Dallas Style & Design Fall 2023

DALLAS STYLE & DESIGN

CELEBRATING DESIGN TEXAS

Photo by Holger Obenaus

Dulce offers the perfect blend of comfort with character, tempered with quality and style.

One of a kind pieces of art, furniture, lighting, and accessories.

Photo by Holger Obenaus

Photo by Holger Obenaus

Photos by Holger Obenaus

Wall left: Antique Tabriz 10.6' x 14.9'

Wall right: Antique Serapi Bakshaish 9.9' x 14.9' 19th C. Floor: Shaggy Moderne 12.10' x 18.8'

On the floor, a 19th Century Rare 10' x 14' Oushak Rug along with a Modern Beni style rug atop of stack. Oversized rolled rugs in the back.

Photos by Holger Obenaus

Photo by Holger Obenaus

Photo by Holger Obenaus

Plaidino is a charming plaid collection in watercolor brushstrokes of French blue.

A fresh take on global textiles.

171 OAK LAWN AVE. DALLAS , TX 75207

Photo by Rasy Ran Photography

Photo by Holger Obenaus

design a smart home for you.

Where Imagination meets Expectation

Photo by Holger Obenaus

Photo by Holger Obenaus

30 minutes from Downtown Dallas

Arlington I Burleson I Mansfield I Maypearl I Midlothian I Ovilla I Waxahachie

Esther Boivin Interiors

PHOTOGRAPHY BY MIKE DUERINCKX

Arts

An iconic desert home gets a long-awaited contemporary makeover

ASID Celebrating Design Texas Awards

The annual awards celebrating and honoring the winners of a juried competition

FR7145 Antique Samarghand / Khotan 8'6x16 feet cir. 1930s

Photo by Holger Obenaus

50

Design Trends

Fabulous finds

56

Into the Wild

An intrepid traveler with a love of adventure, nature photographer Mital Patel captures the wonders of remote landscapes

60 Fresh Take on Textiles

Loloi Found & Made builds on Loloi Rugs’ reputation for excellence in fine rugs and vintage discoveries

64

Ahead of the Curve

Kalco Lighting o ers customcrafted, design-forward light fixtures for luxury spaces

68

The Devil’s in the Details

Meticulous detailing and thorough follow-through are the cornerstones of Installation Delivery & Storage’s white-glove moving services

72

One Company, Two Distinctive Brands

This furniture company is grounded in the fundamentals of Italian-influenced design and craftsmanship

84

76

A Tapestry of Heritage

For almost 50 years, Nomads Loom has provided top-of-the-line rugs

80

Repeat Performance

Pittet Architecturals outfits today’s homes with reclaimed European stone flooring, antiques and vintage garden décor

84

Animal Instinct

Humor and charm shine through Avery Kelly’s work

88

A Culinary Sanctuary

Salum Restaurant brings a taste of Europe to Uptown Dallas

“My dishes are simple, honest food.”

ABRAHAM SALUM, CHEF AND OWNER

MOVING PARTS

THEREAREMANYMOVINGPARTS to creating a magazine. From inception to developing deadlines and assigning the articles to completing the various production stages—writing, copy editing, photography, layout, proofreading—to uploading the files to the printer, a lot of work is involved. The same can be said about home projects, be it a new build or remodel. Designers, like editors, deal with preliminary plans, schedules, production and planning.

Like editors, interior designers complete a project and move on to the next one. But sometimes we both find ourselves coming back to a completed project. Such was the case for Phoenix-based interior designer Esther Boivin. Twelve years ago, Boivin was one of two designers working on a 15,000-square-foot house surrounded by the high Sonoran Desert in Scottsdale, Arizona. When the home was ready for an update last year, the couple contacted Boivin to create a sleek, elegant, contemporary interior.

Speaking of coming back, this issue marks the annual highlight of the Celebrating Design Texas Awards. The awards celebrate and honor the winners of a juried competition in both commercial and residential interior design. And as we do every year, we showcase the first and second place winners.

Peruse this issue and you will also discover some amazing companies—Loloi Found & Made, Nomads Loom, Pittet Architecturals, Kalco Lighting, Casa Ispirata, Cavalletto Home and Installation Delivery & Storage—and talent, including photographer Mital Patel and artist Avery Kelly. And if you are looking for a new spot to dine, be sure to check out Salum Restaurant, an intimate venue artfully camouflaged amid a modest row of retailers on Cole Avenue in Uptown Dallas.

Enjoy the issue!

Debra Kronowitz Editor

PHOTO BY HOLGER OBENAUS

PUBLISHER

Quentin Senise EDITOR

Debra Kronowitz

COPY EDITOR

Jessica Manley

ART DIRECTOR

Lili Picou

PRODUCTION EDITOR

Kellie Frissell

PHOTOGRAPHER

Holger Obenaus

ADVERTISING SALES

Quentin Senise

CONTRIBUTORS

Christina Andrews

Robin Howard

Christiana Lilly

Liesel Schmidt

Leslie J. Thompson

Dana W. Todd

Ellen Uribe

PRESIDENT

Quentin Senise

ADVERTISING SALES

E: dsdmag@comcast.net 214.304.9896

Dallas Style & Design reserves the right to refuse advertisements for any reason. Acceptance of advertising does not mean or imply the services or product is endorsed or recommended by Dallas Style & Design No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without permission in writing from Dallas Style & Design, LLC. Manuscripts, artwork, photographs, inquiries and submitted materials are welcome.

Visit us online: dsdmag.com

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FABULOUS FINDS

DULCE INTERIOR CONSIGNMENT SHOWPLACE

Glass artist Chris Hawthorne’s signed Folded Art bowl measures 23.5"W x 11"D x 16.5"H. 214.219.5656 mydulce.com

TKO ASSOCIATES

Yoko is a contemporary collection that features delicate curves and experiments with mixed materials. Designed with aesthetics and functionality in mind, the collection o ers six styles, ranging from metal to marble.

214.741.6060 tkoassoc.com

PHELAN’S INTERIORS

The Missoni-inspired lamp shade makes this blushing lamp with an acrylic base one of a kind.

214.368.6455

CASA ISPIRATA

The Cradle collection’s fluid wraparound silhouette is complemented by a curved seat that brings comfort to its contemporary aesthetic. Available in three finishes: brunette, argento and lino bianco, all upholstered with performance-treated fabrics.

407.917.7753

casaispirata.com

PETTIGREW LUXURY FURNISHINGS

Inspired by the African wilderness, the Mogambo dining table XL’s asymmetrically arranged bases recall the trunks of baobab trees, both their strength and balance, while its barrel-shaped surface is a nod to their foliage. Its form combines both style and practicality, a special place for dinners or business. 214.747.2232 / pettigrew-usa.com

THE LINEN BOUTIQUE

Astor Braid by Matouk is an embroidery style from Schumacher’s celebrated collection of tapes and trims. 214.352.5400

linen-boutique.com

THE JARRELL COMPANY

The Liberty cooktop comes with three large, flexible cooking zones that provide the ultimate in cooking performance and flexibility with HeatShift®, MoveMode® and PowerBoost®. 214.363.7211

jarrellco.com

KITTRELL/RIFFKIND ART GLASS

Glass artist Dan Alexander says his inspiration comes from photographs he has personally taken, historical objects and childhood memories. Shown is Magenta Sunset Crest. 972.239.7957

kittrellri kind.com

DULCE INTERIOR CONSIGNMENT SHOWPLACE

The Herman Miller Marshmallow sofa by George Nelson features 18 10-inch “marshmallow” cushions that seem to float on the brushed tubular steel frame. Designed with both residential and commercial applications in mind. Choose from a variety of fabrics and leathers.

Measures 52"W x 26"D x 29"H. 214.219.5656 mydulce.com

HERITAGE ANTIQUES AND INTERIORS

The appeal of blue and white endures, and hand-painted Delft pottery is some of the best.

469.730.2399 heritageantiquesdallas.com

FARZIN RUGS

Add personality to your space or make a statement with antique Turkish rugs. 214.747.1511 farzinrugs.com

CAVALLETTO HOME

Sawhorse is an homage to the centuriesold techniques and traditions of Italian Alpine cabinetmakers. Featuring oak veneers and standing proudly on the collection’s hallmark oversize dovetail base, the Sawhorse sideboard is a study in symmetry and purposeful elegance. 407.917.7753 cavallettohome.com

LE LOUVRE FRENCH ANTIQUES

This unique 18th-century Spanish studded leather trunk features two lockable compartments, one with a pullout drawer and the other with three drawers behind the door.

214.742.2605 lelouvre-antiques.com

GAPPA GLASS FINE ART

New from the studio, the Abalone Crest bowls by David Gappa make an elegant pop of color in a variety of spaces. Custom colors available. 682.563.9828 gappaglass.com

COUNTRY FRENCH INTERIORS

This French Louis Philippe two-tone silver and gilt wall mirror is decorated with a silver leaf finish over a discrete engraved floral motif and embellished with gilt carved bead décor around the frame. Circa 1870. Measures 30"W x 40.5"H. 214.747.4700

countryfrenchinteriors.com

GARY RIGGS LUXURY FURNITURE AND DESIGN

This made-to-order chair features a blush leather back with antiqued chenille velvet.

214.547.1054 garyriggs.store

KITTRELL/RIFFKIND

ART GLASS

Susan Rankin’s large steel blue over gold flower vase is a stunning statement piece sure to stand out in any space.

972.239.7957

kittrellri kind.com

Gappa’s signature sculptural vessels are unique and customizable, bringing elevated elegance to your collection. 682.563.9828

gappaglass.com

HERITAGE ANTIQUES AND INTERIORS

Inspired by the frozen surface of bubbles, the Seraphina chandelier features raised contours of multiple glass orbs that create a stunning glow. Measures 26"H x 35"W x 25"D. 469.730.2399

heritageantiquesdallas.com

CASA ISPIRATA

Understated yet commanding bent plywood shelter headboards define the beds of the Continental collection. Available in three finishes: brunette, argento and lino bianco. The brunette and argento versions of the Continental bed feature a starburst primavera veneer. 407.917.7753

casaispirata.com

GAPPA GLASS FINE ART

HERITAGE ANTIQUES AND INTERIORS

This lamp features a pair of quartz crystal panels, a brass slab base and a tapered, rectangular, hardback fabric shade. 469.730.2399 heritageantiquesdallas.com

Each one of the antique Persian rugs is a unique work of art and history. 214.747.1511

farzinrugs.com

With the thinness of a flower petal, the ZA series faucet from TOTO matches the delicate curve of the Kiwami washbasin. The handle is beautiful from any angle and settles in rhythmically.

214.363.7211 / jarrellco.com

DESIGNER’S PATIO

214.217.9997

The Santa Barbara teak collection is now available in maintenance-free aluminum. The high-back motion lounge chair features a cloud-soft back and seat cushions that pair well with the aluminum framework, which is available in oak and slate gray.

/ designerspatio.com

FARZIN RUGS

THE JARRELL COMPANY

T

INTO THE WILD

by LESLIE J. THOMPSON

HESOUTHPOLEISPERHAPSONEOFTHEMOSTSERENEPLACESONEARTHThe panoramic ice sheet stretching to the horizon provides a visual blank canvas for the quietude that hovers over the landscape. The frigid atmosphere is virtually silent. That is, except for the penguins.

“Penguins are very noisy,” says nature and wildlife photographer Mital Patel, who earlier this year ventured to Antarctica to photograph the mountainous ice structures found on the world’s southernmost continent. In fact, the tuxedo-clad birds who call the polar region home can make quite a ruckus, he learned.

Patel posted a short video clip of the cacophony from the flightless fowl to his Instagram page upon returning from his two-week adventure in January. Desiring to capture the artistry of Antarctica’s vast frozen landscapes, Patel and his wife had joined a small group of photographers on a special expedition ship, where they also lodged for the duration of their stay. “There isn’t any other way to visit Antarctica unless you are on one of the research bases,” notes Patel, who said he wore multiple layers of clothing, from long underwear to a waterproof outer shell, to keep warm; the temps rarely get above freezing, even in the polar summer.

Although the South Pole is as far o the beaten path as one can be, traveling to remote

places is common practice for the intrepid photographer. Over the past 10 years, his work has taken him from the open plains of wildlife preserves in East Africa to the tropical terrain of the Galápagos Islands and the rugged topography of volcanos in Guatemala.

Born in Longview, Texas, to parents of Indian descent, Patel caught the travel bug at a young age. His father worked in the hospitality industry and took his family with him around the world, including frequent trips to his homeland. “We would travel to India quite a bit, with stopovers in di erent surrounding countries,” Patel says, including destinations like Singapore, Hawaii and the U.K. Captivated by the architectural grandeur of manmade structures and the splendor of natural landscapes in various parts of the world, the young globe-trotter began taking a camera on family trips to capture the sites. Although he initially followed in his father’s footsteps, earning a degree in hotel and restaurant management from the University of Houston, Patel’s love of photography continued to grow. Eventually, he decided to pursue his passion as a profession and now often takes his wife and teenage son and daughter with him on excursions to faraway lands.

Having visited six of seven continents throughout his career, Patel also has learned the value of patience. He often waits hours to shoot landscapes in the right light, whether sunrise or sunset, “to see those magical moments,” he says. His willingness to camp out for long stretches has served him particularly well during his many trips to national parks along the Tanzanian border to photograph cheetahs, zebras and wildebeests in their natural habitats. Patel’s ability to capture movement and mood through his images has become a trademark of his work, which includes everything from the majestic lions of the Maasai Mara and gira es galloping across African plains to Icelandic seascapes and undulating lava flows in the Pacific islands.

Hot Creek

top: Antarctic Towers bottom: The South Pole

His travels are rarely planned very far in advance, he admits. “It’s more what’s inspiring me in the moment,” notes Patel, who says he may wake up with a particular motivation and book a trip within a few short months. “I get some kind of inner calling, like I want to go see snowy mountains,” he adds with a laugh. He also takes occasional trips with a close group of photographer friends and uses family vacations as an opportunity to capture breathtaking vistas in di erent parts of the world. “On my list is a trip to India with the kids, where we can witness the Bengal tigers, appreciate the stunning landscapes, and explore the architecture and ancient ruins,” Patel says.

His soulful connection to the great outdoors also fuels Patel’s desire to raise awareness about the dangers facing the animals and environments he sees through the lens. During three previous trips to Kenya to capture photos highlighted in his timeless Majestic Creatures collection, Patel also became interested in the country’s ongoing wildlife conservation e orts.

“It’s sad to note that the lion population in Africa has decreased from 200,000 to 20,000 over the past 50 years due to habitat loss from agricultural expansion and increased human settlement in the savannah landscape,” he wrote recently in a social media post accompanied by a striking black-and-white photo of a mature lion staring at the viewer with quiet confidence.

Eager to support organizations dedicated to protecting the animals that make their home on the African plains, Patel hopes his photography can raise awareness about the dangers they face. “I’m delving into making short films centered around these locations,” he says, adding, “My aim is to contribute to conservation e orts through my photography and videography,

bringing attention to the ongoing issues and skillfully narrating a story to captivate viewers.”

Combining the love of his craft with his desire to protect endangered animals and their habitats, Patel will be leading a 10day guided photography tour through Kenya next year, covering several national parks and wildlife preserves. “Each area has di erent geography, di erent animals and di erent conservation e orts,” he says with enthusiasm. His current plans also include travels to South Africa and a trek to Svalbard, a Norwegian archipelago in the Arctic Ocean, to photograph polar bears and glacial landscapes.

In the meantime, Patel is proud to unveil his new Icebergs collection, on display at the Christopher Martin Gallery in the Dallas Design District, as well as locations in Aspen and Vail, Colorado. Whereas the Majestic Creatures series is about the animal kingdom, he notes, his photographs of gleaming white towers emerging from frigid waters point to the awesome beauty of seemingly barren landscapes. Says Patel, “With Icebergs, I aim to inspire viewers to experience the majesty of nature’s frozen wonders and reflect on preserving these pristine environments.” *

Leslie J. Thompson is a Dallas-based freelance writer with a passion for interior design and international travel. Read more of her work at lesliejthompson.com.

The Chinstraps

FRESH TAKE ON TEXTILES

Loloi Found & Made builds on Loloi Rugs’ reputation for excellence in fine rugs and vintage discoveries

by DANA W. TODD / photography by HOLGER OBENAUS

THELOLOIFAMILYCALLSDALLASHOME , but a passion for textiles often calls them to travel around the world. Cyrus Loloi, second-generation principal involved in the family businesses, wants to be sure local Dallas designers have access to all the beautiful textiles that his father, Amir, and he and his brother, Steven, source globally. That’s why the Loloi family launched Loloi Found & Made, a company where artisans use select antique rugs and textiles and turn them into one-of-a-kind wall art and specialty vintage rugs and pillows.

The Loloi name is inextricably linked to textiles. Amir founded Loloi Rugs in 2004 in Dallas after working in and learning about textiles, sales, merchandising and product development beginning at age 23. “He has always enjoyed the process of sourcing and designing great products and visits India, Egypt, China and Turkey to work side by side with our manufacturing partners to create exciting new products,” says Cyrus Loloi. Today, Loloi Rugs

often collaborates with designers and celebrities to continue bringing new merchandise to market, with showrooms available across the nation.

With such a successful business as Loloi Rugs, why step out of the comfort zone to launch Loloi Found & Made? “The Loloi family wanted to create a space that was inviting to local designers,” Loloi says. “We live, work, design and ship products from Dallas, and it just felt right to establish a local presence for designers and architects in the heart of the Dallas Design District.”

It has all been created from an appreciation and love for textiles, and Loloi says he and his brother have grown to share their father’s passion for fine rugs and textile-based art. The design team loves “looking for needles in haystacks” to find those rare, vintage rugs and textiles to bring back to their customers at Loloi Found & Made. The treasure hunt turns up finds that designers source for their homeowner-clients who are looking for something unique that can’t be found in anyone else’s home. “The

hunt for beautiful, well-aged, exclusive products that we can o er our customers at a good value is one of the most exciting parts of what we do,” Loloi says. “We’re continuously looking for new items, and when we find them, we buy them on the spot and ship them here to Dallas.”

The fun of turning unique finds into wall art has an eco-friendly angle. In some cases where vintage rugs have a small, damaged portion, Found & Made artisans turn the remainder of the rug into museum-level, framed textile artwork, saving the entire rug from ending up in a landfill. “Our artists are always experimenting with textiles and creating art. We like to be creative and repurpose handmade textiles that otherwise would go to waste,” Loloi says. “We also think about what could be by looking past flaws that happen naturally with age and reimagining the art it can become to live its next life.”

The walls of the showroom are filled with treasures such as Colombian art, African textiles, Asian silks and Turkish rugs, all of which are in meticulously crafted frames, with 150 in-stock options. “When we see something beautiful, we just know it,

whether it’s unique in color, design details or the back story, and usually it’s a combination of all three,” Loloi says.

Since the Loloi family created Found & Made with Dallas designers in mind, it is important that designers visiting the showroom have an experience. “It’s mainly a way to meet clients where they are—in the Dallas Design District—and give them an incredible shopping experience in an inspiring space. We love it when designers visit us and bring their clients,” Loloi says. He connects designers’ and architects’ clients with the right artwork by opening a dialogue to discover their needs: Do they want an unframed textile for a main room to absorb sound for improved acoustics, or do they need a showpiece above the mantel? “We share as much about a piece’s history as we can, like its origin and what it was originally designed for,” he adds.

The Lolois are taking the destination showroom concept one step further by helping the community craft its own experiences through hosting events in the 15,000-square-foot showroom. Available for private parties, wedding receptions and corporate events, the space has been a hit with the event planners who

have used it thus far. “It all started with an event we hosted for interior designers. It was so much fun, we thought we might as well carry it on,” says Loloi. The showroom space is large enough to accommodate 150 people for a cocktail party and 100 people for a seated dinner.

Since Dallas is home to the largest arts district nationwide, it is filled with residents who appreciate the traditional beauty and intricacies of fine art. The sprawling Bishop Arts District, which is full of boutiques, restaurants and art galleries, is just a short car ride away from the Dallas Design District that houses Loloi Found & Made, and along with other design showrooms and art galleries, the destination is a dream for designers who are looking for special finds for their clients.

The Lolois will continue doing what they love—traveling around the world and finding rich textile treasures to share with their global customers as part of what now has become a legacy business for the family. They’ll also continue a special emphasis on providing local designers with up close looks at the bounty of found art and vintage rugs created from the far-

flung masterpieces brought back home to Dallas. Whether a new rug from Loloi Rugs or a vintage textile or framed artifact from Loloi Found & Made, the family and design team behind both companies use centuries-old craftsmanship and materials to design exquisite elements for today’s homes. Those who take advantage of the event space in the showroom will find the same passion for products is shared with curated events at Loloi Found & Made. *

Dana W. Todd is a professional writer specializing in interior design, real estate, luxury homebuilding, landscape design, architecture and fine art.

AHEAD OF THE CURVE

Kalco Lighting offers custom-crafted, design-forward light fixtures for luxury spaces

by ROBIN HOWARD

LIGHTINGISARGUABLYTHEMOSTCRUCIALDESIGN element in a room. The proper lighting sets the mood and ambiance; controls the emotion, energy and flow; and even makes small spaces feel more expansive. Though often an afterthought, lighting influences a room’s atmosphere more than any furniture or accessories. Nobody knows this better than Riki Lent, senior vice president at Kalco Lighting and Allegri Crystal.

“Kalco thinks of every detail when designing a light,” Lent says. “We look at lighting as a piece of jewelry that dresses up a space or a piece of artwork that complements a room. And we love seeing a space come together with thoughtful, stylish lighting.”

Founded in 1980 and headquartered in Las Vegas, Kalco specializes in artisan-made lighting and is characterized by its design-driven culture. With its extensive design expertise, the

company has grown to include a luxury crystal lighting line and modern furniture that blends well with its lighting. Furniture includes stools, cocktail tables, and table and floor lamps. All of the company’s designs start with a sketch before becoming a polished piece and making their way onto the showroom floors. Kalco’s designer team includes celebrity interior designer Vanessa DeLeon and award-winning designers Takayuki Ishii and Grace Denniston. You can choose from their extensive portfolio of lighting or bring in a concept and have your design custom-made.

“Lately, our designers draw inspiration from elements found in nature, like rocks and waterfalls, and natural materials, like wicker and wood,” Lent says. “We’re also doing more and more collections in matte white, but there are endless customization options, too. If someone is looking for a specific color, material or finish they can’t find anywhere else, Kalco likely has it. If we don’t have it, we can create it.”

Now in its fifth decade, Kalco is well-known for identifying trends early on and creating collections to reflect those findings. A key element to staying ahead of the design curve and always having something fresh to o er is partnering with interior designers. For example, DeLeon’s Ilumine collection of dreamlike chandeliers, pendants and wall sconces was well ahead of the hot home trend “Gothic Glam.”

DeLeon’s Ilumine line is spectacular because it’s unlike anything else on the market. The Venus and Venere feature a moody, maximalist design inspired by the physical form and sense of surrealism, specifically the work of Salvador Dalí. This line evokes a sense of curiosity and presents lighting as a form of art. Venus is a six-light crystal chandelier suspended by a brass chain. Look closely, and you’ll discover the fixture connects to the chain by the pointer finger of a small brass hand, a motif frequently seen in Dalí’s work.

Also part of Ilumine, the Demi collection is inspired by abstract art, with pendants made of stacked geometric shapes, bold colored glass and natural stones, like marble and jade, that read more like illuminated sculptures rather than lighting. The sculptures are delicately balanced compositions suspended on

brass rods with soft LED lighting.

Personally designed by Ishii, the Flint collection comprises dramatic multi-drop pendants carved from natural alabaster and suspended with a dark jewelry chain. The collection has options for three, five and single pendants wired to a central base. There is a smaller steel ceiling hanger for each pendant that allows you to control the spread radius of the fixture and the hanging length of each drop.

Bold colorways are something Kalco does very well. Spring introductions called for chandeliers with peacock green glass and classically inspired art deco shapes, such as a repeated reed pattern that adds texture. More soft and subtle, the Azul chandelier o ers tranquil pairings of translucent navy blue and iridescent peach glass shades with a natural twisted texture with a mount in a classic aged-gold finish.

Another genuinely unique pendant, Tulipa is suspended by warm brass rods and created from layers of translucent glass shapes in alternating colors that resemble tulip petals. To bring this translucent, mirror-like polish to life, the company uses dichroic glass, which can display multiple colors depending on lighting conditions.

“I find myself craving more natural and understated colors,” Ishii says. “The pink colors of a sunset, deep blue lakes, golden desert sands and miles of green corn fields.”

If color and nature-inspired aren’t your style, there’s something for every aesthetic imaginable: industrial, mid-century modern, art deco, coastal chic, transitional, contemporary and more.

Allegri Crystal by Kalco Lighting, with a glamourous and grand array of indoor and outdoor options, is where Kalco truly sparkles and shines. With its decades-long passion for crystal, its modern interpretations of traditional fixtures free the sparkle from the heavy elements of the past. For example, the bohemian Vezzo island light is a curtain of vertical crystal drops framed by delicate metal scallops.

Allegri includes an extensive collection of luxurious crystal lighting worth designing entire rooms around. The streamlined Lina floor lamp is made of glowing LED rods encrusted with delicate Firenze crystal strands for a glamorous vibe that’s not flashy. Dimmable inner lighting makes the crystals glow, creating a soft, ambient light on a smooth, round marble base.

There’s no reason all that sparkle needs to stay inside, so Kalco also o ers contemporary outdoor crystal lighting in the Esterno Cristallo collection. The Lina Esterno outdoor wall sconce features the same Firenze crystal rods encased in a matte black stainless steel frame.

The outstanding range of outdoor sconces aren’t just glamourous and elegant, they’re also coated with fluorocarbon finish technology to withstand harsh climates, from the salt-filled air in Miami to the dry desert sun in Las Vegas.

“Esterno Cristallo is a perfect solution for people who want to spend time outside in style and luxury,” Ishii says. “The fireplace found its place in the backyard, so why not crystal light fixtures?

Working on that collection solidified for me that the indoor/ outdoor trend is here to stay.”

While Kalco was founded as a residential lighting designer, its presence is growing in the custom and contract space, with

lighting projects in several exclusive resorts in Las Vegas and globally, from the Venetian in Las Vegas and MGM Grand in Macau to Atlantis the Palm, Dubai and various Hiltons, Marriotts and other properties around the world.

Kalco has showrooms in Las Vegas, Dallas and Highpoint Market. The expansive Dallas showroom is located in the Dallas Market Center.

“Lighting makes life all the more interesting,” Lent says. “If we only needed light to see things in the dark, then why do we have fixtures covered with thousands of crystal cuts or inlaid Capiz shell? Lighting plays a big part in room transformations.” *

Robin Howard is a freelance writer in Charleston. See more of her work at robinhowardwrites.com.

« KALCO LIGHTING

6355 S. WINDY ROAD LAS VEGAS, NV 89119 800.525.2655 KALCO.COM

DALLAS SHOWROOM

2100 N. STEMMONS FREEWAY DALLAS, TX 75207 214.704.7768

THE DEVIL’S IN THE DETAILS

Meticulous detailing and thorough follow-through are the cornerstones of Installation Delivery & Storage’s white-glove moving services

by CHRISTINA ANDREWS

INSTALLATIONDELIVERY & STORAGE ( IDS ) ISUNIQUEINTHEWORLDOFMOVERS , providing highly specialized white-glove service. IDS is sought after by Dallas’ and Montana’s most discriminating homeowners, designers, furniture manufacturers, and art and antiques dealers due to its expert knowledge in packing, shipping and storage, and its meticulous tracking of the valuable possessions in its care. Customers know that once the contents of their homes are in the hands of IDS, there is little about which to worry and that they will be kept abreast of the progress of their belongings on the relocation journey.

Owner Nilda Ruiz founded IDS in 2008, after working for renowned DeLeo & Fletcher Design (DFD) in Dallas. As part of DFD’s team, Ruiz helped build an infrastructure that fostered the firm’s growth through the streamlining of accounting and installation details. Her work helped DFD maintain the precision and quality of service expected by its highend clientele, even as it expanded exponentially.

e Shops on Slocum e Antiques Street of Dallas

LE LOUVRE FRENCH ANTIQUES PITTET ARCHITECTURALS

1400 Slocum St. | 214-742-2605 | lelouvre-antiques.com

Le Louvre Antiques has been a leading source of hard to nd pieces since 1983. e showroom is always full with everything from 17th century tapestries to hand carved stone fountains to European furniture.

FARZIN RUGS, INC.

318 Cole St. | 214-651-7999 | pittetarch.com

Pittet Architecturals is Dallas’s premier showroom for reclaimed ooring, antique marble or limestone mantels, and custom hand carved limestone projects.

COUNTRY FRENCH INTERIORS

1427 Slocum St. | 214-747-1511 | farzinrugs.com

Farzin Rugs, Inc. is creating elegant interiors from the ground up with the largest selection of antique and decorative rugs in the metro-plex.

1428 Slocum St. | 214-747-4700 | countryfrenchinteriors.com

For over 37 years Country French Interiors has been one of the nest sources of 18th and 19th Century French antiques and decorative accessories imported directly from France.

LOCATED IN THE DALLAS DESIGN DISTRICT

Photo by Holger Obenaus

Photo by Holger Obenaus

As part of her experience with DFD, Ruiz coordinated the many physical elements of the firm’s projects and in the process became familiar with logistical issues related to the shipping, receiving and installation of interior design components. Over time, it became clear to Ruiz that there was a need for these services not only at design firms but whenever people made a change of household. And thus, Installation Delivery & Storage was conceived.

Over time, as IDS grew, Ruiz brought her three sons into the fold, each of them taking on important responsibilities that allowed the business to maintain the highest level of service as it expanded. Eldest son Daniel looks after the business’ accounting, while middle son Ivan is the IT expert, overseeing the creation and maintenance of the company’s detailed inventory database. Youngest son Nathan is in charge of all aspects of the warehouse receiving operation and how products are input daily into reviewing reports. Ruiz’s husband, Ian, who had been working for an elite moving company, was drawn into the fold in the early days and quickly became an integral part of the new business. His work entails project management, reviewing quotes and organizing the labor for all jobs. On the packing and subsequent unpacking and installation side of the business, Ruiz’s sisters, Coco and Noelia, act as leads, ensuring all jobs are executed to specification. This tight-knit family and the rest of Ruiz’s incredible sta have a unified mission to provide exceptional customer service, which is comforting both to their clients and to the manufacturers who entrust them with the valuable artisan pieces being sent to these new homes.

Leaving one home and moving into a new space can be a complicated and stressful process. Not only do the numerous components of the prior home require proper packing and accounting for but frequently new components, which may come from a variety of manufacturers, must be incorporated into the move. As part of its service, IDS can take on the logistics of working these new purchases into the shipping schedule, dovetailing those deliveries with the arrival of other furniture or even picking up new acquisitions along the way. IDS also sees to any special equipment and sta that may be required

to bring the goods onto the property. Customers can rest assured that all issues of transit, delivery, receiving and subsequent installation will be birddogged by IDS from start to finish. If damage is found or components are not up to spec, IDS will document these problems and coordinate the returns or repairs.

A common problem for those with distinctive homes is that movers often do not have proper insurance, training and supplies for handling art pieces, valuable housewares, artisan rugs, one-of-akind furniture and the like. And for those relocating to a newly built or remodeled space, there may be the challenge of a multistage move, whereby some items are installed on the property immediately and others are held in storage, either long-term or until finishing work in the home is complete. Complex scenarios like these are not an issue for IDS as its custom inventory system and well-organized warehouses ensure it is able to expertly split the move in whatever way best meets its client’s needs while also considering the builder’s/designer’s progress on the construction.

IDS’s inventory system is one of the best in the business. All household items being shipped are documented with photos and descriptions, and identifying papers in some cases. Boxes and crates are carefully labeled and include instructions for placement and installation or indicate the items are to be forwarded to storage. Throughout the move, clients can check in with Ruiz on the progress of their valuables.

At the front end of all relocation services are planning meetings, where IDS sits down with the clients, their designers and estate managers to ascertain load-in challenges and the layout at the receiving property. These discussions set the groundwork for all of the organizing to follow. As designer blueprints are reviewed, Ruiz and her team button up all packing details and sta ng, vehicles are assigned, components and tools for the installations are gathered and a timeline is set. All instructions are then added to the company’s database so information is available at a moment’s notice and these same details can be woven into work orders. Ruiz’s sta then assigns duties to shoes on the ground at the new property, all of whom remain under the watchful supervision of IDS’s core sta .

Once all household components reach the new home, Ruiz’s sta manages the details of unpacking: assembling items, laying out furniture, placing and securing rugs, hanging artwork, making up bedrooms and bathrooms, and stocking kitchens and closets with home goods. Many unboxed items are cleaned and sanitized in the process so they are perfect in appearance and ready for use. This includes bedding, which is expertly detailed with pressing and steaming. All aspects of the home preparation are done with the utmost care, including the prepping of furniture, to preserve the integrity of newly finished floors and

walls, adding sanitary liners to shelves and drawers and seeing that appliances are properly installed and tested, with the help of technicians. As all of this work is being completed and as issues arise, IDS stays in contact with the estate manager to troubleshoot and o er solutions. When repairs or modifications need doing, IDS can locate the best tradespeople to finish the work or communicate these needs to the designer. Clients know IDS will oversee all details from start to finish, handing o any special tasks to qualified professionals.

Other services IDS can provide or arrange for include postconstruction deep cleaning and the disposition of spent packing materials. IDS can send the packing debris to the landfill or recycling or save it for reuse. In some cases, IDS assists in the preparation of roads and points of entrance at the home in order to accommodate the service vehicles that are part of the move and installation.

Many people wonder how IDS came to have operations in Dallas and Montana. As luck would have it, a number of Ruiz’s Dallas clients purchased vacation or retirement properties in Montana’s Flathead Lake region near the Canadian border. When the time came for these clients to relocate, they wanted their trusted moving company to handle all the details. Ruiz was more than happy to take on the logistical challenges of these complex relocations and in the process became aware of an ongoing need for IDS’s services in Montana. Ruiz, her family and employees

came to enjoy these excursions to Montana, and as their business in that region had reached critical mass, Ruiz decided it was time to make Big Sky Country their o cial second home. IDS now has a thriving and permanent new branch in Montana, much to the relief of well-heeled homeowners in the region.

Ruiz and her team at Installation Delivery & Storage take great pride in all they do. Protecting their client’s precious belongings throughout the moving process, then seeing to the precise and careful installation of these items in a new home is what IDS is all about. As Ruiz reflects on her many years in the business she notes, “Nothing gives me greater pleasure than to know that when my clients walk into their new home, they can enjoy it fully from day one.” *

Christina Andrews is a freelance writer from the Napa Valley who specializes in personal and business bios, food and wine, visual arts, music, hospitality, the event industry, community interest stories, obituaries and political satire.

PHOTO BY HOLGER OBENAUS

ONE COMPANY, TWO DISTINCTIVE BRANDS

This furniture company is grounded in the fundamentals of Italian-influenced design and craftsmanship

by ELLEN URIBE

CASAISPIRATAANDCAVALLETTOHOME are two wholesale, tothe-trade-only furniture brands launched in the United States at the June 2021 High Point Furniture Market. Owned by an Italian furniture designer and manufacturer that has been in business since 1984, the fledgling brands are attracting new clientele as they expand distribution throughout North America.

“The driving force behind our brands is our passion for design, love of the creative process, and the pride we take in building furniture of remarkable beauty and enduring style,” says the company’s U.S. president, Bill He ern.

The brands were created in collaboration with a small group of home furnishings industry veterans and are supported by a worldwide team of more than 100 employees. The organization includes designers, engineers, finishing specialists, and product testing and quality assurance teams.

He ern, who has made his career in the furniture industry since the mid-1980s, explains: “We are a compact and focused company with a process grounded in the fundamentals of Italian-influenced design and craftsmanship. Our direct connection to Italy and the ‘Italian eye’ for luxury brands gives our Casa Ispirata and Cavalletto Home collections each its own unique yet timeless and iconic style.”

Each brand has a distinct design language. Casa Ispirata is clean, upscale American-modern. The look is informed by a combination of the brash confidence and energy of American design and the restrained elegance and austerity of Italian design.

In particular, the aesthetic is centered around the romantic era of Italian-American alliances and partnerships in the automotive, film and fashion industries between 1965 and 1995. Each design

is imbued with a graceful sense of refinement that references both the beauty of Italian minimalism and the scale and comfort of American architecture and design.

Cavalletto Home is pure California-modern, a fusion of a wide variety of styles, from mid-century and brutalist to Japanese and Scandinavian and, of course, a healthy dose of 1970s Italian modernism. Here, you will find sleek, modern forms clad in opengrain oak and complemented by a variety of artisan metals, stone, concrete and leather, placing a high priority on luxuriant colors and textures.

“The genesis of our designs lies in the transformation of raw materials—leather, marble, wood, metal—into beautiful bedroom, dining room and living room furnishings of high artistic value and quality,” says He ern.

Distributed through better retailers and designers in the United States and Canada, each brand features three distinct finishes—a light finish, a mid-tone finish and a dark finish. “The beach communities—the hotter climates—love the light finishes,” says He ern. “But, in general, everyone is an individual with their own decorative style and finish preferences. We do our best to address them all.”

The furniture, manufactured in Vietnam, features high-end details such as custom, solid brass hardware, English dovetail drawer construction, undermount soft-close drawer glides, and

full slat-rolls with adjustable height options on beds. Chairs are built using traditional wood joinery and ship fully assembled. These features coupled with outstanding design, craftsmanship and pricing elevate Casa Ispirata and Cavalletto Home above the competition.

The June 2021 launch presented several hurdles. While business boomed for many existing companies in the industry during the first years of the COVID-19 pandemic, it was enormously challenging for this new venture due to worldwide travel restrictions combined with factory and transportation disruptions. High Point Expo attendance su ered, and retailers were working remotely, making introductory visits impossible.

“Unable to get out into the field to call on potential customers made for a frustrating first two years,” says He ern. “Still, during that period, we developed good relationships with the design trade and various retailers that found us online or attended, COVID notwithstanding, the High Point shows.”

To make up for the lost time, He ern and his team are now crisscrossing the United States, personally meeting scores of furniture retailers. “I began my career as a salesman, then transitioned into sourcing, product development and quality systems. Getting back into ‘the field’ and meeting new people, is a real pleasure,” says He ern.

Casa Ispirata and Cavalletto Home showcase their designs at the High Point Furniture Market twice a year. The company has websites for each brand with full product details, allowing consumers, retailers and the trade to get a realistic and detailed idea of the fine elements and workmanship in the products.

“We are grateful for the privilege of building furniture that becomes a part of the fabric of family life,” says He ern. *

Ellen Uribe is an award-winning journalist and a communications expert. She is a sought-after speaker, participating as a moderator and panelist at numerous industry events, conferences and broadcast outlets. She has contributed to Vanity Fair, Palm Beach Life, The New York Times, Chicago Tribune, Women’s Wear Daily and Time Magazine

A TAPESTRY OF HERITAGE

For almost 50 years, Nomads Loom has provided top-of-the-line rugs

by CHRISTIANA LILLY / photography by HOLGER OBENAUS

WALKINGTHROUGHNOMADSLOOMINDALLAS , customers embark on a journey through historic rug weaving centers. From decorative Serapi rugs hailing from the Caucasus region, Persian Bakshaish pieces and Moroccan rugs woven by Berbers to antique Oushak rugs from Turkey, the Sirinoglu family has created a collection of one-of-a-kind pieces. The family-run store is the culmination of four generations of experience, passion and tutelage passed down from the masters.

“Our knowledge about antique rugs is really high, and we strive to get good antique rugs, not just any generic antique rugs,” explains Sarven Sirinoglu, store manager and the son of owner Nazaret Sirinoglu. “We’re shrewd shoppers, and we try to pass that along to our customers who appreciate our taste and our quality.”

Sarven Sirinoglu’s great-grandfather was a rug trader; his grandfather, Haygaz, was trained under the master weaver Zareh Penyamin; and then his father, Nazaret, designed and manufactured fine silk rugs. The style is considered one of the finest made in the world. In the late ’70s, the Armenian family left Turkey and moved to Paris and then New York for more opportunities, but they quickly discovered Dallas and fell in

love. They relocated to the Lone Star State, and in 1975, Nazaret Sirinoglu opened the doors to Nomads Loom, and his brother opened a rug cleaning business, Armen Oriental Rug Cleaning.

Sarven Sirinoglu grew up in the rug store in the World Trade Center and remembers the large windows of their first store and playing while his father worked with customers, vendors and colleagues.

“I literally grew up in the store,” he says. “Whenever there was a day o at school, I would come, or during the summer, I would spend it in the store.”

Nomads Loom first opened on the third floor of the World Trade Center, relocated to the 11th floor, then received space on the highly coveted ground floor. In 2018, the family moved the store to its current location in the Design District. For almost 50 years, they’ve earned a reputation for having exceptional knowledge and a large selection of antique rugs from Persia, Turkey, the Caucasus region (including Armenia and Azerbaijan), Morocco and Western China. They also set the standard for rugs in the Texas market, having been one of the first importers of antique Oushak and Persian rugs to the Dallas-Fort Worth marketplace.

About a decade ago, Nomads Loom added newer rugs to its collection to incorporate a wider range of colors and designs.

Newer weaving centers include India, Afghanistan, Nepal, Turkey and Tibet—providing the Sirinoglus with a range of selections, from fresh off the loom to 200-year-old pieces. But it’s not just sales that bring customers to their store. Rug owners can also bring in their pieces for expert cleaning, consultations, repairs and appraisals. The store has an in-house repairman and a large network of experts who can tackle more difficult projects. For example, their Persian and Turkish rug experts have a wealth of knowledge about the knotting and proper color matching for a region’s or era’s tapestries.

The most common repair issues with antique rugs are damaged fringes, as the secure binding breaks from being vacuumed or wear and tear. Also, many customers come to the store for help cleaning rugs after a pet has an accident on them.

“It has to be taken care of pretty fast,” Sirinoglu says. “The wool on a good rug is ‘alive.’”

Especially in rugs that were made a century ago, weavers used organic materials, such as hand-washed, cleaned and processed dyed wool. The rugs, therefore, have natural oils and nectar that need to be cared for and react strongly to the acid in pet urine, and moths can be attracted to the material.

Sirinoglu refers to rugs like this as a sponge or filter in the home, and he recommends a light suction vacuum once or

twice a week and shaking it out and leaving it in the sun every six months or so. Professional cleaning is recommended every one to two years.

“The rug really is a live item. When you put the rug outside in the sun, the colors just come alive,” he says. “It’s pretty amazing besides just as a piece of décor. It’s strong, it’s durable, it’s artistic and, literally, underappreciated.”

Christiana Lilly is a freelance journalist in Pompano Beach, Florida. See more of her work spanning the arts, community news and social justice at christianalilly.com.

REPEAT PERFORMANCE

Pittet Architecturals outfits today’s homes with reclaimed European stone flooring, antiques and vintage garden décor

by DANA W. TODD / photography by HOLGER OBENAUS

IMAGINEWALKINGINTOANEWHOMEWITHMODERNAMENITIES but feeling like it is rooted in place and built many years ago, with an age-worn patina to its design elements. There’s something about antiquities in a home that’s comforting; they wrap their arms around you like an old friend. It’s not necessary to travel the world searching for old-world antiques that make a house a home. All homeowners have to do is make their

way to Pittet Architecturals in the Dallas Design District to experience the rich feel of reclaimed bluestone and marble flooring, architectural elements and antiques sourced throughout the European continent by the father-and-son team of Raymond and Robinson Pittet.

The Pittets’ travels yield fine antique furniture and architectural pieces such as

limestone and marble mantels, lighting, artwork, sinks and bathtubs for interiors and garden gates, fountains, vessels, urns and finials for exterior applications. The company most recently added reclaimed flooring to its inventory, which is refreshed monthly with an ever-evolving shipment of goods from Europe displayed in a large warehouse perfect for browsing. Pittet Architecturals sources many of its reclaimed elements and antiques from France, Belgium, Italy and Spain but also brings home interesting finds from the Netherlands, Greece, Turkey and Eastern European countries such as Serbia. Most of their found treasures come from the area around the Mediterranean coast.

“Collectively, we have been in this business for 30 years, so we know where to source the best European pieces. From fountains to flooring, we have so many great finds. All are unique; they are one of one,” says Robinson Pittet, who handles day-today operations at Pittet Architecturals. “Reclaimed elements and stone flooring add subtle detail to a home and can work with any design style— traditional to contemporary. We work with designers and homeowners to find out what they want and then connect that with how it’s possible to achieve it.” A bonus is that all pricing includes international shipping costs from Europe to Dallas, so there are no hidden fees.

Buying a reclaimed antique is a special purchase, so Pittet recommends that buyers make their decision on what piece is right for them in a thoughtful manner, similar to purchasing fine art. An investment such as this should be one that is well planned for the space, and the Pittet team can help homeowners consider all the details to ensure the fit and style is just right.

Once homeowners choose the perfect fireplace mantel, garden fountain or whatever special piece their construction or renovation project demands, Pittet Architecturals connects them with a vetted contractor to professionally install it. The contractor will come to the home,

discuss in detail the project scope and provide a free estimate for the complete installation. Artisans at Pittet Architecturals’ inhouse shop can alter the dimensions of antique pieces, refinish them, fabricate missing hardware and create matching trim as needed.

If homeowners can’t find a reclaimed antique element, such as a garden gate, that works for their needs, or the mantel they really want has already been sold, Pittet Architecturals will work with them to design and build a one-of-a-kind estate piece that meets their exact dimensions and style specifications. “We custom design and fabricate based on one of our existing designs or from a homeowner’s photographic inspiration or ideas,” says Pittet. “While working closely with a living heritage group of artisans in Southern France, a homeowner’s bespoke design comes to life in modern proportions and scale that is usable in today’s homes. We can re-create the antique texture and patina of period pieces or leave the final product with a clean edge for a contemporary look.”

The beauty of Pittet Architecturals—besides the company’s extensive experience finding and sourcing European antiques— is that its showroom is open to the public as well as trade professionals. It’s possible to spend an entire afternoon browsing the antique selections in the showroom to find a patinaed

dining table or marble sink that brings a sense of warmth into a home or makes an awe-inspiring statement. Using architectural salvage is a wonderful way to keep high-quality materials from yesteryear out of landfills while adding a sense of history to a home. Without any boundaries to what someone can discover, modify and create with Pittet’s knowledge and craftsmanship, homeowners find it possible to create anything they want for their dream homes. *

Dana W. Todd is a professional writer specializing in interior design, real estate, luxury homebuilding, landscape design, architecture and art.

ANIMAL

INSTINCT

by CHRISTIANA LILLY

A

ROADRUNNERWITHPURPLEFEATHERSINITSCREST , the kind eyes of a gentle moose, a fox caught mid trot—Avery Kelly’s portraits of animals aren’t just to re-create a moment but to share a personality.Working with oils and acrylics and in printmaking, the artist focuses on the quirkiness of animals, bringing a sense of lightness and fun to what can otherwise be a stodgy genre.

“Instead of trying to show something exactly as it is, I’m trying to create an expression,” the Fort Worth-based artist explains.

Abraham Salum

Photo by Holger Obenaus

When she was growing up, there were birds, dogs and cats in the house, and during her family’s trips to Colorado, Kelly was entranced by the wildlife and landscapes. She discovered art in high school but focused on environmental studies while at the University of Redlands in California. The art bug kept nagging at her though, and she returned to school and earned a bachelor’s degree in painting from Texas Christian University and then master’s degrees in studio art from the University of Texas at Tyler.

“I’ve always been very interested in animals and the outdoors,” Kelly says. “The interest in art really came as a way to express my enthusiasm about that.”

Today, Kelly is a full-time elementary school art teacher, where she gets to witness children discovering and exploring art. Inspiration abounds for the artist, from biking along the Trinity River in Fort Worth to taking in the mountain landscapes of Colorado or the beaches on the Gulf Coast of Texas. She also makes time to visit her favorite museums for sparks of vision from other artists, such the permanent and rotating exhibits at the Amon Carter Museum and Kimbell Art Museum, both in Fort Worth. In fact, the Kimbell and the National Cowgirl Museum & Hall of Fame both carry prints of Kelly’s work on notecards, which are also available on her website.

In her home studio, Kelly stands at her easel and paces between that and a series of photographs on a music stand. Paintbrush in hand, she works with oils and acrylics and will sometimes trade it out for a palette knife to get the texture she’s searching for to bring an animal to life. Some of her favorite subjects at the

moment are roadrunners, as they match her lighthearted style.

“I’ve really enjoyed doing roadrunners because they’re a little bit goofy,” she says. “I like things to be colorful, and I really enjoy that process of mixing colors.”

But her content is not restricted to just the flora and fauna that can be found in Texas—she travels the world via paintbrush with her portraits of African gira es, blue-footed boobies from the Galapagos, or moose from Montana with photographs she finds online.

When she’s not painting, she moves over to the printing press in her home to create black-and-white relief prints. Through printmaking, Kelly has to think backward, drawing in reverse and carving pieces of linoleum. It’s an unforgiving style of art, unlike painting, where she can work over and around mistakes, and even after years of working on the press, she says the final product that appears on the cotton paper is always a surprise.

“It’s a totally di erent way to think about images, and I can do things with the printmaking that I definitely wouldn’t do in painting and vice versa,” she says. “I really enjoy how both take a di erent type of focus and execution. With carving, it’s very risky in that if I make a mistake, then I’m going to have to cut a whole new plate, so I start with the most important thing in the image.”

Kelly’s work has been exhibited throughout Texas, especially in the Dallas-Fort Worth metroplex, in galleries, o ce spaces, churches and public buildings, such as Frisco City Hall and Keller Town Hall. Her pieces have also been in group exhibits and auctions around the country, including Taos, New Mexico; Billings, Montana; and Providence, Rhode Island. Special projects include

Sunset on the Water , oil on canvas, 36" x 48"

a mural created for Trinity Episcopal Church in Fort Worth, a painting that extends the outdoor space with a scene that features crepe myrtle, morning glories, quail, hummingbirds, a napping dog—and, of course, a busy roadrunner.

“It was interesting to plan something on such a small scale and take it out in a big space,” she says.

Not all of her commissions are quite so large. Kelly is known for creating custom works for clients, primarily paintings of pets and other nature-inspired subjects. For these projects, she visits the pets to take photos—or has photos sent to her—so she can absorb the animal’s personality to make it shine through the portrait. She’s also been asked to paint Canada geese with a particular color scheme, as well as a painting with a lake house theme.

“A thing about my art is I don’t want it to seem like it’s taking itself too seriously,” Kelly says. “I want my art to be somewhat lighthearted and to make the viewer feel happy.” *

Christiana Lilly is a freelance journalist in Pompano Beach, Florida. See more of her work spanning the arts, community news and social justice at christianalilly.com.

A CULINARY SANCTUARY

Salum Restaurant brings a taste of Europe to Uptown Dallas

by LESLIE J. THOMPSON / photography by HOLGER OBENAUS

SEASONEDTRAVELERSKNOWBIGCITIES often hide their best eateries in quiet neighborhoods or nondescript strip centers. Such is the case with Salum Restaurant, an intimate venue artfully camouflaged amid a modest row of retailers on Cole Avenue in Uptown Dallas.

“This used to be a doctor’s o ce,” says the chef and owner, Abraham Salum, who transformed the space into an elegant but casual fine dining establishment in late 2005. The cozy restaurant is a serene respite from its urban surroundings, with soft lighting, attentive service and only 20 tables. The venue has stood the test of time through the transformation of Uptown from a commercial enclave to one of the

Serrano caprese

Handmade Rugs To The Trade

Mary Beth Wagner Interiors

hottest neighborhoods in Dallas, and it likewise weathered the 2020 pandemic, during which servers did double-duty as delivery drivers. Today, Salum continues to attract a cadre of regulars, who come as much to chat with the ebullient chef as they do for the exceptional food.

A native of Mexico City, Salum attended the New England Culinary Institute in Montpelier, Vermont, before traveling to Europe to start his gastronomic career. Working in kitchens in Belgium and France, followed by a brief return to Mexico, he continued to hone his culinary skills until destiny and love brought him to Dallas, he says. After four years as Executive Chef at Parigi, an Oak Lawn Avenue bistro that has been a favorite of discerning foodies for nearly four decades, Salum ventured out with his own venue.

“I always had the idea of doing a restaurant with an open kitchen,” he says, gesturing to the clean and brightly lit cooking space facing the main dining area. Although the kitchen sta are in plain sight, the activity is not distracting and instead speaks to Salum’s confidence in his team and the dishes he serves.

“I change the menu every month,” says the personable chef, noting he has repeated only a handful of dishes over the past 17 years. “I play around with ingredients that are in season and also buy local when we can.”

With a focus on Continental cuisine, Salum’s innovative rotation features primarily Mediterranean and French fare, with an occasional nod to the owner’s homeland.

To kick o the New Year, the chef tantalized guests with a selection of savory appetizers, like Texas goat cheese with roasted elephant garlic, panko-crusted baked oysters with bacon and parmesan, and a homemade country pâté served with Dijon mustard, cornichons and toasted baguettes. He also paid tribute to his Latin American roots with arepas de choclo, a traditional Colombian dish of blue corn patties stu ed with corn and cheese and served with spicy tomato salsa.

top: Bourbon bread pudding right: Chef and owner, Abraham Salum

The dinner menu always has a few popular staples, Salum notes, such as beer-battered fish and chips, Australian rack of lamb with mushroom bread pudding, and a juicy burger built to order with anything from Gruyère cheese to marinated portobello mushrooms. The remaining entrées, however, testify to Salum’s love of learning and endless ability to innovate. Recent selections included pan-seared scallops over lentil puree, grilled branzino filet with butter-toasted Israeli couscous, and succulent pork cheeks braised in beer and molasses and served with sautéed Swiss chard.

Both the pan-roasted halibut with pesto and parmesan risotto and Salum’s homemade squid ink spaghetti marinara were inspired by cuisine from Italy’s southern shores, while the Puerto Rican pollo guisado—a hearty chicken stew—added a rustic touch to the January menu. Salum also frequently pays tribute to his two grandmothers, both gifted home chefs, by featuring classic Mexican fare. With dishes from across Europe and Latin America, the restaurant o ers something for every taste.

“When I first came here, there wasn’t that much ethnic food in Dallas,” recalls the veteran chef, as he pauses from visiting with patrons. He has enjoyed seeing culinary options expand across the metroplex, which now boasts everything from Pan-Asian to African-fusion cuisine. As for his own recipes, Salum likes to let the ingredients shine.

“My dishes are simple, honest food,” he says, humbly. “If you get a broccoli soup, it will taste like broccoli, not like cream and flour.” The service is equally consistent, with sta diligently tending to the needs of guests without being overly pushy. Although the environment is upscale, the restaurant itself is casual, Salum says. “We have people who come in two or three times a week for lunch or dinner,” he adds, clearly grateful for locals who have become like family.

For newcomers, the restaurant is equally suitable for impressing business clients, catching up with friends or enjoying a romantic date night. Among the many attractions that put Uptown Dallas on the map, Salum is a hidden gem worth uncovering. *

Leslie J. Thompson is a Dallas-based freelance writer with a passion for interior design and international travel. Read more of her work at lesliejthompson.com.

MITAL PATEL PHOTOGRAPHY

IT’S clear from looking at Mital Patel’s photography that he has an incredible eye and a unique sense of perspective. Patel captures his subjects in a way that leaves the viewer staring in awe at this moment—this one incredible moment—that he has forever immortalized through the lens of his camera. That is the mark of a true artist, and Patel’s talent is undeniable, from his nature photography to his fine architecture and abstract photographs.

Over the course of his career, Patel has created a name for himself as an intrepid photographer, traveling the globe to capture the incredible—and often majestic—shots that he takes.

He focuses on fine art photography, printing his images on museum-grade fine art paper or on Lumichrome acrylic. Within the wide scope of his work, and in all his travels across the world, Patel’s favorite subjects are larger than life. “At this time, I’d say my favorite thing to photograph has to be elephants,” he says

While Patel is based in Dallas, he considers the world his studio. “I have traveled extensively around the globe, touching all but one continent,” notes Patel, who recently travelled to Antarctica for the first time. His work is represented by the Christopher Martin Gallery in Dallas, Houston, Aspen and Vail.

MITAL PATEL PHOTOGRAPHY

214.491.8095

MITALPATELPHOTO.COM

KITTRELL/RIFFKIND ART GLASS

LOCATED near the shops of the Galleria, Kittrell/Ri kind Art Glass, Dallas’ finest art glass gallery for more than 30 years, o ers an ever-changing selection of outstanding and innovative work by more than 300 contemporary North American glass artists. This gallery o ers an amazing array of sculpture, goblets, vessels, wall art, platters, jewelry and many other treasures, large and small, including both functional and nonfunctional works, all in a 16,000-square-foot gallery space.

Also housed in the gallery space is Southwest Gallery, Dallas’ largest collection of 19th- to 21stcentury paintings and sculptures. Celebrating more than 50 years serving North Texas, this beautiful gallery represents hundreds of respected and established artists with thousands of stunning works of art, from antique to contemporary. In addition, you will also find a huge custom framing department for your precious keepsakes.

The service-oriented and insightful sta o ers knowledge and design expertise to assist in finding just the right piece for every client. Whether you’re a beginner or an experienced art collector, the gallery’s desire is to educate and inspire a greater appreciation of the arts for a more informed and personal buying experience.

KITTRELL/RIFFKIND ART GLASS

972.239.7957

KITTRELLRIFFKIND.COM

GD WHALEN PHOTOGRAPHY

AS a child, Gary Whalen fell in love with photography, taking photos with his Kodak Instamatic camera and finding magic through the lens. In college, he took photography classes and had a darkroom in his bathroom.

Despite his passion for the craft, he did not pursue it professionally but instead followed his athletic acumen onto the professional tennis circuit and owned a tennis club in Florida. It was not until his later years that Whalen turned his focus to photography, working in various formats, including largeformat film, medium-format film, 35mm film, medium-format digital and FF digital.

Utilizing light and shadow much the way Rembrandt did in his paintings, Whalen tends to be very classical in his style, capturing sharp images and employing little, if any, Photoshop work with his animals and landscapes. “I used to do a lot of portrait and fashion work,” he says.

Whalen utilizes the lighting skills he learned as a fashion and portrait photographer in his landscape and animal work. His work leaves viewers with a sense that they are seeing something unfold, candidly part of a moment that they might not otherwise experience. “I shoot my nature work as if I am taking a portrait of whatever the subject is,” he says.

Whalen is a member of NANPA and PPA as well as a Nikon NPS member. He is presently participating in art festivals all over the South and has a complete online store on his website.

GD WHALEN PHOTOGRAPHY

828.301.3844

GDWHALENPHOTOGRAPHY.COM

GAPPA GLASS FINE ART

MASTER glass artist David Gappa believes it takes inspiration and vision to look at something ordinary and see the potential of what it could become. Before each piece is created, he sees worlds of possibility within the ancient process of working with molten glass.

An architect by training, Gappa was introduced to the art of glassblowing during his time at The University of Texas at Arlington in the mid ’90s. With his interest and passion sparked, he embarked on a lifelong mission to refine his technique by studying with glassblowing masters around the world, including the famed glass masters in Murano, Italy. In 1999, Gappa founded Vetro Glassblowing Studio and Gallery in Grapevine, Texas, referential to the Italian word for glass and glassblowing terminology. Since then, his glass artworks have found their way into fabulous collections worldwide, including that of several heads of state. In 2022, Gappa launched his highend luxury brand of chandeliers, wall installations and fine art glass sculptures under the name Gappa Glass Fine Art.

“My life’s passion is working with the shifting energies of molten glass into its final stages of artistic completion,” says Gappa. “The creation of each piece is a journey as I strive to trust in the path the glass chooses for me—a trail of color, form and function.” GAPPA

SOUTHWEST GALLERY

LOCATED near the shops of The Galleria, Southwest Gallery o ers Dallas’ largest collection of fine 19th- to 21st-century paintings and sculptures. Celebrating more than 50 years of serving the art needs of Dallas, this beautiful gallery represents hundreds of respected and established artists with thousands of stunning works of art, from antique to contemporary, all in a sensational 16,000-square-foot gallery space.

The service-oriented sta o ers design expertise that helps clients maximize the value and selection of each art purchase. Whether you’re a beginner or experienced art collector, the gallery’s desire is to share how art is made and the artist behind it for a more informed buying sense.

Also housed in the gallery is Kittrell Ri kind Art Glass Gallery, which o ers an array of sculpture, platters, wall art and many other treasures, large and small. The everchanging selection of outstanding and innovative work is created by more than 300 contemporary glass artists.

You will also find a huge custom framing department, where you can choose from the finest handcrafted mouldings and thoughtfully designed shadow box frames for those precious keepsakes.

SOUTHWEST GALLERY

972.960.8935

SWGALLERY.COM

DEBORAH R HILL

ARTIST Deborah Hill finds inspiration in the depth of color and form in the natural world, finding the greatest muse for her work in the rural vistas, beaches, marshes and fauna so common to the Lowcountry, as well as in the unique scenery of industrial shorelines. As much as these subjects are what she’s known for, she is equally inspired when painting a still life setup in the studio.

Classically trained, Hill considers herself a contemporary artist working primarily in an abstract-realism style. Her present series, The Horse in the Landscape, is a celebration of the majestic creature in a bucolic setting, with horse and rider presented as companions rather than master and beast. Her ongoing series, Crossroads, addresses the subject of mobility and o ers the horse as a metaphor—the horse being one of the earliest methods of transport for humans.

Hill recently relocated to live and work full-time in upstate New York. She is represented by LePrince Fine Art in Charleston, South Carolina; Spa Gallery in Saratoga Springs, New York; Five 3 Gallery in Laguna Beach, California; and Shayne Gallery in Montreal, Canada, and her work can be found in collections both nationally and internationally. She posts her studio progress and painting travels on her Instagram, @deborahhillpaintings.

DEBORAH R HILL

716.870.6803

DEBORAHRHILLPAINTINGS.COM

WORTH THE WAIT

An iconic desert home gets a long-awaited contemporary makeover

by ROBIN HOWARD /

photography by MIKE

DUERINCKX

The designer updated the dining room with light white oak floors and contemporary accents and furnishings.

previous:

An extensive renovation transformed this “mission transitional” home into a soothing, contemporary haven. The 15,000-square-foot house is surrounded by high Sonoran Desert with panoramic views of the mountains and valley.

THEREAREMANYMOVINGPARTSWHENBUILDINGANEWHOME , especially one of grand design, and sometimes compromises are necessary. Twelve years ago, interior designer Esther Boivin was one of two designers working with architect Shelby Wilson and his clients on a 15,000-square-foot house in Scottsdale, Arizona. Though the result was spectacular, the wife had been gently persuaded out of her vision for an ultracontemporary home a decade ahead of its time—a vision Boivin supported.

As they say, good things come to those who wait. When the home was ready for an update last year, the couple contacted Boivin to create the sleek, elegant, contemporary interiors of their original vision. Since building their home, the couple had visited luxurious showhouses and were now on the same page about contemporary design.

Located in the Desert Mountain community surrounded by high Sonoran Desert, the home sits on one of the highest lots, o ering dramatic panoramic views of the mountains in the back and the valley in front. Boivin describes the architecture and original interiors as “mission transitional,” with flagstone floors and dark wood elements throughout. “Shelby Wilson was an extremely creative architect, and I enjoyed the opportunity to work with him,” she says. “He didn’t do anything like anyone else and was very contemporary for his time. He was particular about how the home was situated and that no supports divided the rooms. The architecture is very clever and very special.”

Boivin began by removing all of the flagstone floors from the home. Because the house is in the mountains, it was common in the area to use flagstone flooring and rare at that time to use wood floors. “But we wanted something very clean, neutral and light in color, so we replaced the stone floors with white oak,” she says. The second step was refinishing the interiors by removing or painting over the Venetian plaster, a soft white that contrasts beautifully with the wood ceilings for a refreshed look.

In the living room, neutral furnishings and creamy white walls allow the dramatic views to take center stage.

The bar has sleek, glossy white cabinetry with melted glass countertops. A custom glassware cabinet adds a splash of color.

right: The designer kept the traditional flagstone walls, which add organic texture and help keep the home cool.

A redesigned, ultracontemporary kitchen was next on the list. We enter the home through large glass doors that open into a living room with a fireplace backed by an extended bar area with seating. The kitchen is recessed and situated to the side of the bar and living area. It is visible from all public spaces, so everything had to flow.

“The original kitchen had a huge island with multiple levels and multiple materials,” Boivin says. “The cabinets were dark wood with knobs and had cavities for knickknacks. There were lots of tiles and decorative trims, and just a lot of stu .”

The designer has a talent, and a passion, for kitchen design, so she worked the layout herself. “We went the opposite direction and opened everything up, creating more space, flow and access,” she explains. “I used fewer cabinets but gave them more usable space.”

For the 12-foot island, Boivin and the client chose engineered acrylic panel cabinets with touch latches or recessed pulls. It has a 60-inch work sink, cutting boards and two faucets. “I collaborate closely with an amazing skilled cabinetmaker, who achieved all of the intricate details. It’s just beautiful,” she says.

The countertops are an innovative new product called Geoluxe, a resin-free engineered surface made entirely from minerals. It’s resistant to stains, chemicals, UV and scorch marks and has a 15-year warranty. Available in two finishes, the designer chose a shiny glass-like finish that reflects light. Overhead, Boivin created a canopy with vertical pendant lighting that resembles glowing metal rods.

Manipulating the play of light is one of Boivin’s superpowers. “I like to play with artificial and natural light. Nothing in this house is a coincidence; every

Located in the Desert Mountain community surrounded by high Sonoran Desert, the home sits on one of the highest lots, offering dramatic panoramic views of the mountains in the back and the valley in front.

In the bathroom, a melted glass vessel sink echoes the textured glass on the bar. Though the palette is subtle, texture on the walls and floors keeps the eye moving.

right:

A stone tub in a pleasing biomorphic shape in the primary bath has unobstructed views of the desert and mountain.

Geoluxe counters made entirely from minerals are resistant to stains and scorch marks. The glass-like finish reflects light.

material I select is chosen to bring life to the design with reflectivity or non-reflectivity,” she says. “Sometimes materials are matte, shiny or luxe gloss, and then I carefully choose the lighting to complement it. This is the beauty of the design, and this is how contemporary design comes alive. The natural light will bring the project to life if you don’t turn on any lights during the day. When you turn on lights at night, it’s still beautiful.”

The kitchen has a new tea and co ee cabinet and pullout pantry organizers. Above the stove, Boivin created a feature wall with two 10-by-6-foot slabs of crystal quartzite, a translucent material that can be backlit. Every appliance that can be hidden is concealed behind panels, and the wall oven and microwave are tucked out of sight.

Straddling the kitchen and bar area, a custom glass display cabinet with LED lights and glass shelves suspended on wires holds colorful barware. For the wall of cabinets, they chose eucalyptus veneer with a natural stain.

The inviting bar also got the star treatment. The original structure had a 42-inch-high bar top with a drop to 36 inches. Boivin prefers unbroken lines in contemporary design, so she designed the new bar at 36 inches with a small section of useable space by the bar and sink at 30 inches. The showstealing bar has a 1-inch-thick melted glass countertop with waterfalls and an undulating apron of melted glass that is back painted in a gradient that ranges from champagne to a darker black, contrasting against the floor. The bar has an under-mount fridge, temperature-controlled wine storage and an ice machine.

Boivin updated most of the rooms in the rest of the home, including the family and breakfast rooms, by removing stone elements and replacing them with contemporary tiles, wallpaper and updated finishes, and by swapping out dark rugs, upholstery and furnishings with lighter, more neutral options.

“It’s a totally di erent house now. Before, everything was dark and busy, but now it’s super clean and bright,” Boivin says. “Everything is very subtle except the things I wanted to highlight. Everything is very neutral, but small details and textures create di erentiation.”

For the client, the renovation was worth the wait. “She says it’s her dream kitchen. Of all the showroom kitchens she’s ever seen, hers is the best. She’s very particular, so that’s a big compliment. It was a pleasure to work with them again. I just knew that if she trusted me, I could give her what she wanted and more.” *

Robin Howard is a freelance writer in Charleston. See more of her work at robinhowardwrites.com.

>> 2023 WINNERS

TEXAS CHAPTER OF THE AMERICAN SOCIETY OF INTERIOR DESIGNERS ON

August 4, 2023, the Texas Chapter of the American Society of Interior Designers (ASID) came together at the historic Crozier Hall in Downtown Dallas for the Celebrating Design Texas Awards, the annual competition recognizing the finest interior design achievements across the ASID Texas Chapter. The chapter consists of five Design Communities (DC) —Austin, Dallas, Fort Worth, San Antonio and West Texas—and includes interior designers, educators, students and industry partners. The competition features categories encompassing residential, hospitality, workplace, outdoor living, historic preservation and more. The following pages showcase the first and second place winners in all categories, including Best in Show.

TEXAS CHAPTER BOARD MEMBERS

Kathryn Nelson, ASID / President

Veronica Sanders, Allied ASID / President-Elect

Kathy Tomkins, ASID IP Rep / Financial Director

Martha “Tim” Latta, Allied ASID / Professional Development Director

Nichelle Hosley, Allied ASID / Membership Director

Karla Urbina, ASID IP Rep / Communications Director

Jessica Janzen, ASID / At-Large Director

Jewel D’cruz, Student ASID / Student Representative to the Board

KARLA URBINA

NICHELLE HOSLEY

KATHRYN NELSON

JEWEL D’CRUZ

KATHY TOMKINS

VERONICA SANDERS

JESSICA JANZEN

MARTHA “TIM” LATTA

CATEGORY GROUP: COMMERCIAL

Category: Corporate, Large (Over 15,000 Square Feet), 1st place Category Group: Commercial

Category: Corporate, Small (Under 15,000 Square Feet), 1st place & BEST IN SHOW – Dallas DC Category Group: Commercial

Britt Design Group

| Laura Britt, ASID

Category: Corporate, Small (Under 15,000 Square Feet), 2nd place Category Group: Commercial

Category: Corporate, Large (Over 15,000 Square Feet), 2nd place

Category Group: Commercial

Britt Design Group | Laura Britt, ASID

Nicole Arnold Interiors | Nicole Arnold, Associate ASID

SmithGroup | Kenda Draper, ASID

CATEGORY GROUP: COMMERCIAL

Uttara Patil Interiors, LLC | Uttara Patil, Associate ASID

Category: Healthcare, 1st place

Category Group: Commercial

Thiel & Team, Inc. | Paige Byrd, Allied ASID

Category: Hospitality, 2nd place

Category Group: Commercial

Thiel & Team, Inc. | Paige Byrd, Allied ASID

Category: Hospitality, 1st place

Category Group: Commercial

LV Collective | Chelsea Kloss, Allied ASID

Category: Multi-Family, 1st place & BEST IN SHOW – Austin DC & BEST IN SHOW – Overall Category Group: Commercial

CATEGORY GROUP: COMMERCIAL

Levy

Category: Multi-Family, 2nd place

Category Group: Commercial

Category: Commercial Renovation, 1st place Category Group: Commercial

Kasey

Category: Retail, 1st place

Category Group: Commercial

Kasey

Category: Commercial Renovation, 2nd place

Category Group: Commercial

McCarty Interior Design | Kasey McCarty, ASID

Dykema | Jill Pierce, ASID

Thiel & Team, Inc. | Paige Byrd, Allied ASID

McCarty Interior Design | Kasey McCarty, ASID

CATEGORY GROUP: COMMERCIAL

Kasey McCarty

Interior Design | Kasey McCarty, ASID

Category:

Custom-Designed

Element, 1st place

Category group: Commercial

Thiel

Category: Unique Space, 1st place Category Group: Commercial

HPA

Category: Unique Space, 2nd Place Category Group: Commercial

LV

Category: Custom-Designed Element, 2nd place Category Group: Commercial

& Team, Inc. | Paige Byrd, Allied ASID

Design Group | Chelsea Dora, ASID

Collective | Chelsea Kloss, Allied ASID

CATEGORY GROUP: RESIDENTIAL

Britt Design Group | Laura Britt, ASID

Category: Entire Residence (Over 5,000 Square Feet), 1st place

Category Group: Residential

Jobe Corral Architects | Camille Jobe, ASID

Category: Entire Residence (Under 5,000 Square Feet), 1st place & BEST IN SHOW – Austin DC & BEST IN SHOW – Overall

Category Group: Residential

Britt Design Group | Laura Britt, ASID

Category: Entire Residence (Over 5,000 Square Feet), 2nd place

Category Group: Residential

Spaces Designed Interior Design Studio | Komal Sheth, Allied ASID

Category: Entire Residence (Under 5,000 Square Feet), 2nd place

Category Group: Residential

CATEGORY GROUP: RESIDENTIAL

Category: Traditional/ Transitional Kitchen, 1st place & BEST IN SHOW – Dallas DC Category Group: Residential

Category: Contemporary/ Modern Kitchen, 1st place Category Group: Residential

LDI Studio, LLC | Lauren Dickson, ASID Category: Model Home/Show Home, 1st place Category Group: Residential

Britt Design Group | Laura Britt, ASID Category: Traditional/Transitional Kitchen, 2nd place Category Group: Residential

Kim Armstrong Interior Design | Kim Armstrong, ASID

LDI Studio, LLC

| Lauren Dickson, ASID

CATEGORY GROUP: RESIDENTIAL

Category: Contemporary/Modern Kitchen, 2nd place

Category Group: Residential

Category: Traditional/Transitional Living Space, 2nd place

Category Group: Residential

Heritage Interiors | G. Marlene Small, Allied ASID

Category: Traditional/Transitional Living Space, 1st place & BEST IN SHOW – Fort Worth DC

Category Group: Residential

Layered Dimensions Interior Design | Christina Garcia Lysaught, Allied ASID

Category: Contemporary/Modern Living Space, 1st place

Category Group: Residential

Dana Bass Designs | Dana Bass, ASID

Debra Stewart Interior Design | Debra Stewart, ASID

CATEGORY GROUP: RESIDENTIAL

Martha O’Hara

Interiors | Heidi Feliz-Grimm, Allied ASID / Heather Chadwick, Allied ASID

Category: Contemporary/ Modern Living Space, 2nd place

Category Group: Residential

Heritage Interiors | G. Marlene Small, Allied ASID

Category: Traditional/ Transitional Dining Room, 1st place TIE

Category Group: Residential

Linda Fritschy

Interior Design | Linda Fritschy, ASID

Category: Traditional/ Transitional Dining Room, 1st place TIE

Category Group: Residential

Michelle’s Interiors | Michelle Kopfer Roberts, Allied ASID

Category: Traditional/Transitional Dining Room, 2nd place

Category Group: Residential

CATEGORY GROUP: RESIDENTIAL

RI Studio | Terra McNutt, Allied ASID

Category: Traditional/ Transitional Bathroom, 1st place

Category Group: Residential

Layered Dimensions Interior Design

| Christina Garcia Lysaught, Allied ASID

Category: Contemporary/Modern Dining Room, 1st place

Category Group: Residential

Category: Contemporary/Modern Dining Room, 2nd place

Category Group: Residential

Category: Traditional/Transitional Bathroom, 2nd place

Category Group: Residential

Kim Armstrong Interior Design | Kim Armstrong, ASID

Michelle’s Interiors | Michelle Kopfer Roberts, Allied ASID

CATEGORY GROUP: RESIDENTIAL

The Nielsen Collection of Interiors, LLC | Faye Nielsen, Allied ASID Category:

Contemporary/ Modern Bathroom, 1st place

Category Group: Residential

Interior Design | Kim Armstrong, ASID

Category: Traditional/ Transitional Bedroom, 1st place

Category Group: Residential

G. Interiors | Christine Gee, Associate ASID

Category:

Contemporary/ Modern Bathroom, 2nd place

Category Group: Residential

Category: Traditional/Transitional Bedroom, 2nd place

Category Group: Residential

Nicole Arnold Interiors | Nicole Arnold, Associate ASID

Kim Armstrong

Category:

CATEGORY GROUP: RESIDENTIAL

Layered Dimensions

Interior Design | Christina Garcia

Lysaught, Allied ASID

Category:

Contemporary/ Modern Bedroom, 1st place

Category Group: Residential

Category:

Category:

Kathryn Nelson Design | Kathryn Nelson, ASID

Child/Youth Bedroom, 1st place Category Group: Residential

Design with Veronica Sanders, LLC | Veronica Sanders, Allied ASID

Contemporary/Modern Bedroom, 2nd place Category Group: Residential

Kathryn Nelson Design | Kathryn Nelson, ASID

Child/Youth Bedroom, 2nd place Category Group: Residential

CATEGORY GROUP: RESIDENTIAL

Dana Bass Designs | Dana Bass, ASID

Category: Bar/ Entertainment Space, 1st place

Category Group: Residential

Loving Design Interiors, LLC | Traycie A. Loving, Allied ASID

Category: Bar/Entertainment Space, 2nd place

Category Group: Residential

Kathryn Nelson

Design | Kathryn Nelson, ASID

Category: Home O ce, 1st place

Category Group: Residential

Parsons i.d. | Laura Parsons, Associate ASID

Category: Home O ce, 2nd place

Category Group: Residential

CATEGORY GROUP: RESIDENTIAL

Parsons i.d. | Laura Parsons, Associate ASID

Category: Utility

Space, 1st place

Category Group: Residential

Jobe Corral

Architects | Camille

Jobe, ASID

Category: Product

Design/Special Detail, 1st place TIE

Category Group: Residential

Dana Bass Designs | Dana Bass, ASID

Category: Utility

Space, 2nd place

Category Group: Residential

Kim Armstrong

Interior Design | Kim Armstrong, ASID

Category: Product

Design/Special Detail, 1st place TIE

Category Group: Residential

CATEGORY GROUP: RESIDENTIAL

Layered Dimensions

Interior Design | Grayson Knight, Allied ASID

Category: Product Design/Special Detail, 2nd place

Category Group: Residential

CPID, LLC | Carolyn Pritchett Aponte, ASID

Category: Historic Preservation, 1st place

Category Group: Residential

|

Category: Outdoor Living, 1st place TIE

Category Group: Residential

Category: Outdoor Living, 1st place TIE

Category Group: Residential

Martha O’Hara Interiors | Heidi Feliz-Grimm, Allied ASID / Heather Chadwick, Allied ASID

Kathryn Nelson Design

Kathryn Nelson, ASID

CATEGORY GROUP: RESIDENTIAL

Signature Home Services | Robin Burrill, ASID

Category: Outdoor Living, 2nd place

Category Group: Residential

Kathryn Nelson Design | Kathryn Nelson, ASID in collaboration with eggersmann USA

| Kegan Wilson, ASID IP Rep

Category: Industry Partner Collaboration, 1st place

Category Group: Residential

Adcock-Smith Design | Kathy Adcock-Smith, ASID in collaboration with Helene’s Luxury Kitchens | Helene Terry, ASID IP Rep

Category: Industry Partner Collaboration, 2nd place

Category Group: Residential

DESIGN IMPACTS LIVES

The American Society of Interior Designers (ASID) believes that design impacts lives, and collaborates with others to promote the value of interior design.

Through education, knowledge sharing, advocacy, community building and outreach, we strive to advance the interior design profession and, in the process, to demonstrate and celebrate the power of design to positively change people’s lives.

We lead interior designers in shared conversations around topics that matter: from evidence-based and human-centric design to social responsibility, well-being, and sustainability. We showcase the impact of design on the human experience and the value interior designers provide.

When you want a qualified professional, choose an ASID designer.

AD INDEX

Antique Shops on Slocum Street...............69

ASID Texas ...................................................48, 127

Atlanta Style & Design....................................46

Casa Ispirata.....................................Back Cover

Cavalletto Home.............................Back Cover

Country French Interiors......................69, Inside Back Cover

Curtain Couture.............................................12-13

Dale Terbush, Artist.........................................36

David Gappa, Artist.........................................49

Deborah R. Hill, Artist........................................15

Designer’s Patio...............................................8-9

Dulce.........................................................................6

Electronic Interiors......................................30-31

Esther Boivin Interiors.....................................24

EXP Realty/Melhouse.......................................41

Farzin Rugs, Inc..........................................39, 69

Fiber-Seal.............................................................25

Furniture Buy Consignment..........................22

Gappa Fine Art Glass......................................49

GD Whalen Photography...............................23

Heritage Antiques and Interiors...........28-29

IDS – Installation, Delivery, Storage.......................................16-17

Interior Resources............................................89

J. Douglas Furniture & Interior Design.................................................47

John Houston Homes...............................32-33

Kalco Lighting.....................................................77

Kay Genua Designs.............................................7

Kittrell/Ri kind Art Glass Gallery...............73

Le Louvre French Antiques..........................69

Linen Boutique..............................................18-19

Loloi Found & Made....................................20-21

Mital Patel

Photography................Inside Front Cover, 1

Monica Wilcox Interiors..................................35

Nomads Loom................................................10-11

Pella Windows & Doors.....................................5

Pettigrew Luxury Furnishings......................27

Phelan’s Interiors..................................................3

Pittet Architecturals..................................14, 69

Reclaimed Designworks.................................37

RenCollection.....................................................34

Rob Stern, Glass Artist....................................73

Salum Restaurant..............................................85

Schlosser Design Group, LLC ........................81

Southwest Gallery............................................43

Summer Classics.............................................8-9

The Jarrell Company..........................................2

The Kitchen Source...........................................26

TKO Associates, Inc............................................4

Vetro Glassblowing

Studio & Gallery.............................................49

Esther Boivin Interiors, PHOTO BY MICHAEL DUERINCKX

Bruno de la Croix-Vaubois

Photos by Holger Obenaus

Chris de la Croix-Vaubois