT

JAQUAR ONS-WHT-10753S, S TRAP RIMLESS COUPLED WATER CLOSET WITH ATTACHED CISTERN

URINAL

A D4

240MM THICK BRICK BAT COBA

B' N

RCC PLINTH BEAM

WATER CLOSET

JAQUAR URS-WHT-13257 TOP INLET URINAL WITH FIXING ACCESSORIES N

WATER PROOFING ABOVE PCC 100MM THICK PCC FILLING

ROUBLE PACKING

2210

NAHANI TRAP

CAST IRON FLOOR TRAP WITH STEEL GRATING

FLUSH TANK

DUAL TANK, 10L CAPACITY, CERAMIC CHINAWARE

BIB TAP

JAQUAR 2 WAY BIB TAP WITH WALL FLANGE, OPP-CHR-15041PM

HEALTH FAUCET

EXHAUST FAN

JAQUAR ALD-CHR-577 HEALTH FAUCET WITH 8MM DIA 1.2M LONG FLEXIBLE TUBE AND NRV

D10

LUMINOUS EXHAUST FAN VENTO DELUXE 200MM DIA

KEY PLA

EARTH FILLING

PROJECT NAME:

METRO HEAD OFFIC

SHE

SHEET TITLE:

ROOF PLAN

ARCHITECTURAL DETAIL

DETAIL OF TOILET TILE DROP

SCALE :

NAME :

CHAITANYAA A

SEMESTER 6

T . Y . B.AR

ACADEMY OF ARCHITECTURE, M

TOILET DETAILS

SIGN AND STAMP

Spanish theme cafe selling unique ceramic products

UN POCO LOCO C A F E C U M R E TA I L S T O R E Location : Goa Fa c u l t y : A nu s h ka Co n t ra c to r Interior Design Studio I SEMESTER 4, 2020

S E C T I O N T H R O U G H D I S P L AY A N D V E R A N D A H

GROUND FLOOR PLAN

SECTION THROUGH POTTERY WORKSHOP

FIRST FLOOR PLAN

Central stage on first floor aligned in a way that welcomes everyone to perform. The furniture is arranged such that it does not hamper movement. Shelves along columns allows users to sit their drinks and groove on the floor. A low cozy seating space for people who’d like to enjoy from a distance.

VIEW ON FIRST FOOR Timber chair with cushion and iron design

Four seater wood dining table

D I S P L AY O N S T U C C O WA L L

RECONNECT

STREET FURNITURE DESIGN Competition by UNI.XYZ (Shortlisted) Location : Mumbai SEMESTER 6, 2020

A A C H A R A C H YA WA D YA D O C U M E N TAT I O N

Location : Aachara, Konkan SEMESTER 2, 2019

The semester 2 study tour went to Aachara, a settlement on the coast of Arabian sea in south Konkan. The settlement had Wadis (sub-settlements) and wadis consisted of Wadas (clusters). Two such waadis- Pirawadi and Jamdul, were documented using triangulation method.The settlement was blessed with natural resources like the sea, creek of an estuary, mangroves, trees like coconut, arecanut, jackfruit etc, an island of Jamdul and a peninsula of Pirawadi. The whole village comes to life during the festive seasons. Gaavpalan is a unique community festival, at the advent of monsoon wherein the whole village vacates to allow nature take its poll. The village has basic amenities like school, Panchayat, post office, religious places like Mandirs, Dargah, Church, spaces for activities like crab farming, oyster culture and a bus stop where a bus would arrive daily in the morning and evening.

T H E F L AG H O U S E : J A M D U LWA D I

A TA L E O F T W O S E T T L E M E N T S A T A L E ODFO CT UWMO SAET TI OTNL E M E N T S ENT L o c a t i o n D: O N aCr U k aM n dEaN , H i mTaIcO h aNl P r a d e s h TA 0 1a9c h a l P r a d e s h L o c a t i o n : N Sa Er M k aE SnTdEaR , 3H, i2m SEMESTER 3, 2019

In the delight of exploring life on levels with diverse variations, the Second year(A) students mapped and documented the two settlements of Narkanda and Kotgarh. Nestled in the beautiful setting showcasing magnificent snow capped peaks separated by deep and distinct valleys and a river, the two settlements unravelled some uncommon stories. While one was evidently a self sustaining old vernacular settlement with a colonial history, the other proved to be a modern town with facilities up to date. Owing to understanding the local construction techniques, the space division and the fabric of these settlements along with the ethnicity and culture of local residents, the study tries to seek the potential of further interventions that would be beneficial to their functioning.

A TA L E O F T W O S E T T L E M E N T S D O C U M E N TAT I O N

Location : Kotgarh, Himachal Pradesh SEMESTER 3, 2019

The study of the settlements has been presented through the medium that focuses on variations in levels and colours, both talking about the two very interesting aspects of both the settlements. MDF board panels were drafted by hand and laser cut to from the silhuette of each elevation. Subsequently painted and assembled in order, the exhibit tries to provide a glimpse into the life of these villages.

RESEARCH WRITING ARCHITECTURE

R E S E A R C H C O L L A B O R AT I O N T O P I C - H E R I TA G E A R C H I T E C T U R E A N D I T S P S Y C H O LO G I C A L I M P L I C AT I O N S R e s e a rc h H e a d - A r. N i k i t a S h e t h Te a m - C h a i t a n y a a A g r a w a l Niyanta Dey

D E TA I L S O F P R O J E C T A three-phased research based on Architectural Psychology, the end product being a compilation to be published. The research universe has been categorised into 11 areas ranging from Cultural Directives and construction techniques to the architecture of Surreal spaces. Each topic is being worked upon in a team consisting of an architect and a psychologist, to collate and analyse the data available, and generate new interrelationships between theories and design. The topic, ‘Heritage Architecture and its Psychological implications’ is the focus of my study. The first phase of the research in this topic aims to derive logic in design, the involvement of psychology while designing back in time and the perception of spaces today - both by inhabitants and visitors. The research methodology includes intensive reading, weekly discussions with the project head, and reaching out to experts for developing insights about the topic. The research has progressed into the creation of a timeline of ancient civilisations, drawing connections and identifying epochs of architectural advancement among various civilisations, simultaneously drawing psychological interpretations through the data.

R O L E O F S PAT I A L E M PAT H Y I N C R E AT I N G P L A C E S Article (Competition) P U B L I C AT I O N : I n n o v a t u r e R e s e a r c h a n d D e s i g n S t u d i o Selected and Published : https://issuu.com/theurbanrhetoric/ docs/20210920_issue_4_tur_9_mb SEMESTER 7, 2021

Source: http://www.nycgovparks.org/sub_things_to_do/facilities/images/Brooklyn_Queens_GreenwayGuide.pdf

ABSTRACT The surroundings of any living or a nonliving entity are marked by everything that is encompassed in its physical domain. Everyday experiences in an environment develop into a cognitive identity and affect and alter the way living beings react or behave. Behavior is governed by a complex network of stimuli and is a multifaceted discipline of responses. Understanding human psychology in architecture is inherently necessary, architecture being the art of designing ‘human space’,. The article explains the term ‘spatial empathy’ and its relationship with human space through everyday examples, further connecting it to the idea of spatial order. According to Marleau-Ponty, the world is a connection between ‘me’ and the ‘other’, the bond which emerges upon acknowledging that we are surrounded by the same atmosphere. (Duarte & Pinheiro, 2016). As we experience space, considering it as the ‘other’, we trigger intangible reactions based on memory. Even though it is impossible to ever truly be in someone else’s shoes, it instills a sense of responsibility in the way we affect and are affected in space. We thus start associating feelings to spaces. Although feelings are unique and seldom predictable, the act of sensorial interactions is more objective. The emphasis lies on the movement within the space, the experiences generated through the movement, and the interactions it promotes. The article tries to explore in principle certain key aspects that could enhance a designer’s approach to creating places.

S T I G M AT I Z AT I O N A N D M A R G I N A L I T Y W I T H I N URBAN CENTRES Essay Writing (Competition) P U B L I C AT I O N : C O U N C I L O F A R C H I T E C T U R E SEMESTER 7, 2021

Source: https://www.nec.com/en/global/design/ud/index.html

ABSTRACT The urban space is inhibited by a plethora of peoples, becoming a hub of diversity. Often this diversity of populace is not balanced in terms of distribution and availability of resources, growth opportunities and societal privilege. The essay aims at understanding the concept of marginality and territorial fixation, stigmatization; its role in promoting universal design strategies. The ideas are viewed in the context of Indian politics and authoritarian heirarchy. Rather than being diffused throughout the working class areas, certain marginalised communities have typically been demarcated and restricted their spatial boundaries in the city, limiting their scope of living standard and increasing the social divide. Human space may often fall into the background of a person’s perception. Although if it disrupts the wants or needs of the person, it returns back to the foreground of consciousness. The non-inclusion is not deliberate, however due to lack of conscious planning and design, discrimination prevails. The essay concludes with addressing the neccesity of participation of urban margins in creating places of identity in order to reduce the stigmatization that exists in urban centres.

POLITICS IN ARCHITECTURE Essay Writing (Competition) P U B L I C AT I O N : K V D F F O R U M SEMESTER 7, 2021

ABSTRACT The identity of an environment exists as a perception of its users, and thus, architecture can also be defined as a social, political and ecological still (memory) of that time and idea in context. A designer has the challenging responsibility to address the diverse users and disciplines in a singular response. The market, however, deals with the need of the hour by providing solutions which are generic, disregarding the users and their realities. The essay discuses the role that an architect or a designer plays in directing resources, inevitably developing a political stance. Being political doesn’t necessarily mean pushing one’s political agenda, rather acquiesce to the state interests. Stressing on the fact that an architect cannot alter the way a society functions is important, because it simply does not have such a stretch. However, what can be expected from an architect is certainly a morally correct, sensitive construct to sweep a variegated society; ultimately indirectly shaping the progression of society. The arguments are supported and shaped through citing of art movements, with an emphasis on parametricism. The essay concludes with defining the stature and responsibility of an architect in society, in creation of a built environment that itself addresses the state affairs.

S PA C E A N D T I M E I N A R C H I T E C T U R E : E X P E C TAT I O N v s R E A L I T Y Blog Writing SEMESTER 5, 2020

Source: https://medium.com/@JohnHydrisko/the-other-ozymandias-f9b90cfe09ca

BLOG Several meanings of ‘space’ in different parts of speech are available under various categories, ranging from commerce to narcotics. However, in architecture, the idea of space can be explained through the concept of time. Patrik Schumacher suggests in ‘Concept of Space in Architecture’ that historically, the idea of space emerged as the essential goal of the architect; that architecture is the art of space making. This notion changed over the course of time, not literally but conceptually, and is still debatable. A space exists when it can be experienced in time, and thus depends on time for its manifestation. As rightly expressed by Jeremy Till in ‘Architecture in Space-Time’, our experience of space is conditioned through time and memory. Time is an abstract container of events. As we experience a space physically, we acknowledge the passage of time through our actions: sitting, walking, climbing. The evident aspect of time in architecture is the aging of a building. However, the most important aspect, that forms the interrelationship of time and space, is as described by Karsten Harris, the ‘terror of time’ i.e the fear of mortality. He sees architecture as one of the ways to address that fear. The poem Ozymandias, by P.B Shelly, is a classic example of the fear of impermanence. This fear can easily be seen in architecture, where we tend to capture a building in its most glorious visage while forgetting that eventually it has to deal with the wrath of time. By hoping for it to remain static, it gets distanced from truth, or as we can call in today’s lingo, ‘expectation vs reality.’ The presumption of permanence of monumental weighty structures is misleading. We can no longer take space as well as time to be granted. The idea of space being static in itself leads to monotony. To glorify space as it changes with time, rising above mere aesthetics is integral, for sustainability and to remain in reality

MISCELLANEOUS M AT E R I A L

MODEL

CONSTRUCTION FORM

CANOPY

BAMBOO WORKSHOP

GRAPHIC POETRY

FEED DESIGN