November 1 & 2
Belk Theater
November 1 & 2
Belk Theater
There’s nothing quite like the experience of live music – the energy, the emotion, the connection between performers and audience. And tonight, you’re about to experience all of that and more. Whether you’re here for the brilliance of Tchaikovsky’s Piano Concerto No. 1 or the legendary sounds of The Music of Queen, you’ll hear music brought to life by our talented musicians. These aren’t just performers; they are your neighbors, teachers, and fellow community members, sharing their passion for music across our city.
This season is especially exciting as we welcome our new Music Director, Kwamé Ryan. While his highly anticipated debut conducting Brahms’s A German Requiem on November 22 and 23 is still to come, we’re already feeling the extraordinary energy he brings to this season, brimming with performances that are sure to inspire and captivate.
At the Charlotte Symphony, we believe that music is for everyone, and this season is a reflection of that belief. From the exhilarating fusion of Beethoven x Beyoncé to our casual On Tap brewery series, and beloved holiday traditions like Handel’s Messiah and The Muppet Christmas Carol in Concert, we offer something for every music lover. Whether you join us here in the concert hall or at one of our many community events, we want you to feel like a part of the Charlotte Symphony family.
For over 90 years, the Charlotte Symphony has been woven into the cultural fabric of our city, and tonight, you’re a part of that rich legacy. Thank you for being here to experience the power of live music. We look forward to sharing this incredible season with you.
Enjoy the concert!
David Fisk President & CEO
Whether you’re attending your first Symphony performance, or you’re a longtime subscriber, we’d like to extend to you a warm and inclusive welcome! Below is some helpful information to ensure you make the most of your Charlotte Symphony experience.
The Charlotte Symphony has no specific dress code. We encourage you to be comfortable and come as yourself in a style of your choice.
Audiences applaud to welcome the concertmaster, conductor, and featured artists onstage. Some works may have several sections, or movements, separated by a brief silent pause. It is tradition to hold applause until the last movement. If you are unsure, wait for the conductor to face the audience. But if you feel truly inspired, do not be afraid to applaud!
Certainly! We welcome and encourage you to capture and share photos before and after the concert, as well as during intermission. Feel free to use your cell phone for photography without flash during the performance, but please refrain from video or audio recording.
Friday, November 1, 2024, at 7:30 pm
Saturday, November 2, 2024, at 7:30 pm
Belk Theater at Blumenthal Arts
featuring
Brent Havens, conductor
MiG Ayesa, vocalist with George Cintrons, guitar/vocals
Justin Avery, keyboards/vocals
Dan Clemens, bass/vocals
Powell Randolph, drums/vocals
CONCERT DURATION: Approximately 2 hours, with one 20-minute intermission.
Berklee-trained arranger/conductor Brent Havens has written music for orchestras, feature films, and virtually every kind of television. His TV work includes movies for networks such as ABC, CBS and The Family Channel, commercials, sports music for networks such as ESPN, and even cartoons. He worked with the Doobie Brothers and the Milwaukee Symphony, arranging and conducting the combined group for Harley Davidson’s 100th Anniversary Birthday Party Finale attended by over 150,000 fans. Havens most recent film work includes the score for the film Quo Vadis, a Premier Pictures remake of the 1956 gladiator film. Havens is Arranger/Guest Conductor for all of Windborne’s symphonic rock programs.
MiG Ayesa vocalist
Guest vocalist MiG Ayesa was born in the Philippines and grew up in Australia, where he started his career in Buddy. He was then chosen to join the London cast including a Royal Variety Performance for Her Majesty, Queen Elizabeth II. MiG’s other West End credits include We Will Rock You, Rent, Thriller LIVE, and Seasons of Larson. His Broadway credits include Burn the Floor and Rock of Ages, which he also joined on the 1st US National Tour and in the Philippines. Back in Australia, his credits include Grease, Cinderella, Aladdin, West Side Story, Rent, Fame, The Music of Andrew Lloyd Webber, and a UK and Australian Tour of The Music of Queen. He reprised the role of ‘Galileo’ for the 10th Anniversary World Arena Tour of We Will Rock You and as one of the Tenors of Rock at their resident headline show in Las Vegas and on the high seas. MiG also sailed with Rock Rhapsody, as well as headlining his own one-man show MiG Rocks the Boat. As a devout classic rock/Queen fan, MiG’s enthusiasm, vocal ability, and onstage energy were the perfect fit for The Music of Queen show.
Bridging the gulf between rock n’ roll and classical music, conductor/ arranger Brent Havens takes the podium to present Windborne’s The Music of Queen, a program he scored to extend the listening experience of Queen’s exceptional tunes. Performed by an orchestra and amplified with a full rock band and vocals, Havens and his ensemble capture Queen’s distinct sound while presenting some familiar and lots of new musical colors.
Delivering a fabulous rendition of Freddie Mercury’s vocals is London’s West End and Broadway’s MiG Ayesa. “I had worked with MiG on a “Rock of Ages” show in St. Louis and when we were looking for a new Music of Queen show singer I immediately thought of MiG. His energy, musicianship, and fantastic voice made an immediate impression on me,” says Havens. “Clearly, there will never be another Freddie Mercury and I don’t want MiG to try to be him… but MiG delivers an amazing and wonderful performance on this show. He has the audience swept up in this music like no other.”
Heightened by rock concert lighting, the symphonic rock hybrid has met with riotous approval at both ends of the hall. Many classical musicians also enjoy the change of pace. “So many of the musicians grew up with this music much like we did,” says Havens. “They may not have studied it to the extent that my musicians have studied it but they are certainly familiar with the music. Who can avoid hearing ‘We Will Rock You’ at sporting events, on TV shows, and even in the super market?” Indeed, Queen’s music seems omnipresent.
“We’ve successfully merged four different groups with the orchestra and it seemed to me the next logical step in selecting a group was Queen. As always we wanted to keep the foundation of the music as close to the originals as we could and then add additional colors to enhance what Queen had done,” says Havens. “The wonderful thing with an orchestra is that you have an entire palette of sounds to call upon. The band is reproducing what Queen did live, as closely as possible within the constraints of personnel, and then having an orchestra behind the band gives the music richness, a whole new feel, a whole different sense of color but still preserving the wonderful music that they originally produced.”
As with the other shows, Havens understood that Queen fans would want to hear the original, familiar elements of the music. He therefore followed exact line arrangements and used the orchestra for enhancement. With a 50-piece orchestra hanging on his every cue, Havens had a large landscape to work with. Just among the doublereed instruments — the oboe, English Horn, bassoon — there are so many colors. Add in the violins, violas, cellos, basses, and woodwinds or more pure sounds from instruments like a flute or a clarinet and the selection grows. Then consider the entire brass section: trumpets, trombones, French horns, and the lower brass like the bass trombone and tuba, and you realize the variety of choices available to accompany a distorted electric guitar, bass, keyboard, and drums. Queen’s rich chord structures and amazing vocal harmonies made the music an ideal choice for scoring.
“When I sat down to begin scoring the show, it was amazing how comfortably the orchestra fit within the structure of the music. Innovative chord progressions, wonderful melodies and the astounding vocals of Freddie Mercury make the music a perfect choice to orchestrate. And having world-class musicians in every city we present the show makes the music even that much more compelling.”
The show has proven a great way to introduce rock fans to the symphony experience. “As with our other shows, I’m sure there are people who are going to come out who have never seen their city’s symphony orchestra and this allows them to experience something new along with the music that they already love,” says Havens.
Christopher James Lees
Resident Conductor
Christopher Warren-Green Conductor Laureate
Calin Ovidiu Lupanu, Concertmaster
The Catherine & Wilton Connor Chair
Joseph Meyer,* Associate Concertmaster
Kari Giles, Acting Associate Concertmaster
Dustin Wilkes-Kim,
Acting Assistant Concertmaster
Susan Blumberg°°
Jane Hart Brendle
Cynthia Burton
Ayako Gamo
David Horak†
Lenora Leggatt
Jenny Topilow
Angela Watson†
Hanna Zhdan
Oliver Kot, Principal
The Wolfgang Roth Chair
Kathleen Jarrell, Assistant Principal
The Pepsi-Cola Foundation of Charlotte Chair
Carlos Tarazona°
Monica Boboc
Martha Geissler
Sakira Harley
Tatiana Karpova
Ellyn Stuart
Benjamin Geller, Principal
The Zoe Bunten Merrillt Principal Viola Chair
Kirsten Swanson†
Acting Assistant Principal
Matthew Darsey†
Ellen Ferdon
Wenlong Huang
Viara Stefanova
Ning Zhao
Jonathan Lewis, Principal
The Kate Whitner McKay Principal Cello Chair
Allison Drenkow, Assistant Principal
Alan Black, Principal Emeritus
Marlene Ballena
Jeremy Lamb
Amy Sunyoung Lee
Sarah Markle
Jason McNeel, Acting Principal
Judson Baines, Assistant Principal
Justin Cheesman†
Jeffrey Ferdon
° Non-revolving position
°° Alternates between first and second violins
† Acting member of the Charlotte Symphony
‡ Funded by The Symphony Guild of Charlotte, Inc.
* On leave
HARP
Andrea Mumm Trammell, Principal
The Dr. Billy Graham Chair
Victor Wang, Principal
The Blumenthal Foundation Chair
Amy Orsinger Whitehead
Erinn Frechette
PICCOLO
Erinn Frechette
OBOES
Timothy Swanson, Principal
The Leo B. Driehuys Chair‡
Erica Cice
Jamison Hillian†
Terry Maskin*
ENGLISH HORN
Erica Cice
Taylor Marino, Principal
The Gary H. & Carolyn M. Bechtel Chair
Samuel Sparrow
Allan Rosenfeld
E ♭ CLARINET
Samuel Sparrow
BASS CLARINET
Allan Rosenfeld
AJ Neubert, Principal
Joshua Hood
Nicholas Ritter
CONTRABASSOON
Nicholas Ritter
Byron Johns, Principal
The Mr. & Mrs. William H. Van Every Chair
Andrew Fierova
Bradley Burford
The Robert E. Rydel, Jr. Third Horn Chair
Richard Goldfaden
Paige Quillen
TRUMPETS
Alex Wilborn, Principal
The Betty J. Livingstone Chair
Jonathan Kaplan*
Peter Stammer†
Gabriel Slesinger, Associate Principal
The Marcus T. Hickman Chair
TROMBONES
John Bartlett, Principal
Thomas Burge
BASS TROMBONE
Scott Hartman, Principal
TUBA
Colin Benton, Principal
The Governor James G. Martin Chair
TIMPANI
Jacob Lipham, Principal
The Robert Haywood Morrison Chair
Brice Burton, Principal
NOVEMBER 15 & 16
7:30 pm · Knight Theater
Experience a thrilling blend of musical royalty as Beyoncé meets Beethoven! In this innovative new musical fusion, Beyoncé’s iconic repertoire is seamlessly interwoven with Beethoven’s 7th Symphony.
The symphonic world’s most joyful celebration of dance becomes the backdrop to fifteen of Queen Bey’s chart-topping hits — including “Girls,” “Crazy in Love,” “Single Ladies,” “Texas Hold ‘Em,” and many more!
The Charlotte Symphony Orchestra (CSO) is one of the premier music organizations in the Southeastern United States and the oldest continuously operating symphony orchestra in the Carolinas. As Charlotte’s most active performing arts group, the CSO presents around 150 concerts each season, reaching more than 130,000 music lovers.
The 2024-25 season marks a transformative era under the dynamic leadership of newly appointed Music Director Kwamé Ryan. With 65 full-time musicians, the Symphony performs throughout the community in a variety of venues, from the Belk and Knight theaters to parks, breweries, community centers, schools, senior care centers, and places of worship. With its new mobile stage, CSO Roadshow, the Symphony extends its reach directly into neighborhoods, bringing live music to communities across the region.
Engaging with more than 10,000 students each year, the Charlotte Symphony nurtures the next generation of musicians and music lovers through its four diverse youth orchestras, in-school education programs, instrument coaching, and Project Harmony — which offers free after-school lessons in music and life skills to over 200 students in under-resourced areas.
The Charlotte Symphony uplifts, entertains, and educates the diverse communities of Charlotte-Mecklenburg and beyond through exceptional musical experiences.
Reaching out through the transformative power of live music, the Charlotte Symphony will be a civic leader, reflecting and uniting our region.
Founded in 1932, the Charlotte Symphony Orchestra continues to play a vital cultural role in the region and remains committed to the belief that music, accessible to all, enriches and unites our community. For more information, visit us online at charlottesymphony.org
We recently caught up with Richard Krumdieck, the CSO’s new Board Chair, to discuss his passion for music, his journey with the Symphony, and his exciting vision for the future.
How did you begin your journey with music?
Music has always played a central role in my life. Both my parents were from Peru and loved classical music. My father had an extensive collection of classical albums, and my first experience with music was listening to those albums with him on his stereo. One that I especially loved was the Mozart Clarinet Concerto, performed by English clarinetist Jack Brymer. That inspired me to choose the clarinet, and I played in my community youth orchestras and continued studying music through college. For a time, I even considered a career as an orchestral clarinetist, but ultimately, I pursued medicine. However, I have always loved music and deeply admire those who choose to pursue a career in the arts. Even as a young adult, I made a commitment that I would support the arts in any way I could.
Do you still play the clarinet?
I do still play! I take private lessons from Taylor Marino, the CSO’s Principal Clarinetist, and perform with community orchestras and community bands. I also enjoy getting together with friends on occasion to play chamber music.
How did you first become aware of the Charlotte Symphony?
I was aware of the Charlotte Symphony before I even moved to the area in the late 1990s. A friend of mine sang in what was then called the Oratorio Singers — now the Charlotte Master Chorale — and invited me to a performance of Beethoven’s Ninth Symphony. I was very impressed with the level of artistry; that was my first exposure to the CSO. After moving to Charlotte, I became a regular concertgoer and began supporting the Symphony with philanthropic gifts. I was later invited to become a trustee, which deepened my connection to the organization. I became more aware not only of the high level or artistry but also of the organization’s values, which align closely with many of my own.
Is there a particular initiative or program at the CSO that resonates with you personally?
Yes, there are several! Two that are particularly important to me involve increasing access to classical music performances, such as moving concerts outside of the traditional concert hall and directly into the community using non-traditional venues like breweries or our new mobile stage, CSO Roadshow. The initiative that is most important to me, however, is providing music education for our youth. I was extraordinarily privileged to have a music education, and I believe every child should have the opportunity to learn music and play an instrument if they desire. The skills learned through music — such as practice, perseverance, listening, compromise, and collaboration — are invaluable, whether or not one pursues a career in the arts. The skills I learned from music have served me very well in my career in medicine.
How do you envision the CSO evolving over the next few years?
I believe the CSO is at a very positive inflection point. Under Christopher Warren-Green, the Orchestra achieved significant artistic growth, and I’m eager to see this continue under the direction of new Music Director Kwamé Ryan. I also envision the Charlotte Symphony becoming a more integral part of the Charlotte community and for us to communicate more effectively about the essential role we play in enriching the cultural landscape here.
What are you most looking forward to in your new role as Chair?
I am excited to foster a spirit of collaboration within the CSO and help realize our shared artistic vision. I am also eager to be a strong advocate for the Symphony in our community.
Is there a message you hope to convey to the community through your work with the CSO?
I want to emphasize the essential role that the CSO plays in Charlotte. By providing quality live classical performances, bridging communities through collaboration with other arts organizations like the Charlotte Ballet and Opera Carolina, and our commitment to music education, we’re not just an orchestra — we’re a cornerstone of the community! The CSO helps makes Charlotte a vibrant place to live and work, which attracts new businesses to the area.
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We gratefully acknowledge these generous donors to the Charlotte Symphony Annual Fund. This list reflects gifts received between July 1, 2023 through October 1, 2024. * The CSO recognizes donors of exceptional generosity whose cumulative giving exceeds $1 million with the designation of Music Director Society.
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The Encore Society includes individuals who have made provisions for the CSO in their estate plans. We are honored to recognize their support:
Anonymous (3)
Geraldine I. Anderson†
Richard & Ruth Ault
Baldwin Family Trust
Barnhardt Thomas Trust
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Larry & Joyce† Bennett
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Rosemary Blanchard†
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Mike Rutledge
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Mr. & Mrs. Hans Teich
Cordelia G. Thompson
Tim Timson
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Ms. Deborra Wood & Mr. Russell Propst
† Deceased
We are grateful for the following outstanding corporate funders:
We are grateful for the following outstanding foundation and government funders:
The Trexler Foundation
Dowd Foundation, Inc.
The Dickson Foundation Cole Foundation
The Jack H. and Ruth C. Campbell Foundation
The Mary Norris Preyer Fund
The George W. & Ruth R. Baxter Foundation
Barnhardt/Thomas Trust
Blumenthal Foundation
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Tchaikovsky's Piano Concerto No. 1
October 25 & 26, 2024 Knight Theater
Brahms' A German Requiem
November 22 & 23, 2024 Belk Theater
Debussy’s La Mer
April 25 & 26, 2025 Belk Theater ...AND MORE!
The Music of Queen
November 1 & 2, 2024 Belk Theater
Disco Fever
January 17 & 18, 2025 Knight Theater
Havana Nights
February 21 & 22, 2025 Knight Theater ...AND MORE!
LEMONY SNICKET’S The Composer is Dead
November 16, 2024 Knight Theater
Holiday Pops! FAMILY MATINEE
December 7, 2024 Knight Theater
CLASSICAL KIDS LIVE: Gershwin's Magic Key
January 18, 2025 Knight Theater ...AND MORE!
The Muppet Christmas Carol IN CONCERT
November 29 & 30, 2024 Ovens Auditorium
How to Train Your Dragon IN CONCERT
March 14 & 15, 2025 Belk Theater
Pirates of the Caribbean IN CONCERT
June 6 & 7, 2025 Belk Theater ...AND MORE!
We gratefully acknowledge these generous donors to the Charlotte Symphony Comprehensive Campaign. This list reflects gifts received through August 20, 2024.
$10,000,000+
$5,000,000 - $9,999,999 John S. & James L. Knight Foundation
$2,000,000 - $4,999,999
$1,000,000 - $1,999,999
Michele
$500,000 - $999,99
$250,000 - $499,999 Cathy Bessant
$100,000 - $249,000
Jeannette & Francisco Alvarado
Richard Krumdieck &
Sally Gregory · Elizabeth & Jay Monge Steelfab, Inc. Andromeda & John Williams
$50,000 - $99,999
Cresce nt Communities Karen Fox Ulrike & Alex Miles Chris & Jim Teat · Lisa & Richard Worf
$10,000 - $49,999
Anonym ous · Wedge & Debbie Abels · Mary Lou & Jim Babb · Tiffany & Jason Bernd Frank Bragg Shirley & Mike Butterworth Joye Blount & Jesse Knight, Jr. The Cato Corporation Margarita & Nick Clements Mary Delk
Caroline & Ben Dellinger III · David Fisk & Anne O’Byrne · Michael Marsicano Dede & Alex McKinnon Posey & Mark Mealy Larry & Dale Polsky
Steve & Wanda Phifer Judy & Derek Raghavan Eric & Shannon Reichard
Sara & Daniel Roselli · Melinda & David Snyder
Dr. John A. Thompson, Jr. & Dr. Lee Rocamora Jill & Kevin Walker
$5,000 - $9,999
Brian S. Cromwell Toni Burke & Bob Gaines Sarah & Frank Gentry
Carol & Joseph Gigler · Lucinda Nisbet Lucas · Melissa & Dennis McCrory
Cyndee Patterson William & Betty Seifert Peggy & Pope Shuford
Nancy E. Simpson Drs. Jennifer & Matthew Sullivan
Richard Krumdieck, Chair
Ulrike Miles, Vice Chair
Melinda Snyder, Vice Chair
Linda McFarland Farthing, Immediate Past Chair
Kevin Walker, Treasurer
David Fisk, President & CEO
Kwamé Ryan, Music Director
Mick Ankrom
Joye D. Blount
Mike Butterworth
Nick Clements
Mary Delk*
Denise DeMaio
Sidney Fletcher
Kevin Gottehrer
Lucia Zapata Griffith
Byron Johns*
Valerie Kinloch
Stephen Makris
Alex McKinnon
Sara Garces Roselli
Ylida Scott
Jennifer Sullivan
Brienne Tinder*
Jenny Topilow*
Ken Walker
*ex-officio
Richard Osborne, Chair
Paul Anderson
Ruth & Richard Ault
Arlene & Milton Berkman
Jason & Tiffany Bernd
Andrea & Alexander Bierce
Mary & Charles Bowman
Frank Bragg
Robin & Bill Branstrom
Dr. William Charles & Dr. Cynthia Nortey
Derick & Sallie Close
Robin Cochran
Wilton Connor
Jeanie & T. Thomas Cottingham III
Brian Cromwell
Susan Cybulski
Alessandra & Pasquale De Martino
Alvaro & Donna de Molina
Peggy & Richard Dreher
Lisa Hudson Evans
Karen Fox
Eileen Friars & Scott Pyle
Todd Gorelick
Ralph S. Grier
Laurie Guy
Janet Haack
Reginald B. Henderson, Esq.
Mark & Whitney Jerrell
Jeff Lee
Gov. James G. Martin
Jane & Hugh McColl
Susan & Loy McKeithen
George McLendon
Elizabeth & Jay Monge
Mica Oberkfell
Patrick J. O’Leary
Debbie & G. Patrick Phillips
Paul Reichs
Nancy & Charles Robson
Patricia A. Rodgers
M.A. Rogers
Lindsay & Frank Schall
Laura & Mike Schulte
Carolyn Shaw
Emily & Zach Smith
Bob & Marsha Stickler
Kelly & Neal Taub
Adam Taylor Braxton Winston
Richard Worf
Joan Zimmerman
Albert Zue
David J. L. Fisk, President & CEO
Samantha Hackett, Executive Administrator
Scott Freck, Vice President for Artistic Operations & General Manager
Carrie Graham, Senior Director of Artistic Planning
Tim Pappas, Director of Operations
Bart Dunn, Principal Music Librarian
Nixon Bustos, Senior Music Librarian
Emily Schaub, Assistant Music Librarian
Erin Eady, Senior Manager of Orchestra Personnel
Claire Beiter, Artistic Operations Manager
John Jarrell, Stage Manager
Shayne Doty, Vice President of Development
Mandy Vollrath, Director of Corporate & Institutional Relations
Libby Currier, Director of Individual Giving
Tammy Matula, Senior Manager of Development Operations
Jennifer Gherardi, Development Manager - Campaign & Special Events
Megan Woolbright, Annual Fund Manager
Noel Kiss, Advancement Associate
Josh Bottoms, Institutional Giving Coordinator
Christian Drake, Vice President of Finance & Administration
Chazin & Company, Financial Services
Amy Hine, HR Coordinator & Office Administrator
Channing Williams, Accounting Associate
Maribeth Baker, Human Resources Counselor
Aram Kim Bryan, Vice President of Learning & Community Engagement
Dylan Lloyd, Senior Manager of Youth Orchestras
Mark Rockwood, Education & Community Programs Manager
Michaela Sciacca, Project Harmony Manager
Gavin Fulker, Education & Community Programs Assistant
Lily Moore, Youth Orchestras Assistant
Bria Alexander, Learning & Community Engagement Assistant
Frank Impelluso, Vice President of Marketing & Audience Development
Deirdre Roddin, Director of Institutional Marketing & Communications
Nicole Glaza, Senior Manager of Digital Marketing
Laura Thomas, Senior Manager of Marketing & Audience Development
Chad Calvert, Visual Communications Manager
Meghan Starr, Patron Experience Manager
Garrett Whiffen, Ticketing Manager