CK Architecture Portfolio 2016

Page 1

ARCHITECTURAL PORTFOLIO

CHAZANDRA KERN



CONTENTS PERSONAL ART

GRADUATE FURNITURE STUDIO

UNDERGRADUATE ARCH STUDIO

GRADUATE ARCH STUDIO

UNDERGRADUATE ARCH STUDIO

UNDERGRADUATE ARCH STUDIO

EXHIBITION

WATERCOLORS “ROYALS”

MAKE A SMALL OBJECT CARVING A GIRAFFE

MATERIAL EXPLORATION

EXPLORATION OF WAX AS A MATERIAL

LANE COUNTY FARMERS MARKET MARKET HALL

LA COLMENA

ADAPTIVE RE-USE YOUTH CENTER

FIRE STATION 22

PHOENIX FIRE STATION AND COMMUNITY SPACE

HOME 4

MODULAR MICRO HOUSING


royals

personal artwork


royals

watercolor paintings

royals

watercolor paintings

queen | watercolor | 2013 | 8.5x11in queen | w


WOOD GIRAFFE ASSIGNMENT: MAKE A SMALL OBJECT FURNITURE STUDIO UOREGON | WINTER 2016 | 1 WEEK

a1 “make an object”

furniture studio

PROFESSOR: HALLGEIR HOMSTVEDT


Chazandra Kern

|

IARCH 586

|

Winter 2016

|

Homesvelt


HEAT HEAT+ +MOTION MOTION

SKEWERS HOTHOT SKEWERS

HEATHEAT + WATER + WATER

CONTROL CONTROL

WAX

WAX WAX

translucent; translucent; TRANSLUCENT; STRAIGHT-CHAIN HYDOCARBONS OBTAINED solid SOLID straight-chain hydrocarbons solid straight-chain hydrocarbons FROM PETROLEUM obtainedBY fromDEWAXING petroleum by LIGHT dewaxing LUBRICATING OIL STOCKS obtained from petroleum by dewaxing light lubricating oil stocks

light lubricating oil stocks

MATERIAL STUDY ARCH STUDIO III ASU | SPRING 2015 | 2 WEEKS 78O 120O TEAM MEMBER: REBECCA MANHARDT 4" 78O 120O

CONTROL CONTROL

4"

SOLIDIFIES AT MELTS AT PROFESSOR: CHRISTIAN STAYNER 4"

4"

4"

SOLIDIFIES AT

MELTS AT

4"

OBJECTIVE OBJECTIVE

OBJECTIVE

as a material that rapidly changes states when exposed to varying

our objective to push boundaries in both solidchanges states Asas a material atemperatures, material that rapidly that rapidly changeswas states whenitsexposed to varying and liquid temperatures, ourform objective was to push its boundaries in both solid when exposed varying tempratures. Our obhow can we understandto what defines a void within this material and liquid form jective waswhatto boundaries in both how can we understand definespush a void within the this material solid and liquid form

THEORY THEORY

we theorized that as a liquid, the material could be exposed to variables that would cause rapid reversion to a solid state we theorized that as a liquid, the material could be exposed to we introducedwe variables of internal temperature, external exposure,defines How understand what variablescan that would cause rapid reversion to a solid state and range of motion we introduced this variables of material? internal temperature, external exposure, within and range of motion

HOT SKEWERS

a void

CONTROL

DISCOVERY DISCOVERY THEORY

WAX

properties of wax

DROP 160

translucent;

+ DISPLACEMENT

light lubricating oil stocks

CONTROL

4"

material manipulation

DROP 160 'F

solid straight-chain hydrocarbons +DISPLACEMENT + DISPLACEMENT obtained from petroleum by dewaxing

troduced variables of internal temperature, external exposure, and range of motion.

Through this experimenation we discovered the of over exPROJECT 2 |signifigance ADE 422 | CHRISTIAN STAYNER | CHAZANDRA KERN + REBECCA displacement MANHARDT isting forml a rapid change in state of displaced metter generates a more intercate form that its origin. raather han considering void within an object, we are more concered wot how constraints inform a new mass of displacement and how this defines itself from its orgin.

DROP 120 'F

CONTROL

through this experimentation we discovered the significance of displacement over existing form; a rapid change in state of displaced throughmatter this experimentation weintricate discovered significance generates a more formthe than its origin of displacement overthan existing form; avoid rapid change in state rather considering within an object, we ofaredisplaced more congenerates moreconstraints intricate form its origin Wemattertheorized that as adisplacement liquid the matericerned withahow informthan a new mass of thanhow considering voiditself withinfrom an object, are more conand this defines its originwe to alrather could be exposed variables that would cerned with how constraints inform a new mass of displacement cause to a solid state. we inand how thisrapid defines itself reviion from its origin

DISCOVERY

DROP 120 'F

CONTROL

4"

78O

120O

SOLIDIFIES AT

MELTS AT

4"

PROJECT 2 | ADE 422 | CHRISTIAN STAYNER | CHAZANDRA KERN + REBECCA MANHARDT

DROP 160 'F/70

DROP 160

OBJECTIVE

as a material that rapidly changes states when exposed to varying temperatures, our objective was to push its boundaries in both solid and liquid form how can we understand what defines a void within this material

THEORY

we theorized that as a liquid, the material could be exposed to variables that would cause rapid reversion to a solid state we introduced variables of internal temperature, external exposure, and range of motion

DISCOVERY

through this experimentation we discovered the significance of displacement over existing form; a rapid change in state of displaced matter generates a more intricate form than its origin rather than considering void within an object, we are more con-


0 'F

EXPLORATION EXPLORATION

DETERMINING CONTROLS DETERMINING CONTROLS

HEAT

DISTANCE

MOTION

TRAJECTORIES TRAJECTORIES

DROP 120 'F

>1' DEPTH

DROP 160 'F

DROP 160 'F/70 'F

THROW 160 'F

THROW 160 'F/50 'F

1' DEPTH

6" DEPTH

MOTION 160 'F/50 'F

1' DEPTH

VIDEO


CREATING A LOCAL FOOD HUB

INSULATED GLASS ROOF STEEL FRAME ROOF 1’ PIPE COLUMNS

MARKET OFFICE

how can we connect community with a local food culture? INCUBATOR KITCHEN

FERMENTATION BAR

RESTAURANT

market

market hall community

market hall

CAFE + BAKERY

farm

E

compost

DELI + CHEESES

table

TEACHING KITCHEN

EUGENE, OR

MARKET HALL

PACE

landscape FISH MARKET

plaza

T

THE FOOD CYCLE

RESTORING DOWNTOWN’S CHARACTER

Eugene has ahas strong and growing food culture which eugene a strong and growing food which is celebrated by awinemakers, ommunity isculture celebrated by a community of farmers, of farmers, winemakers, microbrewers microbrewers and chefs. This market proposes a and layerchefs. this market proposes layering of ing of interaction by between each a part by providing interaction between each kitchen, part byfresh providing programs such as the teaching produce programs such and as incubator the teaching kitchen, market, kitchen fresh produce market and incubator kitchen.

this proposal divides theinto site twothe This proposal divides the site twointo pieces, pieces.hall the market hall the plaza to market and the plaza to and maintain the quarter maintain the quarter block scale of downblock scale of downtown while also returning the town while alsopiece returing the blocks. missing pice missing to the park to the park blocks

MEAT MARKET LANDSCAPE AND BUILDING INTERCONNECTING The quality of a market losses its character once put in a box. The blending of indoor and outdoor market spaces touch back to the markets roots as a fully outdoor event.

project program

LANE COUNTY FARMERS MARKET MARKET HALL / FOOD HUB DESIGN buildable area fluid movement INTO GRADUATE STUDIO UOREGON | FALL 2015 | 10 WEEKS

elevating planes

covered roof

PROFESSOR: VIRGINA CARTWRIGHT skinner’s butte

lane county farmer’s market 10 min “r” harvest farms

university of oregon sprout!

spencer’s buttee

20 min

The park blocks in downtown Eugene has been home to the Saturday Market since the 1970’s. The market is open every Saturday, Tuesday and Thursday. With an ever changing urban fabric, we are envisioning a market hall structure that will be operational 7 days a week. this design merges indoor program spaces of meat, cheese, fish and bakery with outdoor vendor stalls to create a dynamic market atmosphere. these programs are stacked with a food mezzanine.


elevation

section a


B

1 7

A

2 3

5

EUGENE, OR

MARKET HALL

4

6

key:

7

1_cafe+bakery 2_deli 3_fish 4_covered market 5_meat 6_teaching kitchen 7_open market


LOCATION: DOWNTOWN EUGENE STRUCTURE FOOTPRINT: 14,890 SF PLAZA SIZE: 25,878 SF MARKET CAPACITY: 66 STALLS PARKING CAPACITY: 59 SPACES

view from plaza

protective overhang

dynamic circulaiton

indoor outdoor patios

overlapping views


TUCSON, AZ

ADAPTIVE RE-USE

LA COLMENA YOUTH CENTER YOUTH CENTER: THE BARRIO LIBRE ARCH STUDIO II ASU | SPRING 2014 | 10 WEEKS PROFESSOR: MAX UNDERWOOD

This project adapted an exisitng hipped roof sturcture in the bario libre in tucson arizona into a youth center for the historic neighborhood. This youth center is a place for kids to escape and informally hangout. spaces are provided for creativite and technology programs. this creates a healthy environment for kids to relas, interact and learn valuable skills to hepl them see a better future.



TUCSON, AZ

ADAPTIVE RE-USE



PHOENIX, AZ

A DISADVANTAGED YOUTH

FIRESTATION 22 FIRE STATION + COMMUNITY CENTER ARCH STUDIO III ASU | FALL 2014 | 10 WEEKS PROFESSOR: DENNIS BREE Our fire station is located in south phoenix, serving a disadvantaged community.This rebuild of the local fire station is ultimately an expansion, including a battalion unit, a larger apparatus bay and a community center. the mental health as well as the comfort of the fire men were the driving factors in our design.We developed equal spaces of recovery (dark cool dorms for sleeping) and comradery(the brightly lite kitchen or “the heart of the station”). our specific inclution of a safe teen space was designed after seeing a lack of resources for the disadvantaged youth in the area.





moves every 10 years.

average family

$$$

about

average 2,600home sq ft

CURRENT HOUSING MICRO LIVING

400 sq ft average home

CURRENT HOUSING MICRO LIVING

$272,000 mortgage tomultiple buy payments

$$$

$23,000

to build mortgage multiple payments

3.6 people

1948

average family

2012

3.6 people average family

excessive cradlematerial to graveuse larger energy consumption

400 sq ft

about no mortgage

$23,000 reduced debt

2.5 people

toownership build

average family

2012

modular sustainable recycled materials

$ microdwelling

no mortgage reduced debt ownership

ADAPTABLE DESIGN

2.5 people

bring it with you!

sustainable

excessive material use larger energy consumption

$

microdwelling

The average US family moves every 10 years.

modular recycled materials

Architects and Designers typically don’t design houses with easy renovation or deconstruction in mind. Homes undergo many renovations over their lifetimes, or complete building removal is carried out to make room for a newer home.

Architects and Designers typically don’t design houses with easy renovation or deconstruction in mind. Homes undergo many renovations over their lifetimes, or complete building removal is carried out to make room for a newer home.

ADAPTABLE DESIGN

SINGLE-FAMILY HOME

SINGLE-FAMILY HOME

HOME4

FARMERS MARKET

HOME4 MODULAR MICROHOUSING FARMERS MARKET microdwelling 2015 exhibition

HOME STUDIO

HOME STUDIO

TINY LIVING EXHIBITION ENTRY MICRO DWELLING EXHIBITION | PHOENIX, AZ |progress) 10 WEEKS 2 weeks design, 12 week build (in TEAM: HECTOR RODRIGUEZ team members: Hector

Esparza

rodriguez, Nathan Ewing, Christopher Ewing, Andrew

This is our entry for the 3rd annual Microdwelling exhibition, which showcases a variety of homes mentor: patrick McCue under 600sqft. Home4 is a modular home which focuses on the idea of necessary expansion, meaning you only build as much as you need, and expand when you’re ready. It is a steel frame made of l-beams with3rd woodannual frame infill walls. This that is are our bolted entrytogether for the Microdwelling exhibition, which

showcases a variety of homes under 600sqft. Home4 is a modular home which focuses on the idea of necessary expansion, meaning you only build as much as you need, and expand when you’re ready. It is a steel frame made of l-beams that are bolted together with wood frame infill walls.


construction progres


final product


living room/ bedroom interior

framework


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