Yu Hsuan,Chen Portfolio2016

walkingmypath i n art yu hsuan Chen 2015

ABOUTME THESI SI NSPI RATI ON THESI SWORKI NG PROCESSI NG EXPERI ENCEs FUTURE EXHABI TATI ONS LI NK

ABOUTME l yen j oybei n ga nobs er v eri nev er Ireal t h i n g,es peci a l l yi nn a t u r e.Iu s edt o ma j ori nt h edepa r t men tofNa t u r a lRes ou r cesa n dEn v i r on men t a lSt u di esa t Don gHwau n i v er s i t y .I n s t ea dofu s i n g n u mber st or ecor dwh a tIs a w,Ipr ef er ed t odr a wt h em downi nmyn ot ebook s .

T h a ti st h ef u z et ot h ech a n gi n gpa t h sof myl i f e. “ Onlyputoffunti ltomorrow whatyou arewi lli ng to di e havi ng leftundone. ” — Pablo Pi casso

Wi t ha nex pect a t i ont of u l f i l lmyea gerof dr a wi n g,Ia t t en dedma n ycl a s s esi nt h e depa r t men tofAr t sa n dDes i gn .Fi n a l l y , I n f l u en cedbyPa bl oPi ca s s o’ si dea s ,t h a t peopl es h ou l dgr a s pt h ei rdr ea msor l ov ewi t h ou th es i t a t i on .Ideci dedt o f ol l owmyh ea r ta n dch a n gemyma j ort o Ar t sa n dDes i gn .T ome,t h a ti st h ebes t deci s i onIh a v eev erma de.

thesi si nspi rati on: “ thi splanetcan provi defor human need,butnotforhuman greed. ” — mahatmagandhi Qu ot i n gM G’ si dea si nal ect u r e,JG,t h e UNmes s en gerofPea ce,men t i on edt h eu n s u s t a i n a bl el i f es t y l ebeca u s eofpeopl e’ s gr eeda n dl a ckofempa t h y .

Wes h ou l dt r yt ol i v ei nas u s t a i n a bl el i f e s t y l ebeca u s ea l lofu sa r ej u s tpa r tofa n i ma l k i n gdom.Iwa ss oi mpr es s edbyt h ei r wor ds ,s oIdeci dedt oma k eas t or ya bou t h u ma n ’ sgr eeda n ddes i r ei na n i ma t i on .

T h i sa r t wor kma i n l yu s ess t opmot i ona n i ma t i on t odemon s t r a t et h eex ch a n geofbodyor ga n s wh i chwor s en sa n di n t en s i f i est h epu r s u i tofdes i r esa n dex pr es st h emyi n t er pr et a t i onofdes i r es .

Wh ydoIch oos es t opmot i ona n i ma t i on ?

Per s on a l l y ,Ibel i ev et h a th a n dma dea l wa y sh a v e ma gi ca lpowert oi mpr es st h ea u di en cea n di ti s a l s oa ncon t r a s tt omech a n i z a t i oni nI n du s t r i a l i z eds oci et y wh i cha r et h ema i nr ea s ona ccompa n i edbyl ot sofpr obl ems , l i k eca pi t a l i s m, wh i ch br i n gsa bou tcon s u mercu l t u r et h a twe’ v ebeen f a ci n gn owa da y s .

thesi sworki ng processi ng T h i sa n i ma t i ont ookmeay ea rt oma k e,wh i chi n cl u des32gi r l s ’ f a ces ,164gi r l s ’ey es ,22gi r l s ’h a n dsa n d10ol dmen ’ sf a ces , 24ol dmen ’ sey es ,16ol dmen ’ sh a n dsma deofpol ya n dcl a y .

T h er ewer e3s cen est oma k ei nt h ea n i ma t i on ,i n cl u di n g1s h oppi n gs t r eeta n d2I n t er i orr oomsofdes s er ts h op,s etonat i n y s ca l e.Al s o,pl en t yofs n a ck sa n dca k esma dewi t hcl a y .

Mu s i cwa sma debymybr ot h er ,YuHs u nCh en ,a n ds peci a l t h a n k sf ort h eh el pof3f r i en ds ,J i a nL iJ y u n ,L iWeiL i u , a n dSh i h bi a nL i a n .

desi reand deserve 2015 Di r ect or |YuHs u a nCh en Speci a lt h a n k s |J i a nL iJ y u n ,L iWeiL i u , Sh i hbi a nL i a n .

Mu s i c|YuHs u nCh en

“ Theyalwayssayti mechangesthi ngs,but you actuallyhaveto changethem yourself. ”

— AndyWarhol

L etmy s el fbepr epa r eda n dr ea dyf orch a n gesdoesn otmea n t omodi f ymyowns t y l ea l lt h et i me;a dj u s t men ti st ol etmy s el f k eepex per i men t i n ga n dt r y i n gdi f f er en tmedi at ocr ea t ean ew el emen t —i ti sl ea r n i n ga n dgr owi n g.

Experi ences I nt h edepa r t men tofAr t sa n dDes i gn ,ou rpr of es s oren cou r a gesu st obea cqu a i n t edwi t hdi v er s e medi awh i chh el pst ol ea r nh owt os el ecta ppr opr i a t ema t er i a l st oa ccompl i s hea chpr oj ectwor k .I t h i n kt h a tt h epr oces si sv er yf a s ci n a t i n ga n dh a s pr of ou n dl ya f f ect edmya r t i s t i ccr ea t i on s .

T h i ss ect i oni sdi v i dedi n t ot h r eepa r t s ,n a mel ypa t t er n sdes i gn ,a cr y l i cpa i n t i n gs ,a n dot h ermedi a .

Experi encesbotani calpatterns Na t i on a lDon gHwaUn i v er s i t yi sl oc a t edi nEa s t er nT a i wa n ; t h ec a mpu si ss u r r ou n dedbygr ea ta n dbea u t i f u ls ea s c a pe a n dl a n ds c a pe,t h er ef or e,ou rpr of es s orf r equ en t l yt a k es u st os k et c horf i n di n s pi r a t i oni nn a t u r e.Iwou l dobs er v e a n ddepi ctpl a n t sc ompr i s i n gt h ei ror ga n sa n dev er yf ea t u r ei ndet a i li nor dert oi n t egr a t et h es eel emen t sf r om di f f er en tpl a n t st oc r ea t ean ews pec i es .Somet i mest h e mor ewepr obei t sdet a i l s ,t h emor es u r pr i s eswef i n d.

Na t u r ei si n c r edi bl ypower f u lbec a u s eofi t si n ex h a u s t i bl e r es ou r c esofi n s pi r a t i on ,ov er wh el mi n gc h a n gi n gc ol or sa n d s t a t esofc r ea t u r es .Ibel i ev et h a tt h en a t u r eh a su n l i mi t ed c r ea t i v epowerbec a u s ei tpos s es s esbou n dl es sc ol or v a r i a t i on sa n ds pec i est r a n s mu t a t i on s .

experi ences-avi an patte HEY! I ’ M EGGY.

HELLO!EVERYBODY!

I ’ M SHY,SO IALWAYS HI DE

I ’ M TRACY!

I N MY FEATHER WHEN THE

I ’ M REALLY SMALL WI TH

SI TUATI ON I S AWKWARD!

SHORT LEGS,BUT IRUN QUI TE FAST. EVERYBODY CALLS ME TYRANNOSAURUS.

ITHI NK THEY CALL ME LI KE THAT SI MPLY BECAUSE MY HANDS ARE LI KE TYRANNOSAURUS, NOT MY TEMPER AT ALL.

HEAH. . . . .

I . .

AM. . .

NI GHTY. IALWAYS STARE I NTO SPACE , SO. . . .

MANY PEOPLE TREAT ME LI KE A DOLL. . . .

terns HELLO!I ’ M HERRY! IALWAYS WEAR A COLORFUL COATS WHI CH CAN CATCH LOTS OF PEOPLE’ S ATTENTI ON!

I ’ M MR.DARK. I ’ M ALWAYS WONDERI NG WHY THE WORLD I S SO DARK? HEY! MY NAME I S FI FI .

IHAVE A LONG NECK WHI CH CAN’ T BE ENTI RELY CONTAI NED I N AN EGG.

experi encespatternsde

thi si mageshowsmypersonalstyleofh

desi gn

human characters.

experi encespatternsd

faci aland bodyexpressi onsofemoti on

desi gn

ns

experi encespatternsdesi gn

Ia l s ol i k et ou s epa i n t i n gt oex pr es smy s el for t opor t r a yv a r i ou sa s pect sofh u ma nn a t u r e.

expi ri encesacryli cpai n

i nti ngs

MyDea rFr i en d f r om Dr ea ml a n d 2014 116.

5X80( cm)

expi ri encesacryli cpai n

i nti ng

Mer ma i ds 2014 116.

5X80( cm)

expi ri encesacryli cpai n

i nti ng

T h eBa n y a nT r ee Hol e 2014

expi ri encesacryli cpai n

i nti ng

Wu n s ch 2014 120X120( cm)

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“ Yourgreatnessi smeasured by yourhori zons. ” — Mi chelangelo Byex per i en ci n gex ot i ct h i n gs ,meet i n gn ewpeopl e a n da da pt i n gt oadi f f er en tcu l t u r e, Iwi s hIcou l dr eor ga n i z emyt h i n k i n gi ndi v er s e wa y s ,s t epou tofmycomf or tz on ea n dt a k ea nu n k n owna n dcr ea t i v ea dv en t u r e.

Future 1.

ThePossi bi li ti esofReframi ng Un dert h et r a i n i n gofdi f f er en tc u l t u r es ,Ien dea v ort os eekt h epos s i bi l i t i esofr ef r a mi n gi nf u r t h er a n c eofi n t er pr et i n ga l lk i n dsofpeopl e, t h i n gsa n dobj ect su s i n gdi f f er en tmet h odol ogi es ,a l s oofopen i n gt h e i n f i n i t epos s i bi l i t i esofc r ea t i on s .

2.

TheBreakthrough ofCharacterDesi gn T h equ i n t es s en c eofa n i ma t edc h a r a ct erc on s i s t sofi t sa t t r a ct i v en es s a n di t sor i gi n a l i t y .Iex pectt obea bl et oi n t egr a t edi f f er en tel emen t si n t h ef u t u r ea n dt oc r ea t ec h a r a ct er swi t hmyper s on a ls t y l e.T h es ea r e n otl i mi t edt opeopl e;t h eyc ou l dbea n i ma l ,pl a n t ,obj ectorev enr epr es en t edbya ppl y i n gv a r i et yofma t er i a l s .

3.TheI mprovementofCharacterAni mati on Ien j oyobs er v i n gev er ymov emen ta n da ct i onofpeopl e.Ou rmot i on s s h owou rper s on a l i t y ,a n da n i ma t i oni sak i n et i ca r t ,t h er eby ,agood a n i ma t i onc ou l ddemon s t r a t ec ompl et el yc h a r a ct er i s t i c sa n demot i on s ofaper s on .Iwi s ht obr ea kt h r ou ghi nt h ea s pectofCh a r a ct erAn i ma t i ona n dt ol ea r nh owt oma k ec h a r a ct er sc omet ol i f ea n dt odepi ct i t sv i v i da n dt h r i l l i n gper s on a l i t i es .

exhabi tati ons

exhabi tati ons

“ Thegreaterdangerformostof usli esnoti n setti ng ourai m too hi gh and falli ng short,but i n setti ng ourai m too low and achi evi ng ourmark. ” — Mi chelangelo Al t h ou gh tt h ewor k i n gpr oces s esa r epa i n f u l ,f r u s t r a t ed,s pa i n f u l ,f r u s t r a t ed,i tma ybea ncon t r a s t t ot h egoa lwh i chi scompl et el ywor t h ya tt h een d.

On l yper s ev er a n ceca npr ov eu sr i gh t !

CV Educ a t i o n 0 9 / 2 0 1 0 0 6 / 2 0 1 4 Na t u r a lRe s o u r c e sa n dEn v i r o n me n t a lSt u d i e s

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Na t i o n a lDo n gHwaUn i v e r s i t yHu a l i e n , Ta i wa n 0 9 / 2 0 1 4 0 6 / 2 0 1 5 Ma s t e ro fAr t sa n dDe s i g n

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Na t i o n a lDo n gHwaUn i v e r s i t y Hu a l i e n , Ta i wa n Ex hi bi t i o ns 0 7 / 2 0 1 5 Pe r s o n a lEx h i b i t i o n , Na t i o n a lDo n gHwaUn i v e r s i t y 0 6 / 2 0 1 5 Ou t s i d eCo u n t yEx h i b i t i o no fMa s t e r ’ sCl a s s , URS1 2 7Ar tFa c t o r y , Ta i p e i , Ta i wa n 1 2 / 2 0 1 4 0 1 / 2 0 1 5 As s o c i a t i o nEx h i b i t i o no fCh e n , Yu Hs u a na n dCh i e n , Li Ch u n , Ar t o b i aa r t g a l l e r y , Hu a l i e n , Ta i wa n 1 2 / 2 0 1 4 1 2 / 2 0 1 5 Ex h i b i t i o no fNe wEn r o l l e dSt u d e n to fMa s t e r , Ar t o b i aa r tg a l l e r y , Hu a l i e n , Ta i wa n Ho no r sa ndAwa r ds 0 5 / 2 0 1 3&0 5 / 2 0 1 5 Ti me sYo u n gCr e a t i v eAwa r d s - No mi n a t i o nh o n o r e di nt h e2 2 n dAn i ma t i o nGr o u p - Ce r t i f i c a t er e c e i v e di nt h e2 4 t hGr a p h i cGr o u p 0 2 / 2 0 1 5 Co c o b o xMi n i a t u r e sHo u s e sCr e a t i o nCo mp e t i t i o n - Ex c e l l e n tAwa r d .

0 1 / 2 0 1 3 Gr a d u a t i o nCe r e mo n yBa c k b o a r dDe s i g nCo mp e t i t i o n , Na t i o n a lDo n gHwaUn i v e r s i t y -1 s tp l a c ea wa r d 0 3 / 2 0 1 3 Sk e t c hCo mp e t i t i o n , Hu a l i e nGo v e r n me n t -1 s tp l a c ea wa r d

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