The
ENGLISH HOME
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Celebrating the essence of English style August 2021 | Issue 198 | £4.99 | UK Edition
COUNTRY EDITION
The ultimate for classic inspiration & contemporary updates
43 STYLE
SECRETS
for decorating country homes by leading interior designers
Live the dream
Enjoy a rural lifestyle in the town or city
EXPERT GUIDES - Sustainable style - Beautiful baths - Modern country gardens
Romantic visions -
Inside four beautiful homes from 16th century to Cotswold Arts & Crafts
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CONTENTS AUGUST 2021
46 Notebook
English homes
Style inspiration
15 NEWS Our monthly digest of notable
36 COTTAGE INDUSTRY Cabbages & Roses
73 NOSTALGIC CHARM A contemporary
46 TIMELESS ELEGANCE Designer Virginia
74 43 DOS AND DONT’S OF COUNTRY INTERIORS Experts share their tips
people, places and products.
22 DESIGN DISCOVERIES Outdoor fabrics,
pretty tableware and charming prints.
28 BEST FOR GUESTS Visitor essentials. 30 BEAUTY & UTILITY Ancillary room buys. 32 THE EDIT Beaumont & Fletcher, Sophie
Conran and The Albion Bath Company catch our eye this month.
35 SUBSCRIBE The perfect gift for a
loved one or a treat for yourself – a subscription to The English Home.
6 THE ENGLISH HOME
founder Christina Strutt’s charming sixteenth-century Somerset cottage.
Howard’s glorious Georgian property in the heart of the Suffolk countryside.
54 COUNTRY ESCAPE An Arts and Crafts
house in Gloucestershire provides the perfect relocation dream.
62 PRINTS CHARMING Striking hues and
bold choices combine in style at a textile designer’s Shropshire manor house.
take on classic country style.
for creating the perfect country home.
84 DESIGNS WITH RURAL SPIRIT Fabrics
and wallpapers for quintessentially English country interiors.
92 SOAK IN STYLE Our guide to baths
and the practical factors to consider.
102 SUSTAINABLE WAYS TO DECORATE
Ideas and inspiration for making more sustainable interior choices.
54
104 36
74 84 Quintessentially 111 UNTAMED BEAUTY Wildflower delights. 112 FROM PATCH TO PLATE: MATTHEW FORT Our food columnist on what
makes a perfect picnic.
114 A COUNTRY STATE OF MIND Ideas for
enjoying the benefits of rural living.
120 MEADOW STYLE A less structured take
on the classic English country garden.
130 ONE FINAL THING House of Hackney’s
luxurious Castle Caravans in Cornwall.
92 THE ENGLISH HOME 7
A letter from home
R
elaxed yet elegant, practical but stylish, the English country look is a romantic and seemingly elusive interiors style to master. One that is as deceptively effortless as the French woman who somehow appears perfectly ‘undone’ and accidentally chic. From the sweetest thatched cottage to the grandest country pile, well-furnished country homes are as enveloping as their softly worn sofas are to sink into. They have us longing to replace city skylines with green pastures and while away the hours by an Aga with a dog at our feet. These are interiors full of nostalgia and personality, where the owners have mastered the art of eclectic style, mixing faded chintzes with bold hues, combining timeless antiques with the new. In this year’s Country Edition we wanted to demystify some of the secrets behind creating a beautiful and functional country home and what Nancy Lancaster called ‘a judicious mixture that flows’. Leading interior designers share their dos and don’ts for country interiors (p74), we look at fabrics and wallpapers to use for a rural feel in any home (p84), and explore how to master that other seemingly effortless element of English style, the relaxed country garden (p120). Our feature A Country State of Mind (p114) provides inspiration for embracing a slower pace of life, including foraging, making preserves and keeping chickens. We hope this issue transports you to the country wherever home may be.
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Samantha Scott-Jeffries, Editor Follow us on Twitter @englishhometeam Pinterest at pinterest.com/theenglishhome Facebook at facebook.com@theenglishhome Instagram at instagram.com@englishhomemag
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Mixing old and new and pieces with personality is key to the effortless appeal of country interiors. We like the quirky natural references of the Cleo wallpaper by Elizabeth Ockford, featured on page 84.
High-performance, bleach-cleanable rugs made from 100% recycled water bottles
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The
ENGLISH HOME
WIN
JOHN SANKEY FURNITURE WORTH
£3,000
Celebrating the essence of English style August 2021 | Issue 198 | £4.99 | UK Edition
COUNTRY EDITION
The ultimate for classic inspiration & contemporary updates
43 STYLE
SECRETS
for decorating country homes by leading interior designers
Live the dream
Enjoy a rural lifestyle in the town or city
EXPERT GUIDES - Sustainable style - Beautiful baths - Modern country gardens
Romantic visions -
CONTACT US Editorial 0333 014 3215 The English Home, Jubilee House, 2 Jubilee Place, London SW3 3TQ Email theenglishhome@chelseamagazines.com Website theenglishhome.co.uk Advertising/Publishing 020 7349 3700 The Chelsea Magazine Company Ltd Email info@chelseamagazines.com
Inside four beautiful homes from 16th century to Cotswold Arts & Crafts
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Editor Samantha Scott-Jeffries Managing Editor Sarah Feeley Art Editors Claire Hicks, Rebecca Stead Sub Editor Lea Tacey Decorating Editor Katy Mclean Features Editor Eve Middleton Homes & Lifestyle Editor Clair Wayman Editor-at-Large Kate Freud Editorial Assistant Nell Whitaker
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NOTEBOOK
Our monthly edit of news, shopping inspiration and inside information
SPOTLIGHT ON… Mulberry Home
Proudly celebrating its 30th anniversary this year, Mulberry Home was launched in 1991 following the global success of Mulberry’s beautiful leather bags and accessories. To mark this landmark event,
Mulberry Every interior Home designer’s has launched little black the Long book bulges with Weekend collection, talented under-the-radar an eclectic mix of makersstripes, prints, whose creations embroidery elevate and velvet. a home from ordinary Decadent English to extraordinary. country houseFrancesca parties Rowan-Plowden of the 1920s andis30s sharing were the some inspiration. of her most precious These were held contacts from Saturday through to FRP Monday Homestore, and attractedher aristocrats, new online artists, shop.film stars and The poets director alike,and withlead sporting interior pursuits, designer
dressing at Rowanfabulously Plowden Design for dinner andand founder amateur of Design Havens dramatics all part ForofHeroes the fun. lives Thebycolour the sea in East for palette Sussex, the velvets where in shethe scours collection vintage markets. was drawn from smoking jackets and sumptuous FRP Homestore eveningoffers gownsher of careful the era. curation, This whimsical from cushions new rangeand alsoglassware embodies to atableware, sense of adventurous soft furnishings, travelhome and escapism. accessories, antiques, lighting, gpjbaker.com/brands/mulberry-home THE ENGLISH HOME 15
NEWS
Refined Rural
Chic homewares by artist Claire Haggas After Claire Haggas failed to find an elegant yet vibrant silk scarf to buy, a chance meeting with a stranger – who turned out to be an English silk manufacturer – spawned a brand new business, turning her wildlife paintings into luxury accessories. As well as making silk scarves, her home collection features an opulent range of velvet cushions entirely made in England, adorned with pheasants, horses, peacocks and more. Claire is based in Lincolnshire and started to paint as a hobby, never dreaming it might turn into a career. She says: “My influence comes from the countryside – we live in the middle of nowhere in the Wolds and we’re surrounded by pheasants, owls, deer and hares. I feel totally blessed to have all this on my doorstep.” clarehaggas.com
A Taste of Summer
New sloe gin from Buckingham Palace Infused with botanicals from the Buckingham Palace garden, a new sloe gin has been launched by The Royal Collection Trust. These botanicals include lemon verbena, hawthorn berries, bay leaves and mulberry leaves. The Trust, a department of the Royal Household, recommends that the gin is enjoyed as a Sloe Royale cocktail. Pour 25ml of Buckingham Palace Sloe Gin into a fluted glass, top with champagne or sparkling wine and garnish with fresh berries or orange peel. This new sloe gin is available to buy at The Royal Collection Trust shops and online. All profits will go to The Trust to help fund the care and conservation of The Royal Collection – amongst the world’s largest and most important art collections, and one of the last great European royal collections to remain intact. rct.uk/shop
Exquisite Craftsmanship
Elegant chairs handmade by Jason Mosseri Jason Mosseri’s creative journey included painting, providing the decor for nightclubs and even tattooing, but attending a chairmaking course at Westonbirt Arboretum unlocked a dormant burning passion. He says, simply: “I became hooked.” His business, Hopesprings Chairs, is based in East Sussex. Jason works mostly with locally sourced ash and beech, using traditional techniques to craft chairs with a clean and elegant design. He also runs courses and teaches at West Dean College. Thanks to The Queen Elizabeth Scholarship Trust (QEST), he travelled to Tennessee to learn from master chair maker Curtis Buchanan. “My chairs are built wholly within a tradition, yet I hope embody both my creative history and my artistic vision,” he says. hopespringschairs.com 16 THE ENGLISH HOME
ARTISAN ABODE Designed and curated by an interior design team with an amazing little black book of contacts – brands, makers, artists and craftspeople – honed over decades in design.
Shop five furnishings collections, accessories, home fragrance and thoughtful gifting. Access an edit of homewares not commonly found on the high street.
artisanabode.co.uk hello@artisanabode.co.uk | 01626 834705 |
@artisanabode.co.uk
NEWS
Divine Dining
Dreamy tablescapes from Mrs Alice Alice Naylor-Leyland – who is also known as Mrs Alice – knows a thing or two about English countryside elegance. She and her husband Tom beautifully renovated and restored Grade I listed Stibbington House in Cambridgeshire, where they live with their three children. Her mother Serena’s passion and flair for elegant entertaining and table decoration were a key influence, and having studied fashion herself, Alice has a finely honed sense of style. This has resulted in a successful blog, stylish collaborations, and most recently her own brand specialising in ‘tablescapes’. Her enchanting and elegant tableware and accessories are designed to “take the hassle out of hosting”, with mix-and-match versatility and designs evoking her love of chintz and chinoiserie. The Seville collection celebrates Alice’s love of dining outdoors and features hand-painted plates, fine appliqué linens and a range of block-printed tablecloths. Named after and inspired by Alice’s mother, in her favourite colour palette
18 THE ENGLISH HOME
of fresh blues and vibrant greens, The Serena collection was designed by mother and daughter together. With a range of blue-and-white chinoiserie ceramics, Serena’s favourite pieces are the hand-painted Lily of the Valley plates, which depict the flower held in her own mother’s wedding bouquet. Joy abounds in The Nancy collection, the inspiration and name for which came from Alice’s daughter, with beautiful linens reminiscent of English rose gardens, patterned seat cushions, exclusive Murano tumblers in pale greens and rose pinks, and hand-painted plates, as well as outdoor furniture and delicate lanterns made of bamboo. An in-house monogram service offers a bespoke final flourish. “With these new collections,” says Alice, “I wanted to share the pleasure I get from those warmer months, lighter evenings and long lunches in the garden. For me, summer is all about entertaining outside, so I hope these joyful new pieces will get people eating together again with family and friends.” mrsalice.com
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NEWS
Diary
Luxury Retreats
Blackdown Shepherd Huts celebrates its 10th anniversary
20 THE ENGLISH HOME
Artisan homewares, textiles, ceramics, painted furniture and vintage finds from 50 exhibitors await at The Dorset Brocante on 30 August, set in the gardens of Deans Court in Wimborne Minster. thedorsetbrocante. co.uk
Wiltshire Game & Country Fair on 14–15 August promises country pursuits, arena displays, shopping, craft and cookery demonstrations, all in the stunning grounds of Bowood House. livingheritage countryshows.com
Find peace in the city by partaking in mindful activities staged at Royal Botanic Gardens Kew, with forest bathing, yoga, cycling, tai chi and Pilates on various dates. kew.org n
FEATURE SARAH FEELEY PHOTOGRAPHS P16 (MIDDLE LEFT) © AMANDA ROSE/ALAMY, (MIDDLE RIGHT) ROYAL COLLECTION TRUST/© HER MAJESTY QUEEN ELIZABETH II 2021; (BOTTOM LEFT) © ALUN CALLENDER, (BOTTOM RIGHT) © JONATHAN BASSETT. P18 (MIDDLE) © LIAM FULLER, (REST) © DAN KENNEDY. P20 (MIDDLE) © RACHEL BRAGG PHOTOGRAPHY, (REST) © BEN CARPENTER PHOTOGRAPHY; DIARY (TOP) © EMMA ROFF PHOTOGRAPHY, (BOTTOM) © ALEC RICHES/RBG KEW
Historically, throughout the lambing season whilst a shepherd tended his flock, he would find shelter in a small mobile structure which he could move around the field, made from whatever he had to hand. Today, shepherd’s huts have been reimagined as luxury rural retreats, larger than the 6ft by 12ft original – and considerably more comfortable. Blackdown Shepherd Huts, which is based in Somerset, is celebrating its 10th anniversary this year. The company was founded in 2011 by cousins Will Vickery and George Bannister. George was working for Will’s building company, when a regular client wanted a shepherd’s hut. “He felt that we could do a much better-quality product,” they remember. “When we looked into it, we felt we could really improve on the materials and the quality of build, yet do it at a reasonable price.” They “laboriously” (remembers Will) built their first shepherd’s hut using their 20 years of carpentry and bespoke building experience. In the decade since, Blackdown Shepherd Huts has become one of the top manufacturers of shepherd’s huts in the world. After many improvements and refinements over the years, today the company makes a range of bespoke huts offering true homefrom-home luxury, including baths, fully fitted bathrooms and kitchens, comfortable beds, wood-burning stoves and lots of little details that make a big difference. Quality and craftsmanship have both been key from the very beginning, using traditional techniques and staying true to the historical aesthetic with an oak chassis and cast-iron wheels and axels. “We want to make the best product we can and we’re very passisonate about the huts we send out,” says Will. Locations such as nearby Dimpsey Glamping in Somerset, which has two Blackdown Shepherd Huts, offer potential customers the chance to ‘try before they buy’. Happy Blackdown customers include entrepreneur Theo Paphitis, formerly of Dragons’ Den. “From start to finish, the experience of buying a shepherd’s hut from Blackdown was quite amazing,” he says. “They held your hand from beginning to end, communicated, sent pictures through as the hut was being built, and it arrived on time and was installed perfectly.” blackdownshepherdhuts.co.uk
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M U LT I - F U E L
DESIGN DISCOVERIES
Soothing hues and beautiful bucolic forms catch our eye this month
ECLECTIC PRINTS Joyfully discordant prints in a mixture of colourways exemplify the eccentric charms of English country style. Here, cushions in Royal Warrant holder Warner House’s outdoor fabrics enliven an exterior setting whilst offering a jaunty nod to their interior counterparts. Perfect for summertime lounging. Cushions (from back): Chinese Garden, Teal, £50 a metre; Panthera, Espresso, £50 a metre; Holkham, Amber, £35 a metre, Warner House
COUNTRY MOTIFS Featuring fun and informal designs such as this kitchen-dresser-inspired creation, Emma Bridgewater’s new blind and curtain collection at Blinds2Go is sure to raise a smile. Roman blind, Dresser Duck Blue, from £33,35, Emma Bridgewater collection, Blinds2Go
XXX Xxxx Xxxx Xxxx Xxxx Xxxx Xxxx, £xxx, Xxxx Xxxx, £xxx, Xxxx
FLYING COLOURS Already available on teal and mint backgrounds, the addition of a new soft grey hue to this delightful print sees designer Lorna Syson’s delightful hummingbirds dart amongst bright honeysuckle flowers, and 10 per cent of sales go to the RSPB. Hummingbird wallpaper, £109 a roll, Lorna Syson
NATURE REIMAGINED Named after woodland gardens and hand-block-printed by artisans in Rajasthan, the collaborative collection by Sussex-based Molly Mahon and design house Schumacher comprises 12 linens, including this uplifting pattern that pays tribute to India’s revered Mughal poppy design. Curtain, Poppy, Mustard & Sky, £187 a metre, Greencombe collection, Molly Mahon with Schumacher 22 THE ENGLISH HOME
SHOPPING
THE ENGLISH HOME 23
SHOPPING
AL FRESCO DINING Fluid shapes and flowing lines characterise the forms of these new designs, making them an elegant addition to a beautiful backdrop for idyllic outdoor dining. Arbor Cream dinner plate, £72 for a set of four, Arbor Cream pasta bowl, £68 for a set of four, Floret Cream all-purpose bowl, £52 for a set of four, Floret Cream large serving bowl, £50, all Sophie Conran x Portmeirion
A SHADE OF STYLE Made from sustainably sourced vintage sari fabric, these handmade lampshades from interior designer Chloe Jonason’s new homeware offerings are available in a variety of colours and sizes, as well as being created bespoke to order. Handmade lampshades, from £195, Chloe Jonason Interiors
HISTORY UPDATED It seems Winston the sausage dog is just as taken with these new tiles in a dark blue colourway as we are. Produced in Devon and part of the Odyssey Grande tile collection, the Vogue design features a seventeenth-century-inspired pattern offset by a fresh, cream background, perfect for creating interest underfoot. Vogue, Dark Blue, £89.95 a square metre, Odyssey Grande collection, Original Style 24 THE ENGLISH HOME
Beautiful, British-made furniture you’ll love forever
Visit us at thedormyhouse.com or call 01264 365808 The Dormy House, 27 Walworth Business Park, Andover SP10 5LH
SHOPPING
OUTDOOR PERFORMANCE Available in three prints and three colourways, The Performance Collection, a newly launched outdoor fabric and cushion range by Penny Morrison, is stain-resistant, oil- and water-repellent, colourfast, flame retardant and 100 per cent washable at 40 degrees, making it as durable as it is stylish and versatile. Performance fabric, £190 a metre; performance cushions, from £180 each, all Penny Morrison
Bright, fresh blues add a note of calm sophistication to the garden. This tablescape incorporating hand-ladderstitched napkins and a block-printed tablecloth is a wonderful way to incorporate this most soothing of colours into eating al fresco. Blue Stella tablecloth, from £65; Blue Linen napkins, £36 for a set of four; Natural placemats, £18 each, all Sarah K
RUSTIC SOFTNESS Enhanced by a careful stone-washing process, the rustic feel of the new linen Megha fabric by Susie Watson Designs is further highlighted by harmonious hues. The delicate Denim shade used here lends a touch of softness to the upholstery of this armchair. Megha linen, Denim, £54 a metre; Small Library chair, £1,295, all Susie Watson Designs n 26 THE ENGLISH HOME
FEATURE EVE MIDDLETON PHOTOGRAPH P24 (CHLOE JONASON) © RACHAEL SMITH
TRUE BLUE
Curtain, Melford, £35 a metre; wallpaper, Fencott, £59 a metre, both National Trust collection, Sanderson
SHOPPING
Vintage Fearne Spring Green wallpaper, £99 a roll, Woodchip & Magnolia
Bed upholstery and cushions, Fine Cashmere Velour, available in 14 colourways, £280 a metre, Johnstons of Elgin
Victorian Traditional English Tea Tin, £5.95, Westminster Abbey Shop
BEST FOR GUESTS Himari floral cotton gown, £139, Toast
Friends and family can once again be welcomed as guests, and will be eager to visit country abodes for a restful and restorative reunion. Make them feel at home with luxurious hotel-like touches and thoughtful details to make their stay a comfortable one. An indulgently dressed bed is a must, but also add a dressing gown, sleep mask, and facilities to make a cup of tea in the morning to enjoy whilst gazing at the view in a plump armchair. Some spare wellies and a bicycle will ensure guests can enjoy country life to the full.
Calliope breakfast tray, £66, Anthropologie
Botanical III framed art print, £198 Mind The Gap
Eye mask, £10, Molly Mahon x Bramley
Pink Asiatic Pheasants breakfast cup and saucer, £39, Burleigh
Poppy armchair in Blush pure Belgian linen, £890, Sofa.com
Penny bicycle in Duck Egg Blue, £745, Pashley
Table Grill ’71, £199, Morsø
Manopoulos Club backgammon set, £85, Farrar & Tanner 28 THE ENGLISH HOME
FEATURE KATY MCLEAN
Women’s Giverny jersey-lined boot in Vert Chameau, £120, Le Chameau
A Place In The Garden PLANTERS
WATER FEATURES
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The Online Luxury Garden Company Located in West Sussex, UK
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FURNITURE
SHOPPING
Living Nostalgia French grey laundry tin, £19.95, Kitchen Craft
Westbury White Horse luxury matches, £6, Heavenly Homes and Gardens
Niwaki garden scissors, £30, David Austin Roses
Boot room painted in Icicle, £24.50 for 0.94l, Benjamin Moore Original walking stick set with stand, £11,640, Richard Nissen from The Kairos Collective
BEAUTY & UTILITY Often considered a desirable luxury, an ancillary room – be it a boot room, laundry, pantry or flower room – is one of the most useful and hard-working parts of a country home. Rural life makes it essential to have a space to remove muddy wellies, wash paws and stow away leads and walking sticks. A place to manage laundry or keep tools and utensils out of sight, or simply indulge in arranging freshly gathered flowers, is also a boon. Whilst such ancillary spaces are primarily functional, a few smart additions will ensure they are stylish and a joy to use too.
Little straw table broom, £8, Curious Egg
Personalised boot rack in natural European oak, £129.50, The Engraved Oak Company
Chalford Wall Dryer, £110, Garden Trading
Grey and brass mounted hooks, £75, Cox & Cox
Harris Tweed dog lead in Achamore Brown, £84, Holly & Lil at CharleyChau
Natural Suffolk rush oval pet basket, from £190 (small), Nicholas Engert
30 THE ENGLISH HOME
Scullery set, £68, AG Hendy & Co
FEATURE KATY MCLEAN PHOTOGRAPH (BENJAMIN MOORE) © JOHN BESSLER; (KITCHEN CRAFT) © MIKE COOK IMAGING
Plant-based laundry range, from £5.95, Kinn
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NEWS
THE EDIT Elegant roll-top baths, ornate mirrors and hand-embroidered napkins catch the eye of Editor-at-Large Kate Freud this month
ALBION BATH COMPANY Since it was founded in 1996, the Albion Bath Company has been driven by just one thing – its desire to create the finest castiron baths using all the best modern technology. With this in mind, it invented
SOPHIE CONRAN For Sophie Conran – daughter of the late Sir Terence Conran – a love of interiors clearly runs in the genes, despite an early career that saw her do everything from design hats to make pies. Since 2006, when she launched her hugely successful chinaware collection with Portmeirion, Sophie has gone on to design everything from wallpaper to cutlery and in 2013 launched her eponymous website, for which she develops her own exclusive ranges and curates a collection of other brands from suppliers and manufacturers from across the globe. Sophie’s most recent launch sees her teaming up with The Embroidered Napkin company, which is offering an exclusive embroidered monogramming service for her signature Scallop Napkins. Available in green or pink thread, they come in a special hand-embroidered gift bag, making them the perfect present for those who love the personal touch. sophieconran.com 32 THE ENGLISH HOME
Iso-Enamel, a material that is less than half the weight of cast iron and tougher than acrylic. This ingenious product makes it possible to have the cast-iron look without having to reinforce the bathroom floor. It also retains the bath water’s heat for longer, giving the ultimate bathing experience. One of the brand’s bestselling baths, the Aegean (left), is inspired by the fireclay baths of New York in the early 20th century. Manufactured using Albion’s Iso-Enamel in a stonecast process, the bath is finished with an exterior enamel finish and is designed to be used with wall-mounted or standpipe-mounted taps. If an overhead shower is desired, the bath can be teamed with a wall-mounted shower and bath mixer.. Every bath is handmade in Albion Bath Company’s UK factory, and those looking for inspiration can find plenty at its showroom in Essex*. albionbathco.com *Check opening times before travelling.
BEAUMONT & FLETCHER Beaumont & Fletcher, named after the fabulously creative and flamboyant seventeenth-century playwrights Francis Beaumont and John Fletcher, was founded in 1989 by John Crowell, a man whose creative flair lay in designing furniture. He combined traditional craftsmanship with classically-inspired design to create bespoke pieces that would last a lifetime. Whilst the brand is well-known for its traditionally handcrafted upholstered furniture, couture fabrics and cushions, it also produces a range of mirrors, from ornate eighteenth-century styles to more pared-back designs. Brought to life in small Italian workshops, each bespoke mirror comes in a wide range of finishes and sizes. The latest addition is the Fluted mirror (above) – a large-scale piece with intricate rosette carvings. It looks equally imposing hanging on a wall or propped against a wall on the floor. beaumontandfletcher.com n
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COMPETITION
WIN
JOHN SANKEY FURNITURE WORTH £3,000
A £3,000 SPENDING SPREE WITH JOHN SANKEY Refresh your interior with John Sankey – one lucky winner can treat themselves to a hand-crafted piece of furniture
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ith many of us spending more time at home than ever, now is an opportune moment to take advantage of this fabulous competition and update interiors with luxurious John Sankey furniture. Founded in Derbyshire in the1950s, John Sankey has earned a reputation for quality and comfort over the past 70 years. As one of Britain’s leading manufacturers of handmade luxury upholstered furniture, and as a holder of the prestigious Manufacturing Guild Mark, the brand takes tremendous pride in every aspect of the skilled craftsmanship that goes into making each piece. The team at John Sankey draws on historical shapes and reimagines them for contemporary life, crafting beautifully shaped, handmade and timeless pieces. The carefully considered design, fine tailoring and attention to detail result in pieces that will stand the test of time, and
because all are manufactured here in Great Britain, each one plays a part in supporting the heritage and skills of British designers and makers. Legacy is at the heart of John Sankey’s core values, and sustainability and environmental policies play a key role in maintaining this, with the brand endorsing a ‘buy less, buy better’ approach. This is why every John Sankey piece is created for longevity in both design and build quality and endorsed with a Lifetime Guarantee on all frames and springs. John Sankey furniture is custom-made, with each piece conceived in collaboration with the customer. Not only is it beautifully designed, but it can be covered with any number of fabrics and is handmade by some of the sharpest minds in upholstery. A John Sankey piece is for life. ■ To see John Sankey’s full range, visit johnsankey.co.uk
Visit theenglishhome.co.uk/ john-sankey to enter. Competition closes on 7 August 2021 and the winner will be announced on 9 August 2021 at theenglishhome.co.uk/john-sankeycompetition-winner. Terms and conditions apply. Visit chelseamagazines.com/thechelsea-magazine-company-terms-andconditions for full details. The prize value of £3,000 can be spent on a range of John Sankey products or on a single piece, and must be ordered within six months of the competition closing.
The English Home readers can enjoy 20% off all furniture purchases from John Sankey before the 1st September 2021 please quote TEH21 34 THE ENGLISH HOME
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Christina has spent many hours hunting for beautiful pieces of often pink china, old glass bottles, prints, frames and paintings from antique fairs including Sunbury Antiques Market and The Old Cinema on Chiswick High Road.
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Cottage INDUSTRY
Christina Strutt’s charming sixteenth-century cottage in the Somerset countryside is the living embodiment of her lifestyle brand Cabbages & Roses FEATURE HANNAH NEWTON PHOTOGRAPHY CLAIRE WORTHY
‘I collect and hoard treasures and they all eventually find their place’ ABOVE The kitchen is sited where the sitting room used to be. Christina’s collection of vintage pink and floral patterned china can be seen on the dresser. LEFT Christina stands at the front door of the cottage with Jack Russell terrier Wilfrid. For more information on Christina’s designs, visit cabbagesand roses.com
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I
n 1979, a young Vogue journalist drove out of London in her Citroën 2CV to work on a photoshoot with then Vogue art director, Barney Yan. That young journalist was Christina Strutt, who was just 25 years old at the time and was taken by Barney, after the shoot, to meet his friend Mark Strutt, who lived nearby. “That was the first time I met Mark and saw the cottage,” she says. The cottage is a sixteenth-century former mill house, boasting the beautiful soft, honey-coloured hues of the Bath stone it was built from and a gin-clear brook ambling gently past it. Mark, who grew up in the valley where it resides, inherited the cottage from his parents in 1976. Christina and Mark married in 1980 and Christina relocated from London to the rolling hills of Somerset.
The vintage chest of drawers and chair in the hall are teamed with Alderney Charcoal linen curtains and a Tulips & Roses cushion, all from Cabbages & Roses. Most of the lamp bases in the house are inherited and topped with shades from Oka. The rug is rush matting from Chairworks.
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Woodwork painted in Farrow & Ball’s Off White complements the soft pink and red tones of the furnishings in the sitting room. An antique quilt and piles of cushions including several Jolly Stripe Red cushions from Cabbages & Roses cover the sofa.
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‘Whether the brand’s designs are inspired by the cottage or the other way round is hard to decipher, but they certainly blend seamlessly together’ “I remember feeling so happy being in this lush, verdant valley,” Christina explains. “I was always happier in the country than in the city and, although I lived in Regent’s Park and loved my job, I had a secret yearning to be a gardener.” Christina’s yearning came true and in the grounds of her home she tends a productive vegetable plot. Surrounding the oak pavilion, which is used as an al fresco dining room during the summer, are virile bushes of hydrangeas, peonies, roses and foxgloves, all competing for attention. Over the years, the property evolved as Christina and Mark’s family developed. Their children, Kate and Edward, were fortunate enough to grow up in this deeply bucolic landscape, splashing in the brook and climbing the large weeping willow, whose heavy boughs sweep backwards and forwards across the garden.
In the mid-1980s Christina decided she wanted to create a bigger kitchen and dining space that would become the heart of the home. This entailed relocating the small former kitchen from its original humble site in the parlour to what was then the sitting room. Today, it is a warm and welcoming space that is very much at the centre of family life with its original inglenook fireplace, an Aga, a Welsh dresser and shelves filled with mismatched white crockery and antique jugs and bowls. Next door, the parlour is now a cosy sitting room, replete with stacks of coffee table books, landscape paintings – mainly inherited from Mark’s family – and deeply plump sofas laden with vintage cushions and throws. Christina, who is the founder of the British fashion and lifestyle brand Cabbages & Roses, has a magpie nature, spending countless hours scouring antique
ABOVE The former kitchen parlour was transformed into a snug sitting room in the mid 1980s. Sunlight floods the room through a window dressed with curtain fabric from Cabbages & Roses. The walls are adorned with vintage paintings from antique fairs including Shepton Mallett.
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The master bedroom is a quietly elegant and tranquil space with the bed dressed in Cerise Hatley linen from Cabbages & Roses. The ornate mirror above the bed is a family heirloom and the prints and paintings alongside are all from antique shops or inherited.
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fairs such as Ardingly and Kempton Park, adding to her love of vintage. “I collect and hoard treasures and they all eventually find their place,” she says. Cabbages & Roses is a romantically English brand, with wallpapers, fabrics and clothing designed with delicate floral motifs and printed in soft muted, monochrome tones. This classic look is adored the world over; the company has a global following from Tokyo to Texas. It all began in 1999. “My friend Brigette Buchanan (of swingseat company Odd Ltd) and I fell in love with an old quilt which I think belonged to her great aunt,” Christina explains. “The faded fabric was so beautiful that we had to recreate it in a way that replicated its age and worn beauty. This was ‘Bees’, our first fabric, ABOVE The feeling of serenity continues into the en-suite bathroom, which features Cabbages & Roses wallpaper in Catherine Rose. RIGHT A quirky archway leads off the master bedroom into Christina’s dressing room. The bed valance was found at an antique market and the curtains are in Cabbages & Roses’ Alderney Raspberry.
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ABOVE The oak pavilion enables Christina and her family and friends to spend long summer days and evenings surrounded by the gardens that gave birth to so many of the designs for Cabbages & Roses. The antique garden chairs are a legacy from previous generations of Strutts. “The pavilion provides a cosy space and allows us to be outside whatever the weather,” Christina says.
which then became skirts, dresses, curtains, cushions, quilts, basket liners – an endless parade of things all made in the same fabric – we were in heaven.” The business is still going strong 22 years later, with daughter Kate now working alongside Christina, and the recent opening of a new shop in Bruton, Somerset. Whether the brand’s designs are inspired by the cottage and the valley it nestles in, or the other way around, is hard to decipher, but one thing is for certain, they blend seamlessly together. “Cabbages & Roses is inseparable from my life and is all encompassing,” Christina says. Indeed, nowhere can the ultimate expression of the brand’s style be found than inside her house. Stairs from the kitchen lead directly up to the master bedroom, which is decorated with Cabbages & Roses fabrics and furnishings, and painted in Farrow & Ball Strong White. The stone of the walls and the uneven feel of this old building perfectly suits the soft
raspberry and delicate cream linen tones of the fabrics and Christina and Mark’s collections of antique paintings and books. “I have a deep love of pink, china, and old prints,” she says. “The softness of the stone of the buildings is the perfect starting point for considering colours, but I don’t believe in deciding on a ‘look’ and going out to find it; I get drawn to one thing and the room grows organically around it.” Family is central to the couple’s life, and the annexe, which was once a pigsty, was renovated by Mark in the 1990s and today their son Edward, his wife Sophie, and their three children live there. Living Life Beautifully, one of Christina’s books on interiors, reflects her home, family, work, lifestyle and ethos. “I have always firmly believed that homes need to be filled with more than just lovely things,” she says. “To be really beautiful they must be lived in, with the ‘things’ complementing the human stories that run through them.” n
ABOVE The swimming pool, not far from the house, is the perfect place to while away the hours on a sunny summer’s day. FAR LEFT The front door of the cottage opens out directly into the garden. “I fell in love with the garden the moment I laid eyes on it,” says Christina.
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Opulent curtains, in silk from James Hare with bespoke fringing and tassels, beautifully frame the drawing room’s full-length windows. Soft florals and antique furniture create a mood that is calming and elegantly inviting. Hollyhocks fabric by Lee Jofa covers the small sofa.
Timeless ALLURE
Interior designer, Virginia Howard has created timeless, classic schemes for her family home, a glorious Georgian property in the heart of the Suffolk countryside FEATURE CHRISTINE STOVELL STYLING BENEDICT FOLEY PHOTOGRAPHY BOZ GAGOVSKI
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‘My role was to interpret my parent’s wishes and create the traditional but relaxed family home they wanted’ ABOVE An uplifting yellow on the walls in the entrance hall is teamed with warm accents of red, terracotta and gold. ABOVE RIGHT The substantial Georgian wing of the property, an extension to the original seventeenthcentury farmhouse, is distinguished by a hexagonal Victorian conservatory. The house is surrounded by mature gardens and parkland.
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ith a distinguished career spanning some 30 years, interior designer Virginia Howard has a versatile portfolio of design styles to her name, and is rightly acclaimed for her sophisticated, elegant designs and signature attention to architectural detail. “The great touchstone of decorative style, for me,” she explains, “is the master of space and light, Sir John Soane. In my early career, I worked with the late architectural historian Professor David Watkin, who was an authority on Soane and inspired my lifelong passion for Soanean elements as well as being professor emeritus of Cambridge University’s History of Art and Architecture department.” Back in 1995, after many happy years living in the family home in Kent, Virginia’s parents took the difficult decision to move to a more manageable property. Their search, which had begun within a
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60-mile radius of London, took an unexpected direction when it led them to East Anglia. “It’s an area many associate with traditional timber-framed houses, but, in fact, there are a good number of Regency houses and this one came up quite quickly,” Virginia says. With her eye for elegant design and proportion, Virginia could immediately see the potential in the Grade II listed Georgian property set in a quintessentially English landscape of formal gardens and parkland. “Fundamentally, the rooms were beautifully proportioned and absolutely as they should be. I loved it, but the prospective buyers were my parents,” she say. “Fortunately they could see plenty of scope for recreating the style and feel of our previous family home, but on a smaller scale, and as a knowledgeable gardener and plantsman, my father was drawn by the beautiful grounds.”
ABOVE RIGHT An antique marquetry commode and the gentle flourish of florals create flow between the drawing room and the conservatory. LEFT Staffordshire figurines make a characterful collection on the dresser in the breakfast area. The Roman blind is in a Braquenié fabric from Pierre Frey. RIGHT A mature camellia tree, planted soon after the conservatory was added in Victorian times, is a feature of this sociable space. The table and chairs are by Virginia Howard.
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The architectural credentials are exemplified by the sweeping, curved staircase with its elegant, sinuous bannister ABOVE LEFT The traditional dining room is arranged for the elegant proportions of the room. Family heirlooms, paintings and portraits create a sense of continuity and add to the history of the house. ABOVE RIGHT The fine architectural detail of the house, such as the elegant, curved staircase, were an inspiration to Virginia throughout.
Virginia, whose interior design commissions include work on eighteenth-century Southill Park in Bedfordshire, is known for bringing tired country houses to life and could see her parents’ new home was in need of her skills. “The interiors were full of Regency drab; heavy and dark with open fires and minimal heating, but really that was all that was wrong,” she recalls. “There had been no changes to the layout, no modern ‘improvements’, so the renovations I made – such as new heating and updated bathrooms – were slight, and carried out with the greatest respect to the integrity of the house. The radiators, for example, are cast-iron reproductions and are largely concealed.” Virginia’s reputation for the flexible and skillful interpretation of her clients’ wishes has been built on her simple guiding philosophy, ‘listen carefully first’, a principle that she was particularly mindful of in her dual role as designer and daughter when it came to
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decorating this graceful property. “My role was to interpret my parents’ wishes and create the traditional but relaxed country home they wanted, incorporating the paler colours and floral fabrics my mother preferred,” she says. The six-bedroom house comprises a substantial Georgian extension to what was originally a seventeenth-century farmhouse. The property was divided up in the 1950s, but escaped heavy-handed modernization and retains its graceful proportions and original features. Stepping into the spacious entrance hall, the property’s architectural credentials, which so attracted Virginia, are exemplified by the sweeping, curved staircase with its elegant, sinuous banister giving it a cantilevered appearance. “It’s supported by cleverly concealed buttresses,” Virginia explains. “I so appreciate the sharpness of this staircase’s architectural detail; it’s a pleasure to live with. Small flourishes such as these are the foundation of any decorating scheme.”
Dark wood is teamed with a bold red bespoke wall colour in the side hall and cloakroom. The portrait is of Virginia’s brother, Guy, an army officer in The Blues & Royals who with his wife, went on to purchase and develop Giffords Hall Vineyard.
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ABOVE The picturesque setting of the nineteenthcentury school house, overlooking the village church, was irresistible. The garden was originally designed and planted by Penelope Hobhouse for previous owners. “We were so lucky. Neither Andrew nor I had had a garden before, so we were delighted to find ourselves with a ready-made, very lovely garden,” says Joa.
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ABOVE Delicate, feminine, embracing the colours and prints loved by Virginia’s mother, the quintessentially English master bedroom connects with the garden and wider pastoral views. The curtains and bed are in Jean Monro’s Amelia fabric. LEFT Virginia has created distinct zones in this elegant guest room. Fuchsia fabric by Colefax and Fowler in Blue Chintz, a timeless and popular classic, harmoniously links the space. RIGHT The light and colours filtering in from the garden are picked up in a pretty chair beside a traditional dressing table dressed in antique lace.
Traditional colour and ageless patterns create a relaxed ambience throughout The side hall features walk-in storage and a cloakroom which Virginia describes as having been great fun to do. “The colour is bespoke, as it is for all the paintfinished rooms,” she notes. On the opposite side of the hall, doors open onto the dining and drawing rooms, both of which have 12-foot-high ceilings. The full-height shuttered sash windows have been dressed with classic treatments to suit their proportions, respect the period of the property and frame the spectacular views across the gardens and the parkland beyond. “The drawing room is always delightfully relaxing, whatever the season,” Virginia says. “‘Grown-up’ decorating stands the test of time. It is 25 years since the rooms were decorated.” Upstairs, four principal bedrooms lead off a spacious central landing with a beautiful glass cupola flooding it with light and a staircase to the second floor attic bedrooms. The light-suffused master suite, in the gentle colours chosen by Virginia’s mother, takes its cue from the gardens, with curtains in a classic floral fabric by Jean Monro. A blend of traditional colour,
ageless patterns and a harmonious mix of furniture creates a relaxed ambience throughout. There is also a strong sense of blurring the boundaries between inside and outside which so epitomizes the spirit of the English country home. Nowhere, perhaps, encapsulates this spirit more keenly than one special feature which made the house irresistible to Virginia and her parents: double doors off the drawing room lead to a spectacular hexagonal Victorian conservatory with a magnificent mature camellia as its centre piece. “Camellias were brought to the UK in the eighteenth century, but were relatively unknown,” Virginia explains. “As new varieties arrived, they became very fashionable. However, as the early species were always grown under glass, they were prestige plants. This wonderful specimen was probably planted in the late nineteenth century and has never been healthier. The conservatory is a lovely sociable space at any time of year, but for the three months from December to March when the camellia is in bloom, it really is spectacular.” n
ABOVE LEFT & RIGHT Wallpaper and curtains in Gollut Monochrome Russet, a classic design by George Smith, contribute to a delightfully nostalgic mood in this cocooning, restful bedroom, where thoughtfully placed family pieces create a relaxed and deeply personal feel.
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The property started life as a tiny 1930s coach house for the nearby manor and was seamlessly extended on both sides by previous owner, architect Robert Hardwick, transforming it into a spacious family home.
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COUNTRY ESCAPE Relocating from London, Jessica and Ben Miller were drawn to a characterful Arts and Crafts house in the heart of the Gloucestershire countryside FEATURE & STYLING CLAIR WAYMAN
PHOTOGRAPHY KIRSTY JONES
Reclaimed Cotswold stone slabs were sourced by the previous owner, architect Robert Hardwick, to perfectly blend with the original stone floor in the adjoining dining area. The bespoke kitchen is by Paul Deakin, with cabinets painted in Farrow & Ball’s Inchyra Blue to tie in with the Fired Earth tiles on the wall. Brass taps from Perrin & Rowe and antique copper pans bring a warm glow to the kitchen.
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rompted by a desire to give their young son Harrison a wholesome country upbringing, film producer and designer Jessica Miller and her actor husband, Ben, decided to take the leap and leave London in 2014. The couple initially enlisted the help of a buying agent to find a property in Oxfordshire, where friends had relocated, but none of the houses felt right. Then, by chance, flicking through the pages of a magazine, Jessica’s mother spotted a beautiful Arts and Crafts house in Gloucestershire that had just come on the market. “When we first viewed the house, I remember being struck by the wonderful sense of flow,” Jessica says. “It immediately felt like this was our house and, in my head, I’d already moved in. I had an instant connection. It was definitely love at first sight.” The couple did not know the area but could see it was a beautiful spot and were ready for a new adventure. “We didn’t look at schools. We didn’t do any of the things that people are meant to do before deciding to buy a house but none of that mattered.” laughs Jessica. ABOVE Jessica recently launched Mish Mish Marrakech, an ethical and sustainable clothing, jewellery and homeware brand, mish-mish-marrakech.com, that celebrates Amazigh culture and craftmanship.
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ABOVE The rich vintage tones in Linwood’s Tally Ho fabric, used for the curtains, was the starting point for the scheme in the library. LEFT For a sense of continuity both the hall panelling and the library walls beyond have been painted in Oval Room Blue by Farrow & Ball. The wide floorboards are made from reclaimed oak.
“I remember being struck by the wonderful sense of flow. It immediately felt like this was our house”
LEFT In the library, a mustard yellow sofa from Sweetpea & Willow is juxtaposed with bookcases by furniture maker Paul Deakin in Farrow & Ball’s Hague Blue. A secret door (far right in the image) in the bookcases includes hand-painted faux books by Original Book Works. The Spanish handmade vase on the mantelpiece is from The Oscar Collective.
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The house is hidden from view and emerges at the end of a woodland track. This side of the property is shady and mysterious, but walking round to the back, a sun-drenched, secret garden appears, with colourful herbaceous borders and sweeping lawns. “It feels incredibly private – we’re so tucked away,” Jessica says. “I love the combination of feeling like we’re in the middle of this magical, private world, but then it’s a short drive to some great towns.” Dating back to 1932, the original part of the house was designed by the celebrated Arts and Crafts architect Norman Jewson. In recent years, the house was owned by architect Robert Hardwick, who seamlessly enlarged the property from a two-bedroom cottage into a substantial five-bedroom family home. Hardwick, who specialises in the restoration and
building of traditional Cotswold stone houses, took inspiration from what was there and reimagined it as a bigger property using mainly reclaimed materials. As well as Hardwick’s extraordinary attention to detail, Jessica and Ben were drawn to the layout of the house, which is perfect for entertaining and very child friendly. “It’s an unusually long house, with a beautiful flow and openness,” says Jessica. “There are three sections: the central part of the house comprises the master bedroom, two smaller bedrooms, and the sitting and dining rooms. Separate stairs lead to two guest wings on either side – one above the library and the other above the kitchen. We love having these separate areas and being able to have friends and family to stay without feeling like we’re on top of one another.”
ABOVE The dining room is in the original central part of the house. A reclaimed oak table from The Real Wood Furniture Company is paired with ladderback chairs from Ardingly Antique Fair. The French factory window mirror is from Battersea Decorative Antiques & Textiles Fair.
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An elegant antique brass coffee table from Lorfords and a Frond lamp with glass droplets from The Oscar Collective bring a glamorous, Hollywood Regency feel to the sitting room. An Andrew Martin sofa is teamed with a George Smith sofa in Old Rose mohair velvet. The cushions with metal discs are made from Moroccan Handira wedding blankets. THE ENGLISH HOME 61
‘The schemes are a marriage of different periods in design. I never want the rooms to feel busy, but I don’t want to stick to one look either’ ABOVE Setting Plaster for the walls and Sulking Room Pink on woodwork, both by Farrow & Ball, have been combined for a subtle effect in this guest bedroom. Pooky lamps sit on top of antique side tables from Lorfords. The Winter rug is by Willow Crossley at Amy Kent and the rattan and oak Versailles bed is from Feather & Black.
Jessica was eager to bring her personality to the interiors but a month after moving in, she discovered she was pregnant with daughter, Lana. “It wasn’t the right time to embark on a project, but I was able to form a bond with the house. I could see the rooms in different lights and at different times of the year, then figure out what I wanted to do,” she says. “I think it would have been quite different if we’d started decorating straight away. “It was a journey for me, and I came to realise that I wanted this house to be much more colourful than my previous London property,” Jessica continues. “I felt very inspired by the countryside around me and the colours in the garden, so my aim was to bring the outside in. I think the extra time living in the space gave me the confidence to be bolder. Also spending time at our second home in Morocco in
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recent years has opened my eyes to how colour can transform a room.” An infusion of warm, inviting hues permeates the house, bright dashes of contrasting colour mingle with subtler, tonal combinations, to create interesting spaces. “I’ve always loved green, pink and blue, in all sorts of different shades. They’re such soothing, happy colours so I carried them through the house,” says Jessica, who has used colour to create a comfortable environment. A favourite technique of hers is to paint walls and ceilings in the same colour for a unified effect. “I love this idea,” she says. “Both the library and blue guest bedroom are now cosy, cocoon-like spaces. It feels like you’re enveloped by the atmosphere of the room.” Each room in the house has a different personality with a mix of complementary styles. “The schemes are
Wall lights from Jim Lawrence and an antique mirror bring an art deco feel to this bathroom. The underwater themed Secret Garden wallpaper is by Cole & Son and the Victoria console basin is from Heritage Bathrooms.
a marriage of different periods in design,” Jessica explains. “I never want the rooms to feel busy, but I don’t want to stick to one look either.” Bespoke bookcases and cabinetry, handmade by talented local furniture maker Paul Deakin blend effortlessly with existing features. The library, once the pared-back architectural studio of previous owner Robert Hardwick, now feels like a tongue-in-cheek, feminine version of a gentleman’s smoking room, with mustard yellow chesterfield sofas, panelled walls, and whimsical vintage pieces. A secret door within the bookcase, lined with faux books, leads up to the pink guest suite. Jessica doesn’t follow rules when decorating, but often builds a room around one favourite piece. An intricately patterned rug was the starting point for the sitting room. “The washed out pink and electric blue in the rug inspired me to combine a decadent Hollywood Regency look with a traditional, laid-back, romantic English feel. I think the result is grown up, relaxed and elegant,” she says.
Decorative hand-made tiles that evoke a subtle Moroccan feel were the starting point for the kitchen design. The same mid-blue in the tiles was used on the cabinetry to create a sophisticated tonal palette. Jessica worked with furniture maker Paul Deakin to design a Shaker-style kitchen with lots of storage. An unusual island made up of what appear to be vintage cabinets, was in fact made from scratch by Deakin. “I wanted the island to serve on a practical level, but also to look like a piece of furniture that was reclaimed from an apothecary shop or haberdashery,” she explains. There is no doubt that country life suits the whole family. Having drawn inspiration from her surroundings to enhance the quirky nature of the house, Jessica’s own eclectic and whimsical decorating style has flourished. It is clear to see the children are thriving, too. “Our children are real country kids,” Jessica says. “They love playing in the woods, making camps and looking for signs of wildlife. Being in this environment fuels their imagination and gives them a real sense of adventure, which is all I could wish for.” n
TOP RIGHT The arched doors in the pink guest bedroom draw the eye up to the beamed ceiling. The Speckled multicoloured glass lamp base by Emsie Sharp is from Vigour and Skills. ABOVE Farrow & Ball’s Oval Room Blue creates a cocooning effect in this guest bedroom. Adding a contrasting splash of pink, the antique chair from Sappho is covered in Ziggy fabric from Parker & Jules. The vintage chest is from the Corn Hall, Cirencester.
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The console tables flanking the fireplace in the sitting room were made by Archie Kennedy of AK Designs and the green lampbases are by Penny Morrison. A modern suzani covers the ottoman, whilst the armchair in the foreground is covered in The Boat design by Hare’s Tail Printing.
Prints CHARMING
A faded manor house in Shropshire has been brought back to life by owner Speronella Marsh, who has filled the interiors with her own striking, hand-printed fabric designs FEATURE SERENA FOKSCHANER PHOTOGRAPHY RACHAEL SMITH
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ABOVE The dining area in the kitchen where a set of chairs have been covered in fabric by Hare’s Tail Printing, Speronella’s fabric company. LEFT Speronella block-printed a design onto antique French sheets to create the curtains in the drawing room. To see more of Speronella’s designs, visit harestail.co.uk
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W
hen Speronella Marsh embarked on the restoration of her husband Ben’s family home, a red-brick Shropshire manor embraced by low, forested hills, there was, she sighs, “a great deal to do.” Pipes clanked in the night. Floorboards sagged. The garden was so overgrown that a branch had punched, like a gnarled hand, into a bathroom. There was also the pressing question of curtains. “One of the first things I did was to count the windows,” says Speronella. The total? Ninety four, and all in need of new curtains to replace the sun-scorched chintzes and silks installed by Ben’s grandparents in the 1950s. Expensive fabrics would have skewered the renovation budget, so Speronella decided to make her own. “For years I’d been hoarding antique French
No two rooms are alike. One is powder blue, another luminous yellow. Toiles collide with stripes in a potpourri of old and new sheets I’d found in markets. I realised they’d make ideal curtain material. The texture of the linen,” she explains, “lends itself to block printing, which I mastered by enrolling on a workshop at the Chelsea Physic Garden.” The dining table became Speronella’s work bench, strewn with sketchpads and brushes, and as her prints emerged, friends took note of the painterly designs in clear, fresh colours. Orders trickled in and a business, Hare’s Tail Printing, was born. “Necessity is a good thing because it forces you to be creative,” she says.
This is an observation that applies to other areas of this home. Jolly, junk-shop oil paintings jostle for space in corridors where the restored parquet floors glow in the summer sunshine. In her previous career, Speronella worked for leading garden designer Tom Stuart-Smith and has an instinct for colour and form. No two rooms are alike. One is powder blue, another luminous yellow. Toiles collide with stripes in a joyful potpourri of old and new. “There’s always one thing – a rug, a painting – which inspires me, and then everything falls into
ABOVE Speronella worked with local building firm Thackway & Cadwallader to design the kitchen, including the striking dresser. Reclaimed lights and blinds made from tablecloths complete the look.
THE ENGLISH HOME 67
A once shut-up bedroom has been revived with Speronella’s collection of antique fabrics, hoarded over the years, and prints found at Battersea Antiques Fair in London. The top bedcover fabric is hand-printed in The Zigzag design by Hare’s Tail Printing.
68 THE ENGLISH HOME
place,” she says. Not the agonised-over mood board for this resourceful Italian. The look here is artistic and expressive. “Handsome, not beautiful” is how Speronella describes the property which Ben, an entrepreneur, inherited in 2013. Dating from 1840, the house was bought in 1950 by Ben’s grandfather, managing director of Marsh & Baxter, a Midlands firm oncefamed for its sausages and pork pies. Ben’s father, who moved here in the mid 1990s, spent his latter years here alone. The two-storey house has 27 rooms, “so, sensibly, he lived the life of an English country gentleman in three rooms,” Speronella explains. During this period, the house slid into a state of benign neglect. “Our task was to make it a lively family home again,” says Speronella. For the couple, who have four children between them from previous marriages, it was important that that the house had a relaxed, communal living space. With input from an architect, they began by tackling the warren of staff quarters on the ground floor, removing walls to create a bright open-plan kitchen, dining and sitting area where rangy sofas flank the fireplace. The catalyst for the kitchen design was nearby Ironbridge, crucible of the Industrial Revolution. “I wanted this space to have a utilitarian, factorylike feel,” says Speronella, who worked with local builders, Thackway & Cadwallader, to design it.
‘There’s always one thing which inspires me, and then everything falls into place’ ABOVE The rear of the house has views of a large expanse of lawn framed by wavy yew hedges. RIGHT Speronella has turned a former bedroom into a bathroom, choosing the vivid Citron by Farrow & Ball to bring light to the dark room. She has covered a once-tatty chair using a bedspread she had amongst her stash of fabrics.
THE ENGLISH HOME 69
In the main bedroom, the four-poster bed was a present from Ben to Speronella, who has added an antique pelmet, printed on the reverse with her own design, to adorn it. The bedcover is handprinted in The Boat design by Hare’s Tail Printing.
70 THE ENGLISH HOME
‘Heirlooms have been revived too: one armchair has been re-clad in a bedspread. Spend on important things, cheat on the rest’ Upon entering the kitchen, the eye is immediately drawn to floor-to-ceiling tomato-red dresser, which Speronella says “was a feat of engineering” with its tall glazed metal doors, perfect for displaying Speronella’s collection of china and glassware. Elsewhere in the house, thrift prevails. A set of “boring” dining chairs was reinvented with Hare’s Tail Printing covers, and the bar stools are a street stall steal. “Much to my daughter’s embarrassment, I bargained the price down,” says Speronella. Tailed by Iris the Sealyham terrier, Speronella heads upstairs. In Ben’s childhood there were 12 bedrooms, two bathrooms “and lots of kettles bubbling on the Aga,” she says. That typically English imbalance has been redressed and there are now six bathrooms, each with its own character. One is painted a vivid yellow gloss: “It was a dark room, now it glows,” Speronella says. Heirlooms have been revived too: one armchair has been re-clad in a bedspread. “It’s a lesson I’ve tried to teach my children. Spend on important
things, cheat on the rest. ‘Junk shop’ crops up lots in my conversation.” Which brings us back to the subject of those antique fabrics, stashed in drawers for years, now reborn as headboards and valances. Her ‘local’ heroes, Ludlow Curtains, whipped up blinds from tablecloths and made curtains from blankets bought at The Cloth Shop in London. Inevitably, the house has become a laboratory for Speronella’s own designs, which are all named after close friends. Nowadays, she works from a converted outhouse in the garden, where freshly printed fabrics are pegged up to dry on long washing lines. Hare’s Tail Printing is thriving. As well as producing place mats for William Yeoward, Speronella also works for interior designers who use her fabrics for everything from blinds to upholstery, but she is happy that this is still a highly ‘personal’ business. “People can visit to discuss ideas and colours with me,” she says. “That’s the wonderful thing about doing things yourself. You can have whatever you want.” n
ABOVE LEFT Next to the master bedroom, a new bathroom has been created with a bath tucked into the recess of the bay window. The wall lights came from an old cinema, the wallpaper is by Molly Mahon and the rug is from The Cloth Shop. ABOVE RIGHT Prints found at The Decorative Antiques & Textiles Fair in Battersea parade across the guest bedroom where the headboard is covered in an antique suzani.
THE ENGLISH HOME 71
Hope House, High Street Moreton-in-Marsh GL56 0LH
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STYLE INSPIRATION Our special section dedicated to interior design and decorating begins here
NOSTALGIC CHARM
FEATURE KATY MCLEAN
Inspired by romantic notions of Victorian picnics and secret gardens, combined with a nod to chinoiserie, Julia Brendel’s Victorian Tale collection encapsulates a softly contemporary take on classic country style. The delicate depiction of birds perched on blossom-filled branches creates a design that can be given extra charm with the addition of ruffle and pom-pom trims or take a sleeker guise in a graphic black print. Perfect for setting the scene for a country picnic. Victorian Tale fabrics, £65 a metre, Julia Brendel
THE ENGLISH HOME 73
43 DOS AND DON’TS OF
COUNTRY INTERIORS Interior designers share their rules for creating a perfect country home that is practical, welcoming and beautifully considered
1 DO
remember the natural light. The light
JUSTIN VAN BREDA
Interior and bespoke furniture designer
3 DON’T
in the English countryside changes throughout the year, and there is often a pronounced difference, not just in the level, but in the tone of the light indoors, from winter to summer, as the inside surfaces reflect the amount of greenery that surrounds the house. When picking wall colours or fabrics consider that changing light; what feels cosy in winter
be too old-fashioned when it comes to kitchens and bathrooms. The idea of recreating the
idylls of Regency country life is enticing but, in practice, nothing beats good plumbing. Kitchens and bathrooms are a relatively modern invention and their style should reflect that. Quarter-turn
74 THE ENGLISH HOME
and cool in summer? Some colours can seem soft in summer but move to the acidic in winter, so avoid bleached white or primary yellow bases in soft furnishings; a hint of natural white, pale tobacco or pale creamy yellow will work well across the year. And, if you can be bothered, you can always rotate your soft furnishings in spring and autumn – it’s always exciting to add or remove details with each changing season.
2 DO
keep it crooked.
Country homes are never straight – provincial architecture is deliciously hodgepodge and in most homes, even regimented Georgian properties, you couldn’t drop a plumb line. Embrace that crooked, imprecise nature and work with it, using rounded, softer shapes. Steer away from hard, clean lines and angles and embrace details like Victorian millwork joinery and gentle curves in furniture.
ceramic taps are a brilliant option and you can crank them on energetically. Ample quantities of immediate hot water is one of the most luxurious things in life. Modern well-appointed kitchens are better than those that stay true to the traditional features but mean you have to walk a thousand steps to make a cup of coffee.
DECORATING
ROSANNA BOSSOM
Interior designer
4
DO alter pieces of old furniture to make them work with today’s requirements. Check they are
not of value first, but many pieces can be given a new lease of life. We recently created a drinks cabinet from a Georgian bookcase, fitting in a wine fridge, lighting and an antique mirror to the backs of the shelves.
5
DON’T be too precious. Although
practicality plays a big part in our design process, we also love using timber floors in kitchens and the occasional bathroom carpet. The first scratch or stain hurts, but over time the marks add character.
6
DON’T be afraid of colour. We love a bright
boot room. Colour can help distract from all the mud, and makes a great statement. In a recent boot room project (below) we used Farrow & Ball’s India Yellow to warm up what was a rather dark, small space.
JOANNA WOOD
International interior designer
7DO
keep it natural. Stick to
natural textures everywhere in the house. Silk, wool, cotton and linen are all incredibly versatile (and work really well alongside each other) meaning you
don’t need to incorporate anything that doesn’t feel ‘at home’ in the setting. Keeping materials natural also applies to furniture, whether that’s existing pieces upcycled for a new space, or a well-loved antique.
8 DO
make use of rugs. Install (or
keep) hardwood flooring and layer rugs on top. Fitted carpet doesn’t fit the narrative of a classic country house. By avoiding anything synthetic, you’ll stay within the traditional style. Hardwood flooring
is also much more practical for rural living; an animal on the loose is far worse on fitted carpet than it is on a rug.
9 DO
consider the history. Architecture
and architectural features are what make country houses so special and give them their charm. The country style exaggerates those features so that the house retains its own character and its history. It does mean that you have to be especially careful when you’re planning your space. It’s so important to get scale right.
10 DON’T
be afraid to add art. Nothing makes a home more personal than art. Go for a real mix of mediums – drawings, oil paintings and prints, all displayed together alongside family photos. Mixing things together to suit you. Something slightly eclectic gives a room a real sense of character and an art wall is a great place to experiment.
11 DON’T
go contemporary with lighting. Be very careful of contemporary lighting. Country homes have wall, floor and picture lighting. Candles and fireplaces should feature heavily. The home should have warmth (both literally and figuratively) and anything like LED lighting will strip a space of both. THE ENGLISH HOME 75
LUKE EDWARD HALL
Artist & interior designer
12 DO
embrace a confident colour palette. I think there is this idea
that we need to rest and recharge in the countryside, which can be true (and certainly is for me a lot of the time), and in order to do this we need to be surrounded by white and beige. This feels reductive to me. The colours we have on the walls and in furnishings at home in the Cotswolds bring about different feelings: they energise, and make spaces feel joyful, warm and inviting.
13 DON’T
ignore a country cliche. When
we first moved to the country, I wanted it all: china dogs, chintz curtains, fringes on armchairs. All of the things that might have made less sense in our London flat. I always love the idea of embracing a cliche. It’s what you do with these items that really counts: pair old-fashioned china with brightly coloured walls, a chintz fabric sofa with a contemporary side table. The tension between objects is what makes an interior exciting.
76 THE ENGLISH HOME
DECORATING
member of the family and guests – and somewhere to sit and pull boots on and off. This is an area where practicality is premium and wipeable surfaces and floors are imperative.
15DO
have a pantry or back kitchen off the main kitchen.
PIPPA PATON
Interior designer
14 DO
focus on creating usable boot and utility spaces.
Ideally you should be able to access them directly from outside. We find that a large, deep sink for washing muddy boots, arranging flowers and washing dogs (or have a separate dog shower), along with lots of space for hanging coats, including wet ones (a drying cupboard if space allows), cubby holes for everyone’s boots and shoes – allocated spaces for each
As rural life inevitably means the nearest shop is a car journey away, it is important to be able to store sufficient provisions to avoid the need to be popping out every five minutes. A larder or pantry is the ideal way to do this as everything can be easily seen and, on the whole, a pantry is more cost-efficient than kitchen joinery. If there is sufficient space, we have found, as entertaining becomes more relaxed and dining rooms less prevalent, that a back kitchen is extremely valuable, as it allows the detritus of dining to be hidden from view
and dealt with at leisure. Country kitchens are busy places and need to cater for many different events, from a family supper to a shoot lunch. Ensuring there is a place for everything and everything has a place is crucial.
16DO
have practical flooring.
Floors should be easy to care for and clean and shouldn’t show up muddy footprints and paw prints. Ideally flagstones, large porcelain tiles or rustic graded timber, but don’t be afraid to use contemporary materials such as polished concrete or resin.
17DO
embrace the elements of the countryside. Natural fabrics
such as wool, linen, leather and sisal, all create a tactile connection to the land around us. A neutral palette allows you to embrace and layer the colours of the countryside.
18 DON’T
skimp on lighting. In terms of quality, amount and, in certain areas where needed, lighting control. Often, historic country homes have small windows and hence dark rooms. Make sure you have layers of lighting which can be adjusted to suit the mood – task, ambient and decorative. Control will allow you to easily achieve pre-set ‘scenes’ of lighting for different occasions and tasks. THE ENGLISH HOME 77
PAOLO MOSCHINO Co-owner with partner Philip Vergeylen of
Paolo Moschino for Nicholas Haslam
19DO
consider the garden as part of the house. A country home
should hug you from the moment you walk through the gates, the gardens should be part of the package. Don’t use too many colours in the gardens and think about winter when most of the plants lose their leaves. I like to use evergreens like buxus, shape them like big clouds so the views from the house are beautiful all year round. Scented plants, like jasmines, are nice near the front doors.
20DO
make it special for guests. A tray with water and chocolates or biscuits next to the bed in guest rooms is a must, together with a good book. Don’t use plastic bottles but pretty glass jugs. You can pick them up at any country or antique fair
21DON’T
use overhead lights in a dining room. Soft
lighting like table lamps or lots of candles is much nicer – and makes you look younger!
22 DON’T
ever use scented flowers on a dining table. They
take away from the delicious smell of your dinner. 78 THE ENGLISH HOME
23DON’T
follow the fashion of the year with colours or furniture. Try to keep
to classics for the bones of the house. You can, of course, add a few accessories, such as cushions or interesting objects, which are easily changeable.
24DON’T
use bold colours for the main reception area.
You can be a bit more adventurous for guest bedrooms. Guests like to have a surprise and they only stay for a short time.
DECORATING
EMMA SIMS-HILDITCH
Founder and creative director of Sims Hilditch
25DO
consider including a dog shower in your boot room. Country living usually
comes with a certain element of mud, particularly when it comes to pets. Protect your home interior by installing a dog shower in your boot room, or even outside. We recommend using a minimally porous Dijon tumbled stone on the floor and walls of a dog
27DON’T
be taken in by trends. The essence of English country style is timeless and elegant, which means that it never goes out of vogue. The addition of multiple trends to a country home interior can disrupt its innate beauty, taking it away from its country roots. Select natural materials and retain as much of the property’s original fabric as possible.
shower as it is easy to clean and beautiful to look at. To ensure continuity and flow you might consider laying this stone in various locations throughout the rest of the house as it is perfect for creating a country aesthetic.
26DO
consider the durability of your fabrics. For those adopting a country lifestyle
which might cause wear and tear to your home, it is a good idea to select durable fabrics, particularly if you have pets and/or children. For upholstery, we recommend choosing fabrics with a Martindale rub count of more than 18,000. This should ensure the longevity of your furniture for years to come, avoiding the expense of constant replacements.
28 DON’T
buy all new furniture. Country style is brimming with character, so incorporate a mix of old and new furniture into your home. Antique furniture sourced from a market or dealer is a great addition to a bedroom or sitting room, and creates a pleasing contrast when paired with the sharp lines of a mirror or more contemporary light fixture. THE ENGLISH HOME 79
HENRIETTE VON STOCKHAUSEN
Interior designer, founder of VSP Interiors
29DO
try to incorporate antique furniture and fabrics, lots of rugs and tapestries. The latter have a story to tell and lend a sense of settled comfort. They can be used in all sorts of ways, like upholstery or headboards etc, and can be found at numerous
32DON’T
different auctions. Not only is buying ‘old’ good for the environment in terms of the item being recycled, but also the craftsmanship will be incredible, each one being made to a very high standard.
30DO
try and let the house speak
forget to include a four-poster bed in as many bedrooms as possible. Nothing
beats the comfort and cosiness that these provide, and it’s such a treat for guests to arrive at a country house for the weekend and to be shown their fabulous four-poster bed.
80 THE ENGLISH HOME
by honouring the architecture and the historical details. Let
details like architraves and cornicing shine through by avoiding adding things that will detract or fight with them. Where necessary, look to have period features carefully restored by a professional.
33DON’T
31DO
support local artisans and makers. Local craftsmanship helps imbue character and often has a deeper connection to the location of the property, too. It is also important to support and protect those special, heritage skills that are at risk of dying out.
forget lighting as this is a huge part of a room feeling comfortable. Consider
having at least three light sources and always put them on a dimmer so they can be adjusted. Ask for the help of a lighting expert (such as John Cullen).
DECORATING
SUSAN DELISS
Textile designer and interior decorator
38DO
indulge in comforts. Life generally
‘feeling’ all in one go from a single shop and still keep the authenticity, so don’t be in a rush to complete everything instantly, but take time to savour and enjoy the decorating process.
PAULA SUTTON
Stylist and writer, Hill House Vintage
34DO
take your time. The beauty
of country style is that it’s meant to feel relaxed and gathered or collected over time, mixing new with antique and vintage pieces. An evolved and well-loved home is eclectic and interesting and is an expression of the home owner’s life and personality. It’s impossible to buy that
35
DO display
collections proudly. But do not
mistake collections for ‘clutter’. Collections can be chic and beautiful when displayed well. A collection can be curated from anything. Whether it’s a collection of framed prints, a collection of white stoneware, or blue-and-white ceramics hung together on a wall, displays can bring together an awkward space or area that otherwise feels too empty. I have collections throughout my home – from vintage copper jelly moulds in the kitchen, to a floral gallery wall along a staircase.
Collections can elevate the most simple items to create a collection that has more of a visual impact than the individual piece.
36DO
find your own style rather than trying to recreate a carbon copy of one particular designer or shop. It’s
absolutely wonderful to be inspired by what we see in books or on social media, but there is no better style to suit you than your own individual style. Also, don’t be too swayed by trends. Trends are fun and can provide an interesting catalyst for trying something new, but make sure to carefully pick and choose the things that you genuinely like and that suit your tastes and lifestyle, rather than be swept up in a potentially short-lived wave of mass enthusiasm.
slows down in the country, so places to linger longer deserve more focus. A bath rather than a shower; a really comfortable chair to read the Sunday papers in; a mudroom to separate at least some of the dirt and wet of the English countryside from the rest of the house. Think about a real fire or a wood-burning stove in the hall if you have space. There is nothing nicer than a cosy fire.
39DO
Leave plenty of space for a freezer or food storage if your house is not near a shop. No one wants to have to leap in the car every time you need milk or a bag of flour. A walk-in pantry is another luxury to keep extra food and dishes organised.
40DO
consider where you place textiles and pops of colour. Here
(below) we have used the structure of the bare window and the woodwork above it rather than a blind and have added colour and warmth with antique-textile cushions on this very comfortable window seat.
37DON’T
throw out: upcycle, recycle and redo. Remember that changing the fabric on chairs, footstools, headboards and other upholstered furniture can dramatically change the look and feel of a piece without having to start from scratch. Don’t be afraid to have things re-covered, reupholstered and repainted – especially when the shapes are already strong, or the item is sentimental. I remember having my dining chairs reupholstered, and everyone thought that I had redecorated the entire room!
THE ENGLISH HOME 81
EMMA DETERDING
Interior designer, founder of Kelling Designs and KD Loves
41DO
make a statement with colour and pattern. The feeling of space you get in the country lends itself to being braver with colour. Embrace the opportunity to either use flashes of colour or go full-on and don’t be afraid to use green, it will look fabulous. But try to make it harmonious, especially in the downstairs rooms. You want the spaces to really flow. Try to use a combination of colours, maybe repeating in different ways in different rooms.
42 DON’T
use your old bed in your guest bedroom. It’s the worst mistake anyone can make. In
fact, if your own bed becomes uncomfortable, take the guest bed and buy the guests a new one. You want to give your guests the
best night’s sleep. Make sure the bed is as big as it possibly can be, with a show-stopping headboard and beautiful linens and pillows. Guests should be able to get into bed, relax and have a wonderful night’s sleep.
43DO
FLORA SOAMES
Interior, fabric and wallpaper designer
82 THE ENGLISH HOME
think more is more.
The layers of a room can often be the unexpected twist that makes a country house interior sing. I love pattern and print, and, often, a generally looser more informal look. It is an abundant use of a print in a room that can really make a striking impact. We recently launched Enid’s Ramble, a modernday take on a toile de jouy, in an array of jewel colours. In a charming but very simple stable-attic bedroom (left), we relished using this print for everything – walls, windows, bedding, upholstery and lampshades. The final result is a cocoon of colour and cosiness, but, importantly, made less saccharine by the introduction of some unlikely and more robust pieces of furniture and accessories. It is good to look at a room as a series of vignettes, as well as a whole, and, in doing so, think ‘where is that not too tasteful or considered piece’, since these remain the essence of a room when you walk away from it. n FOR WHERE TO BUY SEE ADDRESS BOOK
FEATURE KATY MCLEAN PHOTOGRAPHS P75 (ROSANNA BOSSOM BOOT ROOM) © JAKE EASTHAM; (JOANNA WOOD PORTRAIT) © ASTRID TEMPLIER. P76 (LUKE EDWARD-HALL PORTRAIT) © JAMES HARVEY-KELLY. P81 (SUSAN DELISS WINDOW SEAT) © ANDREW D STEEL
DECORATING
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THIS PAGE, CLOCKWISE FROM TOP LEFT Wallpaper, Willow, Yellow, £75 a roll, Morris & Co Curtains, English Oak Velvet, Leaf, £69.90 a metre, Linwood Cushions, Cranes, Blue, £70 a metre, Emily Burningham Curtains, Cloud Garden, Vert de Gris, £134.99 a metre, Rapture & Wright Fabric swatches: (top) Blackberry, Russett, £180 a metre, Marthe
84 THE ENGLISH HOME
Armitage; (bottom) Balmoral, Aqua, £65 a metre, Warner House Wallpaper, Chickens, Green, £65 a roll, Belynda Sharples Wallpaper, Delicate Butterfly, Moss, £85 a roll, Eleanor Bowmer OPPOSITE PAGE, TOP Wallpaper, Cleo, Sky Blue, £105 a roll, Elizabeth Ockford OPPOSITE PAGE, BOTTOM Wallpaper, Fly Fishing, £95.86 a roll, Lewis & Wood
DECORATING
DESIGNS with rural spirit Explore the prints and weaves used to create quintessentially English country interiors, from florals to tweeds to bucolic scenes and pastimes
Pastoral prints From sporting scenes to beetles and butterflies, patterns consisting of motifs inspired by and associated with rural life can add immense character and whimsical charm to interiors. Traditionally, country motif patterns referred to toile de Jouy, which depicted scenes of idyllic pastoral life and were relied on to create elaborate country-style room schemes. Modern interpretations of life rely on a more tongue-in-cheek artistic approach, and contemporary patterns can include illustrative depictions of all sorts of activities that truly capture the spirit and embodiment of rural life including fishing, hunting, birdwatching, country sports as well as finely detailed drawings depicting nature, entomology and wildlife. STYLE NOTES Nature is a source of immense inspiration for artists, illustrators and designers, so leaf motifs and patterns depicting trees and vegetation are hugely popular. Simple line drawings in muted colours work well as a backdrop against which more elaborate designs can be layered. For impact, opt for a tapestry-style design in bold shades of green, such as English Oak by Linwood, which captures the natural shape and broad colour palette of a tree canopy. Many patterns focus on mythological woodland folklore and medieval hunting scenes and their stylistic visual references to the past make them a perfect choice to add authentic heritage charm to a country house. Seek designs by Lindsay Alker or Warner House. Meanwhile, handsketched illustrations of farmyard animals, such as those by Belynda Sharples, can add characterful charm to a family dining room or kitchen. Patterns celebrating the opulence of life on a grand estate will add a modern twist to a traditional country interior. Look out for designs by Mulberry Home – its Long Weekend collection – and Barneby Gates. These will offer quirky appeal in an instant and cleverly capture the essence of English country charm, from croquet to polo, to pheasants and deer. THE ENGLISH HOME 85
Finely woven Plaids, tweeds, tartans and herringbones are synonymous with country life. The products of a once-thriving woollen industry that was at the heart of the rural community, they would have been hand-dyed using hues derived from local mineral and plant sources, echoing the landscapes within which they were made. These deep earthy shades of brown, grey, green, ochre and russet are still found in modern designs and are ideal for complementing the natural tones found in materials used to build many a country home, including sandstone, slate, flint and timber. Similarly, textural wallpapers in natural fibres such as grasses and hemp can be used alongside woven wools to add a sophisticated modern rustic feel to a country interior. STYLE NOTES Decorating with woven wools brings softness and warmth to a country home. Use heavyweight woollen fabrics as full-length curtains that pool onto a flagstone floor as a beautiful contrast of materials and as a practical solution for keeping draughts at bay. Traditional weaving methods still exist, with working mills such as Melin Tregwynt and Mourne Textiles creating designs that are steeped in history and ideal for adding rich textural interest to a country cottage with whitewashed walls and timber beams. The orderly, almost regimental, configuration of a herringbone in monochromatic black and white makes a modern statement in an old-style country interior. Take inspiration from Ian Mankin, whose curated collection of striped, herringbone, houndstooth and patterned weaves work harmoniously together. Tartan plaids have plenty of appeal and are ideal for adding a touch of the country lodge to a rustic interior. The bright jewel-like shades work particularly well with the rich tones of dark wood panelling. For a modern twist on tradition introduce contemporary weaves and textural chenille in patterns and colours inspired by nature, such as tree bark, woody branches and velvety moss, and team with complementary wallcoverings in grass, hemp and hessian. Or put classic plaids and traditional woollen weaves with flamboyant florals and utilitarian ticking stripes for a look that is beautifully bohemian in spirit and design.
86 THE ENGLISH HOME
Cushions (from left): Textured Linen Weave in Indigo and Peacock, £138.50 a metre; Empire II Velvet in Russet and Cedar, £105.50 a metre; Tempera Linen Mix in Indigo, £144.50 a metre; bedcover, Brushstroke Linen Mix in Indigo, £128 a metre; upholstered bench (at front) Tempera Linen Mix in Indigo, £144.50 a metre, all Mark Alexander
DECORATING
OPPOSITE PAGE, BOTTOM ROW FROM FAR LEFT Padstow Check, Dried Grass, £138 a metre, Fox Linton Mourne Mist 202/25, £108 a metre, Mourne Textiles Chair, Magnus Plaid, Old Blue, £85 a metre, Colefax and Fowler Cushions (from top): Boundary, Indigo, £80 a metre; Ambit, Indigo, £73 a metre; Mimar, Indigo, £84 a metre; Ambit, Teal, £73 a metre; Boundary, Teal, £80 a metre; Arlo, Indigo, £60 a metre, all Threads, GP & J Baker ABOVE Wallpaper, Sutton Stripe, White on Natural, £324 a roll, Grasscloth collection, Anna French
TOP RIGHT Sofa, Volupté Chenille 696; cushions, Volupté Chenille 796, £119 a metre, all Etamine MIDDLE RIGHT Fabrics (from top): Rodmell in Blue, Green, Yellow, Chocolate/Coral, Red/Teal, Aqua, all £74 a metre, Nina Campbell BOTTOM RIGHT Headboard, Stanley Stripe; pillows, Ripon Houndstooth; cushion on bed, Malham Damask; blanket, Gisburn, all in Grey colourway and £57.50 a metre, Ian Mankin BELOW LEFT Knot Garden, Copper, £138 a metre, Melin Tregwynt BELOW RIGHT Hikari, Slate, £40 a metre, Scion
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DECORATING
In full bloom
Floral wallpapers and fabrics will add a dash of quintessential English country style to any interior. Inspiration comes in the form of an abundance of flowers from classic cottage garden favourites to wildflowers native to the countryside, all bringing different levels of decorative detail and romantic charm. From dainty sprigs and ditzy flower designs to voluptuous, blowsy florals and faded vintage rose patterns, each is as captivating as the other in its representation of our national flora, with many designs deeply rooted in history, too. Rose emblems have been favoured as far back as medieval times and are still immensely popular in today’s designs. English chintz is an anglicised adaptation of an Indian block-printing technique, but is considered a country classic in English interiors. The Arts and Crafts movement, too, allowed intricate and highly elaborate flower patterns to flourish, adding to an already rich heritage of floral-inspired designs.
ABOVE Chair, Octavia, £95 a metre; blind, Josephine, Yellow, £90 a metre; lampshade, Josephine, Red, £90 a metre, all Kate Forman RIGHT Blind, Stapleton Park, Squirrel/Olive, £65 a metre, One Sixty collection, Sanderson BELOW, FROM LEFT Cushions (from top): Ullington in Lettuce/Blush, Honey, Plum, all £132 a metre, Cloth & Clover Wallpaper, Hencroft Primula, Pink, £97 a roll, Little Greene Wallpaper, Twickenham PATW02, £153 a roll, Hamilton Weston Wallpaper, Botanica, Ivory, £108 a roll, Willow Crossley at Barneby Gates
STYLE NOTES Decorating with florals is a wonderful way of introducing nature’s colourful, elaborate and intricate creations, adding life and energy to interiors. When choosing designs for wallpapers and fabrics, consider the room the pattern is intended for. Tiny sprig designs and small repeat floral patterns are intimate in feel, so are ideal for spaces where a degree of cosiness is required, such as a country cottage bedroom. For country homes that boast high ceilings and ornate cornicing, bigger-scale florals, such as large-headed hydrangeas or a profusion of tulips in full bloom, from companies such as Designers Guild will accentuate the already established sense of grandeur. For older, low-ceilinged properties, large or small, an archive print depicting a historical floral design can add authentic period charm. Hamilton Weston’s collection of prints includes sympathetic reproductions of pattern fragments uncovered during the restoration of some of the country’s historic buildings, including Jane Austen’s Georgian country home. For a more recognisable, iconic floral design, consider Bowood by Colefax and Fowler or Stapleton Park by Sanderson, teamed with a fresh country stripe or heritage paint colour.
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DECORATING
Beauty in simplicity
STYLE NOTES These patterns can bring a cheerful note to any room, from a simple rustic kitchen to a grand entrance hall. Classic pencil stripes and ginghams in bright pinks, yellows and greens from designers such as Jacqueline Milton or Tori Murphy will add freshness and vibrancy to a small cottage living room, for example, particularly when the co-ordinating colourway is pure white. For a modern take on tradition, decorate with striped designs by Charlotte Gaisford, inspired by haberdashery stitching and braiding, or Molly Mahon, whose Trellis design takes its cue from the lattice repetition of the traditional country garden plant support. The clean lines and geometric configuration of a stripe or check can introduce orderliness and structure in an uncontrived way, adding visual interest whilst maintaining a sense of calm in a room that requires a simple element of decoration. Ginghams, checks and stripes work well with floral patterns, large and small, so combine them for a joyful country decorating scheme, introducing, say, a ruffled gingham curtain at a window, or a simple striped armchair. Stripe and check wallpaper designs can enhance the sense of space in a small attic room or snug by being applied vertically or horizontally. To add intimacy and a sense of cosiness to a country room of more generous proportions, paper the ceiling too. n
90 THE ENGLISH HOME
FEATURE SARA EMSLIE PHOTOGRAPHS P87 (ANNA FRENCH) © KIP DAWKINS. P89 (SANDERSON) © ANDY GORE; (BARNEBY GATES) © BEN PHILLIPS
Pretty checks, ginghams and stripes are at the heart of classic country style. In colours that range from soft pastels to utilitarian monochromes, these popular patterns are hugely versatile and add a relaxed, homespun feel. Their simplicity stems from the centuries-old traditional weaving methods used in India and the Far East, where a single dyed yarn was introduced to a plain woven fabric, creating a stripe that added colour and interest. This evolved into the array of ginghams, checks and elaborate stripe designs available today. Different aspects of rural life have, over time, adopted these naïve patterns in a variety of ways. There are ticking stripes synonymous with mattress coverings, blue and white stripes that conjure up coastal style, grain stripes used to embellish agricultural hemp sacks, and colourful patchwork ginghams and checks that are staple designs for country kitchen textiles.
ABOVE Chair, French Ticking, Mushroom/Raspberry, £57 a metre; cushion, Nordic Stripe, Reindeer, £72 a metre, both Vanessa Arbuthnott RIGHT Wall in Poppy Red fabric, £62 a metre, Charlotte Gaisford BELOW RIGHT Cotton Checks & Stripes collection, all £62 a metre, Trend at Christian Lee BELOW Walls in paper-backed Blue Tented Stripe, £130 a metre (excluding paperbacking), Fermoie BELOW FAR LEFT Noki, Satsuma/Sky/Pebble, £44 a metre, Scion BELOW LEFT Woodhouse Cotton Check, Radish, £50 a metre, Tori Murphy
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Perfectly placed to enjoy the view, the Amalfi bath is a contemporary take on the traditional slipper bath. Amalfi bath, from £3,275 each, Victoria + Albert Baths
BUYER’S GUIDE
in style
SOAK
Find the perfect bath with our guide to the various styles, shapes, sizes, materials and practical factors to consider
R
elaxing in a warm bath is one of life’s great pleasures and a perfect way to unwind at the end of a busy day. Whilst choosing a bath may seem straightforward, it is essential to ensure it is comfortable to lie in and suits everyone’s needs as well as being aesthetically pleasing. “Practicality is always key,” says designer Joel Fry at West One Bathrooms. “In a family bathroom or one where there will be an over-bath shower, go for a fitted bath, but in a master en-suite where you have the luxury of space, a freestanding bath can add impact and elegance.” Fitted baths come in a range of formats including shower baths, shallow baths for accessibility, corner baths for awkwardly shaped rooms, and low-capacity baths to reduce water consumption. Made in a range of sizes, they are usually placed along a wall or built into an alcove so plumbing is easily concealed and maximum floor space left clear. Freestanding baths provide a focal point, creating impact and adding character to a bathroom. Styles range from period-style models such as roll-top, bateau and slipper baths, to smooth, sleek contemporary shapes. Be aware, though, that they bring with them additional considerations. “Freestanding baths are generally a little costlier than a built-in bath,” notes Leanne Robey, senior designer at Ripples, “especially if you are considering a floormounted bath filler, which gives an opulent finish but can sometimes cost as much as the bath itself.” THE ENGLISH HOME 93
ABOVE The Wye castiron large bateau bath with a polished finish adds to the glamorous style of this bathroom. Cast-iron large Bateau ath with Polished Finish, from £3,570, Drummonds LEFT The smooth form of this bath provides a sleek counterpoint to fine decorative plasterwork. Lonio Bath, £2,799, Clearwater
94 THE ENGLISH HOME
THINKING AHEAD
Before deciding on a bath design, it is important to consider practicalities. “The first step should be to assess the strength of the floor to determine the maximum weight it can bear,” says Lee Frost, director at Waters Baths of Ashbourne. “The size and capacity of bath it can support depends on it.” A builder or structural surveyor will be able to advise – bear in mind though that whilst strengthening a floor is an option if needed, so too is switching to a smaller or lighter weight bath to sidestep additional costs. Fry prioritises the material of the bath. “Composite resin and acrylic baths are much lighter than marble or cast iron, and come in a massive range of designs and sizes. Thinner metal baths such as copper and steel, whilst extremely durable, are easier to move.” As when buying any large piece of furniture, access is a consideration, so check that staircases, landings, corners and door widths can be negotiated and will not hamper delivery.
BUYER’S GUIDE
Silvery metal, neutral tones and figured marble are key constituents of this elegant scheme. Nickel Bateau Bath with Charcoal Painted Exterior, £6,600, Catchpole & Rye
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A simply shaped tub allows the pretty gothic window to be the centre of attention. Amiata Bath in gloss- or matt-finish Quarrycast, from £2,690, Victoria + Albert Baths
BUYER’S GUIDE Pure and symmetrical this sophisticated scheme frames a beautiful view. Clyde Bath, £4,140, Porter
MEASURING UP
Bear in mind that both external and internal dimensions matter. Firstly, a bath has to fit comfortably within the room, allowing for doors to open freely and other fittings to be used whilst leaving enough circulating space for the area not to feel crowded. With freestanding baths available in lengths of between 1200mm and 2000mm (try Albion Bath Co for the extremes) and conventional baths from 1050mm to 2000mm (Bette produce a wide range), there will be one to fit almost any situation. When choosing a larger tub, note its capacity, as some heating systems may not be able to generate or store enough hot water to fill it. If in doubt, check first with a plumber to confirm. Checking the interior size is more subjective, depending as it does on the
physique and preference of the bather. “Comfort should be up there at the top of your wish list,” says Frost. “That said, it can be hard to assess this from a picture, which is why we always recommend seeing and feeling a bath before buying it.” Check the internal contours of a bath too and, if possible, step in and try it for size. Features such as the angle of the back slope and the width of the cavity have an impact on comfort, and it is also important to note the position of the waste and taps. In families where children or couples enjoy bathing together, a double-ended bath with a central waste and taps can be a good choice. RIGHT This project by Kasha Paris shows a freestanding bath with cleverly wall-mounted taps and shower mixer. Admiral Bath, from £4,046.06, Devon & Devon
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BUYER’S GUIDE
The success of this bathroom rests on a clever pairing of rustic and modern elements. Eclipse Oval Bath by Antonio Lupi, £7,664; iSpa Freestanding Bath Shower Mixer by Gessi, £2,770, all West One Bathrooms
MATERIAL MATTERS
Traditionally, cast iron was the primary bath-making material, and is still a popular choice for those seeking an authentically period look. Strong and stable with a beautifully lustrous enamelled surface, it is durable, easy to clean and, though initially cold to the touch, once warm, retains heat. However, cast-iron baths are extremely heavy and the floor may need to be reinforced to bear the combined weight of bath, bather and water. Other lighter metals include enamelled steel, which can be moulded into a variety of angular or curved shapes that lend themselves particularly well to crisp modern designs, and copper, which tends to be reserved for traditional styles. Synthetics such as high-grade acrylics and solid-surface stone composite materials are also widely used to make baths, and are developing fast. Though generally less weighty than metal, some have the substance to emulate traditional materials such as cast iron and fireclay, whilst others are cast into fine-edged shapes for sleek, contemporary baths. Where once all baths came with a gloss finish, some are now offered with a tactile velvety matt surface, adding yet another element to the sensory art of bathroom design. “Matt solid-surface options and colours evoke a very
The steel outer of this bateau bath comes primed, ready to paint. La Rochelle bateau bath, £2,993.75, The Cast Iron Bath Company. Interior design by Samantha Todhunter Design
ABOVE A compact copper bath makes the most of a small bathroom. 1500 Petit Bateau bath, from £4,959.60, William Holland; Dornbracht Vaia mixer in Dark Plat Matt, £2,278.20, CP Hart RIGHT Enjoy the panoramic outlook from a double ended bath set in a bay window Lindley cast-iron bath painted in Farrow & Ball’s Cook’s Blue, with Chrome Feet, £1,915, Hurlingham Baths THE ENGLISH HOME 99
BUYER’S GUIDE
design-led feel, but be sure to reflect on how the bath finish will suit the rest of the scheme,” says Robey. “For example, if there is already a glossy basin, it may be advisable to complement it with a gloss finish for the bath.”
In this bathroom design, VSP Interiors has set the bath on a plinth to maximise the view. Hampton Classic slipper bath, £3,024, Bathroom City BELOW The matt-finish bath and weathered metal taps create a relaxed ambience in this design by Gunter & Co. Arezzo Bath, £1,199.95, Victorian Plumbing
In many bathrooms there is only one possible location for a bath, but where space and flexibility allow, it can become the room’s most striking feature. Using architecture to frame a bath is effective. Try centring it under a beautiful window or between a pair of windows, in an alcove or before a fireplace. If a bathroom lacks existing features, try tiling a floor-to-ceiling panel behind the bath with metallic mosaics or a ceramic mural. In an attic bathroom, the area under a sloping ceiling is the ideal place to locate a bath. Provided the head height is sufficient when stepping out of the bath, it puts an otherwise hard-to-use space into play, and lends a sense of intimacy and warmth to the room. In a small bathroom, clever positioning of a bath can make all the difference. For example, in a tall slender space a regular bath placed lengthways highlights narrow proportions, whereas a smaller raised-leg bath placed widthways creates an illusion of greater floor area and thus space. Fry offers a useful designer tip: “To make sure a bath fits, use masking tape to map out possible layouts on the floor, moving it around until you arrive at the right one.” n
ABOVE This bath is supplied primed, ready for painting to suit a scheme. Windsor bath in Chadite material, £3,950, Chadder & Co
100 THE ENGLISH HOME
FEATURE MAGGIE STEVENSON PHOTOGRAPHS P97 (PORTER) © JONATHAN MITCHELL; (KASHA PARIS) © IDHA LINDHAG. P99 (WEST ONE BATHROOMS) © PAUL CRAIG
PERFECT POSITION
BOOT ROOMS craftedbyculshaw.co.uk 01704 821 076 info@craftedbyculshaw.co.uk
THE ENGLISH HOME 101
Sustainable
WAYS TO DECORATE From buying antiques and repurposing furniture, to sourcing recycled textiles or eco-friendly paint, there are plenty of ways to be more sustainable in interior choices
E
mbracing a sustainable lifestyle with its enlightened approach to furnishing and decorating is quite a challenge. With so much to consider, it is heartening to discover how many companies serving the interior are already taking positive steps to reveal where their materials come from and even flagging up their biodegradable packaging. Whether moving house or redesigning a tired room, consider whether pieces can be repurposed and if not, find an alternative to landfill. When sourcing new furnishings for an outdated room,
the task is to make sure each piece will be an ethical buy. Upholstery without foam content and locally made furniture in wood from managed forests are useful starting points. Antique and vintage furniture leaves no adverse footprint, which is why more of us are searching for such pieces. These can either be extremely costly or remarkably inexpensive. In particular, old chairs in classic styles and reasonable condition can be found to match every budget and readily transformed with a new slipcover – linen ticks the sustainable box for that.
DECORATING
EXPERT COMMENT
Specialists offer insights on using sustainable natural materials and reclaimed pieces ADAM HILLS, director of Retrouvius Reclamation and Design
KITCHEN RETHINK When a kitchen needs an update, consider repurposing first. Painting cabinets will transform it and subtle sheen is currently a favourite finish, with Intelligent Satinwood from Little Greene or Modern Eggshell from Farrow & Ball designed for the task. Replacing a worktop can be transformative and Diamik Glass has two versions with a sustainable back story: Decorok is made from 100 per cent recycled glass, and Ecorock from 85 per cent glass plus pigments. This hardwearing material, made from crushed bottles, jars and glasses destined for landfill, is scratch, heat and stain resistant. In terrazzo, speckled, mottled and plain colours, concrete effect is currently the most popular look. If a complete change of kitchen is essential, consider buying (or selling) a pre-owned or ex-display kitchen. The selection at Used Kitchen Exchange changes daily, with examples from design-led companies such as Roundhouse and Smallbone. Many include worktops and appliances. Keen to establish its eco-rating credentials, the brand quotes a researched carbon saving of around 5,000 kilograms for every kitchen it sells, which, it says, is “around one year of being carbon neutral for a family of four”.
ABOVE A kitchen is given a full paint treatment. Cabinetry, Lead Colour, £75.50 for 2.5l Intelligent Satinwood; walls, China Clay, £53 for 2.5l Intelligent Matt Emulsion; floor, Linen Wash, £74 for 2.5l Intelligent Floor Paint, all Little Greene OPPOSITE Changing from a light to a deep finish on cabinetry with paint is an established way to give a kitchen a new look. Cabinetry, Railings, £73 for 2.5l Modern Eggshell, Farrow & Ball
“Many people come to us when embarking on an eco-project. I tell them my first rule is not to strip out historic fabric in a house. Preserve its heritage instead. That demands fewer new materials and often less money as well. When I’m sourcing salvage, I get excited by design excellence and materials: precious hardwoods in doors, mahogany joinery from museums, and teak worktops from science labs that can be cut down to fit a domestic kitchen. Then there’s reclaimed marble and limestone for walls and floors, materials that are expensive to quarry and transport. We have English alabaster from a convent in stock that could find a new home cladding bathroom walls instead of tiles. Antique textiles are of interest, too, and we took delivery of three van-loads of leather clearance from a commercial upholsterer. Thinking of new ways to repurpose the reclaimed is at the heart of reducing waste and the key to sustainability.”
VICTORIA MEALE sustainable interior designer, Victoria Meale Design “The earlier I come into a project, the greater the opportunity for it to follow a sustainable route. First I tackle glazing, insulation of ceilings, walls and floors, and recommend a wet or electric underfloor heating system. Unless the building is ‘tight’, heating goes straight out, so good insulation is a long-term investment not a short-term fix. I recommend natural materials everywhere, wood or coir on floors, carpet – only when a client requests it – in 100 per cent wool. Limewash or paint are my preferred wall treatments and the eco-friendly paints I use most are Edward Bulmer Natural Paint and Eico. I place materials thoughtfully, so tiles only in areas of the kitchen and bathroom that need to be watertight. Fabrics for curtains and upholstery in my projects are 100 per cent linen, hardly ever cotton because of its production issues, wool, too, for throws and cushions. I try to persuade clients to reupholster furniture rather than buy new, and support British furniture makers who work in wood. Being sustainable requires work; it’s not an easy option.” THE ENGLISH HOME 103
NATURALLY COLOURFUL Choosing the most sustainable paint really needs a doctorate in chemistry, but it is safe to say that most well-known brands have made huge advances in reducing or eliminating noxious and oil-derived ingredients from their products. Edward Bulmer Natural Paint and Earthborn are two companies that supply detailed information about their paint recipes. “The way to think about paint is to ask ‘what is it made of?’” says Edward Bulmer, interior designer and founder of his eponymous paint company. “If it’s made with alkyd, acrylic or vinyl resins, it is made from crude (dead) oil and is not genuinely eco-friendly. If it is available in every colour under the sun, it will most likely be tinted with chemical colourants and not what are traditionally called pigments. If it is a water-based paint, that is only meaningful if it is free of VOCs. If it is not, it is still in part a solvent paint.” LEFT Styled with antiques from Lorfords by interior designer Edward Bulmer, this sitting room features walls in Azurite by Edward Bulmer Natural Paint to echo the strong blue seen in the rug
RENEWED PURPOSE As well as buying old instead of new, consider updating existing pieces of furniture or even radically transforming them to suit a new scheme. Be sure that an inherited piece or second-hand buy is not something of importance or high-value before making alterations. If it is safe to proceed, let imagination run wild to create a bespoke piece for a decorative scheme. Chalk paints such as Annie Sloan or Frenchic are easy to apply and come in a host of colours, from classic shabby-chic to bright and bold. Different finishes can be achieved with waxes, or by highlighting details with metallic paint or metal leaf. Consider adding a new surface to transform a table top, or repurpose a piece completely. A cabinet can be transformed into a glamorous cocktail bar, an old console into a vanity unit, complete with a sink, for a smart solution in a new bathroom. 104 THE ENGLISH HOME
RIGHT A sideboard has been revitalised with a lively paint colour and gold leaf detailing. Capri Pink, from £5.95 for 120 ml Chalk Paint, and all other paints, Annie Sloan
DECORATING
NEW FROM OLD Buying antique, vintage and second-hand furniture or new pieces made from reclaimed materials is an approach that gives individuality to interiors as well as saluting sustainability. Home Barn hosts this combination of furniture and homewares in its seventeenth-century tithe barn. “People come looking for unusual items with character,” says Sally Wilkie, co-founder of Home Barn. “We love rustic antiques, and
small tables, painted cupboards and old wooden stools are customers’ favourites. Our dining tables in reclaimed pine and elm are made locally and we love the weathered look of the timber. It is satisfying that the sustainable approach has also becomes fashionable!” Heyl Interiors is another source of indoor and outdoor furniture, here edging towards industrial in combining reclaimed pine with steel. “Our wood comes mainly
from floor joists salvaged from abandoned buildings around the UK,” explains Jade Lambert, founder and owner. “We also use railway sleepers, again in pine, and these are tanalised for long-lasting protection especially when tables are used outdoors.” ABOVE Reclaimed elm trestle dining table, handmade from salvaged Victorian planks, retains characterful knots and open grain. Table from £1,950, Home Barn
THE ENGLISH HOME 105
COMPLETELY FLOORED When a room is being extended or a damaged floor replaced, reclaimed boards are the top sustainable material for the task. The Reclaimed Timber Company stocks flooring to suit contemporary extensions and period properties. Antique pine, wide rustic English oak, parquet and boards in ash, elm and maple are among the selection. Similar stock held at Lawson’s Yard also includes floorboards from known sites, bead-jointed boards, Douglas fir and reclaimed French barn boards. Bamboo is a strong contender, too, for a sustainable new floor. “Bamboo is a grass growing in naturally occurring forests across Asia,” explains Chris Elliott, director of the Bamboo Flooring Company. “Foresters select individual poles to cut when they’re around 10 metres high and 25 centimetres wide. The bamboo doesn’t then have to be replanted, it simply continues to grow, in fact, it grows faster than we can use it.” Bamboo floorboards with wide and narrow grain patterns are as strong as oak, and when strand woven (bamboo fibres compressed under extreme heat and pressure) they are more than twice as strong as oak. The downside to bamboo is the eco-cost of transporting it across the world.
RIGHT Bamboo is an exceptionally hardwearing and sustainable choice of flooring. F1013 solid carbonised strandwoven 142mm bamboo flooring, £30,99 a square metre, The Bamboo Flooring Company BELOW A French Arras bench from Violet Grey Decorative Antiques was manufactured by Grassin Baledans and featured in its 1874 catalogue. Constructed from half-round wroughtiron tubing it has claw feet to stop it sinking into the grass
METAL MATTERS Metal is a great survivor and there are exceptional antique and reclaimed pieces to be found across a range of items at reclamation companies such as English Salvage, which has a well-organised stock list. Find antique metal benches, chairs and cast-iron tables at Violet Grey Decorative Antiques and Appley Hoare Antiques. Moving indoors, demand for genuine antique metal bedsteads is running high. One leading source of these is Bed Bazaar, whose sister company, Sleeping Partners, custom-makes mattresses to fit a bed of non-standard size. “We have all types of carefully restored metal beds, including four-posters,” says Ben Goodbrey at the company, “with a number by RW Winfield, a maker of high-quality beds from 1840 to the 1860s.” Established antique-bed specialists in different parts of the country include Seventh Heaven, Victorian Dreams and Wessex Antique Bedsteads. 106 THE ENGLISH HOME
DECORATING
ENTICING RECYCLING A number of textile companies are striving to make use of material that might otherwise go to waste. Ian Mankin’s Zero Waste Initiative makes use of surplus yarns and offcuts to create limited editions of specially designed fabrics. Amongst a host of sustainable collections, Prestigious Textiles has launched an Eco collection using recycled polyester and sustainably grown organic cotton; Kirkby Designs has four collections using materials that are recycled and fully recyclable; and Weaver Green is known for its rugs and textiles made from recycled water bottles. Rug designer Jennifer Manners has also turned to this medium for her Re/Purpose collection: “We are particularly excited that whilst we are able to use repurposed plastic water bottles in a hand-knotted rug construction for a more sustainable option, the high-performance aspect of the fibres (being stain-resistant and bleach cleanable) makes them ideal for the hard-wear of real life. This is when sustainable initiatives thrive: solving a functional challenge with an environmentally sound solution while not compromising on beauty or design.”
ILLUMINATING IDEAS Vintage lighting has an established following. Skinflint sources and restores lighting from 1920 to 1970, salvaged from demolished factories and civic buildings in Britain and Eastern Europe. Each fitting is taken apart, cleaned, repaired and rewired to take LED bulbs, the most sustainable option. All are certified by the UK Lighting Industry Association (UKLIA) with a lifetime guarantee that includes repairs and a buy-back scheme. “We research the manufacturer of each light to find when and why it was produced, so its story is preserved as well as its patina,” says Chris Miller, Skinflint’s co-founder. Trainspotters Lighting came out of work in general reclamation. Early stock from demolition of English factory complexes now includes pieces from European sources. Each fitting is restored and rewired to current standards. “People wanting industrial style choose pendants in cast metals, steel and enamel,” says Jesse Carrington, co-founder. “People do tell us they choose reclaimed because it’s sustainable.”
ABOVE Repurposed water bottles are not only a sustainable fibre choice for a hand-knotted rug, but a hard-wearing option too. Hand-knotted recycled plastic Malibu rug, re/Purpose collection, £2,527 (1.8m x 2.4m), Jennifer Manners LEFT A row of 1950s Czech pendants above the kitchen island and vintage extendable British machinists’ work lights around the dining table help define this Arts and Crafts home refurbishment. Lighting, Skinflint; interior design, Brooke Copp-Barton
THE ENGLISH HOME 107
DECORATING
FABRIC FIX RIGHT Vintage oriental embroidered silk wallhangings framed in velvet ribbon hang above a slipcover for the bedhead created from a piece of vintage Indonesian woven textile, handstitched onto raw silk. Cushions in antique Japanese kimono silk have hand-stitched velvet borders. All pieces designed and stitched by Lucy Bathurst, Nest Design
SLEEP SOUNDLY As we spend a third of our lives in bed, the health benefits of sleep should not be compromised by possible chemical residues in the bedlinen. Cotton, described as the world’s dirtiest crop, accounts for sizeable proportions of the world’s insecticide, fertiliser and water use during growing and processing, raising questions over its choice for bedding. Bedlinen companies have taken note, and whilst organic is a word frequently mentioned, the accreditation to look for is GOTS, the Global Organic Textile Standard. Cotton and linen grown to organic standards and certified as such by independent bodies is then processed according to GOTS rules. Ecosophy is one company supplying cotton percale, cotton jersey and linen bedlinen awarded the GOTS accolade. “All machine-spun yarns 108 THE ENGLISH HOME
are exposed to chemicals before and during weaving, dyeing and finishing,” explains Kate Anderson, Ecosophy’s founder, “but GOTS has strict rules about which agents can be used if the textile is to meet its standard. For example, only environmentally benign oxygen-based bleaches are allowed.” Other members of this elite club include Sleep Organic, Square Flower, Little Leaf, Strawberry & Cream Home, Dip & Doze, with Pure linen bedlinen from de Le Cuona a recent addition. ■ LEFT With certification from Fairtrade and the Global Organic Textile Standard (GOTS), this cotton sateen duvet set with embroidered cord lines, from £150, is part of a bed linen collection at Sleep Organic that includes organic wool pillows, duvets and mattress toppers
FEATURE CELIA RUFEY PHOTOGRAPHS P102 © JAMES MERRELL. P103 (VICTORIA MEALE) © ZAC FRACKELTON. P106 (VIOLET ELIZABETH) © TOM HARGREAVES. P107 (SKINFLINT) © MEGAN TAYLOR
Antique fabric pieces are often small in size, bringing uncertainty over how to introduce them meaningfully into rooms. Lucy Bathurst of Nest Design makes furnishings incorporating special, often personal, fabrics, from antique prints to vintage lace. She works the old with natural plains in arrangements to suit a particular space. “Whatever fabric I team with a treasured piece,” she says, “the common denominator must be the soul-giving quality the antique brings to its interior.” Moving house often necessitates new curtains but not if The Curtain Exchange can help. Set up in 1990, it sells top-quality pre-owned curtains on commission. “When people move house or make a mistake in choice of fabric, it’s good to be able to sell and also to buy well-made curtains,” explains co-founder Juliana Galvin. With more than 150 sets for sale, The Curtain Exchange only accepts lined and interlined curtains without marks, sun fading or fraying, that come from smoke-free homes. “Stock includes curtains in silk, damask, weaves, prints and plain and striped linens,” says Galvin. “We’ve saved a huge number of curtains from landfill over the years.”
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QUINTESSENTIALLY
Inspiration for seasonal pastimes and making the most of life at home starts here
FEATURE KATY MCLEAN PHOTOGRAPH © FLORA PRESS/EWA
UNTAMED BEAUTY
Wildflowers offer an expressive mix of shape, texture, colour and scent when brought together in an informal arrangement. Whilst they lack the refinement of a perfectly cultivated rose or the magnificent drama of a peony, a collection of meadow blooms, freshly picked and presented in a favourite pitcher, has a relaxed, cheerful charm that instantly sets a bucolic tone. Growing wildflowers at home is the perfect option for a ready supply (see page 120 for our guide to meadow-style gardens). It is also not illegal to forage for wildflowers in public spaces for personal use, however, check for guidance and restrictions on nature reserves and cultivated flowers, and never uproot plants.
THE ENGLISH HOME 111
MY ENGLISH HOME
Matthew Fort FROM PATCH TO PLATE
The food writer and critic tells of his passion for picnics, the ingredients to pluck from the vegetable plot to savour for eating al fresco and the must-have elements to pack
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grated and mixed with sultanas, olive oil, honey, lemon juice, ginger, cinnamon, salt and pepper as Claudia Roden suggests in The Book of Middle Eastern Cookery. There are potatoes, too. Ratte, the waxy French variety, (Pink Fir Apple would do just as well) are very good for turning into a salad (mayo or vinaigrette). Courgettes, too, perfect for zucchine alla scapece – matchsticks of courgettes fried in olive oil, then cooled in a splash of vinegar with a touch of chilli and chopped mint. There’s a choice of beetroot as well – Cheltenham Green Top or Bull’s Blood – delicious grated raw, doused in mustardy vinaigrette and dusted with grated horseradish. Choice, choice, choice. No picnic is complete without a hardboiled egg in my book, which is just as well as hard-boiled egg goes very well with beetroot. (Should you have two hard-boiled eggs, can I suggest taking along a packet of pork scratchings, which are not only very beguiling in their own right, but when you’ve finished them, just pop a peeled hard-boiled egg into the bag, shake around, and you’ll find you egg has been cursed with the remaining scratching seasoning.) So that just leaves meat and fruit. Almost any cold meat will do, but the plainer the better in my view. Let the vegetables do the showing off. As I’ve said, I love a cold sausage and cold pork pie. Cold grouse, of course, after 12 August, would be a blessing, but failing that, cold guinea fowl makes for a more than halfway decent substitute. About Matthew Best known as a judge on BBC2’s Great British Menu, Matthew is an award-winning food writer and critic. He was the Food & Drink Editor of The Guardian for 15 years and is the author of four books.
COLD SORREL AND CUCUMBER SOUP WITH HARD-BOILED EGGS A versatile, refreshing little number for hot days, inside or out, and a useful way of using up surplus cucumbers and tail-end sorrel, Keep cool in a Thermos flask for picnics. Serves 4
INGREDIENTS 4 eggs 1 small onion 1 cucumber 50g butter
200g sorrel 500ml vegetable or chicken stock 285ml sour cream
METHOD • Hard boil the eggs and cool them in cold water. • Chop the onion finely. Peel and slice the cucumber. • Heat the butter in a saucepan until foaming. Add the onion and fry gently for five minutes. Add the sorrel and cook for roughly 30 seconds. Add the cucumber and the stock and cook gently for five minutes. • Whizz up the sorrel, cucumber and stock in a food processor or blender. • Cool. When cold, stir in the sour cream. Peel, chop and add the hard-boiled eggs. Chill. • Decant into a Thermos flask or straight to the plate. ■
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PORTRAIT GRANT SCOTT PHOTOGRAPH P112 © NOZDRACHEVA GALINA / SHUTTERSTOCK; P113 © CHRISTOPHE MADAMOUR / STOCK FOOD
“W
hat about lunch?” I said to my friend Stevie. “Lunch?” he said, looking puzzled. “Yes, lunch,” I said firmly. “A picnic lunch. On the river bank.” We were going trout fishing. Now, I don’t know about you, but fishing isn’t just about fishing. It’s also about lunch. A picnic in other words. Picnics are central to summer. They’re fun, feasts, celebrations and, frequently, triumphs of optimism over weather. But there are picnics and there are picnics. There are rug-and-fingers-only picnics and folding-chairs-and-tablesnapkins-and-cutlery picnics. There are Glyndebourne-style picnics with their champagne, cold lobster and strawberries and cream trimmings, and coldsausagepork pieandmustardhardboiledeggcheeseand pickleandbottlesofdecentclaret picnics. Then there are picnics to which modern technology, contemporary eating habits and greater knowledge have introduced a whole range of picnic foods and flavours at which our parents would have raised an eyebrow. Tomato and peach salad with tofu cream anyone? Books have been devoted to the topic (notably Max’s Picnic Book, Picnics by Claudia Roden and Picnic Crumbs by Anabel Loyd if you want to take your researches further). On the whole, I’m of the rug-and-fingers coldsausageporkpieandmustardhardboiled eggcheeseandpickleandbottlesofdecentclaret school of picnics, although I’m not averse to a bit of knife and fork work. Salads are better eaten with a fork. I start planning by peering out of the window to check on what I can pillage from my vegetable patch. At this time of year I’m spoiled for choice. There are carrots – James Scarlet Intermediate and Guérande – looking robust enough to be
FOOD
THE ENGLISH HOME 113
A country
STATE OF MIND The benefits of a rural way of life and being closer to nature are both plentiful and accessible. We ask the experts to share their advice about how to experience a slice of country lifestyle, wherever home may be
T
he mere idea of country living has enduring appeal, and conjures up images of meadows and streams, rolling hills and wildlife. The promise of a slower pace of life and relative peace, combined with healthier habits and cleaner air is tempting – especially given the last year and its many challenges. In addition to a sense of space and appreciation of the natural landscape, there is the positive impact on well-being to consider – just looking out of the window and onto open fields or a leafy-
Large seagrass tote bag, £52, Nordic House
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green hedgerow can help lower stress levels. Glorious as this sounds, escaping to the country is not a reality for everyone, but this does not mean it is not possible to enjoy the many advantages a rural setting has to offer – the countryside can be a state of mind, as opposed to a geographical location. From keeping chickens to growing vegetables, foraging for food to letting the wildflowers grow free, there are plentiful ways to adopt country style whatever the setting.
LIFESTYLE
PERFECT PRESERVES
There are few things better than homemade botanical-based food and drink, especially having taken the time to grow the produce or forage for wild treats – the more unusual and interesting, the better. After all, why not make the sort of delicacies that are hard to buy in the shops as a treat or a gift for friends and family. However, when it comes to picking ingredients, what should be top of the list? “I wouldn’t be without lemon verbena for cocktails, syrups and cordials,” says Mark Diacono, writer, photographer, grower, cook and owner of Otter Farm nursery. “Its bright lemon sherbet leaves bring zing and freshness that nothing else can match. The zest of four lemons, two stems of lemongrass and a handful of lemon verbena leaves, infused in a litre of vodka for a couple of weeks, topped up with sugar syrup (500g sugar dissolved in 400ml simmering water) makes the best limoncello; a sprig or two in boiling water makes a refreshing tea.” “Whatever I’m fermenting, say, sugar snaps in brine or perhaps pickling cucumber, bay is essential,” he continues. “The flavour is so special, but it also releases tannins that help keep the firm, crunchy texture of vegetables. If you place a couple at the top of the ferment, tucked in under the shoulders of the jar, it helps keep the vegetables submerged in the brine. “Similarly, if I’m making a chutney or jam, my fingers head to the Szechuan pepper or the rose-scented geranium; if I’m using plums or nectarines, perhaps even both. The citrus zing and peppery punch of the Szechuan pepper livens whatever it goes with, fruit or vegetable, and the soft warm rose of the scented geranium takes a jam or chutney somewhere delightfully, gently floral.”
CLOCKWISE FROM LEFT Mark Diacono’s delicious limoncello recipe from his latest book, Herb: A Cook’s Companion, £26 (Quadrille); Home Made 1.9l clear traditional glass demijohns, £8.99, Kitchen Craft; Home Made 200ml glass terrine jar, £3.49, Kitchen Craft; Strawberry beeswax wrap, available as part of the Vegetable Garden Fruits Pack (from £20 for three wraps), Emma Bridgewater; Large early 20th century French earthenware pot, £132, The Kairos Collective
THE ENGLISH HOME 115
HEN HAVEN
Whilst keeping pigs, goats and sheep might stretch resources when it comes to living the country dream, chickens will make themselves at home in a good-sized garden, whether it is a rural idyll or city-based sanctuary. Compared to larger livestock, they are relatively low-maintenance and easy to care for, and will of course provide reward with the perfect breakfast or baking ingredient every morning. Arthur Parkinson, gardener and poultry keeper at Emma Bridgewater’s garden at her pottery in Stoke-on-Trent, knows a thing or two about how to get the best from your girls. “The most important thing is to give hens as much space as you can provide,” says Parkinson. “If possible, make your garden entirely fox-proof, too, using a high-perimeter fence planted with tough plants like rosemary and roses, or house your hens in an aviary-like run complete with a roof to ensure they are out of harms way.” It is also worth adding a few extra touches to make their environment as chicken-friendly as possible, which will make them relaxed and happy layers. “The best thing for hens is a dust bath,” says Parkinson. “Mix dry soil with louse powder and scatter somewhere sunny and dry, and you’ll soon see them preening and powdering themselves. My girls love to peck at the red millet seed heads I grow.” Parkinson also recommends the stylish recycled-plastic coop designed by founder of Ham Street Hens, Libby Syddall, which uses metal and is groove-free, making it resistant to the troublesome red mite; and the PestOff Rat Proof chicken feeder by RoamWild if for city chickens. When it comes to the best layers, Parkinson says, “Hybrids are good for beginners, because they have been vaccinated – I like the Bluebells and Speckledys the most. Burford Browns and Copper Black Marans are the best for the adored brown eggs, however they are far from garden friendly, but you’ll get plenty of beautiful eggs!”
CLOCKWISE FROM TOP Rustic Hen sculpture, £20, National Trust; Chicken gardening gauntlets, £27.95, Annabel James; Kate Black Framed Chicken Collage, £345, The Shop Floor Project; Recycled Plastic Coop, from £495, Ham Street Hens
116 THE ENGLISH HOME
LIFESTYLE
FOOD FOR FREE
What could be more evocative of country life than finding seasonal goodies whilst enjoying a walk along a hedgerow or in a wood? “People ask me where they might start their foraging career,” says foraging expert, John Wright. “My answer is ‘almost anywhere’. A back-garden, a hedge, a churchyard, a park, a seashore. Each of these places will have their own ecology, their own collection of plants, some of which may be edible. Hairy bittercress, stinging nettles and ground elder in the garden, elderberries (or flowers – seasonality is king in the foraging world), sloes, rosehips in the hedge, and so on. With perhaps a thousand edible species – plants, fungi and seaweeds – in our corner of the world, there is so much to explore. “No-one would wish to destroy the habitat in which they forage, so it comes naturally (most of the time) to pick with care and to pick only what you need. If you feel the urge to fill your car’s boot with wild mushrooms, resist. It is good for your karma. Foraging is allowed by default almost everywhere, but do make sure you have free access and obtain permission if you haven’t. Being challenged is always embarrassing, as I know all too well!”
CLOCKWISE FROM TOP Forage Bric bag, £34, Wearth London; Bolga market basket, £55, Lola & Mawu; The Forager’s Calendar by John Wright, £12 (Profile Books); Summer Seasonal Foraging Illustration, £18, Rhubarb & Hare
THE ENGLISH HOME 117
TAKE A WALK ON THE WILD SIDE
Recognising that carefully manicured lawns and borders might look beautiful but do not provide the right habitats for wildlife, conservationists and ecologists are hoping to encourage gardeners to change tack and let things go a little. Known as rewilding, this approach to helping the environment has become more popular in recent years and is not difficult to achieve. Whether reducing how often the lawn is mown, or allowing an area of the garden to become overrun with weeds, it is easy to create new habitats for all sorts of animals. “Allowing a space for wildlife to use, live in and flourish in our gardens is not only a wonderful and fascinating thing to do, but also offers an invaluable lifeline and safe haven for many species that are struggling in the wider landscape,” explains BBC Gardeners’ World presenter, Frances Tophill. “Choosing nectar-rich varieties that flower for as much of the year as possible is key for attracting insects, which, in turn, will encourage the larger birds and mammals. If you don’t have a lot of space, go for plants that flower for a long time, like lavender and catmint – two easy plants that come back each year and take hardly any looking after, even in a window box.”
CLOCKWISE FROM TOP Teak garden chair, £745; Jodhpur Stripe large cotton seat cushion with tassels, £59; Megha linen cushions, £58 each; metal chandelier, from £78; hand-painted candles, from £3.75 each; vintage
118 THE ENGLISH HOME
wooden crate, from £39, all Susie Watson Designs. Mr Fothergill’s seed selections, £2.80 each, Robert Dyas; Ornate Zinc planters, £175 each, Cox & Cox; The Balcony chair In Sao Paolo Cream, £189, Denys & Fielding
LIFESTYLE PLANT LIFE
Electra Loft 7i EQ Step-Thru Ladies Bike, Green Tea, £800, Electra Bike
FEATURE CINEAD MCTERNAN PHOTOGRAPHS P115 (LIMONCELLO) © MARK DIACONO. P117 (RHUBARB & HARE) © KATY MCDONNEL; (THE FORAGER’S CALENDAR) © STEVE GOODWIN. P118 (DENYS & FIELDING) © RICHARD HUGGINS. P119 (NATIONAL TRUST) © NATIONAL TRUST IMAGES / CHRIS LACEY
TAKING THE SLOW LANE
“Riding allows you to take in your surroundings and reach points of interest that may be too far to walk,” says Graham Clark, active outdoors lead at the National Trust. “We have cycle hire at a number of our sites, with child trailers and bikes for all ages, and e-bikes. With the increase in availability of e-bikes, hills and distances are now not barriers to riding.” “With the longer evenings and warmer weather, there’s no better time to get out and explore the National Cycle Network,” says Xavier Brice, CEO of walking and cycling charity Sustrans. “As the custodian of the National Cycle Network, Sustrans is proud to maintain and celebrate the 12,739 mile network of traffic-free paths and quiet on-road cycling and walking routes across the UK.” For more information, visit sustrans.org
CYCLING AT THE NATIONAL TRUST • For easy-to-follow, family-friendly trails, visit Blickling, Norfolk; Calke Abbey, Derbyshire; Dudmaston, Shropshire; Kingston Lacy, Dorset; Nostell Priory, Yorkshre; Osterley, London; Plymbridge Woods, Devon; and Wallington, Northumberland. • For mountain bike trails head off to Lanhydrock, Cornwall. • For multiple routes of interest try Clumber Park, Nottinghamshire and Wicken Fen, Cambridgeshire. • Hire cycles at Blickling, Clumber Park, Lanhydrock, Low Wray Campsite, Osterley, Wallington, and Wicken Fen. Visit nationaltrust.org for more cycling routes and information.
It is hard to resist the appeal of The Good Life for those lucky enough to have a bit of space for a vegetable patch. Just as Tom and Barbara grew their own fruit and vegetables in the heart of suburbia in the popular 1970s BBC television sitcom, it is not necessary to have acres and a stunning rural view to give it a go. There are several varieties that are equally happy to grow in the ground or in medium- to large-sized containers, like courgettes, tomatoes, beetroot and carrots. It is also worth considering perennial fruits and vegetables, or rather vegetables that require sowing once and will crop year after year with the smallest amount of care and attention, which means less time spent digging, sowing and weeding. There is a huge choice on offer, from salad leaves to unusual, exotic crops, and seed companies, such as The Real Seed company and Otter Farm, even flag up perennial vegetable varieties so that deciphering what can be left in the ground from year to year will not require a certificate from the Royal Horticultural Society. There are also more and more vegetable-box schemes appearing, selling a range of seasonal produce grown in both country and city farms. To find out where the nearest organic box scheme is, visit soilassociation.org/take-action/organic-living/buy-organic/find-an-organicbox-scheme, or visit findlocalproduce.co.uk for details of local producers, farm shops and pick your own. ■
LEFT Bicycles leaning by a gate at the National Trust’s Marloes Sands, Pembrokeshire BELOW, CLOCKWISE FROM TOP LEFT Slate plant tags (large) with soapstone
pencil, £12, Garden Trading; Hinged herb planter, £69.99, Robert Dyas; Architectural cloche, £34.95, Annabel James; Salome cane armchair, £248, Rowen & Wren
120 THE ENGLISH HOME
GARDENING
style
MEADOW Create a less structured take on the classic English country garden with a considered balance of nature and nurture
S
it back and imagine an enchanting summer garden full of birdsong, floral colour, a sweeping lawn and walls swathed in rampant climbers. These charming characteristics are all evocative of the English country garden and occupy a cherished place in our national psyche, creating a magical blend of natural and curated beauty. This garden style has gently evolved and continues to inspire landscape designers and gardeners alike. Elements such as rose-covered arbours, wisteriadraped pergolas and richly planted herbaceous borders are immediately recognisable, but there are other, more subtle details and several new emerging plants and features that are well worth exploring to achieve this idyllic style.
EVOLVING HERITAGE
Dahlias, cosmos, Ammi visnaga and more intermingle in this charming country garden, imbuing a sense of relaxation, with topiary adding a focal point to draw the eye.
Leading lights have shaped English country gardens in a variety of styles over time and their influence can still be seen today. William Robinson, a Victorian keen to reform gardening and often referred to as ‘the Irishman who taught the English how to garden’, was a keen advocate of nature inspiring planting. He was responsible for popularising the planting of perennials, which appear year after year, over having regimented borders of annual bedding. He was also one of the first designers to plant swathes of spring bulbs within a lawn or under trees. Meanwhile, his friend and contemporary, Gertrude Jekyll, championed planting borders with a free painterly use of colour that changed with the seasons. Together, Robinson and Jekyll laid the foundations of this constantly evolving, less obviously structured garden style. THE ENGLISH HOME 121
ABOVE The gardens at Trematon Castle, Cornwall were an irresistible challenge for garden designers Isabel and Julian Bannerman. “We flung species rambling roses at the walls and tried to blend the borders by mixing in Daucus carota, moon daisies, wild echium and fringing the grass around so that the whole was a field of the cloth of gold.” OPPOSITE TOP A delightful tumble of fragrance and colour fill the Rose Garden at Mottisfont Abbey, Hampshire each Summer. OPPOSITE MIDDLE Former home and lifelong work of Sir Roy Strong CH and his late wife Julia Trevelyan Oman CBE, The Laskett Gardens, Herefordshire marry theatre, personal and historical passions with opulent planting.
Contemporary landscape designer Piet Oudolf is known globally for his meadow-style planting. Working across expansive areas, he plants large beds with bold, repeating drifts of perennial flowers that merge with elegant, swaying grasses to create a living tapestry that erupts into vivid colour before fading to bleached stems and seedheads in late autumn. Garden designers Isabel and Julian Bannerman also share a love of carefree, colourful planting. “Although we are known as extravagant, romantic, almost theatrical gardeners and designers, Julian and I have been leaning more this way for 20 years,” explains Isabel. “Here in Somerset, where we moved two years ago, we have a cider orchard and very few mature trees in a flat landscape. We are planting four acres of woodland which will take some time, so meadowmaking is the thing.”
PRINCIPAL PLANTS One distinct feature of meadow-style planting is an abundance of flowers. From the first glimpses of hellebores, snowdrops and fiery witch hazel in winter, to the riot of vivid spring bulbs – including narcissi, tulips, alliums – and the heady crescendo of summer, when perfumed roses, stately delphiniums and dancing agapanthus take centre stage, the everchanging palette of colours is a major draw. Colour and interest do not disappear later in the year, they simply become more subtle as vibrant sunflowers and dahlias are gradually overtaken with fading foliage, ripe seedheads and berries.
122 THE ENGLISH HOME
Topiary and hedges also play a supporting role, as award-winning garden designer Ann-Marie Powell acknowledges. “I believe that English country gardens should fully utilise the natural advantages of the surrounding landscape and nature. The garden should lay with the land – relaxed, loose wild plantings with good bones such as evergreen shrubs, hedging and topiary combining to create tapestries of texture and kaleidoscopic colour in our gardens.” Climbing plants are important in any garden, but particularly in an English country garden. Thanks to their free-roaming nature and ability to drape and soften walls and other structures, they exude romance and energy. Simon White, rosarian at Peter Beales Roses, explains: “Any English country home should have at least one or two rambling or climbing roses grown within their garden. Ramblers will adore arches and pergolas, giving large clusters of blooms and therefore the ‘wow’ factor. Climbers would be good for walls and fences, producing larger blooms that will flower off and on most of the summer.”
SIGNATURE ELEMENTS Adding structure is imperative to this plant-heavy gardening style. Summerhouses, gazebos and pergolas all provide essential height and interest. With the focus firmly on natural style, look for materials such as timber shingles, handmade bricks, clay tiles and hand-woven hurdles. “Gertrude Jekyll described oak as the best material for a garden seat, and we agree,” says Simon Burvill, founder of Gaze Burvill.
GARDENING
Inspirational country-style gardens Take time to visit and savour these inspiring and uplifting horticultural gems The Garden House, Devon Set deep in Dartmoor, there are 10 acres to explore and marvel at including densely planted borders and endless meandering pathways. thegardenhouse.org.uk Hauser & Wirth, Somerset Planted in 2014 and designed by renowned designer Piet Oudolf, this gallery site at Durslade features landscaping and a vast perennial meadow with mesmerising drifts and blocks of textural planting. hauserwirth.com Mapperton House and Gardens, Dorset A romantic valley garden featuring formal topiary and lush lawns intermingled with deep herbaceous borders and ornamental and native woodland. mapperton.com
BELOW The aged patina and nod to agricultural heritage, make galvanised-steel planters the perfect choice. Each piece weathers uniquely over time, adding to its charm. Planters, from £275, Arthur Jack
Mottisfont, Hampshire These walled gardens with their extensive collection of old-fashioned roses peak in summer, brimming with perfume and the most romantic of blooms. nationaltrust.org.uk Sussex Prairie Gardens, West Sussex Set in the rolling South Downs, the gardens brim with dense borders of grasses and colourful perennials that move and change with the seasons. Innovative sculptures are also dotted amongst the planting. sussexprairies.co.uk
Waterperry Gardens, Oxfordshire Made famous by Beatrix Havergal, who established her School of Horticulture for Ladies here from 1932 to 1971, highlights of these ornamental gardens include the 100-metre-long colour co-ordinated mixed herbaceous borders and the enchanting Mary Rose garden. waterperrygardens.co.uk Highgrove, Gloucestershire The private Cotswolds residence of Their Royal Highnesses The Prince of Wales and The Duchess of Cornwall, the extensive gardens at Highgrove epitomise the classic country estate aesthetic and feature iconic areas such as the shaded Stumpery, magical Sundial Garden and picturesque wildflower meadow. highgrovegardens.com Leighton Hall, Lancashire Expansive lawns, lush herbaceous borders and an idyllic woodland walk give this property an air of tranquillity. The walled vegetable garden and new herb and sensory area are truly inspiring. leightonhall.co.uk Holker Hall, Cumbria An enchanting mix of formal and informal gardens, presided over by a seventeenth-century great lime tree, make this grand estate a national favourite. A cascade and sunken garden add to the romantic charm. holker.co.uk
ABOVE Gravel paths weave through drifts and asymmetrical groups of perennials and shrubs at Beth Chatto’s Gardens, Essex.
THE ENGLISH HOME 123
Piet Oudolf’s meadow-style planting at Scampston Hall, Yorkshire creates an everchanging tapestry of textured grasses and perennials.
“An organic, beautiful product of nature, oak is naturally durable and will weather according to its environment, ensuring that it belongs in the landscape in which it sits.”
FOLLOW NATURE’S LEAD Taking a relaxed approach is key to this style, and it is essential to choose plants that will thrive in their chosen spot with little intervention. Emphatically practised by revered plantswoman Beth Chatto, the importance of ‘right plant, right place’ is clear when walking around her Essex gardens, but it is a principle others also embrace. “At Mapperton House we have several areas, each with their own approach to the English country garden style,” says Steve Lannin, head gardener of the Dorset garden. “In Fountain Court, self-seeded erigeron soften the hard landscaping, whilst the walls are clad in rambling roses, with tree peonies, hydrangea and other shrubs supporting the wild perennial plantings.” Although wild meadows are in decline, nurturing native species of grass and flowers at home is firmly on the increase. Hampshire-based garden designer Rachel Smith says: “A wildflower area can be seeded with a mix or can be created using specially created turf. Both seed and turf mixes are created to be used in specific ground conditions. Whether it is dry, sandy soil or heavy, acid clay, there will be an appropriate product available which will best suit these conditions.” Planting an orchard will also soften the boundaries between formal and informal garden areas. “Choosing a fruit tree is a long-term investment, which – if looked after properly – will provide a beautiful focal point and fruits for many years,” says Jon Munday, nursery manager at Blackmoor Nurseries in Hampshire. His 124 THE ENGLISH HOME
recommended varieties include the Red Falstaff apple, with its bright red fruits, and Concorde pear, a new variety that is full of flavour.
THE CHARM OF WATER Water can take various forms in an English country garden. A simple fountain will mesmerise as sunlight glances off the falling droplets, whilst a clean-sided rill or reflection pool nestled within loose, airy planting, as popularised by landscape architect and garden designer Tom Stuart-Smith, can provide a tranquil feature perfect for quiet contemplation. Wildlife ponds and natural swimming pools offer further creative opportunities, and landscape designer Claudia de Yong shares this advice: “Adding a feature like a jetty or pontoon to a pond is wonderful if you want to enjoy sitting on the water’s edge. You need to think of doing this at the beginning of the build as it is much easier than doing it later, once the pond is filled with water. Don’t be too mean on the size of the jetty – ponds always look bigger when they are empty, but once filled with water and plants, they end up looking much smaller.” n
CLOCKWISE FROM TOP LEFT Establish a colourfilled meadow with a mix of 41 native British wildflowers. Birds and Bees Meadowmat, from £17.48 a square metre, Turf Online Place seating in a spot surrounded by planting. Meander conversation seat, £4,770, Gaze Burvill Fill the garden with deliciously scented roses that flower from May to October. Olivia Rose Austin, £27 potted rose, David Austin Roses
FEATURE JILL MORGAN PHOTOGRAPHS P120 © CLIVE NICHOLS/GAP PHOTOS; P122 © I&J BANNERMAN LTD; P123 (ROSE ARCH) ©NATIONAL TRUST IMAGES/JONATHAN BUCKLEY; (LASKETT) © JONATHAN MYLES-LEA; (PLANTERS) ARTHUR JACK; P124 © HARROWDEN TURF; (SEAT) GAZE BURVILL; (DAVID AUSTIN ROSES) © JONATHAN BUCKLEY; (SCAMPSTON HALL) © MARCUS HARPUR
GARDENING
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MISCELLANEOUS FURNITURE
04/05/2021 10:57
THE HANDMADE SOFA COMPANY All of our furniture is hand built to order in the UK using the finest quality fabrics and leathers. Choose from an extensive range of standard contemporary and traditional models, including different Chesterfield styles and chaise longues. All models can be made-to-measure to suit individual requirements using one of the UK’s widest choice of leather and fabric. All standard furniture is normally delivered to UK mainland within 4-8 weeks from order time.
Period Hardware & Traditional Ironmongery
Shop and Online Store Based in Church Stretton, Shropshire. 4, High Street, Church Stretton, Shropshire, SY6 6BU Tel: 01694 720189 Email: info@thedoorknockercompany.co.uk Web: www.thedoorknockercompany.co.uk
TEL: 01258 841414
www.handmadesofacompany.co.uk The Handmade Sofa Company, Unit 4, Manor Farm Business Centre, Gussage St Michael, Wimborne, Dorset, BH21 5HT.
For more information visit us at www.theenglishhome.co.uk When calling the UK from North America, dial the country code ‘011 44’ and drop the first ‘0’ in the UK phone number
PANELLING
ANTIQUES
LENNOX CATO ANTIQUES & WORKS OF ART Est. 1978
The
01453 731305
English Panelling Company
1 The Square, Church Street, Edenbridge, Kent TN8 5BD T: +44 (0)1732 865988 M: +44 (0)7836233473
Quality MDF panelling to suit all tastes!
www.lennoxcato.com
www.englishpanelling.com
ANTIQUES
TIMBER BUILDINGS
Shepherd Huts | Workshops | Garages | Sheds | Shepherd Hut Studios | Offices | Beach Hut | Summer Houses | Bespoke Timber Buildings
At Appletree Bespoke Timber Buildings Limited we offer high quality, bespoke timber buildings and specialise in Shepherd Huts. Our family run business focuses on giving customers a friendly, personalized service resulting in high quality, custom-made buildings which will stand the test of time. Finance is available on all our products, ranging from Workshops, Sheds, Garages, Summer Houses, Garden Offices, Sedum Roofs and Bespoke Designs.
Appletree Bespoke Timber Buildings 01953 850072 | info@appletreebespoke.co.uk www.appletreebespoke.co.uk
For more information visit us at www.theenglishhome.co.uk When calling the UK from North America, dial the country code ‘011 44’ and drop the first ‘0’ in the UK phone number
ONE FINAL THING… An idea for enjoying the English countryside this summer
130 THE ENGLISH HOME
E
xploring a corner of the the British Isles looks set to be a popular choice for many of us this summer. For a holiday with a difference, why not consider one of House of Hackney’s three rather glamorous Castle Caravans set in the romantic grounds of Trematon Castle, Cornwall? To celebrate its 10th anniversary, House of Hackney has transformed these retro caravans into luxurious accommodation, decorating them inside and out with one of the its distinctive botanical prints. In addition, the brand has also collaborated with Jeep to provide private use of one of its hybrid cars, also covered in House of Hackney prints, to explore the local environs. We think a few nights under the stars in one of these carvans is sure to be a holiday to remember. From £190 a night for a minimum three-night stay, including use of a Jeep 4xe. For further details and available dates, visit houseofhackney.com
FURNITU RE
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FABRICS
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261 Fulham Road, London SW3 6HY
MIRRORS
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+44 (0)20 7352 5594
LIGHTS
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ACCESSORIES
www.beaumontandfletcher.com
Clockwise from bottom right: Belgrave, Empire, Georgian, Buckingham, Nelson and Rococo mirror.
