Portfolio of Shi Shin Yang

PORTFOLIO OF

SHIH SHIN YANG 楊士歆 個人作品集

01 V I R U S S T R U C T U R E

05

02 漣

03 C L I M A T E F R E E

08

10

04 B A H A Y 都市狹縫中的生存 菲律賓都市研究與社會現象

05 非 正 式 住 居 的 過 度 設 施

15

18

楊 士 歆 Shi-Shin Yang chenche6110@gmail.com | (+886)0933757573 [Educational Background] Sep. 2015 - Jun. 2020

Tamkang University Bachelor of Architecture

[Professional Experience] Oct. 2019 - Nov. 2019 June 2019 - Sep. 2019 June 2018 - Sep. 2018

浪漫台三線藝術季 2019 ROMANTIC ROUTE 3 | Hsinchu , Taiwan 十 二 寮 湖 光 村 慢 漫 藝 術 季 Pavilion Design 青村白皮書-洄游農村 | Hsinchu , Taiwan Community Constructure ZEPHYR(US) ARCHITECTS P.C. | Beijing | Intern Architect Dongying Guanggu Pavilion Design | Chengdu Xinggu Urban Dedign(A Part) & Building Design

[Design Competitons & Awards] Sep. 2017

2017 海峽兩岸建築院校學術交流工作坊 | Excellent Design Awards

[Workshops] Sep. 2017 July 2017 - Aug. 2017

2017 海峽兩岸建築院校學術交流工作坊 2017 淡水重建街 社區再造工作坊

[Software Skills] Rhinoceros | AutoCAD 2D | Vray for Rhinoceros | Keyshot | AbobePhotoShop | Adobe Illustrator | Sketch up | Lumion

實習事務所 - 負責之項目

Chengdu Xinggu Urban Dedign(A Part) & Building Design

Dongying Guanggu

病毒性單元構成 Emergent Object 1+1=?

RHINO 5 / Keyshot Make123D / Vibratory knife cutting machine

At first step , I’m choose a virus and investigation virus’s evolution.Then choose four type of virus to study.

I think these virus type relate to the three dimensional.

The first one looks like a “point”,the second one looks like the points start to assemble together, the third one looks like the “line”, the last one is ”mutation”.

So my concept is study virus evolution and transform to architecture space.

At last I will design an organic “inorganic compound”.

+ >

TYPE A

TYPE B

TYPE C

>

I let the a lot of unit mix with both structure,and then I watch who many type of link they will be.

After to watch the type, I choose three type of the link . Then, I these links to have more links just like my virus study diagram.

Cutting Plan

>

The last model cut by vibratory knife cutting machine.

>

Scale : 1/1000 Unit

Connect

Space

07

漣

Pavilion of light ripple

Rhino + AutoCad 2D 涼亭裝置藝術 1:1

Location : Shierliao Huguang Village , Hsinchu, Taiwan Area : 120 m2 Project Year : 2019 Structure : Wooden Designer : Shi Shin - Yang / Sung Yun - Wang / Zu Qian - Wang

由青年洄游農村社區營造計畫後被水 保局邀請重回新竹峨眉十二寮參加浪 漫 台 三 線 - 峨 眉 十 二 寮「 慢 漫 生 活 節 」 漣 是 以 當 地 氣 候 以 及 農 村 作 為 概 念 ，使 用當地農村常用的溫室用布料以及當 地木料工作室的木材作為材料製作而 成 這個裝置藝術的屋頂會隨著環境裡面 的 山 風 讓 屋 頂 的 型 態 有 所 變 化 ，藉 由 輕 質材料被束縛住所能產生一定的變化 性 ，整 體 想 塑 造 出 湖 面 常 因 山 風 產 生 漣 漪的動態感

UP

SERVICE SPACE

UP

UP

2

KINESIOLOGY DEPARTMENT

-10ft PLAN

UP

UP

UP

DN

DN

UP

UP

UP DN

UP

UP

UP

UP

UP

A

2 UP

UP

2

UP

UP

N

FIRST FLOOR PLAN

A

CLIMATE FREE

Fog & Curtain system RHINO 5 / Revit / Photoshop / Ecotect

Location : California State University , Monterey Bay , CA , USA TOTAL Area : 6900 SF Project Year : 2019 Structure : RC & S Designer : Shi Shin - Yang / Li Jin - Zhao

PROJECT

NARRATIVE

In our scheme, the fog trap net is not only used for fog trapping, and its shape is no longer a simple sheet network. We try to transfer the plane network to three-dimensional space. The reason for this is not only to improve the efficiency of fog trapping, but also to hope that it can become a part of the use space. In terms of the meaning of the former layer, the process of changing fog from wind to water is carried out in the fog generator; in terms of the meaning of the latter layer, the fog generator is just a part of the usable space in the building, which exists as a kind of architectural language with other practical meanings besides decorative meanings: sunshine and temperature used to optimize the indoor or semi-outdoor space of the building Humidity and wind environment, so as to improve the quality of space use.

At the same time, although fog seems romantic, it is not so romantic for the Monterey Bay people who have been shrouded in fog all the year round. So we have done a lot of experiments to explore how to improve the efficiency of fog capture and use fog net to control fog in a certain area. In addition, the relationship between building volume is also used in the design to control the flow of wind, rain and fog in the semi-outdoor space.

At the entrance of our project, there is a very noticeable square. On the one hand, we are using the building entity to block the westward direction, thus creating a foggy plaza; and more importantly, we think that the base is the only gap in the campus that links the southern natural forest, and this gap should be retained. At the same time, there is a lack of a suitable scale of school activities square in the development of campus planning, so we have created a large activity square to respond to these situations.

In conclusion, this is a fog generator, but not only the process of fog catching and water catching, but also the story of people and fog catching net, sunlight and fog catching net, clear wind, hot air, rain and fog catching and releasing.

Facade System

Prototype

Growing

Interweave

Connection

Building Square

Vague

Building Design

Program

Insert sheer walls and rotate.

2

Facility

Placing fog genration

Wind Pressure-plan

Catch and use

Control

Control

Wind Speed-Facded 04

Lobby - Roof Section - Detail

100

200

300

50

100

150

2

Two Gym - Roof Section - Detail

Fog Catcher

Fog

Solar Vent Assembly

2

Rainwater Recyling

Rainwate

Fog Catcher

Fog Cont

Double insulation space

y

er Recyling

Natural Ventilation

Section A-A

BAHAY

都市狹縫中的生存

AutoCad 2D + Photoshop Handmade Model Location : Tondo Area., Manila, Philipine Area : 1260 m2 Project Year : 2019 Structure : S

W h a t i s B A H AY ?

Bahay originally referred to traditional high-rise buildings, but in the process of social change and changes in architectural forms, Bahay became a kind of racism, referring to the dwarf buildings that the poor lived.

In the social structure of the Philippines, there is a huge gap between poor people and wealthy people.

Like the capitals of many countries, Manila’s demographic structure has a large number of poor people. It is also created. Under normal circumstances, if we first deduct the area of Manila from public construction and large-scale community private land for some wealthy people.

On average, each person has a living area of only 0.05 square meters.

Many people can't afford to buy a house, and the construction rights of ordinary simple houses are actually held by some underground powers. So some people simply live in the space of large concrete pipes and other objects, which also makes us deeper. Survival in Manila's life has found many new theories to define the so-called "home", which are not created by an architect.

The night is approaching, it is time to go to sleep.

When the residents are going to sleep at night, they can take the items taken in the morning into the strong body system, and then take out the original sleeping supplies and put them on the ground to instantly convert the fields of the original work into different spaces.

Site 551, Service Road, Roxas Boulevard, Baclaran, ParaĂąaque City, Baclaran, ParaĂąaque, Metro Manila, Phillipine

P U B L I C S PAC E

2F PLAN Day

In the design of the whole building, I re-converted the spatial elements of the original traditional b u i l d i n g B A H AY i n t o a public space that is hard to see in this dense urban slum, and the scale of this public space allows the building to be the flooding disaster faced by the local typhoon season was solved.

It is hoped that the interaction between the public space on the ground floor and the nearby residents will continue the key elements of the notation.

Midnight

非正式住居的過度設施 A support system for slums

Rhino + Photoshop + illustrator Location : Manila North Cemetery, Manila, Philipine Project Year : 2020 Structure : RC & S

當他凝視這個半貧民窟半樂園的 城市時，他讓自己的思緒飄散。 一個地方怎麼能如此醜陋且充滿 暴力，而同時又如此美麗呢?” ―克里斯•阿巴尼 (社會學作家)

TYPE I

TYPE II

filling

addition

TYPE III

parasitic

廢棄建築物

類型 1: 填 充 TYPE I : Fill in

類型 2: 增 構 TYPE II : addition * When the land is scarce, the poor started to build secretly on some buildings

* The poor have many gaps in the city to fill their living space.

不可動建物 違建物 牆體

類型 3: 寄 居 ( 內 部 ) TYPE III : parasitic

不可動建物 違建物 牆體

不可動建物 違建物 牆體

類型 4: 移 動 性 TYPE IV : mobility

不可動建物 違建物 牆體

TYPE IV

mobility

Project R ender -1 SHOK UDO + K itchen

Project R en der -1 Recycl e Station + Ligh t S tru ctu re

Project R en der -3 Ki tchen + S h ower + Classroom

設計簡述 大部分的貧民集中在城市中 的大樓群及那些美式社區高 聳的圍牆之外流竄，他們在 建商養地所圍的鐵皮圍牆之 內，甚至是人們忽略或廢棄 有如空殼般的建築物，他們 在那開啟他們的都市求生記 。他們是”非正式的居住者” 。 馬尼拉有很高比例的貧 民，但政府卻難以給予相應 的幫助，因此通常是當地由 教堂為基礎的NGO 幫助貧民 的方式有3種。1.提供食物2. 提供教育(成人教育，兒童學 前教育)3.醫療衛生資源， NGO的經費主要來自國際捐 款2.當地SLUM TOUR 過度設施設計概念主要想 表達一種體制化與非體制化 ，介於正式與非正式的建築 結構，其永續性與中介特性 如何收容貧民的進駐，貧民 可以利用尚未被定義的空間 去建築他們所需的空間，同 時它們可以利用旁邊已被定 義的空間裡面的資源，並且 協助他們改善生活品質，甚 至於脫離貧窮，整體空間管 理還是屬於非營利組織管理 。