The English Home May/June 2022 - US Edition

ENGLISH HOME The

2022 Spring Edit

Celebrating the essence of English style

SPRING REFRESH

Beautiful designs for new season decorating

TIMELESS INTERIORS Irresistible ideas for classic updates ELEGANT ENTERTAINING Stories, recipes & style secrets

HERITAGE HOMES

From a magnificent ancestral hall to a colourful Victorian townhouse

JUNE 2022

EXPERT GUIDES Blissful bedrooms Garden planning

H AMI SH MACKI E SCU L P TU RE LI FE I N BR ONZE

Catalogue available, get in touch if you would like to be sent one.

Sculptures shipped worldwide directly from my UK studio. www.hamishmackie.com • hamish@hamishmackie.com • + 44 (0) 7971 028 098

CONTENTS JUNE 2022

44

36 Beautiful Buys

70 HERITAGE STYLE Combining period character with

6

77 BEDDED BLISS Create calm, classic, romantic and

26

contemporary living by interiors stylist Selina Lake. floral textiles, decorative tiles and painted furniture.

12 COTTAGE KITCHEN Hand-painted ceramics, ruffled

textiles and wooden pieces for rustic charm.

14 TASTE OF THE TROPICS Exuberant motifs and bright

hues to bring flamboyance to classic interiors.

PHOTOGRAPHS (CLOCKWISE FROM LEFT) © POLLY ELTES; CHRIS HORWOOD; © BOZ GAGOVSKI

English Homes 16 WRITTEN IN THE STARS The Countess of Derby

sustainable schemes informed by expert guidance.

Quintessentially 85 FLORAL CELEBRATION Jolly Liberty print pieces.

86 FROM PATCH TO PLATE: MATTHEW FORT In praise

of the radish in all its gem-like and fiery glory.

88 SOCIAL INFLUENCERS Interior designer Jane Churchill

on elegant entertaining inspired by high-society doyennes Nancy Astor and Nancy Lancaster.

reveals the vision behind the revival of Knowsley Hall.

26 COLOURFUL OUTLOOK A stylish mix of pretty hues

96 PLOTTING A RETREAT Insightful ideas for designing

and prints adds heartening charm to a country retreat.

36 NATURAL HABITAT A dilapidated barn originally

garden areas to enjoy throughout summer.

102 TAKING THE WATERS Feel revitalised by visiting one of

set to be a workshop is now a summer home.

44 ORIGINAL SPIRIT An Arts and Crafts gem comes

England’s renowned spa towns.

108 THE ART OF ENJOYING THE GREAT OUTDOORS

into its own in spring, reflecting the garden’s natural colours.

52 TAPESTRY OF LIFE Treasured pieces and a spacious

Mrs M embraces flora and fauna.

114 MY ENGLISH HOME & GARDEN BBC Gardener’s World

Regulars

61 HAPPY UNION Balancing pink and blue patterns.

4

collections offer a fresh spin on classic English interiors.

A LETTER FROM HOME A warm welcome from

our Editor.

113 ADDRESS BOOK Useful contact details.

2022 Spring Edit

Celebrating the essence of English style

SPRING REFRESH Beautiful designs for new season decorating

presenter Adam Frost reveals his gardening inspirations.

Style Inspiration 62 TIME TO REFINE The spring wallpaper and fabric

The

110 HOUSES WITH CHARACTER Coastal properties.

extension bring light and life to a Victorian abode.

ENGLISH HOME

TIMELESS INTERIORS Irresistible ideas for classic updates ELEGANT ENTERTAINING Stories, recipes & style secrets

EXPERT GUIDES Blissful bedrooms Garden planning

HERITAGE HOMES

JUNE 2022

DESIGN DISCOVERIES Celebrating spring with crisp

From a magnificent ancestral hall to a colourful Victorian townhouse

COVER IMAGE: TOM MACKIE / AWL IMAGES

THE ENGLISH HOME 3

Turn to page 62 to discover the spring/ summer season collections and the classic English tone that feels right for now.

Wallpaper, Sayuri Hunter, Romo

WRITE TO US AT

The English Home, Jubilee House, 2 Jubilee Place, London, SW3 3TQ, UK Tel + 44 (0)20 7349 3700 Email: theenglishhome@chelseamagazines.com

www.theenglishhome.co.uk EDITORIAL

Editor Samantha Scott-Jeffries Managing Editor Sarah Feeley Art Editors Claire Hicks, Rebecca Stead Contributing Designer Mark Bradley Sub Editor Lea Tacey Decorating Editor Katy Mclean Homes & Lifestyle Editor Clair Wayman Editor-at-Large Kate Freud Editorial Assistant Nell Whitaker

UK ADVERTISING CONTACTS

C

lassic English decorating never goes out of style, but this season it is also in fashion. The return of timeless interiors reflects the mood of the moment in England as we crave uplifting, enduring and comfortable homes. This desire is reflected in the newly launched spring/summer fabric and wallpaper collections, with elegant designs that draw upon archive prints, updated in fresh, soft palettes and interesting textures. Learn how versatile these new classics are and be inspired by our advice on how to use them to refresh interiors – wherever your home – on page 62.

Renowned interiors stylist Selina Lake has her own take on classic decorating and offers insights on how to emphasize the best features of period homes and decorate them for life today on page 70. She calls the mood ‘Heritage Style’.

We look, too, at creating the most beautiful bedrooms with schemes designed to encourage a blissful night’s sleep, and garden designs to make the most of that ‘room outdoors’ for the months ahead. We are particularly looking forward to hosting friends and family outside as soon as the weather permits, and in this issue, explore how two of the great hostesses of the twentieth century set the tone for what we consider to be elegant entertaining today.

Their witty stories, simple recipes, stylish ideas and sparkling guest lists are not to be missed on page 88.

We hope this issue inspires you to find the perfect balance of classic English style and fresh inspiration in the months to come.

Samantha Scott-Jeffries, Editor Follow us on Twitter @englishhometeam Pinterest at pinterest.com/theenglishhome Facebook at facebook.com@theenglishhome Instagram at instagram.com@englishhomemag The

ENGLISH HOME PODCAST

NEW – PODCAST

The English Home podcast celebrates the best of English interiors, design and seasonal inspiration. Listen now - podcast.theenglishhome.co.uk

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© The Chelsea Magazine Company Ltd 2022. All rights reserved. Text and pictures are copyright restricted and must not be reproduced without permission of the publishers. The information in The English Home has been published in good faith and every effort has been made to ensure its accuracy. However, where appropriate, you are advised to check prices, opening times and dates, etc, before making final arrangements. All liability for loss, disappointment, negligence or damage caused by reliance on the information within this publication is hereby excluded. The opinions expressed by the contributors of The English Home are not necessarily those of the publisher. www.chelseamagazines.com: Publisher of Artists & Illustrators, Baby, BRITAIN, Classic Boat, Cruise International, Discover Britain, The English Garden, Independent School Parent and associated Guides, Little London, Popshot, Racecar Engineering, Sailing Today, Scotland Magazine, Yachts & Yachting and Wedding Ideas.

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A letter from home

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DESIGN DISCOVERIES

Crisp new textiles and innovative designs refresh the home this spring

COLOURS OF THE WORLD Each piece collected by Ibbi Direct’s talented curators has a story, such as these new, effervescent block-print cushion covers which are now part of its colourful collection celebrating the wonderfully wonky pieces sourced around the world.

Block-print cushion covers, from £40, Ibbi Direct

ABOUT FERN Drawn from Vanessa Arbuthnott’s captivation with nature during the spring of 2021, The Forest Collection comprises a plethora of fantastical fern forms. Initially experimenting with potato prints in her kitchen, Arbuthnott has created a block-print collection in a variety of scales and uplifting colours.

Lampshades, Little Fern, Ochre; console skirt, Little Fern, Lichen and Simple Ticking Detail, Lichen; pouffe, Lattice Leaf, Ochre and Simple Ticking Detail, Lichen; cushion, Wild Fern, Ochre, all £59 a metre, Vanessa Arbuthnott

TASK FOCUSED Bring light to the task in hand with versatile pendants in smart finishes from the new David Hunt Lighting SS22 collection which ranges from a selection of brass chandeliers to the more classic single wall lights, where sleek tradition meets contemporary twists.

Buxton pendant, Brushed Chrome, £150, David Hunt Lighting 6 THE ENGLISH HOME

SHOPPING FRENCH ACCENT The new Loire Collection from Birdie Fortescue is inspired by eighteenth-century French prints and early Nevers faience china. From bamboo-and-rattan furniture to cushions in floral and trellis designs, to mix-and-match tableware and ruffled table cloths, this delightful range is sure to set the scene for a summer of lavish living.

Woven Bamboo Sofa with water-resistant Trellis sofa cushion, Pink, £1,300; outdoor cushions, Bouquet de Fleurs, Ikat  and Trellis, from £75, all Birdie Fortescue

THE ENGLISH HOME 7

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SHOPPING PAINTERLY SHADES The enticingly jolly hand-painted fabric lampshades stem from Hum London, founded during lockdown by sisters Hermione and Ellie Gee. Expressive brushstrokes form animal prints, ginghams and delicate trims, adding a layer of pattern and personality to a room. Available in a range of colourways, with a warm and earthy toned new collection.

Prices from £65, Hum London

BREAK AN EGG Whether whipping up an omelette or baking an elaborate cake, keep those all-important ingredients at hand in aesthetically pleasing vessels such as the stylish kitchen stoneware collection from Nordic House.  Stoneware egg holder, £27.50, Nordic House

SIMPLE COMFORT The natural, clean and simple linen covers of Cotswold Grey’s Snowshill sofas bring an understated and calming mood to a sitting room. For those concerned with the rough and tumble from children and four-legged friends, the Milton range also offers the added benefit of stain-free technology.

Snowshill sofas, from £3,100 for a two-seater, Cotswold Grey THE ENGLISH HOME 9

SHOPPING HAPPY BEDFELLOWS From the fresh, quaint linens of Sarah K and the refined elegance of Katherine Paravicini emerges this new, smart bedspread, perfect for both classic and contemporary interiors.

White Scallop bedspread, £185, Sarah K x Katherine Paravicini

NATURE TABLE Bridging both eclectic and traditional styles, the gently contrasting and matching collection of table linen and hand-painted ceramics from Mila London are perfect for creating a glorious tablescape featuring flora and fauna designs.

Comporta serving bowl, £105; Comporta platter, £160; Birds in Paradise tablecloth, from £120; Birds in Paradise napkin, £7.50, all Mila London

SMART ALLIANCE Designed in France, the fresh and finessed Entente Cordiale fabric and wallpaper collection from Lewis & Wood celebrates England’s long-held connection with France, ready to make the crossing to the lighter months.

Toile Baptiste, Ciel, £89.90 a metre, Lewis & Wood

Confident in colour and pattern, Otto Tiles’ three new green tile offerings across its terrazzo and encaustic cement range bring an optimistic atmosphere to bathrooms and kitchens.

Valencia encaustic cement tiles, £162 a square metre, Otto Tiles ■ 10 THE ENGLISH HOME

FEATURE NELL WHITAKER

KEEN FOR GREEN

WESTLAND LONDON SPECIALISTS IN ANTIQUE FIREPLACES & FINE ANTIQUES SINCE 1969

295 WILLESDEN LANE, LONDON, NW2 5HY

TUBE: WILLESDEN GREEN (JUBILEE LINE)

www.westlandlondon.com

TEL: +44 (0) 207 739 8094 e-mail: westland@westlandlondon.com

SHOPPING Green Summer Flower china, from £24.19; Simla Blue/Green tablecloth, £224.40; fabric on chairs, Gobi Blue, £173.42 a metre, all Penny Morrison

Meadow’s Edge Lichen/Pale Rose fabric, £84 a metre, Angie Lewin

Tartan egg cup plate, £27, Matilda Goad Leah Rose hand-painted oval platter, £180, Zsuzanna Nyul at Cutter Brooks

Dot Green charger plate, £40, Daylesford

COTTAGE KITCHEN

Emma Lacy Everyday Breakfast bowl, £38, Bluebellgray

For an effortlessly rural mood, in town or country, mix classic cottage kitchen pieces with rustic designs and pretty patterns. Blend styles to keep the scheme from looking contrived, and add a twist of freshness with traditional pieces in soothing contemporary colours. Imbue the space with rural spirit by sourcing wooden furniture and accessories and charmingly uneven, hand-painted ceramics. Layer this wholesome foundation with lively print and check textiles and a sprinkling of brightly hued accessories.

Lemon Drizzle Cake and Whispering Angel paint, both £31 for 1l Matt, William Yeoward

Pacey cutting board, from £39.95, CharlesTed Interiors

Small Kinds soap, £10 for a set of three, National Trust Shop

East Sussex Cottage collection bar stool, £495; Contorno Alchemilla cushion cover, £60, all Oka

The Dryad Rattan Whalebone chair, £2,900; loose cushion, from £450, both Soane Britain

12 THE ENGLISH HOME

Ruffle Gingham linen tablecloth in Dusty Pink and Denim Blue, from £189, Rebecca Udall

Hawkdale mango wood and marble kitchen island, £1,250, Perch & Parrow

FEATURE SUZANNA LE GROVE PHOTOGRAPHS (DAYLESFORD) © NEIL WATSON; (OKA) © DAMIAN RUSSELL; (ANGIE LEWIN) © MIKE ELLIS

R7 150 electric cooker with induction hob in Olivine, £15,245, Aga

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Apollo bath pictured - 2 sizes manufactured

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THE ENGLISH HOME 13

SHOPPING Lydian mirror, Gold, £895, Oka

Yellow-Crested Cockatoo plate, £24.99, The BirdLife Collection, Curated Pieces Roman blind and cushions, Laly, Hibiscus, £170 a metre, Manuel Canovas

Green Palm Leaf pendant light, £85, Cult Furniture

TASTE OF THE TROPICS

Drake wall light, £45; Pink Palm pendant shade, £38, both Pooky x Matthew Williamson

With summer on the horizon comes a desire for brighter hues in the home, and what better way of achieving this than with tropical motifs and colours? The eye-catching flamboyance of fan-like palm fronds, richly coloured blooms and extravagantly feathered birds are easily incorporated into a classic English scheme. Introduce a layer of restrained, soothing greens along with a warming splash of coral and chic golden touches to sit happily alongside the more exuberant flora and fauna-inspired designs.

Sima paint, £42 for 2.5l Flat Matt, Coat Climate Positive Paint Company

Parrot & Palm cushion, £110, John Derian for Designers Guild

Coral Parquet Lambswool throw, £109, Bronte By Moon

Tinka green glass vase, £38, The Find Store

Red Palm embroidered cushion cover, £35, Walton & Co

Pompadour low-back sofa in Fern Como silk velvet, £13,602, Beaumont & Fletcher

14 THE ENGLISH HOME

FEATURE KATY MCLEAN

Madhya rug, £2,250, Designers Guild

Golden Palm Leaf ornament, £116, Audenza

Fabrics (from left): Elphin, Teal, £48 a metre; Lisbeth, Pink/Green, £84 a metre; Bamboo Palm, Pink/Aqua, £104 a metre, all Jane Churchill

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Wheatsheaf wall light and Chinoiserie mirror, Alexandra chair with Rossini cushion

Written in

THE STARS Providence and determination have resulted in Knowsley Hall, ancestral seat of the Earls of Derby, being restored to its former glory FEATURE & STYLING COSMO BROCKWAY PHOTOGRAPHY JAMES MCDONALD

The Walnut Drawing Room is at the heart of this historic house with its Parisian boiserie panelling and intricately carved and gilded marble fireplace.

The room was totally empty on Caroline’s arrival and so she had the task of making it feel like a home. Cut velvet upholstery with Ottomanera motifs adds to the sumptuous feel.

THE ENGLISH HOME 17

‘The privilege of waking up in such a beautiful place inspires creative thinking, dreaming and a sense of well-being’ ABOVE The warmth of the Edwardian panelling in the entrance hall is complemented by an Aubusson carpet.

ABOVE RIGHT Caroline, Countess of Derby with dachshunds Lola, Poppy and Stella in front of the Victorian loggia at Knowsley Hall. Caroline plans to publish journals written by the 14th Earl of Derby whilst on a Grand Tour of Europe and America between 1820 and 1824.

S

tanding on the grand staircase of her home, Knowsley Hall, near Liverpool, Caroline Stanley, Countess of Derby, remembers when she met her husband. “I first met Edward twice in the same day, over the railings at Royal Ascot and then, to both our surprise, later that day at a wedding in Scotland,” laughs Caroline. “Of course, I had no idea what hand fate was dealing me, or that this house came with the ring.” The house itself is the arrestingly handsome ancestral home of Caroline’s husband, Edward, 19th Earl of Derby. Having unexpectedly inherited the somewhat forlorn pile from a childless uncle and aunt, the energetic young newlyweds decided in 1995 to leave behind their London lives and throw themselves into its restoration.

The task was even more daunting because half of the stately home had, according to Caroline, “been let out to the Merseyside Police as their headquarters and the interiors had been partitioned up into cubicles with magnolia gloss paint everywhere.” The future chatelaine’s first glimpse of what was to be her home

18 THE ENGLISH HOME

was unpromising. “Because I was travelling in my role as Assistant to the Surveyor of The Queen’s Pictures, I didn’t actually get to Knowsley Hall until several months into our courtship. I remember feeling that it was a beautiful house and park, but the interiors were bereft and unloved, as Edward’s uncle had moved out of the Hall 30 years earlier.”

Where other new wives might have run for the hills at the thought of taking on such a white elephant, the romance of the estate’s history captivated Caroline.

Born a Neville, a member of one of England’s oldest families, and having grown up on the historic Audley End estate in Essex, Caroline has just the sort of vim and vigour it takes to bring an important house back to life. Reflecting on the unofficial training she received as a young girl for her future role, she remembers her grandfather, Lord Braybrook, brought their own family collection alive for her. “Our family house was so soaked in history and art that when I came to Knowsley, I felt its magic immediately.  Interestingly, marrying Teddy reunited the two great

TOP Buried for years under magnolia gloss paint, the Morning Room has been brought back to its original splendour. Suzani and jajim cushions from Nushka Home enliven the sofas.

ABOVE The view of Knowsley Hall from the ornamental lake shows the astonishingly long facade facing the gardens.

There were nearly 50

bedrooms when Caroline arrived which have now been deftly pruned down to 20, all with en-suite bathrooms.

LEFT The Mahogany Library, off the entrance hall, is used to display the family collection of china. Caroline has lined the glass-fronted cabinets with deep-red silk as a backdrop to the beautifully patterned porcelain.

THE ENGLISH HOME 19

The eighteenth-century Stucco Ballroom is a triumph of restoration and forms part of the Royal Lodgings built by the 10th Earl of Derby. The original decorations, with the heads of 12 Caesars and gilded swags, were added to by architect Claud Phillimore in the twentieth century.

LEFT The Octagon Folly was designed

by William Kent in 1755 and has a view of Knowsley Hall across the lake. The design of the Stanley family crest on the facade is taken from a family legend of an eagle nurturing one of the family in its nest.

RIGHT The interior of the Octagon Folly has traces of the original plasterwork.

The family uses it for hosting lunches.

Caroline found the faux bamboo dining chairs at a house sale at nearby Leverhulme Hall.

The tablecloth is made from blockprinted vintage Indian fabric.

The Staircase Hall, added between 1908–1913 is a breathtaking space, hung with biblical scenes painted on vast leather canvases.

medieval families of England – the Stanleys and the Nevilles,” she adds with an amused smile.

Knowsley Hall is now the home of the couple, along with children Henrietta, 24, Edward, 23 and Oliver, 19. It has a chequered past, interwoven with the pageantry of nobility. The original wing was built as a hunting lodge by Sir Thomas, 1st Earl of Derby, in 1495 to entertain his stepson, King Henry VII. The family held the Isle of Man as Kings and Lords for 300 years, as well as being patrons of both Shakespeare and Edward Lear. The 7th Earl was beheaded for the Royalist cause and, perhaps most famously, the Epsom Derby was named after the 12th Earl.

Both Edward and Caroline wear it lightly. Warm and welcoming, they delight in hosting guests from all over the world, working with the likes of luxury travel agency Loyd & Townsend-Rose. The tranquil setting of the house, nestled in Capability Brown parkland, is all the more striking when the docks of Liverpool are viewed from the bedroom windows.

The magnificent facade, with Caroline’s Versaillesstyle topiary planting adding a sense of theatre, is the work of several architects, including William Henry Romaine-Walker in the early twentieth-century.

“The 17th Earl hired him to tidy up the house after he admired the architect’s design for Liverpool Town Hall,” says Caroline. Further embellishments included  the Walnut Drawing Room, its panelling designed

THE ENGLISH HOME 21

‘I invited colleagues from The Royal Collection to stay and we spent a happy few days rehanging the astonishing collection’ ABOVE The young Princesses Elizabeth and Margaret would breakfast in this dining room in The Royal Lodgings wing with their mother, Queen Elizabeth (later The Queen Mother) whilst visiting for the horse racing. Caroline found the ornate hand-painted screen in an attic.

RIGHT Topiary in the gardens is laid out in the French manner.

Knowsley Hall is available for private stays and is also a glorious wedding and events venue. Visit knowsleyhallvenue. co.uk

by the same Parisian firm who later created the state rooms of the ill-fated Titanic. This handsome room is used today for family gatherings and has been furnished by Caroline in fittingly sumptuous upholstery to complement the original Edwardian curtains. A stint working with royal interior decorator Dudley Poplak has been an invaluable background for the challenge of transforming the grand rooms into comfortable and inviting spaces.

“Actually, the first room I tackled was the State Dining Room, built for a visit by George IV,” says Caroline. “I invited some of my former colleagues from The Royal Collection to come and stay and we spent a very happy and exhausting few days rehanging the astonishing collection of portraits.”

More recent projects have included a favourite bedroom, Lord Derby’s Suite, which Caroline has covered with a bespoke floral wallcovering called Indienne from Lewis & Wood, a backdrop to a specially commissioned four-poster bed hung with  pale-blue silk.

22 THE ENGLISH HOME

Built in 1890, the State Dining Room is 58-feet long and is similar in style to the State Dining Room at Windsor Castle. The Earl and Countess of Derby host banquets here, both privately and for paying guests, setting the table with opulent silver and tazza dishes filled with pineapples and other exotic fruit to evoke another age.

‘My vision has always been to return the interiors to being a stately home downstairs and five-star luxury upstairs’ ABOVE LEFT Caroline has decorated the principal bedroom, Lord Derby’s Suite, in a light and elegant style. A lamp from Oka ties in with the wallpaper from Lewis & Wood.

ABOVE RIGHT The bedroom of youngest son, Oliver, has been given drama with the addition of a deep red canopy over the bed and an eclectic mix of cushions from Nushka Home.

Each room has been given a particular character with homages to family personalities, such as the delightfully lavender-hued and feminine Lady Victoria Room, featuring a portrait of its namesake, Lady Victoria Bullock, great-grandmother of television personality Clare Balding. “My vision has always been to return the interiors to being a stately home downstairs and five-star luxury in the bedrooms and bathrooms upstairs,” Caroline explains.

When decorating the rooms, Caroline was helped by her interior designer sister, Amanda Murray. “Having worked on large houses such as Locko Park, Amanda was thankfully undaunted by the scale of the place,” she says. “She was so helpful with colour schemes and curtain design appropriate to such large rooms. I had no idea how important pelmet depth was until she drummed it into me!”

Citing Nancy Lancaster as her greatest design inspiration, Caroline has used historical paint colour

24 THE ENGLISH HOME

ranges wherever possible. “Even though these paints might be slightly more expensive, I know the research that has gone into them means that the shades will be correct for the date of the house,” explains Caroline.

The colours that meander through the lofty rooms, including the elegant blue Morning Room, are the perfect foil for Caroline’s eclectic finds, including silk suzani cushions and exquisite hand-painted screens.

One such screen is now in the oldest part of the house, the private dining room of the Royal Lodgings, which has hosted generations of monarchs, including Her Majesty The Queen, who visited with her sister Princess Margaret when they were young.

Reflecting on her relationship with Knowsley Hall, forged through many challenges and joys, Caroline says, “The privilege of waking up in such a beautiful place inspires creative thinking, dreaming and a sense of well-being. That is exactly what we hope to share with our guests who come to stay.” n

SPRINGTIME EVENT

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HANDMADE IN ENGLAND, CHERISHED IN AMERICA The only aluminium Glasshouses and Greenhouses endorsed by the RHS ® The Royal Horticultural Society. The Royal Horticultural Society, and its logo, are trade marks of The Royal Horticultural Society (Registered Charity No 222879/SC038262) and used under licence from RHS Enterprises Limited.

Colourful OUTLOOK By filling this house with joyful colour and pattern, Caroline Baker has created a country retreat that is a complete contrast to her busy city life FEATURE & STYLING KERRYN HARPER-CUSS PHOTOGRAPHY BOZ GAGOVSKI

T

here are remarkably few villages in England that retain a peaceful atmosphere reminiscent of a bygone era, and Caroline Baker’s picturesque house nestles in one of them. Sitting atop a steep slope, with windows overlooking unobstructed views of rolling Gloucestershire countryside, the elegantly symmetrical Georgian property with lollipop trees either side of the front door resembles a child’s drawing come to life.

The sun rises to kiss the front of the house, passes over horses grazing and sheep nibbling across pastureland, and sets over a neat and secluded back garden.

Caroline, the owner of her eponymous property management company with satellite offices in Paris, New York and LA, bought this country retreat from her busy London life seven years ago. “When I decided to buy a weekend home in the Cotswolds, I gave myself six months to find a property, but this was the first house I viewed,” she explains. “It was a glorious summer’s day when I visited – the sun was shining, and all the windows were open.”

Stepping through the front door into the wide central hall, which draws the eye beyond the stairs, right through to the back door, the drawing room beckons to the right and the dining room to the left. “I loved the Georgian style – the large windows, high ceilings, wide staircase, two entrances and the  sweeping views of the drystone walls and undulating

LEFT A cocktail trolley from Soane Britain keeps the accoutrements for after dinner drinks close to hand in the dining room. The floral display is by Neil at NB Flowers in Covent Garden.

THE ENGLISH HOME 27

The hall is wide enough to accommodate generous seating and antique furniture. The upholstered bench is from Soane Britain. Pudding, the cockapoo, eagerly welcomes guests.

28 THE ENGLISH HOME

‘My taste is very English for my country home; in London I have a completely different palette – more refined and contemporary’ fields,” she says. “And I loved the fact that it’s rural, or as rural as one can get and still be accessible.”

When Caroline moved in with her daughter in 2014, the house did not require restoration as it had been much loved and well maintained. “The couple living here had spent 30 happy years bringing up two charming girls,” she explains. However, as the interiors were in a relatively neutral palette throughout, she looked forward to the process of adding character and vibrancy to each room.

“The interiors hadn’t been touched for probably 20 years,” Caroline says. “I love colour and for rooms to have their own identity. I like to feel that when you walk from one room to another, you are in a very different space. My taste is very English for

ABOVE An informal my country home; in London I have a completely different palette – it is more refined and contemporary. montage of pictures above a pair of red I believe you have to work with your architecture and velvet upholstered your surroundings.” occasional chairs Caroline has a highly developed eye for design, as creates a focal point in the drawing room. well as an enviable contacts book thanks to the type A Georgian tallboy of work she does. “We project-manage property for is a perfect fit for our clients, so I’ve come to know great craftspeople, the alcove. trades and suppliers,” she says. “However, this is a Grade II listed house, so I had to make the most of what I could do within the constraints with paint, wallpaper and joinery, and within my budget.”

When it came to the kitchen, Caroline commissioned a local joiner to fit, bespoke cabinetry,  painted in a barely there grey, teamed with grey-veined

THE ENGLISH HOME 29

‘This is a Grade II listed house, so I had to make the most of what I could with paint, wallpaper and joinery’ ABOVE Comfortable sofas, plenty of books and subdued lighting invite lingering beside the open fire in the drawing room.

LEFT Caroline in the dining room. The bucolic location of the house is echoed in the choice of Royal Oak wallpaper in Aerial

by Lewis & Wood.

30 THE ENGLISH HOME

marble worktops and a traditional butler’s sink. The rest of the ground-floor spaces are decorated with a beautiful, comfortable, colourful mix of old and new.

When it came to injecting more pattern into the bedrooms upstairs, Caroline felt she needed some assistance, so, in 2020, she sought the guidance of interior designer Rosanna Bossom. “I met Rosie through a project that we worked on together for a client,” she explains. “I love that she has fantastic ideas, put across in a very calm way; she is in no way overbearing, listens carefully and works with your vision.”

Rosanna, who has worked with both Rifat Ozbek and Nicky Haslam, has a reputation for imbuing a contemporary twist on traditional style. For the principal bedroom, she gave Caroline the confidence  to use the fabulous, densely patterned Pierre Frey

ABOVE Caroline is a keen and accomplished cook and her cream Aga is in regular use.

LEFT The fivebedroomed Georgian house sits like an idyllic doll’s house on an embankment at the edge of a village and has unobstructed views

of the countryside from the front.

BELOW A Roman blind in Tendril Vine fabric from Soane Britain chimes with the walls painted in Cuisse de Nymphe Emue from Edward Bulmer Natural Paint. The carpet is from Stark Carpets.

THE ENGLISH HOME 31

ABOVE Interior designer Rosanna Bossom encouraged Caroline to use the beautiful, densely patterned Le Grand Corail wallpaper from Pierre Frey. The bedcover is in fabric from Veere Grenney.

RIGHT This elegant bathroom decorated in soft tones of duck egg acts as an en suite to the principal bedroom but also has a door to the first-floor landing.

For a similar roll-top bath try Catchpole & Rye. The blind fabric and wallpaper is Palampore from Soane Britain.

32 THE ENGLISH HOME

‘I like waking up to colour. If I woke up in a room that was totally neutral, I wouldn’t feel as ready to go’ wallpaper she had fallen in love with but felt nervous about using. Rosanna then redesigned key ingredients in the bedroom around the wallpaper.

“Caroline and I have similar tastes, and she is very decisive, which made our job fun,” Rosanna explains.

“She is adventurous and loves colour, but needed a bit of hand-holding to push it to the next level, and she is also so busy. I like to reuse as much as possible and build on character and story, otherwise a room can start to look a little processed. All the furniture was Caroline’s; we simply refreshed it. We updated the wardrobes by cutting out the Shaker panels and inserting fabric. Adding fabric to the doors absorbs sound and makes the room feel even softer. We created a bed canopy and replaced existing curtains with new ones in cream linen (reusing the originals in Caroline’s shepherd’s hut). The brown velvet trim echoes the branches in

the wallpaper and I like to use a pelmet in a bedroom because it can make windows look taller and gives more of a blackout effect.”

Now the decorating is complete, Caroline is thrilled with the end result. “I loved working with Rosie,” she says, “and I like waking up to colour. It marries waking up with a positive feel to the day. If I woke up in a room that was totally neutral, I wouldn’t feel as ready to go.”

Although Caroline admits her home is a continual creative outlet, it has absolutely fulfilled everything she was looking for in a country retreat. “I love the fresh air, a log fire in winter, a hazy, dewy evening in the summer,” she says. “The changing seasons are so much more apparent in the country. One is much more in touch and encouraged to slow down.

Very few people could say life in the country isn’t good for one’s soul.” n

ABOVE LEFT Pelmet-topped curtains in cream linen add a quiet contrast to the wallpaper pattern in Caroline’s bedroom.

The armchair is upholstered in Fez Weave from Guy Goodfellow.

ABOVE RIGHT In the guest bedroom a duck egg velvet trim on the blind and curtains ties in with Marguerite wallpaper

by Nina Campbell at Osborne & Little.

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y an 3 n 2 e ak e 20 t e un n b re J a e c efo z i Pr e b tim

WIN a Great British Holiday Enter our competition for your chance to win a holiday in Britain for two worth up to £5,000, plus free international flights

W

ould you like the chance to stay in five-star luxury in London, taking in the capital’s most famous sights? How about a trip to the quaint villages and rolling hills of the Cotswolds? Or even a visit to Edinburgh, Scotland’s stunning capital? You can win all of this and more in our fantastic Great British Holiday competition.

A LUXURIOUS LONDON STAY Starting with free flights (for overseas entrants), one lucky winner

and their guest will travel to London for a luxury one-night stay at The Capital, a five-star townhouse hotel in the heart of Knightsbridge – just down the road from iconic department store Harrods and a short stroll from Buckingham Palace.

Get your stay off to a sparkling start with a glass of champagne at the hotel before venturing out to explore the sights. Prepare to immerse yourself in English history, as the prize includes tickets to Hampton Court Palace, Henry

VIII’s spectacular home, as well as to the Tower of London. Here you can meet the legendary beefeaters and get up close to the Crown Jewels.

You will also receive tickets to attend the Ceremony of the Keys, the 700-year-old ceremonial ‘locking up’ of the Tower.

After cocktails at The View from The Shard, where you will enjoy a breathtaking panorama of the city, you will be treated to a Michelinstarred dinner at Galvin La Chapelle, set in a grand, former Victorian chapel.

ON TO HISTORIC EDINBURGH Next, you will head to Edinburgh for a one-night stay at The Dunstane Houses, a five-star boutique hotel set in two Victorian townhouses.

During your stay you will visit iconic Edinburgh Castle, followed by a special three-course dinner.

THE CHARMING COTSWOLDS To conclude your trip, it is time to escape to the countryside, for a one-night stay in the glorious Cotswolds. You will receive annual passes to one of Britain’s finest

COMPETITION

Pride of Britain Hotels is Britain’s leading luxury and boutique hotel collection, with wonderful, mostly family-owned hotels in some of the country’s most beautiful locations.

Win a one-night stay for two including breakfast at The Capital, an elegant and traditional five-star hotel in the heart of London’s glamorous Knightsbridge district; a one-night stay for two at Whatley Manor Hotel & Spa, a luxurious and historic hotel in the Wiltshire Cotswolds, including breakfast, dinner and a floatation spa experience; and a one-night stay for two including breakfast and dinner at The Dunstane Houses, a boutique hotel set in two Victorian townhouses near Edinburgh’s beautiful Old Town.

A night in a luxury London hotel ● Tickets to some of London’s top sights ● Gourmet dining ● A night in a boutique hotel in Edinburgh ● Edinburgh Castle ● Spa stay and dinner in the Cotswolds ● Blenheim Palace ● Free international fl ights (for overseas entrants)

●

www.prideofbritainhotels.com

Two annual passes to Blenheim Palace, one of England’s finest stately homes and the birthplace of Sir Winston Churchill. www.blenheimpalace.com

In London, enjoy cocktails for two at The View From The Shard, followed by a gourmet dinner at Galvin La Chapelle. In Scotland’s capital, visit historic Edinburgh Castle and enjoy a three-course dinner courtesy of Buyagift, the UK’s leading provider of experience days. www.buyagift.co.uk

Explore the iconic Tower of London, including a pair of tickets to the Ceremony of the Keys, as well as two tickets to Hampton Court Palace, courtesy of Historic Royal Palaces. www.hrp.org.uk

PHOTOGRAPHS © HISTORIC ROYAL PALACES/RICHARD LEA-HAIR; LAZYLLAMA/SHUTTERSTOCK; JO HANSFORD PHOTOGRAPHY

HOW TO ENTER stately homes and the birthplace of Sir Winston Churchill: Blenheim Palace.

Your stay for the night will be at Whatley Manor Hotel & Spa, a luxurious hotel in the Wiltshire Cotswolds, with dinner at Michelin-starred The Dining Room included.

You can also take advantage of the top-class facilities at the Aquarias Spa, rounding off an unforgettable stay with a relaxing floatation pod experience for two.

Go to www.theenglishhome.co.uk/ GBH2022 or fi ll in the coupon on the right with the answer to the question below:

QUESTION: Where are the Crown Jewels held? a) The Tower of London b) Buckingham Palace c) Hampton Court Palace TERMS AND CONDITIONS Closing date for entries is 31 July 2022. The winner will be announced on www.theenglishhome.co.uk on 8 August 2022. The holiday can be taken between 1 September 2022 and 31 May 2023, subject to availability.

Winner randomly selected. Blackout dates apply. The prize includes free travel to and from London from/ to the winner’s nearest gateway city, including flights from their major international hub airport, if applicable.

Transportation to and from Edinburgh, and to and from the Cotswolds is not included. Full terms and conditions at www.theenglishhome.co.uk/GBH2022

SEND YOUR COUPON TO: (UK and ROW) Great British Holiday Competition 2022, The English Home, Jubilee House, 2 Jubilee Place, London, SW3 3TQ, UK (US and Canada) Great British Holiday Competition 2022, The English Home, PO Box 207, Des Moines, IA, USA My answer: Name: Address:

Postcode/ZIP code: Tel no: Email: Please tick here if you subscribe to The English Home ■ Please tick if you are happy to receive relevant information about new products or services from our competition partners via email ■ , post ■ , or phone ■ , and/or The Chelsea Magazine Company via email ■ , post ■ , or phone ■

The island is on castors to allow the freedom to reorder the space if need be. A patchwork of late-nineteenth and early twentiethcentury tiles makes a decorative splashback for electric Aga. The large enamel cast-iron American sink is fitted with a curtain in vintage French linen.

36 THE ENGLISH HOME

Natural HABITAT A dilapidated barn languishing in owner Sally Bourne’s garden is transformed into a charmingly simple and rustic summer retreat FEATURE CELIA RUFEY PHOTOGRAPHY POLLY ELTES

A striking 1920s Moldovan Bessarabian rug from Joshua Lumley brings a splash of bold colour and pattern to the dining room.

Hand-painted shades

by Gavin Houghton sit on top of antique brass candlesticks.

Flowers and vegetables from the garden are given star status in the barn. Bar stools are placed so friends can chat to Sally whilst she cooks.

38 THE ENGLISH HOME

ABOVE LEFT Sofas are arranged around a coffee table at one end of the barn. The shelving is made from old apple crates Sally has collected from markets and fairs.

ABOVE RIGHT Sally’s tame hen, Marigold, enjoys sitting with her on the veranda.

To find out more about Sally’s designs and her shop, visit sallybourneinteriors. co.uk LEFT An oak trough, possibly once used for grinding corn, now functions as a coffee table on the veranda.

“L

iving close to nature is very relaxing,” says Sally Bourne whilst looking out across gardens in every direction from her barn’s veranda. This was the thinking behind her move to East Sussex from London in 2009, when she bought an Arts and Crafts-style 1930s house on a one-acre site. “I wanted to quit London, establish a garden and grow my own food,” she explains. “At first I had no idea of exactly where to buy, but knew I wanted to be near a forest and a community of like-minded people. Then I found this property on the edge of the Ashdown Forest and it ticked all the boxes.”

After moving to her new home, Sally commuted to London for a few years, to her interiors shop. By 2012 she had started to think about converting the old barn across the garden from the house. Her initial idea was for it to be her workshop as she is a skilled needleworker and a trained potter – she was a tile designer before being drawn to the world of interiors.

“I make my own clothes, and design and make things  for my London shop, including cushions and lavender

THE ENGLISH HOME 39

40 THE ENGLISH HOME

Furnishings include reclaimed elements, from salvaged doors and apple crates for shelving, to the re-enamelled antique cast-iron bath hearts. I also make marmalade and jams for the shop, and my medlar chutney, made using fruit from the garden, is always popular.”

The barn had not been used as a dwelling previously.

“I think it was used as stables or to store hay,” Sally explains. “The supporting framework had deteriorated so the only option was to rebuild it. I commissioned a new frame in green oak and pretty much replaced like with like. It was an eco-build, too. All the insulation is wood pulp and the walls are lime-rendered inside and oak-clad outside. I was determined to use natural sustainable materials.”

The rebuilding of the barn, including the addition of a large veranda, took 18 months. “The veranda had to be three-metres deep, though,” Sally says, “otherwise with a sofa or bench in place there wouldn’t be enough room to walk in front of it.”

With the veranda in place and wide oak boards laid on the floor of the barn, Sally began to think about how to arrange the interior as an efficient space for her work. She decided to keep the barn as one open-plan area instead of dividing it into rooms and called in a local joiner to build oak cabinets for a kitchen at one end. The design included an island on castors which she can move around should she

want to reorganise the space and a large, practical enamelled cast-iron sink from America, which, Sally was shocked to discover, cost more in freight than the sink itself cost.

Whilst the kitchen was being fitted, Sally set up her sewing station at the other end of the room and the combination of facilities suited the pattern of her working days very well. So well, in fact, that she brought in a dining table and sofas and began to spend more time in the barn than in the main house.

During her first summer spent working in the barn, it began to seem more like a home than a workshop, and it was then that she realised it could possibly be both. It was whilst she was having an outbuilding that was attached to the barn converted into bedrooms, a bathroom and a utility room, that decision about where she would call home crystallised.

The barn is particularly suited to summer living and Sally decided to let the big house to seasonal guests through the summer months and enjoy coming back to it in winter. “The open-plan arrangement in the barn made me realise how much I love undivided spaces,” she explains. “I cook a lot, especially when friends come. In fact, the reason I added bar stools  at the kitchen island is so they can talk to me whilst

OPPOSITE PAGE The height of the barn with its mezzanine floor delivers the luxury of space. The dining table top is made from a reclaimed elm door and the oak cafe chairs came from France whilst the Wishbone chairs at either end are a design from 1947

by Hans Wegner.

ABOVE The threemetre-deep veranda running the length of the barn was designed to be capacious enough to easily accommodate comfortable seating from which to admire the garden.

THE ENGLISH HOME 41

ABOVE Sally has made and hung a curtain behind the blue chest of drawers in the main bedroom to cover the wall where an old stable door used to be.

ABOVE RIGHT The polished concrete floor in the bathroom easily takes the weight of the antique, reenamelled, cast-iron bath. Doors to the cupboard behind the bath are made from reclaimed French chateau windows, fitted with mirror in place of glass.

RIGHT In the main bedroom, a secret door in the centre of the wall of wardrobes gives access to the bathroom.

I’m cooking. Open-plan living is sociable, and the space and height of the barn, with its open mezzanine level above, means it never feels crowded.”

This preference for open-plan spaces does not carry through in the same way to the converted outbuilding behind the barn. Here the bedrooms and bathroom stack one behind the other, with a utility room fitted in at the side, and the bedroom at the back opens on to the country lane that runs behind the rear of the building. Furnishings include reclaimed elements such as salvaged doors and apple crates for shelving, and a freestanding antique cast-iron bath that Sally had re-enamelled.

Sally’s energy was equally focused on planning the outdoor spaces. Even before work started on the barn, she had begun creating distinct garden areas on the one-acre site. First to be fully established was a large, immaculately planned and maintained vegetable garden, where she grows the kale, leeks, spinach and salads she calls her staple foods.

Once she began to see a future for the barn as her summer home, Sally began to design planting for a garden to be enjoyed from the veranda. “I planned it as a contained room, enclosed and private,” she says.

“An oasis where I can sit undisturbed. I love wild meeting formal in a garden, and the blurred edges as planting moves into gravel. If the grasses are blowing in the breeze, revealing wildflowers in between, it’s the connection with nature that I love.” n

ABOVE To add to the rustic appeal of this bedroom, Sally clad the end wall with scaffolding planks.

Wall lights are a smart space-saving idea in a small bedroom. The twin beds are covered in kantha quilts and a vintage Indian metal jug makes a perfectly formed vessel for bedside flowers.

RIGHT Grasses are mixed with specimen plants in the garden Sally has designed around the barn.

A rustic wheelbarrow lends sculptural form as well as creating a focal point.

THE ENGLISH HOME 43

Original SPIRIT Seamless, understated interiors in this Hampshire home have enriched its Arts and Crafts origins FEATURE NELL WHITAKER PHOTOGRAPHY CHRIS HORWOOD

44 THE ENGLISH HOME

A selection of chairs, some in a gothic style, creates a relaxed, natural feel in the kitchen. The walls are painted in Ludgate Circus by Mylands. Terra Bianca granite has been chosen for the worktops and splashback behind the Aga.

THE ENGLISH HOME 45

‘What drew me to the property in the first place were the period details … I could see it was a beautifully designed house’ ABOVE LEFT This This corner of the west-facing kitchen gets the best of the last rays of sunlight, illuminating the beautiful copper lustreware and Gaudy Welsh pottery in the bespoke, glassfronted dresser.

ABOVE RIGHT The cream Aga was the starting point for the kitchen scheme, with the new cabinetry being colour-matched to its rich cream hue.

T

houghtfully designed and well-situated, Rosie Craig’s Hampshire home, awash with natural light, truly pays homage to its Arts and Crafts origins. Having come to view the property seven years ago on a dreary February day, Rosie says, “I instantly felt the sense of being in this beautiful country house and even though it was probably the worst day to see it, I knew it would be stunning in the spring.”

The house was built by Inigo Triggs and William Unsworth in 1912 for Aubyn Trevor-Battye, a British explorer, naturalist, artist and writer. The original design brief for the house insisted that every room was flooded with natural light and had a good view of the undulating garden. “What drew me to the property in the first place were the beautiful period details,” Rosie says, “including the arched windows and doors, Tuscan columns, brass handles and detailed ceilings.

I could see it was a beautifully designed house.”

46 THE ENGLISH HOME

Rosie bought the house in 2015 and engaged long-time friend and interior designer Tamsin Saunders to help transform it into a family home for her and her three children, aged 14, 15 and 18. Sharing the same values and interior vision cultivated an organic redecoration process for Rosie and Tamsin, who heads up design studio Home & Found. “We both agreed on the importance of protecting the integrity of the building, and were eager for the quality of the architecture to shine through, but also the need for it to be a relaxed, welcoming home,” Tamsin says. “The challenge was to make it feel as if it had stayed in the same family and evolved over the years.”

Tamsin and her team of builders started a year later, efficiently refurbishing the house over a period of four months. Rewiring and replumbing required a sensitive touch. “We wanted to avoid it feeling in any way new,” she says. “It was a process of stripping away unwanted, unneccessary layers to reveal the 

Designed by Tamsin Saunders and fitted

by Home & Found the kitchen cabinetry mirrors the arch in the kitchen door.

The original irregularwidth floorboards run throughout the kitchen. Visit homeandfound.com to see more of Tamsin’s interior design work.

THE ENGLISH HOME 47

In the drawing room, a window seat with a cushion made from Bennison’s Plain Stripe offers a tranquil place to read and look out at the garden. A self-portrait by Bernadett Timko hangs above an inherited Victorian button-back library chair.

‘We both agreed on the importance of protecting the integrity of the building, and were eager for the quality of the architecture to shine through’ TOP RIGHT The rear of the yellow stucco house looks out on to a mature garden, leading to a wood.

ABOVE RIGHT Designed by Tamsin, the cabinet to the side of the fireplace in the drawing room conceals the television, amongst other things.

bones of the house and then ensure that whatever went into the rooms helped connect with the garden and woodland outside. The biggest challenge was to imbue what could have been a very grand house with a sense of cosiness and comfort.”

To achieve a sense of the house having evolved over time, Tamsin scoured antique markets and fairs for furniture, objects and textiles, gradually building up layers of character and charm throughout the house. Her talent for sourcing vintage lamps can also be seen in her other business, The Original Lamp Company.

48 THE ENGLISH HOME

When drawing up the room schemes, Tamsin was keen to “bring the outside in” and maximise light, replacing heavy swags for Roman blinds and installing a calm, restrained colour palette which echoes the delicate, earthy tones of the countryside beyond.

“I used Bennison’s Chinese Pheasant fabric for the Roman blinds in the master bedroom,” she says, “as the red hues in it draw your eye to the red acacia tree outside. The pattern is timeless and works brilliantly with the fabric on the headboard, which Rosie already had.” Green accents in the lampshades and decorative cushions create a further link with the garden.

The palette in the drawing room is muted to allow the period features to sing. Subtle layers of colour and texture add interest, including a mix of cushions in vintage fabrics, and a nineteenth-century Persian rug from Home & Found.

 THE ENGLISH HOME 49

ABOVE LEFT The green and pink colour scheme in the understated master bedroom is inspired by the garden views.

The blanket is from Cologne & Cotton.

The antique mirror, with the original nineteenth-century verre eglomisé glass, reflects light.

LEFT A vibrant still life painting

by Daniel Shadbolt hangs above a George III mahogany chest. The lamp is from The Original Lamp Company.

50 THE ENGLISH HOME

When it came to the kitchen, Tamsin designed new cabinetry featuring arched panels to echo the arched kitchen window and doors and had it colour-matched to the Aga that was already in situ when Rosie bought the house. Keen to maximise every bit of space, Tamsin also incorporated a dresser with glass-fronted doors for Rosie to display her collection of characterful china and evoke the mood of a farmhouse kitchen.

The inviting, family feel continues in the large drawing room. “This is a lovely, grand room with beautiful proportions: a room for entertaining but also a family room,” says Rosie. The bespoke built-in cabinetry, which continues the arched theme found in the kitchen, smooths the transition for the room’s use as both a family and an entertaining space. On one side of the fireplace it houses the television and on the other, a drinks cabinet.

For Tamsin, the original wooden floorboards throughout the home “were a gift”, and she restored them to their former glory. Another gift in this home was the unique mismatched flooring in the family bathroom, where the two types of green marble

(perhaps installed at different times by previous owners), certainly add another layer of patina and history, all the while retaining the spirit of this Arts and Crafts home.

Timeless design is carried through upstairs in the younger daughter’s octagonal bedroom. Walking up the stairs, the Cole & Son wallpaper is the first thing that can be seen. “It’s classic, it’s pretty but it’s not going to date,” Rosie says.

With its now smart yet relaxed interior decor, each part of the house sings out in harmony. Asked what her favourite part of the house is, Rosie says, “I love the way Tamsin has brought the house gently back to life. All the different elements just come together: it’s understated, and feels very much true to the original design, fresh and natural.”

Situated near the children’s schools and surrounded by friends and the picturesque South Downs, it is unsurprising that Rosie loves it here, whether spending time exploring the local scenery, painting in the garden during the summer months or curled up with a book in the window seat of the drawing room. n

ABOVE Delicate Hummingbirds wallpaper by Cole & Son creates a whimsical feel in Rosie’s younger daughter’s bedroom.

Blinds made using Blithfield’s Wicklewood fabric create a link with the green tones outside.

A Liberty print cushion adds interest to the bed.

RIGHT Painted in The Botanist from Paint & Paper Library, the bath sits on the original marble floor next to a George III fretwork mirror and Bennison Malabar Stripe blind.

THE ENGLISH HOME 51

An early nineteenth-century circular tilt-top pedestal table inherited from Charlotte’s mother takes pride of place in the garden room. The attractive wall lights and shades are from Jim Lawrence and the vintage cane-topped bamboo table is from Litten Tree Antiques.

The Bedouin wool stripe cushions on the floor were bought by Charlotte’s parents when they lived in Kuwait.

Tapestry of life

A welcoming family home in Buckinghamshire is layered with textiles, art and decorative finds, all richly imbued with a lifetime of memories FEATURE & STYLING ALI HEATH PHOTOGRAPHY BRENT DARBY

THE ENGLISH HOME 53

‘We transformed dark and gloomy to bright and uplifting’ ABOVE In the kitchen, Radicchio by Farrow & Ball adds a pop of colour and offsets natural wood stools from Cox & Cox. The kitchen was designed by Barr Kitchens of Thame, and the units are painted in Little Greene’s Rolling Fog Dark. The dresser, designed by Charlotte, is full of china, family heirlooms and gifts.

LEFT Charlotte, standing at the doorway to the light-filled garden room. Visit studioportobello. co.uk to find out about Charlotte’s courses and events.

54 THE ENGLISH HOME

A

rriving at the home of Charlotte and Andrew Reynolds, it is easy to see why they fell in love with this area of Buckinghamshire. Situated in Chartridge, one of five hilltop villages in the Chiltern Hills, their home looks out across a picturesque valley. “The arrival of spring is always very special,” says Charlotte. “Our view suddenly becomes very verdant, surrounding fields fill up with grazing sheep, and the garden comes alive with colourful daffodils.”

The couple moved here when their younger son was just six weeks old. With both boys – Theo and Kit – now in their twenties, the home has become full of memories accumulated over the past 22 years. “We left Wandsworth, keen to be closer to open countryside and family, and after seven months of renting, we fortuitously discovered this house for sale,” says Charlotte. The original brick and flint property started life as a Victorian wine and spirits pub, and in later years was run by local brewery company, Benskins, before closing in the 1970s and being converted into a family home. Called ‘The Portobello Arms’, it was named in commemoration of the famous victory of Admiral Vernon Dagenham, who, in 1739, captured Porto Bello in Panama with only six ships.



A painted dresser, owned for 30 years, is filled with a collection of old and new blue-and-white china and cut-crystal decanters. The rare eighteenth-century grandfather clock was inherited from Andrew’s great uncle. The portrait of a woman after Rembrandt was painted by son Kit whilst at school. The Barn in Snow painting is from a local antiques market.

THE ENGLISH HOME 55

ABOVE The dining extension beyond the kitchen has a relaxed, welcoming feel. The oak dining table is from Piers Pisani Antiques, and is framed by hoop and stick back dining chairs from Home Barn Antiques. The iron chandelier is from Su Chases Interiors.

BELOW The picturesque garden looks out across the hamlet of Pednor and is home to oak, beech and cherry trees.

56 THE ENGLISH HOME

RIGHT A Georgian bureau from Home & Colonial Antiques adds depth to the sunny sitting room.

The dark oak floor lamp is from John Lewis & Partners and the lampshade is by Jim Lawrence.

Portrait of Lady is by the couple’s son Kit, whilst the Whitewash barn painting is by Cind Oestreicher and the Lines print was bought at the Royal Academy Summer Exhibition in 2017.

‘All the important layers of my life play out here and everything acts as a reminder of special times’ Originally made up of two separate bar rooms, with living space and bedrooms above, the house had been extended partially by the previous owners. Charlotte spent her family’s first decade in the home changing the decorative ambience, before undertaking a major overhaul in 2013.

As part of the transformation, the property was extended sideways and a new boot room and laundry room were built adjacent to the kitchen. Beyond the now open-plan living, cooking and dining area, a substantial orangery with an overhead ceiling lantern was added to create a spacious light-filled place to dine and entertain. At the far end of the property, a former triple garage was converted into a welcoming sitting room, with a self-contained guest suite above.

Along with the new additions, an existing external walkway was enclosed to create a single-storey link used by the family as a garden room, which also houses the piano. “With all the main living areas now opening out to the garden, we feel very connected with nature,” says Charlotte. “We replaced the ground floor terracotta

tiles with calming limestone ceramic tiles and transformed dark and gloomy to bright and uplifting.”

In the kitchen, contemporary-style, flat-fronted handmade cabinetry juxtaposes classic dressers filled with all manner of china, plates, curios and Charlotte’s ever-increasing collection of jugs. “I have gathered things slowly all my life,” she explains. “If I love something, I buy it and then work out where it will go.”

Indeed, the home has a wonderful eclectic feel, layered with precious pieces, treasured not because of any value, but for sentimental reasons, as a reminder of a holiday, day out or person, or simply discovered at favourite local haunts, including Home & Colonial Antiques in Berkhamsted and Antiques at Wendover.

Art is a passion and throughout neutral walls are brought to life with covetable artwork, including pieces by Charlotte and Andrew’s talented son Kit, who is currently in his last year at London City & Guilds School of Art. “During lockdown, he painted  a set of wonderful portraits in the style of Sir Thomas

ABOVE In the sitting room, the ottoman was made by Greengate Furniture and covered in a vintage William Yeoward velvet. The matching sofas are both by Lawson Wood, covered in a Linara linen by Romo.

The multicoloured embroidered cushion on the sofa is by Niki Jones. The vintage olive picking basket is from Antiques of Wendover.

THE ENGLISH HOME 57

ABOVE In Charlotte’s bathroom, the walls have been painted in a beautiful soft pink, Cuisse de Nymph Emue by Edward Bulmer, and the faux bamboo chair is covered in vintage French toile bought from Ann May Antiques in the 1990s. The artwork was painted for fun during lockdown by son Kit in the style of Sir Thomas Gainsborough.

RIGHT Charlotte has given Kit free rein to express his creativity and enjoy painting in his bedroom when he is home from his final year at London City & Guilds School of Art.

‘I have gathered things slowly all my life. If I love something, I buy it and then work out where it will go’ ABOVE A beautiful toile patchwork wall hanging acts as a headboard in the master bedroom. It is offset with a pretty lampshade from Oka and a vintage star quilt and 1930s chest of drawers from Home & Colonial Antiques. The flower oil painting is by Bess Harding, from Carina Haslam Art.

Gainsborough to go with my newly painted, pale-pink bathroom,” says Charlotte. “I collect pieces that catch my eye and Andrew is the same. The oil painting above the woodburner in our sitting room was bought by Andrew from a local gallery on the day we moved into our first marital home in London. We had both admired it for months.”

Upstairs, the five bedrooms are dressed with a mix of eclectic furniture and colourful textiles. Fabrics are very much Charlotte’s thing and the red toile wall hanging in the master bedroom is a particular favourite – bought from a dealer in France, it comes with provenance and a handmade textural richness.

It comes as no surprise to learn that Charlotte trained as an interior designer, and worked for

58 THE ENGLISH HOME

numerous fabric houses, including Warner & Son, Zimmer & Rohde and Larsen, Ian Sanderson and Nobilis; and also as a PR for various companies at Chelsea Harbour Design Centre, before stopping to raise her family. “In more recent years I worked with a local interior designer studio, but have now set up my own business, Studio Portobello, and combine commissions for private clients, with creative workshops that I run from home,” she says.

Charlotte has created an inspirational home, that sits at the heart of family life. “For me a sense of home is always about the people and objects, never the actual bricks and mortar,” she says. “All the important layers of my life play out here and everything acts as a reminder of special times.” n

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STYLE INSPIRATION Our special section dedicated to interior design and decorating begins here

HAPPY UNION

FEATURE KATY MCLEAN

Blue and white is a classic combination that can take on a soft, feminine feel as well as a smart, crisp guise. Here, partnered with an unashamedly pretty pink, the result is a balanced look that is romantic and has a sweet, cottage appeal but also feels considered and smart. The pink backdrop allows the blue-andwhite plates to take focus whilst the palettes are cleverly combined in an assortment of diverse patterns on the sofa to create a cohesive, harmonised yet striking scheme.

All fabrics, £68 a metre, Julia Brendel

THE ENGLISH HOME 61

Time to refine

The fabric and wallpaper collections for spring and summer offer new takes on timeless patterns in a refreshing palette of colours and layers of texture

DECORATING

T

he plethora of beautiful new fabrics and wallpapers are the perfect excuse for giving classic English interiors a stylish update.

This season sees pattern, colour and textures all celebrated in tempting designs that hark back to timeless prints brought up to date with a new vibrancy. Claire German, CEO of the Design Centre Chelsea Harbour, home to many esteemed design houses, says, “There is a strong sense of creative confidence across the new season collections, with a bold experimentation around colour and abstraction.”

German highlights nature as an inspiration for pattern, “with a keen focus on botanical prints. There’s an emphasis on simple native species and the beauty of the garden.” There is something, too, for those seeking plainer yet still luxurious designs, with a quieter focus on fine natural materials to offer sumptuously tactile textiles and innovative wallcoverings.

COLE & SON Ardmore-Jabula is a fun collection from Cole & Son, capturing the animal kingdom and African landscapes in vibrant designs full of exuberant character certain to impress in a hallway or a cloakroom, if not in a larger space. The abstract Zulu Terrain (below) is a calmer affair – particularly in neutral tones. The shapes evoke feathers, trees and undulating hills, and though rich in detail, provide a gentle backdrop in a classic setting.

ABOVE Wallpaper, Waterlily, Midnight, £59 a roll, Wedgwood by Clarke & Clarke LEFT Wallpaper, Zulu Terrain, Slate & Duck Egg, £114 a roll, Cole & Son BELOW Wallpaper, Eversley – Jade Rose, Cinnamon Tobacco, Verdigris, from £115 a metre, Parker & Jules OPPOSITE Mia linen in various colours, £88 a metre, Manuel Canovas

CLARKE & CLARKE A celebration iconic British brand Wedgwood’s of archive and heritage, Clarke & Clarke’s Botanical Wonders collection sees nine fabrics and 10 wallpapers in an exciting blend of colour and pattern. We particularly like Waterlily wallpaper (above), based on a quintessential design created by Wedgwood in the 1800s which is thought to have been inspired by John, Josiah Wedgwood’s eldest son, who was a keen horticulturalist and founder of the Royal Horticultural Society.

Temper the tropical feel with classical accessories or add more vibrancy with lively pink accents.

PARKER & JULES



For lovers of chintz, Eversley (left) from Parker & Jules provides a pared-back yet still delicate form of the quintessentially British pattern.

Launched as a wallpaper at the end of autumn 2021, Eversley has now also been released as a fabric on oyster linen, heavy linen and velvet. 



THE ENGLISH HOME 63

GP & J BAKER Inspired by the English countryside in spring and summer, the Ashmore collection has a perfect synergy with an English country home. Delicate roses, leafy branches, painterly birds and blowsy peonies combine in a delicate, soft palette for a romantic, yet refined look. Managing and creative director, Ann Grafton tells how the collection would suit a quintessential English aesthetic: “The Ashmore collection perfectly captures the timelessness of country interiors where rush matting, chalky painted furniture and antique finds meet casually mismatched china and glassware, pretty floral prints and crisp vintage linens to create romantic, airy rooms.”

ABOVE RIGHT Curtains, Broughton Rose, £98 a metre; chair, Weathered Linen, £115 a metre; and cushions and swatches, all from the Ashmore collection, GP & J Baker

BELOW Curtain, Toile Chinoise, £85 a metre; chair, Aublet, and cushion, Cardot, both £79 a metre, all Nina Campbell at Osborne & Little RIGHT Cornubia wallpapers, from £109 a roll, Morris & Co

MORRIS & CO We loved Ben Pentreath’s previous collaboration with Morris & Co, Queen’s Square, which saw classic designs reimagined in autumnal colourways.

Cornubia completes the story with a fresh, lively palette of spring and summer colours. The well-preserved Arts and Crafts estate Porth-en Alls on the Cornish coastline provided a starting point for the palette, and Pentreath also drew on historical family connections to Cornwall and a love of the beautiful landscape to create the colours. The yellows are echoes of the daffodils and gorse flowers, vibrant turquoise blues of the ocean and greens of the luscious grasses. All combine to bring fresh new life to iconic designs such as Honeysuckle, Marigold and Willow Bough – a perfect opportunity to redecorate with an old favourite, or a fresh new introduction to heritage designs.

NINA CAMPBELL Eastern influences are a regular feature of Nina Campbell’s designs, tempered in colourways suited to an English palate.

A standout piece is Toile Chinoise (left), a delicate yet modern incarnation of a toile with chinoiserie depictions of a garden, painted in watercolour. It pairs beautifully with other designs featuring bamboo and leafy fronds, or for a more classic look it can be matched to smart plains, checks and stripes in complementary colours.

64 THE THE ENGLISH ENGLISH HOME HOME 64

DECORATING

GEORGE SPENCER DESIGNS Coral Reef fabric by George Spencer Designs offers an array of neutrals, with a few deeper splashes of russet red or navy blue perfect for a mellow, relaxed mood. The delicate coral pattern is unobtrusive yet alluring and ideal as cushions but also a charming choice for an armchair or window seat, ideally overlooking the sea.

Coral Reef, £136 a metre, George Spencer Designs

MANUEL CANOVAS From ornate Fabergé eggs to beautiful hot air balloons, the spring collection from Manuel Canovas has a playful aspect. An uplifting mix of colour and pattern matched by vivid, saturated plains (see opening page) gives it a wide appeal to those who want to be a little more daring. We love the idea of using a quirkier pattern – such as the air balloons – in panelling; it adds a note of fun to a refined scheme, whilst retaining the elegance and gravitas of period features. 

WARNER HOUSE

ABOVE Wallpaper, L’Envol, Jade, £158 a roll; curtain, Agathe, Celeste, £120 a metre, both Manuel Canovas BELOW Chair and blind, Tabley, Spice; curtain, Lilou, Merlot; cushion, Giverney, Rouge; and swatches (from top): Pavone, Pastel; Tabley, Mulberry; Lavenham, Rose, all £65 a metre, all Warner House

With an extensive archive to draw upon, Warner House always delivers beautiful new incarnations of classic designs with a range of influences. Director, Lee Clarke, discusses the choices made for the latest offerings: “Carefully selected from our archive, the new collection seeks its inspiration from the decadent patterns of the Ottoman Empire, scenic Mughal designs and ninteenth-century chintzes.

Reimagining these patterns in new colourways has brought a timeless, romantic feel to the collection. Lavenham is one of my personal favourites, combining classic elements of nineteenth-century English chintz with modern florals and a scrolling stripe trail.” Available in an array of colours, we particularly like the plums and pinks which are beguiling, yet smart paired with deep hits of navy blue.

THE ENGLISH HOME 65

MARK ALEXANDER Always reliable for quality plains and textured, innovative weaves, the latest offerings from Mark Alexander do not disappoint. Mark Butcher, head of Mark Alexander, discusses the importance of linen, which features in many guises across the collection. “Linen works across seasons; it’s one of the most durable fibres and has such diverse characteristics from very clean, long-staple, wet-spun yarns, to beautiful, dry, slubby ‘vintage’ looks. Versatile and so very covetable, linen is also environmentally conscious, clever and, above all, elegant.” These beautifully made fabrics offer a timeless appeal that works for a calm, chic look or to pair with patterned pieces for contrast.

ABOVE Left-hand sofa, Patina, Sage, £117 a metre; right-hand sofa, Flanders, White Sand, £130 a metre; pouffe, Patina, Sage, and throw, Patina, Verde, both £117 a metre; cushions in Flanders or Patina, all Mark Alexander RIGHT Selection of Serrano Linen, from £99 a metre, and Danube linen, from £39.90, all Linwood

LINWOOD Sometimes less is more, and in the case of fine linen, layering soft natural tones and tactile textures is all that is needed to create subtle impact. A sustainable choice, Linwood’s luxurious linens have been woven in a range of weights and styles, offering a versatile and subtle way to add texture in upholstery and curtains.

DECORATING

JAMES HARE Creative director of James Hare, Saffron Hare reveals, “Our new Campden collection aims to weave together fabrics that work in both town and country settings.

We’ve combined the cool, warm neutrals of a town palette with a lively and colourful country palette and used a lot of natural fibres in this new range.” The dual inspirations, the Regency era houses of Campden Hill, London and the pretty Cotswold market town of Chipping Campden, give this collection a broad appeal. Choose from leafy motifs and pared-back chintzes to contemporary geometrics and an ornate suzani silk stripe.

LÅNGELID / VON BRÖMSSEN Whilst we love to champion home-grown products, we could not resist the beautiful wallpapers designed by Långelid / Von Brömssen and printed by Ulricehamns Tapetfabrik. The Heritage collection combines influences from folklore and “Grandma’s garden” with a naïve charm, in a blend of ditsier scales and larger repeats in a gentle palette. 

ARTE Arte’s innovative approach to wallcoverings always tempts and excites. Sculptura is inspired by traditional plasterwork. Using strips of plaster arranged to create organic geometric patterns with uneven plasterwork-type textures in assorted colours make for an interesting, subtle choice for walls. For a more prominent piece, a complementary pictorial design, Rovine (right), celebrates fine plasterwork in its completed state with a panoramic mural of Romanstyle columns and arches for a striking touch of neo-classicism.

ABOVE LEFT Curtain, Ashbee, Natural, £115 a metre, James Hare ABOVE RIGHT Wallpaper, Herons, Trench Coat, £99 a roll, Långelid / Von Brömssen at Ulricehamms Tapetfabrik LEFT Wallpaper, Rovine, £379 a panel (2m x 3m), Arte

THE ENGLISH HOME 67

DECORATING

ROMO A multi-faceted offering from Romo sees six distinct collections launched. “The six new collections offer a compendium of exquisite design, irresistible qualities, and inspiring colour palettes,” says Romo’s director of design, Emily Mould. “Decorative fabrics and wallcoverings take inspiration from an eclectic mix of cultural influences and late-nineteenth century prints, offering a glimmer into the grandeur of stately homes of the past, reimagined in a distinctly Romo style.” We particularly like Sayuri (right), with its sophisticated depictions of bamboo, ferns, and trailing flowers in delicious deep teals. Lighten the mood with pale pink on furnishings and keep woodwork sleek in a similar shade of blue-green for a streamlined approach that allows the wallpaper to shine.

OSBORNE & LITTLE

BELOW Curtain in Banjara, £175 a metre, Footstool, Nizhoni, £150 a metre; Cushion, Bandha, £95 a metre, all William Yeoward for Designers Guild

DESIGNERS GUILD William Yeoward’s Banjara is a collection inspired by the English desire for travel and bringing things home to create a globally influenced look.

Prints, weaves and embroideries are brought together with a distinctive English feel, with an exotic twist.

The skills and craftsmanship of other countries are also celebrated – hand-loomed and -embroidered pieces sit alongside printed incarnations of ikat weaves. The blend of different cultures makes this collection easy to layer for achieving that curiously English eclecticism. n

FEATURE KATY MCLEAN PHOTOGRAPH P66 (LINWOOD) © JOHN BAILEY

The SS2022 collection from Osborne & Little is a diverse offering with plenty of botanical influences. Here we focus on the luscious Trebah Velvet and discover the design process. “We were inspired by the beautiful valley gardens and coastline of Cornwall,” explains Johanna Bright, head of design. “The change of scale within the Trebah Velvet design creates a playful perspective, where a freshwater stream cascades through the landscape to meet the sea. The surrounding fields are abundant with wild flowers and cedar trees, and in the distance we discretely painted Pendennis Castle. The design has been painted with intricate patterns similar to hand-stitched quilts.”

Trebah Velvet, £149 a metre, Osborne & Little

ABOVE Wallpaper, Sayuri, Hunter, £TBC; armchair, Forenza, Tapestry cotton velvet, £69 a metre; cushion, Kara, Silver Blue, £131.50 a metre, all Romo

68 THE ENGLISH HOME

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Heritage Style

Acclaimed interiors stylist Selina Lake shares her personal take on how to celebrate the original elements of a period home whilst decorating for contemporary living

H

eritage style describes the balance of period properties with modern-day life. I love the definition of the word ‘heritage’ from the Oxford English Dictionary: ‘The history, traditions, buildings and objects that a country or society has had for many years and that are considered an important part of its character.’

When I added the word ‘style’, I wanted to evoke a modern sense of nostalgia.

My inspiration derives mostly from unique old buildings that have one foot in the past and one stepping into the future.

I love to see how the craftsmanship and decorative details have stood the test of time. Unfortunately, in the twentieth century, many older properties were stripped of period details that were then seen as ‘fussy’ but are now highly sought after. If you own such a building, you may be considering how to restore it at the same time as making it relevant to today. Or perhaps you live in a new build and are wondering how your inherited pieces will fit in?

Heritage style is all about preserving the past whilst incorporating your own heritage and personal style, in keeping with the character of your space. Research period architecture and heritage colours and patterns, or look to your surrounding area and its history. Every home is different, but I hope my take on heritage style, along with the designers and homeowners who have opened their doors here, will inspire you. Along the way, I will offer tips on what to celebrate in an older property, together with ideas for colours, patterns and furniture with which to enrich your space.

70 THE ENGLISH HOME

PERIOD FEATURES

ABOVE This Georgian sash window with built-in shutters and seat is the perfect spot to look over the garden

Celebrating original elements starts by preserving the architectural details of which you have become a custodian when buying or renting a period property. These may include old pine floorboards, attractive plaster cornices/ crown moldings, wooden ceiling beams, decorative nineteenth-century tiles and pretty fireplaces. Original features such as these will give an instant injection of heritage style, even if they need a bit of restoration or a coat of paint.

But what if you live in a different kind of home – one where all the period charm has been ruthlessly ripped out, or in a new-build house or modern apartment? The good news is that it is possible to reproduce these kinds of features in your space. Salvage is the best option, partly because salvaged items are more sustainable as well as looking authentic, but if you do not have time or are not able to find suitable reclaimed examples, wooden wall panelling or tongue and groove can be bought by the metre/yard from DIY/ hardware stores and specialist suppliers.

There are multiple fireplace companies offering period styles, but if you are on a budget, look at online auction sites. That is where I sourced our living room fire surround.

When it comes to flooring, sourcing salvaged boards makes perfect sense and nowadays there are many companies that offer ‘new’ old flooring, as well as new flooring that looks old. You may also want to bring a sense of history sympathetically by adding decorative plaster details such as ceiling roses or cornicing/crown moldings, or build in cabinetry with classic styling.

Even attaching traditional-style knobs or handles to your kitchen cabinets or front door will bring a heritage flavour, as will choosing the right paint colours – ones that evoke a sense of comfort, familiarity and warmth. 

DECORATING

ABOVE Architectural features contribute to the heritage look and can be reinstated or replicated without an interior looking like a pastiche or something from a period drama.

LEFT This hallway in Bella and Hugo Middleton’s Georgian manor in Lincolnshire features a classic Honeysuckle wallpaper designed

by William Morris’s daughter May for Morris & Co in 1883.

Bella has echoed the design by placing vases of fresh flowers on all available surfaces. The bench has cushions in a mix of floral and striped fabrics.

RIGHT A bold scheme using Farrow & Ball paints results in a striking hallway.

THE ENGLISH HOME 71

RIGHT & FAR RIGHT If in doubt, go for green – after all, it is the colour of nature.

Interior designer Elizabeth Rose has used Green Verditer

by Little Greene to add a pop of colour on her kitchen door and window. Warm earthy neutrals and rich celadon green provided me with inspiration for the moodboard opposite.

OPPOSITE PAGE, TOP & BOTTOM RIGHT Blues and greens make a great backdrop for a layered look. Add a vintage rug in rich red and antique brown furniture. Do not forget flowers – here, dusky pink hydrangeas are arranged in a blue-and-white pot.

BELOW LEFT & RIGHT Colour inspiration can be sparked when samples of wallpaper, fabric and paint are all gathered together so that you can see at a glance how a colour scheme will work.

72 THE ENGLISH HOME

DECORATING

TIMELESS COLOUR & PATTERN Colour and pattern are key elements of heritage style and there is a huge range of heritage paint colours as well as wallpaper and fabric patterns to choose from, with many companies looking to the past and historical properties for inspiration.

Others have reproduced classic wallpaper designs and relaunched historic colours for use in modern-day homes. Heritage paint ranges tend to be fairly classic (you will not find an acid lime green or neon pink), meaning they work within a wide variety of settings.

They can be grouped into four categories: whites, which tend to be off-whites with warm undertones; pale tones, consisting of soft, grown-up pastels; mid-tones, which are easy on the eye, slightly muted and used to create cosy spaces; and, finally, deep tones, which are rich and dramatic. There is something to suit all spaces in period or new properties.

Traditional wallpaper patterns, which were frequently inspired by nature, are often block printed in the same way now as when they were first produced.

Classic designs, such as checks and stripes, are eternally popular, with gingham and wide stripes being particularly popular at present. The modern process of digital printing allows historic works of art to be reproduced as wallpaper or murals, converting tapestries and paintings into affordable yet timeless wall coverings. 

FURNITURE – COMBINING OLD & NEW Antiques were built to last, which is why so many pieces have survived to tell the tale. Opting for antique and vintage furniture is a sustainable way to furnish a home, as it has already been made so does not require valuable raw materials or resources to be produced and shipped. Retro furniture from the 1950s to 1970s is very popular. Look out for mid-century armchairs, sideboards and tables at car boot/yard sales and vintage fairs – they are often neat in size and shape, so perfect for modern homes.

So-called ‘brown’ furniture is making a comeback and sturdy nineteenth- and early twentieth-century pieces are desirable again. Look for bobbin furniture, campaign chests or items with scalloped detailing.

Great craftsmanship stands the test of time, so it is no surprise these articles are being celebrated again.

UNIQUE PIECES Furnishing a heritage home is all about getting the right balance of old and new and blending pieces from different eras. This tends to work best when items are tonally united.

Natural-hued rattan armchairs combined with wooden furniture in a distressed paint finish come together well. Their warm, neutral tones sit comfortably against an unpainted plaster backdrop, too.

FEATURE SELINA LAKE PHOTOGRAPHY RACHEL WHITING

This elegant polished wooden chest of drawers tidies away bed linen.

74 THE ENGLISH HOME

DECORATING

BRING COMFORT Cosy soft furnishings, rugs and textiles make a home into a comfortable retreat. Cushions should not be underestimated, as they have the ability to transform furniture as well as bring an inviting mood to a room.

Choose ones made from textural weaves, with velvet trims and elegant ruffles.

Windows can be warmed up with thick, lined curtains and fitted blinds/shades, which keep draughts at bay as well as improving acoustics. Add gentle lighting with shaded lamps or light a scented candle. Tablecloths can be used on dining tables and side tables to soften angular furniture or to add a lighter touch to brown wood pieces – I am loving the current revival of tablecloths with frilly edging.

Layering is key to comfort, so dress furniture and beds with wool blankets – look out for antique Welsh blankets, as they are having a moment right now.

Finally, add warmth underfoot with natural fibre rugs and wool carpets.

MODERN HERITAGE Sometimes, using antiques and traditional furnishings can give a room a stuffy, old-fashioned atmosphere, so the key to achieving the heritage-style look is to add a modern twist. Try mixing in bold modern artworks and textiles, and combining subtle tones with brighter pops of colour.

Choosing clashing and complementary hues will create a lived-in atmosphere that is ideal for a family room. In her living room (above), interior designer Sarah Brown has used Lilac Pink, a subtle buff pink shade from Edward Bulmer Natural Paint. It is the perfect backdrop for her collection of colourful furniture and quirky accessories.

If you struggle to combine different colours and patterns, it is a good idea to gather paint samples, fabric swatches and inspirational images and put them together to create a workable design concept.

I tend to go by instinct, but I do find that choosing a wall colour early on in the process will help bring everything together. n

Heritage Style by Selina Lake (Ryland Peters & Small, $35), with photography by Rachel Whiting (© Ryland Peters & Small). Available from all good booksellers.

ABOVE Interior designer Sarah Brown has achieved a friendly look that is modern yet traditional – ideal for a family home.

OPPOSITE PAGE, BOTTOM RIGHT This generous hallway belonging to Jessie Cutts and Ivo Vos boasts space for an antique country bench with woven rush seats.

OPPOSITE PAGE, TOP RIGHT Old armchairs and sofas with good shape can be kept as they are or covered in new fabrics to refresh their appearance.

LEFT This Georgian living space is layered with silk and linen textiles. The Rochester Instant Table from The Dormy House, here dressed with a fringed cloth, is a nod back to a 1980s trend; it has been in production since 1983.

THE ENGLISH HOME 75

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Bedded Bliss

BUYER’S GUIDE

Ensure the best night’s sleep possible with soothing decor, a comfortable bed, the finest bed linen and stylish accessories

T

he desire for a good night’s sleep should be the requisite behind every bedroom design. Of course the foundation for quality rest and relaxation are mattresses and pillows that provide the right level of support for the back and neck, but vital, too, are the decor and the type of materials chosen.

Take a cue from timeless looks and combine ABOVE No2 The Icon Felix bed, £32,270, Savoir Beds. Headboard, Malmo linen, £250 soothing colours, elegant furniture and a metre; Cream Wool Waffle bedspread, cossetting accessories for a seasonal refresh. £891; Linen/Wool Bouclé cushion (far left), Be inspired by the calming effect of soft £231; bespoke cushions made using (from neutrals, the reassuring charm of classic left): Hoxton Linen £180 a metre, Malmo heritage designs or the fanciful exuberance Linen £250 a metre and Hunter linen, £225 a metre; curtains, Cricket linen, £145 a of a romantic style to create the perfect sanctuary in which to start and end the day.metre, all de La Cuona THE ENGLISH HOME 77

Calm

Create an environment conducive to good sleep and relaxation with colours, textures and materials that are calming to behold.

White is often seen as a safe option for walls, bedding and accessories, but its ability to induce a sense of order on the senses means it is an excellent choice for creating a welcoming sanctuary to retreat to at the end of the day. To maximise the effect, use a palette of off-whites and pale neutrals in rooms that are blessed with natural light, ensuring, of course, that windows are sufficiently covered for blocking out any light at night. As Dr Rebecca Robbins, Savoir Beds sleep expert, points out, “Whereas bright light wakes us up, darkness is what allows the sleepinducing hormone melatonin to secrete in the brain, so ensure your curtains can close and your bedroom can be completely dark when you are attempting to sleep.”

Natural materials also have a calming effect, so source furniture and accessories in pale oak, ash or whitewashed pine.

Rustic-style benches, side tables and baskets provide a relaxed, summer coastal-style bedroom that is light and airy. Use bedlinen and accessories to add hints of soft colour and for a seasonal update.

Pale aqua, duck egg and blush pink will feel refreshing in a predominantly white bedroom, whereas darker, muted lilacs, soft greys and taupes will add warmth in the cooler months.

Introduce subtle decorative detail with a simple pattern such as a utilitarian or nautical stripe or a contrasting trim. Even a textured white throw or a knitted cellular blanket will add interest yet keep the look light, bright and beautiful without being visually overbearing.  TOP Hatton 3 Pendant £315, Original BTC RIGHT Osaka seagrass storage baskets small £85, large £95, Ella James FAR RIGHT Axel cream rug £499, Danetti

78 THE ENGLISH HOME

ABOVE Charlie headboard, from £1,110, Ardel linen bedspread, large, £370, all other products Neptune

BUYER’S GUIDE

LEFT Natural oak Teramo two-door wardrobe £1,780, Ercol RIGHT Emilia double bed in Alabaster brushed linen cotton, £860; Taylor side table, £290; Ecclestone scatter cushion in Millennial Pink, £35; Ecclestone scatter cushion in Cornish Fudge, £35, all Sofa.com

ABOVE Natural Ticking Stripe linen bedding bundle with double duvet, two pillowcases and white linen fitted sheet, £224, Chalk Pink Linen Company

LEFT From top: Bexley Stripe cushion cover, £35; Somerton Oxford pillowcase, £25; Selby throw, £140; Bexley Stripe bedspread, £140, Burnham bench, £325, all The White Company BELOW Bedroom designed by Albion Nord

ABOVE Lana Dressing Table II in European Oak, £5,380, Pinch Design

Limewashed Parquet chest of drawers, £695, Cox and Cox

ABOVE Rose Blush Pink Merino throw, £132, Tolly McRae THE ENGLISH HOME 79

Classic Apply a modern approach to traditional design for a bedroom style that is classic, comfortable and full of heritage charm with rich, indulgent colourways and opulent textures.

Dark shades of grey, blue and green work particularly well in period homes. Team with antique furniture that is luxurious in design and detail, such as traditional bedsteads in iron, brass or pewter whose generous proportions will work well in a room with high ceilings.

An oversized headboard in sumptuous velvet or wool will have a similar effect. “A large headboard helps to ground the room whilst also acting as an attractive focal point,” Adam Black, co-founder of Button & Sprung, explains. “Curved or winged designs with luxurious upholstery will add interest whilst contributing to a classic, hotel-inspired look and feel many homeowners desire.”

Add oak and mahogany cabinetry, antique carved mirrors and dressing tables, and artisan pieces such as charming bobbin tables and consoles, and use symmetry to add an element of formality when hanging pictures or positioning lighting.

Dress the bed with crisp Egyptian cotton or soft pure linen sheets, opting for a top sheet and a cashmere throw during the warmer months as a seasonal alternative to a heavy duvet.

Introduce pattern with soft furnishings and accessories in classic ikat, Indian floral and kilim designs in rich colourways of saffron yellow, paprika, teal and gold to bring an exotic and exuberant element to the mix.  ABOVE Mahogany and gilt mirror with gold-leaf scallop shell and Prince of Wales ostrich feather, £1,195, Titchmarsh & Goodwin RIGHT Avirai rug (240cm x 305cm) in Antique Green, £1295, Oka FAR RIGHT George double bed in solid brass and cast iron, £2,595, Wrought Iron and Brass Bed Company

80 THE ENGLISH HOME

ABOVE Croxton Double bed in Caramel Gold plates £96 Velvet, £1,495, Rockett Stdinner George for 6, side plates £60 for 6, Handsworth 24-piece cutlery set £90, all Neptune BELOW vases £7.95 each, Sarah Raven

Pod table lamp, £173, Pooky

BUYER’S GUIDE



TOP Eclectic dressing table, from £2,250, And So To Bed ABOVE Saray Ottoman in Zold linen, £900, Mind The Gap BELOW Billington swing arm wall light, £448.80, Vaughan Designs

TOP RIGHT Camelia king-size bed upholstered in Mercury, with Ebony Shark’s Tooth legs £1,245, Button & Sprung RIGHT Montpelier chair, £1,035, plus three metres of fabric, David Seyfried

Atkins and thyme

RIGHT Elodie printed bedspread, £280; Elodie cushion, £85, both Sweetpea & Willow

ABOVE Cushion made in Sonnet Sateen Jacquard in Oasis, pillows made in Fresco Alaska, both £122 a metre; Reversible Cashmere bed throw in Silver/White £975, all Johnstons of Elgin THE ENGLISH HOME 81

Romantic Conjure a dreamy bedroom full of romantic charm with furniture and accessories inspired by the glamour of times gone by. From the indulgent art deco era to the extravagantly lush rococo style, period designs can inspire colour, texture, furniture and accessories for a bedroom sanctuary that is decadent in every way.

Soft shades of powder pink, peach, mint green and pale blue work particularly well with the rich gilt, gold and metallic tones of these iconic looks.

Source furniture that is indulgent in shape and style, such as upholstery with heavy fluted detailing or ornately shaped headboards, which can be upholstered in any fabric to suit, for example, silk, satin or damask. Accessories such as mirrors carved and gilt-edged detailing and opulent glass chandeliers add further decadence.

For an ethnic twist introduce chests of drawers and cabinets with intricate inlaid patterns made from mother of pearl or flowery carved wood panels.

Floral patterns are ideal for making a romantic statement in a bedroom.

Consider a bold, graphic rug design creating a focal point in the centre of a room, a pretty floral print for bed linen or simply a posy of scented flowers on a boudoir-style dressing table. As Joanna Ross, general manager of design at Sheridan, says, “Utilise nature. Bring the outside in with floral bed linen and wallpaper to add a lovely romantic feel to a bedroom.” n

RIGHT Lexington Fuchsia two-line satin-stitch cotton sateen double duvet cover, two pillowcases and fitted sheet bedlinen bundle, £205, The Fine Cotton Company 82 THE ENGLISH HOME

TOP Knightsbridge chandelier, £4,931, Christopher Hyde ABOVE GingerLily silk double duvet cover, £389, The French Bedroom Co

ABOVE Scalloped bedspread, in collaboration with Katharine Paravicini, £185, Sarah K LEFT Atika grey carved chest of drawers, £399, Atkin and Thyme BELOW Broadway console, £399; Carnaby footstool in Champagne Pink velvet, £119, both Atkin and Thyme

BUYER’S GUIDE

ABOVE Bedroom designed by VSP Interiors RIGHT Caprini Multi quilt cover set, from £159, Sheridan BELOW Peonia Grande Zinc rug, £2,250, Designers Guild

RIGHT Margaux Pink Velvet emperor bed, £2,129, Pepper Sq

Delphis wall light in decapé and gold finish, £2,365, Beaumont & Fletcher

THE ENGLISH HOME 83

FEATURE SARA EMSLIE PHOTOGRAPHS P77 © JON DAY. P79 (PINCH) © JAMES MERRELL; (ALBION NORD) © EDMUND SUMNER. P81 (BUTTON & SPRUNG) © TIM YOUNG; (VAUGHAN) © CHRISTOPHER DRAKE. P82 (SARAH K) © ANNA STATHAKI. P83 (VSP INTERIORS) © PAUL MASSEY; (PEPPER SQ) © JOSE HITA. P98 (BEAUMONDE) © MICHAEL BAY; (TRUE LINEN) © JAMES BROOME

ABOVE Natural Flora boudoir cushion, £14, Julian Charles RIGHT Constance headboard, from £6,850, excluding fabric, Ensemblier

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QUINTESSENTIALLY

FEATURE SUZANNA LE GROVE IMAGE COCO & WOLF’S ‘ALICE IN HER WONDERLAND ‘ STYLED BY EMILY RICKARD AND PHOTOGRAPHED BY EMMA GUSCOTT

Inspiration for seasonal pastimes and making the most of life at home starts here

FLORAL CELEBRATION

As spring and summer flowers reach a colourful crescendo – with full-blown roses in borders, dahlias enlivening vegetable patches and foxgloves towering above verges – could there be a more fitting time to celebrate English floral prints? Here, a jolly mixture of smallscale, vibrant home furnishings in Liberty print fabrics are used to bedeck the garden and provide an informal setting for al fresco entertaining that all will enjoy.

Table linen, cushions and pillowcases exclusively available from Coco & Wolf

THE ENGLISH HOME 85

Matthew Fort FROM PATCH TO PLATE

A

h, that first, full balmy note of spring. A light breath of warm wind. Violets in the hedgerows.

Blossom on the trees. Green shoots shooting up. A quickening of the pulse. A sudden surge of cheery optimism.

Of course, this is a busy time in the vegetable patch. I begin to patrol it with increasing energy and anxiety. The earth should be warming up for the long run through spring to summer.

I have taken the plunge with my chitted potatoes – Sharp’s Express and Ratte. They are in the earth already.

Courgettes – Romanesco and Trombetta d’Albenga, cucumbers – Iznik and Petit Vert de Paris, and tomatoes (I’ll name them in a later column) are all nestling in their pots indoors waiting for the right moment to be transplanted.

There are plenty of gardeners who sow their early peas and broad beans in the autumn, let them produce some shoots and then leave them in the ground during the winter months so they can flourish as the ground warms up and produce an early crop, but I’m not one of them. I am still debating if I dare to sow these inestimable legumes outdoors just yet. There is always a risk of a late, unseasonal frost that may nip tender shoots in the bud. You just never

know. This gardening business is a matter of subtle judgement.

I am delighted to report that sorrel and rhubarb, those early harbingers of the harvests to come, are already showing vigorous growth, but, if I’m honest, it is the cheery radish that I look to for reassurance and renewal. Rhubarb and sorrel are perennials. They come back in the same way and the same place each year, but radishes, well, they are the first seeds I sow, and the appearance of their frilly green leaves reassures me that other vegetables are on their way.

Radishes are jolly vegetables in every way – their plump bodies, rouged around the edges like the chubby cheeks of a cheery child, the refreshing crunch they give when bitten into, and that distinctive, lively, peppery heat. Plus they are so versatile. They can be served simply just with salt or neatly tipped with salted butter; sliced lengthways and strewn over salads; or, if enough are picked, they can be used to make a salad all on their own.

They can be quartered and added to soups and stews, or pickled, ready to eat in deep mid-winter as a reminder of the joys of longer, sunnier days.

I was reminded of the many virtues of the radish the other day when an old

BEEF SKIRT WITH RADISH SALAD Skirt is that muscle of the cow that runs over the ribs. Actually, there are two of them; one inside the ribs and one outside. They do a lot of work.

Consequently they need a bit of chewing, but are very rewarding to the tastebuds. You can tenderise them by whacking them with tenderising mallet or a rolling pin, or through marinading them. I happily chew.

86 THE ENGLISH HOME

Serves 4

INGREDIENTS (STEAK) 800g beef skirt Olive oil Salt and pepper

friend, near neighbour and constant competitor in the vegetable growing stakes, and his wife came for supper. I had invited them mainly so I could impress them with my early harvest. Hah! I should have known better. The fellow arrived with his own cluster of radishes, all washed and neatly tied in a bunch with string. His were larger than mine, redder than mine, prizewinners every one, but – and I almost hate to write this – they lacked oomph.

Although they were fine on the eye, with a most agreeable crunch, the point of a radish is the peppery zip, isn’t it? Without the pepper crunch, they might just as well be nature’s own polystyrene.

My radishes, a mixture of mixtures, might not have had the visual appeal of my friend’s, but they certainly had the edge when it came to heat and flavour. I don’t care about visual perfection. I want flavour to savour.

Of course, I was far too polite to make this point to my friend. I’ll take my revenge when it comes to carrots later in the year.

He’s no good at carrots.

About Matthew An award-winning food writer and critic, Matthew was Food & Drink Editor of The Guardian for 15 years and a judge on BBC TV’s Great British Menu. He is also the author of four books on food and travel.

METHOD • The steak should be at room temperature. Heat a griddle pan until really, really hot. Of course, use a grill if you do not have a griddle pan at hand.

• Wipe a little oil over the steak and bang it on the griddle (or under the grill). Cook for 2–3 minutes.

Turn. Cook for 2–3 minutes.

• Put it into a warm oven and let it relax and unwind for 10 minutes or so. It should be nicely brown and marked where it has rested on the ridges of the griddle, and pink when you cut into it.

PORTRAIT GRANT SCOTT PHOTOGRAPHS (RADISHES) © STOCKFOOD / LILLA JANKOWSKA; (STEAK) © SHUTTERSTOCK / HLPHOTO

In praise of the radish – a small but refreshingly fiery jewel in the vegetable patch that packs a punch on the plate

FOOD

INGREDIENTS (SALAD) 30 peppery radishes 1 horseradish root 1 bunch parsley 1 tbsp verjuice (or white wine vinegar) Juice of ½ lemon Pinch of sugar 2 dsp vegetable oil 2 dsp olive oil Salt and pepper

METHOD • Cut the radishes into small matchsticks. Put in a bowl. Chop the parsley finely and mix in with the radish matchsticks. Season with salt and pepper.

• Mix the verjuice, lemon juice and sugar in a bowl and whisk until the sugar has dissolved.

• Whisk in the oils and pour over the radishes.

Mix thoroughly using hands.

• Share out salad between four plates and grate a good dusting of horseradish root over each. ■

THE ENGLISH HOME 87

Social

INFLUENCERS Acclaimed interior designer Jane Churchill and Emily Astor have documented the taste, sense of humour, love of food and stylish entertaining of Nancy Astor and Nancy Lancaster, two of the twentieth-century’s great hostesses PHOTOGRAPHY ANDREW MONTGOMERY

ENTERTAINING

I

f taste could be inherited, Jane Churchill, one of London’s most prominent interior designers for more than four decades, was born with a fortune.

Nancy Astor was her great-great-aunt (and co-author Emily Astor’s grandmother), and Nancy Lancaster was her great-aunt. Both were renowned hostesses of their time and are still revered as icons of style to this day.

‘The Two Nancys’, as they were sometimes referred to, were actually American, born in Virginia and raised near Charlottesville, at Mirador, the country seat of the family patriarch, Chiswell Dabney Langhorne, a railroads and tobacco tycoon. Langhorne and his wife, Nanaire Keene, had five daughters, celebrated as the Langhorne Sisters for their beauty and Southern belle charm. The eldest, Lizzie, married Thomas Moncure Perkins, a Richmond cotton broker and Nancy Lancaster was their daughter, as was Jane Churchill’s grandmother, Alice Perkins Winn. “My grandmother Alice and her sister Nancy were very close,” Jane notes.

“They fought like cat and dog, but adored one another. Both lived till they were 97. Strong American women – that’s where my blood comes from.”

If anyone fits this description, it is Nancy Astor. In 1906, she married Waldorf Astor, 2nd Viscount Astor, the unbelievably rich heir to much of his famous American grandfather John Jacob Astor’s real estate, lumber and fur empire, which placed her at age 27 in the centre of Britain’s highest aristocratic and political circles. As a wedding present, Waldorf’s father, William Waldorf Astor, who had transplanted the family from New York to England, gave them Cliveden, a vast estate dating back to the 1600s, set above the River Thames, an hour outside London.

In 1919, Nancy became the first woman to take a seat in Parliament, where she would remain until 1945. She continued hosting the lavish weekend house parties for what came to known as the Cliveden Set, mixing top Conservative Party politicians with the likes of Charlie Chaplin, Rudyard Kipling, George Bernard Shaw, Edith Wharton, and T E Lawrence (also known as Lawrence of Arabia.)

“One my earliest memories is of Christmas at Cliveden when I was four,” recalls Jane. “Nancy Astor died when I was 16 and she had kept every single thank-you note from my brother Henry, my sister Melissa and me for presents she had given us over the years. She was a big influence.”

For her part, Nancy Lancaster was said to have “the finest taste of almost anyone in the world”. Indeed, she would come to be seen as the most influential interior decorator of her generation and, as a partner in Colefax and Fowler, was credited with upgrading and

promoting the traditional English country house look.

In 1920, she married Ronald Tree, a scion of Chicago’s Marshall Field department store dynasty who was born and raised in England. In 1933, they bought Ditchley Park in Oxfordshire, an enormous stately pile built in 1722 for the 2nd Earl of Lichfield and designed by James Gibbs. Working with Lady Sybil Colefax and Stéphane Boudin of the Paris decorating firm Jansen, Nancy set about transforming Ditchley Park into the most stylish house in England.

In the late 1940s, the Trees divorced, and Nancy wed Lt Colonel Claude Lancaster. In 1954, a year after that marriage was dissolved, Nancy bought Haseley Court, an early eighteenth-century manor house near Oxford, which she renovated and decorated with John Fowler. Jane was seven years old at the time, and from then on, she says, “We spent every school holiday at Haseley. Those days were the highlight of our year”.

As for the fabulous Lancaster entertaining style, Jane says, “It wasn’t so much lavish, as well put together. And delicious. It wasn’t over-rich, just very good, both my grandmother’s and Nancy’s, neither of whom could boil water.”

Jane’s mother continued the Langhorne tradition of marrying into the English aristocracy, in her case to the Honorable Mark Wyndham, younger brother of Lord Egremont of Petworth, Sussex. And, in 1970, Jane herself wed Lord Charles Spencer-Churchill, a cousin of Winston Churchill, and a grandson of the American heiress Consuelo Vanderbilt, later Consuelo Spencer-Churchill, Duchess of Marlborough.

Jane had gone to work right out of boarding school four years earlier, as an assistant decorator with her great-aunt Nancy Lancaster’s firm, Colefax and Fowler. In 1982, she launched Jane Churchill Design, and over the years, her client list has come to include the Crown Prince of Malaysia, a prime minister of Qatar, cosmetics queen Estée Lauder, Formula One driver Sir Jackie Stewart, actress Elizabeth Hurley, and perfume maker Jo Malone, amongst many others too private to mention.

I asked Jane Churchill if the famous line “Living well is the best revenge” – attributed to the sixteenthcentury Church of England clergyman and metaphysical poet George Herbert, and used by Calvin Tomkins as the title of his 1971 biography of the Roaring Twenties icons Gerald and Sara Murphy – could be applied to her ancestors, the legendary Two Nancys. “They didn’t need revenge,” she says. “They had what they wanted. They just lived well. They loved to entertain the family. That was their raison d’être.”

OPPOSITE A Spring lunch table set with Murano glasses from Cabana and linen from Anne Singer. Flowers here and throughout by Pulbrook & Gould

Bob Colacello, New York, July 2021  THE ENGLISH HOME 89

“Winston if I were your wife, I’d put poison in your tea.”

“Nancy, if I were your husband, I’d drink it” Nancy Astor & Winston Churchill

CLAM CHOWDER The recipe for the soup was obtained from the cook at Cedar Lodge, Rockport, Maine. This was where Charles and Irene Gibson [Nancy Lancaster’s aunt] would have stayed or dined waiting for the boat to take them to their island off Islesboro, Maine, known as 700 Acre Island on Dark Harbor. This soup is hearty enough as a main course for lunch, and only a small amount would be served as a first course at dinner.

Preparation time 15 minutes Cooking time 25 minutes Serves 4 INGREDIENTS 1 tbsp vegetable oil 1 large onion, chopped 100g streaky bacon, chopped 1 tbsp plain flour 600ml fish stock 225g new potatoes, halved Pinch of mace Pinch of cayenne pepper 300ml milk 320g any fresh and smoked fish 250g cooked mixed shellfish, including clams 4 tbsp single cream Small bunch parsley, chopped Crusty bread to serve or crackers

METHOD • Heat the oil in a large saucepan over a medium heat, then add the onion and bacon. Cook for 8–10 minutes until the onion is soft and the bacon is cooked. Stir in the flour, then cook for a further 2 minutes.

• Pour in the fish stock and bring it up to a gentle simmer. Add the potatoes, cover, then simmer for 10-12 mins until the potatoes are cooked through.

• Add the mace, cayenne pepper and some seasoning, then stir in the milk.

• Tip the fish mix into the pan, gently simmer for 4 mins. Add the cream and shellfish, then simmer for 1 min more. Check the seasoning. Sprinkle with the parsley and serve with some crusty bread or crackers.

90 THE ENGLISH HOME

CREAMED LOBSTER Lobster with a creamy sauce and Parmesan cheese.

Add a teaspoon or two of sherry to the sauce if you would like.

Preparation time 10 minutes Cooking time 30 minutes Serves 4 INGREDIENTS 2 tbsp butter 1 medium shallot, minced 2 tbsp plain flour 250ml milk or half-and-half (whole milk and single cream) 170g cooked lobster meat Salt and pepper Split biscuits, toast points or baked puff pastry shells Parmesan cheese, for garnish Parsley, for garnish

METHOD • Melt the butter in a frying pan over a medium-low heat.

• Add the shallot to the frying pan and cook, stirring, until tender and lightly browned.

• Stir the flour into the butter and shallots and continue cooking for 2 minutes.

• Gradually stir the milk into the roux and cook, stirring, until thickened. Add a teaspoon or two of sherry if desired. Add the lobster and heat through. Taste and season with salt and pepper.

• Serve over biscuits, toast points, or baked puff pastry shells.

• Garnish with Parmesan cheese and parsley, as desired. 

TOP RIGHT The dining room at Cliveden, decorated with Louis XV boiseries brought over by Nancy Astor from Paris. China and glass by William Yeoward.

BOTTOM LEFT Creamed Lobster is even more delicious to the eye when teamed with fun napkins and a garnish served in a shell.

BOTTOM RIGHT Haseley Court, Oxfordshire, the final home of Nancy Lancaster, which she designed and decorated herself, was frequented by family and used for entertaining. Jane Churchill has fond memories of it being “marvellously comfortable and welcoming”.

ENTERTAINING

THE ENGLISH HOME 91

92 THE ENGLISH HOME

ENTERTAINING

“Two years after my first husband Henry Field died, I married his cousin Ronald Tree. I went into a shop to change my address and said, ‘I used to be Mrs Field, now I am Mrs Tree.’ All the man said to me was ‘You are very rural’” Nancy Lancaster

ABOVE LEFT The table set for a grand supper at Cliveden with Aspley fine bone china and Fanny goblets by William Yeoward.

FAR RIGHT Pommes d’Anna, a simple yet elegant recipe.

The tablecloth is made with Carole Langton fabric.

RIGHT A detail from the Cliveden dining table seen above.

FOLLOWING PAGE TOP LEFT Marmalade soufflés presented in William Yeoward Crystal. The green linen tablecloth is by Daylesford Organic.

TOP RIGHT ‘Those Thin Cookies’ on Nancy Lancaster’s own Crown Derby tea set, with her own silver teapot.

BELOW Afternoon tea on the terrace at Cliveden using Nancy Astor’s own silver teapot and linen by Anne Singer.

POMMES D’ANNA Preparation time 25 mins Cooking time 2 hours Serves 6 INGREDIENTS 125g duck fat 3 garlic cloves, unpeeled but lightly crushed with the flat of a knife 3-4 fresh thyme sprigs, plus 3 extra thyme sprigs, leaves picked 2 bay leaves 1.25kg Yukon Gold, Idaho Russet, King Edward or Maris Piper potatoes

METHOD • Put the duck fat in a pan with the garlic, whole thyme sprigs and bay leaves. Heat gently for 5–10 minutes to melt the fat, then set aside to infuse for 20 minutes, somewhere warm so the fat does not solidify. Remove and discard the aromatics.

• Meanwhile, peel the potatoes and slice very thinly (a mandoline is best for this). Wash the slices in cold water to remove any excess starch, then pat dry on kitchen paper.

• Heat the oven to 200°C/fan180°C/gas 6. Put the potato slices in a bowl and toss with the infused fat.

• Warm a 20cm non-stick, ovenproof frying pan over a low heat. Layer up the slices of potato in overlapping circles in the pan, seasoning every so often and sprinkling with some of the extra thyme leaves, until all the potatoes are used up.

Continue to cook over a very low heat for 10–15 minutes to help the potatoes crisp up and brown.

Shake the pan gently every so often to prevent the potato slices catching and burning.

• Cover with a sheet of baking paper and a lid (or foil), transfer to the oven and bake for 45–55 minutes until tender to the point of a knife. Cool for 10 minutes. Turn out onto a board or serving plate, then serve in wedges.

ROAST RIBS OF BEEF Preparation time 10 minutes Cooking time 20 minutes per kg for rare, 25 minutes per kg for medium Serves: 4 INGREDIENTS 1.7kg boned and rolled fore ribs, wing ribs or sirloin, plus bones 150ml red wine

METHOD • Preheat the oven to 220°C/428°F/gas 7. Whilst it heats, weigh the joint and calculate the cooking time (see recommendations above).

• If using joined ribs as a roasting rack, tie the beef onto it with string. Or if separated, lay the ribs in the roasting tin, with the beef joint on top, fat side up.

• Roast for the first 20 minutes at an even higher heat than above, then lower the oven to 180°C/355°F/ gas 4. For the rest of the time, baste the meat every 15 minutes.

• When the time is up, remove the beef, wrap loosely in foil and leave to rest. Drain off the fat from the tin, add the wine and cook over the hob, scraping up all the bits of sediment. Strain through a sieve into a jug, and when the beef has rested for 20 minutes, serve as a jus with the carved meat.

FISHCAKES Preparation time 30 minutes plus chilling time Cooking time 20 minutes Serves 4 INGREDIENTS 225g cooked fish: cod, haddock and salmon, skin and boneless 120g mashed potato (no milk or butter added) 15g butter at room temperature 2 tbsp chopped parsley Salt & pepper 1 egg beaten White breadcrumbs Sunflower oil for frying

METHOD • In a large bowl mix the fish with the mashed potato, beat in the butter, chopped parsley, salt and pepper and blend until smooth.

• Chill in the fridge for at least 2–4 hours.

• Then form into round cakes on a floured board.

• Dip into the beaten egg, then into the breadcrumbs and fry in sunflower oil until golden on both sides.

• Makes four large fishcakes. 

THE ENGLISH HOME 93

94 THE ENGLISH HOME

ENTERTAINING

INDIVIDUAL MARMALADE SOUFFLES Prep time 20 mins Cook time 30 mins Serves 4 INGREDIENTS 4 medium oranges 150ml milk 2 medium eggs, separated 6 level tbsp caster sugar 2 level tbsp plain flour 2 level tbsp fine-cut marmalade

METHOD • Preheat the oven to 180°C/350°F/gas 4.

• Slice the tops off the oranges and then scoop out all the flesh and juice into a sieve over a bowl. Squeeze out the juice from the pulp and reserve. Place the scooped-out oranges onto a baking tray, cutting a sliver off the bottoms if wobbly.

• Measure the milk in a measuring jug and make it up to 200ml with the orange juice.

‘THOSE THIN COOKIES’ “Our cook was called Johnson, and there was a man who was always in and out of the cook’s room. No one ever knew what that relationship was, but Johnson was a good cook and it was maybe one of those things best winked at.” Nancy Astor Originally known as ‘ice box cookies’, the method of refrigerating the dough overnight enabled Johnson to slice them extremely thinly. Nancy’s older sister, the beauty Irene Gibson, always asked for ‘those thin cookies’ when she came to stay.

Prep time

30 minutes plus overnight refrigeration Cook time 10 minutes or less Makes about 30–40 cookies INGREDIENTS 200g caster sugar 200g soft light brown sugar 225g unsalted butter 2 eggs

• In a small pan, whisk the egg yolks with 4 tbsp of the sugar until smooth, then whisk in the flour.

• Put the pan on a low heat and then gradually add the milk-and-orange mixture, whisking all the time. Heat for 1–2 mins, until the mixture thickens, then leave to cool. Add the marmalade to the custard and whisk again.

• Whisk the egg whites in a bowl until they become foamy, then add the 2 remaining tbsp of sugar and whisk again, until it forms stiff peaks.

• Fold the custard mixture into the egg white, being careful to keep in the incorporated air and taking care not to over mix.

• Divide the mixture between the scooped-out oranges. Fill up to the top and flatten with a spatula.

• Bake in the centre of the oven for about 25 minutes. They should be golden on top and just firm to the touch when lightly pressed. Remove from the oven and serve immediately.

437g plain flour 1 tsp baking powder 75g chopped almonds or pecans

METHOD • Cream together the butter and sugar until light and fluffy • Beat the eggs with a fork and add to the butter and sugar mixture bit by bit, beating in between until the eggs are absorbed.

• Beat in the flour and baking powder and lastly fold in the chopped nuts.

• Knead well and shape into a roll, wrap in clingfilm and leave in the fridge overnight. (These also freeze extremely well, so can be prepared well in advance or simply stored for use later on).

• The next day, preheat the oven to 220°C/425°F/gas 7.

• Lightly grease or oil a flat baking tray.

• Slice the dough as thinly as possible and bake for 10 minutes or until golden brown. Keep a sharp eye on them as being so thin, they cook extremely quickly.

ENGLISH SCONES Prep time 15 mins Cook time 10 mins Makes 10–12 scones INGREDIENTS 225g plain flour Pinch salt ½ tsp bicarbonate of soda 1 tsp baking powder 30g chilled butter 4 tbsp milk and water mixed Milk for glazing

METHOD • Preheat oven to 220°C/425°F/gas 7.

• Flour a flat baking tray. Sift the flour, salt, bicarbonate of soda and baking powder into a large bowl. Cut the butter into small squares and rub into the flour using hands. Gradually add milk and water, and mix together with a knife to form a soft ball of dough.

• Knead on a floured surface briefly then roll out to ½ inch thick. Using a 2 inch pastry cutter cut out as many scones as possible. Roll up the trimmings and repeat. Place on the floured tray and brush the tops with milk.

• Bake in the oven for about 10 minutes until well risen and golden brown. n

DISCOVER MORE Entertaining In Style by Jane Churchill and Emily Astor, with a foreword by Bob Colacello and photographs by Andrew Montgomery, is published by Rizzoli New York (and Clearview books in the UK). It is available to buy from good book shops or online at rizzoliusa.com for $40.00

THE ENGLISH HOME 95

96 THE ENGLISH HOME

FOR WHERE TO BUY SEE ADDRESS BOOK

GARDEN DESIGN

Plotting

A RETREAT Make the most of the garden by planning carefully, from decorative elements to covered dining areas

T

he way we use our gardens has changed enormously over the past few years. We want them to work harder and meet a greater range of needs as multifunctional spaces than ever before. Just like the Victorians, who viewed the garden as an outdoor parlour, we want an exterior space in which to relax and take stock of the day, entertain family and friends or simply allow us time to soothe our souls and benefit from the restorative powers of nature.

With the popularity of gardens at an all-time high, our expert insights will help to maximise a garden’s potential and inspire an outdoor retreat with specific zones of focus to enjoy to the full throughout the summer months.

Quiet repose For those seeking sanctuary from worldly worries, a comfortable, secluded spot in the garden can provide a welcome retreat, particularly if working from home – a place to reflect and re-energise from time spent outdoors and being at one with nature.

Positioning a focal point at the end of a walkway will entice people into the garden or denote a seating area. Garden design by Robin Templar Williams, a Fellow of the Society of Garden Designers.

SUITABLE SETTINGS A welcoming seating area, surrounded by garden sights and scents, strategically sited at the bottom of the garden, in a quiet corner beneath a tree or even nestled amongst planting, offers a private retreat in which to engage the senses. Tracking the sun will help determine whether such an area will be a suitable suntrap or shady spot.  THE ENGLISH HOME 97

In terms of design, “consulting an experienced garden designer can save time and money,” advises Lynne Marcus, chair of the Society of Garden Designers (SGD), who also counsels that style and proportion remain sympathetic to both house and garden.

Most experts agree that a mix of hard landscaping, garden structures and planting is an effective combination when defining or containing secluded areas. With this in mind, be aware that this, along with associated pathways, requires significant planning.

Think carefully about whether to invest in permanent structural changes or whether a more flexible arrangement of furniture and planters will suffice.

Modular flagstone kits, decking or easy-lay bricks and gravel can shorten construction times if speed is of the essence.

PLANTING PARTICULARS Bamboo, grasses or evergreen box, bay and laurel bring height and privacy to secluded areas, but if time is of the essence opt for instant hedging by the likes of Hopes Grove Nurseries.

For an enhanced sensory experience, consider planting seating areas and pathways with fragrant low-lying lavender or herbs such as rosemary. The addition of climbing roses, clematis, honeysuckle, jasmine and passionflower to structural elements including arches and trellises can bring both colour and aroma. These types of structures can also help lead the eye through the garden and create a sense of containment.

FEATURE PIECES For many, the allure of decorative elements lies in their ability to create mood, frame a view, catch the eye, or, as in the case of water features, inject soothing, tranquil tones. Self-contained fountains, statues or sculptures can prove ideal choices when looking to create a pleasing focal point, denote a specific area or guide visitors along a certain pathway. Meanwhile, placing statuary, found objects or water features amongst foliage is an excellent way to add an element of surprise to spaces.

“A simple rill will enhance the contemplative and restful atmosphere of the garden,” suggests garden designer Peter Reader. Much like a pond, a rill can be dug out or created using a rigid former. Note that a pump is essential to aid circulation and that siting a rill away from full sun will also help prevent algae or weed growth.  98 THE ENGLISH HOME

GARDEN DESIGN

ABOVE LEFT Take a seat beneath a wisteria-draped pergola for a moment’s quiet, fragrant repose.

Bespoke Pergola and Arbour Swing Seat, from £2,850, Sitting Spiritually LEFT Cascading water is a soothing background sound.

Bespoke Petal Water Wall, from £26,885 including delivery and installation to mainland UK, reservoir tank, pump and lighting, David Harber ABOVE If placing furniture on a lawned area, remember to move it at regular intervals to ensure grass grows evenly.

Sudbury garden armchairs, £398, and accessories, Rowen & Wren

TOP RIGHT For a quick and easy retreat, gravel requires little more than a compacted surface and weed control fabric.

Mayfair rectangular dining table with two dining armchairs and four dining chairs, £2,099, Bridgman ABOVE RIGHT Take advantage of the dappled shade offered by a canopy of leaves with a tree seat.

Semi-circular teak tree seat, £2,695, Garpa RIGHT Invest in a versatile bench for an instant seating area that can be moved around at will.

Canterbury teak bench, from £1,000, Neptune

THE ENGLISH HOME 99

100 THE ENGLISH HOME

GARDEN DESIGN

Under cover Prolong the joys of al fresco living through the shifting seasons by turning an exterior area into an inviting and sheltered outdoor space, whether for entertaining or as a quiet retreat from the daily demands of the home.

OPEN OUTLOOK The choice of structure will usually be determined by plot size, how it will be used and the garden aspect, alongside access. A covered patio adjacent to the property may be appealing, but running the gauntlet of a garden path open to the elements may not.

Traditional pressure-treated timber or metal pergolas and arched walkways are available as lean-to or independent structures, and entwining their open structure with climbing plants can offer greater protection from weather, especially when choosing denser species, such as classic English wisteria. With this in mind, Hilary Thurman of Garden Requisites recommends “never skimping on structure size to allow enough width and depth for plants to grow and flourish”. However, be prepared for pruning and enquire about non-vigorous species that will not damage supporting structures.

ABOVE LEFT Ensure guests are as comfortable outside as inside with sumptuously upholstered outdoor furniture.

Gocek sofa in Trevira outdoor fabric, £5,908.33; Justiniano armchair in Trevira outdoor fabric, £2,179.17; Arris porcelain table, £1,650, Coco Wolf ABOVE Using light strings en masse is a quick and easy way to illuminate covered areas.

Core Connect warm white connectable fairy lights, from £25, Lights4fun LEFT Most timber will require

maintenance to remain attractive and weatherpoof.

Classic All Purpose Woodstain in Ebony, £35.99 for 2.5l, Sadolin MIDDLE LEFT Consider location, orientation and the relaying of any electrical services in initial plans.

Clover IP44 rated outdoor lantern, from £3,450, Charles Edwards FAR LEFT The quintessential summer house continues to be a garden shelter favourite thanks to its innate flexibility.

Fabrics from £55 a metre, all Vanessa Arbuthnott

Fixed, retractable and adjustable awnings are a good solution for sudden changes in the weather and can provide an inviting and surprisingly spacious outdoor room. If intending to make the most of every seasonal change, structures with sun and wind sensors offer easy and quick operation. Alternatively, substantial automated louvre roof systems, such as IQ Outdoor Living’s Camargue, offer greater protection from the elements, particularly when teamed with walls of glass or blinds.

Designs with integrated heating, lighting and even sound systems can add further benefits for an outside entertaining area, as can building an outdoor fireplace to reflect the formality or informality of the garden. As exterior lighting is imperative for extended outdoor use, plan this during the early stages of a build.

GRAND DESIGNS Metal or timber verandas and independent structures such as loggias or summerhouses may fall under permitted development depending on size, proximity to boundaries and height. Stone or brick constructions will necessitate traditional building techniques; timber-framed structures should only require a level concrete or slab base, ensuring quicker and easier installations.

If considering more serious works, including structural changes to the exterior of the home, it may be necessary to allow around eight weeks for planning. Such projects can be lengthy and costly, particularly when engaging professionals to oversee them, so be prepared to factor in contingencies and ensure the end result reflects the financial outlay. n

THE ENGLISH HOME 101

FEATURE PAULA WOODS PHOTOGRAPHS P96 © NICOLA STOCKEN. P100 (COCO WOLF) © ANGUS PIGOTT.

CLIMATE CONTROL

TAKING THE Waters

A visit to one of England’s many spa towns is a wonderful way to revitalise the senses. We explore the charms of Bath, Harrogate and Malvern

B

ritain’s array of spa towns and cities is as rich as the individual heritage of each. United by the presence of naturally occurring mineral springs, many of them were founded by the Romans and saw a resurgence in the mid-seventeenth century when the health benefits of ‘taking the waters’ became fashionable amongst the aristocracy.

Whether ancient or more recent, the diverse origins of these towns and cities makes them fascinating to discover. Opportunities to enjoy the waters (in modern 102 THE ENGLISH HOME

spa form) continue to entice visitors, as do the myriad places to eat, drink and shop, many showcasing the best of local talent.

Though choosing where to visit from the embarrassment of riches can seem overwhelming, a good starting point might be Bath, which has been named a UNESCO Great Spa Town of Europe (making it double-crowned as it is also a UNESCO World Heritage Site), followed by other equally elegant options from around the country.

TRAVEL

BATH Synonymous with Romans (who named it Aquae Sulis – the waters of Sulis), Georgian architecture, Jane Austen and, more recently, Netflix’s Bridgerton, Bath has an abundance of character

PLACES TO VISIT

FOOD AND DRINK

PLACES TO STAY

THE CIRCUS An elegant spot set between the architectural landmarks of The Circus and The Royal Crescent, this modern European restaurant is wonderfully intimate (downstairs has an especially cosy ambience).

34 Brock St, Bath, BA1 2LN Tel 01225 466020; thecircusrestaurant.co.uk

Stop off at the Roman Baths (romanbaths.co.uk), or enjoy the waters at nearby Thermae Bath Spa (thermaebathspa.com) in modern spring-fed pools.

Discover historic fashionable dress at the Fashion Museum (fashionmuseum.co.uk), and take time to browse at the Vintage & Antiques Market (vintageandantiques.co.uk) in listed Green Park Station. Further treats include interior designer Tobias Vernon’s homeware store, 8 Holland St (8hollandstreet.com); Topping & Company Booksellers (toppingbooks.co.uk), with its rolling library ladders; lifestyle boutique Nam; and Berdoulat (berdoulat.co.uk), a three-storey gourmet emporium from the interior design studio of the same name.

THE PIG NEAR BATH This Georgian country house hotel features 24 bedrooms, a library and billiards room, a cosy bar and lounge, and a restaurant serving dishes made with ingredients from the on-site kitchen garden. Doubles from £170 a night.

Hunstrete House, Hunstrete, Pensford, BS39 4NS Tel 01761 490490; thepighotel.com/near-bath THE GAINSBOROUGH BATH SPA With interiors by Champalimaud Design and a spa fed by the spring waters, this 99-room listed Georgian building, named after eighteenthcentury painter and Bath resident Thomas Gainsborough, is a byword for indulgent luxury.

Doubles from £290 a night.

Beau St, Bath, BA1 1QY Tel 01225 358888; thegainsboroughbathspa.co.uk THE YARD IN BATH Once a coaching inn, this is an affordable and stylish 14-room boutique hotel set round an internal courtyard, with bedrooms featuring Roberts radios and carefully sourced vintage finds. Doubles from £95 a night.

1 Monmouth Place, Bath, BA1 2AT Tel 01225 448896; theyardinbath.co.uk

THE PUMP ROOM Sample spa water from the fountain before enjoying afternoon tea served under elegant chandeliers, accompanied by The Pump Room trio or the resident pianist. Booking is advised.

Afternoon tea from £30 a person.

Stall St, Bath, BA1 1LZ Tel 01225 444477; thepumproombath.co.uk

THE PULTENEY ARMS A historic setting and traditional feel make this family-run real ale pub a favourite for Sunday lunch. Situated close to the Bath Skyline walk (nationaltrust.org.uk/bath-skyline/trails/bath-skylinewalk), it is a fitting place to recharge after navigating the circular trail of the city’s hills.

37 Daniel St, Bath, BA2 6ND Tel 01225 463923; pulteneyarms.co.uk

MUST-DOS WHEN IN TOWN

PATRICK AND NERI WILLIAMS, FOUNDERS, BERDOULAT “We love the Pulteney Bridge design store, Found, with weir views (foundbath.co.uk); covered market stall Nibbles for local Bath Blue cheese (bathguildhallmarket. co.uk); and Landrace bakery and restaurant (landracebakery.com), and, of course, the wonderful decorative arts Holburne Museum (holburne.org.uk)”. 

CLOCKWISE FROM TOP LEFT The Roman Baths; The Pump Room’s impressive double-height ceiling; The Royal Crescent designed by Georgian architect John Wood is amongst Bath’s most recognisable landmarks; A mouthwatering dish at The Circus restaurant; Treasures small and large await at the city’s Vintage & Antiques Market; A warm welcome awaits at The Pig near Bath; One of the many sumptuous rooms at The Gainsborough THE ENGLISH HOME 103

104 THE ENGLISH HOME

TRAVEL

HARROGATE Harrogate is home to mineral springs first discovered by Sir William Slingsby in the sixteenth century, as well as floral displays aplenty in its parks and gardens

PLACES TO VISIT

The grand Victorian Royal Pump Room Museum (harrogate.gov.uk/royal-pump-room-museum) gives a first-hand olfactory experience of the sulphuric waters (no longer available to drink), whilst the nineteenth-century Moorish-style Turkish Baths offers modern spa treatments alongside varying heat chambers (turkishbathsharrogate.co.uk).

Admire the flowers year-round at RHS Harlow Carr (rhs.org.uk/gardens/harlow-carr); public parkland the Stray; or Grade II listed The Valley Gardens (friendsofvalleygardens.co.uk). Head to the elegant Montpellier Quarter (montpellierharrogate. com) for shopping. Here Montpellier Mews Antique Market includes around 20 dealers; Home & Garden sells a cornucopia of homeware inside and out; and Westmorland Sheepskins (westmorlandsheepskins.co.uk) boasts the cosiest slippers. For food and drink, try spirits store and home of Slingsby Gin Spirit of Harrogate (spiritofharrogate.co.uk), and historic Farrah’s of Harrogate’s Olde Sweet Shop (farrahs.com).

PLACES TO STAY

THE ALICE HAWTHORN INN This smart gastropub in a village 25 minutes from Harrogate blends comfort and style with sleek interiors. The Garden Rooms, constructed from homegrown Douglas fir, are a particular delight. Doubles from £120 a night.

The Green, Nun Monkton, YO26 8EW Tel 01423 330303; thealicehawthorn.com RUDDING PARK HOTEL A Georgian manor surrounded by parkland on the outskirts of Harrogate, this spot is known for its destination spa (a whole wing with rooftop garden) and its calm soothing interiors. Doubles from £228 a night.

Rudding Lane, Harrogate, HG3 1JH Tel 01423 871350; ruddingpark.co.uk THE OLD SWAN HOTEL December 1926 saw Agatha Christie – feared abducted – found dancing the Charleston at The Old Swan. Today the hotel’s traditional rooms

are ever-popular, especially during the summer’s annual Crime Writing Festival, held at the hotel.

Doubles from £85 a night.

Swan Rd, Harrogate, HG1 2SR Tel 01423 500055; classiclodges.co.uk

FOOD AND DRINK

HORTO RESTAURANT Horto – Rudding Park hotel’s 3AA Rosette restaurant – has a menu dictated by the bountiful seasonal ingredients grown in the kitchen garden, hence its name.

Rudding Lane, Harrogate, HG3 1JH Tel 01423 871350; ruddingpark.co.uk/ horto-restaurant-at-rudding-park/ THE FAT BADGER Set within The White Hart Hotel, this traditional British pub is a wonderful spot for comforting dishes and a renowned Sunday roast.

Cold Bath Rd, Harrogate, HG2 0NF Tel 01423 505681; thefatbadgerharrogate.com BETTYS A Yorkshire institution, the original tea room in Harrogate is one of now five (and has an on-site shop), making it the place to go for afternoon tea or a Fat Rascal – a deliciously plump, fruity Yorkshire scone.

1 Parliament St, Harrogate, HG1 2QU Tel 0800 456 1919; bettys.co.uk

MUST-DOS WHEN IN TOWN

GARRY FAULKNER, OWNER, HOME & GARDEN “Turn-of-the-century architecture is a favourite – the Victorian Harrogate Theatre on Oxford St is Grade II listed, whilst the Royal Hall on the outskirts is Edwardian (harrogatetheatre.co.uk). For food, Fisk is an elegant seafood and champagne restaurant in Montpellier Mews, fitting for a fish supper (fiskrestaurants.com).” 

TOP ROW The rooftop garden at Rudding Park Hotel’s spa wing; The relaxation room at the Turkish Baths MIDDLE ROW The Alice Hawthorn Inn in the historic village of Nun Monkton near Harrogate; Home & Garden in the Montpellier Quarter; The Fat Badger pub within the White Hart Hotel BOTTOM ROW Sampling the delicacies of afternoon tea at Bettys; Walk amongst nature at RHS Harlow Carr; Spirit of Harrogate is the home of local, award-winning Slingsby Gin THE ENGLISH HOME 105

TRAVEL

MALVERN Spring waters and rolling hills are amongst Malvern’s charms, inspiring former residents Edward Elgar and George Bernard Shaw and shaping its legacy as a Victorian spa destination

Sample spring water from Malvern hillside wells (try the Worcestershire Beacon circular walk), or enjoy Priory Park in town (previously the Winter Gardens) and located by historic Great Malvern Priory (greatmalvernpriory.org.uk). Places to visit include the Morgan Experience Centre, home of the renowned Morgan British motor car (morganmotor.com/morgan-experience-centre), and furniture workshop Shaker of Malvern, home to off-thepeg and bespoke pieces (shakerofmalvern.co.uk).

Festivals abound – classical music event Malvern Festival (malvernfestival.co.uk) runs in town, whilst the Three Counties Showground (threecounties.co.uk) boasts the RHS Malvern Spring Festival, Malvern Antique & Collectors Fair, and Malvern Flea & Collectors Fair (the largest in the country).

PLACES TO STAY

THE MALVERN SPA HOTEL A destination hotel with modern facilities celebrating the heritage of its location, including a wonderful 35°C indoor-outdoor hydrotherapy pool with views over the hills. Doubles from £197 a night.

Grovewood Rd, Malvern, WR14 1GD Tel 01684 898290; themalvernspa.com TREHERNE HOUSE B&B Charming nineteenth-century property in an LEFT, TOP TO BOTTOM Inside The Nag’s Head where exposed beams and warm woodwork create a cosy feel; One of the rooms at The Malvern Spa Hotel; Lobster, tomato, broad beans and caviar at Pensons; 1919 Restaurant at The Cottage in the Wood offers far-reaching views

106 THE ENGLISH HOME

Area of Outstanding Natural Beauty with ample off-road, flat-surface parking (a rarity amongst Malvern’s hilly streets, and a favourite with Morgan car drivers). Doubles from £115 a night.

54 Guarlford Road, Malvern, WR14 3QP Tel 01684 572445; trehernehouse.co.uk

FOOD AND DRINK

PENSONS Michelin starred, ingredient-led restaurant 20 minutes from the hills, with locally sourced food and interiors crafted by the area’s artisans (weavers, potters and blacksmiths), as well as an on-site homeware store.

Pensons Yard, Tenbury Wells, WR15 8RT Tel 01885 410321; pensons.co.uk THE COTTAGE IN THE WOOD Enjoy afternoon tea with sweeping views at this dramatic hillside spot with restaurant tables overlooking the surrounding landscape.

Holywell Rd, Malvern, WR14 4LG Tel 01684 588860; thecottageinthewood.co.uk THE NAG’S HEAD, MALVERN Real ale pub perfect for walks thanks to its location at the foot of the north-eastern side of the hills, serving classic dishes including Sunday roasts.

19–21 Bank St, Malvern WR14 2JG Tel 01684 574373; nagsheadmalvern.co.uk

MUST-DOS WHEN IN TOWN

ALEX WHISTANCE, THE NAG’S HEAD MANAGER “Abbey Road Coffee (abbeyroadcoffee.co.uk) and Faun (faunmalvern.co.uk) are both fantastic for coffee and food. Visit Rhubarb (rhubarbmalvern.co.uk) for home accessories, or try The Water Cure for cocktails in a historic converted bank building.” n

FEATURE EVE MIDDLETON PHOTOGRAPHS P102-103 (ROMAN BATHS) © REBECCA FAITH; (PUMP ROOMS) © MARK WEEKS; (ROYAL CRESCENT) © VISIT BRITAIN/STEPHEN SPRAGGON; (THE PIG) © JAKE EASTHAM; (THE CIRCUS) © JOSH ADAM JONES. P104-105 (TURKISH BATHS) © DAVID LINDSAY; (THE ALICE HAWTHORN) © JIM POYNER; (THE FAT BADGER) © JOANNE B PHOTOGRAPHY; (RHS HARLOW CARR) © RHS; (BETTYS) © BETTYS. P106 (THE NAG’S HEAD) © SCOTT STOCKWELL; (PENSONS) © DAVID LOFTUS

PLACES TO VISIT

CLASSIC AND ELEGANT BRITISH CUTLERY from Glazebrook & Co - designed for modern living

This delightful range is Old English mirror finish stainless steel with Dishwasher Safe Cream Handle Knives.

Set for six people at £395.00 (GBP) including delivery to US, this includes six 7 piece place settings (as shown) & 2 Table Spoons CJ_BritMag_Half_PgAd_3.9.21.qxp_Layout 1 3/9/21 6:12 PM Page 1

For further information: visit www.glazebrook.com or call +44 (0)20 7731 7135

SCOTLAND GLAZEBROOK 1-4 EHUS N-D16.indd 1

28/10/2021 11:58

— 2022 ESCORTED TOURS — British Isles

Scotland: Dumfries and Galloway England: Hadrian’s Wall, Lake District Wales: Snowdonia National Park, Welsh Castles Ireland: Dublin, the magnificent Neolithic site at Knowth in Bru Na Boinne, Belfast

May 5-19, 2022 • 14 Nights • $5,995

19th Annual Outlander Tour® Based on the book series by Diana Gabaldon.

Time travel back to the 18th-century Highlands, where history and fantasy come face to face. See secret places & magical sites off the beaten path.

June 23-July 4, 2022 • 11 Nights • $4,995 October 2-11, 2022 • 9 Nights • $4,195

Deluxe escorted tours • 16-guest maximum

Western & Northern Isles of Scotland

A combination tour of the popular Lords of the Isles and Viking Treasure.

Skye, Lewis, Harris, Orkney, the Northwest and Northeast coasts, and the Highlands.

Includes the Royal Edinburgh Military Tattoo.

August 11-27, 2022 • 16 Nights • $5,995

703.941.6455 • www.CelticJourneys.us • Email: Judy@celticjourneys.us THE ENGLISH HOME 107

The art of enjoying

THE GREAT OUTDOORS Passionate about quintessential English customs, our incognito columnist reminds us to do the best things in life in the most elegant fashion, always with a twinkle in her eye

BELOW Who knew that studying the interactions of birds in the garden would be akin to the drama of Bridgerton?

M

r M has always been a huge fan of the great outdoors. Given the choice, he would rather be in the garden or taking the dogs for a long walk than cooped up inside. When this happens, he often relaxes with a Scotch in one hand and a sandwich in the other, watching television programmes about adventurers overcoming life-threatening hunger and thirst in an unforgiving environment.

I, on the other hand, prefer to be warm and dry, but the various lockdowns we have had to endure have altered my mind-set a little. When there are no lovely restaurants to visit, dinner parties to host, or new collections to see in stores, one is rather limited for entertainment. So, at Mr M’s suggestion I embraced nature and am rather loving it. There is a corner of our garden where he has put up bird feeders and it is heavenly to sit there and watch the comings and goings. It’s quite like a rather good telelvision drama as we have repeat visitors and they all seem to have their own personalities: there is a rather cross blackbird that I like to imagine has a dark past; a shy, diminutive blue tit that has to graft for every break; and a large group of long-tailed tits that go everywhere en masse, fidgety and raucous.

We have also been bringing the outside in.

I have bought so many plants that parts of the house resemble a wing of Kew Gardens.

My biggest challenge now is not letting them wither – my fingers remain a sallow pinky grey colour with no hint of green. I am learning, however, and discovering each plant’s likes and dislikes has been a joy.

We have been walking a lot too, following coastal paths and visiting country parks which, I am surprised to admit, has been rather good fun. Mr M insists on using a compass to negotiate areas awash with footpath

108 THE ENGLISH HOME

signage and for trying to find the odd walkers’ cafe, but I indulge him and even go so far as to pretend I am a little lost.

Our part of the world, however, is largely flat and, whilst beautiful, a little featureless, so Mr M decided he had a hankering for an environment with more contours and ventured the idea of a mini break to northern England. This was in the dead of winter, and I was still nervous about Coronavirus, but he had a plan. We would hire a camper van and, with minimal contact with others, we would bathe in the icy beauty of the hills. Nowadays, camper vans have real kitchens with beautiful cabinetry, solid wood worktops, and more storage space than a furniture store. They have beautiful upholstery, proper beds, and even mood lighting.

Perhaps I was distracted. Perhaps I was rather desperate to go somewhere, anywhere. For whatever reason, I agreed and began packing. Mr M planned the itinerary with military precision: we would head north and stay in the heart of the Yorkshire Dales.

I have not been to the North very often but drew on memories of lovely outings when I was younger to Harrogate, York and Edinburgh.

We picked up the camper van early one Saturday morning. The man we were hiring it from was extremely thorough in showing us around, with each button, dial and gizmo fulsomely explained. We stood outside in the driving rain as he talked us through every aspect of ‘campervanning’, from filling up the water tank to turning on the gas for cooking.

In the weeks running up to the trip, each time I turned on the news I was regaled with stories of people being snowed in without power in the areas we were planning to visit. Despite this, and the fact that it was freezing and there was a persistent rattle from the back, we remained resolute.

Mrs Minerva Writes...

RIGHT A thick woolly jumper and a spot of cashmere are stylish essentials for keeping chills at bay in the great outdoors.

BRINGING THE OUTSIDE IN Having been pushed to the extremities of embracing the outdoors, Mrs M shares thoughts on enjoying the best it can offer whilst indoors NATURAL INSPIRATION

PHOTOGRAPHS MARCIN PERKOWSKI/SHUTTERSTOCK, FABRICASIM/SHUTTERSTOCK, BEN PHILLIPS PHOTOGRAPHY

We hit a slight bump in the road, however, when, having nearly reached our destination, I realised I had completely forgotten to pack any bedding. I am so used to trips involving rather nice hotels that it did not occur to me to include a duvet, pillows or any bed linen. Having eventually tracked down the nearest John Lewis, I popped in to buy the essentials – a Hungarian goose down duvet and pillows, 1,000 thread count Egyptian cotton sheets, and a charming duvet cover and pillowcases. Mr M looked at me in despair as I hobbled back weighed down by bags.

“Where will we put it all?” he asked, gesturing to the already full back seats. “Surely we could have done without a duvet cover. It’s only a few days.”

“We may be sleeping in a van,” I said, “but we are not animals!”

This made him chuckle, and for a while, as Mr M chewed on a piece of Kendal mint cake – a Cumbrian delicacy – harmony was restored. It did not last. The trip was an unmitigated disaster. The campsite we had booked to stay in was beautifully kept and in an idyllic location, but hiking to the loo in the middle of the night in one’s nightwear was not my idea of fun and the shower block was reminiscent of an Australian prison drama. We lasted two nights before I booked us into a rather smart pub in a picturesque village.

The North, though, was a revelation. The Yorkshire Dales and the surrounding moors were beautiful.

Chocolate-box cottages nestled on the edge of austere slopes, undulating fells sprinkled with snow, and even the odd five-star hotel. Mr M was a little disconsolate at having moved back indoors, but after a warm bath and a pub lunch by an open fire he admitted he had also found the going rather rough.

Something more profound happened too. Mr M fell head-over-heels in love with the natural beauty of West Yorkshire, and Ilkley Moor in particular. The hills criss-crossed with drystone walls. The dramatic skies. The rugged elegance of villages seemingly carved out of the local sandstone. Whenever we visited a new place, he would gaze longingly in estate agents’ windows. He would then insist we go for “a little drive” and, invariably, we would end up outside a house with a ‘For Sale’ sign… n

Another wonderful way to bring the outside in is via wallpaper and fabrics. I am particularly in love with the collaboration between floral stylist Willow Crossley and wallpaper and fabric studio Barneby Gates. Botanica (left and above) was inspired by English artist Mary Delaney’s exquisite botanical collages and reflects Crossley’s natural way with flowers. The gorgeous soft colours would look wonderful in a bedroom or indeed any room that provides a retreat.

Botanica wallpaper, £120 a roll, barnebygates.com

A GARDENER’S PARADISE

The garden has been a complete saviour to me over the past couple of years and I cannot begin to imagine life without some outdoor space. I am always looking for inspiration and this gorgeous book, Borde Hill Garden: A Plant Hunter’s Paradise (Merrell, £40) by Vanessa Berridge, with photography by John Glover, is sumptuous and perfect for the job. It is the first book devoted to Borde Hill, which is one of Britain’s great heritage gardens and has belonged to four generations of the same family since 1893. With its variety encompassing a series of formal gardens around the house, wide lawns that flow out into the countryside, many plant species not found elsewhere in Britain, and extensive wooded areas with one of the country’s largest collections of privately owned rare trees, it is no wonder that Borde Hill lays claim to offering visitors the world in one garden. The book is a must-read for armchair and outdoor gardeners alike.

THE ENGLISH HOME 109

PROPERTIES FOR SALE

HOUSES WITH CHARACTER This month, our selection of properties with a delightful coastal setting

1

GEORGIAN GEM Thought to have been built in 1760, Cedar Court in Suffolk is a quintessential Georgian country residence. Enter through the fluted portico door and be greeted by lofty decorative ceilings, sash windows and fireplaces throughout.

Formal reception rooms encompass an elegant drawing room and a 32-feet-long dining room complete with herringbone oak floor leading to a bright, airy orangery.

110 THE ENGLISH HOME

A period Venetian window looks out to the garden from the landing on the first floor, on which are four bedrooms, with six more on the floor above. Located less than a mile from Suffolk’s heritage coastline, near the village of Alderton, the Grade II listed property is perfectly positioned to enjoy an array of recreational interests by the sea.

Cedar Court, Suffolk, £2,750,000, Knight Frank

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NAVAL HERITAGE Within walking distance from Deal’s beachfront in Kent, Napier House was designed in 1813 during the Napoleonic Wars as part of a naval hospital. Later, serving as the main residence of the Colonel Commandant of the Royal Marines, illustrious guests are believed to have included Sir Winston Churchill and His Royal Highness The Duke Of Edinburgh. The Georgian house has been restored to emphasise the original features of decorative alcoves, open fireplaces, and sash windows. Set over five floors, it boasts six bedrooms, two kitchens, pleasing reception rooms and a cosy reading room. Although not far from the bustling town centre, the property has a secluded walled garden with a patio, orchard and wildflower area.

Napier House, Kent, £2,495,000, Foundation Property

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SEASIDE SPLENDOUR Located in the popular seaside suburb of Blundellsands in Merseyside, Warren House is believed to have been the summer residence of the Blundell family, local landed gentry after which the area was named. This five-bedroom property features Victorian architectural details such as bay windows in the front reception rooms, a decorative-tiled vestibule, fireplaces with surrounds and a staircase with original balustrades. On a bright, sunny day, throw open the patio doors to the rear garden, a manicured outdoor space with a paved terrace ideal for al fresco entertaining. For coastal strolls, nearby is the sandy stretch of Crosby Beach, which is famous as the permanent home to spectacular sculptures by well-known English sculptor Sir Antony Gormley.

Warren House, Merseyside, £1,495,000, Berkeley Shaw  THE ENGLISH HOME 111

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COAST & COUNTRY Nestled in open countryside, Honer House in West Sussex boasts more than just an enviable coastal setting. With views of the adjacent Pagham Harbour Nature Reserve, home to an abundance of bird species, this Arts and Crafts property features a grand reception hall that leads to the open-plan kitchen at the heart of the home. The ground floor accommodation comprises a formal dining and drawing room, both with fireplaces and doors giving access to the outside. Upstairs are six bedrooms positioned over two floors, most of which look out to sea. Delight in the expansive grounds, with paved terraces and a summerhouse for outdoor dining, a tennis court and secluded areas to sit and spot feathered visitors.

Honer House, West Sussex, £2,750,000, Strutt & Parker 112 THE ENGLISH HOME

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BESIDE THE SEASIDE With the seafront on the doorstep and the ancient woodlands of the Danes Stream Nature Reserve a short walk away, this nineteenth-century townhouse sits in a desirable location in the quaint Hampshire village of Milford on Sea. Inside the Victorian property is an abundance of period charm. As with the other reception rooms, the dining room is well proportioned and has doors leading to a Juliet balcony. The drawing room has a large box bay window as well as an open fire with marble surround. For an impressive outlook, step out on to the patio in the rear garden, which has been landscaped with distinct tiers to complement the surrounding natural vista. There are six bedrooms located on the upper two floors.

Whitby Road, Hampshire, £1,800,000, Winkworth

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SPLENDID SEA VIEWS With breathtaking sea views, aptly named Cliff House was built in 1923 in an elevated position above the sea in the harbour town of Torquay in Devon. The five-bedroom property has retained plenty of period character. In the dining room there is an original, intricately carved oak fireplace, and the drawing room’s open fireplace is just as ornate. Both reception rooms lead to a covered verandah and adjoining flagstone terrace, both of which have stunning views of the South Devon coastline. To soak up more seaside vistas, there is a seating area converted from a World War II gun emplacement in the garden. The grounds also feature a former Anderson shelter, greenhouse and an ornamental gatehouse that provides private access to the beach below.

Cliff House, Devon, £1,690,000, Savills n

FEATURE JANINE JORGENSEN PHOTOGRAPHS (2) © CHRIS KEMP; (6) © COLIN CADLE

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My English Home & Garden Garden designer and presenter of BBC’s Gardener’s World Adam Frost welcomes us to the Lincolnshire home he shares with his wife, four children, two dogs and cat How did you find your home?

Mrs Frost found the house online when we were on holiday in Morocco. She fell in love with it and thought it would be a good idea. When we came back and viewed it, we knew it was the right place for us.

Which came first for you, the house or the garden?

That’s a close call as the house was great.

It’s eighteenth century, and built from local Lincolnshire limestone and has a real sense of place to it, with a Collyweston stone slate roof and lovely chimneys. But the garden was great too and clearly needed bringing back to life, which I have really enjoyed doing. It is still a work in progress with lots of hard landscaping and projects to get on with.

What does your family love most about the garden?

It’s got to be the vegetable garden. They all like to get involved and definitely all enjoy the produce. I love experimenting, growing the usual veg but also playing with something different, like wasabi and oca.

Each year I like to play with something new. Last year it was the South American Apios americana tuber, which is a climber with beautiful flowers, and the tubers make really good chips.

114 THE ENGLISH HOME

Where does your passion for gardening originate?

It originated from my grandmothers – Scruffy Nan and Tidy Nan. Scruffy Nan had a really bohemian garden. It was an overgrown wilderness that was amazing to play and hide in. Tidy Nan had the classic straight lawn and borders on each side and she also had an allotment. My early memories of her are the smell of homegrown tomatoes on the vine and freshly cut grass.

Who has influenced you the most?

I’ve been lucky enough to become friends with designer Paul Smith, who has always fascinated me. I have also been inspired by architect Frank Lloyd Wright, and the late Sir Terence Conran, with whom I had a conversation which changed my life. I was working in landscaping and got chatting to him at RHS Chelsea Flower Show and he asked me what I wanted to do with my life.

I told him I really wanted to be at RHS

You are known for incorporating memories into your designs. How have you done this in your garden?

I carry the memories of Scruffy Nan and Tidy Nan by growing many of the plants that they both loved. I also look ahead, with a view to creating new memories with my family. I want to bring their personality into the garden, and I do that with clients too. A garden has to be for the people who use it.

Finally, what should no English garden be without?

For me it’s that sense of place, it should belong in its landscape and sit comfortably in its location. I think it should have that feeling that it’ll last forever – for whoever owns it. I like to think the English garden is evolving to be much more diverse and less controlled. n Adam Frost’s new book RHS The Creative Gardener is published by DK, priced at $22.99

PHOTOGRAPHS © JASON INGRAM

Can you tell us the history of your garden and what you have preserved ?

The garden has clearly evolved over a long period and I imagine was originally a cottage garden, providing food for the house. I’ve kept some structural trees and shrubs, and there are really lovely old yew hedges and local Lincolnshire stonework garden walls, which provide the garden with a sense of place. We’ve also got some old fruit trees which we’ve regenerated.

Chelsea creating show gardens and designing gardens for clients. He told me that there is no point in looking back and thinking ‘I wish I’d done it’. He said I should just set my mind on doing it and get on with it! I took that advice and Mrs Frost and I cobbled together enough of our own money for me to be able to create our first garden at RHS Chelsea and it took off from there. I’ve really carried that attitude with me ever since.

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