Chiara Amoruso - Lighting Design / Design Portfolio

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PORTFOLIO_chiara amoruso


PERSONAL INFORMATION nationality: Italian date of birth: 07 June 1993

CONTACT e-mail: chiara.e.amoruso@gmail.com mobile number: 0044 7493262393 address: Kjærstrupvej 23, 2500, København SV


September 2018 - June 2020 Master of Science in Lighting Design Aalborg University Copenhagen

February 2019 Copenhagen Light Festival Digital art projection as AAU Lighting design student , Danish Architecture Centre. Copenhagen, Denmark.

Master Thesis research project: Urban Lighting Transition. Project defining a methodology to address dark adaptation as human factor in the design of urban lighting for soft traffic target.

November 2018 “Design&Territori” Exhibition Design Experiementation and Innovation by Universities and Companies. Palermo, Italy

23 February 2017 Bachelor’s degree in Industrial Design (110/110 cum laude) Civil Engineering and Architecture Department, Polytechnic of Bari

May 2018 TCBL FASHION CHANGE New Horizons for the Textile and Clothing Industry Conference Hydros Philia textiles exhibition at Textile Museum. Prato, Italy

Bachelor Thesis research project: Hydros Philia Materic - Sensory strengthening of material surfaces. Experimental research focusing on sensory-perceptive aspects of surfaces and communicative qualities of materials

October 2017 ADI DESIGN INDEX 2017 October Issue Hydros Philia thesis project official publication. Milan, Italy

EDUCATIONAL BACKGROUND

ACCOMPLISHMENTS March 2020 THE MANIPULATOR Magazine address: Kjærstrupvej 23A, 2550, København SV Visual art contribution for latest issue. Copenhagen, Denmark.

RESUME

March 2017 “SENSORY GRADIENTS” of Rossana Carullo Publication of research-based work contribution “Design and Surfaces” MDA | 2nd International Conference on Environmental Design. Rome, Italy January 2017 INTERSHIP/CRAFTMANSHIP Lanificio Leo Experimentation on textiles - Cataloque testing procedure for factory archives. Soveria Mannelli, Calabria, Italy July 2013 WHAT YOU SEE IS WHAT YOU GET Artist for the international contemporary photograpy exhibition. Bari, Italy

EXPERIENCE

LANGUAGES

September - November 2020 Bari International Gender Film Festival - Visual Designer Graphics and visual identity designer for the 7th festival edition of cinema and performing arts focusing on LGBTQIA+ topics. Bari, Italy.

Italian: first language English: full proficiency Spanish: intermediate

COMPUTER PROFICIENCY February - December 2020 320 COLAB - Production and Graphic Designer Experimental collective collaborating with companies and individuals on projects intersecting conceptual art, experimental music and technology. Copenhagen, Denmark. September - December 2019 artec3 - Lighting Design Assistant Internship / project-oriented work in a lighting design company. Barcelona, Spain. March-August 2018 MANCHESTER CRAFT AND DESIGN CENTRE - Volunteer Office Volunteer supporting with marketing research, exhibitions organization, events administration, visual communication and promotion. Manchester, United Kindom October-November 2017 TIME ZONES MUSIC FESTIVAL - Artist Liaison Liaison role for international artists as a part of the innovative and contemporary music festival. Bari, Italy. December 2014 BALDOVINO WINEBAR - Graphic Designer Brand identity designer. Monopoli, Italy

Adobe Photoshop Adobe Illustrator Adobe InDesign Autocad Rhinoceros Vray for 3DS max Dialux Velux Touch Designer Processing

PERSONAL SKILLS Creative thinking Concept development Problem solving Strong cooperation / collaboration Planning and organisation Listening and communication

PERSONAL INTERESTS Design&Craft Media Technology Visual Art&Photography Stage Design


LIGHTING DESIGN Urban Lighting Transition Create Identity with Interactive Lighting Re-Light Campus Light Modulation

DESIGN RESEARCH Hydros Philia Lightforms

EVENTS & PROJECTIONS Aeon, Copenhagen Light festival Vaporwave Metaphysical Surfaces Light and Volumes

PHOTOGRAPHY TABLE OF CONTENT

EloCheé brand narratives


LIGHTING DESIGN


[ Lighting Design Master Thesis ]

Throughout history, the illumination of the urban environment has been approached solely as an engineering subject. In this context, the current urban lighting requirements are defined based on motorized traffic, prioritizing drivers’ visual needs. As a consequence, excessive lighting levels are now found in the city environments with negative impacts on the human as well as the environmental sphere. By synthesizing scientific knowledge on human visual system, this project introduces arguments to address the lack of human factors and to question the adequacy of the standard requirements for human nighttime vision. With a focus on pedestrians, the aim of this work is to address dark adaptation as a new human factor in the design of urban lighting, by providing knowledge on the human eye’s ability to perform in dim conditions and how this is compromised excessive use of lighting. Important findings from this topic identify three essential criteria to be employed as lighting requirements. Specifically, a methodology is developed to approach the design of pedestrian lighting in urban areas presenting big variations in lighting levels, from brightly lit to dark environments. With the steps “Measure, Test and Translate” the proposed framework provides designers with guidelines to aid the process of dark adaptation for pedestrians transiting from bright to dark urban areas,


URBAN LIGHTING DESIGN ISSUES

RESEARCH TOPIC IDENTIFCATION

EXCESSIVE BRIGHTNESS

VISION MODES

- environmental pollution

- Photopic/Mesopic/Scotopic response

- disrtuption of nocturnal patterns

- High levels compromise night vision

- stress level

- Brightness and rods de-activation

STANDARD REQUIREMENTS

URBAN LIGHTING DESIGN

- engneering approach

- big variation of lighting levels

- based on motorized traffic dynamics

- transitions from bright to dark areas

- drivers visual needs as priority

- lack of design methodologies

LACK OF HUMAN SCALE

DARK ADAPTATION

- missing targeted lighting

- Visibility in dim conditions

- knowledge misuse of human vision

- Brightness exposure VS dark adaptation time

- lack of scotopic measurements

Night-lights imagery by NOAA’s Earth Observation Group (https://blue-marble.de/nightlights/2012)

Problem Area


VISION MOODES

LIGHTING TOPOLOGY

LIGHTING SPECTRUM

LIGHTING LEVELS

PHOTORECEPTORES CONES (L,M,S) - Photopic Vision (Daylight condition) - Color Vision (RGB sensitivity)

RODS-CONES INTERACTION - Mesopic Vision (nocturnal urban outdoors) - Rods are more sensitive

DESIGN TOOLS PHOTORECEPTORES RODS (Rodopsin) - Scotopic Vision (Darkness condition) - Desaturated Vision (Brightness sensitivity) PLACEMENT WITHIN PERIPHERAL REGION

Analysis & Success Criteria

HIGH S/P RATION BLUE ENRICHED SPD

LOW ILLUMINANCE UNIFORM DISTRIBUTION


Design Framework Guidelines STEP 1 MEASURE TRANSITIONAL SEQUENCE

LIGHT/DARK SHIFT

QUANTITATIVE MEASUREMENTS

(pre-adaptation bright exposure)

(areas borders)

(Lux, cd/m2, SPD)

EXPOSURE TO PRE-ADAPT. LUMINANCE

REDUCE ILLUMINANCE LEVEL

MONITOR DARK ADAPTATION TIME

(cd/m2 sequence)

(simulated darkness)

(Task-based performance)

CONVERT ADAPTATION TIME INTO DISTANCE

MEASURE DISTANCE ON THE DARK AREA

APPLY SUCCESS CRITERIA TOPOLOGY, SPECTRUM, LEVEL

(meters at av. walking speed)

(lenght of installation)

(peripheral placement, 1(-)lux, High S/P ratio)

STEP 2 LAB TEST

STEP 3 TRANSLATE


[ Msc.Lighting Design - 2nd Semester Project ]

How can a lighting design in the public spaces at Enghave Brygge create a specific identity that will enhance the qualities of the area and support the overview, flow and wayfinding? Starting with this research question, the challenge is to analyze, design and test to create an interactive lighting solution that meet specific social challenges and potetials of public outdoor spaces in the under development area of Enghave Brygge.

CREATE IDENTITY THROUGH INTERACTIVE LIGHTING


THE CONTEXT

MASTER PLAN

Under-construction site Enghave Brygge Copenhagen, DK

ROAD HIERARCHY

[ Juul | Frost Arkitekter By & Havn Gröning Arkitekter Nordicom Danielsen Architecture JM Denmark ]

Main roads

Distrbution streets

Local streets The area of Enghave Brygge is mainly residential, with the main road that interconnects the site with Sluseholmen to the south and Vasbygade road to the north. This represents the “inner spine” of the area and is suggested to be lit with a neutral colour temperature. The other local streets and walking lanes can be lit with a warmer colour temperature emphasizing intimacy and proximity to the residential buildings.

“Living by the water” is the theme emphasized by the architectural companies. The masterplan project provides easy and different types of access to the water to create possibility for sports activities.

Stasis Public Area

Transit Public Area

Analytical Process

Stasis public-private

4000K

3500K

3000K


LIGHTING MASTER PLAN

LOCAL STREET/ BRIDGE SCENEARIO - street lighting - short height fixtures walking lane - indirect bridge coloured lighting

LOCAL STREET/ PROMENADE SCENARIO

promenade: intimacy

Public park: water element

Master Plan Scale

Public bridges: water element

The extensive vision for the identity of Enghave Brygge is shaped upon the theme of “water motion”, as this being the most important element characterizing the site. Beside providing navigation according to street hierarchy and an intmate atmosphere alongside the promenade, lighting will evoke the element of water in two main areas: bridges and public park.

- street lighting - short height fixtures walking lane - ground recessed promenade

PUBLC PARK SCENARIO - short height fixtures defining the paths - diffused distrubition


BLUISH HUE LIGHTING

FIXTURE SENSOR MOVEMENT DECTION

Dynamic lighting gentle pulse recalling water motion

Colour transition Visualisation of people’s presence

WARM HUE LIGHTING

PIXEL MAPPING

Interactive lighting triggered by people’s passage

Intensity displecement recalling water motion (VIDEO DATA)

Focus Area - Interactive Installaton


[ MSc Lighting Design - 1st Semester Project ]

This project investigates a study room at Aalborg University Copenhagen, its current lighting layout and develops a concept to improve the students’ well-being and productivity. The approach has been to evaluate lighting parameters, such as distribution and colour temperature, as a medium to explore the possibilities of bringing daylight qualities indoor.

RELIGHT CAMPUS


This group project is based on the overarching theme “Re-light Campus” and expands upon the initial research question:

CROSS SECTION AA’ - Daylight factor

How can lighting at the University Campus meet learning activities in study rooms and provide user’s comfort?

North cubicles

A

DIALUX - Electric lighting calculation A’

N

South cubicles

Entrance

The photometric analysis reveal that the overall light-distribution measured at 85cm height (daylight and electric lighting) does not provide adequate illumination for the workspace. Study room overall

Space Analysis

North Cubicle


PROPOSAL:

DESIGN CRITERIA:

Rectangular panel, including: - 6 downward facing LED spotlights for the task-area

- Tailor the task lighting to defined activities involving digital tools

- LED-strips on the top creating the ambient light

- Establish a differentiation of the spaces through light distribution - Mimic daylight attributes through ambient and task lighting for users’ well-being (CCT Transition)

North cubicles

- Allow users a certain amount of freedom to adjust task lighting according to their own needs

DIALUX - Electric lighting calculation (perfrmance improvement)

N South cubicles

Entrance

The quantitative analysis of the room led the project to develop a new design proposal, aiming to provide an higher quality lighting scenario in order to meet users needs and satisfy their biological clock, i.e. to support alertness and sleepness cycle for a better experience for their study space. Study room overall

Design Improvement

North Cubicle


Light Modulation was a workshop aimed at combining prototyping techniques and use of materials for the realization of a fixture functioning as light modulator. The idea behind this small project was to experiement with volumes and material properties in order to obtain special light effect as a result of the simple interaction between emitted light from the source and its fixture structure. A sculpture-like object is obtained by gluing 83 triangles collected from a laser cut of one 3mm transparent acrylic panel. Lighting source: LED strip CCT 5500 K, Cool white.

LIGHT MODULATION


250mm

10mm 3mm

a.

250mm

composition for prototyping through acrylic sheet laser cutting

design limitation volume

a. surface from planar curves b. surface 2D scaling

Design and Prototyping

120°

b.

polylines connecting surfaces to define the geometry volume

10mm surface offset to generate the area of top surface

command contour to create planar curves

3mm 83 polysurfaces with progressive 3D rotation the z axis


DESIGN RESEARCH


[ Industrial Design Bachelor’s Thesis ]

MATERIC - SENSORY STRENGHTENING OF TEXTILE SURFACES This experimental research focuses on sensory perceptive aspects of surfaces and communicative qualities of materials. Aiming at studying different sensory responses involving the senses, a series of physical samples are created with common-use materials to compose sensorial paths to be experienced, The samples display different texture features, such as contrast between smooth and rough, soft and tough, as well as transparent and opaque. According to these, samples are categorized as tactile scales engaging with the touch and optical scales engaging with the eyesight. Sensory variations can be designed by combining materials with diverse and opposite features in such a way that enhaces volumes and surfaces’ narratives. Particularly, with the aim of contextualizing the research into a production process, the final products focus on the tactile-sensory dimension of woven fabrics obtained after a reaction process involving textile fibers’ proprieties: felting. The textile surfaces produced at @Lanificio Leo (Calabria, Italy) are designed according to dimensional variations, different material yarn compositions, weaves and densities, which react differently to the felting process according to the way they bond with water. This relationship is what the project bases its name from.

HYDROS PHILIA


TACTILE BOARD

TACTILE BOARD

TACTILE BOARD

TACTILE BOARD

Crape paper recycled paper

Gunny sack Cardboard 200g/m

Kapok fibre Organic material

Kapok fibre folded, sewed

OPTICAL BOARD

OPTICAL BOARD

OPTICAL BOARD

OPTICAL BOARD

Crepe paper Uncoated paper

Cardboard 200g/m Flismsy paper Opaque paper

B/W cb 200g/m Opaque paper Transparent “

B/W cb 200g/m Crepe paper


TEXTILE SAMPLE 1

TEXTILE SAMPLE 2

TEXTILE SAMPLE 3

Variation of composition:

Vein effect - opposite behaviors

Variation of weave and density:

100% Wool Acrylic thread

100% Wool Sponge thread

100% Wool Linen

BEFORE FELTING PROCESS sample detail

BEFORE FELTING PROCESS sample detail

BEFORE FELTING PROCESS sample detail

AFTER FELTING PROCESS sample detail

AFTER FELTING PROCESS sample detail

AFTER FELTING PROCESS sample detail


AWARDS AND EXHIBITIONS November 2018 “Design&Territori” Exhibition Design Experiementation and Innovation by Universities and Companies. (Palermo, Italy) May 2018 TCBL FASHION CHANGE - New Horizons for the Textile and Clothing Industry Conference Hydros Philia textiles exhibition at Textile Museum. (Prato, Italy) October 2017 ADI DESIGN INDEX - Young Designers Prize 2017 Hydros Philia thesis project innovation prize for design reserach Official magazine publication, October Issue. (Milan, Italy) March 2017 “SENSORY GRADIENTS” of Rossana Carullo Publication of research-based work contribution “INMATEX” Interaction Lab - Material Experience MDA | 2nd International Conference on Environmental Design. (Rome, Italy)

TCBL Fashion Change, Prato

TCBL, Fashion Change, Prato

Project Achievements TCBL, Fashion Change, Prato

TCBL Fashion Change, Prato


Work extracted from Product Design Lab” experimentations (Industrial Design Bachelor Degree). The workshop was focusing on studying light diffusion as a result of its interaction with shape, colors and material surfaces. The project aim was to understand the potential of combining light with different “medium” in order to explore its various configurations, each one creating a certain ambience. Specifically for these samples, different patterned elements were designed to experiment and understand the way light interacts with geometries, colours and opacity.

LIGHTFORMS


The pattern is generated from the repetition of a three blade helix-shaped unit. A 20x15 cm tile is obtain by connecting the units according to a radial pattern. This object is afterwards realized with 3D printing technique, using organic eco-sustainable resin.

Pattern Design & Prototyping


EVENTS & PROJECTIONS


Aeon is a dynamic animation generated with programming language Processing, by adapting and merging two scripts generated for a group assignment for the Intelligent Lighitng Design course. The project was in collaboration with Lighting Design Master students Alperen Ekici, Priscilla Galamba and Mikkel Skov. The animation has been conceived for the Copenhagen Light Festival 2019 and projected for the Danish Architecture Centre (DAC) in Copenhagen, on one of the glass facade of the BLOX Building, from the 16th to the 24th of February.

AEON


EYE EXPANTION

EYE CONTRACTION

EYE EXPANTION

Script Frame_ 00:45

Script Frame_ 1:40

Script Frame_ 2:30


This visual art project explores the possibilities of projection mapping, within the context of architecture, as a spatial transformation tool. Projection mapping is used as a technique to reveal the form of objects as display surfaces for projecting light based content. This project is based on the idea of spatial augmented reality technology that can be used to add a digital layer of information to the environment. In this context, projections are used as controllable sources of light in order to project content that evolves over time. The objective is to create architectural focal points and improve the experience of a space for its users.

VAPORWAVE


Metaphysical surfaces was an installation conceived for Ved Siden Af, a Copenhagen music venue. The concept follows the vision of opening the access to a multisensory dimension of the space, where colours, light, sound and people mingle together. The idea of using a reflective surface to visualise visual contents is experimented on different material foils, to explore their qualities and understand the possibilities of application. These surfaces are modelled with the aim of creating a sort of “metaphysical mirrow” to reveal fragmented reflections of reality. Video projectios with highly saturated colours were used along with 2 DMX lights and one laser illuminating dynamicly the entire surface. The sources generated refracted light effects on the surrounding walls, creating interesting visual patters.

METAPHYSICAL SURFACES


ph. credit: Jan Sandrej


Volumatrix is a personal research which was carried out in a special chamber within the University Campus of the Aalborg University in Copenhagen. The anachoic room is an absorber chamber which is used by the Sound Music Computing master students to record their works in a environment designed to completely absorb reflection of sound waves The idea of this experimental research is to explore different three-dimensional configuration and spatial perception according to the use of coloured light sources and their positioning. These together create and change the perception of the space, according to different colour shades and shadow patterns which extend, compress, model the space in different and interesting ways.

LIGHT AND VOLUMES



PHOTOGRAPHY


Photography project to showcase visual identity and aesthetic behind the new collection of the fashion design brand Elocheé, Copenhagen, Diffuse light, reflections and accents are essential elements of the photographic sessions to create a teathrical presence of garments and fabrics.

ELOCHEÉ BRAND NARRATIVES



CONTACT e-mail: chiara.e.amoruso@gmail.com mobile number: 0044 7493262393 address: Kjærstrupvej 23, 2500, København SV


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