Chiswick Auctions Fine Art Catalogue June 2018 by Chiswick Auctions

Chiswick 12th June Fine Art Cover.qxp_Layout 1 21/05/2018 08:12 Page 1

British & European Fine Art including Portrait Miniatures 12 June 2018

1 Colville Road, London W3 8BL +44 (0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk

British & European Fine Art including Portrait Miniatures London 12th June 2018

Chiswick 12th June Fine Art Cover.qxp_Layout 1 21/05/2018 08:12 Page 2

SPECIALISTS

SALE CALENDAR

JUNE

05 Suzanne Zack

Rohan McCulloch Specialist rohan@chiswickauctions.co.uk

Head of Department suzanne@chiswickauctions.co.uk

TUESDAY

Interiors & Design to include a selection of Fine Rugs & Carpets

WEDNESDAY

European Works of Art & Clocks

TUESDAY

British & European Fine Artwith Portrait Miniatures

WEDNESDAY

Wine & Spirits

Jan Leman

Julian Laurence Samuels

Specialist jan@chiswickauctions.co.uk

Department Coordinator julian.samuels@chiswickauctions.co.uk

TUESDAY

Interiors & Design Silver & Objects of Vertu

WEDNESDAY

Post-War & Contemporary Art BUYER’S PREMIUM The buyer shall pay Chiswick Auctions Ltd a premium on the hammer price of 25% plus VAT on that commission. TELEPHONE BIDDING Please note that requests for telephone bids should be submitted no later than 5pm on the day prior to the sale.

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COLLECTION OF LOTS Buyers are asked to collect their lots on the day of the sale or between 10.00 and 18.00 up until close of business on Friday following the sale. IMPORTANT INFORMATION CITES

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Please be aware that all lots marked with the symbol ƀ are subject to CITES regulations. Please see our Terms & Conditions for more information. ARTIST’S RESALE RIGHT/DROIT DE SUITE

Lots marked with ARR indicates that an additional levy may apply for this lot. Please see our Terms & Conditions for more information.

Urban Ar

TUESDAY

Summer Jewels Designer Handbags & Fashion

WEDNESDAY

Antiquities & Tribal Art

THURSDAY

Modern & Post-War British Art

Lot 172 (detail)

British & European Fine Art including Portrait Miniatures

Tuesday 12th June 2018, 11.00

VIEWING AT SOUTH KENSINGTON selected highlights only Friday Saturday Sunday Monday Tuesday Wednesday

1 June 2 June 3 June 4 June 5 June 6 June

10.00 - 18.00 10.00 - 18.00 11.00 - 17.00 11.00 - 18.00 11.00 - 18.00 11.00 - 18.00

VIEWING AT CHISWICK full sale Saturday Sunday Monday Tuesday

GENERAL ENQUIRIES +44(0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk 1 Colville Road, London W3 8BL 127 Fulham Road, London SW3 6RT

9 June 10 June 11 June 12 June

11.00 - 17.00 11.00 - 17.00 10.00 - 18.00 10.00 - 11.00

PHOTOGRAPHERS Steven McCauley Jordan Salzmann Darrell Russell Monika Olek

Front cover: Lot 185 Back cover: Lot 229

Contents Portrait Miniatures

3-9

Watercolours & Drawings

10 - 27

Prints

28 - 30

Oil Paintings

31 - 70

PORTRAIT MINIATURES 1 CHRISTIAN RICHTER (SWEDISH 1678-1732) Portrait miniature of Queen Mary II (1662-94) wearing robes of state, pearl necklace and drop-pearl earrings, her hair worn curled and decorated with pearls Watercolour on vellum Oval, 2½in. (63mm) high Gilt-metal frame with pierced spiral surmount, glazed with bevelled glass Footnote: This portrait miniature of Mary II derives from a full-length State Portrait by Godfrey Kneller, commissioned by William III and Mary II in 1690, in the Royal Collection [RCIN 405674]. Kneller’s portrait of the queen was widely copied and circulated, and a head and shoulders variant was engraved by both Peter Vanderbank and John Smith in the mid-1690s. The popularity of Mary’s image continued long after her death with mezzotints being produced by John Faber Junior in the 1730s [Royal Collection RCIN 603241]. The Swedish artist Christian Richter was only sixteen years old at the time of Mary II’s premature death and did not arrive in England until 1704. Richter, however, known for his replica portraits in miniature after Sir Godfrey Kneller, Samuel Cooper and Sir Anthony van Dyck, undoubtedly painted this miniature posthumously, several years after Mary’s death in 1694.2 Singular portrait miniatures of Mary without her husband William are rare, but this may have been painted for a Stuart supporter in the same vein as extant double portraits which survive in the Royal Collection, as well as an example in the Mauritshuis, The Hague. £1,200-£1,800

2 ENGLISH SCHOOL (circa 1705) Portrait miniature of Charles Hinton, wearing pink coat with draped blue sash and white jabot, powdered wig, landscape background, c. 1705 Oil on copper Original turned wood frame, the backing board inscribed ‘Counsellor Charles Hinton first husband of Anne Jacson afterwards Mrs Gisborne of Staveley’, the whole in sharkskin case Oval, 31⁄10in (80mm) high Provenance: Bonhams, 9 April 2002, lot 3; European Private Collection Footnote: Charles Hinton married Anne Jacson in 1709 in St Werburgh’s in Derby. He died just a year later in Staffordshire without any children. In his will he bequeathed a house in St James’ to his wife. This portrait is probably by an English hand influenced by the large oil portraits of Sir Godfrey Kneller (1646-1723), the leading portraitist of the period. Interestingly, the artist has also recorded the dramatic landscape that surrounds Staveley, part of the Lake District in Cumbria. £600-£800

3 FRENCH SCHOOL (1637) Portrait miniature of a Nobleman, called Charles de Schomberg (1601-1656), Duke d’Halluin (Hallwin) and Governor of Languedoc, wearing armour with gold and blue edged white sash and wide lace collar, his hair worn long Watercolour on vellum Later gilt-metal frame, the leather reverse inscribed (in a later hand) with sitter’s name and dated 1637 Oval, 13⁄4in (45mm) high Provenance: Private European Collection Footnote: Charles Schomberg was German-born but rose to high status, arriving in France under Charles IX, growing up at court as enfant d’honneur of Louis XVIII. His father, Henri de Schomberg, also a Marshal of France, had died just after commanding the royal army which defeated Montmorency. By all accounts, Charles was gallant, educated and popular, particularly with the Languedocians (he even learned their language and was able to communicate with the locals). This portrait appears to have been painted in 1637, when Charles successfully defeated the Spanish force which threatened to invade Languedoc from Catalonia (the Battle of Leucate). Having successfully defened this territory, hopes were high that Charles might force the Spanish army to retreat further by invading Roussillon, but he refused to participate, correctly assuming that this would be at his own expense. Charles went on to further positions of civilian and military authority, becoming the Governor of Metz and of the Trois-Évêchês between 1644 and his death in 1656. He was also Colonel-general of the Cent-Suisses et Grisons between 1647-56. Charles’s first wife was Anne, Duchess d’Halluin, from whom he received his title. Anne was unusual in divorcing her 3 husband Henry de Nogaret de La Valette (who also kept his title after the end of the marriage). Anne died in 1641 and in 1646 Charles remarried with Marie de Hautefort (1616-1691), an important figure at court being both lady-in-waiting to Queen Anne of Austria and the former favourite of King Louis XIII. The couple moved to the Citadel of Metz in 1652. The careful painting of this seventeenth century portrait recalls the technique of Alexander Cooper (1609-1660), brother of Samuel Cooper and most likely the pupil of Peter Oliver. Alexander appears to have worked largely abroad, particularly in Sweden and Denmark and used clear, bright colours in a studied manner. £300-£500

4 CHRISTIAN FRIEDRICH ZINCKE (1683-1767) A portrait miniature of a Lady, wearing a white dress and blue cape, c.1720 Enamel on copper Gold frame with reeded edge Oval, 1¾in. (45mm) high Provenance: Bonhams London, 22 February 1995, lot 63; Bonhams, London, 27 November 2005, lot 27; European Private Collection Footnote: This portrait of a young woman shows Zincke working in his favoured colours of blue and white; a fashionable combination in the eighteenth century. The darker blue flaunted Zincke’s skill in his painting of drapery, while the white colour alluded to the sitter’s youthfulness and also a type of chemise more often worn in private than in public. The informality of this dress (seen here also in the lifted edge of the sitter’s cloak) indicates the status of the portrait enamel as a personal as opposed to a public portrait type. Christian Friedrich Zincke was the most successful enamel painter in England in the eighteenth century. A pupil of William Boit, himself the effective successor to Jean Petitot, who introduced the practice in England, Zincke found success so easy that by 1741 he was able to charge the enormous sum of thirty guineas for a miniature. Unlike most enamellists, Zincke painted sitters from life instead on relying on copying from large oil portraits. 4

Due to deteriorating eyesight, Zincke’s career ended prematurely in the 1740s, although by then he had established himself as one of the most prolific and successful portrait enamellists of the eighteenth century. His work is held in a number of major national collections, including the Ashmolean Museum, the Royal Collection and the Victoria and Albert Museum. £400-£500

5 ABRAHAM SEAMAN (fl. c. 1724-1753) Portrait miniature enamel of a Gentleman, wearing a pinkish-red coat and green embroidered waistcoat, his hair worn powdered and en queue, c.1740 Enamel on metal Gilded metal and gold frame with reeded edge Oval, 17⁄8in (48mm) high Provenance: European Private Collection

Footnote: Abraham Seaman was part of a family of artists - including Noah (probably his brother), Isaac and Enoch. Little is known about the Seaman family other than that they painted portraits in a variety of media in England during the first half of the eighteenth century. Both Abraham and Noah’s enamel portraits are to be found in Dutch collections, including the Dutch Royal Collection, so it is possible that they were peripatetic artists. Works by the Seaman brothers are technically close to Christian Friedrich Zincke’s enamelled portraits - the most prolific and well-known enameller in England during this time. It is possible that they were apprenticed to him or assisted in his studio. The unknown gentleman portrayed here is typical of Abraham Seaman’s patrons. Although Zincke regularly painted nobility and, on occasion, royalty, the popularity of enamels by 1740 had widened the patronage out to the wealthy merchant class. Although enamelling was technically challenging its fashionable status encouraged miniaturists to experiment in the medium. This produced mixed results and, on the whole, only the specialist artists were able to set up successful practices. £400-£600

6 ATTRIBUTED TO JEAN ROUQUET (SWISS 1701-1758) Portrait miniature of Madame Changuion, née Van der Hoeven, sister of Mrs John Hope, wearing pink dress trimmed with black lace, a matching pink ribbon choker, her hair upswept and adorned with pink ribbon Enamel Gilt-metal frame Oval, 40mm high £300-£500 6 4

*See inside front cover for information regarding fees

7λ RICHARD CROSSE (BRITISH 1742-1810) Portrait miniature of Frances, Lady Milman (neé, Hart), grandmother of Colonel George Alderson Milman, wearing white dress with embroidered stars on the bodice and a blue robe trimmed with braid and blue bows at her sleeves, her powdered hair upswept and adorned with pearls and feathers with a long plait falling over her right shoulder Watercolour on ivory Carved gilt wood frame set with verre egolimisé, the reverse with various inscriptions relating to the sitter and original framers label Oval, 90mm high Footnote: Frances, Lady Milman (neé Hart), married Sir Francis Milman (1746-1821) in 1779. He had been Physician Extraordinary to the Royla Household and then Physician to George III. He performed some delicate services for Queen Charlotte, probably in connecton with managing her difficult husband, and was created Baronet of Levaton in Woodland, Devon, at the turn of the century. They had seven children. £2,000-£3,000

8λ PETER PAUL LENS (BRITISH 1714-1750) Portrait of a Gentleman, wearing blue coat, tied white cravat and powdered wig Signed with monogram l.l. Watercolour on ivory Gold frame Oval, 44mm high Footnote: Peter was the son of Bernard Lens, the first artist in England to use ivory as a base upon which to paint miniatures and he was the brother of Andrew Benjamin Lens, also a miniature artist. He was in Dublin in 1737 and was a prominent member of the “Blasters” club, which was a club similar to the Hell-Fire Club. He was prosecuted for being a Blaster and warrants were issued for his arrest, he avoided being captured and returned to the UK. £300-£500

9λ ENGLISH SCHOOL (CIRCA 1775) Portrait of James Heigham as a young boy, wearing red coat and waistcoat with wide lace edged collar, fair hair worn long Watercolour on ivory, Gold frame, the reverse set with mother of pearl Oval, 40mm high £150-£250

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10 λ ATTRIBUTED TO ALEXANDER GALLAWAY (BRITISH fl.c.179 4-1812) A portrait miniature of a lady called Mary Brisbane, wearing black dress with white fichu, her dark hair worn long and curled Watercolour on ivory Original gold frame, the reverse with curls of dark brown hair and gold wire, blue glass lozenge with seed pearl initials ‘MB’, the whole laid onto opalescent glass Oval, 70mm high Provenance: Daphne Foskett Collection (no.150) £350-£450

11 λ THOMAS RICHMOND (BRITISH 1771-1837) Portrait miniature of a Deputy Assistant Commissary General, c.1810-1815, wearing dark blue uniform with brass buttons and gold epaulettes, black stock and white cravat Watercolour on ivory Gold frame, the reverse glazed to reveal gold foil Oval, 80mm high £100-£200 12 λ ATTRIBUTED TO PHILIP JEAN (BRITISH 1755-1802) Portrait miniature of a Lady, in white décolleté dress with frilled collar edged in lace, her long powdered hair curled and falling over her shoulders, adorned with a white bandeau, cloud and sky background Watercolour on ivory Gold fausse-montre frame, the reverse glazed to reveal plaited hair Oval, 62mm high £200-£300

13 ENGLISH NAIVE SCHOOL (CIRCA 1820) Portrait miniature of a young Girl wearing a white dress with blue sash holding a basket of grapes Watercolour on ivory In original oval hard wood frame with gilt metal surround, the reverse bearing the original metal smith’s label, ‘S. Gee late Cooke.... / Cambridge’ Oval, 70mm high £100-£200 14 λ GEORGE PLACE (IRISH EXH. R.A. 1791-1797) Portrait miniature of a Lady, wearing white dress with high frilled lace collar and a white cap Watercolour on ivory Gold frame Oval, 74mm high £200-£300 15 λ CHARLES ROBERTSON (IRISH 1760-1821) Portrait miniature of a Lady, wearing a white décolleté dress, her dark hair curled and upswept, cloud and sky background Watercolour on ivory Gold frame, the reverse with blue glass border surrounding a central glazed aperture to reveal locks of hair tied with gold wire and seed pearls Oval, 67mm high £400-£600

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15 *See inside front cover for information regarding fees

16 λ ATTRIBUTED TO JOSEPH BOWRING (BRITISH 1757-1832) Portrait miniature of a Lady, wearing a white dress and white bonnet Watercolour on ivory Gilt-metal frame Oval, 67mm high £200-£300 17 λ HENRY JACOB BURCH, JUNIOR (BRITISH b.1763) Portrait miniature of a Lady, wearing white dress with lace collar, gold hoop earrings, her dark hair upswept, cloud and sky background Watercolour on ivory Gold frame, the reverse with glazed aperture to reveal dark brown plaited hair Oval, 55mm high £300-£500

18 λ ENGLISH SCHOOL (CIRCA, 1800) Portrait miniature of Officer Gordon of the Royal Highlanders wearing scarlet coat with yellow facings and silver epaulette, white cross-belt with silver belt plate, frilled white chemise and black stock Inscribed verso, ‘Gordon’ Watercolour on ivory Gilt-metal frame, the reverse glazed Oval, 71mm high £200-£300 19 λ ATTRIBUTED TO THOMAS HARGREAVES (BRITISH 1775-1846) Portrait miniature of a Lady, wearing white dress trimmed with lace, a blue belt, blue shawl, coral bead necklace and a gold chain with a monocle, her dark hair upswept and curled Watercolour on ivory Gold fausse-montre frame with decorative border, the reverse with blue glass border around a glazed aperture to reveal hair Oval, 60mm high £300-£500 20 λ ENGLISH SCHOOL (CIRCA 1915) Portrait miniature of Alice Pack-Beresford nee Lyle, (daughter of James Acheson Lyle 1868-1918), head turned to the right, a white gauze around her shoulders and wearing a pearl choker, her brown hair upswept Watercolour on ivory Gold frame, the reverse glazed to reveal ivory grosgrain silk Oval, 73mm high Footnote: On 11th August 1891 Dennis Pack-Beresford married Alice Lyle in Bangor. James Acheson Lyle of Port Stewart House, County Derry and Glandore £150-£250 21 λ REGINALD EASTON (1807-1893) Portrait miniature of Master Theophilius Hastings, wearing green velvet jacket, white shirt and black neck tie, c.1860 Watercolour on ivory Later gilt-metal frame with velvet backing Oval, 22⁄5in (60mm) high Provenance: European Private Collection £400-£600

22 λ CONTINENTAL SCHOOL (CIRCA 1810) Portrait miniature of a gentleman, wearing black coat with gold buttons, white waistcoat and cravat Watercolour on ivory Gilt-metal frame Circular, 55mm diam £200-£300

23 λ MANNER OF JEAN-URBAIN GUERIN (FRENCH 1761-1836) Portrait miniature of a Lady in white décolleté dress with gold ribbon, her brown curling hair worn long, pearl drop earrings Bears signature, ‘J. Guerin’ right hand edge Watercolour on ivory Metal frame with scrolling decorative border, the reverse with glazed aperture to reveal silk painted with monogram C.B. within a border of pink roses Oval, 82mm high £100-£200

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24 λ IGNAZIO PIO VITTORIANO CAMPANA (ITALIAN 1744-1786) Portrait miniature of Madame Elizabeth, circa 1785, wearing dark blue dress with lace underslip, her hair curled and falling over her shoulders Watercolour on ivory Silver mount engraved with decorative border and gilt metal case engraved with sitter’s details verso Oval, 50mm high £150-£250

25 λ A. CORSI LALLI (ITALIAN 1849-1937) After Sir Peter Paul Rubens, Self-Portrait 1623, The Royal Collection Signed lower right Watercolour on ivory Set into later papier-mâché frame decorated with chinoiserie motifs Oval, 62mm high £150-£250 *See inside front cover for information regarding fees

26 λ ROBERT THORBURN A.R.A., H.R.S.A. (1818-1885) Portrait miniature of a Lady, wearing a pink dress with white falling lace neckline and sleeves, and a small gold brooch set with a purple stone at her corsage, her dark hair worn in ringlets Watercolour on ivory Gilt-metal bow surmounted ormolu frame Oval, 115mm high £500-700

27 λ ROBERT THORBURN A.R.A., H.R.S.A. (1818-1885) Portrait miniature of a Lady, standing full length against a ballustrade overlooking a parkland, wearing a black silk moiré dress with white lace collar, a long black lace veil falling from her hair over her shoulders, her brown hair upswept and plaited adorned with a red rose Watercolour on ivory Rectangular gilt moulded frame, gilt mount and blue velvet slip Rectangular, 19.5 x 14cm (73⁄4 x 51⁄2in) £600-£800

28 λ ATTRIBUTED TO THOMAS HARGREAVES (BRITISH 1774-1846/7) Portrait miniature of a Lady, wearing red velvet dress trimmed with lace, a jewelled brooch and gold necklaces, wearing a lace cap adorned with a blue and pearl brooch Watercolour on ivory Gilt-metal black lacquer frame Rectangular, 10.5 x 8cm (41⁄2 x 31⁄4in) £400-£600

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WATERCOLOURS & DRAWINGS

29 (part) 29 THOMAS MATTHEWS ROOKE (1842-1942) St. James’s Park Inscribed and dated, St. James;’s Park 26 Sept 68, and another drawing of St. James’s Park verso Pencil 18 x 12.5cm (7 x 5in) and a preparatory sketch in pencil and watercolour, squared for transfer, of the interior of Romsey Abbey, by the same hand mounted, unframed (2) £80-£120

30 30 GEORGE RICHMOND (BRITISH 1809-1896) Portrait of a Gentleman Black, white and red chalk on buff paper 41.8 x 35cm (163⁄8 x 133⁄4in) £400-£600

31 31 GEORGE RICHMOND (BRITISH 1809-1896) Portrait of Charles Kingsley Black, white and red chalk on buff paper 42.5 x 35.3cm (163⁄4 x 14in) Charles Kingsley, (born June 12, 1819, Holne Vicarage, Devon, England—died January 23, 1875, Eversley, Hampshire), Anglican clergyman and writer whose successful fiction ranged from social-problem novels to historical romances and children’s literature. The didactic children’s fantasy The Water-Babies (1863) combines Kingsley’s concern for sanitary reform with his interest in natural history and the theory of evolution. He was also a very competent poet who wrote some memorable ballads (“Airly Beacon,” “The Sands of Dee,” “Young and Old”). Kingsley became chaplain to Queen Victoria (1859), professor of modern history at Cambridge (1860–69), and canon of Westminster (1873). £500-£700

32 JOHN ECKSTEIN (Exh. R.A. 1787-1802) Portrait of General Wale Signed lower right Eckstein 1815 Watercolour 31 x 21.5cm (12 x 81⁄2in) Footnote: John Eckstein was the son of the German born sculptor, engraver and painter Johann Eckstein (1735-1817). John was a painter who exhibited at the Royal Academy in London between 1787 and 1802. In 1803 he accompanied Samuel Hood to the “Diamond Rock” near Martinique. He then went to Barbados where he painted portraits of officers stationed on the island, and seems to have died in the West Indies in about 1838. Charles Wale (16 August 1765 – 20 March 1845) was an English General and the last British governor of Martinique between about 1812 and 1815. On 25 February 1831 he was appointed Colonel of the 33rd Regiment of Foot and was given the governorship in recognition of his capture of Guadeloupe from the French. He was later knighted for his service. £200-£300 32 10

*See inside front cover for information regarding fees

33 SIMONE CANTARINI (ITALIAN 1612-1648) The Infant Christ Child Red chalk on buff paper With collector’s mark lower right Mounted and framed 19 x 11.5cm (7½ x 4½in) £400-£600

34 ATTRIBUTED TO GEORGE ROMNEY (BRITISH 1734-1802) Portrait of a Lady Black chalk and pencil 36.5 x 26cm (141⁄8 x 101⁄8in) Footnote: The sitter is said to be Jane, Duchess of Gordon and her son circa 1778, from a drawing in Romney’s sketch book Provenance: The Forbes Collection at Old Battersea House, 1st Nov 2011, Lot 496 £200-£300

35 35 WILLIAM HAMILTON (1751-1801) Wood gatherers Pencil, pen and brown ink and watercolour 29.2 x 23cm (111⁄2 x 9in) Oval And two further drawings by Matthew William Peters (1742-1814), ‘A Lady in a large bonnet’, pen and ink and grey wash; and John Russell (1745-1806) ‘Portrait of two young girls’, pen and ink and watercolour (3) Provenance: Private Collection UK, acquired by the present owner’s grandfather Aaron Rapoport in Paris £400-£600

36 CIRCLE OF SIR HENRY WILLIAM BUNBURY (BRITISH 1750-1811) A pigeon plucked at Newmarket Pen and ink and watercolour 9.5 x 13.5cm (33⁄4 x 51⁄4in) £300-£400

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37 THOMAS SMITH (fl. 1780-1822) Lucerne Pen and ink and watercolour 17.5 x 31.8cm (61⁄2 x 121⁄2in) Provenance: With Agnew’s, Bond Street, London £500-£700

38 WILLIAM CALLOW R.W.S. (1812-1908) Cochem on the Moselle Signed and dated 1845 Watercolour 44.5 x 63.5cm (171⁄2 x 25in) Exhibited: Old Watercolour Society 1845, No. 16 £2,000-£3,000

39 THOMAS MILES RICHARDSON JNR. R.W.S. (1813-1890) Boats by a lakeside town in the Alps Watercolour over pencil heightened with white 18 x 27cm (71⁄8 x 101⁄4in) Provenance: With Heather Newman Fine Early English Watercolours £300-£500

40 ATTRIBUTED TO DOMINIC MICHAEL SERRES (FRENCH C.1763-1816) Saint Albans Cathedral, circa 1790 Watercolour Handwritten label verso from Valerie Serres £300-£400

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*See inside front cover for information regarding fees

41 FREDERICK ARTHUR BRIDGMAN (AMERICAN 1847-1928) Nubia Inscribed and dated, ‘Nubia Feb 1874’ l.l. Watercolour over pencil 6.2 x 11.7cm (21⁄2 x 45⁄8in) Footnote: Bridgman is one of America’s best known 19th Century Orientalist painters. Born in Alabama, the son of a doctor, he trained in New York before moving to Paris where he became a pupil of Jean-Leon Gerome (18241904) in 1867. The present set of drawings date from Bridgman’s first trip to Egypt in the winter of 1873-4 which resulted in paintings which brought him worldwide acclaim. Although Paris remained his base, he still exhibited in the USA including a huge one man show of four hundred pictures on 5th Avenue in 1890. £200-£300

42 FREDERICK ARTHUR BRIDGMAN (AMERICAN 1847-1928) On the Nile Inscribed and dated ‘Nile 28 March 1874’ Watercolour heightened with white 11 x 17cm (41⁄2 x 65⁄8in) Unframed And two further Watercolours by the same hand, ‘Palm trees on the banks of the Nile’ and ‘Village on the Nile’ (3) £400-£600

42 (part)

43 FREDERICK ARTHUR BRIDGMAN (AMERICAN 1847-1928) Houses at Esna Inscribed and dated, Esneh from Dahabieh Jan 20 1874, (Egypt) l.l. Watercolour over pencil 12.8 x 19.9cm (5 x 73⁄4in) With artist’s atelier stamp, 1954 l.r. £300-£500

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46 (part)

44 FREDERICK ARTHUR BRIDGMAN (AMERICAN 1847-1928) The River Bank at Sohag Inscribed and dated, ‘Sohag, Egypt 26 March 1874’ l.l. Watercolour over pencil 9 x 21.5cm (35⁄8 x 81⁄2in) With artist’s atelier stamp, 1954 l.r. £200-£300 45 FREDERICK ARTHUR BRIDGMAN (AMERICAN 1847-1928) A figure resting by a burial temple Watercolour over pencil 12.5 x 19.5cm (5 x 75⁄8in) With artist’s atelier stamp, 1954 And two further drawings by the same hand, ‘Towing a dahabiyah’ and ‘Hills by the Nile’ (3) £400-£600

45 (part)

46 FREDERICK ARTHUR BRIDGMAN (AMERICAN 1847-1928) Tomb of the Kings, Thebes Inscribed and dated, 15 Jan 1874’, l.l. Watercolour over pencil 9.5 x 15cm (33⁄4 x 6in) With artist’s atelier stamp, 1954 l.r. And two further drawings by the same hand, ‘The Second Cataract, Wadi Halfa’ and ‘Tombs, Egypt’ (3) £300-£500 47 FREDERICK ARTHUR BRIDGMAN (AMERICAN 1847-1928) Set of nineteen figure studies, Egypt Variously inscribed and dated 1874 Pencil Various sizes, framed as one 27.5 x 42.5cm (103⁄4 x 163⁄4in) (overall size) £200-£300

*See inside front cover for information regarding fees

48 (part) 48 FREDERICK ARTHUR BRIDGMAN (AMERICAN 1847-1928) Kom Ombo Inscribed and dated, ‘Kom Ombo/ Egypt / March 1874’ Watercolour over pencil 16.2 x 12.5cm (63⁄8 x 47⁄8in) And another watercolour by the same hand ‘Quarries of Hagar Silsilis’, inscribed and dated ‘3 March 1874’ (unframed) (2) £400-£600

50 (part)

49 FREDERICK ARTHUR BRIDGMAN (AMERICAN 1847-1928) Doorway Inscribed with various annotations and with Arabic inscription over the door, dated, ‘March 27 1874’ Pencil and watercolour 13 x 9.5cm (51⁄8 x 33⁄4in) With artist’s atelier stamp, 1954 l.l. £200-£300

50 FREDERICK ARTHUR BRIDGMAN (AMERICAN 1847-1928) Luxor Inscribed and dated ‘Luxor 15 March 1874’ Pencil 14.8 x 30.5cm (53⁄4 x 12in) With artist’s atelier stamp, 1954 And another drawing by the same hand, ‘Temple of Luxor’ (2) £400-£600

51 CHARLES HAMILTON-SMITH (c.1850) View looking up Coopang River, Island of Timor Inscribed with title lower edge of sheet Watercolour over pencil 22.5 x 34.5cm (9 x 131⁄2in) £300-£500

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52 G. ZAMBELLI (ITALIAN 19TH CENTURY) Sketch of an Ottoman mosque, Salonica, 1891 Signed l.r. and inscribed verso in Italian ‘To Miss Scott with many wishes for the new year 1891 together with my wife. G Zambelli / Salonica 1st January/ 1891’ (translation) Pen and brown ink 15 x 9.7cm (6 x 33⁄4in) Unframed Footnote: The present sketch was drawn in the same year as the painting by G Zambelli, ‘The Harbour Constantinople’ signed and dated G. Zambelli / Constantinopoli 1891, sold Sotheby’s, The Orientalist Sale, 19 April 2016, £197,000. Painted in the same year, this impressive panoramic view depicted one of the world’s greatest natural harbours; the crossroads between East and West and the moment when the age of sail was being superseded by the steam age. Zambelli captures all the details of the view with the skyline of Constantinople depicting the Blue Mosque, Hagia Sophia, the Beyazit Tower, the New Mosque and the Suleymaniye Mosque. The present sketch may have been drawn while working on the painting and visiting the great city of Constantinople, now Istanbul, from Salonica which could be reached by steam ship in three days and subsequently sent to his friend Miss Scott. £300-£400

53 JULES JACQUES VEYRASSAT (FRENCH, 1828-1893) The Battle of Poitiers, 1356 (A prayer for the Dead) Signed and dated l.l. J Veyrassat 1863 Pencil and watercolour, lunette 34.8 x 62.8cm (133⁄4 x 243⁄4in) £500-£700

54 BRITISH SCHOOL (19TH/20TH CENTURY) Trompe L’Oeill of Charles I Death Warrant Pen and ink on paper 25 x 45.5cm (10 x 18in) £250-£350

54 16

*See inside front cover for information regarding fees

56 55 WILLIAM SPOONER (BRITISH 19TH CENTURY) The Grand Review in Windsor Great Park, on 5th June 1844, of the Household Troops - 17th Lancers - Royal Artillery - 47th Regt. of Foot., in the presence of Her Majesty & Prince Albert and their illustrious visitors His Imperial Majesty The Emperor of all the Russians and His Majesty The King of Saxony Pencil and watercolour heightened with white 26 x 43.5cm (101⁄4 x 171⁄4in)

56 WILLIAM HEATH (BRITISH 1795-1840) Queen Victoria’s Ascension Day Salute, Hyde Park Pen, ink, and watercolour 39 x 51cm (15½ x 20in) Provenance: With The Fine Art Society, London Dec 2000; The Forbes Collection at Old Battersea House, 1st Nov 2011, Lot 381 £400-£600

Provenance: With The Fine Art Society, London, May 1981; The Forbes Collection at Old Battersea House, 1st Nov 2011, Lot 144 £400-£600 17

57 JEAN BAPTISTE MADOU (BELGIAN 1796-1877) Chez le Marchand des Tableux Monogrammed Pastel Giltwood frame, glazed with nameplate 24 x 19cm (9½ x 7½in) Provenance: St James’s, London £600-£800 58 FLORENCE VERIC HARDY SMALL (BRITISH 1860-1933) Portrait of a girl Signed and dated lower left 1907 Pastel 53 x 40cm (21 x 153⁄4in) £300-£500 59 JOHN ERNEST BREUN (BRITISH 1862-1921) Portrait of a Lady Dated 1899 Pastel 73 x 58cm (29 x 23in) With label from J.B. Johnstone’s Dublin/ London: ‘Wellington Darley Esq., Violet Hill Bray’ Framed £400-£600

58 18

59 *See inside front cover for information regarding fees

60 JEAN-FAUSTIN BETBEDER (FRENCH 1847-1914) Alice in Wonderland Signed and dated l.l. ‘B. Faustin / 1902’ and inscribed t.r. ‘Alice in Wonderland’ Pen and ink and blue crayon 34.4 x 24cm (131⁄4 x 91⁄2in) And two further illustratons by the same hand, ‘Uprooted’ and ‘The philosopher in Lazyland’ Unframed, (3) £300-£500

61 ARR RAPHAEL T. ROUSSEL (FRENCH 1884-1965) Portrait of the Painter Bernard Adams Signed and dated 1909 Watercolour on buff Mounted and framed 31.5 x 24cm ( 12½ x 9½in) Footnote: Raphael was the son of the artist Theodore Roussel. £200-£300

62 ARR EDMUND BLAMPIED (BRITISH 1886-1966) The Faux pas Signed in pencil and overwritten in pen verso; titled Pencil and ink on buff 28.5 x 36.5cm (111⁄4 x 141⁄2in) £150-£250

63 (part)

63 SURGEION MAJOR F.E. SCANLAN (circa, 1876) The complete set of 27 original illustrations including the design for the pictorial title page for the book, ‘A to Z. being Twenty-Six Notes on a Soldier’s Trumpet’, published in 1876 Pen and ink and watercolour and bodycolour on blue paper laid to card Some with pencil annotations on the card border with instructions to the printers on colour notes 20 x 16.4cm (77⁄8 x 61⁄2in) sheet; 24.5 x 21cm 91⁄2 x 81⁄4in) card mount Unframed (27) Together with a tracing mounted on board with an earlier design for the title page and a complete set of the colour plates A to Z and title page, unbound (some foxing). London: Houghton & Gunn, Hatchards, 1876. Footnote: When Surgeion-Major F.E. Scanlan was not too busy at the operating table, he found time to throw down his scalpel and apply his skilled surgical hands to the painting. He published the ‘A to Z. being Twenty-Six Notes on a Soldier’s Trumpet’, published in 1876. It is a humorous and charming alphabet book illustrated with 26 cartoons of various regimental types with alphabetical names. £600-£800

*See inside front cover for information regarding fees

64 CARLETON GRANT (BRITISH 19TH CENTURY) Family group by jetty and river Signed and dated lower right 1893 Watercolour 38 x 58cm (15 x 23in) £600-£800

66 CARLETON GRANT (BRITISH 1860-1930) Boat at Estuary Shore Signed and dated, 1893 lower left Watercolour 19 x 34cm (71⁄2 x 131⁄2in) £200-£300

65 CARLETON GRANT (BRITISH 1860-1930) Welsh Shoreline Signed and dated, 1893 lower right Watercolour 18 x 34cm (7 x 131⁄2in) £200-£300

67 HERCULES BRABAZON BRABAZON N.E.A.C. (1821-1906) River Waterfall Monogrammed Watercolour and body colour Mounted and framed 17 x 25.5cm (6½ x 10in) £200-£400

68 THOMAS HENRY HUNN (BRITISH fl.1878-1890) Lady on a cliff top path by thatched cottages Signed Watercolour 25 x 37cm (10 x 14½in) £400-£600

70 FRIEDRICH SCHEIDERMANTEL (GERMAN c.1904) Wash Day Signed and dated ‘F Scheidemantel/5 Juli 1904’ lower left Pencil and watercolour 21.7 x 30.4cm (8½ x 12in) £300-£500

69 J MACDONALD (BRITISH EARLY 20TH CENTURY) The Gooseherd Signed lower left Watercolour 39 x 54.5cm (15½ x 40in) £300-£500

71 ALFRED GOODFELLOW (BRITISH 19TH/20TH CENTURY) Coastal view with figure on cliff edge Signed and dated 1880 Watercolour 26 x 37cm (101⁄4 x 14½in) £200-£300

*See inside front cover for information regarding fees

72 ARR ROBERT WRIGHT STEWART (BRITISH 1875-1980) Colonial Hay Gatherers Signed Watercolour with pen and ink, with touches of chalk Mounted and framed 22 x 27cm ( 8¾ x 10½in)

74 ROY HAMMOND (BRITISH b.1934) Smith Square sketch, London Signed and dated ‘99 Watercolour with pen and ink Mounted and framed 11.5 x 16.5cm (4½ x 6½in)

Footnote: Location believed to be Australia £200-£300

Exhibited: Travels on Four Continents, 2000

73 THOMAS HODGSON LIDDELL R.B.A. (BRITISH 1860-1925) Open air blacksmith’s shop near Rock Temple above Pei-tai-ho, North China Signed and dated 1906 and bearing Chinese red ink stamp, l.r. also inscribed verso Watercolour 24.8 x 36cm (93⁄4 x 141⁄4in) £200-£300

Label for Christ Beetles, St James £200-£300 75 JAN ANGELO ZEYER (CZECH 1878-1945) A View of Prague Signed lower left Watercolour on paper laid to board 50 x 68cm (193⁄4 x 27in) Unframed £300-£500

78 76 ARR HARRY EPWORTH ALLEN (BRITISH 1894-1958) Irish Peat Gatherers Signed lower left Pastel Framed and glazed 27 x 34cm (10½ x 13½in) £1,000-£1,500

79 77 JOSEPH RATCLIFFE SKELTON (BRITISH exh.1888-1927) Fortune in the Fire Watercolour and bodycolour 35 x 50cm (133⁄4 x 193⁄4in) Footnote: Skelton exhibited twice at the Royal Academy, as well as numerous provincial galleries. He worked in both oil and watercolour, and although he was perhaps best known for his panoramic pictures of the Newcastle area (where he was raised), he also painted a considerable number of portraits and domestic scenes. £1,000-£1,500

78 WILLIAM STEPHEN COLEMAN (BRITISH 1829-1904) The Young St.John the Baptist Pencil and watercolour, heightened with white 21 x 27cm (11 x 81⁄4in) £200-£400

79 HENRI ALPHONSE BARNOIN (FRENCH 1882-1940) The Goodbye Signed lower left Gouache and crayon 39 x 62cm (15½ x 24in) £800-£1,200

*See inside front cover for information regarding fees

80 C WALTER (19TH/20TH CENTURY) Yellow neck Amazone and African grey parrots Signed and dated ‘31.07.06, 02.08.06’ Watercolour 9 x 12cm (3½ x 43⁄4in) In oval mounts (2) £200-£400

81 81 ARR PETER BEIGEL (BRITISH 1913-1989) Muddy Track Watercolour on prepared paper Unsigned Mounted and framed 32 x 23cm (12½ x 9in) £300-£500

82 82 W M BIRCHALL (AMERICAN 19TH CENTURY) Cutty Sark, British Clipper Watercolour heightened with gouache 52 x 39cm (201⁄2 x 151⁄2in) £200-£300

83 PROUET-LEROUX (FRENCH circa 1900) Design for an art deco interior Watercolour and ink 30.5 x 11.4cm (12 x 41⁄2in) And three further designs for furniture, by the firm of Prouet-Leroux Various sizes Unframed (4)

84 PROUET-LEROUX (FRENCH circa 1900) Design for an art deco interior Watercolour and ink 16.5 x 12cm (61⁄2 x 43⁄4in) And three further designs for furniture, by the firm of Prouet-Leroux Various sizes Unframed (4)

Footnote: Prouet-Leroux were a firm of decorators established in Rouen, France in the 19th Century £150-£250

85 GABRIEL FOURMAINTRAUX DESIGNS FOR THE DESVRES FACTORY (circa 1910) Design for a lamp Circa 1910 Pen and ink and watercolour 31.5 x 16.5cm (121⁄2 x 61⁄2in) And another design for porcelain ink wells, by the same factory Unframed (2) £100-£150 86 ART NOUVEAU FURNITURE DESIGNS (circa 1900) Design for an Art Nouveau bench Watercolour, pen and ink heightened with gold 13.5 x 19cm (51⁄4 x 71⁄2in) And five further similar designs Various sizes Mounted, unframed (6) Footnote: Furniture created in the Art Nouveau style was prominent from the late 19th century to the advent of the First World War. Unlike furniture made by the British Arts and Crafts movement, from which it emerged in stylistic respects, most Art Nouveau furniture was produced in factories by normal manufacturing techniques, which led to tensions with Arts and Crafts figures in England, who criticised continental Art Nouveau furniture for not being ‘honestly’ constructed. It also tended to be expensive, as a fine finish, usually polished or varnished, was regarded as essential, and continental designs were usually very complex, with curving shapes that were expensive to make. It by no means entirely replaced other styles of furniture, which continued to be popular, with Art Nouveau styles largely restricted to an expensive “art furniture” category. The style was named for Siegfried Bing’s Maison de l’Art Nouveau gallery and shop in Paris, which opened in 1895, and in France and Belgium furniture designers took up the style with more enthusiasm than those of most countries. £300-£500

86 (part)

*See inside front cover for information regarding fees

87 87 ARR ANDRE DERAIN (FRENCH 1880-1954) Reclining Nude Estate stamp lower right Pencil and wash 25 x 35cm (10 x 14in) Provenance: Derain Exhibition, Bordeaux; The Adams Brothers; The Mayor Gallery, where purchased by the present owner 1966 £2,000-£3,000

88 88 FRENCH SCHOOL (20TH CENTURY) Impressionist Nude Indistinctly signed lower right 1979 Gouache on paper 58.5 x 78.5cm (23 x 31in) Framed and glazed £800-£1,200

89 89 E SANCHEZ CASTELLANOS (ARGENTINIAN 20TH CENTURY) Estudio para Martin Fierro Signed and dated lower left Mixed media 39.5 x 57cm (151⁄2 x 221⁄2in) Unframed £200-£300 27

PRINTS

90 90 AFTER JOHANN HEINRICH RAMBERG (GERMAN 1763-1840) The Exhibition of the Royal Academy, 1787 Tinted engraving published by De Peggi, July 1787. Mounted and framed Plate size: 37.5 x 52.5cm (14¾ x 20¾in) £120-£160

92 92 ARR STANLEY ANDERSON R.A. (1884-1966) Haymakers with Windmill Pencil signed Drypoint etching Mounted Plate size: 16.5 x 34cm (6½ x 13½in) £200-£400

94 94 JAMES ABBOT MCNEILL WHISTLER (AMERICAN 1834-1903) The Little Pool Etching. 1861. Kennedy 74, 8th state Original plate destroyed Mounted on card 10.2 x 12.8cm (4 x 5in) plate £200-£300 28

91 (part) 91 AFTER CLAUDE LORRAIN (FRENCH 1600-1682) Morning, Evening, A View on the River Po in Italy Set of three engravings, engraved by William Byrne. Published by John Boydell 1769 No’s. 36, 37 and 18 In matching frames with spun glass Plate size: 67 x 60cm (18½ x 24in) £400-£600

93 93 ARR STANLEY ANDERSON R.A. (BRITISH 1884-1966) Summer Shower Pencil signed and further signed within the image Dry-point etching Plate size: 14 x 22cm (5½ x 8¾in) £100-£140

95 95 AUSTRIAN SCHOOL (20TH CENTURY) Beethoven’s House, Vienna Indistinctly signed lower right H B EIBSHIZ( ?) Etching 17.5 x 27cm (7 x 10½in) £200-£300 *See inside front cover for information regarding fees

96 96 AFTER SIR DAVID WILKIE (BRITISH 1785-1841) Portrait of Admiral Walkes Lithograph Signed and dated within the image, 1840 Mounted and framed 41 x 30cm (16 x 12in) £200-£300

99 (part) 99 JAMES ABBOT MCNEILL WHISTLER (AMERICAN 1834-1903) La Robe Rouge Lithograph from The Studio art magazine, published 1895 Signed with butterfly monogram and with blindstamp 28.2 x 20cm (11 x 8in) Firelight Lithograph From Lithography & Lithographers by Joseph Pennell, 1898 22 x 15cm (83⁄4 x 6in) Mounted (2) £140-£180

97 97 AFTER GEORGE ROMNEY R.A. (BRITISH 1734-1802) Serena Mezzotint Published 1782 Engraved by J.R.Smith Mounted and framed 50 x 35cm (19¾ x 13¾in) plate size £120-£160

100 100 ARR LOUIS LEGRAND (FRENCH 1863-1951) Petite Marcheuse Signed in pencil and numbered, further signed within the image Limited edition etching with drypoint and aquatint. 1908 Plate size: 40 x 28.5cm ( 15¾ x 11¼in) Provenance: With William Weston Gallery £120-£160

98 (part) 98 JAMES ABBOT MCNEILL WHISTLER (AMERICAN 1834-1903) A Study in Black and White Lithograph on buff, after the original by Thomas Way. From The Studio art magazine, 1903 28 x 19.5cm (11 x 8in) Unmounted The Toilet Lithograph from The Piccadilly Magazine 1878 With monogram 29 x 20.8cm (11½ x 8½in) Unmounted (2) £140-£160

101 101 PAUL RENOUARD (FRENCH 1845-1924) Bon Conseils Signed Drypoint etching on cream Japon, 1892 Numbered in pencil XX from the special edition; total edition of 120 Mounted and framed 33 x 23.5cm (13 x 9¼in) £180-£240

102 ARR PABLO PICASSO (SPANISH 1881-1973) Baccanale 1955, Lithograph, signed and dated in the plate, and signed by the artist in pencil lower right, and inscribed ‘Epreuve d’artiste’ (Artist proof) in pencil, (img; 29.5 x 46cm, paper; 39½ x 49cm) Provenance : By repute, purchased directly from the Artist’s studio in Mougins, France by Cecilia Green; muse and model of artist Sir William Russell-Flint RA. Then by decent. £2,000-£4,000 103 ARR ELIZABETH TAYLOR (BRITISH 1913-2013) Lorelei, Magnolia, Hill Farm A set of three fine wood engravings Pencil signed 15 x 14.5cm (6 x 5¾in), 21.5 x 12cm (8½ x 4¾in), 10 x 14.5cm (4 x 5¾in), in matching frames Together with an artist sketchbook from the same hand dated 1942, containing landscape and building views (4) £400-£600 102

103 (part)

104 104 ARR RACHEL ANNE LE BAS N.E.A.C., R.E. (BRITISH b.1923) Montmartre Etching with aquatint Signed and titled 19.7 x 25cm (7¾ x 9¾in) Mounted Footnote: Rachel Le Bas studied under Henry Wilkinson and Middleton Todd £100-£150

105 30

105 ARR EDWARD ARDIZZONE R.A., C.B.E. (BRITISH 1900-1979) Shelter Scene (Interior of the Tilbury Shelter) Lithograph, 1941 Published by The National Gallery, printed by Baynard Press 66 x 90cm (25¾ x 39in) £200-£400 *See inside front cover for information regarding fees

OIL PAINTINGS

106

107

108

109

106 DUTCH SCHOOL (18TH CENTURY) Portrait of a Man Oil on canvas Possibly a 17th Century painting 47 x 37cm (18½ x 14½in) £500-£700 107 BRITISH SCHOOL (18TH CENTURY) Portrait of a Lady Oil on canvas 76 x 64cm (30 x 251⁄4in) Unframed £400-£600

108 FOLLOWER OF VAN DYKE (MID 19TH CENTURY) Portrait of a distinguished man with ruff Oil on canvas. 62 x 46cm (24 x 18in) £200-£300 109 CONTINENTAL SCHOOL (LATE 19TH CENTURY) Portrait of a Cleric Oil on canvas Re-lined, in a gilt frame with oak beading 62 x 52cm (24 x 20½in) £150-£250 110 No Lot 31

111

112 111 SIR GEORGE HAYTER (BRITISH 1792-1871) The Coronation of King George IV Signed and dated 1821 and inscribed verso Oil on panel 35.5 x 49.5cm (14 x 19½in)

112 JENNENS & BETTRIDGE AFTER EDMUND THOMAS PARRIS (EARLY 19TH CENTURY) Coronation of Queen Victoria Oil on papier mâché panel rectangular 82.5 x 115.5cm (32½ x 45½in)

Provenance: The Forbes Collection at Old Battersea House, 1st November 2011, Lot 426 £2,000-£3,000

Provenance: The Forbes Collection at Old Battersea House, 1st November 2011, Lot 387

Footnote: Jennens & Bettridge, the firm run by Theodore Hyla Jennens and John Bettridge between 1816 and 1864, were famous for the range of papier-mâché goods manufactured in their factory at 99 Constitution Hill, Birmingham. They also had premises at 6 Halkin Street West, Belgrave Square, London. Having acquired Henry Clay’s Birmingham manufactory in 1816 the company went on to flourish and become the most famous partnership in the industry, producing a range of products, including writing boxes, trays, fans and larger pieces of furniture such as chairs, tables and sofas. £1,500-£2,500 *See inside front cover for information regarding fees

113 113 LADY ELIZABETH BUTLER (BRITISH 1846-1933) On the morning of Waterloo, The Cuirassiers’ last reveille Signed with monogram and dated 1914 Oil on canvas 106.5 x 142cm (419⁄10 x 559⁄10in) Provenance: Mrs. Elizabeth Kingscote (the artist’s daughter) On loan to The British Legion, Officers’ Club Presented to The British Legion, Barrow Branch by Capt. Sir John Fisher, 1964 The Forbes Collection at Old Battersea House, 1st November 2011, Lot 242 Exhibited: The Waterloo Centenary Exhibition, Leicester Galleries, June 1915, No. 213 (Catalogue No. 11) £8,000-£12,000 114 AFTER PAUL HIPPOLYTE DELAROCHE The Princes in the Tower Oil on canvas 88 x 105cm (34½ x 411⁄4in) Provenance: The Forbes Collection at Old Battersea House, 1st November 2011, Lot 389 Footnote: After the original in the Louvre, Paris. (Exh. 1831) Another smaller version painted for the engraving is in the Wallace Collection, London. The subject is probably taken from Shakespeare’s ‘Richard III’, IV, iii. Edward V (1470-83) succeeded to the throne on the death of his father Edward IV. He was deposed by his uncle, the Duke of Gloucester (who became Richard III) on 22 June 1483. Shortly afterwards, he and his younger brother, Richard, Duke of York (1472-83), were murdered in the Tower of London. In Shakespeare’s play the murder of the brothers is related by Sir James Tyrrel, Richard III’s henchman, rather than shown on stage. Nevertheless, the painting, with its stagelike setting and melodramatic subject, is highly theatrical £400-£600

114

115 FOLLOWER OF CLARKSON STANFIELD (BRITISH 1793-1867) Shipping in choppy waters Oil on canvas 54 x 76cm (21 x 30in) Gilt frame £1,500-£2,000

115

116 BRITISH SCHOOL (19TH CENTURY) Shipwreck on the coast Oil on panel 23 x 31cm (9 x 12in) £300-£500 117 HESKETH DAVIS BELL (BRITISH 1849-1872) On the Rhine Signed and dated 1856 lower left Oil on canvas 59 x 100cm (231⁄4 x 391⁄4in) £400-£600 118 S P JACKSON (BRITISH 19TH CENTURY) Alpine Lake view Signed and dated lower left 1843 Oil on canvas 49 x 75cm (191⁄4 x 29½in) £300-£500

116

117 34

118 *See inside front cover for information regarding fees

119 JOHN VARLEY O.W.S. (BRITISH 1778-1842) Figures on the bank of the river Thames, near Chiswick, London Oil on canvas 54.5 x 74.5cm (211⁄2 x 293⁄8in) £800-£1,200 120 ATTRIBUTED TO REMIGIUS VAN HAANEN (DUTCH 1812-1894) The Mill After the Storm Later signed RVH lower left Oil on canvas 48 x 73cm (19 x 283⁄4in) £2,000-£3,000

119

121 W H CROME (BRITISH 1806-1867) Fisherman in Country Setting Oil on panel 10 x 15cm (4 x 6in) Provenance: with Mandell’s Gallery, Norwich (label verso) £400-£600 122 JOHN WRIGHT OAKES (1820-1887) On the Moor, Isle of Arran Inscribed verso Oil on milled board 31 x 42cm (121⁄5 x 16½in) £200-£300

120

121

122 35

124

123

125

123 WILLIAM ETTY R.A (BRITISH 1787-1849) Sappho Oil on board 27 x 23cm (103⁄4 x 9in) Inscribed on verso ‘sketch by Wm Etty R.A. London. Monroe’ £2,000-£3,000

124 ATTRIBUTED TO GEORGE MORLAND (BRITISH 1763-1804) A woodland landscape with figures near a cottage Signed lower right Oil on canvas 45 x 60cm (173⁄4 x 23½in) £400-£600

126

125 ALFRED PROVIS (BRITISH 1843-1886) Girl watching kittens drinking milk Signed and dated lower left 1886 Oil and tempera on panel 28 x 35cm (11 x 14in) £600-£800

126 ALEXANDER JOHNSON (BRITISH 1815-1891) Portrait of a country gentleman Oil on canvas laid to board 52 x 41.5cm (20½ x 16in) £1,500-£2,000

*See inside front cover for information regarding fees

128

127

130

129 127 BRITISH SCHOOL (19TH CENTURY) Portrait of a King Charles Spaniel Oil on board 34 x 26cm (131⁄4 x 10in) £200-£300

128 BRITISH SCHOOL (19TH CENTURY) Two terriers waiting outside a rabbit hole Oil on artist’s board 20 x 26cm (8 x 101⁄4in) £200-£300

131 129 19TH CENTURY BRITISH SCHOOL River Landscape Inscribed verso A Stannard Oil on panel 28 x 22cm (11 x 83⁄4in) £200-£300

130 THOMAS SIDNEY COOPER R.A. (BRITISH 1803-1902) Study of Cows Oil on card laid to canvas Unsigned 15 x 32cm (6 x 12½in) £400-£600

131 JAMES WARD R.A. (ENGLISH 1769-1859) A moonlit landscape with an ailing white horse Oil on panel with embossed initials ‘JI. RA’ verso 42.5 x 53cm (16¾ x 21in) £1,200-£1,600 37

132 ALFRED DUKE (BRITISH 1863-1905) Horse and Hounds Oil on canvas Signed and dated lower right, 1897 45 x 61cm (173⁄4 x 24in) £4,000-£6,000 133 S MARTIN (BRITISH 19TH CENTURY) Spring Coppice, Umberslade Oil on canvas Signed, titled and dated 1894 lower right 44 x 126cm (171⁄2 x 491⁄2in) £3,000-£5,000

132

134 ARTHUR JAMES STARK (BRITISH 1831-1902) Sheep grazing in a meadow, Hale farm Oil on board 21 x 29cm (81⁄4 x 11½in) £300-£500 135 ENGLISH SCHOOL (19TH CENTURY) The Swan Hotel, exterior view in landscape setting near mill pond Oil on canvas 76 x 127cm In exhibition gilt frame £2,000-£2,500

133

134 38

135 *See inside front cover for information regarding fees

136 THEMISTOCLES VON ECKENBRECHER (GERMAN 1842-1921) Dutch Frozen River Landscape Signed lower left Oil on canvas 71 x 115cm (28 x 451⁄4in) £4,000-£6,000

136

137 KARL HEFFNER (GERMAN 1849-1925) Riverscape with a village, Horningbroad Signed lower left Oil on canvas 59.5 x 90cm (35½ x 60in) £700-£1,000

137

138 BARTHOLOMEUS JOHANNES VAN HOVE (DUTCH 1790-1880) Dutch canal scene Oil on canvas 66 x 92cm (26 x 36in) £3,000-£5,000 139 No Lot

138 39

140

141

143

142

140 CORNELIS WESTERBEEK JNR (DUTCH 1873-1917) Woodland Scene Signed C.Westrbeek Jnr lower right Oil on canvas laid to board 37 x 51cm (141⁄2 x 20in) £400-£600

141 BERNARDUS JOHANNES BLOMMERS (DUTCH 1845-1914) Portrait of a boy with cattle Oil on panel Signed lower left 63 x 48cm (25 x 19in) £6,000-£8,000

142 ALBERT KINDLER (GERMAN 1833-1876) Tavern interior scene Signed lower right Oil on canvas 64.5 x 53.5cm (25½ x 21in) £1,500-£2,500

143 FRENCH SCHOOL (19TH CENTURY) Figures on the shore, by a hut Oil on canvas 56 x 89cm (22 x 35in) £1,500-£2,000

*See inside front cover for information regarding fees

144 ATTRIBUTED TO JEAN ALTAMURA (GREEK 1852-1878) Sunset view with boats moored at harbour Signed lower left Oil on canvas 38 x 47cm (15 x 181⁄2in) Unframed £1,000-£2,000 145 ATTRIBUTED TO RALPH ALBERT BLAKELOCK (AMERICAN 1847-1919) A Moonlit Castle harbour Oil on board 20 x 41cm (8 x 133⁄4in) £2,000-£3,000 146 ATTRIBUTED TO RALPH ALBERT BLAKELOCK (AMERICAN 1847-1919) Boats in a moonlit sea Oil on board 30 x 19cm (12 x 7½in) £2,000-£3,000

144

147 MANNER OF PIETER ANTHONISZ VON GROENWEGEN (DUTCH 1590-1658) Figures in the Landscape Oil on panel Inscribed faintly verso 22.8 x 19.4cm £800-£1,200 148 SCANDINAVIAN SCHOOL (20TH CENTURY) Impressionist coastal view with ships Oil on board 33 x 25cm (13 x 10in) £300-£500

145

146

147

148 41

150

149

151 149 CIRCLE OF WILLIAMADOLPHE BOUGUEREAU (FRENCH 1825-1905) Portrait of a Young Girl Oil on canvas 41 x 31.5cm (161⁄4 x 12½in) Unframed £2,000-£3,000

150 EMMANUEL FRIES (FRENCH 1778-1852) A still life of roses and a basket of cherries atop a stone ledge with landscape beyond Signed and dated lower right 1836 Oil on canvas 66 x 82cm (26 x 321⁄4in) £3,000-£5,000

152 151 HENRIK PECZ (HUNGARIAN 1813-1868) Still life Signed and dated lower right 1852 Oil on canvas 43 x 54cm (17 x 211⁄4in) £2,000-£3,000

152 CONTINENTAL SCHOOL (19TH CENTURY) The Admonition Oil or tempera on card 55 x 44cm (21½ x 17½in) £500-£700

*See inside front cover for information regarding fees

153 FREDERICK GOODALL R.A. (BRITISH 1822-1904) Morning at the Oasis Monogrammed lower right Oil on canvas Partial artist’s label verso on the stretcher 64 x 77cm (25¼ x 30¼in) £2,000-£3,000

153

154 ARR ADAM STYKA (POLISH 1890-1959) North African scene with man and donkey Signed lower right Oil on board 17 x 27cm (63⁄4 x 101⁄2in) Unframed £3,000-£5,000

154

155 ORIENTALIST SCHOOL (MID 19TH CENTURY) Scholars in a Courtyard Indistinctly signed lower right Oil on panel, with panel makers mark In a decorated gilt frame 15.5 x 24cm (6½ x 9½in) £400-£600

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156

157

156 GIACOMO MANTEGAZA (1853-1920 ITALIAN) The New Fan Signed lower left Oil on panel Fashionable woman in front of an ornate mantel mirror in a neoclassical interior 27 x 18cm (10¾ x 7¼in) £3,000-£5,000 157 GABRIEL PUIG RODA (SPANISH 1865-1919) Dancers in Barcelona Signed lower left and dated Roma 1896 Oil on panel 25.5 x 16cm (10 x 6½in) £3,500-£5,500 158 ANTONIETTA BRANDEIS (HUNGARIAN 1849-1920) Ponte dei Sospiri Venice Signed lower left Oil on panel 24 x 13cm (9½ x 51⁄10in) £4,000-£6,000

158 44

*See inside front cover for information regarding fees

159 159 ARR ANTONIO MARIA ASPETTATI (ITALIAN 1880-1949) A Church Interior Signed indistinctly lower left Oil on board 41 x 31cm (16 x 121⁄4in) £400-£600

161

160 160 EUGENE FICHEL (FRENCH 1826-1895) On Guard Signed lower right Oil on panel 46 x 26cm (141⁄4 x 101⁄4in) £1,000-£2,000

161 CONTINENTAL SCHOOL (19TH CENTURY) Old Woman at Breakfast Signed indistinctly lower left Oil on canvas 65 x 50cm (251⁄2 x 193⁄4in) Unframed Various labels verso £400-£600

162 FRANTSÉK KLIMES (CZECH 1871-1916) Portrait of Postman Signed Oil on prepared board 49 x 39cm (19½ x 15½in) £300-£400

162 45

163 (pair)

165

163 EDWIN HENRY EUGENE FLETCHER (BRITISH 1857-1945) A Pair of Thames Views: Tower Bridge and Parliament Signed lower left/lower right Oil on canvas 60 x 40cm (231⁄2 x 153⁄4in) (2) £2,000-£3,000

164

166

164 ADAM EDWIN PROCTOR (BRITISH 1864-1913) Oran Harbour, Algeria Unsigned Oil on canvas 68 x 47cm (26½ x 18½in) £1,500-£2,000

165 CHARLES E SAVAGE (BRITISH 20TH CENTURY) Business & Pleasure shipping scene Signed lower left Oil on board 35 x 45cm (14 x 173⁄4in) £300-£500

166 BRITISH SCHOOL (19TH CENTURY) Figures on the Shore Indistinct gallery label verso Oil on canvas 44 x 83cm (17½ x 32½in) Gilt frame £2,000-£3,000

*See inside front cover for information regarding fees

167 ATTRIBUTED TO PHILIP WILSON STEER (BRITISH 1860-1942) Homeward Bound Oil on board Oval, 21 x 25.5cm (81⁄2 x 10in) £1,500-£2,000 168 MARTIN COULAUD (FRENCH 1860-1906) Herding Sheep Signed lower right Oil on panel 17 x 26.5cm (6½ x 10½in) Gilt frame Footnote: With Hewson & Forster, Sheffield, Fine Art Dealer; and old Christie’s stamp £300-£500

167

169 ARR SAMUEL JOHN LAMORNA BIRCH (BRITISH 1869-1955) River landscape Signed lower right Oil on canvas 23.5 x 34cm (91⁄4 x 13½in) £400-£600 170 BRITISH SCHOOL (20TH CENTURY) Stormy Landscape Oil on canvas 17 x 23cm (63⁄4 x 9in) £200-£300

168

169

170

From the Private Collection of Aaron Rapoport 1878-1963 by descent Aaron Rapoport was born in Moscow on May 18th 1878. He was the eldest son of the Rapoports: two cousins from a family of wealthy white Russian Jews living in Moscow: Berka Rapoport (born in 1847) and Perle married on April 4th 1874 and had 5 children. Towards the end of the 19th century, they fled Russia and sought refuge in France where they settled. Ary became naturalised French in December 1904. He was a diamond merchant and dealt in natural pearls in the office of “Rapoport Jerwood Perles et pierres fines” in the rue Drouot, in the 9th arrondissement in Paris. He lived in Rue Lauriston in the 16th arrondissement in Paris. They mixed with various artists, especially Russian Jews like themselves and Ary started collecting works by local painters and sculptors as well as English prints and etchings. He was a highly respected figure in the artistic community and admired for his connoisseurship. He died in Paris in December 1963.

171 ARNOLD BORISOVICH LAKHOVSKY (RUSSIAN 1880-1937) Moonlit scene of Pskov on the Velikaya River Signed l.l. and inscribed in Cyrillic script l.r. Oil on board 49.5 x 69cm (191⁄2 x 27in) Footnote: Lakhovsky was born in Chernobyl on 18th January 1880; of Russian/Jewish descent, he initially trained at the Academy of Art in Odessa before furthering his studies in Munich and latterly St. Petersburg where he came under the influence of the renowned Russian Realist painter Ilya Repin (1844-1930). He settled in St. Petersburg for a period of time drawing inspiration from the city itself as well as its environs; in particular making numerous trips to the ancient and picturesque town of Pskov on the Velikaya River. For a brief period In 1908 Lakhovsky lectured at the Bezalel Art School in Jerusalem, the first instance of a life-long dedication to the advancement of Jewish art and artists. He was a founder member of the Jewish Arts Encouragement Society in 1915 and would often donate proceeds from the sale of his own work to fund the society. In 1915, having returned to Russia he joined ‘The Wanderers Society’ of artists; also referred to as ‘The Itinerants’, the group had been founded in 1870 when fourteen painters left the Imperial Academy of Art in St Petersburg in protest against the restrictive attitudes prevalent at the time. The resulting co-operative of Realist painters dismissed the notion of ‘High’ and ‘Low’ art and resolved to bring art to the people. Entirely self-supporting, the society staged no less than forty-eight exhibitions between 1871 and 1923 in cities such as Kiev, Riga, Oryol, Kharkov and Odessa. In 1925, following an invitation from the Luxembourg Museum, Lakhovsky travelled to Paris where he lived and worked until 1933. He then settled in New York, where he received numerous portrait commissions as well as teaching at the Boston Museum Art School. His early work captures the raw beauty of life in rural Russia, acutely observing the harsh majesty of the landscape in winter, while his portraits are typified by a sensitivity and honesty reminiscent of Laura Knight’s portraiture. Lakhovsky died in 1937 from a bout of pneumonia followed by Leukemia and is buried in Long Island. Provenance: Private Collection UK, acquired by the present owner’s grandfather Aaron Rapoport directly from the artist in Russia, and thence by descent. £2,000-£3,000

*See inside front cover for information regarding fees

171

172 ALBERT ABRAMOVITZ (RUSSIAN 1879-1963) Doorway, Paris Signed, inscribed and dated, ‘Abramovitz / Paris 13’ l.r. Oil on board 63 x 47.5cm (243⁄4 x 183⁄4in) Provenance: Private Collection UK, acquired directly from the artist in Paris by Aaron Rapoport and thence by descent. Footnote: Painter and printmaker Albert Abramovitz was born in Riga, Latvia and studied art at the Imperial Art School in Odessa and, in Paris, at the Académie de la Grande Chaumière. Abramovitz became a member of the Paris Salon in 1911 and of its jury in 1913; he also became a member of the Societaire du Salon d’Automne and won widespread recognition and acclaim, including the Grand Prize at the 1911 Universal Exposition in Rome and Turin. In 1916, Abramovitz emigrated to the United States, and held his first oneman show at the Civic Club in Manhattan in 1921. He lived briefly in Los Angeles in the late 1920s, but ultimately settled in Brooklyn, New York. £1,000-£1,500

172 49

173 NAUM ARONSON (RUSSIAN 1872-1843) Count Lev Nikolayevich Tolstoy Charcoal on buff paper Signed, N. Aronson’ l.r. 40 x 31.5cm (151⁄2 x 121⁄4in) Provenance: Private Collection UK. acquired by the present owner’s grandfather Aaron Rapoport directly from the artist in Paris, and thence by descent. Footnote: In August 1901, Aronson was commissioned to do a sculpture of Tolstoy. He travelled to the village of Yasnay Polyana, Russia, in order to meet Tolstoy and his family. Aronson said: “I had great hopes and ambitions but would never have aspired to sculpt the gods-for that is what Tolstoy was for me. Even to approach him seemed blasphemous.” Aronson returned to Paris with a clay model and over sixty sketches of Tolstoy. “It was as he sat in this chair in the semi-darkness, that I used every opportunity to jot down his expressions – of weariness, pensiveness, and sometimes dissatisfaction.” (Glants, p. 21). He refined the sculpture of Tolstoy in 1901-1902, Aronson casted the bust in bronze at the Alexis Rudier Fondeur. The work was exhibited at the Fine Arts Academy in St Petersburg in 1902 to immense acclaim; the critics in agreement said that it truly captured Tolstoy. “He is no longer with us, but his great spirit and his immortal thought remain. This is what I wanted to convey – the Mont Blanc of the Russian land…The drawing of Tolstoy sitting in his armchair – that is how I saw him; Plunged in thought as he listened to the music.” (Glants, p. 21) The present drawing relates closely to the drawing of Tolstoy by Naum Aronson that was sold at Shapiro Auctions: 28th April, 2012, Lot 76. It conveys the distinctive characteristics of the deep set eyes lost in thought but drawn from a different angle that indicates that this was one of the series of over sixty studies he made from life when he visited Tolstoy in 1901. He used these studies to produce the clay model which was then cast in bronze.

173

Also from the same collection: Naum Aronson ‘Salome’, marble sculpture - Lot 53, Chiswick Auctions, Fine European Works of Art, 6th June. We are grateful to Musya Glants, for her assistance in cataloguing this lot. Sources: Glants, M. Naum Aronson and Lev Tolstoi // Experiment / Эксперимен . A Journal of Russian Culture, v.1, p. 7-25. Charles Schlacks, Jr., Publisher, 1995. Musy Glants. Naum Aronson — khudozhnik i chelovek. Paralleli: russko-evreiskii istorikoliteraturnyi almanakh, # 12, p.145-164. M: “Dom evreiskoi knigi”, 2012. M. Glants. N. Aronson. Autobiography (materials from the Aronson’s archive in New York). Vestnik evreiskogo universiteta v Moskve, # 2 (18), p. 278-304. Moskva-Yerusalim, 1998. £800-£1,200

174 ARR PAUL JOUVE (FRENCH 1878-1973) A lion Signed and inscribed with personal dedication to the owner from the artist in French l.r., translation ‘Delighted to know that this drawing will be among beautiful things in the home of the charming bibliophile Ary Rapoport/ P Jouve’ Black ink and charcoal 31.5 x 23.7cm (12 x 91⁄4in) Provenance: Private Collection UK. acquired by the present owner’s grandfather Aaron Rapoport directly from the artist in Paris, and thence by descent.

174 50

Footnote: Paul Jouve is considered to be one of the most famous animal painters of the first half of the 20th Century known for his anatomically detailed depictions of wildlife as well as being an iconic figure of the Art Deco period. He was especially fond of big cats and his Panthère Noire series of works are among his most famous. His fame during his lifetime was partially thanks to the vibrant illustrations he made for several books including the Jungle Book by Rudyard Kipling (1919). £500-£800 *See inside front cover for information regarding fees

Various Properties 175 ARNOLD LAKHOVSKY (UKRAINIAN 1880-1937) Cottages in the Snow Signed lower left Oil on board 18.25 x 24cm (7 x 91⁄2in) £2,000-£3,000 176 LEONID KHUDYAKOV (RUSSIAN 1915-1995) On the Volga, 1951 Oil on board 13.5 x 22cm (51⁄4 x 83⁄4in) Footnote: Khudyakov attended Repin Academy (under Professor Jorganson) 1936-1944; he became a Professor at Repin Academy, a post he held from 1945-1992 £200-£300 175

176

177

178

179

177 GERMAN ARKADEVICH SAMARIN (RUSSIAN b.1939) Autumn, 1968 Signed and dated lower right, 68 Oil on board 19 x 26cm (71⁄2 x 101⁄4in) Footnote: From 1963-1969 Samarin attended the Repin Academy and was taught by Oreshnikov; from 1970-1972 Samarin studied for a post-graduate under Oreshnikov and Ugarov £300-£500

178 VASILI KUCHEROVSKI (RUSSIAN b.1931) Crimea, 1957 Oil on board 15.5 x 22.5cm (61⁄4 x 83⁄4in)

179 IVAN LAVSKI (RUSSIAN b.1919) Canal, Leningrad, 1965 Oil on board 13.5 x 22cm (51⁄2 x 83⁄4in) £200-£300

Footnote: Kucherovski was active in Leningrad £300-£500

180 VIKTOR IVANOVITCH TOLOCHKO (UKRAINIAN 1922-2006) The Embankment, Gurzuf, 1969 Signed lower right, signed and inscribed verso Oil on canvas 68 x 68cm (263⁄4 x 263⁄4in) Footnote: Tolochko served in the Red Army 19411945; from 1951-1957 he attended the Art Institute in Kharkov; he lived and worked in Yalta £600-£800

180

181 BORIS KRYLOFF (RUSSIAN 1891-1977) Singing ladies Signed and dated lower right 1931 Watercolour 14.5 x 31.5cm (53⁄4 x 121⁄4in) £400-£600

181

182 RUSSIAN SCHOOL (20TH CENTURY) Mare and foal in a lakeside landscape Indistinctly signed lower right Oil on canvas 31 x 71cm (12 x 28in) £200-£300

182 52

*See inside front cover for information regarding fees

183 RUSSIAN SCHOOL (20TH CENTURY) Cubist composition Indistinctly signed lower right (dated ? 16) Oil on ply board 59 x 45.5cm (23½ x 173⁄4in) £400-£600

183

184 NATALIA GONCHAROVA (RUSSIAN 1881-1962) / MIKHAIL LARIONOW (RUSSIAN 1881-1962) L’art Decoratif;Théatral Moderne Lithograph portfolio cover on buff Published by Editor La Cible, Paris 1919 Together with both artists’ signatures on hard paper, within the same mounting, framed 47 x 32cm (18½ x 12½in) Footnote: Published to mark the joint exhibition of their work at Galerie Barbazenqes in Paris £500-£700

184 53

185 ANDRE LUPIAC (FRENCH 1873-1946) Portrait of a Lady with Fan Oil on canvas Signed and inscribed lower left 46 x 38cm (18 x 15in) £2,000-£3,000

186 ARR ANSELMO MIGUEL NIETO (SPANISH 1881-1964) On the Terrace Signed and dated A Miguel Nieto, 1914 Oil on canvas 73 x 88cm (283⁄4 x 341⁄2in) £1,500-£2,000

185

186 54

*See inside front cover for information regarding fees

187 SIMON WILLEM MARIS (DUTCH 1873-1935) Le Recital Signed lower right Oil on canvas 66 x 48cm (26 x 19in) Unframed £4,000-£6,000 188 GAD FREDERIK CLEMENT (DANISH 1867-1933) Portrait of the artist’s wife, Martha Caroline (Tupsy) Clement Signed, Clement upper left Oil on canvas 89 x 75.5cm (35 x 293⁄4in) £2,500-£3,500 189 FRENCH SCHOOL (19TH/20TH CENTURY) Lady by a balcony Oil on canvas 53 x 45cm (21 x 173⁄4in) £400-£600

187

188

189 55

190 ARR JOSEPH CHARLES DELISS (AUSTRIAN 1917-1969) Girl Seated Oil on canvas Signed. Circa 1948/50 66 x 45.5cm (26 x 18in). Note: Studied at the Vienna Academy and fled to Britain in 1938. As a restorer he worked for The National Gallery and the Ashmolean. £180-£240 191 ARR JOSEPH CHARLES DELISS (AUSTRIAN 1917-1969) Portrait of Marianne Kalbeck Signed and dated 1947, further inscribed on the stretcher Oil on canvas Unframed 76 x 51cm (30 x 20in) 190

191

Note: Studied at the Vienna Academy and fled to Britain in 1938. As a restorer he worked for The National Gallery and the Ashmolean. £200-£400 192 BEATRICE BRIGHT (BRITISH 1861-1940) Portrait of a distinguished lady Oil on canvas Signed lower left and dated 1901. 76 x 63cm (30 x 25in). £250-£350

192

193

193 WILSON (BRITISH MID 20TH CENTURY) Portrait of a Lady in Blue Dress Signed Oil on canvas 92 x 72cm (36 x 28½in) £200-£300 194 ARR JOSEPH CHARLES DELISS (AUSTRIAN 1917-1969) Seated woman Oil on canvas Signed to the stretcher, circa early 1950’s. The canvas also bears a second portrait, verso 81 x 56cm (32 x 22in) £200-£400 195 RUDOLPH WACKER (AUSTRIAN 1893-1939) Portrait of a Woman with Riding Crop Signed lower left and dated 1937 Oil on board 102 x 74cm (40 x 29½in) £800-£1,200

194 56

195 *See inside front cover for information regarding fees

196

196 ARR HANS FRIEDRICH WACHA (GERMAN 1885-1964) Pastorale Signed lower left Oil on canvas 81.5 x 109cm (32 x 43in) Footnote: Wacha received the Order by the Austrian Government to work for them as war correspondent between 1914-18. A number of paintings of the “isonzo front” (Italy) are registered at the Heeresmuseum Wien. This painting bears the inscription WIEN XIX on the stretcher. Wacha fled the Russian military at the end of the 2nd World War and left many of his paintings behind. £3,000-£5,000

197 IRISH SCHOOL (CIRCA 1900) Full length nude Oil on canvas 92 x 51cm (36 x 20in) £1,500-£2,000

197 57

198 ARR OUMBERTOS ARGYROS (GREEK 1877-1963) Standing Male Nude Signed top left Oil on canvas 128 x 73.5cm (501⁄2 x 29in) Unframed; canvas re-lined £4,000-£6,000

198

199 ARR FRANK JAMESON A.R.W.A. (BRITISH 1899-1968) The Earring Signed lower right Oil on canvas 46 x 38cm (18 x 15in) Footnote: In the 1930’s Jameson became a member of the St Ives Society of Artists £400-£600

199 58

*See inside front cover for information regarding fees

200

200 ARR MAURICE AMBROISE EHLINGER (FRENCH 1896-1981) Les Deux Amies Oil on canvas 45 x 54cm (173⁄4 x 211⁄4in) Footnote: The present work is number 624 in the artist’s catalogue raisonné £2,000-£3,000 201 No Lot

202

203

204

206 202 ARR ALFRED JOSEPH AUGUST VAN NESTE (BELGIAN 1874-1969) Still life - A delft bowl with dried flowers Signed lower right, dated 1932 Oil on canvas 49 x 59cm (19¼ x 23¼in) £400-£600

203 JACQUES DRESA (FRENCH 1869-1929) Pois de Senteur Signed lower left, inscribed and titled verso Oil on board 33 x 42cm (13 x 161⁄2in) Unframed £300-£500

205 204 ARR PHILIP MOYSEY (BRITISH 1912-1991) Still Life Apples with Blue and White Chinese Ginger Jar Monogrammed lower left, further signed verso Oil on board Framed with linen slip 33.5 x 40cm (13¼ x 19¼in)

205 HUNGARIAN SCHOOL (20TH CENTURY) Still life with silverware and fruit Indistinctly signed lower right Oil on canvas 59 x 49cm (23½ x 19½in) £200-£300

206 ARR JAROSLAW OLEJNICKI (POLISH 1923-1988) Still life with Poppies, Daisies, and Apples Signed lower left Oil on board 55 x 47cm (213⁄4 x 181⁄2in) £250-£350

Footnote: In 1953 Moysey was invited by Oskar Kokoschka to teach in his School of Vision in Salzburg £400-£600 60

*See inside front cover for information regarding fees

207 CONTINENTAL SCHOOL (20TH CENTURY) Still life with roses in a silver tankard Indistinctly signed lower right Oil on canvas 45 x 35cm (173⁄4 x 133⁄4in) £500-£700 208 ARR JAROSLAW OLEJNICKI (POLISH 1923-1988) Still life with Roses Signed lower right Oil on board 60 x 50cm (231⁄2 x 193⁄4in) £250-£350 209 HUNGARIAN SCHOOL (20TH CENTURY) Summer still life Indistinctly signed top right Oil on canvas 60 x 49cm (23½ x 191⁄4in) £250-£350 210 ARR JAROSLAW OLEJNICKI (POLISH 1923-1988) Still Life with Flowers Signed lower left Oil on board 60 x 50cm (231⁄2 x 193⁄4in) £250-£350 207

208

209

210

211 WILLIAM MELLOR (BRITISH 1851-1931) On the Wharf Signed lower right Oil on canvas 45 x 30cm (173⁄4 x 12in) £800-£1,200

212 W.E.T. (BRITISH SCHOOL 20TH CENTURY) A ruined abbey at dusk Signed lower right Oil on board 21.5 x 29cm (83⁄4 x 11½in) £300-£500

213 W.E.T. (BRITISH SCHOOL, 20TH CENTURY) A Moonlit bridge over a river Signed lower right Oil on board 27.5 x 35cm (11 x 14in) £300-£500

211

212

213

*See inside front cover for information regarding fees

214 HUNGARIAN SCHOOL (20TH CENTURY) Lakeside view Indistinctly signed lower right Oil on board 49.5 x 59.5cm (19½ x 23½in) £300-£500

214

215 HUNGARIAN SCHOOL (20TH CENTURY) Landscape with boats Oil on board 49.5 x 59.5cm (19½ x 23½in) £300-£500

215

216 FRANCISCO VILLAR (SPANISH 20TH CENTURY) Under the Bridge Signed twice lower left Oil on board 19 x 24cm (71⁄2 x 91⁄2in) Unframed £300-£500

216 63

217 217 ARR FOLLOWER OF SIR FRANK BRANGWYN R.A. (ANGLO WELSH 1867-1956) Figures in a continental town Bears monogram lower right Oil on canvas, laid to board Mounted and framed 44 x 54cm (17½ x 21½in) £500-£700

218 218 ARR KEN HOWARD N.E.A.C. (BRITISH b.1932) Santa Maria Della Salute Monogrammed lower right Oil on panel Framed and glazed 19 x 24cm (7½ x 9½in) £400-£600

*See inside front cover for information regarding fees

219 219 ATTRIBUTED TO JEAN-FRANCOIS RAFFAELLI (FRENCH 1850-1925) Seine view with Notre Dame Signed lower right J.F.RAFFAELLI Oil on canvas laid to board 30 x 45cm (113⁄4 x 173⁄4in) £4,000-£6,000

220 CHARLES ST GERAN (FRENCH 19TH/20TH CENTURY) Impressionist view of Marseille Signed lower left Oil on panel 25.5 x 40cm (10 x 153⁄4in) £500-£700

220 65

221 SCANDINAVIAN SCHOOL (LATE 19TH CENTURY) Riverscape Indistinctly signed ‘BI....’ Oil on canvas 52 x 79 (20½ x 31in) £350-£450

221

222 WERNER GEEL (SWISS 1889-1937) Vantage Point Across Lake Biel, Switzerland Oil on canvas 77 x 98cm (301⁄4 x 381⁄2in) Dated 1920; bears inscription, verso: Mont Racine. Aussichtpunst uber dem Bicler See/ Schweiz £500-£700 223 ARR JAROSLAW OLEJNICKI (POLISH 1923-1988) Seated figure outside a cottage Signed lower right Oil on board 50 x 60cm (193⁄4 x 231⁄2in) £300-£500 224 ARR JAROSLAW OLEJNICKI (POLISH 1923-1988) Country Farmstead Signed lower right Oil on canvas 59 x 70cm (231⁄4 x 271⁄2in) £300-£500

222

223 66

224 *See inside front cover for information regarding fees

225 225 LUTE VINK (SOUTH AFRICAN b.1961) Lioness in the undergrowth Signed lower left and dated 2006 Oil on canvas In a hand finished frame with slip 58 x 78cm (23 x 31in) £800-£1,200

226 ARR PETER KELLY R.B.A., N.E.A.C., ( b.1931). Greenwich Naval Hospital Monogrammed lower left. Oil on canvas, laid to panel. 34 x 50cm (131⁄2 x 20in) Framed Provenance: With John Adams Fine Art. £800-£1,200

226 67

227 ARR JOSEPH FLOCH (AMERICAN/AUSTRIAN 1995-1977) Circus collosseum, evening Signed lower right and dated lower left 1919 Oil on canvas 101 x 95cm (393⁄4 x 37½in) Unframed Provenance: Inherited 30 years ago by the present owner from her Austrian Jewish grandmother who fled Vienna before the war. £6,000-£8,000

228 ARR ALBERT ELDH (SWEDISH 1878-1955) Landscape Signed lower right Oil on canvas laid to board 37 x 51cm (141⁄2 x 20in) Label verso for Claes Hultberg, Sweden £2,000-£3,000

228 68

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229 JEAN MARCHAND (FRENCH 1882-1941) Paysage au Viaduc Signed and dated 1912 lower right Oil on canvas 60 x 50cm (231⁄2 x 193⁄4in) Bears James Bourlet and Son’s Ltd framer’s label and others, verso Footnote: Marchand experimented with Cubism form 19101914; his painting from 1911 “blends formal austerity with more ‘loyalty’ to nature than classic Cubists” (Crane Kalman Gallery 1960, Exhibition Catalogue “Jean Marchand, Selected Paintings). Clive Bell later wrote: “No living painter is more purely concerned with the creation of form and the emotional significance of shapes and colours than Marchand”. Provenance: with Crane Kalman Gallery £3,000-£5,000

229

230 HUNGARIAN SCHOOL (20TH CENTURY) Place De Terte, Montmatre Indistinctly signed lower right Oil on board 60 x 50cm (23½ x 193⁄4in) £300-£500

230 69

231 231 GOTTFRID KALLSTENIUS (SWEDISH 1861-1943) Autumn Light Signed lower left Oil on canvas 108.5 x 128.5cm (423⁄4 x 501⁄2in) Footnote: Kallstenius was one of the best representatives of the ‘Atmospheric’ movement that blossomed in the 1890’s in Sweden. In this respect, he also represented the Scandinavian Art Movement, the ‘Nordic Light’ which earned an international reputation. In addition, he was commissioned to execute murals of which the best known and still existing to this day was the famous ‘Suite’ he did at he Royal Theatre of Stockholm. (Dictionary of Swedish Artists) £2,500-£3,500

232 232 EDWARD RICHARD TAYLOR (BRITISH 1838-1912) A Country House on a Lake at Sunset Signed and dated 94 lower right Oil on canvas 30 x 45cm (12 x 173⁄4in) £500-£700 70

*See inside front cover for information regarding fees

Glossary of Picture Cataloguing Terms Any Statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. 1.

JMW Turner: In our opinion a work by the artist. When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

Attributed to JMW Turner: In our opinion probably a work by the artist, but less certainly as to the authorship expressed than in the preceding category.

Studio of JMW Turner: In our opinion probably a work by an unknown hand in the studio of the artist, which may or may not have been executed under the artist’s direction.

Circle of JMW <]ZVMZ" 1V W]Z WXQVQWV I _WZS Ja IV I[ aM\ ]VQLMV\QÅML J]\ LQ[\QVK\ PIVL KTW[MTa I[[WKQI\ML with the named artist and of the period, but not necessarily his pupil.

Style of…; Follower of JMW Turner: In our opinion a work by a painter working in the artist’s style, but not necessarily his pupil.

Manner of JMW Turner: In our opinion a work in the style of the artist and of a later date.

After JMW Turner: In our opinion a copy (of any date) of a known work of the artist.

The term ‘signed’ and/or ‘dated’ and/or ‘inscribed’ means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

The term ‘with signature’ and/or ‘with date’ and/or ‘with inscription’ means that in our opinion the signature and/or date and/or inscription have been added by another hand than that of the artist.

10. Dimensions are given height before width. 11. Pictures are framed unless otherwise stated.

Index To Artists A Abramovitz, Albert Allen, Harry Epworth Altamura, Jean, Attributed to Anderson, Stanley Ardizzone, Edward Argyros, Oumbertos Aronson, Naum Art Nouveau Furniture Designs Aspettati, Antonio Maria Austrian School

172 76 144 92, 93 105 198 173 86 159 95

B Barnoin, Henri Alphonse 79 Beigel, Peter 81 Bell, Hesketh Davis 117 Betbeder, Jean-Faustin 60 Birch, Samuel John Lamorna 169 Birchall, W. M. 82 Blakelock, Ralph Albert, Attributed to 145, 146 Blampied, Edmund 62 Blommers, Bernardus Johannes 141 Bouguereau, William-Adolphe, Circle of 149 Bowring, Joseph, Attributed to 16 Brabazon, Hercules Brabazon 67 Brandeis, Antonietta 158 Brangwyn, Sir Frank, Follower of 217 Breun, John Ernest 59 Bridgman, Frederick Arthur 41, 42, 43, 44, 45, 46. 47, 48 49, 50 Bright, Beatrice 192 British School 54, 107, 116, 127, 128, 129, 166, 170 Bunbury, Sir Henry William, Circle of 36 Burch, Henry Jacob, Junior 17 Butler, Lady Elizabeth 113 C Callow, William 38 Campana, Ignazia Pio Vittoriano 24 Cantarini, Simone 33 Castellanos, E. Sanchez 89 Clement, Gad Frederik 188 Coleman, William Stephen 78, 22, 109, 152, 161, 207 Cooper, Thomas Sidney 130 Coulaud, Martin 168 Crome W. H. 121 Crosse, Richard 7 D Delaroche, Paul Hippolyte, After 114 Deliss, Joseph Charles 190, 191, 194 Derain, Andre 87 Dresa, Jacques 203 Duke, Alfred 132 Dutch School 106 E Easton, Reginald 21 Eckstein, John 32 Ehlinger, Maurice Ambroise 200 Eldh, Albert 228 English Naive School 13, 2, 9, 18, 20, 135 Etty, William 123 F Fichel, Eugene 160 Fletcher, Edwin Henry Eugene 163 Floch, Joseph 227 Fourmaintraux, Gabriel 85 French School 3, 88, 143, 189 Fries, Emmanuel 150 72

G Gallaway, Alexander, Attributed to 10 Geel, Werner 222 Goncharova, Natalia 184 Goodall, Frederick 153 Goodfellow, Alfred 71 Grant, Carleton 64, 65, 66 Guerin, Jean-Urbain, Manner of 23 H Hamilton-Smith, Charles 51 Hamilton, William 35 Hammond, Roy 74 Hargreaves, Thomas, Attributed to 19, 28 Hayter, Sir George 111 Heath William 56 Heffner, Karl 137 Howard, Ken 218 Hungarian School 205, 209, 214,215, 230 Hunn, Thomas Henry 68 I Irish School

197

J Jackson, S. P. Jameson, Frank Jean, Philip, Attributed to Johnson, Alexander Jouve, Paul

118 199 12 126 174

K Kallstenius, Gottfrid Kelly, Peter Khudyakov, Leonid Kindler Albert Klimes, FrantsĂŠk Kryloff, Boris Kucherovski, Vasili

231 226 176 142 162 181 178

L Lakhovsky, Arnold Lakhovsky, Arnold Borisovich Lalli, A. Corsi Larionow, Mikhail Lavski,Ivan Le Bas, Rachel Anne Legrand, Louis Lens, Peter Paul Liddell, Thomas Hodgson Lorrain, Claude, After Lupiac, Andre

175 171 25 184 179 104 100 8 73 91 185

M Macdonald, J. Madou, Jean Baptiste Mantegaza,Giacomo Marchand, Jean Maris, Simon Willem Martin, S Mellow, William Morland, George, Attributed to Moysey, Philip

69 57 156 229 187 133 211 124 204

N Nieto, Anselmo Miguel

186

O Oakes, John Wright 122 Olejnicki, Jaroslaw 206, 208, 210, 223, 224 Orientalist School 155 P Parris, Edmund Thomas, After Pecz, Henrik Picasso, Pablo

112 151 102

Place, George Proctor, Adam Edwin Prouet-Leroux Provis, Alfred

14 164 83, 84 125

R Raffaelli, Jean-Francois, Attributed to 219 Ramberg, Johann Heinrich, After 90 Renouard, Paul 101 Richardson, Thomas Miles, Jnr. 39 Richmond, George 30, 31 Richmond, Thomas 11 Richter, Christian 1 Robertson, Charles 15 Roda, Gabriel Puig 157 Romney, George, After 97 Romney, George, Attributed to 34 Rooke, Thomas Matthews 29 Rouquet, Jean, Attributed to 6 Roussel, Raphael T. 61 Russian School 182, 183 S Samarin, German Arkadevich 177 Savage Charles E. 165 Scandinavian School 148, 221 Scanlan Surgeion Major F.E. 63 Scheidermantel, Friedrich 70 Seaman, Abraham 5 Serres, Dominic Michael, Attributed to 40 Skelton, Joseph Ratclife 77 Small, Florence Veric Hardy 58 Smith, Thomas 37 Spooner, William 55 St. Geran, Charles 220 Stanfield, Clarkson, Follower of 115 Stark, Arthur James 134 Steer, Philip Wilson, Attributed to 167 Stewart, Robert Wright 72 Styka, Adam 154 T Taylor, Edward Richard Taylor, Elizabeth Thorburn, Robert Tolochko, Viktor Ivanovitch

232 103 26, 27 180

V Van Dyke, Follower of Van Haanen, Remigius, Attributed to Van Hove, Bartholomeus Johannes Van Neste, Alfred Joseph August Varley, John Veyrassat, Jules Jacques Villar, Francisco Vink, Lute Von Eckenbrecher, Themistocles Von Groenwegen, Pieter Anthonisz, Manner of W W.E.T. Wacha, Hans Friedrich Wacker, Rudolph Walter, C. Ward, James Westerbeek, Cornelis, Jnr Whistler, James Abbot McNeill Wilkie, Sir David, After Wilson Z Zambelli, G. Zeyer, Jan Angelo Zincke, Christian Friedrich

108 120 138 202 119 53 216 225 136 147

212, 213 196 195 80 131 140 94, 98, 99 96 193 52 75 4

*See inside front cover for information regarding fees

<MZU[ IVL +WVLQ\QWV[ NWZ *]aMZ[ I\ +PQ[_QKS )]K\QWV[ 1. BEFORE THE SALE 1.1 Agent for the seller Unless otherwise agreed, Chiswick Auctions Ltd, hereafter referred to as CA LTD acts as agent for the seller. The contract for sale of the property is therefore made between the Seller and the Buyer. ,MĂ&#x2026;VQ\QWV[ For the purposes of the current Terms and Conditions, the Seller shall JM LMĂ&#x2026;VML I[ \PM W_VMZ WN \PM /WWL[ 1\ Q[ QUXTQML \PI\ \PM ;MTTMZ Q[ \PM legitimate owner and is authorised to sell the Lot. The Bidder is any registered person participating in the auction, and the Buyer is the successful Bidder for a particular Lot. The Lot means the item(s) put up for sale by CA Ltd and to which the present Terms and Conditions apply. +I\ITWO]M LM[KZQX\QWV[ Any representation in any catalogue or otherwise as to the origin, date, age, attribution, genuineness or estimated selling price of any lot is a statement of opinion only. Such statements do not constitute a representation warranty or assumption of liability by CA Ltd in relation to the Lot. Any prospective Buyer should satisfy themselves prior to the sale as to the reliability of the catalogue description. The absence of mention related to prior restorations in the Catalogue descriptions does not imply that the good is exempt thereof. Photographs of any Lot provided by CA Ltd are for indicative purposes only and are not deemed to be a precise representa-tion of the said Lot. The Buyer is advised to seek independent expert advice in order to be assured of the authenticity and true state of the good. 1V[XMK\QWV Prior to auction, prospective purchasers are strongly advised to personally examine personally any property in which they are interested to satisfy themselves in relation to matters which may concern them. +WVLQ\QWV ZMXWZ\ CA Ltd may issue a Condition Report on request prior to the sale. <PQ[ +WVLQ\QWV :MXWZ\ Q[ NWZ QLMV\QĂ&#x2026;KI\QWV X]ZXW[M[ WVTa IVL KIVVW\ JM considered as giving a precise account of the Lotâ&#x20AC;&#x2122;s true state. Thus, some imperfections and faults may not be accounted for in the Condition Report. As aforementioned, and in the absence of any contractual value of the Condition report, it is the Buyerâ&#x20AC;&#x2122;s sole duty to inspect in person the Lot in order be assured of its true condition and CA Ltd shall not be responsible for assertions within the Condition Report hereto. -TMK\ZQKIT[ )TT MTMK\ZQKIT Q\MU[ IZM [WTL I[ [MMV IVL +) 4\L Wâ&#x20AC;ŤŮşâ&#x20AC;ŹMZ[ VW O]IZIV\MM I[ \W the working condition of such items or their safety. 1\ Q[ \PM *]aMZÂź[ L]\a \W \ISM VMKM[[IZa [\MX[ \W JM I[[]ZML \PI\ \PM 4W\ is safe for normal use. -[\QUI\M[ Estimates are based on various factors inherent to the situation of the market at the time of the sale, as well as considerations such as the

condition, rarity, or quality of the item etc. Estimates are only indicative and represent the opinion of CA Ltd. Estimates provided by CA Ltd cannot constitute a guarantee as to the value of the good. Subsequently, goods may sell at prices lower or higher than the provided estimates. 1.8 Reserves 5IVa 4W\[ IZM Wâ&#x20AC;ŤŮşâ&#x20AC;ŹMZML []JRMK\ \W I ZM[MZ^M _PQKP Q[ \PM KWVĂ&#x2026;LMV\QIT minimum sale price. The reserve will never exceed the low estimate printed in the catalogue. CA Ltd may open the bidding on any Lot below the reserve by placing a bid on behalf of the seller, and may in their discretion continue to bid up to the reserve price. This can be achieved by bidding in response to other bidders or alternatively by placing consecutive bids. ! :MOQ[\ZI\QWV \W \PM [ITM 6M_ JQLLMZ[ _QTT VMML \W ZMOQ[\MZ XZQWZ \W \PM [ITM 1\ Q[ [\ZWVOTa advised bidders register at least 24 hours before the sale. Registration thereafter shall be at the auctioneerâ&#x20AC;&#x2122;s entire discretion. 1V\MZVI\QWVIT JQLLMZ[ UIa JM ZMY]QZML \W ZMOQ[\MZ PW]Z[ JMNWZM \PM sale and to submit bank details. A deposit may be requested prior to each sale. Failure to register shall result in the impossibility for the bidder to purchase a Lot. 8ZWWN WN QLMV\Q\a Bidders not previously known to CA Ltd will be required to provide: Â&#x152; 7â&#x20AC;ŤŮťâ&#x20AC;ŹKQIT XZWWN WN QLMV\Q\a QV \PM NWZU WN I XI[[XWZ\ WZ XPW\WKIZL LZQ^QVO TQKMVKM 6W W\PMZ NWZU[ WN 1, IZM IKKMX\IJTM Â&#x152; 8ZWWN WN ILLZM[[ WN UIQV ZM[QLMVKM 7VTa Wâ&#x20AC;ŤŮťâ&#x20AC;ŹKQIT LWK]UMV\[ showing name and address will be accepted. â&#x20AC;˘ Both landline and mobile telephone numbers â&#x20AC;˘ A bank reference for foreign bidders may be requested Â&#x152; +WZXWZI\M KTQMV\[ _QTT PI^M \W XZW^QLM I KMZ\QĂ&#x2026;KI\M WN QVKWZXWZI\QWV XZQWZ \W \PM I]K\QWV ITWVO _Q\P \PM ZMXZM[MV\I\Q^MÂź[ 1, QV IKKWZLIVKM with the abovementioned requirements for proof of identity. Any Bidder that does not match the provided identity for registration may not purchase during the sale. 2. DURING THE SALE )\\MVLIVKM I\ I]K\QWV Attending the auction in person is recommended. CA Ltd has the right in their absolute discretion to refuse participation QV IVa I]K\QWV \W ZMRMK\ IVa JQL IVL \W ZMN][M ILUQ[[QWV \W \PM XZMUQ[M[ Bidders are not obliged to be present in person at the auction. Absentee bidders shall be required to make necessary arrangements with CA Ltd prior to the sale. 8MZ[WVIT JQLLQVO Bidders attending the auction in person shall be required to collect a number plate prior to the sale.

+WUUQ[[QWV JQL[ +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ \W KIZZa W]\ +WUUQ[[QWV JQL[ received by them prior to the sale for the convenience of clients who are not present at the auction in person. Execution of Commission bids is a free service provided to help clients and CA Ltd does not accept liability for any failure to execute a Commission bid or for errors and omissions in connection with it. +WUUQ[[QWV JQL[ [PITT JM M`MK]\ML I\ \PM TW_M[\ XW[[QJTM XZQKM []JRMK\ to competing bids and reserves. Although CA Ltd will endeavour to inform Buyers, it is the Buyerâ&#x20AC;&#x2122;s responsibility to check if they have been successful in purchasing a Lot. 1V \PM M^MV\ WN U]T\QXTM KWUUQ[[QWV[ I\ \PM [IUM XZQKM \PM KWUUQ[[QWV set at the older date shall be taken into account.

<ZIV[NMZ WN ZQ[S[ Purchased Lots shall be at the Buyerâ&#x20AC;&#x2122;s risk in all respects from the fall of the hammer, and neither CA Ltd nor their agents shall be responsible for any loss or damage of any kind, whether caused by negligence or otherwise.

<MTMXPWVM JQL[ 1N I JQLLMZ Q[ VW\ IJTM \W I\\MVL QV XMZ[WV IV I]K\QWV +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ \W KWV\IK\ XZW[XMK\Q^M *]aMZ[ _PW UISM IZZIVOMUMV\[ prior to commencement of the sale to bid by telephone. +) 4\L KIVVW\ JM PMTL ZM[XWV[QJTM QV \PM M^MV\ WN Q[[]M[ Iâ&#x20AC;«Ùºâ&#x20AC;¬MK\QVO KWVVMK\Q^Q\a resulting in the loss of a chance of purchasing the Lot for the Bidder.

/ZW]VL[ NWZ KIVKMTTI\QWV ]VLMZ \PM XZM[MV\ [MK\QWV [PITT QVKT]LM J]\ VW\ be limited to any dispute relating to the attribution or provenance of the Lot, ownership and title, fraud or deceit, lack of relevant licences WZ KMZ\QÃ&#x2026;KI\M[ IVa []J[MY]MV\ KPIVOM[ QV LWUM[\QK WZ QV\MZVI\QWVIT legislations restricting the sale of export of goods etc. 1V \PM M^MV\ WN QV\MZVM\ WVTa I]K\QWV[ \PM *]aMZ [PITT PI^M I LIa right to retract, after reception of the Lot, under EU Consumer Law. Public auctions are not covered by this right to retract.

1V\MZVM\ JQL[ Some sales may be available to internet bidding, as well as personal I\\MVLIVKM 1V \PQ[ M^MV\ +) 4\L [PITT VW\ JM PMTL ZM[XWV[QJTM NWZ Q[[]M[ Iâ&#x20AC;«Ùºâ&#x20AC;¬MK\QVO KWVVMK\QWV *QLLQVO WV JMPITN WN [WUMWVM ) *]aMZ UIa JQL Ja XZW`a 1V \PQ[ M^MV\ XZWWN WN QLMV\Q\a WN JW\P \PM Buyer and the proxy must be communicated to CA Ltd prior to the sale. A copy of the mandate shall also be required. *QLLQVO WV IV Q\MU Bid incrementing is at the auctioneerâ&#x20AC;&#x2122;s entire discretion. >QLMW \ZIV[UQ[[QWV For the purpose of the sale, Lots may be displayed on video during the I]K\QWV 1V \PM M^MV\ WN \ZIV[UQ[[QWV Q[[]M[ +) 4\L [PITT VW\ JM PMTL responsible for any subsequent outcome. ! 7VTQVM WVTa I]K\QWV[ Some auctions may be available to bidders only through an online XTI\NWZU 1V \PQ[ M^MV\ *]aMZ[ PI^M I LIa XMZQWL I\ ZMKMX\QWV WN \PM Lot to withdraw from the sale, in accordance with EU Consumer Law. ,Q[X]\M ZM[WT]\QWV L]ZQVO \PM I]K\QWV Any dispute shall be settled at the auctioneerâ&#x20AC;&#x2122;s absolute discretion. Under no circumstances will a sale be cancelled after the fall of the hammer, except at the auctioneerâ&#x20AC;&#x2122;s entire discretion. 3. CONTRACT FORMATION AND EFFECTS 3.1 Contract of sale The contract of sale is between the Buyer and the Seller. The Buyer shall be the bidder at the highest price at the fall of the hammer. The sale is deemed complete once the auctioneer announces its completion by the fall of the hammer and the contract shall be binding thereafter between the Buyer and the Seller and CA Ltd. ?PMV I *]aMZ X]ZKPI[M[ U]T\QXTM 4W\[ MIKP 4W\ Q[ \PM []JRMK\ WN I separate contract of sale. <ZIV[NMZ WN XZWXMZ\a Property of the goods shall pass to the Buyer only once CA Ltd has received full payment for the goods, this includes the price at the fall of the hammer as well as Buyerâ&#x20AC;&#x2122;s premium, relevant taxes, and costs in relation to shipping.

+IVKMTTI\QWV WN \PM [ITM At the fall of the hammer, the contract is formed between the Buyer and CA Ltd and is binding thereafter. Under no circumstances can the Buyer cancel the sale. CA Ltd may at its entire discretion, during or after the auction, cancel \PM [ITM WN \PM 4W\ WZ ZMWâ&#x20AC;«Ùºâ&#x20AC;¬MZ IVL ZM[MTT \PM 4W\ QN Q\ JMKWUM[ I_IZM WN any error or dispute of any nature, whether or not title has passed to the Buyer, and up to a period of 6 months after the said sale.

3.5 Returns and refunds CA Ltd will only issue a refund using the same method of payment originally used by the Buyer to pay for the purchase, or by bank transfer. The Buyerâ&#x20AC;&#x2122;s refund will be processed without undue delay and in any M^MV\ _Q\PQV VW UWZM \PIV LIa[ WN \PM LIa \PM *]aMZ OI^M +) 4\L notice of cancellation. 1N \PM *]aMZ M`MZKQ[M[ \PMQZ ZQOP\ WN ZM\ZIK\QWV _PMV I]\PWZQ[ML \W LW [W by Law, CA Ltd shall proceed to issue a complete refund, comprising the hammer price of the Lot, buyerâ&#x20AC;&#x2122;s premium and shipping fees. However return fees shall remain at the expense of the Buyer. 4. AFTER THE SALE 8IaUMV\ All purchased lots must be paid for on the day of the auction. Commission bids must be paid for no later than the day after the auction. Payment must be in cash, debit, credit card or bank transfer. Cheques are not accepted. +I[P XIaUMV\[ [PITT VW\ JM ZMKMQ^IJTM NWZ IUW]V\[ W^MZ Ã&#x201A; ZMOIZLTM[[ of the payment being for one or multiple Lots. Payments made by someone other than the registered Buyer shall not be accepted. Title will not pass to the Buyer until CA Ltd has received all amounts due to them in cleared funds even if the Lot has been released to the Buyer. *]aMZÂ¼[ 8ZMUQ]U The Buyer will pay CA Ltd a premium of 25% on the hammer price XT][ >)< WV \PI\ KWUUQ[[QWV WV \PM Ã&#x2026;Z[\ Â&#x160; IVL XT][ >)< WV \PM JITIVKM \PMZMIN\MZ ) *]aMZÂ¼[ 8ZMUQ]U WN ! XT][ >)< Q[ charged on Wine & Spirits Lots. The standard rate of VAT is charged on the premium except on Lots marked â&#x20AC;&#x2DC;â&#x20AC; â&#x20AC;&#x2122; where normal VAT rules apply and the standard rate of VAT will be charged on both hammer price and premium. 1V WZLMZ \W ZMKMQ^M I ZMN]VL WN >)< IUW]V\[ 1UXWZ\ >)< I[ applicable) non-EU buyers must: (a) have registered to bid with an address outside of the EU; and J M`XWZ\ \PM TW\ NZWU \PM -= _Q\PQV LIa[ WN KWTTMK\QWV NWZ TW\[ IVL 3 months of collection for all other lots and immediately afterwards provide us with satisfactory proof of export. (c) Details of the documents which you must provide to us to show

[I\Q[NIK\WZa XZWWN WN M`XWZ\ [PQXXQVO IZM I^IQTIJTM NZWU W]Z .QVIVKM \MIU ) XZWKM[[QVO NMM WN Â&#x160; XMZ QV^WQKM Q[ KPIZOML \W KPMKS [PQXXQVO M`XWZ\ LWK] UMV\[ L 6W >)< IUW]V\[ WZ 1UXWZ\ >)< _QTT JM ZMN]VLML _PMZM \PM \W\IT ZMN]VL IN\MZ LML]K\QVO \PM XZWKM[[QVO NMM Q[ ]VLMZ Â&#x160;

+WTTMK\QWV Purchased Lots can be collected from the auction room after the sale PI[ MVLML WZ JM\_MMV IU IVL XU ]X ]V\QT KTW[M WN J][QVM[[ WV the Friday following the sale. Special arrangements may be made for collection on Saturday at CA Ltdâ&#x20AC;&#x2122;s discretion.

4.3 Taxes The Buyer is responsible for paying VAT on any Lot, above hammer price and Buyerâ&#x20AC;&#x2122;s premium. The rate applicable shall be the legal rate at the date of the sale. /WWL[ []KP I[ JWWS[ IVL IV\QY]M JWWS[ U][QK UIX[ IVL KPIZ\[ M\K IZM []JRMK\ \W bMZW ZI\ML >)< 1V ILLQ\QWV IVa QUXWZ\ \I`M[ \PI\ UIa JM QVK]ZZML [PITT JM XIQL Ja \PM Buyer above hammer price, VAT and Buyerâ&#x20AC;&#x2122;s premium. The present paragraph applies in particular to imports within the United-States and Australia. The Buyer is advised to verify such matters prior to the sale.

4.7 Storage Purchased Lots not collected before 6pm on the day after the sale shall QVK]Z [\WZIOM KPIZOM[ WN Â&#x160; XMZ 4W\ XMZ LIa WZ XIZ\ \PMZMWN +) 4\L shall be entitled to retain purchased Lots sold until all sums due have been XIQL \W +) 4\L 1N IVa X]ZKPI[ML TW\ ZMUIQV[ ]VKWTTMK\ML LIa[ IN\MZ \PM [ITM [\WZIOM KPIZOM[ [PITT \PMZMIN\MZ JM Â&#x160; XMZ LIa IVL +) 4\L [PITT in accordance with the Law, have the right to sell the purchased Lot to recover payment of storage charges outstanding. Any balance proceeds of sale received after payment of all sums outstanding and due to CA Ltd shall be held for the account of the Buyer.

)Z\Q[\ :M[ITM :QOP\[ ,ZWQ\ LM ;]Q\M 4W\[ UIZSML _Q\P Â»)::Â¼ UIa JM []JRMK\ \W I TMâ Droit de Suite is a royalty payable to a qualifying artist or to the artistâ&#x20AC;&#x2122;s heir each time a work is resold during the artistâ&#x20AC;&#x2122;s lifetime and up to I XMZQWL WN aMIZ[ IN\MZ \PM IZ\Q[\Â¼[ LMI\P :WaIT\QM[ IZM KITK]TI\ML on a cumulative sliding percentage scale based on the hammer price excluding the buyerâ&#x20AC;&#x2122;s premium. The royalty does not apply to Lots [MTTQVO JMTW_ \PM [\MZTQVO MY]QÎTMV\ WN Ã&#x201A; IVL \PM UI`QU]U ZWaIT\a XIaIJTM WV IVa [QVOTM 4W\ Q[ \PM [\MZTQVO MY]QÎTMV\ WN Ã&#x201A; Royalties for Droit de Suite are as follows:

;PQXXQVO Any shipping costs that may arise subsequently to the sale shall be at the Buyerâ&#x20AC;&#x2122;s expense. Such costs may include but not limited to postage, import and export permits where required and any other licence necessary for goods to be shipped outside of the European Union. +) 4\L LWM[ VW\ Wâ&#x20AC;«Ùºâ&#x20AC;¬MZ QV[]ZIVKM NWZ [PQXXQVO 0W_M^MZ +) 4\L UIa arrange insurance upon the Buyerâ&#x20AC;&#x2122;s request and at the Buyerâ&#x20AC;&#x2122;s expense. CA Ltd cannot be held responsible for any damages that may be incurred to goods prior to the fall of the hammer.

Â&#x152; .ZWU \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; -`KMMLQVO Ã&#x201A; :MUMLQM[ NWZ VWV XIaUMV\ 1N \PM *]aMZ NIQT[ \W UISM N]TT XIaUMV\ QV KTMIZML N]VL[ _Q\PQV \PM \QUM required as aforementioned, CA Ltd shall be entitled to exercise any one or more of the following rights or remedies additional to such other rights or remedies available: â&#x20AC;¢ To cancel the sale â&#x20AC;¢ To charge interest at 4% per annum above the base rate of Lloyds Bank Plc. â&#x20AC;¢ To resell the Lot on such terms by auction or otherwise entirely at CA Ltdâ&#x20AC;&#x2122;s discretion. The Buyer will be liable for all costs including legal fees incurred in the sale and will remain liable for any shortfall arising upon sale. Â&#x152; <W Wâ&#x20AC;«[Ùºâ&#x20AC;¬M\ IOIQV[\ IVa []U[ _PQKP +) 4\L UIa W_M \PM *]aMZ \PM outstanding sums unpaid by the said Buyer Â&#x152; ?PMZM \PM *]aMZ W_M[ []U[ \W +) 4\L QV ZM[XMK\ WN LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ transactions, to discretionarily apply any sum paid by the Buyer for discharge of any owed sums. Â&#x152; <W ZMN][M MV\Za \W \PM *]aMZ I\ IVa N]\]ZM I]K\QWV IVL WZ ZMRMK\ IVa N]\]ZM JQL[ Ja \PM *]aMZ IVL WZ [MMS I LMXW[Q\ NZWU \PM *]aMZ entirely in the discretion of CA Ltd. â&#x20AC;¢ To exercise a lien over the Buyerâ&#x20AC;&#x2122;s property in the possession of CA Ltd as collateral for any outstanding sums owed and to exercise all the rights and remedies of a person holding security over any such property, whether by way of pledge, security interest or in any other way to the extent permitted by Law. â&#x20AC;¢ To commence legal proceedings for the recovery of the total amount due together with interest, legal fees and costs. â&#x20AC;¢ To take such other action as is permissible by Law and in the discretion of CA Ltd.

! 4W[[ WZ ,IUIOM CA Ltd does not accept liability for loss or damage occurring to Lots after \PM [ITM +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ _PMV PIVLTQVO XIKSQVO IVL shipping of Lots purchased, but shall not be responsible for any loss or damages that may occur whilst the said Lot is in any third partyâ&#x20AC;&#x2122;s care. +]T\]ZIT /WWL[ QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +]T\]ZIT OWWL[ UIa JM []JRMK\ \W QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ =VLMZ EU Regulations related to the trade of cultural goods, export licences may be required for export outside of the European Union if the itemâ&#x20AC;&#x2122;s value exceeds the EU threshold. Under UK Law, a licence may also be required for intra-EU trade. Licenses are issued by Arts Council England and it is the Buyerâ&#x20AC;&#x2122;s duty to WJ\IQV \PMU ;WUM KW]V\ZQM[ ZM[\ZQK\ \PM QUXWZ\ WN [XMKQÃ&#x2026;K K]T\]ZIT OWWL[ For example, the United States prohibits the import of pre-Columbian monumental or architectural sculpture or murals, as well as any cultural OWWL[ QV XZW^MVIVKM NZWU [WUM KW]V\ZQM[ []JRMK\ \W IZUML KWVÃ&#x2020;QK\[ The Buyer must verify local legislation prior to the sale in order to be assured that import or export is possible. +1<-; QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +MZ\IQV MVLIVOMZML [XMKQM[ IZM TQ[\ML QV \PM +1<-; +WV^MV\QWV 4Q[\ML [XMKQUMV[ IVL IVa XIZ\[ WZ XZWL]K\[ \PMZMWN IZM []JRMK\ \W Q[[]IVKM WN IV export permit when leaving the European Union. )XXMVLQ` 1 [XMKQM[ IZM IT[W []JRMK\ \W Q[[]IVKM WN I XZQWZ QUXWZ\ XMZUQ\ from the country in which the goods are to be imported. Such permits are necessary before applying for export permits and it is the Buyerâ&#x20AC;&#x2122;s duty to initiate the proceedings with the relevant authority. The Buyer must be aware that certain countries prohibit the import of some species or any parts or products derived thereof. For example, the United States prohibit all import of African elephant ivory, and any item containing parts that may merely resemble African elephant ivory must be accompanied by relevant documentation stating it is not the latter. ?WZSML Q\MU[ \PI\ IZM LI\ML JMNWZM ! IZM M`MUX\ NZWU QUXWZ\ restrictions for intra-EU trade and shall not require export licences. Please be aware that all Lots marked with the symbol Æ&#x20AC; IZM []JRMK\ \W +1<-; ZMO]TI\QWV[

4QUQ\I\QWV WN TQIJQTQ\a ZMOIZLQVO +1<-; M`XWZ\ TQKMV[M[ Where licences are required for importing or exporting outside of the European Union, it is the Buyerâ&#x20AC;&#x2122;s duty to obtain them. CA Ltd cannot be held responsible if the Buyerâ&#x20AC;&#x2122;s application for an export permit is unsuccessful. Subsequently, in the event of failure thereof, CA Ltd shall not permit cancellation or rescission of the sale. ?IZZIV\QM[ CA Ltd does not provide the Buyer with warranties relating to any Lot, unless required by Law. )]\PMV\QKQ\a _IZZIV\a 1V \PM M^MV\ WN I 4W\ JMQVO [WTL I[ I]\PMV\QK ]VLMZ \PM KI\ITWO]M description and the Buyer provides evidence in the form of a written report by a recognised expert or test results that the said Lot is not, CA Ltd will refund the purchase price. <PM *]aMZ [PITT OQ^M VW\QKM \W +) 4\L _Q\PQV LIa[ NZWU SVW_TMLOM or any event giving reasons for suspecting that the item is not authentic, and within one year of the said sale. Any claim thereafter shall not be receivable. For the purposes of the present paragraph, authenticity shall JM LMÃ&#x2026;VML I[ \PM [\I\M WN I 4W\ \PI\ Q[ OMV]QVM IVL VW\ I NWZOMZa WZ I KWXa 5. ANTIQUITIES AND TRIBAL ART 1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ IVL ZMO]TI\QWV[ )ZKPIMWTWOQKIT OWWL[ W^MZ aMIZ[ WN IOM ]VTM[[ KW^MZML Ja M`MUX\QWV WN TQUQ\ML [KQMV\QÃ&#x2026;K QV\MZM[\ _QTT ZMY]QZM IV -= 4QKMVKM NWZ M`XWZ\ \W I third country, regardless of their value. 1\ Q[ ZMKWUUMVLML \PI\ \PM *]aMZ KWV\IK\ \PM -`XWZ\ 4QKMV[QVO =VQ\ at Arts Council England in order to be assured the good is or not of TQUQ\ML IZKPIMWTWOQKIT WZ [KQMV\QÃ&#x2026;K QV\MZM[\ Archaeological goods found on United-Kingdom soil or in UK \MZZQ\WZQIT _I\MZ[ W^MZ aMIZ[ WN IOM [PITT ZMY]QZM I =3 4QKMVKM regardless of their value and regardless of the export destination. 7\PMZ IZKPIMWTWOQKIT WJRMK\[ ZMOIZLTM[[ WN \PMQZ WZQOQV _QTT ZMY]QZM IV 1VLQ^QL]IT 4QKMVKM WZ 7/-4 LMXMVLQVO WV \PMQZ ^IT]M Both European-Union and UK Licences may be required simultaneously NWZ [WUM Q\MU[ 1\ Q[ \PM *]aMZÂ¼[ L]\a \W ]VLMZ\ISM \PM VMKM[[IZa [\MX[ CA Ltd cannot be held responsible and the sale cannot be cancelled in the event of failure to obtain the relevant licences. 6. JEWELLERY /MU[\WVM \ZMI\UMV\ IVL M[\QUI\M[ Many gemstones on the market have been treated so as to augment their appearance, in a reversible or permanent manner. Treatments under the present section may be but not limited to: â&#x20AC;¢ Heat treatment to enhance sapphires and rubiesâ&#x20AC;&#x2122; clarity and colour Â&#x152; 7QT IVL ZM[QV \ZMI\UMV\[ NWZ MUMZITL[ IXXTQML QV LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ _Ia[ \W enhance clarity of the stone â&#x20AC;¢ Staining Â&#x152; 1ZZILQI\QWV â&#x20AC;¢ Coating Estimates provided by CA Ltd are deemed to be based on the fact that the OMU[\WVM UIa PI^M JMMV []JRMK\ \W IVa \aXM WN \ZMI\UMV\ QV \PM XI[\ +) Ltd shall not be responsible in the absence of mention thereof. ) KMZ\QÃ&#x2026;KI\M UIa JM Q[[]ML Ja I TIJWZI\WZa XZW^QLQVO _Q\P LM\IQTML information on the condition of the gemstone and any treatment applied \PMZM\W <PM *]aMZ U][\ JM I_IZM \PI\ LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ TIJWZI\WZQM[ PI^M LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ approaches as to the degree or type of treatment for a particular gemstone. 1N I KMZ\QÃ&#x2026;KI\M IKKWUXIVQM[ \PM 4W\ \PM *]aMZ U][\ JM I_IZM \PI\ Q\ Q[ merely a statement of the laboratoryâ&#x20AC;&#x2122;s opinion and in no way can CA Ltd

JM PMTL ZM[XWV[QJTM NWZ IVa UMV\QWV[ \PMZMQV ;]KP KMZ\QÃ&#x2026;KI\M[ IZM LMMUML to be delivered with the Lot for informative purposes only. -[\QUI\ML _MQOP\[ 1N I [\WVMÂ¼[ M`IK\ _MQOP\ IXXMIZ[ _Q\PQV \PM JWLa WN \PM LM[KZQX\QWV \PM [\WVM PI[ JMMV ]V UW]V\ML IVL _MQOPML Ja +) 4\L 1N \PM _MQOP\ WN a stone is stated to be approximate, the stone has been assessed by CA 4\L _Q\PQV Q\[ [M\\QVO IVL \PM LMÃ&#x2026;VML _MQOP\ Q[ I [\I\MUMV\ WN WXQVQWV only. This information is given as a guide and bidders should satisfy themselves with regard to this information as to its accuracy. ;QOVI\]ZM[ â&#x20AC;&#x2DC;) LQIUWVL ZQVO Ja @â&#x20AC;&#x2122;: When the makerâ&#x20AC;&#x2122;s name appears in the title, in Chiswick Auctionsâ&#x20AC;&#x2122; opinion the piece is by that maker. â&#x20AC;&#x2DC;) LQIUWVL ZQVO [QOVML @â&#x20AC;&#x2122;: Has a signature that, in Chiswick Auctionsâ&#x20AC;&#x2122; opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered. â&#x20AC;&#x2DC;) LQIUWVL ZQVO UW]V\ML Ja @â&#x20AC;&#x2122;: Has been created by the RM_MTTMZ QV +PQ[_QKS )]K\QWV[Â¼ WXQVQWV J]\ ][QVO [\WVM[ WZ LM[QOV[ supplied by the client. â&#x20AC;&#x2DC;5ISMZÂ¼[ UIZS NWZ @â&#x20AC;&#x2122;: Has a makerâ&#x20AC;&#x2122;s mark which in Chiswick Auctionsâ&#x20AC;&#x2122; opinion is authentic. Some items may include parts or products derived from endangered [XMKQM[ []KP I[ Q^WZa WZ KWZIT ;]KP Q\MU[ UIa JM []JRMK\ \W QUXWZ\ WZ M`XWZ\ ZM[\ZQK\QWV[ ;MM [MK\QWV WV +1<-; ZMO]TI\QWV[ NWZ UWZM LM\IQT[ 7. CLOCKS AND WATCHES All Lots are sold as seen. Clocks and watches are therefore not deemed to be sold in working condition. Absence of reference thereof in the description does not imply that the Lot is in good condition and _Q\PW]\ LMNMK\[ WZ PI[ JMMV []JRMK\ \W ZMXIQZ WZ ZM[\WZI\QWV CA Ltd makes no representation or warranty that any clock or watch Q[ QV _WZSQVO WZLMZ )[ KTWKS[ IVL _I\KPM[ WN\MV KWV\IQV Ã&#x2026;VM IVL complex mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Most clocks and watches are likely to have been repaired in the past, and as a result may include parts that are not original thereto. The United-States restrict the importation of watches such as Rolex, Frank Muller or Corum. Such models can only be imported personally by the Buyer and CA Ltd cannot assist with shipping thereof. Some watches may include leather straps derived from endangered species. Buyers may be required to obtain appropriate permits for QUXWZ\ WZ M`XWZ\ X]ZXW[M[ QV IKKWZLIVKM _Q\P +1<-; ZMO]TI\QWV[ CA Ltd acts in compliance with such legislations and shall take necessary steps where required. Subsequently, watches may be deemed sold without their straps. 8. FURNITURE =XPWT[\MZML N]ZVQ\]ZM IN\MZ ! According to The Furniture and Furnishings (Fire Safety) Regulations ! N]ZVQ\]ZM \PI\ _I[ ]XPWT[\MZML IN\MZ \PM [\ WN 2IV]IZa ! Q[ []JRMK\ \W ZM[\ZQK\QWV[ QV \PM =VQ\ML 3QVOLWU Exempt upholstered furniture that does not meet such requirements is deemed sold for purely aesthetic purposes.CA Ltd shall not be ZM[XWV[QJTM NWZ TI\MZ IT\MZI\QWV[ \W \PM N]ZVQ\]ZM UISQVO Q\ ]VÃ&#x2026;\ NWZ [ITM 9. FINE ART .QVM )Z\ XIQV\QVO[ I[ QVKT]LML QV \PM KI\ITWO]M LM[KZQX\QWV Â»@ Â¼" 1V +PQ[_QKS )]K\QWV[Â¼ WXQVQWV Q\ Q[ IV I]\PMV\QK work by the artist.

»)\\ZQJ]\ML \W @ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ probably a work by the artist. »+QZKTM WN @ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM IVL L]ZQVO \PM period of the artist’s life. ».WTTW_MZ WN @ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM KWV\MUXWZIZa or near contemporary. »;KPWWT WN @ \P KMV\]Za¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS executed in that period and in the style associated with that artist. ».ZMVKP ;KPWWT \P KMV\]Za¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS executed in that period and in the style associated with a particular location. »5IVVMZ WN @¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM J]\ I\ I TI\MZ LI\M IT\PW]OP not of recent execution. »;\aTM WN @¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM IVL WN ZMKMV\ M`MK]\QWV »)N\MZ @ " 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I KWXa Ja IV ]VQLMV\QÅML IZ\Q[\ WN I VIUML _WZS Ja \PM IZ\Q[\ Lots sold ‘as seen’ or ‘as found’ are deemed to be sold in their present condition, with their faults and defects. The Bidder must be aware that purchase of such Lots is at there own risk.

CA Ltd offers no guarantee as to suitability for drinking of the wine or spirit. The Buyer must be aware of the risk that the taste of a wine or spirit may be altered due to factors such as age, storage conditions, oxidation, etc.

10. ASIAN ARTS

15. SEVERABILITY

1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ ?PMV LMITQVO _Q\P )[QIV )Z\[ IVL UWZM [XMKQÅKITTa _Q\P Q\MU[ UILM WN exotic wood (e.g. all species of rosewood) or elephant ivory, the Buyer must JM I_IZM WN QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ QV IKKWZLIVKM _Q\P +1<-; Regulations. As aforementioned in the Section relating to such matters, QUXWZ\ IVL M`XWZ\ XMZUQ\[ WZ ZM M`XWZ\ KMZ\QÅKI\M[ UIa JM ZMY]QZML >MZQÅKI\QWV TM\\MZ[ _QTT JM ZMY]QZML NWZ ZM M`XWZ\ WN _WZSML ZPQVWKMZW[ Q\MU[

Whenever and to the extent that any provisions of these terms would or might contravene the provision of any relevant legislation, []KP XZW^Q[QWV Q[ \W \ISM M‫ٺ‬MK\ WVTa QV [W NIZ I[ Q\ UIa LW [W without contravening such legislation and the legality, validity and enforceability of any of the remaining provisions are not in any way \W JM I‫ٺ‬MK\ML WZ QUXIQZML I[ I ZM[]T\

.QVM +PQVM[M 8IQV\QVO[ +]ZZMV\ [KPWTIZ[PQX QV \PM ÅMTL WN +PQVM[M 8IQV\QVO[ IVL +ITTQOZIXPa LWM[ VW\ XMZUQ\ ]VY]ITQÅML [\I\MUMV\[ I[ \W \PM I]\PWZ[PQX WZ LI\M WN execution. The limited right of rescission contained in the present terms and conditions does not apply to Chinese paintings. 6W\_Q\P[\IVLQVO QN _Q\PQV LIa[ WN \PM [ITM WN IVa []KP 4W\ \PM original purchaser gives written notice to CA Ltd that the Lot is a forgery and within fourteen days after giving such notice, the original purchaser returns the lot to us in the same condition as at the time of sale and demonstrates to our satisfaction that the lot is a forgery, CA Ltd will rescind the sale and refund the purchase price received. For this purpose, I »NWZOMZa¼ Q[ LMÅVML I[ I _WZS KZMI\ML _Q\P \PM QV\MV\ \W LMKMQ^M 11. BOOKS AND MANUSCRIPTS *WWS[ IVL UIV][KZQX\[ [WTL I[ QVKWUXTM\M IZM VW\ []JRMK\ \W ZM\]ZV[ Printed books may be returned for a full refund only if they prove to be defective in text or illustration. This shall not apply to the absence of blanks, half titles or advertisements, to un-named books or to books sold under the heading of ‘binding’ or ‘bindings’. 12. WINES AND SPIRITS 1V IKKWZLIVKM _Q\P IOZMML [\IVLIZL[ QV \PM \ZILM M[\QUI\M[ [PITT JM LMMUML \W PI^M \ISMV QV\W IKKW]V\ \PM ÅTT TM^MT For the purposes of the present Terms and Conditions, the ‘Fill Level’ refers to the space between the base of the cork and the liquid in the bottle. Fill levels may vary with age or depending on the condition of the wine or spirit. Lack of mention thereof in the description is not a representation of IV »IKKMX\IJTM¼ ÅTT TM^MT NZWU +) 4\L

13. COPYRIGHT CA Ltd shall own the copyright on all images, illustrations and written material produced by or for CA Ltd relating to a Lot, including catalogue contents. Such copyright shall remain at all times the property of CA Ltd. Neither the Buyer nor anyone else shall use the abovementioned materials without the prior written consent of CA Ltd. ;WUM 4W\[ UIa JM []JRMK\ \W KWXaZQOP\ XZW\MK\QWV +) 4\L LWM[ VW\ guarantee said Lots are free thereof. 14. DATA PROTECTION The Buyer agrees that personal information transmitted to CA Ltd may be disclosed exclusively for the purposes of business, or as required by Law. CA Ltd shall not use personal information for any other purpose without the Buyer’s prior consent. CA Ltd never sell, lend or trade in personal data provided by any Bidder.

16. AMENDMENTS The current Terms and Conditions may be amended, verbally or in writing, prior to the sale. 17. LAW AND JURISDICTION The rights and obligations of the parties with respect to these Conditions of Sale and the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with the Law of England and Wales. .WZ \PM JMVMÅ\ WN +) 4\L ITT JQLLMZ[ IVL [MTTMZ[ IOZMM \PI\ \PM +W]Z\[ WN -VOTIVL IZM \W PI^M M`KT][Q^M R]ZQ[LQK\QWV \W [M\\TM ITT LQ[X]\M[ IZQ[QVO in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship warranty relate or apply. All parties agree that CA Ltd shall retain the right to bring proceedings in any court other than the Courts of England.

Post-War & Contemporary Art

Gerhard Richter (b.1932), Flow (P15), 2016, diasec-mounted chromogenic print on aluminum composite panel, numbered from an edition of 500. ÂŁ8,000 - ÂŁ10,000

20 JUNE 2018 FOR ENQUIRIES CONTACT Department Coordinator, Harry Brian Parkinson harry@chiswickauctions.co.uk

Modern & Post-War British Art

ALFRED WOLMARK (1877-1961) The striped gown. inscribed ‘21.’ (on the reverse). oil on canvas. 30 x 20 in. (76.2 x 50.8 cm.) £2,500 - £3,500

28 JUNE 2018 FOR ENQUIRIES CONTACT Head of Sales, Krassi Kuneva kkuneva@chiswickauctions.co.uk

SPECIALISTS

20th CENTURY DESIGN James Nurse, Head of Department james@chiswickauctions.co.uk

JEWELLERY Sarah Duncan, Head of Department sarah@chiswickauctions.co.uk

ANTIQUITIES & TRIBAL ART Alice King, Head of Department alice.king@chiswickauctions.co.uk

Charlotte Peel, Specialist charlotte.peel@chiswickauctions.co.uk

ASIAN ART Lazarus Halstead, Head of Department lazarus@chiswickauctions.co.uk

Clive Moss, Head of Department

Yasuko Kido, Japanese Art Specialist yasuko@chiswickauctions.co.uk CERAMICS & GLASS Dr. Jim Peake, Head of Department jim@chiswickauctions.co.uk CONTEMPORARY & URBAN ART Harry Parkinson, Sales Coordinator harry@chiswickauctions.co.uk DESIGNER HANDBAGS & FASHION Meg Randell, Head of Department meg@chiswickauctions.co.uk EUROPEAN WORKS OF ART & CLOCKS Rachael Osborn-Howard, Head of Department rachael@chiswickauctions.co.uk FINE ART Suzanne Zack, Head of Department suzanne@chiswickaucions.co.uk Jan Leman, Specialist jan@chiswickauctions.co.uk Rohan McCulloch, Specialist rohan@chiswickauctions.co.uk Krassi Kuneva, Head of Sales - Modern & Post-War British Art kkuneva@chiswickauctions.co.uk Melissa Van Vliet, Head of Sales - Old Masters melissa.vanvliet@chiswickauctions.co.uk GUITARS & MUSICAL INSTRUMENTS Dr. David MacGregor, Specialist david@chiswickauctions.co.uk ISLAMIC & INDIAN ART Beatrice Campi, Head of Sales beatrice.campi@chiswickaucions.co.uk

PRINTED BOOKS & MANUSCRIPTS clive.moss@chiswickauctions.co.uk

Dr. Carmen Donia, Specialist

carmen.donia@chiswickauctions.co.uk

Nicholas Worskett, Specialist

nicholas@chiswickauctions.co.uk

Valentina Borghi, Head of Sales - Autographs & Memorabilia valentina.borghi@chiswickauctions.co.uk RUGS & CARPETS Mark Henry LampÃ©, Head of Department mark.lampe@chiswickauctions.co.uk Chris Vin, Specialist chris@chiswickauctions.co.uk SILVER & OBJECTS OF VERTU John Rogers, Head of Department john.rogers@chiswickauctions.co.uk Amicie de Villenfagne, Specialist amicie@chiswickauctions.co.uk WATCHES Matthew Caddick, Head of Department matt@chiswickauctions.co.uk WINE & SPIRITS Peter Mansell, Head of Department peter.mansell@chiswickauctions.co.uk

Chiswick 12th June Fine Art Cover.qxp_Layout 1 21/05/2018 08:12 Page 2

SPECIALISTS

SALE CALENDAR

JUNE

05 Suzanne Zack

Rohan McCulloch Specialist rohan@chiswickauctions.co.uk

Head of Department suzanne@chiswickauctions.co.uk

TUESDAY

Interiors & Design to include a selection of Fine Rugs & Carpets

WEDNESDAY

European Works of Art & Clocks

TUESDAY

British & European Fine Artwith Portrait Miniatures

WEDNESDAY

Wine & Spirits

Jan Leman

Julian Laurence Samuels

Specialist jan@chiswickauctions.co.uk

Department Coordinator julian.samuels@chiswickauctions.co.uk

TUESDAY

Interiors & Design Silver & Objects of Vertu

WEDNESDAY

LIVE BIDDING

the-saleroom.com Please note there is a 3% +VAT surcharge for using this service.

COLLECTION OF LOTS Buyers are asked to collect their lots on the day of the sale or between 10.00 and 18.00 up until close of business on Friday following the sale. IMPORTANT INFORMATION CITES

invaluable.co.uk Please note there is a 5% +VAT surcharge for using this service.

Please be aware that all lots marked with the symbol ƀ are subject to CITES regulations. Please see our Terms & Conditions for more information. ARTIST’S RESALE RIGHT/DROIT DE SUITE

Lots marked with ARR indicates that an additional levy may apply for this lot. Please see our Terms & Conditions for more information.

Urban Ar

TUESDAY

Summer Jewels Designer Handbags & Fashion

WEDNESDAY

Antiquities & Tribal Art

THURSDAY

Modern & Post-War British Art

Lot 172 (detail)

Chiswick 12th June Fine Art Cover.qxp_Layout 1 21/05/2018 08:12 Page 1

British & European Fine Art including Portrait Miniatures 12 June 2018

1 Colville Road, London W3 8BL +44 (0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk

British & European Fine Art including Portrait Miniatures London 12th June 2018