CHIA-MIN WANG Portfolio 2021

SCULPTING IN TIME

CHIA MIN WANG 1-646-220-5155

minatrisd@gmail.com

WEBLINK

CHIA-MIN WANG My interest in spatial design began during my undergraduate studies in theater, film and media.

The overlay of cultural, international, visual, textural, as well as performance challenges has opened to a global sense of design. I believes the combination of these experiences strengthen his passion for architecture.

2

SCULPTING IN TIME STUDIO PROJECTS AT RISD Int-ARCHITECTURE 6

A FLIGHT OF FANTASY

26

DANCE WITH RIBBON I

32

DANCE WITH RIBBON Ii

Firstworks New Art Center & Creative Culture Revival YMCA New Ticket Booth YMCA New Media Lab

RELEVANT WORK AT TIGHE ARCHITECTURE 44

MONTEE KARP RESIDENCE

50

HOLLYWOOD HILLS HOUSE

58

LA BREA AFFORDABLE HOUSING

64

2510 TEMPLE RESIDENCE

70

GUGGENHEIM HELSINKI COMPETITION 2014

RELEVANT WORK AT ODA ARCHITECTURE 78

THE BEDFORD HOTEL

104

DENIZEN BUSHWICK

122

EDEN FINE ART NY

128

PARCEL 8 WHARF RESIDENCE

PHOTOGRAPHY 146

THE DIARY OF LIGHT 3

4

PROJECTS AT

RISD Int-ARCHITECTURE

5

THESIS AT RISD

A FLIGHT OF FANTASY

FIRSTWORKS NEW ART CENTER & CREATIVE CULTURE REVIVAL Providence,RI

“Culture, and by extension the creative industry, is a key element in urban redevelopment.”

Paul Rutten As Rutten notes, this project embraces and illustrates this idea through the adaptive reuse of an existing space to design a new art center for Firstworks which is an energetic arts organization in Providence.

The Degree Project will provide a practical, organizational workspace, and a cultural intersection that encourages mass participation in artistic activities as expressed by the mission of FirstWorks, also re-evaluates how the design can define this organization’s identity which serves as a center of hospitality, vitality and creativity with all of us.

The art center will contains a performing art space, visual art space, galleries, and multifunctional public plaza to support Firstworks various cultural events.

Veterans Memorial Auditorium

Providence Train Station

I-95 Kenerddy Plaza RISD Auditorium

Dunkin Donuts Center

The Providence Black Repertory Company

Trinity Theater AS220 Perishable Theatre

6

Providence Performing Arts Center

FIRSTWORKS NEW ART CENTER & CREATIVE CULTURE REVIVAL

7

THESIS AT RISD

FOGARTY BUILDING Location: 111 Fountain Street, Providence, RI Owner: The Procaccianti Group Inc Architect Builder : TPG Construction Zoning: Downtown District D1-100 LUC: Commerical II >100.000 Acres: 0.52 Structure Type: OFFICE BUILDING - LOW-RISE Year Built: 1968 The Fogarty Building, built in 1968 of mostly reinforced concrete, is an example of Brutalism architecture, designed by Castellucci, Galli & Planka, Rhode Island architects. As a distinct style, Brutalism grew out of the very real needs of a post-World War / Utopian era, where the demand for social services (housing, financial support, health care services) out-weighed the pleasure of slowly refined design. That design concept was applied to this rigid, massive concrete structure in downtown Providence, which was built to serve as the Rhode Island State Welfare Office.

Fogarty Building, Providence, RI.

Hallway of Fogarty Building

8

FIRSTWORKS NEW ART CENTER & CREATIVE CULTURE REVIVAL

CREATIVITY IN ECONOMICS

High line, New York

High line, New York Travel and Leisure magazine, 2010 Dec.

In December 2010, Travel and Leisure magazine declared that Providence is the #2 urban cultural leader in the United States for theaters and performance arts (just behind New York City and ahead of Boston, LA, and Chicago). The survey invited travelers and residents to rank cities across the country in categories ranging from culture (Theater/Performance art, Museum, Historical sites), Quality of life, food, restaurants, hotels and nightlife.

WaterFire event, Providence,RI

9

THESIS AT RISD

Intervention I

PUBLIC PLAZA To remove the existing central core, concrete fences, and restyle the parking entrance with graded accessible entry ramps

10

FIRSTWORKS NEW ART CENTER & CREATIVE CULTURE REVIVAL

Restyle the parking entrance. Create a graded, accessible entrance on the northeastern aspect with additional access ramps along Fountain and Sabin Streets.

Roof Floor

Mechanic Room/ Flying System Dressing Rooms

3F

Oval Theater Back Stage

2F

Exhibition Room (2-3)/ Arts Store/ Lecture Room Office for Organization

1F

Public Plaza (Multifunctional used)

FOUNTAIN

STREET

Existing Center Core Movie events, Performing arts, Ice skating rink, Sculpture, Art Installation…

MATHEWSON STREET

Center Core

To remove the core & to create a Public Plaza

SNOW STREET

EasyEasy Accessing the Brutalist Building Building Accessing the Brutalist

SABIN STREET

Opening 1st floor to become a public space and encourage people to come visiting

The intention is to create wider, open area for public plaza (first level) which could help people reaching the building easier and encourage participating activities. To consider about existing structure, the design will aim to remove the center core to provide a open space for public use.

11

THESIS AT RISD

Movie Festival (Summer)

12

Ice-Sakting Rink (Winter)

FIRSTWORKS NEW ART CENTER & CREATIVE CULTURE REVIVAL

Creating a wide open public plaza on the lower level. Public Plaza has the multifunctional used for different art activities. (Movie events, Performing arts, Ice skating rink, Sculpture, Art Installation…

13

THESIS AT RISD

Intervention II

OVAL THEATER / EXHIBITION GALLERY To construct an Atrium and oval shaped theater with 230 seats and indoor galleries.

1.

14

2.

FIRSTWORKS NEW ART CENTER & CREATIVE CULTURE REVIVAL

The images(1 & 2) are of an artist’s conception of a Zeppelin airship docking at the mooring mast atop the Industrial Trust Tower in Providence.

The imagination of floating space theater is a creative and imaginative space.

15

THESIS AT RISD

OVAL (OBLATE SPHEROID)THEATER DESIGN CONCEPT The Airship is the vehicle which captures people’s imagination about flying.

Theater is a magical, fururistic space where performers and artist create an imaginative atmosphere that leads audiences to become engaged.

This new theatre will suspend in air with the shape of an oblate spheroid, capturing the imagination and the carrying away the audience on: A Fight of Fantasy.

AIRSHIP

VS

IMAGINATION OF FLIGHT

THEATER A HARBOR OF IMAGINATION, CULTURE & ART

RE-CONSTRUCTION PROCESS

1

Main existing structure 8 (32”x32”) concrete columns and center core

steel frames anchored to the new 4 New reinforced concrete columns forming the structural base for oval shaped theater

2

Remove the existing center core and construct an Atrium

3

New reinforced concrete columns to support oval shaped theater structure

5

The oval shape structure built on the base (Material : Steel)

6

The surface of oval theater will be clad with a skin of unique fiberglass panels

The intention is to create wider, open area for public plaza (first level) which could help people reaching the building easier and encourage participating activities. To consider about existing structure, the design will aim to remove the center core to provide a open space for public use.

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FIRSTWORKS NEW ART CENTER & CREATIVE CULTURE REVIVAL

STRUCTURE DETAILS

Back Exit Stage

Rebar x3(#11) 4’ 2’-8”

Exit

8” 8

Turntable Exit

3’-4”

2’-8”

Existing g column

Exit

4”

Scale : 1’=1/2” Reinforced concrete column built from foundation

The semi-oval steel structure anchor to reinforce concrete columns

Performance stage and seating built on top of base structure

OVAL SHAPE STRUCTURE C

BUILT UP

E SEATING

STAGE & SEATINGS PLATFORM D

BASE SPANS TO COLUMN

B

REINFORCED CONCRETE COLUMNS

A

17

THESIS AT RISD

18

FIRSTWORKS NEW ART CENTER & CREATIVE CULTURE REVIVAL

RECESSED LED LIGHTS SURROUND ALL OF CIRCULAR PANELS

Turntable Stage

EXPERIMENTAL THEATER SEATING LAYOUT

Lifting up turntable stage, Exit the movable seats could be stored underneath the turntable.

Exit Exit

Turntable Stage

Exit

Turntable Stage

Exit

Proscenium Style Stage Auditorium Type : Fan-Shaped Auditorium Seating Capacity : 130

Turntable Stage

Exit

Exitt Freight Elevator

Exit

Exit Back Stage

Back Stage

Exit

Exit

Exit

Exit

Back Stage

Exit

Thrust Stage Auditorium Type : Horseshoe-Shaped/Shakespearke Seating Capacity : 202

Exit

Back Stage

Arena Stage Auditorium Type : Fully Enveloping Auditorium Seating Capacity : 257

19

THESIS AT RISD

1.

2.

Intervention III

ORGANIZATION FUNCTIONALITY To design effective/functional circulation to meet organization needs

20

1. Landscape Entrance (Ramp) 2. Parking Lot Entrance 3. Park Room-1 10. Art Gellery 11. Theater Foyer (Reception) 12. Thea Dressing Room 18. Mechanical Room-2 19. Existing Center Cor

FIRSTWORKS NEW ART CENTER & CREATIVE CULTURE REVIVAL

18.

16.

15.

17.

12.

11.

13.

9.

14.

8.

10.

5.

6.

7.

4.

19.

3.

king Lot 4. Public Art Plaza 5. Staircase 6. Elevator 7. Egress 8. FirstWorks Office 9. Mechanical 1. Landscape Entrance (Ramp) 2. Parking Lot Entrance 3. Parking Lot 4. Public Art Plaza 5. Staircase 6. Elevator 7. Egress 8. FirstWorks Office ater 13.

Back Stage Freight Elevator Lighting/ Sound Control 16. Flying System 17.Room 9. Mechanical Room-1 14.

10. Art Gellery 11.

Theater Foyer15.

(Reception) 12. Theater 13. Back Stage 14. Room Freight Elevator 15. Lighting/ Sound Control 16. Flying System 17. Dressing Room 18. Mechanical Room-2 19. Existing Center Core / Storage re / Storage

Elevator

Elevator

Elevator

Freight Elevator

Freight Elevator

Freight Elevator

Elevator

Elevator

Elevator

21

ELEVATIONS ELEVATIONS ELEVA

THESIS AT RISD

4.

UP

3.

6.

UP UP

2.

4.

UP

UP

10.

5.

6.

UP

8.

UP

11.

7.

5.

9.

EXIT

EXIT

EXIT

BUILDING ENVELOP

8x5x5(H)

Daylighting

EXIT

EXIT

EXIT

EXIT

Roof

3rd Floor 3rd Plan Floor Plan

Top Floor Top Plan Floor Plan

Theater Reception Area

Back Stage

Gallery Office

Ground Floor Interior glass curtain wall prevent heating or cooling air lose

22

7.

2nd Floor 2nd Plan Floor Plan

EXIT

2F

17. 6.

4.

1st Floor 1st Plan Floor Plan

3F

7.

3.

14.

1.

UP

17. 6.

7.

8x5x5(H)

FIRSTWORKS NEW ART CENTER & CREATIVE CULTURE REVIVAL

UP

1st Floor Plan

2nd Floor Plan

17. 6.

16.

15.

EXIT

EXIT

22.

7.

17. 6.

7.

21.

8x5x5(H)

20.

14.

12.

13.

18.

19.

5.

15.

EXIT

EXIT

16.

17. 6.

5.

7.

22.

17. 6.

7.

Top Floor Plan

3rd Floor Plan

1. Multifunctional Public Plaza 2. Outdoor Cafe 3. Grand Stair 4. Ramp 5. Freight Elevator 6. Elevator 7. Egress 8. FirstWorks Office 9. Indoor Gallery 10. Lecture Room 11. Ticket Booth 12. Turntable Stage 13. Back Stage 14. Stairs 15. Reception Desk 16. Theater Reception Area 17. Restroom 18. Lighting/Sound Control Room 19. Flying System 20. Dressing Room/Green Room 21. Mechanical Room 22.Roof Graden

DISPLACEMENT VENTILATION 2s ton Split System with remote rooftop condensing unit on roof 8’x5’x5’(H)

DISPLACEMENT VENTILATION

35 ℃ Uncondition space above occopied volume 120 ℉ from stratification is allowed to run”wind” Body heat or lighting heat source drawing up cool/fresh air from rear floor

Hot stale air is returned to Air Handling Unit (AHU)

Mechanical Room

Acoustic insulation (Ceiling, Wall, Floor)

INDOOR

Return Air

Condition Space

HVAC UNIT

Vibration Isolation

Outdoor Air

28 ℃ 72 ℉ Mechanical Room

Expored Doct

Insulation under the floor

Displacement Ventilation Diffuser

The art of handling air

STAGE

23

THESIS AT RISD

24

FIRSTWORKS NEW ART CENTER & CREATIVE CULTURE REVIVAL

25

STUDIO PROJECT AT RISD

DANCING WITH RIBBON YMCA NEW TICKET BOOTH Cambridge, MA

The design studio explores how the interior architecture of performance venues-working in concert with building architecture and urban design-is an essential force in defining memorable sequence, identity and form. Through rigorous explorations of tectonics, program, materials and technology, the design will define the sequence of interventions that will express my interests in, and approach to, an existing community in Cambridge, MA. YMCA Theater has no arresting signage or entrance to draw people’s attention. Also, the ramp with an inconvenient access doesn’t meet the ADA’s requirement. The design concept focuses on creating an attractive ticket booth which turns into a new eye-catching landmark in the Cambridge neighborhood.

Simultaneously, the design is to remove the existing glass windows to make a combination between Ticket Booth and existing ramp. The ramp would become a dramatic transition from outside to inside.

YMCA Theater

3F

2F

Main Entrance ADA Ramp

r St.

Selle

Mass

achus

Ma

ss a

N

ch

us

et

ts

Av e.

City Hall

t.

n

Se lle rs S

Gr ee

St

.

etts A ve.

YMCA Family Theatre

Pl ea

sa

nt S

t.

26

YMCA NEW TICKET BOOTH

27

STUDIO PROJECT AT RISD

The inspiration is from Cambridge City Hall’s handrail and light fixtures. To design the ticket booth, the idea would catch the characteristic of Art Nouveau and transform into the “floating” and “free form” space. The floating shape has the dynamic movement that could attract people’s view and lead them to notice the theatre.

28

YMCA NEW TICKET BOOTH

29

STUDIO PROJECT AT RISD

30

YMCA NEW TICKET BOOTH

31

STUDIO PROJECT AT RISD

DANCING WITH RIBBON YMCA NEW MEDIA LAB Cambridge, MA

Following the previous project : YMCA ticket booth, the New YMCA Media Lab/Archive addition is to develop the “floating” and “free form” space.

The floating shape could attract people’s view and lead them to notice the new building.

The concept comes from the movement of Colored ribbon(streamer) which is always used in performance. The ribbon could become the one kind of extension of performer’s body. The dynamic movement connects the relationship between performer and stage (space).

To create a movement space as same as a play, music concert and dancing and provide a new activated landscape in Cambridge, MA. People could walk through the fluent space. The freeform shape provides one kind of dramatic tension and atmosphere to people that is the experience from outside in. the new intervention focuses on the circulation and redesigns the new accesses for public and private use. To consider about the backstage lacking functionality, the design will create a freight elevator and extend a new prop path for stage crew and performers use.

Programs Scene Shop Costume Shop Lighting Lab Researsal Room Dressing Room x 2 Restroom x 2 Media Lab/Archive Administration Office Roof Garden Second Spatial Sequence Beyond the “House”, the New YMCA Media Lab/Archive

3F Public 2F

Mass

achus

32

Main Entrance New Ticket Booth

etts A ve.

Private YMCA Theater

Prop path

Freight Elevator ADA Ramp

r St.

Selle

P

Sc C Li R D R M Ad R

YMCA NEW MEDIA LAB STUDIO WORK AT RISD

33

STUDIO PROJECT AT RISD

34

YMCA NEW MEDIA LAB

35

STUDIO PROJECT AT RISD

Stage

Dressing Rooms1F UP

Back Stage

Administration Ofice

Costume Shop 2F

Archive Room

Green St.

UP

Roof Garden

Rehearsal & Green Room

Elevatorr

PRIVATE AREA Scene Shop & Lighting Lab

Performer Circulation Vertical Circulation Stage Crew Circulation Vertical Circulation

Sellers St.

UP

Costume Shop 2F

Stage

Rehearsal Scene Shop & Green Room & Lighting Lab

UP

Back Stage

Administration Ofice

Dressing Rooms 1F

Archive Room

Elevator

Green St.

Roof Garden

ROOF GARDEN PUBLIC AREA Audience Circulation Vertical Circulation

Sellers St.

36

YMCA NEW MEDIA LAB

Solid Structure (Curved roof and walls)

Transparent Structure (Curved glass roof and walls)

To YMCA theatre

MASS. AVE. 7.

9.

B S ac

10. tagek

6.

5.

2.

8.

3.

1.

4.

9.

SE

LL

ER

S

t.

en S

ST

Gre .

1. Media Archive Room 1F 2. Media Archive Room 2F 3. Administration Office 2F 4. Scene Shop & Lighting Lab 5. Rehearsal Room & Green Room (New Stage) 6. Dressing Rooms -1F 7. Costume Shop 2F 8. Roof Garden 9. Freight Elevator 10. Prop Path to Backstage

37

STUDIO PROJECT AT RISD

B

C

A

Scene Shop & Lighting Lab

Archive Room

A

4.

3.

7.

1.

5.

6.

13.

11.

9.

12.

MASS. AVE.

YMCA SOUTHEAST SECTION 1

9.

5.

4.

10.

13.

MASS. AVE.

9.

SELLER ST.

YMCA NORTHWEST ELEVATION 2

1. Media Archive Room 1F 2. Media Archive Room 2F 3. Administration Office 2F 4. Scene Shop & Lighting Lab 5. Rehearsal Room & Green Room (New Stage) 6. Dressing Rooms -1F 7. Costume Shop 2F 8. Roof Garden 9. Freight Elevator 10. Prop Path to Backstage 11. Stage 12. Theater 13. Ticket Booth

38

YMCA NEW MEDIA LAB

Elevator

Costume Shop

Costume Shop

Roof Garden

Roof Garden

Rehearsal Room & Green Room

Dressing Room

B

Dressing Room

C

39

STUDIO PROJECT AT RISD

40

YMCA NEW MEDIA LAB

41

42

RELEVANT WORK AT

TIGHE ARCHITECTURE

43

RELEVANT WORK AT TIGHE ARCHITECTURE

MONTEE KARP RESIDENCE Pacific Palisades, CA

PROGRAM Single Family Residence ​SIZE 2,200 sq ft ​ TATUS S Completed 2015 ​DISTINCTIONS AIA LA Residential Design Award Interior Design Best of Year Award Architect’s Newspaper Best of Design Award CA Home+Design Award Shortlisted, WAF Award The 2200 sq. ft. residence is located on a severe hillside site in Malibu overlooking the Pacific Ocean. The project is an extensive remodel of an existing post-and-beam home in need of a structural, programmatic and environmental upgrade. The residence is re-envisioned for the 21st century.

The existing roof geometry is accentuated creating a language of faceted surfaces. The articulated volume of the building’s front facade extends indoors to define the interior spaces, resulting in a dematerialization of the roof, wall and floor planes. A forced perspective is created, framing the extraordinary views out to the Santa Monica Bay. The minimal, gallery-like living space is designed to accommodate the client’s extensive collection of contemporary art. Display niches, lighting and the configuration of the spaces are planned to enhance the experience of viewing the art.

The stair has cantilevering steel treads, each with a custom laser-cut pattern. Light from the skylight above filters through the perforated stair to project an ever-changing texture of shadow and light, enlivening the walls and floor.

A grand entry door made of a stainless steel tube frame marks the threshold into the relatively small house. The 10’ high door makes use of a hydraulic pivot and a concealed magnetic locking device.

Art Gray Photography

44

MONTEE KARP RESIDENCE

Art Gray Photography

45

RELEVANT WORK AT TIGHE ARCHITECTURE

11

9 9 9

7 6 12

2

1

1

2

5

9

10 13

9

8

6

5 13

SECTIONS 1.Entrance 2.Gallery 3.Library 4.Bathroom 5.Living Room 6.Kitchen 7.Dining Room 8. Loundry Room 9.Terrace 10.Fire Place 11.Bedroom 12.Office

46

10

MONTEE KARP RESIDENCE

A grand entry door made of a stainless steel tube frame marks the threshold into the relatively small house. The 10’ high door makes use of a hydraulic pivot and a concealed magnetic locking device.

The stair has cantilevering steel treads, each with a custom laser-cut pattern. Light from the skylight above filters through the perforated stair to project an ever-changing texture of shadow and light, enlivening the walls and floor.

Art Gray Photography

NORTH ELEVATION

WEST ELEVATION

47

RELEVANT WORK AT TIGHE ARCHITECTURE

GROUND FLOOR PLAN

SECOND FLOOR PLAN

1.Entrance 2.Gallery 3.Library 4.Bathroom 5.Living Room 6.Kitchen 7.Dining Room 8. Loundry Room 9.Garage 10.Terrace 11.Fire Place 12.Closet 13 Bedroom 14.Office

48

MONTEE KARP RESIDENCE

Art Gray Photography

49

RELEVANT WORK AT TIGHE ARCHITECTURE

HOLLYWOOD HILLS HOUSE Los Angeles, CA PROGRAM Single Family Residence ​SIZE 5,000 sq ft ​ TATUS S Completed 2018 ​DISTINCTIONS American Architecture Award Cover, Interior Design Magazine Published, Dezeen The residence is located within a heavily wooded site in the Hollywood Hills. The secluded lot is located in the eclectic neighborhood of Nichols Canyon, minutes from the Hollywood Strip. The project falls under the jurisdiction of the Mullholland Scenic Parkway Specific Plan and as such the building has minimal impact on the site.

2.

A layering of building strategies is used to create the 3,500 square foot residence inspired by the strata of the mountainous surroundings.

The base is a monolithic form rendered in an exposed, reinforced, board-formed concrete. The main living level opens to the gardens and to the views. The façade of glass allows for optimal transparency and is protected with a layer of screens that allow for sun protection and privacy.

A faceted volume comprises the top level and contains the private functions of the home. The floating mass is shaped by the constraints of the site and punctuated by series of openings that frame specific views.

VICINITY PLAN

1.

4.

3.

5.

6.

7.

SITE PLAN 1. Main House 2. Studio 3. Patio 4. Pool 5. Main Entry 6. Garage 7. Driveway

OKEA

N TER

W OO

RACE

IL

SIITE

SO

N

DR

TO CK

W

WO OD S

OW

RD

DR

Existing Site 50

HOLLYWOOD HILLS HOUSE

01

02

03

04

05

06

07

08

09

MASSING STUDY

51

RELEVANT WORK AT TIGHE ARCHITECTURE

Photography by Antonio Follo

1

2

FACETED VOLUME DEVELOPMENT 52

3

4

5

6

Elongation Facelum Volume

HOLLYWOOD HILLS HOUSE

East Elevation

South Elevation

West Elevation

North Elevation

ELEVATIONS

18.

13.

12.

1.

2.

3.

4.

5.

6.

7.

8.

9.

11.

10.

1.

14.

15.

9.

6.

9.

19.

20.

17.

15.

16.

21. 9.

10.

1. Master Bedroom 2. Master Bathroom 3. Master Closet 4. Family Room 5. Living Room 6.Dinning Room / Kitchen 7. Powder Room 8. Library 9. Storage 10. Laundry Room 11. Garage 12. Music Studio 13. Deck (Outdoor Grill) 14. Pool 15. Patio 16. Office 17.Bathroom 18. Skylight 19. Atrium (Open Below) 20. Stairs 21. Entry Foyer

SECTIONS 53

RELEVANT WORK AT TIGHE ARCHITECTURE

Roof

33.

Second Floor

26.

30.

25. 27.

28.

26.

31.

29.

6. 8.

30.

21.

32.

13.

First Floor

15.

24.

1.

14.

12.

17.

18.

16.

22.

19.

6. 8.

21.

23.

20.

Basement Level

3.

1.

2.

4.

4.

7.

9. 10.

6.

8.

11.

5.

1.Studio 2. Restroom 3. Stairs 4. Storage 5. Entry Foyer 6. Stairs 7. Laundry Room 8. Elevator 9. Mechanical Room 10. Storage 11. Garage 12. Kitchen 13. Pantry 14. Dinning Room 15. Family Room 16. Powder Room 17. Office 18. Library 19. Deck 20. Living Room 21. Atrium (Open Bellow) 22. Pool 23. Patio 24. Outdoor Grill 25. Master Bedroom 26. Deck 27. Master Bathroom 28. Master Closet 29. Bedroom - A 30. Bathroom 31. Closet 32. Bedroom - B 33. Skylight

PLANS 54

HOLLYWOOD HILLS HOUSE

Photography by Antonio Follo

FACETED VOLUME

TRANSPARENT FIRST LEVEL

CONCRETE PLYNTH

55

RELEVANT WORK AT TIGHE ARCHITECTURE

56

HOLLYWOOD HILLS HOUSE

Photography by Antonio Follo

57

RELEVANT WORK AT TIGHE ARCHITECTURE

LA BREA AFFORDABLE HOUSING West Hollywood, CA PROGRAM 32 Units Mixed-Use Residential/Commercial SIZE 50,000 sq ft ​STATUS Completed 2014 DISTINCTIONS AIA LA Residential Design Award AIA LA COTE Award American Planning Association Award Interior Design Best of Year Award Quality and Productivity Award, LA County Nomination, Mies Crown Hall Americas Prize ​CLIENT West Hollywood Community Housing The LaBrea Affordable Housing project is a mixed use affordable housing project for formerly homeless LGBT youth, people living with disabilities and people living with HIV Aids. The 50,000 sq ft building is located one block north of Santa Monica Boulevard in the City of West Hollywood. The building maximizes density while allowing for ample outdoor space. 32 apartments are arranged around a shared exterior courtyard.

Parking is provided at grade and commercial space used by the non-profit group, AIDS Project Los Angeles (APLA) is present along La Brea Avenue. The Southwest corner is expressed as a beacon of activity and houses the circulation and other shared amenities for the residents.

N. SYCAMORE AVE.

LA BREA AVE.

LEXINGTON AVE.

N. DETROIT ST.

The project was constructed through the non profit developer, The West Hollywood Community Housing Corporation to address an affordable housing shortage for tenants living with disabilities. The mixed-use program brings higher density into the urban center of the city.

The building demonstrates one of the city’s core values of environmental responsibility and its commitment to green building and sustainable design, the building exceeds the requirements of the city’s Green Building Ordinance.

SANTA MONICA AVE.

Art Gray Photography

58

LA BREA AFFORDABLE HOUSING

59

RELEVANT WORK AT TIGHE ARCHITECTURE

Art Gray Photography

ELEVATIONS

60

LA BREA AFFORDABLE HOUSING

COURTYARD BAMBOO PROVIDES SHADING/HIGHER SOLAR HOT WATER SOLAR PANEL 1

COURTYARD MICRO CLIMATE

GLAZING SHADED TO REDUCE HEAT GAIN

LARGE GLAZING EXPANSE MAXIMIZES NATURAL DAYLIGHT

GLAZING SHADED TO REDUCE HEAT GAIN

LEGEND:

SHADED BALCONY SPACE

SUSTAINABLE DIAGRAM

SHADED GLAZING

OPEN AIR COURTYARD

NATURAL VENTILATION

RETAIL / OFFICE /COMMUNITY ROOM

CIRCULATION / UTILITY

SECTION 6

3 5 6

5

6 5

5 6

6 5 5 6

3 5 5 6 6

6 5 6 5

3

6 5

55 6 6 5 6

4

4TH FLOOR PLAN 6 5 3 6 5 4

5 6

4TH FLOOR PLAN

5

3

6 5 5 6 6 5 6 5

3

6 6 5

6 5

3

3

2 1

6 5 6 5 3

2

1

GROUND FLOOR PLAN

PLANS

3

3

1.Commerical Office 2.Parking

3

4

3 6 5

63 5 6 5

63 5

3

5 6 5 6 5 5 6 6 6 55 6 4 5 6 6 5

5TH FLOOR PLAN 6 5 3 4 6 5

6 5

3 4

ATRIUM SECTIONS

8

8 3

8

8

ROOF PLAN

4

5TH FLOOR PLAN

3

43

COMMERCIAL PARKING

1. solar panel installation dependent on solar tax credits and fouding

ROOF PLAN 3 5

6

3 5 6

6 5 6 5

4 3 4 4 3

4 2ND FLOOR PLAN 6 5 3 3

5 7 3

6

6 5 6 5 6 5

7 3

5 6

6 5 6 5

3 5 5 6 6 3

4

3RD FLOOR PLAN 6 5 3 6 5 4

55 6 6 5 6 5 6

3.Circulation 4. Common Open Space 5.Residential 6.Private balconies 7. Community Room 8. Mechanical

GROUND FLOOR PLAN

2ND FLOOR PLAN

3RD FLOOR PLAN

61

RELEVANT WORK AT TIGHE ARCHITECTURE

62

Art Gray Photography

LA BREA AFFORDABLE HOUSING

63

RELEVANT WORK AT TIGHE ARCHITECTURE

2510 TEMPLE RESIDENCE Los Angeles, CA ​ ROGRAM P 47-Units Mixed-Use Residential/Commercial ​SIZE 65,000 sq ft ​STATUS Completed 2017 ​ ISTINCTIONS D American Architecture Award AIA | LA Design Award AIA |LA Residential Award Interior Design Best of Year Award Best of Design Award, The Architect’s Newspaper Published, Interior Design

LE ST.

​CLIENT 4Site Development The 47 unit apartment building will be built on a 28,000 sq ft site in Historic Filipino town located just East of downtown Los Angeles. The building is comprised of type-five construction over a concrete podium. A central courtyard overlooks the city skyline and is provided for the residents.

Shared and private outdoor spaces along with retail, lobby, gym and parking complete the building. The building is currently in plan check with the city of Los Angeles.

Art Gray Photography

64

N. CARONDELET ST.

N. CORONADO ST.

WEST TEMP

2510 TEMPLE RESIDENCE

Art Gray Photography

65

RELEVANT WORK AT TIGHE ARCHITECTURE

Art Gray Photography

66

2510 TEMPLE RESIDENCE

North Elevation

West Elevation

East Elevation

South Elevation

ELEVATIONS

67

RELEVANT WORK AT TIGHE ARCHITECTURE

Art Gray Photography

68

2510 TEMPLE RESIDENCE

69

RELEVANT WORK AT TIGHE ARCHITECTURE

GUGGENHEIM HELSINKI COMPETITION 2014 Helsinki, Finland LOCATION Helsinki, Finland ​PROGRAM Museum of Arts ​SIZE 210,500 sq ft ​STATUS Competition The design of the new Guggenheim for Helsinki is a study in counterpoints: between the more traditional values of Finland and the more progressive values of Helsinki, between materials and between technologies. Contrast is also explored through the three distinct architectural components that make up the project, The Grand Hall (cluster of galleries), The Spine Gallery and The Black Box. Key design elements of openness and porosity permeate the complex referencing Nordic ideals.

The design acts not as a barrier, but as a filter.

Visual access to, from and through the site is always maintained. The museum is an integral part of the waterfront, the scale, proportion and placement of the building components is in keeping with the neighboring buildings. The Northern portion of the site is a public plaza, an inviting social space that draws people from the city center preserving the relationship with the surrounding area. The new Guggenheim functions as an urban connector, extending the city limits to the water’s edge and uniting the historic center with the park Tähtitornin vuori. The design maintains access to the harbor and allows 1/3 of the site to be retained by the public as open greenspace.

Guggenheim Bibao Boat Gallery

A. Guggenheim NY Interior Core

C.

B. Nordic Modern

Interior Court/ Sculpture Garden

INSPIRATION

4.

3.

2.

1.

EXHIBITION HALL

1. PRIMITIVE MASS 2.PACKED VOLUME/GALLERIES 3. INTERNAL CORE/CIRCULATION 4.ATRIUM

70

N 0

50

100

150

VICINITY PLAN

GUGGENHEIM HELSINKI COMPETITION 2014

71

RELEVANT WORK AT TIGHE ARCHITECTURE

DN

1.

UP

2.

4. 5.

8.

4TH

DN

COAT CHECK

UP

UP

TECHNICIAN DN

DN

UP

DN

9.

3.

10.

DN

6.

10.

11.

11.

DN

UP UP

DN

DN

UP

DN

DN

UP

DN DN

UP

UP

UP

11.

DN UP

7.

12.

DN

12.

UP

DN

GROUND GROUND

13.

UP

13.

13.

2ND 2ND

4TH

3RD 3RD

11.

11.

DN UP

DN DN

DN

UP

UP

UP

UP

UP

11.

DN

DN

11.

DN UP

11.

11.

11.

N 0 10 25

4TH 3RD

4TH

4TH

5TH

50

PLANS

DN

DN UP

UP

DN UP

1.Plaza 2. Lobby 3. Spine Gallery 4. Cafe / Bar 5. Museum & Design Store 6. Sculpture Garden 7. Spiral Gallery 8. Restaurant 9.Black Box Theatre N 0 10Facilities 25 50 10. Roof Garden 11. Exhibition Galleries 12.Office 13. Loading Area

72

5TH

PLANS

5TH

GUGGENHEIM HELSINKI COMPETITION 2014

7 A.2 A.2

A.2 A.3 5 D.1

3

12

C.2

C.1

B.1 B.2

B.3

2

4 D.2

1

D.4

3

C.2 C.1

SUSTAINABLE FEATURES

1. Roof Monitors with Louver System provide diffused natural light in sensitive gallery space SUSTAINABLE FEATURES 2. Distributed Light Bollards for limited sun in winder and nighttime

1. Roof Monitors with Systemofprovide diffused natural in sensitive galleryroof space 3. Vegetative Roof Louver as extension landscape provides rainlight collection and natural insulation 2. Distributed Bollards for limited sun in winder and nighttime 4. ExteriorLight materials utilizes native timber 3. Vegetative extension of landscape provides rain collection and natural roof insulation 5. Native Roof treesas provide shade 4. Exterior utilizesdirect nativesunlight timber 6. Lightmaterials pockets diffuse 5. Native trees provide shade 6. Light pockets diffuse direct sunlight

1 D.3 D.2

3

C.2 A.2 C.1

6

A.2 A.3

A.2 D.4

A.2

A.3 A.1

A.2

PROGRAM A.1 Atrium / Exhibition Space A.2 Gallery A.3 Core / Circulation B.1 Black Box Theater B.2 PROGRAM Cafe B.3 Museum Store C.1 Gallery C.2 Vegetative Roof D.1 Sculpture Garden D.2 Truck Access D.3 Museum Store D.4A.2 Extended A.1 Atrium / Exhibition Space GalleryPedestrian A.3 Core / Walk Circulation B.1 Black Box Theater

B.2 Cafe B.3 Museum Store C.1 Gallery C.2 Vegetative Roof D.1 Sculpture Garden D.2 Truck Access D.3 Museum Store D.4 Extended Pedestrian Walk

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RELEVANT WORK AT TIGHE ARCHITECTURE

74

GUGGENHEIM HELSINKI COMPETITION 2014

SITE MASSING

A

C

B

A. EXHIBITION HALL B. BLACK BOX C. SPINE / CIRCULATION

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RELEVANT WORK AT

ODA ARCHITECTURE

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RELEVANT WORK AT ODA ARCHITECTURE

THE BEDFORD HOTEL Brooklyn, NY, USA

STATS 650,000 sf (5 Floors / 100 Key) PROGRAM Lobby, Lounge, Outdoor patio, Café, Restaurant Rooftop Bar and Lounge STATUS Under Construction

Bedford Hotel is soon to be located in Crown Heights Brooklyn. The site embraces historical architecture landmark, landscape and cultural institutes.

The building has a simple volume which wraps around a central intimated patio on the ground with a sequence of arches. The intention is to open the site for the community to experience a subtle landscape.

To impose a feel of extended exterior atmosphere throughout all ground floor interiors. Hotel lobby allows the freedom by letting the façade arches be a feature at lounge and concierge reception.

Adding a winter garden-like structure slightly separates from the façade so that a skylight can allow diffused light in. Lobby floor mimic the exterior landscape by use of concrete floors with circular carpet inserts and full high black glass panels for background that resemble the mosslike vegetation mixed with a lily pond. Both shape and materiality are reminiscent of an old-world monument, inspiring a sense of belonging and protected space.

1867 GRAND ARMY PLAZA 1866 EASTERN PARKWAY

1867 PROSPECT PARK

1911 BOTANICAL GARDEN

78

THE BEDFORD HOTEL

79

RELEVANT WORK AT ODA ARCHITECTURE

MATERIALITY

80

THE BEDFORD HOTEL

imaginary landmark

hidden landscape

floating garden

sense of belonging

formality

historical presence

urban requialification

memory

sense of discovery

monument

introspective

curiosity

the space in between

the arch

the patio

landscape

element of division / transition

element of aggregation

element of fluidity

transition, arbor, anchor

interior, exterior, contemplative

interior, exterior, contamplative

the jouney is the space in between elements and their intrinsic relationships

81

RELEVANT WORK AT ODA ARCHITECTURE

DARK CONCRETE

82

MOSS CARPET

BLACK TINTED GLASS

BLACK MARBLE

ANTIQUE BRASS

LIGHT WOOD

IVY PLANTER

THE BEDFORD HOTEL

SUN

BEDROOM

PLANTER

LOBBY INTERIOR

PATIO

83

RELEVANT WORK AT ODA ARCHITECTURE

84

THE BEDFORD HOTEL

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RELEVANT WORK AT ODA ARCHITECTURE

8024/8924 SERIES

WD103

8024/8924 SERIES

WD103 WD103

WD103

ID-796

5

3

ID-796

WD103

PT102 ID-796

5

3

ID-796

WD103 PT102 WD103

4 ID-796

4

96

2

ID-7

96

5

4

86

2

3

4

TYP. ROOM NUMBER SIGNAGE DETAILS 3

2

2

ID-7

ID-796

WD103

WD103

PT102

PT102

THE BEDFORD HOTEL

Transitioning to the floors above, the arches are not only structure but also as accent millwork to passage zone or arboring functional spaces.

At guestrooms the arches indicate a moment of passage or function according to the room typology. The vault / arch can determine a doorway, a closet space, or it can accentuate a vanity area that is no longer defined by the standard borders of a bathroom space.

MOSS CARPET

DARK GREY WALLCOVRING

DARK GREY DOOR

LIGHT WOOD

ELEVATOR FOYER WALL SECTION DETAILS 87

RELEVANT WORK AT ODA ARCHITECTURE

ROOM TYPE A

LIGHT WOOD FLOORING

88

MOSS RUG

FABRIC HEADBOARD

LIGHT WOOD

CERAMIC TILE

THE BEDFORD HOTEL

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RELEVANT WORK AT ODA ARCHITECTURE

90

THE BEDFORD HOTEL

Master Bedroom Bath Shelve

helve

Shelve

Regular Bedroom Bath Shelve

BATH SHELVE

91

RELEVANT WORK AT ODA ARCHITECTURE

ROOM TYPE B

LIGHT WOOD FLOORING

92

MOSS RUG

FABRIC HEADBOARD

LIGHT WOOD

CERAMIC TILE

THE BEDFORD HOTEL

93

RELEVANT WORK AT ODA ARCHITECTURE

Top

Front

94

Side

Concealed Outlet Box

THE BEDFORD HOTEL

NIGHTSTAND & LAMPS

Concealed Outlet Box

95

RELEVANT WORK AT ODA ARCHITECTURE

COFFEE MACHINE SLIDING TRAY

DRAWER

I

CLOSET MILLWORK 96

II

MINI BAR (RFG)

III

THE BEDFORD HOTEL

1 1.

23.

COFFEE MACHINE CORNER TRAY

DRAWER

2.

3

44.

MINI BAR (RFG)

SAFE LOCKER DRAWER

BED MILLWORK

97

RELEVANT WORK AT ODA ARCHITECTURE

PLAN VIEW

BLACK LACQUER LIGHT WOOD

BLACK MATEL

ELEVATIONS

COFFEE TABLE -1

CUSTOM FURNITURE 98

COFFEE TABLE - 1

COFFEE TABLE - 2 COFFEE TABLE -2

THE BEDFORD HOTEL

UPHOLSTERY FABRIC

1.

A

2.

B

3.

C

MODULAR SOFA PIECES

99

RELEVANT WORK AT ODA ARCHITECTURE

4 ID-861

MT102

MT103

ST101 MT102

5 ID-861

MT102

MT102

MT103 ST101

ST101

MT103

MT102

MT102

ST101

RECEPTION DESK MILLOWK DETAILS 100

THE BEDFORD HOTEL

R5

3/4

"

WD101

WD101

3/4"

3'-0" (HANDRAIL HEIGHT)

1 1/2" 1 1/2"

1

ELEVATOR SECTION DETAIL

ELEVATOR CAB INTERIORS 3"=1'-0"

101

102

THE BEDFORD HOTEL

103

RELEVANT WORK AT ODA ARCHITECTURE

DENIZEN BUSHWICK RESIDENCE Brooklyn, NY, USA CLIENT Denizen SIZE 1,000,000 SF STATUS Completion in 2019 A massive project located on the site of the former Rheingold Brewery and spanning two city blocks in Brooklyn’s Bushwick neighborhood, Denizen is an all-inclusive rental development with an array of publicly accessible communal spaces, and interconnected courtyards, all of which create a superimposed layout of woven streets in a typical old town core. Sensitive to the impact that a massive two-block development such as this one could have on the neighborhood, the architectural vision focused on uniting public and private spaces to create opportunities for exploration by residents, guests, and locals.

Denizen aims to become an integral part of the neighborhood by creating a highly porous architecture where the community can find a platform for activity and interconnection. With the implementation of meandering, interconnected courtyards, a bisecting green promenade, and communal activities, Denizen will be a veritable city within the city. It amplifies the idea of sustainability to reach beyond positive environmental implications; here sustainability means a prosperous relationship between the building, its residents, and the existing neighborhood.

HISTORY

Boswijck (little Dutch town in the woods) 1828.

104

The Rheingold Brewery opened in 1883, and by 1965 it was the 8th largest brewery in the U.S., but it closed in 1976.

Bushwick street party, 2014.

DENIZEN BUSHWICK RESIDENCE

105

RELEVANT WORK AT ODA ARCHITECTURE

106

TYPICAL EUROPEAN OLD TOWN CENTER

TYPICAL NEW CITY GRID

EXISTING BUSHWICK

FUTURE BUSHWICK

DENIZEN BUSHWICK RESIDENCE

BODY

MIND

ACTIVE / HEALTH

ART / WORK

107

RELEVANT WORK AT ODA ARCHITECTURE

GROUND FLOOR - AMENITIES PROGRAMS NOLL STREET

L

EVERGREEN AVENUE

STANWIX STREET

L STEEL EPOXY CONCRETE CLAY LUMBER MELROSE STREET

L

108

LOBBY

THEATER

RECEPTION

JUICE BAR

CAFE

CHILDREN’S ROOM

LOUNGE

DOG ROOM

LIBRARY

MUSIC ROOM

GAME ROOM & TV LOUNGE

MAIL ROOM

BAR / WINE / DINING / PARTY

PACKAGE ROOM

DENIZEN BUSHWICK RESIDENCE

MEET - BUSHWICK

Street Art - Steel

MEDIUMS

Found Objects + Epoxy

by Ben Godward

Street Art - Concrete

Clay Art

by Derek Weisberg

Street Art - Wood

EPOXY

CONCRETE

CLAY

LUMBER

MATERIALITY

CORTEN STEEL

LUMBER

CLAY

CONCRETE

EPOXY

CORTEN STEEL

MATERIAL ZONING

109

RELEVANT WORK AT ODA ARCHITECTURE

Lounge

Beer & Wine Brewery

110

DENIZEN BUSHWICK RESIDENCE

Lounge Space by the Main Entrance & Coffee Shop

Game Room

Gallery

111

RELEVANT WORK AT ODA ARCHITECTURE

112

DENIZEN BUSHWICK RESIDENCE

113

RELEVANT WORK AT ODA ARCHITECTURE

114

DENIZEN BUSHWICK RESIDENCE

115

RELEVANT WORK AT ODA ARCHITECTURE

Elevator core

‘An Artful Makeover for Two Bushwick Blocks The New York Times

116

Elevator core

DENIZEN BUSHWICK RESIDENCE

Mural by local artist

One of a series of interconnected courtyards which supports and promotes communal acitivites

Mural by local artist

117

RELEVANT WORK AT ODA ARCHITECTURE

Communal Lounge

Communal Lounge

118

DENIZEN BUSHWICK RESIDENCE

Rooftop _ Urban Farm

119

RELEVANT WORK AT ODA ARCHITECTURE

120

DENIZEN BUSHWICK RESIDENCE

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RELEVANT WORK AT ODA ARCHITECTURE

EDEN FINE ART NY NEW YORK, NY, USA CLIENT: Eden Fine Art SIZE: 5,800 SF

EDEN FINE ART (Madison Ave) is located on the corner of Madison Ave. and E 50th st. in Manhattan. The city’s landmarks St Patrick’s Cathedral and the New York Palace Hotel are juxtaposed across the street from the west and the north storefront. The cultural and commercial attraction brings thousands tourists visiting in the daily. Thus, the views of axes from both landmarks become crucial.

E48 ST.

New York Palace Hotel

Park Ave.

E50 ST.

E51 ST.

Park Ave.

E49 ST.

​STATUS Completion in November 2017

Madison Ave.

St Patrick’s Cathedral

5TH Ave.

5TH Ave.

The design intention is to treat the architectural volume as an art piece. It utilizes a freestyle / floating partition wall and mezzanine to redefine gallery spaces and circulation. The renovation is not only effectively rearranging the existing work space, storage and meeting room, but it also creates a more airy, flexible exhibition space and leisure social area for visitors. The gallery looks like it contains a large sculpture which attracts curiosity from passersby.

1 OFFICE + COFFEE BAR CLOSING ROOM STAIR + RESTROOM PULL OUT ART STORAGE MECHANICAL ROOM

2

2 1

1

3 OFFICE + COFFEE BAR CLOSING ROOM STAIR + RESTROOM PULL OUT ART STORAGE MECHANICAL ROOM

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THE EDEN BEDFORD FINE ART HOTEL NY

MASSING STUDY 123

RELEVANT WORK AT ODA ARCHITECTURE

1.

2.

6.

3.

7.

5.

4.

5.

PLAN - GROUND LEVEL

10.

5.

10.

9.

8.

11.

PLAN - MEZZANINE

1. Entry 2. Open Gallery 3. Office 4. Coffee Bar 5. Sitting Area 6. Closing Room 7. Restroom 8. Art Storage 9. Open Gallery Mezzanine 10. Sculpture Platform 11. Mechanical Room

124

EDEN FINE ART NY

125

RELEVANT WORK AT ODA ARCHITECTURE

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EDEN FINE ART NY

127

RELEVANT WORK AT ODA ARCHITECTURE

PARCEL 8 WHARF RESIDENCE

Southwest Waterfront, Washington DC, USA CLIENT Hoffman-Madison Waterfron SIZE 385000 SF STATUS Under Construction The city of Washington DC has an extraordinary contrasting relationship between the city grids and nature edges. The city has characterized

by L’Enfant’s urban Plan of Washington DC, the diagonals superimposed Thomas Jefferson’s historical orthogonal grids surrounded by the hard rock of the Piedmont Plateau and the Potomac River.

The Wharf: Parcel 8 consists of 255 residences and a hotel, both with ground-floor retail located on the south of Potomac riverbank. For the architecture approach, the U-shape building provide stacking up terraces in residential wing and rotate window bay orientation in Hotel wing to maximize panoramic river view.

In residential amenities such as lobby, GYM and clubhouse, the design intent is to associate this relevancy in the historical urban grid and bounding nature. To develop two different dichotomies between hard (structure) versus soft (nature) materials those are to interpret the relationship between urban structure and natural environment in Washington DC.

PLANNED FARMLAND

WHITE HOUSE LINCON MEMORIAL

PARCEL 8

CAPITOL HILL

POTOMAC RIVER

NATURE

STRUCTURE

NATURE

STRUCTURE

NATURAL EDGE NATIVE PLANTS (POTOMAC RIVER) (HYDRILLA PLANT)

HISTORICAL GRID

MATERIALITY 128

BOUNDARY ROAD FORMED

BY NATURE

ROCK CREEK

BRUTALISM

PARCEL 8 WHARF RESIDENCE

129

RELEVANT WORK AT ODA ARCHITECTURE

LOBBY LOBBYARRIVAL ARRIVAL

RECEPTION PACKAGE ROOM COFFEE

LOBBY ARRIVAL

ELEVATOR

MAILroom

LOUNGE

LOBBY PLAN 130

PARCEL 8, THE WHARF

LOBBY FLOOR PLAN

PARCEL 8 WHARF RESIDENCE

NATIVE PLANTS AT POTOMAC RIVER HYDRILLA PLANT “WATER THYME”

LOBBY MOOD 131

RELEVANT WORK AT ODA ARCHITECTURE

LOBBY LOUNGE

MATERIALITY

HANGING AIR PLANTS PAINTED METAL FRAME PAINTED GYP. WALL BOARD

WOOD

PAINT PARCEL LOCKER

I PAD

M AILROOM 950 SF

MATTE LACQUER MILLWORK BENCH

SF110

M AILROOM 950 SF

MAILROOM 132

65

A-806 A

5

4

A-806

3

PARCEL 8 WHARF RESIDENCE

6"

6"

1' - 0"

19

6 1/4"

6"

STRETCH DIFFUSER SUPPORT RAILS CUSTOMIZED GRAPHIC STRETCH DIFFUSER REMOVABLE FOR MAINTENANCE

FA1 LED PANEL BOARDS QTY.& SIZE TBD BY FIXTURE MFR.

COFFER CEILING

L-CLIP NOTE : 10MM SPACE TOP AND BOTTOM FOR L-CLIP THICKNESS MT121 METAL LOUVER SCREEN ,SEE PLAN BACKRAIL

MT121 METAL LOUVER SCREEN ,SEE PLAN 6"

5" EQ

EQ

FA4A UPLIFT LIGHT,SEE SPEC.

L-CLIP NOTE : 10MM SPACE TOP AND BOTTOM FOR L-CLIP THICKNESS FINISH FLOOR SEE FIINISH PLAN

CL

COFFER CEILING, LIGHTBOX & STOREFRONT DETAILS

LOBBY RECEPTION

133

RELEVANT WORK AT ODA ARCHITECTURE

KEY PLAN - LEVEL 03 134

GYM MOOD

PARCEL 8 WHARF RESIDENCE

WALL CLIMBING

YOGA

CARDIO

CROSSFIT LEVEL 04

CROSSFIT

WEIGHTS

LEVEL 03 CARDIO

GYM SECTION

MATERIALITY

WEIGHT AREA

135

RELEVANT WORK AT ODA ARCHITECTURE

KEY PLAN - LEVEL 04 136

PARCEL 8 WHARF RESIDENCE

CLUBHOUSE LOUNGE

BBQ

WORK

PLAY

WORK

GALLERY

RELAX

16" X 48"

FIREPLACE

STAIR

NID

R

TX/KX 22" X 10"

NID

TX/KX 22" X 10"

EP

EP

R

DRINK

DINE LOUNGE

PARCEL 8, THE WHARF A-404 SCALE: 1/8" = 1'-0" 1/8" = 1'-0" 10/24/18

LEVEL 04 - CLUBHOUSE AND YOGA PLAN

LOUNGE RELAX PLAY WORK

CLUBHOUSE FLOOR PLAN 137

RELEVANT WORK AT ODA ARCHITECTURE

CLUBHOUSE LOUNGE

138

PARCEL 8 WHARF RESIDENCE

MATERIALITY 139

RELEVANT WORK AT ODA ARCHITECTURE

ELEVATION C. CLUBHOUSE NICHE FEATURE WALL, LOOKING FROM SOUTH

WALL COVERING 1

FEATURE FINISH 1

C.

B. 16" X 48" STAIR

NID

R

A.

PARCEL 8, THE WHARF A-404 SCALE: 1/8" = 1'-0" 1/8" = 1'-0" 10/24/18

LEVEL 04 - CLUBHOUSE AND YOGA PLAN

CLUBHOUSE FLOOR PLAN

140

TX/KX 22" X 10"

NID

R

TX/KX 22" X 10"

EP

EP

FIREPLACE

PARCEL 8 WHARF RESIDENCE

FEATURE FINISH 2

FEATURE FINISH 3

WALL COVERING 1

ELEVATION B. LOOKING FROM WEST

ELEVATION A. LOOKING FROM EAST 141

RELEVANT WORK AT ODA ARCHITECTURE

MOOD A (LIGHT SCHEME)

1 BEDROOM w/ GALLEY KITCHEN

142

PARCEL 8 WHARF RESIDENCE

MOOD B (DARK SCHEME)

1 BEDROOM w/ ‘L’ KITCHEN + MOVABLE ISLAND

143

144

PHOTOGRAPHY

THE DIARY OF LIGHT

145

THE DIARY OF LIGHT “If you look for a meaning, you’ll miss everything that happens.”

“I felt all the time that for the film to be a success the texture of the scenery and the landscapes must fill me with definite memories and poetic associations” ― Andrei Tarkovsky, Sculpting in Time

As Andrei Tarkovsky’s quotes, I expect my images are like a movie, a theatre or the diary of light which is seeking not only to capture a beautiful moment, also it is to interpret the imagination of space, memory, emotion, movement, abstract and urban texture.

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THANK YOU MORE PROJECTS, PLEASE REVIEW CHIA-MIN WANG’S WEBSITE: https://chiaminwang.wixsite.com/chia-min-wang

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CHIA MIN WANG 1-646-220-5155 minatrisd@gmail.com

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CHIA-MIN WANG My enthusiasm for spatial design began during my undergraduate studies in theater, film, and media.

As many productions or performance challenges, I believe the combination of these experiences not only has opened to me a global sense of design also strengthened my passion for architecture and design.

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