CSO Sphinx Virtuosi Gala - program 10-09-24

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October 9, 2024

Belk Theater

A Message from the President & CEO

It is with great excitement that I welcome you to the Charlotte Symphony’s Annual Gala, a truly spectacular evening to usher in our 93rd season! Tonight, we’re honored to welcome back our esteemed Conductor Laureate, Christopher WarrenGreen, for a performance that promises to be nothing short of extraordinary.

This evening’s concert is a celebration of exceptional artistry and the boundless possibilities of music. The Sphinx Virtuosi, alongside your Charlotte Symphony and remarkable soloists Adé Williams and Britton-René Collins, will take us on an inspirational musical journey. You’ll experience two world premieres — Daydreaming, an imaginative tribute to Scott Joplin by Levi Taylor, and Drill, a compelling work by Curtis Stewart — complemented by pieces by Bernstein, Piazzolla, Joplin, and Michael Abels, another living American composer foremost in his field.

As we celebrate tonight, we also look forward to what promises to be a truly exciting season. We are thrilled to welcome our new Music Director, Kwamé Ryan, whose visionary leadership and infectious energy will guide us as we present an incredible range of concerts. From the hits of Beyoncé and Beethoven, to the world of video game music, iconic movie scores, and timeless orchestral favorites, this season is a true reflection of our commitment

to bringing a rich diversity of musical experiences to our community.

The Charlotte Symphony exists to enrich and inspire our community through the power of music. Tonight’s program is the embodiment of this mission, blending tradition with innovation, and celebrating the diverse richness of our shared culture.

On behalf of everyone at the Charlotte Symphony, I extend my deepest gratitude to you — our audience, patrons, and supporters. Your belief in the transformative power of music makes evenings like this possible. Together, we’re building a community that values creativity, inclusivity, and the profound connections that only music can bring.

Thank you for being a part of this special night. Here’s to a memorable season ahead!

Your Charlotte Symphony Experience

Whether you’re attending your first Symphony performance, or you’re a longtime subscriber, we’d like to extend to you a warm and inclusive welcome! Below is some helpful information to ensure you make the most of your Charlotte Symphony experience.

What should I wear?

The Charlotte Symphony has no specific dress code. We encourage you to be comfortable and come as yourself in a style of your choice.

When do I applaud?

Audiences applaud to welcome the concertmaster, conductor, and featured artists onstage. Some works may have several sections, or movements, separated by a brief silent pause. It is tradition to hold applause until the last movement. If you are unsure, wait for the conductor to face the audience. But if you feel truly inspired, do not be afraid to applaud!

Can I take photos?

Certainly! We welcome and encourage you to capture and share photos before and after the concert, as well as during intermission. Feel free to use your cell phone for photography without flash during the performance, but please refrain from video or audio recording.

THE NINETY-THIRD SEASON

ANNUAL GALA & CONCERT

An Evening with Sphinx Virtuosi

Wednesday, October 9, 2024, at 8:00 pm

Belk Theater at Blumenthal Arts

Christopher Warren-Green, conductor laureate Sphinx Virtuosi

Adé Williams, violin Britton-René Collins, percussion

SCOTT JOPLIN Overture from Treemonisha (arr. Norpoth)

LEVI TAYLOR Daydreaming

world premier e (A Fantasy on Scott Joplin)

LEONARD BERNSTEIN Overture to Candide

CURTIS STEWART Drill

world premiere Britton-René Collins, percussion

ASTOR PIAZZOLLA The Four Seasons of Buenos Aires (arr. Desyatnikov) Verano Porteño (Summer)

Adé Williams, violin

MICHAEL ABELS

Delights & Dances

Rainel Joubert, violin

Oliver Kot, violin

Benjamin Geller, viola

Gabriel Cabezas, cello

Tonight’s concert will be performed without intermission. Approx. duration 60 minutes.

Christopher Warren-Green conductor laureate Conductor Bio

British conductor Christopher WarrenGreen is Principal Conductor and Music Director of the London Chamber Orchestra in the UK and Conductor Laureate of the Charlotte Symphony Orchestra in North Carolina following a twelve-year tenure as Music Director. Warren-Green is Chair of the Foundation for Young Musicians and in 2022 he celebrated a professional career spanning 50 years.

2024/25 season highlights include returns to Pacific Symphony Orchestra, Rochester Philharmonic, two visits to the Charlotte Symphony Orchestra, as well as to the Romanian Radio Chamber Orchestra. Further highlights include engagements with the London Philharmonic Orchestra at the Royal Albert Hall where WarrenGreen conducts Gustav Holst’s The Planets, as well as Royal Philharmonic Orchestra at the Barbican conducting Beethoven’s infamous Symphony No. 9.

Warren-Green has conducted eminent orchestras around the world, including The Philadelphia and Minnesota orchestras, Detroit, Houston, St Louis, Toronto, Milwaukee, Seattle and Vancouver symphony orchestras, and National Symphony Orchestra. In the UK, he has worked with Philharmonia, London Philharmonic, Royal Liverpool Philharmonic and Royal Scottish National orchestras.

In addition to international commitments, Warren-Green has been honored

to conduct regularly for the British Royal family at events including the wedding services of H.M. King Charles III and H.M. Queen Camilla, T.R.H. The Prince and Princess of Wales and the Duke and Duchess of Sussex. WarrenGreen conducted London Chamber Orchestra occasion of Her late Majesty Queen Elizabeth II’s 80th birthday and Philharmonia Orchestra for Her late Majesty Queen Elizabeth II’s 90th birthday concert at Theatre Royal, Drury Lane, as well as H.M. King Charles’s 60th birthday concert in Buckingham Palace and on other Royal occasions.

As a conductor, he has recorded extensively for Sony, Philips, Virgin, EMI, Chandos, Decca, Deutsche Gramophone, and records with the London Chamber Orchestra for Signum Classics.

Warren-Green began his career at the age of seventeen, and at twenty-one, was named Concertmaster of BBC National Orchestra of Wales, followed by Philharmonia Orchestra under Ricardo Muti. At age twenty-five, Warren-Green became concertmaster of the Academy of St. Martin-in-the-Fields under Sir Neville Marriner. He is a Fellow of the Royal Academy of Music, having been a professor there for eight years, and has appeared and presented numerous times on television and radio, most notably for the BBC Proms.

About Sphinx Virtuosi

The Sphinx Virtuosi is a dynamic and inspiring professional self-conducted chamber orchestra and serves as the flagship performing entity of the Sphinx Organization — the leading non-profit dedicated to transforming lives through the power of the arts. Comprised of 18 Black and Latino artists who reflect the highest level of musicianship in America, a critical aim of the Sphinx Virtuosi is to evolve the breadth and impact of classical music through artistic excellence, pioneering programming, and impassioned community engagement. Its members serve as cultural ambassadors for audiences and communities around the United States and abroad. Since 2004, the Sphinx Virtuosi’s concerts have been presented by the leading arts organizations, including annual return visits to Carnegie Hall as an established highlight of the fall season. Their critically acclaimed debut album, Songs for Our Times , was released on Deutsche Grammophon in July 2023 and represents the rich history of the Sphinx Organization and the vibrant future of classical music by centering the artistry of extraordinary composers and artistic visionaries. Heralded for its kaleidoscopically varied repertoire and bold thematic programming, Sphinx Virtuosi concerts give prominence to historically excluded composers such as Samuel Coleridge-Taylor, Alberto Ginastera, Coleridge-Taylor Perkinson, Florence Price, Heitor Villa-Lobos, and George Walker.

Members of the Sphinx Virtuosi have performed as soloists with major American orchestras, including the New York Philharmonic and the Cleveland, Detroit, Atlanta, Philadelphia, Seattle, and Pittsburgh Symphony Orchestras. Members also hold professional orchestral and academic positions. The Sphinx Virtuosi’s community engagement initiatives regularly extend beyond masterclasses and workshops to members leading community empowerment initiatives within arts organizations and connecting with other Sphinx programming to further the mission of achieving excellence through inclusive programming. As a bilingual ensemble, these artist-citizens frequently break down existing barriers empowering the artform to connect with the broader community.

The Sphinx Virtuosi has collaborated with major artists such as Terence Blanchard, Denyce Graves, Sweet Honey in the Rock, Damien Sneed, Will Liverman, J’Nai Bridges, Abel Selaocoe, and Davóne Tines, among others. Outside of the classical realm, its musicians have also worked with leading international artists such as Beyoncé and Jay-Z, and made high profile appearances including on The Tonight Show Starring Jimmy Fallon and the broadcast of the 2022 Grammy Awards. Their 2024-25 season includes performances presented by the Charlotte Symphony, Philadelphia Chamber Music Society, Isabella Stewart Gardner Museum, and Carnegie Hall, among others.

VIOLIN 1

Alex Gonzalez, Concertmaster

Clayton Penrose-Whitmore

Patricia Quintero Garcia

Annelle K. Gregory

VIOLIN 2

Meredith Riley, Principal

Maïthéna Girault

Rainel Joubert

Caitlin Edwards

VIOLA

Celia Hatton, Principal

Robert Alvarado Switala

Kayla Cabrera

Harper Randolph

CELLO

Tommy Mesa, Principal

Eri Snowden-Rodriguez

Lindsey Sharpe

Diana Flores

BASS

Jonathan Colbert, Principal

Christopher Johnson

TOUR MANAGERS

Ally Price

Aaron Vaughn

Adé Williams violin

Violinist Adé Williams is a two-time Sphinx Competition laureate (1st place, Junior Division, 2012; 2nd place, Senior Division, 2019). She has won numerous other competitions in the US and Europe, beginning at age eight, and has placed in several chamber music competitions.

Adé has enjoyed a thrilling solo career, from her debut with the Chicago Sinfonietta at age six to her concerts with over 50 orchestras including the Philadelphia and Cleveland Orchestras, the Detroit, Pittsburgh, New World, Indianapolis, and Nashville Symphonies, and Buffalo and KwaZulu-Natal Philharmonics (South Africa) by age 18. Most recently, she made her debut with the Chineke! Orchestra at Southbank Centre’s Queen Elizabeth Hall in London (2021). In 2017, Adé premiered Guardian

of the Horizon: Concerto Grosso for Violin, Cello, and Strings by Jimmy Lopez, a work commissioned by Carnegie Hall and New World Symphony. The NY Concert Review praised her as “an absolute winning champion of the work.” Adé made her White House debut in 2015 and Carnegie Hall debut in 2013 where she has since returned five times. She has attended the Pacific Music Festival (Japan), the Astona International Music Festival (Switzerland), Cambridge International String Academy (England), and the Chautauqua Institution (US).

She is a graduate of the Curtis Institute of Music where she served as concertmaster of the Curtis Symphony Orchestra and studied with Ida Kavafian. Prior to Curtis, Adé studied with Almita and Roland Vamos, Marko Dreher, and Rachel Barton Pine.

Delights & Dances Quartet

Britton-René Collins percussion

Hailed as an “Astounding Virtuoso” and “exhilarating” performer, percussionist

Britton-René Collins is a winner of the 2020 Concert Artists Guild Victor Elmaleh Competition, receiving the Ambassador Prize for her exceptional musicianship and demonstrated passion for creating social change in her endeavors as both an educator and performer.

Britton-René has performed hundreds of concerts as a soloist and chamber musician in the United States, Canada, and Europe, in venues including Carnegie Hall, The Kennedy Center, and the Mondavi Center. She has soloed with over a dozen orchestras, including the GRAMMY® Award-winning Orpheus Chamber Orchestra.

Her current season includes performances alongside the Battle Creek Symphony, the Greenwich Village Orchestra, the Central Oregon Symphony, the Lincoln Symphony, the Johns Creek Symphony, and the Sphinx Virtuosi. In addition to her active solo career, BrittonRené enjoys life as a chamber musician and co-director with her New York Citybased groups Excelsis Percussion Quartet and Vision Duo. Her upcoming chamber collaborations include touring with the Sphinx Virtuosi on a new concerto for drum set by Curtis Stewart.

As an advocate for new music, BrittonRené’s current projects involve generating new solo and chamber works for multi-

percussion and marimba. Most recently, she became the first percussionist to ever be awarded the prestigious Princeton University Mary Mackall Gwinn Hodder Fellowship (2024-2025). During her fellowship year, she will conduct research and commission new works by underrepresented composers as part of her 10-month appointment, which will culminate with her debut performance installation, “Sphygmology — Cultural Exchange for Solo Percussion,” at the Lewis Center for the Arts, centered on desegregating Western Classical Music spaces through utilizing percussion as a medium for celebrating Black identity.

Born in the United States, Britton-René discovered percussion at eight years old when she became intrigued by the drum set. She quickly fell in love with playing rock, jazz, and pop music on the drum set, which ignited her enthusiasm to explore various percussion instruments and styles of music. She received her B.M. from the University of Toronto, and her M.M. from the University of Michigan.

As an Artist Endorser, Britton-René proudly performs using Vic Firth sticks and mallets, Zildjian cymbals, Marimba One instruments, and Remo drumheads.

Christopher James Lees

Resident Conductor

Christopher Warren-Green Conductor Laureate

2024 · 2025 MUSICIAN ROSTER

FIRST VIOLINS

Calin Ovidiu Lupanu, Concertmaster

The Catherine & Wilton Connor Chair

Joseph Meyer,* Associate Concertmaster

Kari Giles, Acting Associate Concertmaster

Dustin Wilkes-Kim, Acting Assistant Concertmaster

Susan Blumberg°°

Jane Hart Brendle

Cynthia Burton

Ayako Gamo

David Horak†

Lenora Leggatt

Jenny Topilow

Angela Watson†

Hanna Zhdan

SECOND VIOLINS

Oliver Kot, Principal

The Wolfgang Roth Chair

Kathleen Jarrell, Assistant Principal

The Pepsi-Cola Foundation of Charlotte Chair

Carlos Tarazona°

Monica Boboc

Martha Geissler

Sakira Harley

Tatiana Karpova

Ellyn Stuart

VIOLAS

Benjamin Geller, Principal

The Zoe Bunten Merrillt Principal Viola Chair

Kirsten Swanson†

Acting Assistant Principal

Matthew Darsey†

Ellen Ferdon

Wenlong Huang

Viara Stefanova

Ning Zhao

CELLOS

Jonathan Lewis, Principal

The Kate Whitner McKay Principal Cello Chair

Allison Drenkow, Assistant Principal

Alan Black, Principal Emeritus

Marlene Ballena

Jeremy Lamb

Amy Sunyoung Lee

Sarah Markle

DOUBLE BASSES

Jason McNeel, Acting Principal

Judson Baines, Assistant Principal

Justin Cheesman†

Jeffrey Ferdon

HARP

Andrea Mumm Trammell, Principal

The Dr. Billy Graham Chair

FLUTES

Victor Wang, Principal

The Blumenthal Foundation Chair

Amy Orsinger Whitehead

Erinn Frechette

PICCOLO

Erinn Frechette

This roster lists the full-time members of the Charlotte Symphony. The number and seating of musicians on stage varies depending on the piece being performed.

° Non-revolving position

°° Alternates between first and second violins

† Acting member of the Charlotte Symphony

‡ Funded by The Symphony Guild of Charlotte, Inc.

* On leave

OBOES

Timothy Swanson, Principal

The Leo B. Driehuys Chair‡

Erica Cice

Jamison Hillian†

Terry Maskin*

ENGLISH HORN

Erica Cice

CLARINETS

Taylor Marino, Principal

The Gary H. & Carolyn M. Bechtel Chair

Samuel Sparrow

Allan Rosenfeld

E ♭ CLARINET

Samuel Sparrow

BASS CLARINET

Allan Rosenfeld

BASSOONS

AJ Neubert, Principal

Joshua Hood

Nicholas Ritter

CONTRABASSOON

Nicholas Ritter

The CSO is a proud member of the League of American Orchestras.

HORNS

Byron Johns, Principal

The Mr. & Mrs. William H. Van Every Chair

Andrew Fierova

Bradley Burford

The Robert E. Rydel, Jr. Third Horn Chair

Richard Goldfaden

Paige Quillen

TRUMPETS

Alex Wilborn, Principal

The Betty J. Livingstone Chair

Jonathan Kaplan*

Peter Stammer†

Gabriel Slesinger, Associate Principal

The Marcus T. Hickman Chair

TROMBONES

John Bartlett, Principal

Thomas Burge

BASS TROMBONE

Scott Hartman, Principal

TUBA

Colin Benton, Principal

The Governor James G. Martin Chair

TIMPANI

Jacob Lipham, Principal

The Robert Haywood Morrison Chair

PERCUSSION

Brice Burton, Principal

The Charlotte Symphony Orchestra (CSO) is one of the premier music organizations in the Southeastern United States and the oldest continuously operating symphony orchestra in the Carolinas. As Charlotte’s most active performing arts group, the CSO presents around 150 concerts each season, reaching more than 130,000 music lovers.

The 2024-25 season marks a transformative era under the dynamic leadership of newly appointed Music Director Kwamé Ryan. His debut season features an eclectic mix of concerts across the Classical, Pops, Movie, and Family series. Highlights include Rachmaninoff’s Piano Concerto No. 2, Brahms’s A German Requiem, The Music of Queen, Beethoven x Beyoncé, Pirates of the Caribbean in Concert, and performances by clarinetist Anthony McGill, violinist Amaryn Olmeda, and singer/songwriter Cody Fry.

With 65 full-time musicians, the Symphony performs throughout the community in a variety of venues, from the Belk and Knight theaters to parks, breweries, community centers, schools, senior care centers, and places of worship. With its new mobile stage, CSO Roadshow, the Symphony extends its reach directly into neighborhoods, bringing live music to communities across the region.

Engaging with more than 10,000 students each year, the Charlotte Symphony nurtures the next generation of musicians and music lovers through its four diverse youth orchestras, inschool education programs, instrument coaching, and Project Harmony — which offers free after-school lessons in music and life skills to over 200 students in under-resourced areas.

Founded in 1932, the Charlotte Symphony Orchestra continues to play a vital cultural role in the region and remains committed to the belief that music, accessible to all, enriches and unites our community.

OUR MISSION

The Charlotte Symphony uplifts, entertains, and educates the diverse communities of CharlotteMecklenburg and beyond through exceptional musical experiences.

OUR VISION

Reaching out through the transformative power of live music, the Charlotte Symphony will be a civic leader, reflecting and uniting our region.

For more information, visit us online at charlottesymphony.org

PRESENTING SPONSOR

Atrium Health

PLATINUM

Novant Health

GOLD

Margarita & Nick Clements

SILVER

Bank of America · Domtar · Karen Fox · Marand Builders

Richard J. Osborne · Drs. Jennifer Sullivan & Matthew Sullivan

Dr. Richard Krumdieck & Sally Gregory

The Symphony Guild of Charlotte · Truist

BRONZE

Joye D. Blount & Jessie J. Knight Jr. · Robin & Bill Branstrom

Catherine & Wilton Connor · Denise & Peter DeMaio

Linda & Bill Farthing · DeDe & Alex McKinnon

Elizabeth & Jay Monge · Vincent Phillips & Paul Pope

Ylida & Bert Scott · Melinda & David Snyder

New Systems Ethic · Jill & Kevin Walker · Ellen E. Zinn

BENEFACTOR GALA TICKET

Laurie & Barry Guy · Michelle Richards Engineering

Lutherina Walk · Ken & Tara Walker · Dr. Shanté P. Williams

GALA TICKET

Susan Cybulski · Amy & Sidney Fletcher · Ralph S. Grier

William & Patricia Gorelick Family Foundation

Johnson C. Smith University · Susan & Loy McKeithen

Eva Nove · Debbie & Pat Phillips · Conrad R. Pogorzelski

Sara Garcés Roselli & Dan Roselli

Jeannette & Francisco Alvarado · Joye Blount · Emanuel Clark

Linda Farthing · Lucia Zapata Griffith · Grace Nystrum

Ylida Scott · Melinda Snyder

Scott Joplin

(1868–1917)

Overture to Treemonisha (1911)

Approximate performance time is 7 minutes.

Scott Joplin was born near Marshall, Texas on November 24, 1868, and died in New York on April 1, 1917. The first performance of Treemonisha took place at Morehouse College in Atlanta, Georgia, on January 27, 1972, with Robert Shaw conducting the Atlanta Symphony Orchestra. The Overture to Treemonisha is scored for clarinet, trumpet, snare drum, bass drum, maracas, woodblock, and strings.

Scott Joplin’s opera, Treemonisha, with libretto and music by the composer, takes place in September, 1884, on a former slave plantation near the Arkansas Red River. Treemonisha, an educated freedwoman, urges her people to choose self-reliance and education over the superstitions peddled by charlatans. The furious charlatans kidnap Treemonisha, and are ready to throw her into a wasp nest. Treemonisha’s friend Remus, disguised as the devil, arrives, and the charlatans flee in terror. Treemonisha is elected the community’s leader.

Joplin published a piano-vocal score of Treemonisha in 1911. In 1915, Joplin, leading from the piano, gave a concert reading of his opera at Harlem’s Lincoln Theater. The possibility exists that there may have been further such performances during

Joplin’s lifetime. However, after Joplin’s passing in 1917, the score of Treemonisha was lost, only to be rediscovered in 1970. Following the first performance in Atlanta, subsequent productions throughout the United States established Treemonisha’s importance in the history of American opera. A 1972 Pulitzer Prize served as a posthumous recognition of Joplin’s achievements.

Joplin’s Treemonisha embraces a captivating blend of European operatic tradition with a wide range of popular genres. The lively Overture presents tunes that appear throughout the work.

Levi Taylor

Daydreaming (A Fantasy on Scott Joplin) (2024)

Approximate performance time is 5 minutes.

For Daydreaming (A Fantasy On Scott Joplin) I had the wonderful task to put to music my adoration and curiosities of Joplin and his music, while still maintaining freedom of expression and exploration on my own sonic musings. This is where the piece derives its title, as I enjoyed ruminating on Joplin and then letting my imagination soar from the inspiration.

Right away the listener will notice a few nods towards Joplin’s music: The opening brings us in with a glimpse of “The Entertainer,” followed by light rhythmic movements inspired by Joplin’s fun and syncopated rhythms. Included are also a few “odd” notes here and there along with energetic countermelodies that aim to bring the listener closer to Joplin’s style.

From there the piece begins to unfold more into my own personal musings on how Joplin’s music inspires me, while occasionally dipping back to remind the listener where the inspiration comes from. Different sections evoke different general feelings around Joplin’s music. One moment the piece will reflect on the exquisite and playful sound of some of Joplin’s music, while in the next it will explore some of the more intimate and

robust qualities I’ve enjoyed especially in pieces such as his opera, Treemonisha. Throughout all of the various moments of “daydreaming” in this piece, there remained one consistent ambition: To embody the bold, ambitious, and authentic expression that I find in all of Joplin’s music.

*Daydreaming (A Fantasy on Scott Joplin) was commissioned with a gift from the Keith and Renata Ward Emerging Composer Fund

Leonard Bernstein

(1918–1990)

Overture to Candide (1956)

Approximate performance time is 5 minutes.

Leonard Bernstein was born in Lawrence, Massachusetts, on August 25, 1918, and died in New York on October 14, 1990. The first performance of Candide took place at the Colonial Theater in Boston, Massachusetts, on October 29, 1956. The Overture to Candide is scored for piccolo, two flutes, two oboes, E-flat clarinet, two clarinets, bass clarinet, two bassoons, contrabassoon, four horns, two trumpets, three trombones, tuba, timpani, snare drum, bass drum, triangle, xylophone, cymbals, glockenspiel, tenor drum, harp, and strings.

It was perhaps as early as 1950 that American author Lillian Hellman suggested to Leonard Bernstein that the two collaborate on a musical adaptation of Voltaire’s Candide (1759). Hellman first conceived of Candide as a play with incidental music. But over time, the project grew into a piece of lyric theater, much more in the style of a musical or operetta. It wasn’t until 1954 that Hellman and Bernstein began work on Candide. Even then, various other projects and responsibilities intervened, including Bernstein’s film score for On the Waterfront and the Broadway musical, West Side Story. By 1956, Hellman and Bernstein were still in the process of

creating Candide. Richard Wilbur, a young American poet, assisted Hellman and Bernstein with Candide’s lyrics.

Bernstein’s Candide is a work of remarkable energy, lyricism, humor, and, at its conclusion, emotional impact. In her comments on Voltaire’s Candide, Lillian Hellman hailed “the roaring-river quality that was the mark of the genius who wrote it.” Her words might well apply with equal force to Leonard Bernstein’s magical score.

The brief, rollicking Overture to Candide, based upon melodies from the work, has enjoyed an independent life as one of the most popular concert pieces of the second half of the 20th century. - Ken Meltzer

Curtis Stewart

(b. 1986)

Drill for Prepared Drumset & Strings (2024)

Approximate performance time is 6 minutes.

The roar of burnt tire.

The heat — much better than stale apartment air.

We sit pointedly in new outside dining, waiting for the next bang, the next explosion, the squads.

Pop Smoke revelation. Inwood. Washington heights. Memories drilled into personality.

Wait.

During the pandemic, the phenomenon of outside dining swept New York. Being outside was much respite from being stuck in our crowded Inwood apartment. We would sit on Broadway, and let the chaos of the outside world soothe our restless souls, including the muscular roars of passing motorcycles and the wide cadence of “Drill music” up and down Broadway. I associate this music with outside, with release, despite its intricate, violent and chaotic outer layer.

This work for prepared drumset and strings is my “summer music,” my “hunter’s call,” my “field recording.”

What happens when we bring that outside music, inside — into our concert halls and onto our stages. When the outside becomes the inside, how will it ring in our walls?

Astor Piazzolla

(1921–1992)

The Four Seasons of Buenos Aires (1965-70)

Approximate performance time is 7 minutes.

Astor Piazzolla was born in Mar del Plata, Argentina, on March 11, 1921, and died in Buenos Aires, Argentina, on July 4, 1992. The Desyatnikov arrangement of Four Seasons in Buenos Aires is scored for solo violin and strings.

Astor Piazzolla’s Las Cuatro Estacíones Porteñas (The Four Seasons of Buenos Aires) is a superb example of the Argentine composer’s “Tango Nuevo” (“New Tango”), a masterful synthesis of tango, jazz, and classical elements. In 1965, Piazzolla composed Verano Porteño (Buenos Aires Summer) as part of music for a play by Alberto Rodríguez Muñoz, entitled Melenita de oro. Piazzolla wrote Buenos Aires Summer for his Quinteto Nuevo Tango, an ensemble of bandoneon, violin, electric guitar, piano, and string bass. Over the next several years, Piazzolla composed the three remaining seasons, scored for the same ensemble. Piazzolla also fashioned other instrumental arrangements of The Four Seasons of Buenos Aires.

After Piazzolla’s death, violinist Gidon Kremer commissioned Russian composer Leonid Desyatnikov to create a version of Piazzolla’s The Four Seasons of Buenos Aires for solo violin and string orchestra. Kremer paired Desyatnikov’s arrangement of Piazzolla’s work with Antonio Vivaldi’s masterpiece, Le quattro stagioni (The Four Seasons, c. 1725), scored for the same combination of instruments. And indeed, the Desyatnikov arrangement includes several delightful allusions to the Vivaldi (here, it should be noted that seasons in the Southern Hemisphere are the opposite of those in the Northern Hemisphere).

As in the case of its famous Baroque counterpart, the Desyatnikov arrangement of Piazzolla’s The Four Seasons of Buenos Aires is a vibrant and thrilling virtuoso tour-de-force.

I. Verano Porteño (Buenos Aires Summer)

- Ken Meltzer

Michael Abels

(b. 1962)

Delights & Dances (2007)

Approximate performance time is 14 minutes.

Michael Abels was born in Phoenix, Arizona, on October 8, 1962. The first performance of Delights & Dances took place at Carnegie Hall in New York on September 25, 2007. Chelsea Tipton II conducted the Harlem Quartet and Sphinx Virtuosi. Delights & Dances is scored for solo string quartet and string orchestra. Abels grew up on a farm in South Dakota and studied at the University of Southern California’s Thornton School of Music and the California Institute for the Arts. His compositions for the cinema and concert hall have received enthusiastic critical and audience acclaim. Film scores include the Jordan Peele movies Get Out, Us, and Nope. Among Abels’s numerous concert works are the opera Omar, co-composed with Rhiannon Giddens, the choral song cycle At War With Ourselves, composed for the Kronos Quartet, and Isolation Variations, for violinist Hilary Hahn. Abels is the co-founder of the Composers Diversity Collective, a group advocating for composers of color in film, gaming, and streaming media.

Delights & Dances, scored for solo string quartet and string orchestra, was commissioned by the Sphinx Organization. The composer describes Delights & Dances as “a kind of diptych of American musical genres, one regarded as ‘black’ and the other ‘white’…It’s a piece that celebrates musicians playing together.”

Delights & Dances opens with hushed solo cello, soon joined by the viola, and finally, the entire quartet. A blues episode features “a series of solos that are designed to sound improvised, although they are actually notated.” The work concludes with “a rousing bluegrass hoedown.”

Annual Fund Supporters

We gratefully acknowledge these generous donors to the Charlotte Symphony Annual Fund. This list reflects gifts received through September 1, 2024.

BENEFACTOR CIRCLE

$100,000+

Jacqueline B. Mars

$50,000 – $99,999

Jane & Hugh McColl*

Douglas Young

$25,000 – $49,999

Anonymous

Joan & Mick Ankrom

Ruth & Richard Ault

Dr. Milton & Arlene Berkman

Judith & Mark Brodsky

Roberta H. Cochran

Catherine & Wilton Connor*

Jean & Dick Cornwell

Susan Cybulski

J. Porter & Victoria Durham

Linda & Bill Farthing

Karen Fox

Maria & John Huson

Richard Krumdieck & Sally Gregory

Patricia & Thrus Morton

Patrick J. O’Leary

Richard J. Osborne

Debbie & Pat Phillips

Kathy & Paul Reichs

Pat Rodgers

Carolyn Shaw

Andrea & Sean Smith

$15,000 – $24,999

Anonymous (2)

Melissa & Daren Anderson

Nicola & Emanuel Clark

Denise & Peter DeMaio

Ralph S. Grier

Mary & Michael Lamach

Betty P. & Jeffrey J. Lee

Mrs. Sandra Levine

Tanya & Steve Makris

DeDe & Alex McKinnon

Ulrike & Alex Miles

Keith Oberkfell & Mica Post Oberkfell

Judy & Derek Raghavan

Sienne & Adam Taylor

Ken & Tara Walker

$10,000 – $14,999

Anonymous (3)

Jeannette & Francisco Alvarado

Joye D. Blount & Jessie J. Knight Jr.

Katharine & Frank Bragg

Mr. & Mrs. R. Alfred Brand III

Lynne & Colby Cathey

Margarita & Nick Clements

Jeanie & Tom Cottingham

Donna & Alvaro de Molina

Lisa & Carlos Evans

Robin & Christoph Feddersen

Eileen Friars & Scott Pyle

Janet M. Haack

Leigh & Watts Humphrey

Susan & Chris Kearney

Ginger Kelly

Ms. Nina Lesavoy

Elizabeth & Jay Monge

Robert Norville

Laura & Perry Poole

Kelli & Michael Richardson

Mrs. Rosalind S. Richardson

Amanda & Corey Rogers

Marjorie Moses Schwab

Sherry & Thomas Skains

Drs. Jennifer Sullivan & Matthew Sullivan

Ann & Michael Tarwater

Mary Claire & Dan Wall

Jill & Kevin Walker

Andromeda & John Williams

Lisa & Richard Worf

* The CSO recognizes donors of exceptional generosity whose cumulative giving exceeds $1 million with the designation of Music Director Society.

Annual Fund Supporters (continued)

VIRTUOSO CIRCLE

$5,000 – $9,999

Wedge & Debbie Abels

Howard P. Adams & Carol B. McPhee

Paul & Kristen Anderson

Tiffany & Jason Bernd

Mr. James Biddlecome

In Loving Memory of Bernadette Zirkuli Biddlecome

Philipp J. Bischoff & Dawn Beatty

Katrice & Steve Boland

Mary & Charles Bowman

Barbara & Twig Branch

Nancy Brand & Bill Freeman

Robin & William Branstrom

Shirley & Michael Butterworth

The Jack H. and Ruth C. Campbell Foundation

Mr. & Mrs. Kieth Cockrell

Morgan & Brian Cromwell

Mary Anne Dickson

Peggy & Richard Dreher

Heather & Thomas Finke

David J.L. Fisk & Anne O’Byrne

Sidney & Amy Fletcher

Joan & Parker Foley

Carol & Ron Follmer

Patty & Alex Funderburg

Dr. Robert A. Gaines & Toni Burke

Caren & Charles Gale

Sarah & Frank Gentry

Laurie & Barry Guy

Shirley & Bob Ivey

Page & Ed Kizer

The Jenny Lillian Semans Koortbojian Trust in honor of Sally Trent Harris

Vivian & Robert Lamb

Anna & Lazlo Littmann

Leslie & Michael Marsicano

Susanne & Bill McGuire

Paula & Paul McIntosh

Susan & Loy McKeithen

Chuck Miller & Marcy Thailer

Mr. & Mrs. Brian T. Moynihan

Holly & Jason Norvell

Kim & Torsten Pilz

Emily & Nima Pirzadeh

Ann & Fritz Rehkopf

Nancy & Charlie Robson

Sara Garcés Roselli & Dan Roselli

Laura & Michael Schulte

Ylida & Bert Scott

Susan & Donald Sherrill

Glenn Sherrill, Jr.

In Honor of Robin Branstom

Mr. & Mrs. Harley F. Shuford, Jr.

Mr. & Mrs. Pope A. Shuford

Melinda & David Snyder

Chris & Jim Teat

Brienne Tinder & Thomas Lervik

Judith & Gary Toman

Mr. & Mrs. C.L. Trenkelbach

Michael Waterford

Floyd Wisner & Glenda Colman

Sidney & Bobby Youngs

Joan Zimmerman

Abby & Albert Zue

$3,500 – $4,999

Anonymous

Si & Michael Blake

Sally & Derick Close

Mary & Phil Delk

Cheryl DeMaio

Pat English & H. Clay Furches

David S. Jacobsen

Courtney Reichs Mixon

Joan Morgan

Linda & Tony Pace

Marsha & Robert L. Stickler

Daniel Troy

Karen & Ed Whitener

$2,500 – $3,499

Anonymous

Merilyn & Craig Baldwin

Mrs. Harriet B. Barnhardt

Bill & Georgia Belk

Mr. & Mrs. Alan Blumenthal

Amy & Philip Blumenthal

Dr. & Mrs. O. Robert Boehm

Jan & Bob Busch

Ann Thomas Colley

Dorothy & Mike Connor

Melissa Cornwell

Deborah J. Cox & Bob Szymkiewicz

Chris & Elizabeth Daly

In Memory of Betty Haggerty

Alfred & Amy Dawson

Peter De Arcangelis

Peggy & Charles Dickerson

Timothy & Kara Gallagher

Harvey & Cindy Gantt

Mr. Billy L. Gerhart

In Memory of Judith Gerhart

Andrea & Todd Griffith

Annual Fund Supporters

Mariam Abdul Hamid

Ivan Hinrichs

Christy & Ben Hume

Fran & Greg Hyde

Jim & Peggy Hynes

James & Nina Jackson

Bruce & Martha Karsh

Mr. & Mrs. Luke Kissam

Dr. & Mrs. Christ A. Koconis

Meghan & Luis Lluberas

James Lynch

Dottie & Jim Martin

Rob Roy McGregor

Richard I. McHenry & Cynthia L. Caldwell

Dee Dee McKay

Mr. & Mrs. Mark W. Mealy

Dick Metzler

Debbie Miller & Tim Black

Eleanor W. Neal

Celene & Marc Oken

Dr. Reta R. Phifer

Mr. Vincent Phillips & Mr. Paul Pope

Marshelette & Milton Prime

Kathleen D. Prokay

Drew & Beth Quartapella

Mr. & Mrs. Robert R. Rollins, Jr.

Dr. Mahesh Sardesai

Paulette Sherrill

Nancy E. Simpson

Emily & Zach Smith

Elizabeth Connor Stewart

Dottie Stowe

In Loving Memory of Dickson Stowe

Dr. Mark R. Swanson

Drs. Chris & Lillian Teigland

Dr. John A. Thompson, Jr. & Dr. Lee Rocamora

Mindy & Don Upton

Paul & Susan Vadnais

PATRON CIRCLE

$1,500 – $2,499

Anonymous

Marcia Adams

Dan & Barbara Austell

Sharon Baker & Peter Moore

Mr. & Mrs. Taylor Batten

Erskine & Crandall Bowles

Mr. Brent Clevenger

Dr. Kandi & Gary Deitemeyer

Elizabeth Betty Eaton

William & Patricia Gorelick Family Foundation

Judith Greene

Angela & Michael Helms

Mr. James Howell & Mrs. Deanna Kelly

Martha D. Jones

Gene & Helen Katz

Ginger Kemp

Mr. Alan Kronovet & Ms. Cary J. Bernstein

Staci & Adam Marino

Anna Marriott

Ms. Rosemarie Marshall & Mr. Lee Wilkins

Mr. Glenn Mincey & Mrs. Macie Mincey

Caroline Olzinski

Pamela Pearson & Charles Peach

John & Susan Rae

Suzy & Robert Schulman

Jane Perry Shoemaker

Ken Spielfogel & Richard Withem

Joseph & Aleca Stamey

Robert & Maxine Stein

Morris & Patricia Spearman

Tillie S. Tice

Jenny & Ken Tolson

Molly & Chris Tull

James H. Trexler & Kelly Zellars

Vera Watson

Grant Webb

Linda & Craig Weisbruch

Pam West

Cricket Weston & David Molinaro

Bryan Wilhelm

Elizabeth & Stephan Willen

Deems Wilson

Ms. Deborra Wood & Mr. Russell Propst

Annual Fund Supporters

$1,000 – $1,499

Anonymous (5)

Ross & Michele Annable

Kathleen & Richard Anderson

Mary Lou & Jim Babb

Dianne & Brian Bailey

Mr. & Mrs. Lincoln A. Baxter

Morgan & Katie Beggs

Katherine & John Beltz

Shirley W. Benfield

Donald H. & Barbara K. Bernstein Family

Foundation

Sam & Nancy Bernstein

Andrea & Alexander Bierce

Ethan Blumenthal

Cristina & James Bolling

Marilyn & Herb Bonkovsky

Kelly & Jackie Brown

Khary Brown

In Memory of Kyden Justice Brown

Herbert Browne

Mr. Charles Budd

Jane & Larry Cain

Sarah & Marco Carbone

Hobart B. Cheyne

David M. Cody

John Colton

Dr. Kilian Cooley

Mr. Mark Copeland & Mrs. Kathleen Goldammer-Copeland

Ann F. Copeland

Dr. & Mrs. Mark Couture

Sarah & Larry Dagenhart

Gwin Dalton

Sarah & Joshua Daulton

Dr. Kandi & Gary Deitemeyer

Caroline & Laurent De Mey

Thomas & Kris Duffy

Christine & David Dunn

Virginia Dulaney

Bob & Judy Erb

Dr. Ray Feaster

Stephen C. & Jean S. Geller

Jenn & Taylor Gherardi

Carol & Joseph Gigler

Kathy Gray

Ms. Cynthia Greenlee

Katherine G. Hall

Joyce & Ed Hamilton

$1,000 - $1,499 cont.

Anne J. Henderson

Logan & Jennifer Henderson

Brian & Juliet Hirsch

Charley & Lynn Hodges

Mical Hutson

Paul & Linda Ibsen

Joan Irwin

Lea & Stuart Johnson

Joan Kirschner

Marilyn Kroll

Jonathan Lamb

Christopher James Lees

Mr. & Mrs. Howard Levine

Mr. Michael Lewandowski

Lucinda Nisbet Lucas

Dr. & Mrs. Randolph Mahnesmith

Mrs. Allison Malter

Holly & Christopher Maurer

Ms. Nydia McCrohan

Sam & Carolyn McMahon

Arrington Mixon

Susan D. Montgomery

Janet Preyer Nelson

Peter & Janet Nixon

Mr. & Mrs. E. O. Oakley

Michael & Debbie O’Hara

Arvind & Helen Patil

Gwen Peterson & Tom Hodge

Catherine Philpott

John & Wilma Pinter

Dale & Larry Polsky

Dr. William G. Porter

Lucy Quintilliano & Leonard Fumi

Morry Alter & Joan Rasmussen

Brendan Reen

Rita & Thomas Robinson

Sally & Russell Robinson

Ms. Margaret Rogers & Mr. John R. Willis

Elizabeth Rostan

William R. Rollins

Dr. & Mrs. Paulvalery Roulette

Ruth & Trevor Runberg

Terrence Russell & Marjorie Serralles-Russell

Mrs. Gail Salmon

Dr. Stephen P. Schultz & Donna Dutton

Mr. & Mrs. William Seifert

Katy & Raleigh Shoemaker

Molly & Conrad Sloan

Scott Smith

Rebecca & Eric Smith

Murray & Hazel Somerville

Mr. & Mrs. Larry Stern

Kathryn Stewart

Marsha & Robert L. Stickler

Pamela & Harding Stowe

Al & Alice Sudduth

Ann & Wellford Tabor

Richard R. Taylor

Rosalind & Joe Taylor

Catherine Thompson

Vint & Libby Tilson

Sarah S. Tull

B. Maureen Turner

Drs. Iris Cheng & Daniel Uri

Peter White

Annual Fund Supporters (continued)

Noni Williams

John Drew Witherington

Ms. Judith Wood

Eugene Woods

Gracy & Scott Wooster

Ms. Barbara Yarbrough

$500 – $999

Anonymous (4)

Michael & Lee Abbott

Doug & Linda Abel

Mr. Lester Ackerman & Mr. Layton Campbell

Larry Anderson

JWD Atchison

Bob & Cathy Becker

Emerson Bell

Dr. John L. Bennett & Mr. Eric T. Johnson

Ms. Melody Birmingham

Mr. Nicholas Bonevac

James Broadstone

Aram & Scott Bryan

Angie & Howard Bush

Greg & Mary Lou Cagle

Barbara F. Caine

Amanda & Kevin Chheda

Dr. W. Gerald Cochran & Mr. Timothy D. Gudger

Mr. Thomas E. Collins, Jr.

Mrs. Jane M. Conlan

Dr. & Mrs. Charles E. Cook

Jack Cook

Martin & Leslie Cooper

Mr. & Mrs. Alpo F. Crane

Ellen M. Crowley

Mr. Todd Croy

Angela & Jesse Cureton

Libby & David Currier

Dr. Roy E. DeMeo, Jr. & Ms. Linda A. Evanko

Doug & Diane Doak

Cheryl Drake-Bowers

Martin Ericson, Jr.

Gloria Evans

Melisa & Frank Galasso

Dr. John & Eileen Gardella

Donna Gibson

Sarah Goad

Mr. Walter H. Goodwin, Esq.

Dan & Linda Gordon

Mrs. Gloria Gunst

Tara & Richard Harris

Mr. Charles Haughey

Patrick & Johanne Hawk

Mr. & Mrs. Michael D. Heafner

Mr. Stefan Heinzelmann

Barbara Holt

Dr. & Mrs. Alexander Horowitz

Pete & Phyllis Johnson

Vickie & Eugene Johnson

Michael & Priscilla Johnson

Joseph & Patty Kahle

Emily Kalfayan

Steven & Mary Kesselman

James King

Nancy H. Kiser

Dr. & Mrs. Jack Kramer

Theodore & Dorothy Kramer

Harry & Gloria Lerner

Jerome & Barbara Levin

Megan Levine

John J. Locke

Mark & Katherine Love

Vi Lyles

Dr. & Mrs. William W. MacDonald

Bruce & Leigh Marsh

Francis & Paula Martin

Ed & Wendy Matthews

Steve & Tammy Matula

Valerie & Thomas McKernan

Mr. & Mrs. Kiran H. Mehta

Roy H. Michaux

Eric Miller

Anne & Brad Mitchell

Amanda & Matthew Molbert

Tom & Sally Moore

Gary & Fran Morrison

Robert & Carla Murray

Nancy Olah & Bill Pace

Cookie & Jerry Parnell

Janet & Rick Pfeiffer

Hilda & Victor Pineiro

Dr. & Mrs. R. Pinkney Rankin, Jr.

Mr. & Mrs. Rodney C. Pitts

Barbara M. Pooley

Haywood & Sabine Rankin

Shaiza Rizavi

Nancy Rutledge & Jim Rutledge

Michael Silverman

Stephanie & Jonathan Simon

Dr. & Mrs. Henry L. Smith II

Rebecca & Eric Smith

Julia J. Souther

Bill & Mary Stanton

William & Catherine Stone

Gretchen & Jean-Claude Thill

Tim Timson

Sarah & Tim Turner

James & Melanie Twyne

Rebecca Valenstein

Mr. and Mrs. Scott Vallandingham

Emily & Jeff Vaughan

Greg & Sandy Vlahos

Mandy Vollrath & Luke Shaver

Minyan & Guan Wang

Mr. & Mrs. Tom Weidman

Zelda White

Mr. & Mrs. John A. Yakob

We gratefully acknowledge these generous donors to the Charlotte Symphony Comprehensive Campaign. This list reflects gifts received through August 20, 2024.

$10,000,000+

Bank of America The C.D. Spangler Foundation

$5,000,000 - $9,999,999

John S. & James L. Knight Foundation

$2,000,000 - $4,999,999

Jane & Hugh McColl · The Leon Levine Foundation

$1,000,000 - $1,999,999

Michele & Ross Annable Atrium Health Howard C. & Margaret G. Bissell Foundation

Coca-Cola Consolidated, Inc. EY Contributions Associated with Falfurrias Capital Partners

Lynn & Brian Good Loy & Susan McKeithen Novant Health

$500,000 - $999,99 9

Anonymous Arlene & Milton Berkman Robin & Bill Branstrom

Mary & Mike Lamach Rich Osborne Debbie & Pat Phillips

Robert Haywood Morrison Foundation Truist Financial Corporation

$250,000 - $499,999

Cathy Bessant · The Dickson Foundation · The Gambrell Foundation Moore & Van Allen PLLC Janet Preyer Nelson

$100,000 - $249,000

Jeannette & Francisco Alvarado · Ruth & Richard Ault · NCFI/Barnhardt Foundation

Wilton & Catherine Connor · Joan & Mick Ankrom · Robin Cochran

Denise & Peter DeMaio · The Dowd Foundation · Linda & Bill Farthing

Dr. Richard Krumdieck & Mrs. Sally Gregory · Elizabeth & Jay Monge Steelfab, Inc. · Andromeda & John Williams

$50,000 - $99,999

Crescent Communities · Karen Fox · Ulrike & Alex Miles

Chris & Jim Teat · Lisa & Richard Worf

$10,000 - $49,999

Anonymous Wedge & Debbie Abels Mary Lou & Jim Babb Tiffany & Jason Bernd Frank Bragg · Shirley & Mike Butterworth · Joye Blount & Jesse Knight, Jr.

The Cato Corporation · Margarita & Nick Clements · Mary Delk

Caroline & Ben Dellinger III · David Fisk & Anne O’Byrne · Michael Marsicano

Dede & Alex McKinnon · Posey & Mark Mealy · Larry & Dale Polsky

Steve & Wanda Phifer · Judy & Derek Raghavan · Eric & Shannon Reichard

Sara & Daniel Roselli · Melinda & David Snyder

Dr. John A. Thompson, Jr. & Dr. Lee Rocamora · Jill & Kevin Walker

$5,000 - $9,999

Brian S. Cromwell · Toni Burke & Bob Gaines · Sarah & Frank Gentry

Carol & Joseph Gigler · Lucinda Nisbet Lucas · Melissa & Dennis McCrory

Cyndee Patterson · William & Betty Seifert · Peggy & Pope Shuford

Nancy E. Simpson · Drs. Jennifer & Matthew Sullivan

Corporate Partners

We are grateful for the following outstanding corporate funders: For more information, please contact Mandy Vollrath at mvollrath@charlottesymphony.org

We are grateful for the following outstanding foundation and government funders:

The Trexler Foundation

Dowd Foundation, Inc.

The Dickson Foundation

Cole Foundation

The Jack H. and Ruth C. Campbell Foundation

The Mary Norris Preyer Fund

The George W. & Ruth R. Baxter Foundation

Barnhardt/Thomas Trust

Blumenthal Foundation

BOARD OF DIRECTORS

2024-2025 OFFICERS

Richard Krumdieck

Chair

Ulrike Miles

Vice Chair

Melinda Snyder

Vice Chair

Linda McFarland Farthing

Immediate Past Chair

Kevin Walker

Treasurer

Manny Clark

Secretary

David Fisk

President & CEO

Kwamé Ryan

Music Director

2024-2025 DIRECTORS

Mick Ankrom

Joye D. Blount

Mike Butterworth

Nick Clements

Mary Delk*

Denise DeMaio

Sidney Fletcher

Kevin Gottehrer

Lucia Zapata Griffith

Byron Johns*

Valerie Kinloch

Stephen Makris

Alex McKinnon

Sara Garces Roselli

Ylida Scott

Jennifer Sullivan

Brienne Tinder*

Jenny Topilow*

Ken Walker *ex-officio

BOARD OF TRUSTEES

Richard Osborne, Chair

Paul Anderson

Ruth & Richard Ault

Kat Belk

Arlene & Milton Berkman

Jason & Tiffany Bernd

Andrea & Alexander Bierce

Mary & Charles Bowman

Frank Bragg

Robin & Bill Branstrom

Dr. William Charles & Dr. Cynthia Nortey

Derick & Sallie Close

Robin Cochran

Wilton Connor

Jeanie & T. Thomas Cottingham III

Brian Cromwell

Susan Cybulski

Alessandra & Pasquale De Martino

Alvaro & Donna de Molina

Peggy & Richard Dreher

Lisa Hudson Evans

Karen Fox

Eileen Friars & Scott Pyle

Todd Gorelick

Ralph S. Grier

Laurie Guy

Janet Haack

Reginald B. Henderson, Esq.

Mark & Whitney Jerrell

Jeff Lee

Gov. James G. Martin

Jane & Hugh McColl

Susan & Loy McKeithen

George McLendon

Elizabeth & Jay Monge

Mica Oberkfell

Patrick J. O’Leary

Debbie & G. Patrick Phillips

Paul Reichs

Nancy & Charles Robson

Patricia A. Rodgers

M.A. Rogers

Lindsay & Frank Schall

Laura & Mike Schulte

Carolyn Shaw

Emily & Zach Smith

Bob & Marsha Stickler

Kelly & Neal Taub

Adam Taylor

Braxton Winston

Richard Worf

Joan Zimmerman

Albert Zue

ADMINISTRATIVE STAFF

EXECUTIVE

David J. L. Fisk

President & CEO

Samantha Hackett

Executive Administrator

ARTISTIC OPERATIONS

Scott Freck

Vice President for Artistic Operations & General Manager

Carrie Graham

Senior Director of Artistic Planning

Tim Pappas

Director of Operations

Nixon Bustos

Senior Music Librarian

Emily Schaub

Assistant Music Librarian

Erin Eady

Senior Manager of Orchestra Personnel

Claire Beiter

Artistic Operations Manager

John Jarrell

Stage Manager

DEVELOPMENT

Shayne Doty

Vice President of Development

Mandy Vollrath

Director of Corporate & Institutional Relations

Libby Currier

Director of Individual Giving

Tammy Matula

Senior Manager of Development Operations

Jennifer Gherardi

Development Manager - Campaign & Special Events

Noel Kiss

Advancement Associate

Josh Bottoms

Institutional Giving Coordinator

HUMAN RESOURCES

Maribeth Baker

Human Resources Counselor

FINANCE & ADMINISTRATION

Christian Drake Vice President of Finance & Administration

Chazin & Company, Financial Services

Amy Hine

HR Coordinator & Office Administrator

Channing Williams

Accounting Associate

LEARNING & COMMUNITY ENGAGEMENT

Aram Kim Bryan Vice President of Learning & Community Engagement

Dylan Lloyd

Senior Manager of Youth Orchestras

Mark Rockwood

Education & Community Programs Manager

Michaela Sciacca

Project Harmony Manager

Gavin Fulker

Education & Community Programs Assistant

Lily Moore

Youth Orchestras Assistant

Bria Alexander

Learning & Community Engagement Assistant

MA RKETING & AUDIENCE DEVELOPMENT

Deirdre Roddin

Director of Institutional Marketing & Communications

Nicole Glaza

Senior Manager of Digital Marketing

Laura Thomas

Senior Manager of Marketing & Audience Development

Chad Calvert

Visual Communications Manager

Meghan Starr

Patron Experience Manager

Garrett Whiffen

Ticketing Manager

Mical Hutson

Strategic Advisor, Marketing & Audience Development

2024 · 2025 SEASON HIGHLIGHTS

Subscribe today for the best seats, the best prices, and great benefits!

Tchaikovsky's Piano Concerto No. 1

October 25 & 26, 2024 Knight Theater

Brahms' A German Requiem

November 22 & 23, 2024 Belk Theater

Debussy’s La Mer

April 25 & 26, 2025 Belk Theater ...AND MORE!

The Music of Queen

November 1 & 2, 2024 Belk Theater

Disco Fever

January 17 & 18, 2025 Knight Theater

Havana Nights

February 21 & 22, 2025 Knight Theater ...AND MORE!

LEMONY SNICKET’S The Composer is Dead

November 16, 2024 Knight Theater

Holiday Pops! FAMILY MATINEE

December 7, 2024 Knight Theater

CLASSICAL KIDS LIVE: Gershwin's Magic Key

January 18, 2025 Knight Theater ...AND MORE!

The Muppet Christmas Carol IN CONCERT

November 29 & 30, 2024 Ovens Auditorium

How to Train Your Dragon IN CONCERT

March 14 & 15, 2025 Belk Theater

Pirates of the Caribbean IN CONCERT

June 6 & 7, 2025 Belk Theater ...AND MORE!

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