SCULPTING IN TIME
CHIA MIN WANG 1-646-220-5155
minatrisd@gmail.com
WEBLINK
CHIA-MIN WANG My interest in spatial design began during my undergraduate studies in theater, film and media. The overlay of cultural, international, visual, textural, as well as performance challenges has opened to a global sense of design. I believes the combination of these experiences strengthen his passion for architecture.
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SCULPTING IN TIME STUDIO PROJECTS AT RISD Int-ARCHITECTURE 6
A FLIGHT OF FANTASY
26
DANCE WITH RIBBON I
32
DANCE WITH RIBBON Ii
Firstworks New Art Center & Creative Culture Revival YMCA New Ticket Booth YMCA New Media Lab
RELEVANT WORK AT TIGHE ARCHITECTURE 44
MONTEE KARP RESIDENCE
50
HOLLYWOOD HILLS HOUSE
58
LA BREA AFFORDABLE HOUSING
64
2510 TEMPLE RESIDENCE
70
GUGGENHEIM HELSINKI COMPETITION 2014
RELEVANT WORK AT ODA ARCHITECTURE 78
THE BEDFORD HOTEL
104
DENIZEN BUSHWICK
122
EDEN FINE ART NY
128
PARCEL 8 WHARF RESIDENCE
PHOTOGRAPHY 146
THE DIARY OF LIGHT 3
4
PROJECTS AT
RISD Int-ARCHITECTURE
5
THESIS AT RISD
A FLIGHT OF FANTASY
FIRSTWORKS NEW ART CENTER & CREATIVE CULTURE REVIVAL Providence,RI
“Culture, and by extension the creative industry, is a key element in urban redevelopment.” Paul Rutten As Rutten notes, this project embraces and illustrates this idea through the adaptive reuse of an existing space to design a new art center for Firstworks which is an energetic arts organization in Providence. The Degree Project will provide a practical, organizational workspace, and a cultural intersection that encourages mass participation in artistic activities as expressed by the mission of FirstWorks, also re-evaluates how the design can define this organization’s identity which serves as a center of hospitality, vitality and creativity with all of us. The art center will contains a performing art space, visual art space, galleries, and multifunctional public plaza to support Firstworks various cultural events.
Veterans Memorial Auditorium
Providence Train Station
I-95 Kenerddy Plaza RISD Auditorium
Dunkin Donuts Center
The Providence Black Repertory Company
Trinity Theater AS220 Perishable Theatre
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Providence Performing Arts Center
FIRSTWORKS NEW ART CENTER & CREATIVE CULTURE REVIVAL
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THESIS AT RISD
FOGARTY BUILDING Location: 111 Fountain Street, Providence, RI Owner: The Procaccianti Group Inc Architect Builder : TPG Construction Zoning: Downtown District D1-100 LUC: Commerical II >100.000 Acres: 0.52 Structure Type: OFFICE BUILDING - LOW-RISE Year Built: 1968 The Fogarty Building, built in 1968 of mostly reinforced concrete, is an example of Brutalism architecture, designed by Castellucci, Galli & Planka, Rhode Island architects. As a distinct style, Brutalism grew out of the very real needs of a post-World War / Utopian era, where the demand for social services (housing, financial support, health care services) out-weighed the pleasure of slowly refined design. That design concept was applied to this rigid, massive concrete structure in downtown Providence, which was built to serve as the Rhode Island State Welfare Office.
Fogarty Building, Providence, RI.
Hallway of Fogarty Building
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FIRSTWORKS NEW ART CENTER & CREATIVE CULTURE REVIVAL
CREATIVITY IN ECONOMICS
High line, New York
High line, New York Travel and Leisure magazine, 2010 Dec.
In December 2010, Travel and Leisure magazine declared that Providence is the #2 urban cultural leader in the United States for theaters and performance arts (just behind New York City and ahead of Boston, LA, and Chicago). The survey invited travelers and residents to rank cities across the country in categories ranging from culture (Theater/Performance art, Museum, Historical sites), Quality of life, food, restaurants, hotels and nightlife.
WaterFire event, Providence,RI
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THESIS AT RISD
Intervention I
PUBLIC PLAZA To remove the existing central core, concrete fences, and restyle the parking entrance with graded accessible entry ramps
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FIRSTWORKS NEW ART CENTER & CREATIVE CULTURE REVIVAL
Restyle the parking entrance. Create a graded, accessible entrance on the northeastern aspect with additional access ramps along Fountain and Sabin Streets.
Roof Floor
Mechanic Room/ Flying System Dressing Rooms
3F
Oval Theater Back Stage
2F
Exhibition Room (2-3)/ Arts Store/ Lecture Room Office for Organization
1F
Public Plaza (Multifunctional used)
FOUNTAIN
STREET
Existing Center Core Movie events, Performing arts, Ice skating rink, Sculpture, Art Installation…
MATHEWSON STREET
Center Core
To remove the core & to create a Public Plaza
SNOW STREET
EasyEasy Accessing the Brutalist Building Building Accessing the Brutalist
SABIN STREET
Opening 1st floor to become a public space and encourage people to come visiting
The intention is to create wider, open area for public plaza (first level) which could help people reaching the building easier and encourage participating activities. To consider about existing structure, the design will aim to remove the center core to provide a open space for public use.
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THESIS AT RISD
Movie Festival (Summer)
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Ice-Sakting Rink (Winter)
FIRSTWORKS NEW ART CENTER & CREATIVE CULTURE REVIVAL
Creating a wide open public plaza on the lower level. Public Plaza has the multifunctional used for different art activities. (Movie events, Performing arts, Ice skating rink, Sculpture, Art Installation…
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THESIS AT RISD
Intervention II
OVAL THEATER / EXHIBITION GALLERY To construct an Atrium and oval shaped theater with 230 seats and indoor galleries.
1.
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2.
FIRSTWORKS NEW ART CENTER & CREATIVE CULTURE REVIVAL
The images(1 & 2) are of an artist’s conception of a Zeppelin airship docking at the mooring mast atop the Industrial Trust Tower in Providence.
The imagination of floating space theater is a creative and imaginative space.
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THESIS AT RISD
OVAL (OBLATE SPHEROID)THEATER DESIGN CONCEPT The Airship is the vehicle which captures people’s imagination about flying. Theater is a magical, fururistic space where performers and artist create an imaginative atmosphere that leads audiences to become engaged. This new theatre will suspend in air with the shape of an oblate spheroid, capturing the imagination and the carrying away the audience on: A Fight of Fantasy.
AIRSHIP
VS
IMAGINATION OF FLIGHT
THEATER A HARBOR OF IMAGINATION, CULTURE & ART
RE-CONSTRUCTION PROCESS
1
Main existing structure 8 (32”x32”) concrete columns and center core
steel frames anchored to the new 4 New reinforced concrete columns forming the structural base for oval shaped theater
2
Remove the existing center core and construct an Atrium
3
New reinforced concrete columns to support oval shaped theater structure
5
The oval shape structure built on the base (Material : Steel)
6
The surface of oval theater will be clad with a skin of unique fiberglass panels
The intention is to create wider, open area for public plaza (first level) which could help people reaching the building easier and encourage participating activities. To consider about existing structure, the design will aim to remove the center core to provide a open space for public use.
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FIRSTWORKS NEW ART CENTER & CREATIVE CULTURE REVIVAL
STRUCTURE DETAILS
Back Exit Stage
Rebar x3(#11) 4’ 2’-8”
Exit
8” 8
Turntable Exit
3’-4”
2’-8”
Existing g column
Exit
4”
Scale : 1’=1/2” Reinforced concrete column built from foundation
The semi-oval steel structure anchor to reinforce concrete columns
Performance stage and seating built on top of base structure
OVAL SHAPE STRUCTURE C
BUILT UP
E SEATING
STAGE & SEATINGS PLATFORM D
BASE SPANS TO COLUMN
B
REINFORCED CONCRETE COLUMNS
A
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THESIS AT RISD
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FIRSTWORKS NEW ART CENTER & CREATIVE CULTURE REVIVAL
RECESSED LED LIGHTS SURROUND ALL OF CIRCULAR PANELS
Turntable Stage
EXPERIMENTAL THEATER SEATING LAYOUT
Lifting up turntable stage, Exit the movable seats could be stored underneath the turntable.
Exit Exit
Turntable Stage
Exit
Turntable Stage
Exit
Proscenium Style Stage Auditorium Type : Fan-Shaped Auditorium Seating Capacity : 130
Turntable Stage
Exit
Exitt Freight Elevator
Exit
Exit Back Stage
Back Stage
Exit
Exit
Exit
Exit
Back Stage
Exit
Thrust Stage Auditorium Type : Horseshoe-Shaped/Shakespearke Seating Capacity : 202
Exit
Back Stage
Arena Stage Auditorium Type : Fully Enveloping Auditorium Seating Capacity : 257
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THESIS AT RISD
1.
2.
Intervention III
ORGANIZATION FUNCTIONALITY To design effective/functional circulation to meet organization needs
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1. Landscape Entrance (Ramp) 2. Parking Lot Entrance 3. Park Room-1 10. Art Gellery 11. Theater Foyer (Reception) 12. Thea Dressing Room 18. Mechanical Room-2 19. Existing Center Cor
FIRSTWORKS NEW ART CENTER & CREATIVE CULTURE REVIVAL
18.
16.
15.
17.
12.
11.
13.
9.
14.
8.
10.
5.
6.
7.
4. 19.
3.
king Lot 4. Public Art Plaza 5. Staircase 6. Elevator 7. Egress 8. FirstWorks Office 9. Mechanical 1. Landscape Entrance (Ramp) 2. Parking Lot Entrance 3. Parking Lot 4. Public Art Plaza 5. Staircase 6. Elevator 7. Egress 8. FirstWorks Office ater 13. Back Stage Freight Elevator Lighting/ Sound Control 16. Flying System 17.Room 9. Mechanical Room-1 14. 10. Art Gellery 11. Theater Foyer15. (Reception) 12. Theater 13. Back Stage 14. Room Freight Elevator 15. Lighting/ Sound Control 16. Flying System 17. Dressing Room 18. Mechanical Room-2 19. Existing Center Core / Storage re / Storage
Elevator
Elevator
Elevator
Freight Elevator
Freight Elevator
Freight Elevator
Elevator
Elevator
Elevator
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ELEVATIONS ELEVATIONS ELEVA
THESIS AT RISD
4. UP
3.
6.
UP UP
2.
4.
UP
UP
10.
5. 6. UP
8.
UP
11.
7.
5. 9.
EXIT
EXIT
EXIT
BUILDING ENVELOP
8x5x5(H)
Daylighting
EXIT
EXIT
EXIT
EXIT
Roof
3rd Floor 3rd Plan Floor Plan
Top Floor Top Plan Floor Plan
Theater Reception Area
Back Stage
Gallery Office
Ground Floor Interior glass curtain wall prevent heating or cooling air lose
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7.
2nd Floor 2nd Plan Floor Plan
EXIT
2F
17. 6.
4.
1st Floor 1st Plan Floor Plan
3F
7.
3.
14.
1.
UP
17. 6.
7.
8x5x5(H)
FIRSTWORKS NEW ART CENTER & CREATIVE CULTURE REVIVAL
UP
1st Floor Plan
2nd Floor Plan
17. 6.
16. 15.
EXIT
EXIT
22.
7.
17. 6.
7.
21.
8x5x5(H)
20. 14.
12.
13.
18.
19.
5. 15.
EXIT
EXIT
16.
17. 6.
5.
7.
22.
17. 6.
7.
Top Floor Plan
3rd Floor Plan
1. Multifunctional Public Plaza 2. Outdoor Cafe 3. Grand Stair 4. Ramp 5. Freight Elevator 6. Elevator 7. Egress 8. FirstWorks Office 9. Indoor Gallery 10. Lecture Room 11. Ticket Booth 12. Turntable Stage 13. Back Stage 14. Stairs 15. Reception Desk 16. Theater Reception Area 17. Restroom 18. Lighting/Sound Control Room 19. Flying System 20. Dressing Room/Green Room 21. Mechanical Room 22.Roof Graden
DISPLACEMENT VENTILATION 2s ton Split System with remote rooftop condensing unit on roof 8’x5’x5’(H)
DISPLACEMENT VENTILATION
35 ℃ Uncondition space above occopied volume 120 ℉ from stratification is allowed to run”wind” Body heat or lighting heat source drawing up cool/fresh air from rear floor
Hot stale air is returned to Air Handling Unit (AHU)
Mechanical Room
Acoustic insulation (Ceiling, Wall, Floor)
INDOOR
Return Air
Condition Space
HVAC UNIT
Vibration Isolation
Outdoor Air
28 ℃ 72 ℉ Mechanical Room
Expored Doct
Insulation under the floor
Displacement Ventilation Diffuser
The art of handling air
STAGE
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THESIS AT RISD
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FIRSTWORKS NEW ART CENTER & CREATIVE CULTURE REVIVAL
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STUDIO PROJECT AT RISD
DANCING WITH RIBBON YMCA NEW TICKET BOOTH Cambridge, MA
The design studio explores how the interior architecture of performance venues-working in concert with building architecture and urban design-is an essential force in defining memorable sequence, identity and form. Through rigorous explorations of tectonics, program, materials and technology, the design will define the sequence of interventions that will express my interests in, and approach to, an existing community in Cambridge, MA. YMCA Theater has no arresting signage or entrance to draw people’s attention. Also, the ramp with an inconvenient access doesn’t meet the ADA’s requirement. The design concept focuses on creating an attractive ticket booth which turns into a new eye-catching landmark in the Cambridge neighborhood. Simultaneously, the design is to remove the existing glass windows to make a combination between Ticket Booth and existing ramp. The ramp would become a dramatic transition from outside to inside.
YMCA Theater
3F
2F
Main Entrance ADA Ramp
r St.
Selle
Mass
achus
Ma
ss a
N
ch
us
et
ts
Av e.
City Hall
t.
n
Se lle rs S
Gr ee
St
.
etts A ve.
YMCA Family Theatre
Pl ea
sa
nt S
t.
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YMCA NEW TICKET BOOTH
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STUDIO PROJECT AT RISD
The inspiration is from Cambridge City Hall’s handrail and light fixtures. To design the ticket booth, the idea would catch the characteristic of Art Nouveau and transform into the “floating” and “free form” space. The floating shape has the dynamic movement that could attract people’s view and lead them to notice the theatre.
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YMCA NEW TICKET BOOTH
29
STUDIO PROJECT AT RISD
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YMCA NEW TICKET BOOTH
31
STUDIO PROJECT AT RISD
DANCING WITH RIBBON YMCA NEW MEDIA LAB Cambridge, MA
Following the previous project : YMCA ticket booth, the New YMCA Media Lab/Archive addition is to develop the “floating” and “free form” space. The floating shape could attract people’s view and lead them to notice the new building. The concept comes from the movement of Colored ribbon(streamer) which is always used in performance. The ribbon could become the one kind of extension of performer’s body. The dynamic movement connects the relationship between performer and stage (space). To create a movement space as same as a play, music concert and dancing and provide a new activated landscape in Cambridge, MA. People could walk through the fluent space. The freeform shape provides one kind of dramatic tension and atmosphere to people that is the experience from outside in. the new intervention focuses on the circulation and redesigns the new accesses for public and private use. To consider about the backstage lacking functionality, the design will create a freight elevator and extend a new prop path for stage crew and performers use.
Programs Scene Shop Costume Shop Lighting Lab Researsal Room Dressing Room x 2 Restroom x 2 Media Lab/Archive Administration Office Roof Garden Second Spatial Sequence Beyond the “House”, the New YMCA Media Lab/Archive
3F Public 2F
Mass
achus
32
Main Entrance New Ticket Booth
etts A ve.
Private YMCA Theater
Prop path
Freight Elevator ADA Ramp
r St.
Selle
P
Sc C Li R D R M Ad R
YMCA NEW MEDIA LAB STUDIO WORK AT RISD
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STUDIO PROJECT AT RISD
34
YMCA NEW MEDIA LAB
35
STUDIO PROJECT AT RISD
Stage
Dressing Rooms1F UP
Back Stage
Administration Ofice
Costume Shop 2F
Archive Room
Green St.
UP
Roof Garden
Rehearsal & Green Room
Elevatorr
PRIVATE AREA Scene Shop & Lighting Lab
Performer Circulation Vertical Circulation Stage Crew Circulation Vertical Circulation
Sellers St.
UP
Costume Shop 2F
Stage
Rehearsal Scene Shop & Green Room & Lighting Lab
UP
Back Stage
Administration Ofice
Dressing Rooms 1F
Archive Room
Elevator
Green St.
Roof Garden
ROOF GARDEN PUBLIC AREA Audience Circulation Vertical Circulation
Sellers St.
36
YMCA NEW MEDIA LAB
Solid Structure (Curved roof and walls)
Transparent Structure (Curved glass roof and walls)
To YMCA theatre
MASS. AVE. 7. 9.
B S ac
10. tagek
6. 5.
2.
8. 3.
1.
4. 9.
SE
LL
ER
S
t.
en S
ST
Gre .
1. Media Archive Room 1F 2. Media Archive Room 2F 3. Administration Office 2F 4. Scene Shop & Lighting Lab 5. Rehearsal Room & Green Room (New Stage) 6. Dressing Rooms -1F 7. Costume Shop 2F 8. Roof Garden 9. Freight Elevator 10. Prop Path to Backstage
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STUDIO PROJECT AT RISD
B
C
A
Scene Shop & Lighting Lab
Archive Room
A
4.
3. 7. 1.
5.
6. 13.
11. 9.
12.
MASS. AVE.
YMCA SOUTHEAST SECTION 1
9.
5.
4.
10. 13. MASS. AVE.
9. SELLER ST.
YMCA NORTHWEST ELEVATION 2
1. Media Archive Room 1F 2. Media Archive Room 2F 3. Administration Office 2F 4. Scene Shop & Lighting Lab 5. Rehearsal Room & Green Room (New Stage) 6. Dressing Rooms -1F 7. Costume Shop 2F 8. Roof Garden 9. Freight Elevator 10. Prop Path to Backstage 11. Stage 12. Theater 13. Ticket Booth
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YMCA NEW MEDIA LAB
Elevator
Costume Shop
Costume Shop
Roof Garden
Roof Garden
Rehearsal Room & Green Room
Dressing Room
B
Dressing Room
C
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STUDIO PROJECT AT RISD
40
YMCA NEW MEDIA LAB
41
42
RELEVANT WORK AT
TIGHE ARCHITECTURE
43
RELEVANT WORK AT TIGHE ARCHITECTURE
MONTEE KARP RESIDENCE Pacific Palisades, CA
PROGRAM Single Family Residence SIZE 2,200 sq ft TATUS S Completed 2015 DISTINCTIONS AIA LA Residential Design Award Interior Design Best of Year Award Architect’s Newspaper Best of Design Award CA Home+Design Award Shortlisted, WAF Award The 2200 sq. ft. residence is located on a severe hillside site in Malibu overlooking the Pacific Ocean. The project is an extensive remodel of an existing post-and-beam home in need of a structural, programmatic and environmental upgrade. The residence is re-envisioned for the 21st century. The existing roof geometry is accentuated creating a language of faceted surfaces. The articulated volume of the building’s front facade extends indoors to define the interior spaces, resulting in a dematerialization of the roof, wall and floor planes. A forced perspective is created, framing the extraordinary views out to the Santa Monica Bay. The minimal, gallery-like living space is designed to accommodate the client’s extensive collection of contemporary art. Display niches, lighting and the configuration of the spaces are planned to enhance the experience of viewing the art. The stair has cantilevering steel treads, each with a custom laser-cut pattern. Light from the skylight above filters through the perforated stair to project an ever-changing texture of shadow and light, enlivening the walls and floor. A grand entry door made of a stainless steel tube frame marks the threshold into the relatively small house. The 10’ high door makes use of a hydraulic pivot and a concealed magnetic locking device. Art Gray Photography
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MONTEE KARP RESIDENCE
Art Gray Photography
45
RELEVANT WORK AT TIGHE ARCHITECTURE
11
9 9 9
7 6 12
2
1
1
2
5
9
10 13
9
8
6
5 13
SECTIONS 1.Entrance 2.Gallery 3.Library 4.Bathroom 5.Living Room 6.Kitchen 7.Dining Room 8. Loundry Room 9.Terrace 10.Fire Place 11.Bedroom 12.Office
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10
MONTEE KARP RESIDENCE
A grand entry door made of a stainless steel tube frame marks the threshold into the relatively small house. The 10’ high door makes use of a hydraulic pivot and a concealed magnetic locking device. The stair has cantilevering steel treads, each with a custom laser-cut pattern. Light from the skylight above filters through the perforated stair to project an ever-changing texture of shadow and light, enlivening the walls and floor.
Art Gray Photography
NORTH ELEVATION
WEST ELEVATION
47
RELEVANT WORK AT TIGHE ARCHITECTURE
GROUND FLOOR PLAN
SECOND FLOOR PLAN
1.Entrance 2.Gallery 3.Library 4.Bathroom 5.Living Room 6.Kitchen 7.Dining Room 8. Loundry Room 9.Garage 10.Terrace 11.Fire Place 12.Closet 13 Bedroom 14.Office
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MONTEE KARP RESIDENCE
Art Gray Photography
49
RELEVANT WORK AT TIGHE ARCHITECTURE
HOLLYWOOD HILLS HOUSE Los Angeles, CA PROGRAM Single Family Residence SIZE 5,000 sq ft TATUS S Completed 2018 DISTINCTIONS American Architecture Award Cover, Interior Design Magazine Published, Dezeen The residence is located within a heavily wooded site in the Hollywood Hills. The secluded lot is located in the eclectic neighborhood of Nichols Canyon, minutes from the Hollywood Strip. The project falls under the jurisdiction of the Mullholland Scenic Parkway Specific Plan and as such the building has minimal impact on the site.
2.
A layering of building strategies is used to create the 3,500 square foot residence inspired by the strata of the mountainous surroundings. The base is a monolithic form rendered in an exposed, reinforced, board-formed concrete. The main living level opens to the gardens and to the views. The façade of glass allows for optimal transparency and is protected with a layer of screens that allow for sun protection and privacy. A faceted volume comprises the top level and contains the private functions of the home. The floating mass is shaped by the constraints of the site and punctuated by series of openings that frame specific views.
VICINITY PLAN
1. 4.
3. 5.
6.
7.
SITE PLAN 1. Main House 2. Studio 3. Patio 4. Pool 5. Main Entry 6. Garage 7. Driveway
OKEA
N TER
W OO
RACE
IL
SIITE
SO
N
DR
TO CK
W
WO OD S
OW
RD
DR
Existing Site 50
HOLLYWOOD HILLS HOUSE
01
02
03
04
05
06
07
08
09
MASSING STUDY
51
RELEVANT WORK AT TIGHE ARCHITECTURE
Photography by Antonio Follo
1
2
FACETED VOLUME DEVELOPMENT 52
3
4
5
6
Elongation Facelum Volume
HOLLYWOOD HILLS HOUSE
East Elevation
South Elevation
West Elevation
North Elevation
ELEVATIONS
18.
13. 12.
1.
2.
3.
4.
5.
6.
7.
8.
9.
11.
10.
1.
14.
15. 9.
6. 9.
19.
20.
17.
15.
16.
21. 9.
10.
1. Master Bedroom 2. Master Bathroom 3. Master Closet 4. Family Room 5. Living Room 6.Dinning Room / Kitchen 7. Powder Room 8. Library 9. Storage 10. Laundry Room 11. Garage 12. Music Studio 13. Deck (Outdoor Grill) 14. Pool 15. Patio 16. Office 17.Bathroom 18. Skylight 19. Atrium (Open Below) 20. Stairs 21. Entry Foyer
SECTIONS 53
RELEVANT WORK AT TIGHE ARCHITECTURE
Roof
33.
Second Floor
26.
30. 25. 27.
28.
26.
31.
29. 6. 8.
30.
21.
32.
13.
First Floor
15.
24.
1.
14.
12.
17. 18.
16. 22.
19.
6. 8. 21. 23. 20.
Basement Level
3. 1.
2.
4. 4.
7.
9. 10.
6. 8.
11.
5.
1.Studio 2. Restroom 3. Stairs 4. Storage 5. Entry Foyer 6. Stairs 7. Laundry Room 8. Elevator 9. Mechanical Room 10. Storage 11. Garage 12. Kitchen 13. Pantry 14. Dinning Room 15. Family Room 16. Powder Room 17. Office 18. Library 19. Deck 20. Living Room 21. Atrium (Open Bellow) 22. Pool 23. Patio 24. Outdoor Grill 25. Master Bedroom 26. Deck 27. Master Bathroom 28. Master Closet 29. Bedroom - A 30. Bathroom 31. Closet 32. Bedroom - B 33. Skylight
PLANS 54
HOLLYWOOD HILLS HOUSE
Photography by Antonio Follo
FACETED VOLUME
TRANSPARENT FIRST LEVEL
CONCRETE PLYNTH
55
RELEVANT WORK AT TIGHE ARCHITECTURE
56
HOLLYWOOD HILLS HOUSE
Photography by Antonio Follo
57
RELEVANT WORK AT TIGHE ARCHITECTURE
LA BREA AFFORDABLE HOUSING West Hollywood, CA PROGRAM 32 Units Mixed-Use Residential/Commercial SIZE 50,000 sq ft STATUS Completed 2014 DISTINCTIONS AIA LA Residential Design Award AIA LA COTE Award American Planning Association Award Interior Design Best of Year Award Quality and Productivity Award, LA County Nomination, Mies Crown Hall Americas Prize CLIENT West Hollywood Community Housing The LaBrea Affordable Housing project is a mixed use affordable housing project for formerly homeless LGBT youth, people living with disabilities and people living with HIV Aids. The 50,000 sq ft building is located one block north of Santa Monica Boulevard in the City of West Hollywood. The building maximizes density while allowing for ample outdoor space. 32 apartments are arranged around a shared exterior courtyard. Parking is provided at grade and commercial space used by the non-profit group, AIDS Project Los Angeles (APLA) is present along La Brea Avenue. The Southwest corner is expressed as a beacon of activity and houses the circulation and other shared amenities for the residents.
N. SYCAMORE AVE.
LA BREA AVE.
LEXINGTON AVE.
N. DETROIT ST.
The project was constructed through the non profit developer, The West Hollywood Community Housing Corporation to address an affordable housing shortage for tenants living with disabilities. The mixed-use program brings higher density into the urban center of the city. The building demonstrates one of the city’s core values of environmental responsibility and its commitment to green building and sustainable design, the building exceeds the requirements of the city’s Green Building Ordinance.
SANTA MONICA AVE.
Art Gray Photography
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LA BREA AFFORDABLE HOUSING
59
RELEVANT WORK AT TIGHE ARCHITECTURE
Art Gray Photography
ELEVATIONS
60
LA BREA AFFORDABLE HOUSING
COURTYARD BAMBOO PROVIDES SHADING/HIGHER SOLAR HOT WATER SOLAR PANEL 1
COURTYARD MICRO CLIMATE
GLAZING SHADED TO REDUCE HEAT GAIN
LARGE GLAZING EXPANSE MAXIMIZES NATURAL DAYLIGHT
GLAZING SHADED TO REDUCE HEAT GAIN
LEGEND:
SHADED BALCONY SPACE
SUSTAINABLE DIAGRAM
SHADED GLAZING
OPEN AIR COURTYARD
NATURAL VENTILATION
RETAIL / OFFICE /COMMUNITY ROOM
CIRCULATION / UTILITY
SECTION 6
3 5 6
5
6 5
5 6
6 5 5 6
3 5 5 6 6
6 5 6 5
3
6 5
55 6 6 5 6
4
4TH FLOOR PLAN 6 5 3 6 5 4
5 6
4TH FLOOR PLAN
5
3
6 5 5 6 6 5 6 5
3
6 6 5
6 5
3
3
2 1
6 5 6 5 3
2
1
GROUND FLOOR PLAN
PLANS
3
3
1.Commerical Office 2.Parking
3
4
3 6 5
63 5 6 5
63 5
3
5 6 5 6 5 5 6 6 6 55 6 4 5 6 6 5
5TH FLOOR PLAN 6 5 3 4 6 5
6 5
3 4
ATRIUM SECTIONS
8
8 3
8
8
ROOF PLAN
4
5TH FLOOR PLAN
3
43
COMMERCIAL PARKING
1. solar panel installation dependent on solar tax credits and fouding
ROOF PLAN 3 5
6
3 5 6
6 5 6 5
4 3 4 4 3
4 2ND FLOOR PLAN 6 5 3 3
5 7 3
6
6 5 6 5 6 5
7 3
5 6
6 5 6 5
3 5 5 6 6 3
4
3RD FLOOR PLAN 6 5 3 6 5 4
55 6 6 5 6 5 6
3.Circulation 4. Common Open Space 5.Residential 6.Private balconies 7. Community Room 8. Mechanical
GROUND FLOOR PLAN
2ND FLOOR PLAN
3RD FLOOR PLAN
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RELEVANT WORK AT TIGHE ARCHITECTURE
62
Art Gray Photography
LA BREA AFFORDABLE HOUSING
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RELEVANT WORK AT TIGHE ARCHITECTURE
2510 TEMPLE RESIDENCE Los Angeles, CA ROGRAM P 47-Units Mixed-Use Residential/Commercial SIZE 65,000 sq ft STATUS Completed 2017 ISTINCTIONS D American Architecture Award AIA | LA Design Award AIA |LA Residential Award Interior Design Best of Year Award Best of Design Award, The Architect’s Newspaper Published, Interior Design
LE ST.
CLIENT 4Site Development The 47 unit apartment building will be built on a 28,000 sq ft site in Historic Filipino town located just East of downtown Los Angeles. The building is comprised of type-five construction over a concrete podium. A central courtyard overlooks the city skyline and is provided for the residents. Shared and private outdoor spaces along with retail, lobby, gym and parking complete the building. The building is currently in plan check with the city of Los Angeles.
Art Gray Photography
64
N. CARONDELET ST.
N. CORONADO ST.
WEST TEMP
2510 TEMPLE RESIDENCE
Art Gray Photography
65
RELEVANT WORK AT TIGHE ARCHITECTURE
Art Gray Photography
66
2510 TEMPLE RESIDENCE
North Elevation
West Elevation
East Elevation
South Elevation
ELEVATIONS
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RELEVANT WORK AT TIGHE ARCHITECTURE
Art Gray Photography
68
2510 TEMPLE RESIDENCE
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RELEVANT WORK AT TIGHE ARCHITECTURE
GUGGENHEIM HELSINKI COMPETITION 2014 Helsinki, Finland LOCATION Helsinki, Finland PROGRAM Museum of Arts SIZE 210,500 sq ft STATUS Competition The design of the new Guggenheim for Helsinki is a study in counterpoints: between the more traditional values of Finland and the more progressive values of Helsinki, between materials and between technologies. Contrast is also explored through the three distinct architectural components that make up the project, The Grand Hall (cluster of galleries), The Spine Gallery and The Black Box. Key design elements of openness and porosity permeate the complex referencing Nordic ideals. The design acts not as a barrier, but as a filter. Visual access to, from and through the site is always maintained. The museum is an integral part of the waterfront, the scale, proportion and placement of the building components is in keeping with the neighboring buildings. The Northern portion of the site is a public plaza, an inviting social space that draws people from the city center preserving the relationship with the surrounding area. The new Guggenheim functions as an urban connector, extending the city limits to the water’s edge and uniting the historic center with the park Tähtitornin vuori. The design maintains access to the harbor and allows 1/3 of the site to be retained by the public as open greenspace.
Guggenheim Bibao Boat Gallery
A. Guggenheim NY Interior Core
C.
B. Nordic Modern
Interior Court/ Sculpture Garden
INSPIRATION
4.
3.
2.
1.
EXHIBITION HALL
1. PRIMITIVE MASS 2.PACKED VOLUME/GALLERIES 3. INTERNAL CORE/CIRCULATION 4.ATRIUM
70
N 0
50
100
150
VICINITY PLAN
GUGGENHEIM HELSINKI COMPETITION 2014
71
RELEVANT WORK AT TIGHE ARCHITECTURE
DN
1.
UP
2.
4. 5.
8.
4TH
DN
COAT CHECK
UP
UP
TECHNICIAN DN
DN
UP
DN
9.
3.
10.
DN
6. 10. 11.
11. DN
UP UP
DN
DN
UP
DN
DN
UP
DN DN
UP
UP
UP
11.
DN UP
7.
12.
DN
12.
UP
DN
GROUND GROUND
13.
UP
13.
13.
2ND 2ND
4TH
3RD 3RD
11.
11. DN UP
DN DN
DN
UP
UP
UP
UP
UP
11.
DN
DN
11.
DN UP
11.
11. 11.
N 0 10 25
4TH 3RD
4TH
4TH
5TH
50
PLANS
DN
DN UP
UP
DN UP
1.Plaza 2. Lobby 3. Spine Gallery 4. Cafe / Bar 5. Museum & Design Store 6. Sculpture Garden 7. Spiral Gallery 8. Restaurant 9.Black Box Theatre N 0 10Facilities 25 50 10. Roof Garden 11. Exhibition Galleries 12.Office 13. Loading Area
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5TH
PLANS
5TH
GUGGENHEIM HELSINKI COMPETITION 2014
7 A.2 A.2
A.2 A.3 5 D.1
3
12
C.2
C.1
B.1 B.2
B.3
2
4 D.2
1
D.4
3
C.2 C.1
SUSTAINABLE FEATURES
1. Roof Monitors with Louver System provide diffused natural light in sensitive gallery space SUSTAINABLE FEATURES 2. Distributed Light Bollards for limited sun in winder and nighttime
1. Roof Monitors with Systemofprovide diffused natural in sensitive galleryroof space 3. Vegetative Roof Louver as extension landscape provides rainlight collection and natural insulation 2. Distributed Bollards for limited sun in winder and nighttime 4. ExteriorLight materials utilizes native timber 3. Vegetative extension of landscape provides rain collection and natural roof insulation 5. Native Roof treesas provide shade 4. Exterior utilizesdirect nativesunlight timber 6. Lightmaterials pockets diffuse 5. Native trees provide shade 6. Light pockets diffuse direct sunlight
1 D.3 D.2
3
C.2 A.2 C.1
6
A.2 A.3
A.2 D.4
A.2
A.3 A.1
A.2
PROGRAM A.1 Atrium / Exhibition Space A.2 Gallery A.3 Core / Circulation B.1 Black Box Theater B.2 PROGRAM Cafe B.3 Museum Store C.1 Gallery C.2 Vegetative Roof D.1 Sculpture Garden D.2 Truck Access D.3 Museum Store D.4A.2 Extended A.1 Atrium / Exhibition Space GalleryPedestrian A.3 Core / Walk Circulation B.1 Black Box Theater
B.2 Cafe B.3 Museum Store C.1 Gallery C.2 Vegetative Roof D.1 Sculpture Garden D.2 Truck Access D.3 Museum Store D.4 Extended Pedestrian Walk
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RELEVANT WORK AT TIGHE ARCHITECTURE
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GUGGENHEIM HELSINKI COMPETITION 2014
SITE MASSING
A
C
B
A. EXHIBITION HALL B. BLACK BOX C. SPINE / CIRCULATION
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RELEVANT WORK AT
ODA ARCHITECTURE
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RELEVANT WORK AT ODA ARCHITECTURE
THE BEDFORD HOTEL Brooklyn, NY, USA
STATS 650,000 sf (5 Floors / 100 Key) PROGRAM Lobby, Lounge, Outdoor patio, Café, Restaurant Rooftop Bar and Lounge STATUS Under Construction
Bedford Hotel is soon to be located in Crown Heights Brooklyn. The site embraces historical architecture landmark, landscape and cultural institutes. The building has a simple volume which wraps around a central intimated patio on the ground with a sequence of arches. The intention is to open the site for the community to experience a subtle landscape. To impose a feel of extended exterior atmosphere throughout all ground floor interiors. Hotel lobby allows the freedom by letting the façade arches be a feature at lounge and concierge reception. Adding a winter garden-like structure slightly separates from the façade so that a skylight can allow diffused light in. Lobby floor mimic the exterior landscape by use of concrete floors with circular carpet inserts and full high black glass panels for background that resemble the mosslike vegetation mixed with a lily pond. Both shape and materiality are reminiscent of an old-world monument, inspiring a sense of belonging and protected space.
1867 GRAND ARMY PLAZA 1866 EASTERN PARKWAY
1867 PROSPECT PARK
1911 BOTANICAL GARDEN
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THE BEDFORD HOTEL
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RELEVANT WORK AT ODA ARCHITECTURE
MATERIALITY
80
THE BEDFORD HOTEL
imaginary landmark
hidden landscape
floating garden
sense of belonging
formality
historical presence
urban requialification
memory
sense of discovery
monument
introspective
curiosity
the space in between
the arch
the patio
landscape
element of division / transition
element of aggregation
element of fluidity
transition, arbor, anchor
interior, exterior, contemplative
interior, exterior, contamplative
the jouney is the space in between elements and their intrinsic relationships
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RELEVANT WORK AT ODA ARCHITECTURE
DARK CONCRETE
82
MOSS CARPET
BLACK TINTED GLASS
BLACK MARBLE
ANTIQUE BRASS
LIGHT WOOD
IVY PLANTER
THE BEDFORD HOTEL
SUN
BEDROOM
PLANTER
LOBBY INTERIOR
PATIO
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RELEVANT WORK AT ODA ARCHITECTURE
84
THE BEDFORD HOTEL
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RELEVANT WORK AT ODA ARCHITECTURE
8024/8924 SERIES
WD103
8024/8924 SERIES
WD103 WD103
WD103
ID-796
5
3
ID-796
WD103
PT102 ID-796
5
3
ID-796
WD103 PT102 WD103
4 ID-796
4
96
2
ID-7
96
5
4
86
2
3
4
TYP. ROOM NUMBER SIGNAGE DETAILS 3
2
2
ID-7
ID-796
WD103
WD103
PT102
PT102
THE BEDFORD HOTEL
Transitioning to the floors above, the arches are not only structure but also as accent millwork to passage zone or arboring functional spaces. At guestrooms the arches indicate a moment of passage or function according to the room typology. The vault / arch can determine a doorway, a closet space, or it can accentuate a vanity area that is no longer defined by the standard borders of a bathroom space.
MOSS CARPET
DARK GREY WALLCOVRING
DARK GREY DOOR
LIGHT WOOD
ELEVATOR FOYER WALL SECTION DETAILS 87
RELEVANT WORK AT ODA ARCHITECTURE
ROOM TYPE A
LIGHT WOOD FLOORING
88
MOSS RUG
FABRIC HEADBOARD
LIGHT WOOD
CERAMIC TILE
THE BEDFORD HOTEL
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RELEVANT WORK AT ODA ARCHITECTURE
90
THE BEDFORD HOTEL
Master Bedroom Bath Shelve
helve
Shelve
Regular Bedroom Bath Shelve
BATH SHELVE
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RELEVANT WORK AT ODA ARCHITECTURE
ROOM TYPE B
LIGHT WOOD FLOORING
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MOSS RUG
FABRIC HEADBOARD
LIGHT WOOD
CERAMIC TILE
THE BEDFORD HOTEL
93
RELEVANT WORK AT ODA ARCHITECTURE
Top
Front
94
Side
Concealed Outlet Box
THE BEDFORD HOTEL
NIGHTSTAND & LAMPS
Concealed Outlet Box
95
RELEVANT WORK AT ODA ARCHITECTURE
COFFEE MACHINE SLIDING TRAY
DRAWER
I
CLOSET MILLWORK 96
II
MINI BAR (RFG)
III
THE BEDFORD HOTEL
1 1.
23.
COFFEE MACHINE CORNER TRAY
DRAWER
2. 3
44.
MINI BAR (RFG)
SAFE LOCKER DRAWER
BED MILLWORK
97
RELEVANT WORK AT ODA ARCHITECTURE
PLAN VIEW
BLACK LACQUER LIGHT WOOD
BLACK MATEL
ELEVATIONS
COFFEE TABLE -1
CUSTOM FURNITURE 98
COFFEE TABLE - 1
COFFEE TABLE - 2 COFFEE TABLE -2
THE BEDFORD HOTEL
UPHOLSTERY FABRIC
1.
A
2.
B
3.
C
MODULAR SOFA PIECES
99
RELEVANT WORK AT ODA ARCHITECTURE
4 ID-861
MT102
MT103
ST101 MT102
5 ID-861
MT102
MT102
MT103 ST101
ST101
MT103
MT102
MT102
ST101
RECEPTION DESK MILLOWK DETAILS 100
THE BEDFORD HOTEL
R5
3/4
"
WD101
WD101
3/4"
3'-0" (HANDRAIL HEIGHT)
1 1/2" 1 1/2"
1
ELEVATOR SECTION DETAIL
ELEVATOR CAB INTERIORS 3"=1'-0"
101
102
THE BEDFORD HOTEL
103
RELEVANT WORK AT ODA ARCHITECTURE
DENIZEN BUSHWICK RESIDENCE Brooklyn, NY, USA CLIENT Denizen SIZE 1,000,000 SF STATUS Completion in 2019 A massive project located on the site of the former Rheingold Brewery and spanning two city blocks in Brooklyn’s Bushwick neighborhood, Denizen is an all-inclusive rental development with an array of publicly accessible communal spaces, and interconnected courtyards, all of which create a superimposed layout of woven streets in a typical old town core. Sensitive to the impact that a massive two-block development such as this one could have on the neighborhood, the architectural vision focused on uniting public and private spaces to create opportunities for exploration by residents, guests, and locals. Denizen aims to become an integral part of the neighborhood by creating a highly porous architecture where the community can find a platform for activity and interconnection. With the implementation of meandering, interconnected courtyards, a bisecting green promenade, and communal activities, Denizen will be a veritable city within the city. It amplifies the idea of sustainability to reach beyond positive environmental implications; here sustainability means a prosperous relationship between the building, its residents, and the existing neighborhood.
HISTORY
Boswijck (little Dutch town in the woods) 1828.
104
The Rheingold Brewery opened in 1883, and by 1965 it was the 8th largest brewery in the U.S., but it closed in 1976.
Bushwick street party, 2014.
DENIZEN BUSHWICK RESIDENCE
105
RELEVANT WORK AT ODA ARCHITECTURE
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TYPICAL EUROPEAN OLD TOWN CENTER
TYPICAL NEW CITY GRID
EXISTING BUSHWICK
FUTURE BUSHWICK
DENIZEN BUSHWICK RESIDENCE
BODY
MIND
ACTIVE / HEALTH
ART / WORK
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RELEVANT WORK AT ODA ARCHITECTURE
GROUND FLOOR - AMENITIES PROGRAMS NOLL STREET
L
EVERGREEN AVENUE
STANWIX STREET
L STEEL EPOXY CONCRETE CLAY LUMBER MELROSE STREET
L
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LOBBY
THEATER
RECEPTION
JUICE BAR
CAFE
CHILDREN’S ROOM
LOUNGE
DOG ROOM
LIBRARY
MUSIC ROOM
GAME ROOM & TV LOUNGE
MAIL ROOM
BAR / WINE / DINING / PARTY
PACKAGE ROOM
DENIZEN BUSHWICK RESIDENCE
MEET - BUSHWICK
Street Art - Steel
MEDIUMS
Found Objects + Epoxy by Ben Godward
Street Art - Concrete
Clay Art by Derek Weisberg
Street Art - Wood
EPOXY
CONCRETE
CLAY
LUMBER
MATERIALITY
CORTEN STEEL
LUMBER
CLAY
CONCRETE
EPOXY
CORTEN STEEL
MATERIAL ZONING
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RELEVANT WORK AT ODA ARCHITECTURE
Lounge
Beer & Wine Brewery
110
DENIZEN BUSHWICK RESIDENCE
Lounge Space by the Main Entrance & Coffee Shop
Game Room
Gallery
111
RELEVANT WORK AT ODA ARCHITECTURE
112
DENIZEN BUSHWICK RESIDENCE
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RELEVANT WORK AT ODA ARCHITECTURE
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DENIZEN BUSHWICK RESIDENCE
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RELEVANT WORK AT ODA ARCHITECTURE
Elevator core
‘An Artful Makeover for Two Bushwick Blocks The New York Times
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Elevator core
DENIZEN BUSHWICK RESIDENCE
Mural by local artist
One of a series of interconnected courtyards which supports and promotes communal acitivites
Mural by local artist
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RELEVANT WORK AT ODA ARCHITECTURE
Communal Lounge
Communal Lounge
118
DENIZEN BUSHWICK RESIDENCE
Rooftop _ Urban Farm
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RELEVANT WORK AT ODA ARCHITECTURE
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DENIZEN BUSHWICK RESIDENCE
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RELEVANT WORK AT ODA ARCHITECTURE
EDEN FINE ART NY NEW YORK, NY, USA CLIENT: Eden Fine Art SIZE: 5,800 SF
EDEN FINE ART (Madison Ave) is located on the corner of Madison Ave. and E 50th st. in Manhattan. The city’s landmarks St Patrick’s Cathedral and the New York Palace Hotel are juxtaposed across the street from the west and the north storefront. The cultural and commercial attraction brings thousands tourists visiting in the daily. Thus, the views of axes from both landmarks become crucial.
E48 ST.
New York Palace Hotel
Park Ave.
E50 ST.
E51 ST.
Park Ave.
E49 ST.
STATUS Completion in November 2017
Madison Ave.
St Patrick’s Cathedral
5TH Ave.
5TH Ave.
The design intention is to treat the architectural volume as an art piece. It utilizes a freestyle / floating partition wall and mezzanine to redefine gallery spaces and circulation. The renovation is not only effectively rearranging the existing work space, storage and meeting room, but it also creates a more airy, flexible exhibition space and leisure social area for visitors. The gallery looks like it contains a large sculpture which attracts curiosity from passersby.
1 OFFICE + COFFEE BAR CLOSING ROOM STAIR + RESTROOM PULL OUT ART STORAGE MECHANICAL ROOM
2
2 1
1
3 OFFICE + COFFEE BAR CLOSING ROOM STAIR + RESTROOM PULL OUT ART STORAGE MECHANICAL ROOM
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THE EDEN BEDFORD FINE ART HOTEL NY
MASSING STUDY 123
RELEVANT WORK AT ODA ARCHITECTURE
1.
2.
6. 3.
7.
5.
4.
5.
PLAN - GROUND LEVEL
10. 5. 10.
9. 8.
11.
PLAN - MEZZANINE
1. Entry 2. Open Gallery 3. Office 4. Coffee Bar 5. Sitting Area 6. Closing Room 7. Restroom 8. Art Storage 9. Open Gallery Mezzanine 10. Sculpture Platform 11. Mechanical Room
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EDEN FINE ART NY
125
RELEVANT WORK AT ODA ARCHITECTURE
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EDEN FINE ART NY
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RELEVANT WORK AT ODA ARCHITECTURE
PARCEL 8 WHARF RESIDENCE
Southwest Waterfront, Washington DC, USA CLIENT Hoffman-Madison Waterfron SIZE 385000 SF STATUS Under Construction The city of Washington DC has an extraordinary contrasting relationship between the city grids and nature edges. The city has characterized by L’Enfant’s urban Plan of Washington DC, the diagonals superimposed Thomas Jefferson’s historical orthogonal grids surrounded by the hard rock of the Piedmont Plateau and the Potomac River. The Wharf: Parcel 8 consists of 255 residences and a hotel, both with ground-floor retail located on the south of Potomac riverbank. For the architecture approach, the U-shape building provide stacking up terraces in residential wing and rotate window bay orientation in Hotel wing to maximize panoramic river view. In residential amenities such as lobby, GYM and clubhouse, the design intent is to associate this relevancy in the historical urban grid and bounding nature. To develop two different dichotomies between hard (structure) versus soft (nature) materials those are to interpret the relationship between urban structure and natural environment in Washington DC.
PLANNED FARMLAND
WHITE HOUSE LINCON MEMORIAL
PARCEL 8
CAPITOL HILL
POTOMAC RIVER
NATURE
STRUCTURE
NATURE
STRUCTURE
NATURAL EDGE NATIVE PLANTS (POTOMAC RIVER) (HYDRILLA PLANT)
HISTORICAL GRID
MATERIALITY 128
BOUNDARY ROAD FORMED BY NATURE
ROCK CREEK
BRUTALISM
PARCEL 8 WHARF RESIDENCE
129
RELEVANT WORK AT ODA ARCHITECTURE
LOBBY LOBBYARRIVAL ARRIVAL
RECEPTION PACKAGE ROOM COFFEE
LOBBY ARRIVAL
ELEVATOR
MAILroom
LOUNGE
LOBBY PLAN 130
PARCEL 8, THE WHARF
LOBBY FLOOR PLAN
PARCEL 8 WHARF RESIDENCE
NATIVE PLANTS AT POTOMAC RIVER HYDRILLA PLANT “WATER THYME”
LOBBY MOOD 131
RELEVANT WORK AT ODA ARCHITECTURE
LOBBY LOUNGE
MATERIALITY
HANGING AIR PLANTS PAINTED METAL FRAME PAINTED GYP. WALL BOARD
WOOD
PAINT PARCEL LOCKER
I PAD
M AILROOM 950 SF
MATTE LACQUER MILLWORK BENCH
SF110
M AILROOM 950 SF
MAILROOM 132
65
A-806 A
5
4
A-806
3
PARCEL 8 WHARF RESIDENCE
6"
6"
1' - 0"
19
6 1/4"
6"
STRETCH DIFFUSER SUPPORT RAILS CUSTOMIZED GRAPHIC STRETCH DIFFUSER REMOVABLE FOR MAINTENANCE
FA1 LED PANEL BOARDS QTY.& SIZE TBD BY FIXTURE MFR.
COFFER CEILING
L-CLIP NOTE : 10MM SPACE TOP AND BOTTOM FOR L-CLIP THICKNESS MT121 METAL LOUVER SCREEN ,SEE PLAN BACKRAIL
MT121 METAL LOUVER SCREEN ,SEE PLAN 6"
5" EQ
EQ
FA4A UPLIFT LIGHT,SEE SPEC.
L-CLIP NOTE : 10MM SPACE TOP AND BOTTOM FOR L-CLIP THICKNESS FINISH FLOOR SEE FIINISH PLAN
CL
COFFER CEILING, LIGHTBOX & STOREFRONT DETAILS
LOBBY RECEPTION
133
RELEVANT WORK AT ODA ARCHITECTURE
KEY PLAN - LEVEL 03 134
GYM MOOD
PARCEL 8 WHARF RESIDENCE
WALL CLIMBING
YOGA
CARDIO
CROSSFIT LEVEL 04
CROSSFIT
WEIGHTS
LEVEL 03 CARDIO
GYM SECTION
MATERIALITY
WEIGHT AREA
135
RELEVANT WORK AT ODA ARCHITECTURE
KEY PLAN - LEVEL 04 136
PARCEL 8 WHARF RESIDENCE
CLUBHOUSE LOUNGE
BBQ
WORK
PLAY
WORK
GALLERY
RELAX
16" X 48"
FIREPLACE
STAIR
NID
R
TX/KX 22" X 10"
NID
TX/KX 22" X 10"
EP
EP
R
DRINK
DINE LOUNGE
PARCEL 8, THE WHARF A-404 SCALE: 1/8" = 1'-0" 1/8" = 1'-0" 10/24/18
LEVEL 04 - CLUBHOUSE AND YOGA PLAN
LOUNGE RELAX PLAY WORK
CLUBHOUSE FLOOR PLAN 137
RELEVANT WORK AT ODA ARCHITECTURE
CLUBHOUSE LOUNGE
138
PARCEL 8 WHARF RESIDENCE
MATERIALITY 139
RELEVANT WORK AT ODA ARCHITECTURE
ELEVATION C. CLUBHOUSE NICHE FEATURE WALL, LOOKING FROM SOUTH
WALL COVERING 1
FEATURE FINISH 1
C.
B. 16" X 48" STAIR
NID
R
A.
PARCEL 8, THE WHARF A-404 SCALE: 1/8" = 1'-0" 1/8" = 1'-0" 10/24/18
LEVEL 04 - CLUBHOUSE AND YOGA PLAN
CLUBHOUSE FLOOR PLAN
140
TX/KX 22" X 10"
NID
R
TX/KX 22" X 10"
EP
EP
FIREPLACE
PARCEL 8 WHARF RESIDENCE
FEATURE FINISH 2
FEATURE FINISH 3
WALL COVERING 1
ELEVATION B. LOOKING FROM WEST
ELEVATION A. LOOKING FROM EAST 141
RELEVANT WORK AT ODA ARCHITECTURE
MOOD A (LIGHT SCHEME)
1 BEDROOM w/ GALLEY KITCHEN
142
PARCEL 8 WHARF RESIDENCE
MOOD B (DARK SCHEME)
1 BEDROOM w/ ‘L’ KITCHEN + MOVABLE ISLAND
143
144
PHOTOGRAPHY
THE DIARY OF LIGHT
145
THE DIARY OF LIGHT “If you look for a meaning, you’ll miss everything that happens.” “I felt all the time that for the film to be a success the texture of the scenery and the landscapes must fill me with definite memories and poetic associations” ― Andrei Tarkovsky, Sculpting in Time
As Andrei Tarkovsky’s quotes, I expect my images are like a movie, a theatre or the diary of light which is seeking not only to capture a beautiful moment, also it is to interpret the imagination of space, memory, emotion, movement, abstract and urban texture.
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THANK YOU MORE PROJECTS, PLEASE REVIEW CHIA-MIN WANG’S WEBSITE: https://chiaminwang.wixsite.com/chia-min-wang
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CHIA MIN WANG 1-646-220-5155 minatrisd@gmail.com
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CHIA-MIN WANG My enthusiasm for spatial design began during my undergraduate studies in theater, film, and media. As many productions or performance challenges, I believe the combination of these experiences not only has opened to me a global sense of design also strengthened my passion for architecture and design.
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