COVER 2013-17 selected works
RESUME
EDUCATION 2016/06
Tunghai University/Department of Architecture Bachelor of Architecture 2016/06
Tunghai University/Department of Architecture Bachelor of Architecture
Su Sheng Feng 蘇聖峯 Born In October 23th,1992 Kaohsiung City,Taiwan Contact
WORK EXPERIENCE 2017/07-2017/12 Freelancer
Su Sheng Feng Personal Design Studio
+886 955 167 337
2016/07-2017/08
Personal Statement
Water Resources Agency, Ministry of Economic Affairs
sam88274@gmail.com
I’m fascinated about an idea that a building is never a building itself—it is also a small piece of puzzles that need to fit in to a bigger picture of a city as a whole.“How can the collaboration between the building and transportation system promotes citizens’ life quality?” should always come first considerations. After the peaks of Taiwan’s urban constructions, there are the unavoidable valleys. Taiwan’s urban design systems have faced numerous serious issues in recent years. The slowing progress of urban renewal, the increasing price rate of living buildings, and the constructor’s greed in maximizing profits are some of the results of the failed urban design system. Such failures have eventually increases the costs for effective buildings (those fit with the urban design) and thus reduce citizen’s satisfactions. Worrying about Taiwan’s current situations, luckily, I found out my interests in urban design and expertise in architecture are the two tools that I can use to make changes.
Curator & Administration Staff
2015/07-2015/08 Intern
Tonkin Liu Architecture Office 2012/07-2013/08 Team Captain
THU Architecture Baseball Team 2012/07-2013/09 Intern
Lee Wen Shen 2010/01-2014/01 Keyboard Player
Band-Undown Johnny
RESUME
WORKSHOP
AWARD & SCHOLARSHIP
Cross-Department Workshop
Scholarship Global Internship Programme Ministry of Education
2011/11-2012/01
Host:College of FACD, Tunghai University Location:Taiwan
2013/07-2014/08
Cornell/Tunghai University Architecture Rome Aqueduct Workshop Host:Cornell&Tunghai University Location:Italy
2014/07-2015/01
3D Printer Paramatric Workshop
Host:Department of Architecture, Tunghai University
2016/07-2017/08
2015/01-2015/06
Scholarship Global Internship Programme Ministry of Education 2015/07-2015/08
HONOR LOVE TO SHARE DREAM COMMUNITY COMPETITION TAICHUNG GOVERNMENT X LEYOUNG CONSTRUCTION
HOBBITS & INTERESTS
Location:Taiwan
SKILL Hand drawing Model Making AutoCad
Adobe Photoshop
Adobe Illustrator Adobe Indesign
Adobe Lightroom
Micorsoft Office
Workout
Cooking
Baseball
Horse Riding
Travel
Jogging
Scuba Diving
Read
Guitar
SketchUp
Rhinoceros Revit
Grasshopper Processing Atlantis English
Chinese
PORTFOLIO 2013-2017/SU SHENG FENG
CONTENT ＸＬ
INVISIBLE WAR YEAR： 2016 TYPE： THESIS DESIGN ADVISOR： YEH CHIA
URBAN WORKERS SHARING VILLAGE YEAR： 2014 TYPE： VILLAGE DESIGN ADVISOR： CHEN JUN YAN
FOLDED NATURE YEAR： 2015 TYPE： PARKWAY DESIGN ADVISOR： LIN TIEN
CONTENT
Ｌ
WIND POWER MUSEUM YEAR： 2015 TYPE： BIOMIMIC DESIGN ADVISOR： HO JEONG DER
GREEN WATERSIDE COMMUNITY YEAR： 2015 TYPE： COMPETITION ADVISOR： LING TIEN
Ｍ
THE WHISPER BRIDGE YEAR： 2014 TYPE： COMPETITION ADVISOR： TONKIN MIKE/ ANNA LIU
Ｓ
SUN RAIN ROOMS YEAR： 2014 TYPE： ROOF/ INTERIOR DESIGN ADVISOR： TONKIN MIKE/ ANNA LIU
MULTI-FUNCTION ACTIVITY CENTER
WATER AGENCY‘70’SHOW
PAVILION
100 GRADUATION EXHIBITION
YEAR： 2013 TYPE： ARCHITECTURE DESIGN ADVISOR： GUO WEN LIANG
YEAR： 2014 TYPE： PAVILION DESIGN ADVISOR： YEH CHAUR SHIANHN
YEAR： 2017 TYPE： CURATION MEMBER: YEN CHIA CHING
YEAR： 2017 TYPE： EXHIBITION ADVISOR: LING TIEN
PORTFOLIO 2013-2017/SU SHENG FENG
YEAR: 2016 TYPE: THESIS DESIGN / URBAN DESIGN / INFRASTRUCTURE / ARCHITECTURE LOCATION: TAIPEI / TAIWAN ADVISOR: YEH CHIA
TAIPEI WAR MAP
THE INVISIBLE WAR
Some friends in Southeast Asia ever said, Taiwanese thought their laziness led to poverty. However, they did not think that wars never happened in this island. I think it’s partly correct. There has never been a miserable war in local Taiwan, but many Taiwanese were killed in battle in other countries, or came back like madmen. Since these stories have never been taken seriously, we think wars have nothing to do with us and never consider the horror of wars. Therefore, a few years ago, the voice of starting a war with the Philippines due to GuangDa Xing No. 28 incident appeared to be so reasonable. There is no fear in war if you don’t know it. However, what is war? I think it’s not a computer games which you can shut down and start over if you don’t want to play, and it’s not a Hollywood movie that will be ended after screaming for two hours as well. It’s hell. We may feel this hell from many stories and many people. Then, criticize, and refuse.
01 ABOUT WAR AND TAIPEI AUTHORITY & FUNCTION
Currently in Taipei, war transforms into different formats in lives, and my graduation project is to change the existence of war and give it a new functional meaning through a method to analyze and reinterpret it. Peace is the mainstream value in the current world, and yet people seem not to be willing to take war seriously, and usually consider it as an “exceptional” situation. Although I believe war still exists in our lives in this era that looks restful, and Taipei city, which faces the war, keeps operating day after day on the map we are familiar with, would conceal a coping mechanism for war to reflect the cycle process of time in a city. War has turned from individuality, sword to group, guns and even huge air attack after years; nowadays, there are even random terrorist attacks as a guerrilla force.
2016年5月20號，台灣經歷了第三次政黨輪替，就職典禮上，對於國際關心的兩岸 議題，新任總統拒 重申前任執政黨強調的九二共識， 表明願意尊重1992年會 談的結果與精神。 北京當局近來面臨自治區民主的浪潮和政局的不穩定，台灣成為集權統治的最後一 根稻草。北京宣布展開為期三個月的對台軍演， 迫台灣領導人表態一個中國
演習宣告了台灣正式進入了準戰爭狀態，台灣各地的軍團開始軍演。 樣的演習，對 人民來說是一種奇怪的存在，台灣人對於歷史、區位、國力、教育等一切的種種，堅信 著戰爭並不會降臨於 塊土地。在 個準戰爭而人民又沒有逃離的城市特別時期， 開始發展出特別的生活型態。開始對周遭的事物敏感，並且時常處於一種焦慮的狀 態。
城市的角落出現不同想法的市民，開始佔據一些場所當成集會的空間。許多城市的空間開始 關閉，由軍方接手，對外道路皆被封閉，市民無法自由進出台北。腦筋動的快的商人開始大賺 戰爭財，販售一些即時性的醫療包、乾糧甚至號稱能抵 飛彈的外衣。21世紀的地下交通系 統也變成了另類防空洞，在警報的期間，人們躲在安全的地下空間， 發達的地下交通網絡 串連城市
戰爭還是爆發了，用最迅雷不及掩耳的速度空襲。在第一波空襲來臨之前，人民透過超 適合交通系統不斷放送的跑馬燈得知，在來不及撤離下，大舉躲入了台北的地下交通系 統現代戰爭中，有限戰爭 取代了 無限戰爭 ，通過消耗而非殲滅。在中國第一波的空襲下 ，基隆河和淡水河上橋 第一時間被炸毀，一舉封鎖了所有對外聯繫的道路。
大規模的毀滅已經不復存在，儘管如此，恐嚇性的轟炸還是摧毀了城市的座標系統 市民依靠對城市特殊記憶點定位城市，斷垣殘壁和高樓大下僅僅一線之隔。大多市 民還是待在家中，依靠著城市的物資系統和醫療系統維生。
部分的災民選擇聚集在隱藏的避難空間，在地面的城市已經頹靡傾倒之際，四通八達 的地下城維持著正常的運作，伴隨著湧入的人越來越多，地下原有交通系統所組構的 避難空間除了不敷使用，在短時間填滿的空間也因為物資、衛生和避難空間的不足 而開始失序，這場仗還沒打完，城市已經先自己擊潰自己了。
THE INVISIBLE WAR
ABOUT EXIST l ADAPTIVE SYSTEM
With the threat of military force between Taiwan and China, Taiwan is facing an uncertain military force, and yet the cities are lack of a coping strategy for people correspondingly. The aim of this design is to be existed with a new form in Taipei which connects the current contexts of war that would consider the vital functions during a war in the future.
ABOUT EXIST ll CITY ORGANIZATION
Making a comprehensive view of the war history in Taiwan, due to the bombard of World War II, many buildings and creative spaces were built on where the U.S. Army destroyed. The mottled brick walls can still be vaguely seen, and the traces left from the Anti-Communist National Salvation Army era had even been deeply imprinted on this land; the children’s education, bronze statue and assembled salute reflect a type of military thoughts which have been deeply planted and a specific rule to regulate the air raid shelter shall be necessary. The air defense drill that happens in various military spaces of the cities every year have all strongly shown that Taipei has never been left from wars and it presents a classic battle ritual including authoritarian, repairable and military I think wars will undoubtedly come to this land in the future and all these things will be meaningful to the new era. Such “war types” I proposed which exist in modern times holds different levels of meaning. With this understanding, there will be a different construction method in Taipei and such construction method will conceal a system which is corresponding to wars.
TAIPEI WAR MAP
THE INVISIBLE WAR
博愛特區
華山 空軍總部
[ / 操作範圍 ] 轟炸遺址_再利用 地下系統_疏散通道
威權空間_拆解 權力軸線_打破 防空避難室_釋放
轟炸遺跡_記錄
危險區域_裂衡
[ / 博愛特區 ]_醫療系統
[ / 華山草原 ]_疏散系統
SYSTEM REBUILD
[ / 空軍總部]_物流系統
SITE & PROTOTYPE
行政院 學校 監察院 立法院 國宅 國軍福利社
華山藝文中心 台大醫院 捷運出口
空軍宿舍
I think, a battle/ Quasi-War city should set a method of composition and operation which is different from the current way. I took Taipei as an example to interpret the contemporary four theories which discussed what a city should looks like under the war and rebuild a new war map. Under this city statement, the four systems of evacuation, logistics, medical and defense are included in responding to wars, and are distributed in dots in the city.
EVACUATION SYSTEM l UNDERGROUND RAILWAY
I utilize the existing underground system(MRT) and hidden entrance, design a mega architecture that is use for evacuation in war time. However, its present as a big multi-function building in peace time.
MEDICAL SYSTEM ll MRT STATION EXIT
There are more than 500 MRT entrance that is already exist in Taipei. I transform the volume to make it more efficient of evacuation and survey the surrounding condition.
TAIPEI WAR MAP
Condition l Site Features
Condition ll Emergency Systems
Huashan Creative Park is the art center located in the most popular area of Taipei. It was formally a winery built in Taipei in 1914 with the ground area exceeding 70,000m²and now attracts a lot of citizens on weekdays. This design considers the arrangement with a huge amount of exhibition, public and office spaces that will allow more crowds gathering at the areas which had been at high density already, and hold coming numerous crowds during the war. The surrounding facilities (elevated highway and buildings) are connecting to the inner base through air-bridges which comprehensively increases the affecting range of the evacuation system.
The design plans for many ve traffic flow lines as well as al tion devices and lift shafts‌e more than double the weight son with the normal regula traffic flow lines can go th directly and connect the unde system to quickly leave centra
ertical and horizontal ll types of transportaetc., which can bear and unit in compariations. All vertical hrough underground erground evacuation al Taipei city.
Condition lll Underground Railway The previous Huashan Creative Park used to be the major strong hold which the Taiwan railway would pass by, and behind the prosperous and bustling scene, a railway relic that is forgotten by people is concealed. This underground railway goes along way to Taipei Main Station, the most crowded place in Taipei. The numerous crowdsduring the war will be connecting to the underground transportation system (MRT) in Taipei through the underground evacuation system of this base to evacuate people from the popular areas of Taipei to outside the city.
MEDICAL SYSTEM l
ROTATING ELEVATION
The public exhibition space in dark colors is embedded in the main builings of the Legislative Yuan and the Control Yuan. The original construction space which is extremely conservative and authoritative has been broken through, that even becomes an exhibition space which welcome citizens to visit. The contest of the exhibition is no longer the point and this operation collapses the reflection of authority towards modern war. The standing canopy frame of the huge hospital for an extension of insufficient space normally while during the war, setting the standing canopy frame on the urban road with huge axle to provide urgent medical facility and rescue.
THE INVISIBLE WAR
Tai pei
ĺ?°
ĺŒ—
MEDICAL SYSTEM ll
TRANSFORMING VENDER MACHINE
Besides the setting at special zones, the medical system has also been supplied comprehensively on common vending machine system in Taipei by putting simple medical devices and supplements for serving temporary medical bandage.
LOGISTICS SYSTEM l TRANSPORTATION CENTER
The air force base located in central Taipei has been abandoned and gradually turned to cultural and creative base. Most abandoned defense lands are either totally deserted or being transformed to cultural and creative industry. The corner road of this base used to be the national army cafeteria with logistics system and storage space. I reserve the column and beam structure to design a new tr-ansport and logistics system which connects other small logistics spaces in the city and makes it an example of logistics distribution center. The air force base located in central Taipei has been abandoned and gradually turned to cultural and creative base. Most abandoned defense lands are either totally deserted or being transformed to cultural and creative industry.
LOGISTICS SYSTEM ll
TRANSPORTATION ELEVATION
The corner road of this base used to be the national army cafeteria with logistics system and storage space. I reserve the column and beam structure to design a new transport and logistics system which connects other small logistics spaces in the city and makes it an prototype of logistics distribution center.
TAIPEI WAR MAP
YEAR: 2014 TYPE: VILLIAGE RENOVATION / LANDSCAPE / ARCHITECTURE LOCATION: TAICHUNG / TAIWAN ADVISOR: CHEN JUN YAN
TUNGHAI MALE DORMITORY REPLANNING
URBAN WORKERS SHARING VILLAGE
Taiwan is an island country with the population of 23 million or so. Since 2000, the decreasing birth rate has been getting worse and many schools faced the issue of enrollment decline or even shutdown. Located in the central Taiwan, Tunghai University, the historical university, has also suffered from the impact of decreasing birth rate. Most campus space including classroom, restaurant and dormitory are ready to be released. Among all, the dormitory is the first to bear the impact. The base of this project located in the first male dormitory in Tunghai University and we plan to implement several programs which include handmade workshop, coffee shop as well as cultural and creative shop‌etc. All works will be assigned with a dormitory which establishes a culture creative clusters shared by a student and a worker that will truly implement industry-university collaboration at this area and effectively resolve the large-scale release of accommodation space for the male dormitory.
02
STUDENT & DORMITARY TUNGHAI UNIVERSITY CULTURE
The architecture features of Tunghai University are the traditional Chinese red bricks and inclined roof tiles with Tang imitation style. However, being affectted by the modern architecture, the major structure has been applied with reinforced concrete and the dormitoryarea is divided into the structure pattern of two or three floors which connects each other with the air bridge. This design started with a lot of research and analysis of the change and plan that Tunghai University needed at current stage, finding out the most suitable position to cut-in and implement the new functions. From the promotion of urban scale to human scale, the major architecture of the male dormitory will not be revised at a large scale in this program. The original structure will be remained with proper amendment while implementing the new architecture and the landscape of the male dormitory will be redesigned so the space for the culture creative clusters and students can be kept in balance.
[校內program保留/釋放]
空間型態 classroom
pc room
farm
lab
piano room greenhouse
studio
空間彈性
practice factory
易達性
通風採光
量體大小
獨立性強 易達性高
外來對外 服務窗口
量體密度
security guard
school staff
depart staff
P
guest house
G
ractice
atherings
A
dministration
D
可舉辦多種 活動
performance conference
隔音吸音牆 空間有比例
空間固定 可容納多人
iscussion
exam
L
Industryacademic
C
腹地
ooperation
iving function
空間可自由 變動 空間彈性大 各類運動適合
通風採光強 獨立性強
club activity
church
restaurant
dormitory
無隔間 共用公共空間 空間廣大 出入口便利
book collection
exhibition
sports
shopping
exhibition
cooperation
lab
shopping
[公車、BRT動線圖]
[人行動線圖]
[汽車、機車動線圖]
BRT站點&動線
教學人群動線 觀光人群動線 居民人群動線 人群節點
汽車停車場與動線 機車停車場與動線
校內公車站點&動線
[東海特色建築分布圖]
[水文分布圖]
[綠帶分布圖]
[日照分布圖]
[風強度分布圖]
東海的虛實空間從文理大道和教堂到其他建築的規劃皆沿著軸線向外 發展。順應自然氣候地形、配合建築紋理與軸線，形成虛實交錯的建 築特色。
東海校園由河溝貫穿，加上位於大肚山的山腰，河水由西向東流動， 經過約農路河溝的截斷與調節；再因東海湖與河道的彎折而將部分雨 水導流。
樹林與草坪構成東海極具特色的生態景觀，維護良好的自然環境孕育 出多樣的物種，建築配置也與之相輔相成，形成東海校園的特殊之處。
東海的綠地多，可從圖中看出二校區建築量體密度高且擁有廣大但無 遮蔭的綠地，夏日太陽直射炎熱，冬日溫暖。
東海土地幅員廣大，夏天近工業區為涼爽的強風帶；冬天時近中港路的外圍 夏天 牆邊的樹林具為防風林的作用，使鄰近中港路的區域為弱風帶，近工業區為 強風帶。 A
B
強
A’
B’
C
強風
C’
弱風
弱 教堂與文理大道形成東海指 標軸線，學院建築為東海最 古老的建築群。 老師宿舍群為東海特色平房 建築，其整齊的街廓有小型 社區的氛圍。 東海創校中期的現代主義建 築，呈現著東海建築的風格 轉變。 東海系友興建的新興建築， 極具後現代主義，為東海新 興的觀光景點。
因東方的廣大土地並沒有河 溝與滯洪池的調節，容易形 成水災氾濫區。
陽光草坪為校園中均布樹林 的休閒綠地，樹種多樣，常 有觀光客和學生停留。
花園餐廳前河溝為東海生態 保育區，內有豐富的樹林與 花草物種。
過道性質高但因樹種單一而 造成東海特殊景觀的約農路 鳳凰木和相思林。
夢谷附近河溝音因長期無水 ，且與地面高差不大，成為 特殊的學生活動點。
牧場草原因地處偏遠而保留 了良好的生態環境，春夏之 交晚上會有螢火蟲出沒。
東海湖作為校園東邊的滯洪 池，且周圍景色優美，成為 學生與觀光客的熱門景點。
位於路思義教堂前的草坪因 其地標性有多人聚集，在此 進行各項休閒活動。
A
B
C
冬天
強風 A’
TUNGHAI MALE DORMITORY REPLANNING
B’
C’
弱風
E-NJOY YOUR LIFE
URBAN WORKERS SHARING VILLAGE
壹 緣起
台中市發展西移，東海逐漸被都市包 圍，卻無積極回應。
1.少子化現象 2.校園被都市包圍
七期重劃區為台中大型賣場的集散區， 腹地龐大四周少綠地，居民假日多集中 在此處消費，為台中市中心。
2012
東海大學內部為一個開放空間多，綠帶多能 供人使用的舒適尺度，和此比較中港路上的 人潮多，交通量大，速度快，和校內形成對 比，
草悟道為政府近年來對於台中綠帶的整 合，而此處的地理位置介於新市區和舊 市區的過渡地帶，頭尾連接台中國美館 和台中科博館，串聯而成綠色走廊。
自然/校園經驗
逢甲夜市晚上和假日聚集大量觀光客， 為一綜合性機能的生活區域，鄰近區域 還有近年來政府致力於改造的水湳機場 ，台灣塔。
設施/學生使用 2004
2012東海空照圖
東海別墅鄰近東海大學教學區，為一提供學 生生活機能的夜市區。但是因環境不佳，腹 地不足，造成人車搶道和塞車問題。
日治時期
日治時期奠定單核心的空間型態
民國 45 年
單核心放射狀都市結構,內聚性更強
民國 75 年
台中市轉化為多核心的空間型態
民國 84 年
著重於土地使用之合理性
少子化現象，由圖表看出，大學數量 供過於求，未來大學面臨學子減少的 民國 93 年 轉型趨勢，尋求多元收入，自給自足
交通系統/設備
2002東海空照圖
工業區緊鄰東海南邊，占據廣大土地，常透 過東海別墅進出兩個區塊。
十二期重劃區與十四個整體開發區解 禁，釋出都市發展用地，往都市邊緣
過了交流道第一排為許多高樓大廈鄰兩 側馬路，建築物密集，交通繁忙。
，來達到財務平衡
理想國區域經過社區總體營造後，轉型成另 一假日人潮聚集區域，服務東海周遭居民。
地區移動
出生人口和大學比例
教學模式轉變
校舍使用情形
ICLOUD TEACHING
IVORY TOWER EDUCATION
SOCIETY DISCUSS/WORKING -英業達捐贈雲端主機 啟動博雅雲 -雲端租屋服務系統 -數位教學平台 -雲端軟體銀行 -數位學習歷程、學生資訊系統
現有宿舍學生關係
STUDENT RELATIONSHIP
未來宿舍學生關係
1990 Taichung development
According to the research on city and campus, besides the release of huge space due to decreased students, the design of E-campus also becomes the mainstream development for universities in Taiwan. The dormitoryrelation of each small unit cluster has gradually developed the multi-connection relations which relies on the cooperation of internet/ social media.
2014 Taichung development
2014 BRT START OPERATION
FUTURE TAICHUNG DEVELOPMENT
靜宜大學
中科工業園區 東海大學
逢甲大學 台中市政府
精密科技機械園區 台中公園
工業園區 台中火車站
草悟道 世貿中心
台中公園
國家歌劇院
台中火車站
烏日高鐵站
4. 河溝 3.自然資源豐富 2.開放空間多 1.建築密度低
[以紋理分區]
4.高低差豐富 3.不內聚 2.量體連結性高 1.交錯的空間配置
6.量體均布 5.風格一致 4.個別簇群向心性強 3.視野佳 2.坡地 1.軸線配置
4.量體分散 3.腹地大 2.視野佳 1.平坦空間多
[BRT使共享範疇頻率增加]
3.近東別 2.腹地大 1.量體大
The research started from Taichung city development history to Tunghai natural landscape. I define the future education mode which can be put in the new planning school and system [非知識生產/雲端金字塔理論]
1.草地
6.隱蔽性高 5.路小 4.單層 3.緩坡 2.隱蔽性高 1.量體均佈
5.正立面朝向道路 4.隱蔽住宅 3.緩坡 2.量體排列整齊密集 1.雙層連排建築
3.長軸量體 2.草地多 1.地形平坦
5.地形複雜 4.腹地大 3.自然資源豐富 2.量體少 1.東海湖
5.地形平坦 4.無量體 3.近住宅區 2.草原 1.氣候條件不舒適
5.近校園出入口 4.近住宅區 3.地形平坦 2.配置鬆散 1.大量體
URBAN WORKERS SHARING VILLAGE
A
B
C
VILLAGE PROGRAMMING SOCIAL CIRCLE RE-DEFINITION
[ Taiwan features socail circle ]
BUSSINESS
BUSSINESS
RESTAURANT
RESTAURANT
EXHIBITATION ART
特色產業
BOOK STORE
居住 公共活動 生活周邊商品販售
EXHIBITATION ART BOOK STORE
MAIN FLOW MINOR FLOW THIRD FLOW
飲食 INNER SPACE FLOW
LANDSCAPE FLOW
[ New features socail circle ]
d
c
b
a
a-a section
b-b section
文創工作室 居住
c-c section
公共活動
+0
生活周邊商品販售
+50 cm
飲食
+300 cm
展演
cm d-d section
+150 cm +400 cm
d
c
b
a
產品銷售 娛樂
UNITS PROTOTYPE
DIFFERENT WORKERS USING CONDITIONS [ Type.1 Food workers prototype ]
[ Type.2 Handicrafts makers prototype ]
TUNGHAI MALE DORMITORY REPLANNING
[ Type.3 Community prototype ]
A
B
C
URBAN WORKERS SHARING VILLAGE
YEAR: 2015 TYPE: URBAN DESIGN / INFRASTRUCTURE / PARAMETRIC / ARCHITECTURE LOCATION: TAICHUNG / TAIWAN ADVISOR: LING TIEN
TAICHUNG ART MUSEUM PARKWAY
FOLDED NATURE
While making the urban planning, a green space was designed to belt surround whole Taichung called “Green Park Way” and along the space, the core representative is one called “art park way”, which is with largest ground area and crowds. The current art park way is the normal parkland for people to take a walk and walk dogs. With high-density new dwellings,restaurants and all kinds of cultural and creative shops, such large parkland is not with well and efficient arrangement. This plan takes this as the blueprint and provides a new way to look up the open space in the city with the expectation that the future open spaces can be operated in the same way to create proper open space functions for use.
03 PARKWAY ACTIVITIES FOLDED PLATES DEFINITION
I kept notes for people’s activities in the art park way area for a long time and categorized with conclusion. The parameter design is to put folded plates in the park way at huge scale, and then adjust the various folded plates with different angles based on the requirement nature of diverse areas. There are total 15 types of folded plates at all sizes with the numerous combinations of open space. The large canopy frames are for assembly and exhibition and the small folded plates are for rest or to be used by the underground riches. Besides the large and small spaces for assembly and stage, more than 50% of green space is remained for keeping a balanced state with the folded plates (artificial) space that provides a nice rest place for all Taichung citizens.
TAICHUNG ART MUSEUM PARKWAY
[ / Activity Spots ] The activities spots in this area focus onthe north of park way and the south of Art Museum. The middle of park way is lack of activities.
[ / Routes ]
car people
Green park way and Art park way is organize by many broken anddense streets.Citizens’ activities are happened between the lane
[ / Surrounding Used ] The streets near park way hidden the biggest culture and creative district which combine with the foreign food restaurants became a new life region.
[ / Figure / Ground ] The green area is distribute in belt in this dense block rather than spread in dot.
FOLDED NATURE
TAICHUNG ART MUSEUM PARKWAY
FOLDED NATURE
Bionics design is the transformation of root concept. I analyzed the octopus slide, studied and interpret its movement logic, trying to find out an advantage belongs to the slide movement of octopus, getting into digital operation and further calculating the 3D state space (the movement of a creature is a tridimensional behavior) with this logic and thoughts. Based on the thought of bionics, such reference of/ operation mechanism which is transformed by learning the creature’s movement will be the most efficient/ the most optimized space. The octopus’ movement is a dynamic and continuous behavior. The study and transformation after notation is even more important instead of simply physical learning. The base is located at Gaomi wetlands in Taichung and it is an intertidal zone of the immense forest. The average wind speed exceeds 6m/s and the gust peak speed is up to 16m/s. With the largest wind po-wer equipment in Taiwan currently, the plan is to set a wind power museum for teaching and visiting purpose. The building is a giant wind power plant, the wind comes into the building itself which speeds up the wind and generates the utmost kinetic energy. The visiting and teaching area will be windless/ low wind area.
YEAR: 2015 TYPE: BIOMIMIC DESIGN / PARAMETRIC / ARCHITECTURE LOCATION: TAICHUNG / TAIWAN ADVISOR: HO JEONG-DER
BIOMIMICRY-OCTOPUS SKIING
WIND POWER MUSEUM
M
04 OCTOPUS EVOLUTION
BIOMIMICRY SYSTEM IN ARCHITECTURE
Octopus is a cephalopod and considered to be the smartest invertebrates during the evolutionary process. It has 8 peduncles with many suckers; sometimes it squirts black ink for escapi-ng. Its nervous system is well developed, composed by central nervous system, peripheral nervous system and sympathetic nervous system which is very sophisticated. During the evolution process, octopus grew arms in order to meet the requirements for climbing and hunting. The arms are behind as the streamline when octopus swims and the three-tier muscle of suckers compress downward to suck objects easily for having negative pressure inside suckers.I kept notes for various states of octopus’ arms while moving in the water and concluded that octopus have two functions with its arms to move forwar and keep balance.
渦流反力_觸手推動水流形成內部渦流，助力和組力造成形的極端變化
前進組_1-1
周期_運動時觸手軌跡週期有對應之關係
前進組_1-2
270°- 315 ° 伸長 225°- 315 ° 伸長 225°- 315 ° 縮短
上肢 : 出力划水
伸長，角度微增加
中段 : 大幅出力推水
體積上向下傳遞
中段 : 水流反作用力
下肢 : 水流反作用力
體積，角度變化量小
240°- 270 ° 伸長 300°- 330 ° 縮短 210°- 300 ° 縮短
下肢 :中段抬起 上肢 : 出力回推
中段 : 減低推水量
伸長，角度微增加
縮短
中段 : 預備下次推水
下肢 : 水流反作用力
下肢不使力，下垂 角度抬伸至高點
大幅伸長，增加推水面積
前進組_2
臨界值_型變值越大表越使力，施力到臨界值產生急速變化
前進組_2
240°- 270 ° 伸長 300°- 330 ° 縮短 210°- 300 ° 縮短
270°- 315 ° 伸長 225°- 315 ° 伸長 225°- 315 ° 縮短
上肢 : 出力划水
伸長，角度微增加
中段 : 大幅出力推水
體積上向下傳遞
中段 : 水流反作用力
突破臨界值，急增
下肢 : 水流反作用力
下肢 :中段抬起
下肢不使力，下垂
上肢 : 出力回推
中段 : 減低推水量
伸長，角度微增加
縮短
中段 : 預備下次推水
下肢 : 水流反作用力
角度抬伸至高點
大幅伸長，增加推水面積
[ / Move_Balance ]
BIOMIMICRY-OCTOPUS SKIING
[ / Stop_Balance ]
[ / Frighten_Hunt ]
ARMS RESEARCH The arms are getting thinner to the end sides since they are used for hunting and searching with shorter responding time whose muscles are closer to they central nervous. The eight arms are not moving at the same time and they fold in three tiers for moving forward while each of them doesn’t have common divisor relation
平衡組_2-1
平衡組_1-1
210°- 240 ° 伸長 240°- 270 ° 縮短 300°- 330 ° 縮短
上肢 : 出力划水
伸長，角度增加
中段 : 小幅推水
下肢 : 導流
體積向上傳遞
體積向上傳遞
縮短，角度減少
縮短，作用力與反作用力
210°- 240 ° 伸長 240°- 270 ° 縮短 300°- 330 ° 縮短
上肢 : 出力划水
伸長，角度增加
平衡組_1-2
中段 : 小幅推水
下肢 : 導流
體積向上傳遞
體積向上傳遞
縮短，角度減少
縮短，作用力與反作用力
平衡組_2-2
240°- 270 ° 伸長 300°- 330 ° 縮短 210°- 300 ° 縮短
上肢 : 出力划水
伸長，角度增加
中段 : 小幅推水
下肢 : 導流
體積向上傳遞
體積向上傳遞
縮短，角度減少
縮短，作用力與反作用力
[ / Move_Forward ]
240°- 270 ° 伸長 300°- 330 ° 縮短 210°- 300 ° 縮短
上肢 : 出力划水
突破臨界值，急縮
中段 : 小幅推水
下肢 : 導流
體積向上傳遞
體積向上傳遞
突破臨界值，急增
縮短，作用力與反作用力
NOTATION & CATEGORIZE Taking the three-tier nods as standard to come out the notation with various angles and states of the arms for different functions. I categorized the variation which came out for different purposes and applied to the construction space function.
[ / Stop_Forward ]
WIND FORCE MUSEUM
Stop＿Balance
Stop＿Forward
Move＿Forward
Move＿Balance
Frighten＿All
TRANSFORM INTO SPACE FORM FOLLOW EXERCISE SYSTEM
I categorized the octopus’ arms into three categories and five types with two different functions of moving forward and keeping balance for its movement, which are stop/ balance, stop/ move forward, move/ balance, move/ move forward/, scare/ whole unit. The tridimensional space with six different features transformed by different sections obtains various functions and features that I combine these six prototypes according to the form follow functions and design the special space.
Wind Intake(Test Area)
Exhibitation Wind Outake
Laboratory Wind Intake(Test Area) Dormitary Room
BIOMIMETIC WIND FORCE MUSEUM
WIND MUSEUM
ARCHITECTURE FORM FOLLOW WIND SYSTEM
The design of the whole building is transformed by the notation of octopus and what construction space emphases is not the typical evaluation about space quality, but the inner flow efficiency and variation of the wind. The level and partition of the space is also designed based on the air amount and wind speed, which can be divided to four areas: testing (power generation) area, teaching area, exhibition area and dormitory area. The air amount and wind speed are also decreasing by level and the complete building is made of reinforced concrete. With the reference of the non-vertical arc walls of National Taichung Theater by Toyo Ito, building a complete fluid space. This is a space with the theme of wind and the scale as well as space will beyond the common cognition.
GREEN WA
Everyone has a dreamland in mind and expects the community life of his/her own can be better. This architecture design for competition aims to improve the lifestyle/ environment/ quality of each community in Taichung and we target Kuang-Min Community, a high-density community with 2,426 residents in 803 households, which is an old community surrounding the famous Fifth Market in Taichung, traditional and yet lively. Although this community is surrounding by the Liu Chuan stream, the residents take the stream as a drain without having specific function or vibe. Liu Chuan, located in Taichung basin, a stream of old Han River which belongs to Wu River system, is one of the four rivers in Taichung center. The river improvement work has been divided into three terms and the overall length of is near 8 km. With the development of Taichung railway station Liu Chung becomes a river that all citizens remember and yet without having any resonate. The community improvement program integrates the three terms of river improvement works that the Taichung City Government l for Liu Chuna, with the attemption to connect the daily life of Kuang-Min Community with the river and develop this community to one-of-a-kind river-friendly community in Taichung. The original aging community structure will also be improved for attracting young people back with the new style.
YEAR: 2015 TYPE: URBAN DESIGN / INFRASTRUCTURE LOCATION: TAICHUNG / TAIWAN TEAM: LING / SHUR / SHIH / YANG ADVISOR: LING TIEN
RE--THINKING WATER AND LIFE
ATERSIDE COMMUNITY
05 COMMUNITY COMPETITION LIU CHUNG STREAM IMPROVEMENT
This is an BOT project which the Taichung City Government works with local construction firm. The goal is to improve the nearly abandoned Liu Chung, which residents consider as a “drain� for a long time. Besides improving the deserted waterfront which was abandoned, this program also attempts to connect the surrounding residents and commercial centers to the concave section by Liu Chung to create a big river-friendly living area. The length of the base exceeds 2 km and the design is planned according to the width of the river. The wilder section is designed for the river-friendly zone so people can play with water, and the narrow section will be cultivated with a huge amount of local plants as well as aquatic plants to cope with ecological rehabilitation and establish the environment for human-ecology coexistence.
In addition to the waterfront, the temporary container house building is also applied to the street markets. Without connecting to any building itself, the activity can be changed at any time to increase the variety and keep the Liu Chuang healthy. The original vendors will be moved to upper embankment to remain the cleanness and tranquility of the concave section of the river.
Deck connect through the Liu Chuang, providingthe residents keep a quiet place to excercise and relax in noisy city
RE-THINKING WATER AND LIFE
Stream view before improvement 1
It also set a wood cloister to provide pedestrian a calm place to rest. A water-friendly experience is not common in urban life.
Stream view before improvement 2
Lots of street vendors will be set between the stream and road, keeping the local culture but renew the environment
GREEN WATERSIDE COMMUNITY
YEAR: 2014 TYPE: INFRASTRUCTURE / ARCHITECTURE LOCATION : TINTAGEL / ENGLAND ADVISER: TONKIN MIKE / ANNA LIU
TINTAGEL CASTLE COMPETITION
THE WHISPER BRIDGE
Plans for a footbridge soaring high above the waves between the Cornish mainland and the island fortress of Tintagel have caused a storm of protest. The site’s custodians, English Heritage, say the bridge will help more visitors reach the island and understand its history better. It is to be created out of two cantilevers that reach across the windswept void from either side but do not quite meet in the middle. In recent months English Heritage has been criticised for turning Tintagel into a “fairytale theme park� focusing more on its legendary associations with King Arthur than its real, fascinating history.
WHISPER BRIDGE
TONKIN LIU
06 ABOUT COMPETITION
stainless steel structure coated with white cable stay mesh
WHISPER BRIDGE
TINTAGEL CASTLE INTRODUCTION
TONKIN LIU
Tintagel Castle is one of the most spectacular historic sites in Britain. Today the remains of the 13th century settlement can be seen on both the mainland and jagged headland or island jutting into the sea, but Tintagel’s divided landscapes were once united by a narrow strip of land. As part of a £4m English Heritage project, the new bridge at Tintagel Castle will follow the path of the original land bridge and help visitors to better understand the site’s history, improve access to the island, and help to protect and conserve the landscape
stainless steel structure coated with white cable
whispering handrail with cut flute
handrail resist upward lift from wi
25mm steel plate 75 mm stone infill to steelmesh tray deck lateral tensioning
25mm steel plate 75 mm stone infill to steel tray deck
lateral struts
intermediate struts support centre of deck
connection of struts at point of crossing outer struts in vertical plane with handrail
compression pyramid struts
main compression struts upward handrail and edge whole elevation
outer struts in vertical plane with handrail
tension net push struts up to compression deck compression pyramid struts underlook bridge
whole elevation
underlook bridge TINTAGEL CASTLE COMPETITION
stay mesh
perspective
perspective
ind
whispering handrail with cut flute handrail resist upward lift from wind
lateral mesh tensioning
lateral struts mesh detail intermediate struts support centre of deck
mesh detail
CONCEPT & CONSTRUCTION connection of struts at point of crossing
main compression struts upward push to handrail and edge tension net push struts up to compression deck
d push to
LIGHT ELEGANT MISTERIOUS
In recent months English Heritage has been criticised for turning Tintagel into a “fairytale theme park� focusing more on its legendary associations with King Arthur than its real, fascinating history. Our concept is to gently implement the bridge to this legendary place. We used a lot of metal rods and thin films to form tension. Looking from the lateral side, the whole bridge is very light, just like a spider. With the light shed upon at night, the touch of the sea wind is like a whisper. The difficulty of this design is to work with Arup (a worldwide famous construction company) with back and forth discussion to design a structure system for the new type of bridge.
THE WHISPER BRIDGE
MULTI FUNCTION ACTIVITY CENTER ARCHITECTURE PROJECT
YEAR: 2013 TYPE: OFFICE / THEATRE / GALLERY / ARCHITECTURE LOCATION : BANQIAO / TAIWAN ADVISER: GUO WEN LIANG
The base located in a lively intersection in Banqiao District, New Taipei City, the east side with intensive business activities is the new Banqiao District while the western side is the declined old Banqiao District. The base happens to be located in between the new and old juncture which is a key area of a city. I tried to make the juncture blurred and get the crowd flow with different types of people gather to my base again. The first floor was excavated to an underground plaza that provided a clear stopover point on one hand and resolved the noisy environment on the other hand. The misplacement of volume creates a lot of virtual space that some was released as semi-open space. With the misplacement of volume, a huge amount of penetrability was made which connected the vision and activity texture on both sides of the city and prevented them from being intercepted by buildings.
MULTI-FUNCTION ACTIVITY CENTER
VISIUAL PAVILION
YEAR: 2014 TYPE: PAVILION / PARAMETRIC LOCATION : TAICHUNG / TAIWAN ADVISER: YEH CHAUR SHIANHN
With the half volume of Serpentine Gallery Pavilion in London, the International Film Festival held in National Taiwan Museum of Fine Arts this year was set with different feelings. This pavilion expected the different light and shadow effects which are different than before. The temporary construction composed by 3mm painting steel plates possess a unique inner space and visitors can enjoy the effect brought from that specific angle at various sides. The National Taiwan Museum of Fine Arts in the back can been seen through the extremely thin steel plates at certain specific angles. In the pavilion, some various curved surfaces built by the intensive steel plates can be used for rest places for visitors and the inner space is also enough to accommodate chairs with nice shielding purposes. Visitors can clearly feel various shadows during a day projected by the sun, as if the building were made with sundial.
VISUAL PAVILION
SUN RAIN ROOMS INTERIOR AND GARDEN
YEAR: 2014 TYPE: OFFICE / HOUSE / PARAMETRIC / ARCHITECTURE LOCATION : LONDON / ENGLAND ADVISER: TONKIN MIKE / ANNA LIU
The Sun Rain Room is a two-storey extension and restoration of a Grade-II Listed Georgian townhouse. The extension reframes the rear of the building by amplifying the characteristics found within its fabric. Designed and constructed by Tonkin Liu in collaboration with local craftspeople, it serves as both a studio for the practice and a home for the partners’ family. I was responsible for this project when I worked at Tonkin Liu，The perimeter walls of the rear courtyard support a plywood roof, curved in plan and section to allow maximum light into a patio garden. Rainwater gathered at the top of the townhouse falls through a pipe, following the roof’s curving leading edge to a spout over a long rainwater harvesting tank. The tank floods the patio at the push of a button, transforming it into a reflecting pool. The roof’s thin 110mm structural shell is an insulated stressed-skin, joined by round coffered skylights that echo the wave pattern of raindrops landing in the pool. It is a good place to be on a bad day.
SUN RAIN ROOMS
WATER AGENCY ‘70’ SHOW CONSTRUCTION+EXHIBITION
YEAR: 2017 TYPE: CURATION LOCATION : TAICHUNG / ENGLAND MEMBER: YEN CHIA CHING
The 70th annual special exhibition of Water Resources Agency, MOEA will display dozens of water conservation projects in Taiwan and the highest executive level of visitors is up to the President. For the public sector especially, the expectation of the exhibition method is to design a detachable/ reassembled display shelfs for the entire exhibition with the purpose of saving national expenses. The display works including dam/ flood storage channel/ regulation pool and flood way‌etc., such large scale national developments. Demonstrated with large customized prototypes, we used numerous pictures, images and prototypes so citizens can understand how the water conservation projects affect lives. The main visual with 2.5m height at the entrance of major exhibition which showed the trace and geographic locations for the historical water conservation projects implemented in Taiwan. The plan for the entire exhibition, information organization and design, prototyping and main visual‌etc. are all included.
WATER AGENCY 70 SHOW
100 GRADUATION EXHIBITION ‘100’
YEAR: 2016 TYPE: EXHIBITION LOCATION : TAICHUNG / TAIWAN DATE: TONKIN MIKE / ANNA LIU
Shen Ji New Village is an old army dormitory which is abandoned. We bring out the imagery of “home” to plan for the exhibition space. Since the original “living” function of the dormitory is gone with only the space left, we then make the design work with the unit of household and set different themes for the dormitory. These “living” spaces have also changed the way we worked in it and the concept of spatial cognition. We started to call the places we organized “home” and imagined the exhibition shell as where we really live. In these empty houses, the imagery of home is not only re-appeared with more home taste. These old houses were completely transformed into the Youth Entrepreneurs Park after the exhibition. Prior to that, we displayed an open house during the exhibition and welcomed everyone to enter the space to not only enjoy the presenttion of the architecture work, but also experience the original moderate look of these houses while walking through. To imagine how predecessors lived here and reappear the lives of military kindred village by walking through the exhibition and getting into the houses. GRADUATION EXHIBITION