The Grand Stage / Using installation as a documental tool to record reality. 2020 Taipei Fine Arts Museum X-Site Competition "X-Reality" Group Work, cooperated with Wei Chen Site: Taipei, Taiwan Type: Architecture Design / Installation My Work: Concept Design, Drawings (unless specific) Summer, 2019 How do we prove the existence of reality? Our team believed that what we perceived is the projection from the real world. The relationship between the real world and us is just like the relationship between the audience and the stage. The reality exist when people exchange their perceptions with each other. Our propose is an installation /pavilion that helps people to observe the real world. Discussing how people document their image of real world. We traced back the history to pinhole camera, Brunelleschi's installation, and the early method of creating movie scene. Inside the pavilion the gap between the volumes is just like a stage, and the facade of the museum is just like a backstage. But with the reflective material of the pavilion, the role of being an audience or being a performer is constantly changing when wandering around the pavilion. It breaks up the original one direction viewing mode and offers us a bi-direction viewing mode when you looking out from the inside of the museum.
92
