PRINTS & MULTIPLES
Thursday 17 th October, 11am
Thursday 17 th October, 11am
Thursday 17 th October, 11am
Friday, 11 October 11:00-16:00
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Wednesday, 16 October 11:00-16:00
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Symbol Key:
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Elizabeth Brinsdon
Head of Department
Prints & Multiples
elizabeth.brinsdon@chiswickauctions.co.uk
+44 (0)20 3089 6860
Molly Gurney
Department Coordinator
Prints & Multiples
molly.gurney@chiswickauctions.co.uk
+44 (0)20 3062 4818
Showroom: Barley Mow Centre, W4 4PH Collections: 1 Roslin Square, Roslin Rd, W3 8DH prints@chiswickauctions.co.uk www.chiswickauctions.co.uk
The Four Seasons 1879
the complete suite of four engravings on wove each signed in pencil three further signed by the engraver AugusteThomas-Marie Blanchard published by Pilgeram & Lefèvre, London each plate 33.4 x 17cm; 33.1 x 16.6cm; 33.5 x 16.6cm; and 33.1 x 16.5cm each framed 4
£1,200 - 1,800
Reference
see The MET Museum, New York, accession number 63.648.16, for another examples of Spring; see The British Museum, London, accession number 1886,1206.25, for another example of Autumn.
Lot 2 §
SIR FRANK BRANGWYN RA RWS RBA (BRITISH 1867-1956)
Rag and Bone Man; Men Sitting in the Synagogue 1931 two etchings in wove from L’Ombre de la Croix published by Editions Lapina, Paris each plate 17.7 x 13.6cm both framed ARR
2
£150 - 250
Lot 3 §
SIR FRANK BRANGWYN RA RWS RBA (BRITISH 1867-1956)
Untitled (two works) 1934 each signed in pencil two etchings on wove each plate 19.5 x 23.3cm each framed ARR
£100 - 200
Earth Waiting 1926
copper engraving on wove from Procreant Hymn published by the Golden Cockerel Press plate 11.5 x 9 cm framed
£150 - 250
Provenance
The Lord Baker (Kenneth Baker), Collection of the artist’s daughter. with Manor Gallery, according to label verso
Untitled (Three Nudes) 1938
each initialled in plate three wood engravings on wove from the Twenty Five Nudes suite printed by Hague & Gill Ltd, High Wycombe, published by J.M.Dent & Sons Ltd, London each image 21.2 x 12.6cm each framed 3
£300 - 500
Untitled (Woman and Minotaur) c.1950s etching on wove plate 27.5 x 35cm framed ARR
£150 - 250
Note
Dudley Holland was born in Surrey in 1915 and studied at the Chelsea School of Art. Holland was awarded a scholarship to study at the Royal College of Art, but opted not to continue his artistic studies, opting instead to practice and teach others. He was appointed the Head of York Art school at just 34, demonstrating his passion for his subject and interest in sharing it with others. In 1950 his works were exhibited at York Art Gallery in an exhibition titled “Two Modern Artists” where alongside sculptor Austin Wright, Holland captivated audiences with his innovative modern linocuts and paintings which explored expression of form and colour rather than merely capturing a likeness.
Printmaking in Britain saw a resurgence in the 20th century, where linocuts became a key tool in the evolving art landscape. The material itself is a modern invention- first conceived as a flooring material in the 1860s, it was quickly adopted by artists as an affordable medium in the production of prints. Unlike the specialist tools required for engraving woodblocks and copper plates, linoleum could be manipulated using simple knives and chisels, making linocuts an accessible method of printmaking. Claude Flight, a lecturer at The Grosvenor School established in 1925, and key figure in British printmaking, saw linocuts as a democratic means for expression. This pioneering school taught students to embrace colour, representation, shape and mood through linoleum creating vibrant and joy-filled images. The Grosvenor School, housed in Pimlico was intrinsically linked to the tension of modern inner-city life and was influenced by avant-garde movements such as Vorticism and Futurism. In contrast, whilst Dudley Holland embraced the pioneering style of the Grosvenor school, and undoubtedly interacted with its figures during his time at Chelsea, his more rural upbringing and later move to historic York undoubtedly influenced his subject matter. Instead of the bustling scenes of city life he illustrated twisted roots, woodland scenes, animals and abstract naturalistic forms. Elements of Vorticism can be seen in his depiction of water and use of abstract pattern. Holland favoured linocut and woodcut techniques where he created complex multi-layer images with great texture and depth of colour.
Holland also exhibited at the Arts Council Cambridge, the Royal Academy and the Redfern Gallery- which hosted the first exhibition of the Grosvenor School artists. A skilled print maker he was well respected in his field and there are clear stylistic links between Holland and his early 20th Century contemporaries. The artist’s life was tragically cut short in a motorbike accident in 1957, and a retrospective of his work was shown in Guildford.
This print illustrates the moment a figure jumps out of shrubbery and attempts to molest his victim. Holland transforms the assailant into a Minotaur, which wraps its arms around the woman, resembling a Sumo wrestler about to be thrown. It is believed that the scene is based on the experience of a Secretary at Guildford School of Art, where Holland was teaching at the end of his life. Notably, the lower left corner reveals that the plate was not intended for printing, with testing lines visible.
Bird in a Landscape c.1920s
linocut in colours on wove sheet 14.3 x 9.6cm unframed/mounted
ARR
£120 - 180
Note
Dudley Holland was born in Surrey in 1915 and studied at the Chelsea School of Art. Holland was awarded a scholarship to study at the Royal College of Art, but opted not to continue his artistic studies, opting instead to practice and teach others. He was appointed the Head of York Art school at just 34, demonstrating his passion for his subject and interest in sharing it with others. In 1950 his works were exhibited at York Art Gallery in an exhibition titled “Two Modern Artists” where alongside sculptor Austin Wright, Holland captivated audiences with his innovative modern linocuts and paintings which explored expression of form and colour rather than merely capturing a likeness.
Printmaking in Britain saw a resurgence in the 20th century, where linocuts became a key tool in the evolving art landscape. The material itself is a modern invention- first conceived as a flooring material in the 1860s, it was quickly adopted by artists as an affordable medium in the production of prints. Unlike the specialist tools required for engraving woodblocks and copper plates, linoleum could be manipulated using simple knives and chisels, making linocuts an accessible method of printmaking. Claude Flight, a lecturer at The Grosvenor School established in 1925, and key figure in British printmaking, saw linocuts as a democratic means for expression. This pioneering school taught students to embrace colour, representation, shape and mood through linoleum creating vibrant and joy-filled images. The Grosvenor School, housed in Pimlico was intrinsically linked to the tension of modern inner-city life and was influenced by avant-garde movements such as Vorticism and Futurism. In contrast, whilst Dudley Holland embraced the pioneering style of the Grosvenor school, and undoubtedly interacted with its figures during his time at Chelsea, his more rural upbringing and later move to historic York undoubtedly influenced his subject matter. Instead of the bustling scenes of city life he illustrated twisted roots, woodland scenes, animals and abstract naturalistic forms. Elements of Vorticism can be seen in his depiction of water and use of abstract pattern. Holland favoured linocut and woodcut techniques where he created complex multi-layer images with great texture and depth of colour.
Holland also exhibited at the Arts Council Cambridge, the Royal Academy and the Redfern Gallery- which hosted the first exhibition of the Grosvenor School artists. A skilled print maker he was well respected in his field and there are clear stylistic links between Holland and his early 20th Century contemporaries. The artist’s life was tragically cut short in a motorbike accident in 1957, and a retrospective of his work was shown in Guildford.
Abstract Form c.1920s
linocut in colours on wove annotated with pencil sheet 33.5 x 20cm unframed
ARR
£120 - 180
Note
Dudley Holland was born in Surrey in 1915 and studied at the Chelsea School of Art. Holland was awarded a scholarship to study at the Royal College of Art, but opted not to continue his artistic studies, opting instead to practice and teach others. He was appointed the Head of York Art school at just 34, demonstrating his passion for his subject and interest in sharing it with others. In 1950 his works were exhibited at York Art Gallery in an exhibition titled “Two Modern Artists” where alongside sculptor Austin Wright, Holland captivated audiences with his innovative modern linocuts and paintings which explored expression of form and colour rather than merely capturing a likeness.
Printmaking in Britain saw a resurgence in the 20th century, where linocuts became a key tool in the evolving art landscape. The material itself is a modern invention- first conceived as a flooring material in the 1860s, it was quickly adopted by artists as an affordable medium in the production of prints. Unlike the specialist tools required for engraving woodblocks and copper plates, linoleum could be manipulated using simple knives and chisels, making linocuts an accessible method of printmaking. Claude Flight, a lecturer at The Grosvenor School established in 1925, and key figure in British printmaking, saw linocuts as a democratic means for expression. This pioneering school taught students to embrace colour, representation, shape and mood through linoleum creating vibrant and joy-filled images. The Grosvenor School, housed in Pimlico was intrinsically linked to the tension of modern inner-city life and was influenced by avant-garde movements such as Vorticism and Futurism. In contrast, whilst Dudley Holland embraced the pioneering style of the Grosvenor school, and undoubtedly interacted with its figures during his time at Chelsea, his more rural upbringing and later move to historic York undoubtedly influenced his subject matter. Instead of the bustling scenes of city life he illustrated twisted roots, woodland scenes, animals and abstract naturalistic forms. Elements of Vorticism can be seen in his depiction of water and use of abstract pattern. Holland favoured linocut and woodcut techniques where he created complex multi-layer images with great texture and depth of colour.
Holland also exhibited at the Arts Council Cambridge, the Royal Academy and the Redfern Gallery- which hosted the first exhibition of the Grosvenor School artists. A skilled print maker he was well respected in his field and there are clear stylistic links between Holland and his early 20th Century contemporaries. The artist’s life was tragically cut short in a motorbike accident in 1957, and a retrospective of his work was shown in Guildford.
Bird and Foliage (Christmas Greetings Card) linocut in colours on thin japan together with final greeting card edition linocut on smooth paper with printed Christmas greeting inside each sheet 17 x 29.5 and 30.4 x 17.5cm unframed ARR 2
£150 - 250
STEPHEN LOWRY RBA RA (BRITISH 1887-1976)
Shapes and Sizes 1967-8 signed and dated in black crayon and numbered 59/75 in pencil lithograph on wove published by Ganymed Press image 46.8 x 60cm framed ARR
£2,000 - 3,000
Reference see Tate, London accession number P03270 for another example of this edition
Note
Shapes and Sizes was produced by Lowry in the late 1960s as an original lithograph. Lowry was more traditionally a painter, and whilst he produced numerous signed editions which reproduced well known paintings, he only made 17 original lithographs. Unusually for Lowry this print shows a close cropped in scene of bustling figures. Lithographys oily medium lends itself to these thickly drawn figures who blur and smudge against the delicate ground.
LAURENCE STEPHEN LOWRY RBA RA (BRITISH 1887-1976)
Great Ancoats Street 1930
signed and numbered 563/850 in pencil offset lithograph on laid published Harold Riley, Salford, with their blindstamp sheet 35.8 x 47.9cm unframed
ARR
£1,500 - 2,000
LAURENCE STEPHEN LOWRY RBA RA (BRITISH 1887-1976)
The Harbour 1972 signed in pencil, from the edition of 850 with the Fine Art Trade Guild blindstamp, blindstamped ACA offset lithograph in colours on wove published by Venture Prints, Bristol sheet 54.4 x 68.5cm unframed
ARR
£1,200 - 1,800
LAURENCE STEPHEN LOWRY RBA RA (BRITISH 1887-1976)
Two Brothers 1972 signed in pencil, from the edition of 850 with Fine Art Trade Guild Blindstamp offset lithograph in colours on wove printed by Max Jaffe, Austria, published by The Adam Collection Ltd. image 60 x 30.3cm framed
ARR
£2,000 - 3,000
14 §
LAURENCE STEPHEN LOWRY RBA RA (BRITISH 1887-1976)
Man Lying on a Wall signed and numbered 174/500 in pencil offset lithograph in colours on wove published by Grove Galleries, London image 40.1 x 50.5cm framed
ARR
£4,000 - 6,000
Lot 15 §
LAURENCE STEPHEN LOWRY RBA RA (BRITISH 1887-1976)
People Standing About signed in pencil, from the edition of 500 with Fine Art Trade Guild Blindstamp, blind-stamped DEC
offset lithograph print in colours on wove published by Penrose Fine Arts International, Bolton sheet 48.2 x 61cm unframed ARR
£1,000 - 2,000
Lot 16 §
LAURENCE STEPHEN LOWRY RBA RA (BRITISH 1887-1976)
The Family signed in blue biro, from the edition of 850 with Fine Art Trade Guild Blindstamp, blind-stamped FKK
offset lithograph in colours on wove published by The Adam Collection Ltd., image 26.1 x 21.3cm framed ARR
£1,000 - 1,500
LAURENCE STEPHEN LOWRY RBA RA (BRITISH 1887-1976)
The Fever Van signed in blue biro, from the edition of 700 with Fine Art Trade Guild Blindstamp, blind-stamped DKE
offset lithograph in colours on wove printed by Botton Fine Arts, published by Mainstone Publications, Norfolk image 41.4 x 51.2cm framed ARR
£3,000 - 5,000
LAURENCE STEPHEN LOWRY RBA RA (BRITISH 1887-1976)
Station Approach signed in pencil, from an edition of 850 with Fine Art Trade Guild Blindstamp, blind-stamped JDD
offset lithograph in colours on wove printed by Max Jaffe, Austria, published by Adam Collection Ltd. sheet 52.2 x 60.9cm unframed ARR
£1,500 - 2,000
LAURENCE STEPHEN LOWRY RBA RA (BRITISH 1887-1976)
Britain at Play signed in pencil, from the edition of 850 with the Fine Art Trade Guild blindstamp, blindstamped HAB offset lithograph in colours on wove printed by Beric Press, published by Mainstone Publications, Norfolk image 44.6 x 59.5cm framed ARR
£2,000 - 3,000
AUBREY HAMMOND (BRITISH 1893-1940)
Jack and Jill an Underground Fairy Tale 1932
lithographic poster in colours on wove, backed to linen signature and date printed in plate published by Sanders Phillips & Co. Ltd., printed at The Baynard Press, London sheet 102 x 126.4cm unframed
£700 - 1,000
Reference
See The London Transport Museum, accession number 2479.6000.11.1932, for another example of this edition.
Lot 21 §
KENNETH ARMITAGE CBE (BRITISH 1916-2002)
Two Figures 1953
signed, dated and inscribed 38/50 in pencil lithograph in colours on Van Gelder Zonen wove sheet 50.3 x 32.2cm unframed ARR
£200 - 300
Lot 22 §
HENRY MOORE OM CH FBA (BRITISH 1898-1986)
Sculptural Objects [Cramer 7] 1949
lithograph in colours on wove from the unnumbered edition of 3000 printed by W.S. Cowel Ltd., published by The Baynard Press for School Prints Ltd., London sheet 76 x 49.5cm framed ARR
£300 - 500
Reference
see Tate Britain, accession number P01714 for another example of the edition
Literature Cramer 7
Lot 23 §
HENRY MOORE OM CH FBA (BRITISH 1898-1986)
Three Heads [Cramer 376] 1973 signed and inscribed S/P in pencil a proof aside from the edition of 75 lithograph in colours on wove printed at Curwen Prints, published by Ediciones Poligrafa, Barcelona sheet 49.5 x 40cm unframed
ARR
£500 - 700
Literature Cramer 376
Lot 24 §
HENRY MOORE OM CH FBA (BRITISH 1898-1986)
Rhinoceros and Bison (Animals in the Zoo) 1983 two etchings on wove from the portfolio Animals in the Zoo published by Raymond Spencer Company Ltd. for the Henry Moore Foundation each sheet 53.2 x 45.6cm unframed
ARR
2
£200 - 300
Lot 25 §
ROBERT ADAMS (BRITISH 1917-1984)
Untitled 1955
signed, dated and numbered 12/25 in pencil etching on wove together with an unsigned proof, etching on England wove
sheets 29.3 x 23cm and 27.2 x 23.7cm unframed ARR 2
£300 - 500
Lot 26 §
ROBERT ADAMS (BRITISH 1917-1984)
Untitled (Linear Abstraction) 1961
signed and dated in pencil monoprint on wove image 35.7 x 13.4cm unframed/mounted ARR
£400 - 600
27 §
ROBERT ADAMS (BRITISH 1917-1984)
Two Figures 1949
signed, dated and numbered 4/25 in pencil lithograph on wove sheet 57.6 x 45.7 unframed ARR
£800 - 1,200
Lot 28 §
JULIAN TREVELYAN RA (BRITISH 1910-1988)
Harbour 1946
signed and dated in plate offset lithograph in colours on wove printed by The Baynard Press for School Prints Ltd., London
image 48 x 75cm framed ARR
£200 - 300
Lot 29 §
JULIAN TREVELYAN RA (BRITISH 1910-1988)
Ankole Cattle
1966-76
signed, titled and numbered 13/125 in pencil etching with aquatint in wove from the Africa Suite image 35 x 47.5cm framed ARR
£500 - 700
Lot 30 §
JULIAN TREVELYAN RA (BRITISH 1910-1988)
Holy Ganges
1968
signed, dated, titled and numbered 60/75 in pencil etching with aquatint in colours on wove from the India Suite published by London Graphics sheet 76.7 x 58.7cm unframed ARR
£200 - 300
§
MARY FEDDEN OBE RA (BRITISH 1915-2012)
Tuscany and Lamplight 1973
each, signed, dated, titled and numbered from editions of 75 in pencil each lithograph in colours on wove both printed by Curwen Studio, published by Curwen Press, London sheets 77 x 57cm and 57.5 x 77.5cm unframed ARR
2
£300 - 500
§
Untitled 3 1988
PASMORE RA (BRITISH 1908-1998)
signed, dated and numbered 7/70 in pencil screenprint in colours on wove printed by Kelpra Studios, London, with their blindstamp image 58 x 87cm framed ARR
£1,000 - 1,500
Lot 33 §
KEN KIFF RA (BRITISH 1935-2001)
The Sun Shining Down on a Street 1987
signed and numbered 35/48 in pencil drypoint etching on wove from the RCA Artist’s Choice Portfolio printed by and published by the Royal College of Art, London sheet 30.3 x 30.5cm framed ARR
£300 - 500
Reference see Government Art Collection, accession number 18161/31, for another example of this edition.
Lot 34 §
MICHAEL AYRTON (BRITISH 1921–1975)
Untitled (Not To Disturb) 1971
signed and numbered 4/28 in pencil etching on wove from Muriel Spark’s Not To Disturb published by Observer Books plate 17.5 x 12.8cm framed ARR
£200 - 300
Lot 35 §
JOHN PIPER (BRITISH 1903-1992)
Blenheim Bridge
1988
signed and inscribed A/P in pencil an artist’s proof aside from the edition of 100 screenprint in colours on Arches wove printed by Kelpra Studios; published by CCA Galleries, London
image 41.5 x 58.5cm framed ARR
£500 - 700
Lot 36 §
DAME ELISABETH FRINK CH DBE RA (BRITISH B.1930-1993)
Eagle Owl [Wiseman 87] 1973
signed and numbered 26/250 in pencil lithograph in colours on wove printed by the Curwen Press, published by Leslie Waddington Prints Ltd.
image 55.5 x 70cm framed ARR
£2,000 - 3,000
Lot 37 §
Ghost of a Chance II
1965
signed, dated and inscribed Artist’s Proof in pencil aside from the edition of 75 lithograph in colours on wove published by Editions Alecto, with their blindstamp sheet 63 x 89.1cm unframed
ARR
£250 - 350
Lot 38 §
ALAN DAVIE (SCOTTISH 1920-2014)
Fox Watch III
1970
signed, dated, titled and numbered 70/75 in pencil lithograph in colours on wove sheet 63 x 82.1cm unframed
ARR
£200 - 300
Magic Picture No. 2
1978
signed, dated and numbered A/P X/X in pencil an artist’s proof aside from the edition of 100 lithograph in colours on wove sheet 57.3 x 77.4cm unframed
ARR
£300 - 500
Offering of the Bird-Headed Serpent 1971
signed, dated and numbered 37/75 in pencil offset lithograph in colours on smooth wove designed for The Alan Davie Music Workshop sheet 41.8 x 39.2 cm unframed
ARR
£100 - 200
Lot 41 §
JOHN HOYLAND RA (BRITISH 1934-2011)
Mirage 1986
signed, dated and numbered 22/44 in pencil etching with carborundum in colours on wove printed at Kelpra Studio, published by Waddington Graphics, London plate 60 x 55cm
framed
ARR
£400 - 600
Lot 42 §
JOHN HOYLAND RA (BRITISH 1934-2011)
Zada 1986
signed, dated and numbered 5/34 in pencil etching with carborundum in colours on wove plate 54.5 x 59.5cm
framed
ARR
£400 - 600
Lot 43 §
Rider’s Song, The Spinster at Mass, Thamar and Amnon [Kemp 99, 101, 105]
1989
each sheet signed and numbered 41/75 in pencil three etchings in colours on wove further signed and numbered to frontispiece from the Selected Poems of Federico Garcia Lorca with the original portfolio with printed title page and text printed at the Print Centre, published by Austin/ Desmond Contemporary Books, London contained within original clothbound solander box each sheet loose as issued each sheet 55.5 x 37.8cm overall 61.2 x 41.6 x 5.2cm portfolio ARR 3
£1,000 - 1,500
Literature Kemp 99, 101, 105
Reference see Tate Britain, accession numbers P15527; P15529 and P15533 for further examples of these editions
Lot 44 §
Oh what an effort it is to love you as I do
1987
signed and numbered 35/48 in pencil screenprint in colours on wove from the RCA Artist’s Choice Portfolio printed and published by the Royal College of Art, London
sheet 30.5 x 30.5cm framed ARR
£500 - 700
Lot 45 §
SIR TERRY FROST RA (BRITISH 1915-2003)
Red and Black Squeeze [Kemp 213] 2001
signed and numbered 52/120 in pencil screenprint in colours with hand collage on Fabriano wove
printed and published by Galleria Multigraphic, Venice, with their blindstamp sheet 36 x 58cm unframed ARR
£800 - 1,200
Lot 46 §
DONALD HAMILTON FRASER RA (BRITISH 1929-2009)
Brise Marine I 1970
signed, dated, titled and numbered 51/55 in pencil lithograph in colours on wove sheet 81 x 59.2cm unframed ARR
£100 - 200
Lot 47 §
B. 1937)
In Vacant or in Pensive Mood
1987
screenprint with lithograph in colours on wove from the RCA Artist’s Choice Portfolio printed and published by the Royal College of Art, London sheet 30.5 x 30.5cm framed ARR
£80 - 120
Lot 48 §
ALISTAIR GRANT (BRITISH 1925-1997)
Bridge at Étaples
1987
signed and inscribed AP in pencil screenprint in colours on wove sheet 30.5 x 30.5cm unframed
ARR
£150 - 250
§
Black Wrap 1999
signed, dated and titled in pencil from the edition of 10 charcoal and pastel on wove from the Red & Black Drawing Set Portfolio published by Haines Gallery, San Francisco sheet 27.8 x 22cm framed ARR
£600 - 800
§
Arches (I, II, III and IV) 1971
each signed, dated, titled and numbered from the edition of 50 four lithographs on wove each sheet 60 x 80cm unframed ARR
£100 - 200
Reference see Tate, London accession numbers P11106, P11107, P11108 and P11109 for other examples of these editions
Note
Normal VAT fees apply and the standard of VAT will be charged on both hammer price and premium
For a Time for a Season (Autumn and Summer)
1971
signed, dated and numbered from editions of 75 two screenprints in colours with collage on wove each sheet 60 x 76cm unframed
ARR
2
£200 - 300
Note
Normal VAT fees apply and the standard of VAT will be charged on both hammer price and premium
Pezanas Fountain (1-4)
1976
each signed, dated and numbered 3/20 in pencil four etching and aquatints on wove each sheet 48.3 x 38.1cm unframed
ARR
4
£300 - 500
Note
Normal VAT fees apply and the standard of VAT will be charged on both hammer price and premium
Lot 53 §
Privacy Plots III: Suburban Hedge; Stone Bench; Funerary Urn; The Sphinx 1970; 1975; 1978; 1978 each signed, dated and numbered from various editions in pencil three screenprints on wove; one lithograph on wove sheets 56 x 77cm; 60 x 64cm; 102 x 68.5cm; 102 x 68.5cm unframed ARR
4
£200 -300
Reference
see Tate, London accession numbers P11103, P11119, P11167 and P11168 for other examples of these editions
Note
Normal VAT fees apply and the standard of VAT will be charged on both hammer price and premium
Lot 54 §
ACKROYD CBE RA (BRITISH 1938-2024)
Tyne Bridge 1970 signed, dated and numbered 28/40 in pencil etching with aquatint on wove 59 x 50cm framed ARR
£250 - 350
55 §
Sun Curtain 1971
signed and dated in pencil lithograph with collage on wove sheet 92 x 61cm unframed ARR
£200 - 300
Note
Normal VAT fees apply and the standard of VAT will be charged on both hammer price and premium
56 §
Holyrood 1987
signed, dated and numbered 24/95 in pencil screenprint in colours on wove published by Advanced Graphics, London, with their blindstamp sheet 140.8 x 108.7cm unframed ARR
£600 - 800
Lot 57 §
ALBERT IRVIN OBE RA (BRITISH 1922-2015)
Copperas 1991
signed, dated, titled and numbered 64/90 in pencil screenprint in colours on wove published by Advanced Graphics, London with their blindstamp sheet 118 x 147.4cm unframed ARR
£700 - 1,000
Lot 58 §
ALBERT IRVIN OBE RA (BRITISH 1922-2015)
Octavia 1992
signed, dated, titled and numbered 60/225 in pencil screenprint in colours on wove published by Advanced Graphics, London, with their blindstamp 74.2 x 93.5cm unframed
ARR
£500 - 1,000
Lot 59 §
ALBERT IRVIN OBE RA (BRITISH 1922-2015)
New Cross 1994
signed, titled, dated and numbered 211/225 in pencil screenprint with woodblock in colours on wove published by Advanced Graphics, London, with their blindstamp sheet 54.5 x 71cm
framed ARR
£300 - 500
Lot 60 §
ALBERT IRVIN OBE RA (BRITISH 1922-2015)
O’Connell 1995
signed, titled, dated and numbered 57/225 in pencil screenprint with woodblock in colours on wove published by Advanced Graphics, London, with their blindstamp sheet 73 x 91cm
framed
ARR
£700 - 1,000
TOM ECKERSLEY OBE (BRITISH 1914-1997)
Untitled (Four Posters) ca. 1974-1981
four offset lithographic posters produced for The London College of Printing largest sheet 76 x 50cm unframed
ARR
4
£400 - 600
TOM ECKERSLEY OBE (BRITISH 1914-1997)
Untitled (Three Posters) ca. 1980-89
three offset lithographic posters in colours produced for Annual Dinner and Social Evenings held for the staff at The London College of Printing largest sheet 73.5 x 50cm unframed
ARR
3
£300 - 500
Reference
see V&A, London accession number E.2952004 for another example of one of these posters
§
Network SouthEast Railway Posters (Hampton Court Palace, Margate, Chichester, Winchester, Portsmouth and Dover)
1989
each signed in plate six offset lithographic posters each sheet 101.5 x 64cm unframed ARR
£200 - 300
§
Duet 1 and Duet 2
1986
each signed and numbered from editions of 50 in pencil two screenprints on R.K.B. Lana Printmaking wove printed by the artist, published by CCA Galleries each sheet 68.5 x 50.5cm framed ARR 2
£200 - 300
Provenance accompanied by COAs from Christie’s Contemporary Art
Lot 65 §
ROBYN DENNY (BRITISH 1930-2014)
All Through the Day V (Red)
1970
signed, dated and numbered AP XXIV/XXV in pencil screenprint in colours on wove sheet 71.5 x 76cm unframed
ARR
£200 - 300
Note
Normal VAT fees apply and the standard of VAT will be charged on both hammer price and premium
Lot 66 §
ROBYN DENNY (BRITISH 1930-2014)
The Heavenly Suite (Green)
1971
signed, dated and numbered 6/65 in pencil screenprint in colours on wove sheet 81.5 x 64cm unframed
ARR
£200 - 300
Note
Normal VAT fees apply and the standard of VAT will be charged on both hammer price and premium
Lot 67 §
ROBYN DENNY (BRITISH 1930-2014)
The Night Suite (A and B)
1972
each signed, dated and numbered 3/70 in pencil two screenprints in colours on wove each sheet 81 x 63cm unframed
ARR
£200 - 300
Note
Normal VAT fees apply and the standard of VAT will be charged on both hammer price and premium
Lot 68 §
ROBYN DENNY (BRITISH 19302014)
Graffiti 8 1977
signed, dated and numbered AP IV/V in pencil etching on wove sheet 70 x 55cm unframed
ARR
£100 - 200
Note
Normal VAT fees apply and the standard of VAT will be charged on both hammer price and premium
Lot 69 §
Blue Line 1991
signed, dated and numbered XVI/XX a proof aside from the edition of 50 woodcut print in colours on Somerset wove sheet 76 x 57cm unframed ARR
£200 - 300
Lot 70 §
BRUCE MCLEAN (SCOTTISH B.1944)
Big Night Out On Argyle Street signed and numbered 13/75 in pencil screenprint in colours on wove image 54 x 75cm framed ARR
£100 -200
Lot 71 §
MALCOLM MORLEY (BRITISH/AMERICAN 1931-2018)
SISL
2007
signed, dated and numbered 104/150 in pencil
screenprint in colours on wove sheet 86.4 x 112cm unframed
ARR
£200 - 300
Lot 72 §
MALCOLM MORLEY (BRITISH/AMERICAN 1931-2018)
Rhine Chateau
signed and numbered 73/200 in pencil offset lithograph in colours on wove sheet 56.5 x 71.6cm unframed
ARR
£200 - 300
Lot 73 §
MICHAEL ROTHENSTEIN RA (BRITISH 1908-1993)
A Last Goodbye to the Face of Darling Marilyn 2017
signed and inscribed AP in pencil an artist’s proof aside from the edition of 50 screenprint in colours on wove sheet 79 x 58cm unframed ARR
£300 - 500
Lot 74 §
RALPH STEADMAN (BRITISH B.1936)
Exchequer 1989
signed and numbered 2/18 in pencil screenprint in colours on 400gsm Bockingford Mould wove from The Cabinet of the Mind series image 91 x 75cm framed ARR
£200 - 300
Lot 75 §
JOE TILSON RA (BRITISH 1928-2023)
Liknon Red 1989
signed, dated and numbered 7/35 in pencil etching with carborundum in colours on wove sheet 98.5 x 101.5cm framed ARR
£600 - 800
Lot 76 §
JOE TILSON RA (BRITISH 1928-2023)
Sasso 1995
signed, dated and numbered 18/45 in pencil screenprint with woodblock in colours on Aquarelle Arches from Le Crete Senesi sheet 88.9 x 62.2 cm unframed ARR
£200 - 300
Lot 77 §
PATRICK PROCKTOR RA (BRITISH 1936-2003)
Flower Bridge, Kweilin 1980
signed and numbered 48/75 in pencil etching with aquatint in colours on wove from The China Series plate 59.5 x 44.5cm framed ARR
£300 - 500
Lot 78 §
R.B. KITAJ RA (BRITISH 1932-2007)
Zeppelin Nights and Albyn 1969-70
each initialled in pencil two screenprints in colours on wove from In Our Time images 44.5 x 32.5cm and 21.2 x 44cm framed ARR
2
£400 - 600
Reference
see Tate, London, accession numbers P04465 and P04483 for other examples of these editions
DAVID HOCKNEY OM CH RA (BRITISH B.1937)
Corpses on Fire [MCA Tokyo 88] 1969
signed and numbered 11/100 in pencil etching with aquatint and drypoint on Hodgkinson wove from the Illustrations for Six Fairy Tales from the Brothers Grimm suite printed by The Print Shop, published by Petersburg Press, London sheet 44.7 x 40.3 cm unframed ARR
£1,000 - 1,500
80 §
DAVID HOCKNEY OM CH RA (BRITISH B.1937)
The Blue Guitar (frontispiece) [MCA Tokyo 178] 1977
signed and numbered 157/200 in pencil etching in colours on wove from the Blue Guitar portfolio printed and published by Petersburg Press, London plate 42 x 34.3cm framed ARR
£1,000 - 1,500
Lot 81 §
DAVID HOCKNEY OM CH RA (BRITISH B.1937)
Olympische Spiele München [Baggot 34] 1972 signed in plate from the unnumbered edition of up to 4000 offset lithographic poster in colours on smooth wove published by Editions Olympia, Munich sheet 101 x 64cm unframed ARR
£500 - 700
Lot 82 §
DAVID HOCKNEY OM CH RA (BRITISH B.1937)
A Bounce for Bradford 1987 photolithograph in colours on newspaper initialled in the plate published by The Telegraph & Argus Newspaper image 38 x 55cm framed ARR
£200 - 300
Lot 83 §
DAVID HOCKNEY OM CH RA (BRITISH B.1937)
Fiesta’88 1988
offset lithographic poster in colours on wove produced to promote the Bradford Fiesta sheet 42.6 x 63cm unframed ARR
£100 - 150
Lot 84 §
DAVID HOCKNEY OM CH RA (BRITISH B.1937)
Little Boodge 1993
offset lithographic poster on wove sheet 28 x 42cm unframed ARR
£300 - 500
Lot 85 §
DAVID HOCKNEY OM CH RA (BRITISH B.1937)
Remember You Cannot Look at The Sun or Death For Very Long 2021
lithographic poster with screenprint overlay in colours on 170gsm smooth wove numbered from the edition of 3000 in black marker to Circa sticker verso published by Circa Art, London sheet 89 x 25cm unframed
ARR
£300 - 500
Provenance
This lot comes with a Certificate of Authenticity published by Circa Art
Lot 86 §
LUCIAN FREUD (BRITISH 19222011)
Encore c.1949
2003
offset lithograph mounted on card mounted with brown card slip and envelope from the Momart Artist Christmas Card series
published by Momart, London sheet 7.5 x 11cm unframed
ARR
£200 - 300
Lot 87 §
SIR HOWARD HODGKIN CH CBE (BRITISH 1932-2017)
DH in Hollywood [Heenk 56] 1985
initialled, dated and numbered 85/100 in pencil soft-ground etching with hand colouring in watercolour and oil pastel on BFK mould-made printed at Atelier Crommelynck, Paris and hand coloured by Cinda Sparling, New York published by Petersburg Press sheet 21.3 x 28cm unframed/mounted ARR
£1,200 - 1,800
Literature Heenk 56
Lot 88 §
The Laugh 1991
signed, dated and numbered 30/50 in pencil etching with aquatint in colours on wove sheet 75.5 x 55.5cm framed ARR
£500 - 700
Lot 91 §
SIR PETER BLAKE CBE RDI RA (BRITISH B.1932)
Vichy-A Convention of Comic Book Characters 2010
signed and numbered 112/125 in pencil screenprint in colours on wove image 37.8 x 38.5cm framed ARR
£800 - 1,200
Lot 92 §
SIR PETER BLAKE CBE RDI RA (BRITISH B.1932)
Paris-Butterflies II 2010
signed and numbered 52/100 in pencil screenprint in colours on Somerset 410gsm image 37.5 x 22cm framed
ARR
£400 - 600
Lot 93 §
SIR PETER BLAKE CBE RDI RA (BRITISH B.1932)
The Dead Come Out in their Sunday Best 2013 signed and numbered 16/250 in pencil screenprint in colours on wove published by The National Museum of Wales sheet 41.5 x 28.2cm framed ARR
£250 - 300
Lot 94 §
SIR PETER BLAKE CBE RDI RA (BRITISH B.1932)
Artist & Model 2008
signed and numbered 245 from the edition of 300 in pencil archival inkjet print in colours on wove image 31.2 x 22.6cm framed ARR
£300 - 500
Lot 95 §
SIR PETER BLAKE CBE RDI RA (BRITISH B.1932)
Tattooed Man, Ron (blue) 2015
signed and numbered 25/150 in pencil screenprint in colours on wove published by Dark Matter Studio produced for The Art Car Boot Fair plate 15.7 x 10.5cm framed ARR
£200 - 300
Lot 96 §
SIR PETER BLAKE CBE RDI RA (BRITISH B.1932)
Found Art ‘Printemps’ 2015
signed and numbered 3/20 in pencil screenprint in colours on 280gsm Somerset Velvet Buff wove sheet 29.5 x 21cm unframed ARR
£150 - 250
Lot 97 §
SIR PETER BLAKE CBE RDI RA (BRITISH B.1932)
Tattooed People 2015
each signed and numbered variously from the edition of 150 in pencil the complete portfolio of ten archival pigment prints in colours on 330gsm Somerset Enhanced Satin wove published by Dark Matter Studio, London each image 15.5 x 10cm framed ARR 10
£1,500 - 2,000
Lot 98 §
SIR EDUARDO PAOLOZZI CBE RA (SCOTTISH 1924-2005)
Pop Art Redefined 1971
signed and numbered from the 34/100 in pencil screenprint in colours with collage on wove published by Bernard Jacobson Ltd. sheet 56 x 39cm unframed ARR
£300 - 500
Note
Normal VAT fees apply and the standard of VAT will be charged on both hammer price and premium
Lot 99 §
The Illusionist 2000
an unsigned proof aside from the edition of 100 lithograph in colours on Somerset wove printed at Sky Editions, London, with their blindstamp sheet 57 x 76.6cm unframed
ARR
£200 - 300
Provenance
Estate of Master Printer Alan Cox, 9/03/2022, Roseberys, London
Lot 100 §
ALLEN JONES (BRITISH B.1937)
The Illusionist 2000
an unsigned proof aside from the edition of 100 lithograph in colours on Somerset wove printed at Sky Editions, London, with their blindstamp sheet 57 x 76.6cm unframed
ARR
£200 - 300
Provenance
Estate of Master Printer Alan Cox, 9/03/2022, Roseberys, London
Shimmy 1996
signed, dated and numbered 99/100 in pencil lithograph on wove from The Royal College of Art Centenary Year Portfolio of Prints published by the Printmaking Course of the Royal College of Art sheet 76.5 x 57cm unframed ARR
£400 - 600
JEAN-JACQUES ROUSSAU (FRENCH 18661948)
Paris a Londres par Rouen, Dieppe et Newhaven lithographic poster in colours on wove, backed on linen printed by Cornille & Serre, Paris image 14 x 72.6cm unframed
£500 - 700
1862-1942)
Papier a Cigarettes Abadie c.1900
lithographic poster on wove, backed to linen signature printed in the plate with Republique Francais tax stamp printed by P. Vercasson, Paris image 78.5 x 58cm
framed
£300 - 500
VICTOR RAYMON (FRENCH 19TH-20TH CENTURY)
Antibes, Juan Les Pins 1938
lithographic poster in colours on wove printed by Bonfant & Rampelberg, Nice image 43 x 61.5cm framed
£300 - 500
L’Eclair (Original Poster)
1896 signed in plate with République Française inkstamp screenprint in colours on wove, backed to linen printed by Delattre & Juliot, Paris image 79 x 58cm framed
£300 - 500
Sous la Tente, sur la Plage (Blonville) 1905
signed, dated and numbered No23, from the edition of 50 in pencil etching and aquatint in colours on wove published by Sagot, Paris, with their blindstamp sheet 53 x 63cm unframed ARR
£300 - 500
Provenance
See Yale University Art Gallery, accession number 1941.793, for another example of this edition
Lot 107 §
RAOUL DUFY (FRENCH 1877-1953)
String Quartet numbered 7/100 in pencil, with stamped signature further plate signature lithograph in colours on wove from Concert of the Angels images 28 x 34cm framed ARR
£600 - 800
Lot 108 §
AFTER GEORGES BRAQUE (FRENCH 1882-1963)
Asteria
1971 relief cast on wove from the edition of 225 from the portfolio Hommage aux bijoux de Braque produced by Heger de Lowenfeld, published by Paris-Bievre Editions sheet 57 x 38cm framed ARR
£200 - 300
Lot 109 §
CLAUDE VENARD (FRENCH 19131999)
Untitled abstract composition c.1963 lithograph on wove image 18 x 18.5cm framed ARR
£150 - 250
110 §
MAX BECKMANN (GERMAN 1884-1950)
The Dutchess 1918
drypoint etching on laid from the unsigned unnumbered edition of 370 from the book The Duchess published by Verlag Gustav Kiepenheuer, Weimar sheet 29 x 23cm unframed ARR
£300 - 500
Reference see Museum of Modern Art, accession number 673.1964.5 for another example of the signed edition.
Vergewaltigt
1921 signed in pencil, dated in plate etching and soft ground etching with drypoint on wove
published by Emil Richter, Dresden image 29.5 x 51.7cm framed
£400 -600
Reference
see The Met, New York, accession number 65.603bis for another example from this edition
Miro Graveur (three volumes)
1984 - 1989 the complete suite of three volumes in French Vol 1 1928-1960, Vol 2 1961-1973, Vol 3 1973-1975 with 7 original woodcuts in colour and black and white original blue cloth dust jackets and card slipcase contained within original brown paper wrap each x cm 3
£400 - 600
Lithographe I (VIII); Lithographe II (VII) 1972, 1975
two lithographic book plates in colours on Arches wove
printed by Mourlot, Paris; published by A.C. Mazo & Cie, Paris and Leon Amiel, New York images 31 x 24cm and 31 x 48cm each framed ARR
2
£200 - 300
Lot 114 §
Jazz Portfolio 2004
the complete re-issued portfolio of facsimile prints with text in colours on 250gsm Lana Royal wove from the unnumbered edition of 1500 published by Editions Anthese, Arcuil each sheet loose as issued contained within original cloth bound book and slip case
overall 41.2 x 31.5 x 6.6cm
ARR
£800 - 1,200
Lot 115 §
AFTER HENRI MATISSE (FRENCH 1869-1954)
Le Cow-Boy 2004
lithograph in colours from the unnumbered edition of 1500 from the re-issued Jazz portfolio printed by Mourlot and Ferreri, published by Editions Anthèse, Paris image 37.5 x 58cm framed ARR
£300 - 500
Lot 116 §
AFTER HENRI MATISSE (FRENCH 1869-1954)
Formes 2004
lithograph in colours from the unnumbered edition of 1500 from the re-issued Jazz portfolio printed by Mourlot and Ferreri, published by Editions Anthèse, Paris image 37.5 x 58cm framed ARR
£300 - 500
Lot 117 §
AFTER HENRI MATISSE (FRENCH 1869-1954)
Le Cheval l’écuyère et le clown 2004
lithograph in colours from the unnumbered edition of 1500 from the re-issued Jazz portfolio printed by Mourlot and Ferreri, published by Editions Anthèse, Paris image 37.5 x 58cm framed ARR
£300 - 500
Lot 118 §
AFTER HENRI MATISSE (FRENCH 1869-1954)
L’Enterrement de Pierrot 2004
lithograph in colours from the unnumbered edition of 1500 from the re-issued Jazz portfolio published by Idem Mourlot sheet 39cm x 59cm unframed ARR
£200 - 300
Lot 119 §
MARC CHAGALL (FRENCH/RUSSIAN 1887-1985)
Winged Acrobat 1958 pochoir on wove signed in the plate from the edition of 300 from Couleur Amour printed by Jacomet, published by Au Vent d’Arles sheet 50.2 x 39.9cm framed ARR
£500 - 700
Lot 120 §
MARC CHAGALL (FRENCH/RUSSIAN 1887-1985)
Le Ciel Bleu (Galerie Maeght Exhibition Poster) 1964
offset lithographic poster printed by Mourlot, Paris produced by Galerie Maeght for Chagall’s exhibition June-July 1964
image 64 x 50.6cm framed ARR
£200 - 300
Note
produced for Chagall’s exhibition at Galerie Maeght, Paris June-July 1964
Lot 121 §
SALVADOR DALI (SPANISH 1904-1989)
The Queen’s Croquet Ground [Michler & Löpsinger 329] 1969
signed and inscribed EA in pencil an épreuve d’artiste aside from the edition of 200 heliogravure with woodcut remarques in colours on Rives wove from the Alice’s Adventures in Wonderland suite printed by Nourisson, published by Webunds und Commerz Union Anstalt sheet 57.7 x 45.6cm unframed
ARR
£500 - 700
Lot 122 §
SALVADOR DALI (SPANISH 1904-1989)
The Mock Turtle’s Story 1969
signed and inscribed EA in pencil an épreuve d’artiste aside from the edition of 200 heliogravure with woodcut remarques in colours on wove from the Alice’s Adventures in Wonderland suite printed by Nourisson, published by Webunds und Commerz Union Anstalt sheet 57.7 x 45.6cm unframed
ARR
£500 - 700
§
SALVADOR DALI (SPANISH 1904-1989)
Femme à le béquille (Woman with Crutch) 1969
signed in pencil over embossed signature from the edition of 150 drypoint etching with hand colouring from La Venus aux Fourrures portfolio plate 31 x 23.5cm framed ARR
£600 - 800
124 §
SALVADOR DALI (SPANISH 1904-1989)
Project of Monument to Picasso 1973
signed and numbered 101/500 in pencil lithograph in colours wove published by Mattabosch, Barcelona sheet 63 x 46cm framed ARR
£500 - 700
Lot 125 §
SALVADOR DALI (SPANISH 1904-1989)
Immortalité du Dalianus Galae 1973
signed and numbered XXXIV/4 in pencil on Japan drypoint with etching and heliogravure from Dix recettes d’immortalité portfolio printed by Ateliers Rigal, published by AudouinDescharnes, Paris sheet 77 x 57cm framed ARR
£500 - 700
Lot 126 §
SALVADOR DALI (SPANISH 1904-1989)
L’Adolescence (Vision of Gala) 1982
signed and numbered 66/170 in pencil etching in colours on japon nacré sheet 76 x 56cm framed ARR
£400 - 600
Lot 127 §
MAX ERNST (GERMAN 1891-1976)
Untitled (Composition for Werner Spies) 1974
signed and numbered 7/39 in pencil lithograph in colours on wove image 32.5 x 24.5cm framed ARR
£300 - 500
Lot 128 §
OLIFFE RICHMOND (AUSTRALIAN 1919-1977)
Four Figures & Dancing Group 1966 both signed, dated and numbered 48/250 and 123/250 in pencil two lithographs on laid sheets 57.4 x 80cm and 77.5 x 52.1cm unframed 2
£100 - 200
Lot 129 §
SIR SIDNEY NOLAN OM AC CBE RA (AUSTRALIAN 1917-1992)
Leda and the Swan 1961
signed and numbered 31/125 in pencil lithograph on wove from The Leda Suite published by Ganymed Press London LTD., London image 42.5 x 55cm framed ARR
£300 - 500
Reference see Victoria and Albert Museum, London, accession number E.999-1961 for another example of this edition.
Lot 130 §
SIR SIDNEY NOLAN OM AC CBE RA (AUSTRALIAN 1917-1992)
Untitled (Burke and Wills with Camels) 1973
signed and numbered 63/75 in pencil etching with aquatint in colours on wove from Burkes and Wills Expedition series sheet 56 x 76cm unframed ARR
£300 - 500
Lot 131 §
SIR SIDNEY NOLAN OM AC CBE RA (AUSTRALIAN 1917-1992)
Untitled (Burke and Camel)
1973
signed and numbered 65/75 in pencil etching with aquatint in colours on Arches wove from Burkes and Wills Expedition series sheet 56 x 76cm unframed
ARR
£300 - 500
Lot 132 §
SIR SIDNEY NOLAN OM AC CBE RA (AUSTRALIAN 1917-1992)
Untitled (Burke and Camel)
1973
signed and numbered 63/75 in pencil etching with aquatint in colours on wove from Burkes and Wills Expedition series sheet 56 x 76cm unframed
ARR
£300 - 500
Lot 133 §
SIR SIDNEY NOLAN OM AC CBE RA (AUSTRALIAN 1917-1992)
Convict and Cave 1963-4
signed and numbered 28/35 in pencil screenprint on wove image 49.5 x 59.8cm framed ARR
£300 - 500
Reference see Tate, London accession number P04640, for another example from this edition
Lot 134 §
ARTHUR LUIZ PIZA (BRAZILIAN 1928-2017)
Beryl, Calcite, Fantôme 1967, 1971, 1973
each signed and numbered from various limited editions three colour etchings in colour with aquatint on wove
sheet 63.5 x 45cm
sheet 63 x 45cm
sheet 65 x 49.8cm
each unframed
3
£200 - 300
135 §
Durbar
1980
foil cast
titled, dated and inscribed with the artist’s name image 47 x 71cm framed
£150 - 250
Provenance
current owner bought directly from the artist
Lot 136 §
MIMMO PALADINO (ITALIAN B.1948)
Sogno Umido
1984
signed, dated and numbered 9/65 in pencil linocut in colours on wove sheet 97 x 135cm framed
ARR
£400 - 600
Reference
see National Gallery of Victoria, Melbourne, accession number P13-1985 for another example from this edition
137 §
DE SAINT-PHALLE (FRENCH/ AMERICAN 1930-2002)
Adam and Eve c.1986 screenprint in colours on wove sheet 83 x 59.2cm unframed ARR
£300 -500
Note this image was used to advertise the artist’s exhibition at Galerie Kaj Forsblom, Helsinki November 1986- January 1987
138 §
The Baron in the Trees 1987 signed and numbered 35/48 in pencil lithograph in colours on wove from the RCA Artist’s Choice Portfolio printed and published by the Royal College of Art, London sheet 30 x 30cm framed ARR
£100 - 200
Lot 139 §
Tasso’s Trees (Six Works)
1977
each signed and numbered variously from the edition of 100 the incomplete set of six screenprints on wove each sheet 91.6 x 68.9cm unframed ARR
6
£100 - 200
Note
Normal VAT fees apply and the standard of VAT will be charged on both hammer price and premium
Lot 140 §
VICTOR VASARELY (HUNGARIAN/FRENCH 1906-1997)
Untitled Cube signed and numbered 55/250 in pencil screenprint in colours on wove sheet 81 x 72.9cm framed ARR
£300 - 500
141
CARLOS CRUZ-DIEZ (VENEZUELAN 1923-2019)
Untitled 1984 signed, dated, dedicated and inscribed E. D’A in pencil an eprueve d’artiste aside from the edition of 40 serigraph in colours on wove image 21.5 x 22cm framed
£400 - 600
Lot 142 §
JOSEF ALBERS (GERMAN 1888-1976)
Untitled screenprint in colours on wove sheet 68.5 x 68.5cm unframed ARR
£300 - 500
AGNES MARTIN RCA (AMERICAN/CANADIAN 1912-2004)
Paintings and Drawings, from the Stedelijk Museum Portfolio 1991
the complete suite of ten lithographs on vellum from the unnumbered edition of 2,500 printed by Nemela & Lenzen GmbH, Monchengladbach, printed by Stedelijk Museum, Amsterdam each sheet 30 x 30cm each sheet framed individually 10
£2,000 - 3,000
Note
The prints are accompanied by the corresponding monograph ‘Paintings and Drawings 1974-1990’ , Stedelijk Museum, Amsterdam. Accompanied by two further monographs ‘Agnes Martin’ edited by Frances Morris and Tiffany Bell, published by Tate, London; and ‘Paintings, Writings, Remembrances’ by Arne Glimcher, published by Phaidon, London and New York.
These works were published to coincide with the artists’ 1991 retrospective at the Stedelijk Museum, Amsterdam. The works are printed on fine vellum paper, a favourite of the artists, which lends itself to the fine precise line and colour palette of the artist.
AGNES MARTIN RCA (AMERICAN/CANADIAN 1912-2004)
Happiness-Glee; I Love Love; Innocence; Children Playing; Everyday Happiness; Innocent Love; Love; Lovely Life; Happy Holiday; Infant Response to Love 2000
the complete suite of ten lithographs on vellum each sheet titled in the plate published by Pace Wildenstein, New York each image 21 x 21cm each sheet framed individually 10
£3,000 - 5,000
KEITH HARING (AMERICAN 1958-1990)
Crack down offset lithographic poster in colours on smooth wove sheet 55.5 x 43cm unframed
£200 - 300
KEITH HARING (AMERICAN 1958-1990)
Montreux Jazz Festival Poster (Yellow, Green, Pink) 1983
three screenprints in colours on smooth wove printed by Albin Uldry, Bern each sheet 100 x 70cm unframed 3
£600 - 800
Lucky Strike (I, II & III) three digital posters in colours on smooth wove each image 98 x 69cm each framed 3
£600 - 800
Untitled (Too Big To Fail Wall Clock) 2012 fibreboard clock published by the Art Institute Chicago contained within original card packaging overall 25.5 x 25.5cm
£200 - 300
BARBARA KRUGER (AMERICAN B.1945)
Untitled (Flag) 2020
screenprint in colours on cotton produced for Artists Band Together, published by Los Angeles County Museum of Art contained within original black card envelope sheet 55 x 55cm unframed ARR
£200 - 300
JENNY HOLZER (AMERICAN B.1950)
Truisms: Men Don’t Protect You Anymore 1994
four digital prints on wooden postcards from the Survival Series published by Printed Matted, New York each 10 x 15cm unframed 4
£300 - 500
GILBERT & GEORGE (BRITISH B.1943 & B.1942)
Dirty Words Pictures 2002
each signed in silver and gold marker by both artists two offset lithographic posters in colours on smooth wove
published by the Serpentine Gallery, London
each sheet 99.7 x 69.5cm unframed
ARR
2
£100 - 200
GILBERT & GEORGE (BRITISH B.1943 & B.1942)
The Beard Pictures
each signed by both artists in black marker set of six offset lithographic posters in colours on smooth wove
published by Whitecube, London
each 60 x 90cm
unframed
ARR
6
£300 - 500
Lot 153 §
GILBERT & GEORGE (BRITISH B.1943 & B.1942)
Death After Life 2010
signed and numbered 38/100 in black ball point pen archival inkjet print in colours on wove sheet 24 x 46 cm framed ARR
£300 - 500
Lot 154 § PETER KENNARD (BRITISH B.1949)
The Gamble 2008
signed and numbered 10/75 in pencil screenprint in colours on wove published by Amilas, with their blindstamp sheet 69.5 x 69.5cm unframed ARR
£300 - 500
Lot 155 §
KENNARD PHILLIPPS (PETER KENNARD & CAT PHILLIPPS) (BRITISH COMTEMPORARY)
Photo op 2007 signed, dated and numbered 131/750 in pencil digital print in colours on wove sheet 49.5 x 48.5 cm unframed ARR
£200 - 300
Lot 156 §
JAKE AND DINOS CHAPMAN (BRITISH B.1966 & B.1962)
Colour Out of Space 2020 signed and numbered from the edition of 125 in pencil screenprint in colours with glitter on Somerset Satin wove from the Help Portfolio published by Jealous Gallery, London image 26 x 26cm framed ARR
£500 - 700
Sex Pistols God Save The Queen Flag ca.1980
screenprint on silk flag overall 108 x 73cm unframed
ARR
£800 - 1,200
This Was Printed on the Kelmscott Press 2014 signed and numbered 92/100 in purple pen verso letterpress print on fluorescent card sheet 41 x 29cm unframed ARR
£100 - 200
159 §
Self Portrait with a Crow initialled in blue crayon woodcut on thin wove sheet 39.4 x 26.6cm unframed
ARR
£100 - 200
Lot 160 §
CHILDISH (BRITISH B.1959)
Volcano 2011
signed in felt pen and stamp numbered 000003, with the artist’s stamp from the edition of 73 Gestetner duplicator print on pink recycled paper produced for the ICA, London sheet 21 x 29.5cm unframed
ARR
£400 - 600
Night Pond 2020
signed, dated, titled and numbered 30/125 in pencil verso screenprint with blind embossing on 300gsm Somerset Satin wove from the Help Portfolio published by Jealous Gallery, London sheet 60 x 40cm unframed ARR
£300 - 500
London Plane Leaves 1999 signed in pencil from the unnumbered edition of 1000 Indian ink on paper sheet 19.5 x 12.4cm framed ARR
£300 - 500
Note this unique work was one of 1000 drawings made for the Whitechapel Art Gallery exhibition 27 November 1999 - 23 January 2000 (see label to back of frame)
Lot 163 §
MARC QUINN (BRITISH B.1964)
Flesh Painting 2015
signed, dated and numbered 1/1 in pencil unique digital print in colours on wove sheet 120 x 170 cm
framed ARR
p
£700 - 1,000
Lot 164 §
MARC QUINN (BRITISH B.1964)
Flesh painting 2015
signed, dated and numbered 1/1 in pencil unique digital print in colours on wove sheet 70 x 102cm
framed
ARR
£700 - 1,000
Lot 165 §
MARC QUINN (BRITISH B.1964)
Before and After Humans 2015
signed, dated and numbered 1/1 in pencil unique digital print in colours on wove sheet 103 x 152cm framed ARR
£700 - 1,000
Lot 166 §
MARC QUINN (BRITISH B.1964)
Spectrum of Sentience 2023
signed and numbered 120/398 pigment print on Somerset photo paper with unique paint splatter sheet 29.8 x 29.8 cm unframed ARR
£200 - 300
Lot 167 §
PATRICK HUGHES (BRITISH B.1939)
Sticking Out Room 1973
signed, dated and numbered from the edition of 75 in black ink verso screenprint on card sheet 76.2 x 57cm unframed ARR
£300 - 500
Lot 168 §
PATRICK HUGHES (BRITISH B.1939)
Rainbows (Wrapping Paper) 2023
signed in black felt pen offset lithographic wrapping paper in colours
produced in collaboration with The Big Issue
sheet 50 x 70cm unframed ARR
£80 - 120
Lot 169 §
GRAYSON PERRY CBE RA (BRITISH B.1960)
Gay Black Cats MC 2017 from the unnumbered edition of 150 signed in black ink to accompanying COA cotton flag with embroidery appliqué published by Serpentine Galleries, London contained within original presentation box overall 97 x 148cm unframed ARR
£4,000 - 6,000
Provenance
this lot is accompanied by a Certificate of Authenticity, issued by the publisher
Notes
Grayson Perry is arguably one of the most iconic British artists of recent years. He first gained prominence for his sharp, satirical commentary on contemporary society, which he expresses through a diverse range of artistic mediums. Known for his ability to critique social norms with wit and humor, Perry’s work delves into issues of class, identity, gender, and culture. His creative portfolio is impressively varied, encompassing everything from intricate ceramics and tapestries to vibrant prints, sculptures, and even cross-disciplinary projects in television and writing.
Perry released the limited edition Gay Black Cats MC to mark the opening of his 2017 solo exhibition at the Serpentine Gallery. This handmade appliqué flag draws inspiration from Asafo flags, which historically served as visual symbols for military companies among the Fante people in present-day Ghana, from the 18th century onwards. As an avid motorcycling enthusiast, Perry created this flag for a fictional motorcycle gang, blending cultural references with his personal passions.
Lot 170 §
SIR GRAYSON PERRY CBE RA (BRITISH B.1960)
Unpopular Culture Scarf 2008 from unnumbered the edition of 700 hand rolled silk scarf in colours produced for the Arts Council touring Unpopular Culture exhibition overall 86 x 86cm unframed ARR
£200 - 300
Lot 171 §
SIR GRAYSON PERRY CBE RA (BRITISH B.1960)
Chris Whitty’s Cat 2020 signed and numbered 20/500 to slip pendant on chain published by Manchester Art Gallery contained within original presentation box 3.5 x 4.2 x 2cm ARR
£700 - 1,000
§
SIR GRAYSON PERRY CBE RA (BRITISH B.1960)
100% Art Plate 2020 fine china plate each with artist’s seal printed to underside produced for the Holburne Museum diameter 21cm ARR
£100 - 200
Lot 173 §
SIR GRAYSON PERRY CBE RA (BRITISH B.1960)
Forest Spirit Alan Planter unglazed ceramic with hand painting with artist’s monogram printed to base published by the Midlands Art Centre, Birmingham 35.5 x 21 x 20cm ARR
£600 - 800
Lot 174 §
SIR GRAYSON PERRY CBE RA (BRITISH B.1960)
Piggy Bank 2021 with artists monogram to underside glazed ceramic multiple with rubber stop published by Serpentine Gallery, London contained within original grey presentation box 21cm long ARR
£700 - 1,000
Lot 175 §
SIR GRAYSON PERRY CBE RA (BRITISH B.1960)
Claire as a Soldier Tea Towel 2022 from the limited edition of 400 digital print on linen produced by Victoria Miro Gallery in collaboration with Grayson Perry for the Strange Clay exhibition at the Hayward Gallery 76 x 48cm unframed ARR
£150 - 250
GAVIN TURK (BRITISH B.1967)
Tea Stain (pair) 2004
each signed, dated and numbered from the edition of 500 in pencil two tea stains on wove each sheet 28 x 28.8cm each framed ARR
2
£300 - 500
CORNELIA PARKER CBE RA (BRITISH B.1956)
The Spider that Died in the Tower of London 2000 from the unsigned and unnumbered edition of 90 digital print on paper from Bugs: A Portfolio published by the Byam Shaw School of Art, London sheet 30 x 40cm framed ARR
£150 - 200
Reference see Tate, London accession number P78511 for another example of this edition
178 §
SIR ANTONY GORMLEY OBE RA (BRITISH B. 1950)
Body 2014 signed, titled, dated and numbered 207/250 in pencil verso giclée on wove sheet 28 x 22cm framed ARR
£600 - 800
Lot 179 §
SIR ANTONY GORMLEY OBE RA (BRITISH B. 1950)
Domain Field 2003 signed in black pen offset lithograph poster in colours on smooth wove published by BALTIC Centre for Contemporary Art, Gateshead sheet 34.5 x 59.5cm unframed ARR
£100 - 200
Note
This edition was produced to accompany the Domain Field Installation held at BALTIC Centre for Contemporary Art, Gateshead
180 §
SIR ANTONY GORMLEY OBE RA (BRITISH B. 1950)
Test II 2024
digitally printed poster on 300gsm Monte Carlo wove from the unnumbered edition of 150 printed by King and McGaw published to commemorate the 90th Anniversary of Glyndebourne sheet 80 x 60.2cm unframed
ARR
£300 - 500
181 §
SIR ANISH KAPOOR CBE RA (BRITISH/ INDIAN B.1954)
Untitled (Red) 2014
signed and numbered 56/150 in pencil polymer gravure etching on 280gsm BFK Rives wove published for the Terence Higgins Trust, London sheet 31.8 x 38cm unframed
ARR
£1,000 - 1,500
Lot 182 §
SIR ANISH KAPOOR CBE RA (BRITISH/ INDIAN B.1954)
Out of the Dark 2023
signed and numbered from the edition of 332 in pencil
screenprint in colours with matte varnish seal on 410gsm Somerset Tub Sized Satin wove printed by Make-Ready, published by Avant Arte, London sheet 38.6cm x 66cm unframed
ARR
£2,000 - 3,000
Lot 183 §
WINSTANLEY (BRITISH B.1954)
Lilies 2020
signed and numbered 30/125 in pencil screenprint on 410gsm Somerset Satin wove from the Help Portfolio published by Jealous Gallery London sheet 73 x 55cm unframed
ARR
£300 - 500
Lot 184 §
CORINNE DAY (BRITISH 1962-2010)
Kate in Blackpool 2000 2004
c-type photograph mounted on aluminium sheet 60 x 76cm unframed ARR
£400 - 600
Lot 185 §
DAME TRACEY EMIN CBE RA (BRITISH B.1963)
Self Portrait as a Small Bird 2002
signed, dated, titled and numbered 158/200 in pencil etching on wove sheet 46.1 x 50.4cm framed ARR
£3,000 - 5,000
Lot 186 §
DAME TRACEY EMIN CBE RA (BRITISH B.1963)
Be Faithful To Your Dreams 1999 embroidered cotton handkerchief from the edition of an unknown size published by MOMART, London contained within original plastic packaging overall 40 x 38.5cm unframed
ARR
£700 - 1,000
Lot 187 §
DAME TRACEY EMIN CBE RA (BRITISH B.1963)
iPad Drawings 2013 signed and dated in black pen the complete suite of six inkjet prints in colours on wove published by Emin International, London, with their inkstamp verso each sheet 14.7 x 21cm unframed
ARR
6
£600 - 800
Lot 188 §
DAME TRACEY EMIN CBE RA (BRITISH B.1963)
Kissing You 2014
signed, dated, titled and numbered 47/100 polymer gravure etching on chine collé on wove
sheet 37 x 44.5cm framed ARR
£1,500 - 2,000
Lot 189 §
SAM TAYLOR-JOHNSON (BRITISH B. 1967)
Five Revolutionary Seconds XII 1998
numbered AP II/II aside from the edition of 3 to label verso c-print mounted on foam board sheet 45.2 x 215.3cm framed ARR
£1,500 - 2,000
Provenance
With Wendy Bray, Rugby, 2 December 1989, where purchased by the present owner
Lot 190 §
SIR MICHAEL CRAIG-MARTIN (IRISH B.1941)
Anthology 2006
signed, dated and numbered 55/60 in pencil
screenprint in colours on wove published by the Irish Museum of Modern Art, Dublin image 26.5 x 28cm framed ARR
£600 - 800
Lot 191 §
SIR MICHAEL CRAIG-MARTIN CBE RA (BRITISH B. 1941)
Gerberas 2020
signed, dated and numbered 30/125 in pencil screenprint in colours on 300gsm Arches 88 wove from the Help Portfolio published by Jealous Gallery, London sheet 50 x 50cm unframed ARR
£800 - 1,000
Matchbox Figure 4 2022 metal sculpture contained within original card presentation box
3.5 x 1.7cm
ARR
£100 - 200
§
JULIAN OPIE (BRITISH B.1958)
Standing People 2019 set of six lenticular postcards each sheet 14 x 14.5cm unframed
ARR
£200 - 300
YINKA SHONIBARE CBE RA (BRITISH B. 1962)
Thank You 2020 signed and numbered 30/125 in pencil screenprint with gold leaf and varnish overlays on 410gsm Somerset Satin wove from the Help Portfolio published by Jealous Gallery, London sheet 68 x 50.5cm unframed ARR
£400 - 600
YINKA SHONIBARE CBE RA (BRITISH B. 1962)
Grain Weevil 2000 from the unsigned and unnumbered edition of 90 lithograph in colours with gloss spot UV varnish on board from Bugs: A Portfolio published by the Byam Shaw School of Art, London sheet 30 x 40cm framed ARR
£500 - 700
Lot 196 §
CHRISTO (BULGARIAN/AMERICAN 19352020) AND JEANNE-CLAUDE (MOROCCAN 1935-2009)
Paris! 2020
signed and numbered from the edition of 450 in pencil
offset lithograph in colours contained within exhibition catalogue published by Editions du Centre Pompidou, Paris contained within original card slip and exhibition catalogue
sheet 20.2 x 26.3cm unframed
ARR
£400 - 600
Lot 197 §
GERHARD RICHTER (GERMAN B. 1932)
Motorboat 2023
from the unsigned and unnumbered edition of 500 5-color hybrid print on 260g Rives wove published by Daco-Verlag, Stuttgart
sheet 70 x 70cm unframed
ARR
£400 - 600
Lot 198 §
GERHARD RICHTER (GERMAN B. 1932)
Seestück (Bewölkt) (Seabed (Cloudy))
2023
inscribed verso, from the unsigned and unnumbered edition of 500 5-color hybrid print on 260g Rives wove published by Daco-Verlag, Stuttgart sheet 70 x 70cm unframed ARR
£500 - 700
Provenance
this print is accompanied by a Certificate of Authenticity, issued by the publisher
Lot 199 §
DAMIEN HIRST (BRITISH B.1965)
Happy Christmas (I Once Was What You Were, You Will Be What I am)
2006 signed and inscribed in pencil etching on wove sheet 49 x 39.8cm framed ARR
£800 - 1,200
Lot 200 §
DAMIEN HIRST (BRITISH B.1965)
Beyond Belief and For the Love of God 2007
signed, inscribed and numbered 159/300 in in pencil the complete suite of two etchings on wove printed and published by Other Criteria, London sheets 34 x 56.1cm framed ARR
£1,200 - 1,800
Provenance
Gifted by the artist on 3rd June 2007 to thank those who contributed to Beyond Belief and For the Love of God, with Science Label verso.
Lot 201 §
DAMIEN HIRST (BRITISH B.1965)
To Lose 2008
signed and numbered 43/75 in pencil etching in colours on wove published by Other Criteria, London sheet 41 x 44cm framed ARR
£2,500 - 3,500
Deckchair (Orange) 2008 printed signature to metal plate from the edition of 250 screenprint on sail cloth on Merpauh timber frame produced for Royal Parks overall folded 130.6 x 53.3 x 5 cm
ARR
£500 - 700
Where The Land Meets The Sea 2023
each signed in gold pen set of three offset lithographic posters on wove published by HENI Editions, London each sheet 85.1 x 59.5cm unframed
ARR
£300 - 500
Lot 204 §
DAMIEN HIRST (BRITISH B.1965)
9334 Dark Clouds Parted 2016
signed, dated, numbered and titled in pencil verso with artist’s blindstamp, watermark, microdot and hologram from the edition of 10000 unique variants enamel paint on wove published by HENI Editions, London contained within original card packaging sheet 21.7 x 30cm unframed ARR
£4,000 - 6,000
Lot 205 §
DAMIEN HIRST (BRITISH B.1965)
Rainbow Butterfly (small) [H7-2] 2020
signed in black ink and numbered from the edition of 4150 to label verso laminated giclée print in colours on aluminium composite panel published by HENI Editions, London contained within original HENI card packaging overall 24.1 x 50cm ARR
£600 - 800
Untitled (Red Butterfly) 2005
signed, dated and inscribed in white pencil numbered 43/70 to label affixed to frame verso screenprint and polymer gravure in colours on thick wove
sheet 99.3 x 65.5 cm framed ARR
£4,000 - 6,000
§
Selflessness [H14-7] 2024
signed and numbered from the edition of 578 to label verso laminated giclée print on aluminium composite panel from The Secrets series published by HENI Editions, London contained within original Heni card packaging sheet 120 x 93cm unframed ARR
£5,000 - 7,000
§
Love Conquers Nothing 2011 signed and numbered from the edition of 35 in pencil inkjet print in colours on wove published by Other Criteria, London sheet 41.2 x 33.5cm unframed ARR
£5,000 - 7,000
209 §
HARLAND MILLER (BRITISH B. 1964)
Heroin, It’s What Your Right Arm’s For 2012 signed, dated and numbered 28/50 in pencil screenprint in colours on wove published by Turps Banana, London sheet 56.8 x 41.2cm framed ARR
£2,000 - 3,000
HARLAND MILLER (BRITISH B. 1964)
Win 2022
offset lithographic poster produced for the Paris Olympics produced in collaboration with White Cube by King and McGaw sheet 80 x 52.5cm unframed ARR
£200 - 300
HARLAND MILLER (BRITISH B. 1964)
Oui 2021
signed, dated and inscribed ‘Paris’ in black ink offset lithographic poster in colours on wove published by White Cube, London sheet 84 x 59cm framed ARR
£300 - 500
A Load of Fuss About Fuck All 2015
signed, dated and numbered from the edition of 95 giclée print with screenprint varnish on wove sheet 22.7 x 15.7cm unframed
ARR
£500 - 700
Two of a Kind 2018
numbered from the edition of 250 in pencil digital print in colours on 250gsm Hahnemühle wove published by The Heliotrope Foundation, with their label verso sheet 48.3 x 32.8cm unframed
ARR
£100 - 200
The Honeymoon is Over giclée print in colours on wove numbered 138/250 in pencil printed and published by The Heliotrope Foundation, with their blindstamp sheet 48 x 33cm unframed ARR
£100 - 200
I Don’t Want to Belong to Any Club That Would Have Me as a Member 2019 signed, dated and numbered 3/50 in pencil screenprint in colours on wove sheet 99 x 67.5cm framed ARR
£700 - 1,000
Christ, Now What? 2023
numbered 45/50 in pencil pigment print in colours on archival wove sheet 42 x 29.5cm unframed
ARR
£300 - 500
THE CONNOR BROTHERS (BRITISH B.1968)
The Truth Will Set You Free 2015
signed, dated and numbered 55/95 in pencil giclée print in colours on wove sheet 86 x 57.5cm unframed
ARR
£500 - 700
I Tried to Drown My Sorrows 2022 signed in white pen from the unnumbered edition of 520 giclée print in colours on thin wove published by The Big Issue, London sheet 70.2 x 50cm unframed ARR
£300 - 500
Lightness of Being (Crystal Edition) 2018
signed and numbered from the edition of 100 in pencil three colour silkscreen with Swarovski crystals on 410gsm Somerset satin wove published by Jealous Gallery, London, with the artist’s blindstamp sheet 52 x 42cm framed ARR
£5,000 - 7,000
X Marks the Spot 8
2018
signed in pencil screenprint with glitter overlay on 410gsm Somerset Satin Radiant White wove printed by the artist, published by Jealous Print
Studio sheet 30 x 30cm unframed ARR
£200 - 300
§
X Marks the Spot 1
2018
signed in pencil
1 colour Screenprint with Glitter Overlay on 410gsm Somerset Satin Radiant White wove printed by the artist, published by Jealous Print
Studio sheet 30 x 30cm unframed
ARR
£200 - 300
Lightness of Being (Freedom Edition) 2021
digital signature to label affixed verso, numbered from the edition of 1000 diasec-mounted giclée print on aluminium composite panel sheet 90 x 70cm unframed ARR
£1,500 - 2,000
Compassion 2020
signed and numbered 30/125 in pencil, with artist’s blindstamp silver and phosphorescent screenprint on 410gsm Radiant White wove from the Help Portfolio published by Jealous Gallery, London sheet 65 x 49cm unframed ARR
£400 - 600
Lot 224 §
KEATES (BRITISH B.1990)
Lions Gate Portal 2022
signed and numbered from the edition of 1000 to label verso lithograph in colours on wove published by Architectural Digest, Germany sheet 50.1 x 40cm unframed ARR
£300 - 500
Lot 225 §
LAURE PROVOST (FRENCH B. 1978)
Bum Painting 2017
signed and numbered from the edition of 100 in pencil digital print in colours on wove published by Studio Voltaire, London sheet 24.5 x 30cm unframed ARR
£300 - 500
Really Good 2016
signed in black marker, and numbered from the edition of 3000 with stamp to base polystone multiple contained within original packaging 29cm high ARR
£200 - 300
DAVID SHRIGLEY OBE (BRITISH B.1968)
Animals and Existentialism 2022
four offset lithographs on 200g Munken Lynx from the unnumbered edition of 250 to include; Do Not Eat Him; I’ve Heard About Freedom; How Fast Can You Run and Monkey Isn’t Thinking About You printed by Narayana Press, published by Shrig Shop, Copenhagen each sheet 70 x 50cm unframed
ARR
4
£250 - 350
Cereal Killer; Froot Looped 2020
each signed and numbered from editions of 25 in black pen two 3D screenprint in colours each sheet 86.5 x 61cm unframed 2
£400 - 600
What’s Up 2020
resin sculpture hand-painted in colours numbered from the edition of 200 in black ink to Certificate of Authenticity produced by Apportfolio, published by ARTOX Group Ltd. in collaboration with Disney contained within original black card presentation box
height 30cm
£800 - 1,200
Provenance
This lot is accompanied by a Certificate of Authenticity
I Believe In A Heaven I’ll Never Enter 2021
signed and numbered 31/50 in pencil giclée print in colours on Hahnemühle photo rag wove
published by Art on a Postcard, London sheet 20.9 x 14.7cm unframed
ARR
£300 - 500
Lot 231 §
NICOLAS PARTY (SWISS B.1980)
Still Life and Red Still Life 2023
two offset lithographs in colours on smooth wove
each from unnumbered editions of 100 each sheet 30 x 30cm unframed
ARR
2
£300 - 500
Baby 2020
artist’s initials, date and title printed to underside vinyl multiple produced by AllRightsReserved Ltd. contained in original presentation case 26.2cm high
£300 - 500
Vilnius 2024
signed and numbered 77/100 in black pen verso ditone print on Hahnemühle Photo Rag wove published by Texte Zur Kunst, Berlin sheet 53 x 50cm unframed ARR
£1,000 - 1,500
They Are Liars! 2005-2006
signed, dated, titled and numbered 13/50 in pencil screenprint on wove sheet 63 x 77.4cm unframed
£4,000 - 6,000
Provenance purchased Camden Art Centre, 2005-2006
Note
Kerry James Marshall is an American artist best known for his paintings, sculptures and prints which center on Black figures and address issues of represtentation. The core of his work is the reclamation of black subjects in visual culture, countering the histrorical ommission and marginalization of black people in the Western art tradition. His extensive ouvre is described as a “Counter-Archive” as his works re-instate black figures into the ongoing narrative of art history. Marshall’s work addresses the over-representation and idealization of white bodies in art, and often champions the theme of Black is Beautiful. From an early age he recognised the absense of black figures across commercial advertising, popular culture and Western art history. Marshall’s rich and dynamic paintings use both deep and vivid pigments, often painting his figures in dark pigments to emphasise the richness of black skin, a direct contrast the the dominant norms in art and popular culture collating beauty with whiteness. Marshall’s works extend beyond the representation of black figures into a new branch of American art history and visual culture.
Though best known for his large-scale acrylic paintings, where he masterfully combines realism with collage, signage, and intricate patterns, Marshall has also ventured into other mediums, including comics. His interest in comic strips arose from his experiences as a young man, where though he devoured comic strips it was hard to ignore the lack of African-American heroes in pop culture. While Black Panther, a Marvel character, is often cited as the prominent representation of African culture, Marshall observed that the narratives were constructed by white writers, failing to capture the lived experiences of Black individuals.
In response, Marshall created his own comic strips, most notably Rhythm Mastr, On The Stroll, and P-Van, to bring Black heroes and stories into the comic medium. These works reflect his broader artistic vision: to center Black lives and narratives in popular media and culture. Rhythm Mastr, follows an African-American teenager who gains superpowers through African sculpture, blending contemporary urban life with African mythology - elements often sidelined in favor of Western mythologies in mainstream culture.
P-Van, the series of this particular print, is another significant work in Marshall’s comic expression. Inspired by a group of men who gathered in front of his studio in a van, Marshall sought to give these ordinary, working-class individuals a platform to express their inner philosophical lives. In doing so, he subverts the typical portrayal of Black men as background characters in white-dominated comics, giving them complexity and agency. The comic’s format, echoing the tradition of newspaper strips, allows for a more intimate, serialized exploration of their lives. P-Van, as in his larger body of work, Marshall reimagines the boundaries of visual storytelling, creating a space where Black figures are central, dynamic, and deeply human.
Lot 235 §
SCOTT KAHN (AMERICAN B.1946)
Leap from the Balcony signed, titled and numbered 1/200 in pencil giclée print in colours on wove sheet 26.6 x 30cm unframed
£800 - 1,200
Provenance bought directly from the artist in February 2012, thence by descent
Lot 236 §
SCOTT KAHN (AMERICAN B.1946)
Seaview signed, titled and numbered 4/200 in pencil giclée print in colours on wove sheet 30 x 26.6cm unframed
£800 - 1,200
Provenance
bought directly from the artist in February 2012, thence by descent
Lot 237 §
All In Home 2022
signed and numbered from an edition of 100 in pencil screenprint in colours on Mohawk Superfine wove published by Pop!nk Editions sheet 58.1 x 76.1cm unframed
£250 - 350
Lot 238 §
AI WEIWEI (CHINESE B.1957)
Cats (Red) 2022
signed, dated and numbered 13/150 in pencil screenprint in colours on 300gsm Saunders Waterford wove printed at The Print Studio, published by Kettle’s Yard, Cambridge sheet 27.5 x 32.5cm framed
£500 - 700
Pattern Makers
2020
signed and numbered 11/30 in pencil screenprint in colours on wove published by Fort Makers, New York image 45.3 x 30.1cm framed ARR
£800 - 1,200
Provenance
Fort Makers the publisher December 2020; Private purchase 2021
Night Opening
2022
signed, dated and numbered from the edition of 100 in pencil etching in colour on 270gsm BFK Rives wove published on Texte Zur Kunst, Berlin sheet 30 x 24cm unframed
£500 - 700
Jen’s hand on Clemen’s Back, Paris 2001 2004
signed and numbered 11/100 in black ink to label verso cibachrome print in colours together with the monograph The Devil’s Playground further signed and numbered to frontispiece published by Phaidon Press contained within black card presentation case sheet 61 x 40.7cm unframed
£600 - 800
Red 2013
signed, dated and numbered 5/40 in pencil 2-run, 2-color photogravure with line etching on wove image 50.6 x 36cm framed
£500 - 700
Redacted Letter (President Joe Biden) 2020
signed, dated and numbered from the edition of 35 in pencil lithograph in colours on wove sheet 37.8 x 28cm unframed ARR
£600 - 800
The Idiot (Red) 2022
signed, dated and numbered 13/20 in pencil giclée print on wove sheet 41.5 x 29cm unframed
ARR
£600 - 800
245 § THE CONNOR BROTHERS (BRITISH B.1968)
Big Brother 2023
signed, dated and numbered AP 8/8 in pencil hand coloured silkscreen on wove sheet 41.5 x 29.3cm unframed
ARR
£600 - 800
Lot 246 § THE CONNOR BROTHERS (BRITISH B.1968)
I Drink Therefore I Can 2022
signed, dated and numbered AP 8/8 in pencil hand coloured silkscreen on wove sheet 41.5 x 29.3cm unframed ARR
£600 - 800
Lot 247 §
THE CONNOR BROTHERS (BRITISH B.1968)
Two’s Company 2023
signed, dated and numbered AP 8/8 in pencil hand coloured silkscreen on wove sheet 41.5 x 29.3cm unframed
ARR
£600 - 800
Lot 248 §
THE CONNOR BROTHERS (BRITISH B.1968)
Crack 2023
signed, dated and numbered AP 8/8 in pencil hand coloured silkscreen on wove sheet 41.5 x 29.3cm unframed
ARR
£600 - 800
Parenthood 2023
signed, dated and numbered AP 8/8 in pencil hand coloured silkscreen on wove sheet 41.5 x 29.3cm unframed ARR
£600 - 800
Lot 250
YOSHITOMO NARA (JAPANESE B.1959)
Kimi Ga Suki Raifu (Red) 2019
offset lithographic record cover and Matthew Sweet vinyl from the unnumbered edition of 500 overall 31.4 x 31.4cm
£150 - 250
Inside the Rainbow’s Heart 2022
signed and numbered 16/300 in silver pen
offset lithograph with cold stamp and high gloss varnish in colours on wove published by Kaikai Kiki Co. Ltd, Tokyo sheet 71cm dia unframed
£700 - 1,000
TAKASHI MURAKAMI (JAPANESE B.1962)
Beyond the Dimensions 2022
signed and numbered 276/300 in silver pen
offset lithograph with cold stamp and high gloss varnish in colours on wove published by Kaikai Kiki Co. Ltd, Tokyo sheet 71cm diameter unframed
£700 - 1,000
Lot 253
Flowerball: Colourful, Miracle, Sparkle 2022
signed and numbered 101/300 in silver pen offset lithograph with cold stamp and high gloss varnish in colours on wove published by Kaikai Kiki Co. Ltd, Tokyo sheet 71cm diameter unframed
£700 - 1,000
Lot 254
Burying My Face in the Field of Flower 2022
signed and numbered 219/300 in silver marker offset lithograph with cold stamp and high gloss varnish in colours on wove published by Kaikai Kiki Co. Ltd, Tokyo sheet 71cm diameter unframed
£700 - 1,000
Flat Top Mt. Diner, Tennessee 2017
signed and numbered 179/295 in pencil giclée print in colours on 350gsm Magnani wove
printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks image 59 x 42.6cm framed
£1,500 - 2,000
The Asia Series 2021
each signed and numbered MP5 in pencil a Museum Proof aside from the edition of 295 the complete portfolio of four giclée prints in colours on 300gsm Hahnemühle Museum Etching wove
published by Washington Green Fine Art in association with Black Buffalo Artworks contained within original presentation portfolio each sheet loose as issued each sheet 76.2 x 67.2cm portfolio 78 x 69cm unframed ARR
£6,000 - 8,000
Provenance
This lot is accompanied by four Certificates of Authenticity, issued by Washington Green Fine Art
Train Tracks (Red) 2012 signed and numbered 174/295 in pencil giclée print in colours on 350gsm Hahnemühle Museum Etching wove printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks sheet 91.5 x 71cm framed
£3,000 - 5,000
Lot 258 §
John Lennon 1989
signed, dated, titled, numbered 61/150 and dedicated with doodle in pencil screenprint in colours on wove sheet 58.4 x 76cm unframed ARR
£200 - 300
Lot 259 §
ROURKE VAN DAL (BRITISH B.1969)
Andy’s Girl 2019
signed and numbered H.C. in pencil an Hors Commerce aside from the edition of 75 screenprint in colours on 300gsm Somerset wove sheet 70 x 70cm unframed
ARR
£100 - 200
Lot 260 §
RUSSELL YOUNG (BRITISH B.1959)
Frank Sinatra
2007
signed and numbered 10/25 in pencil screenprint in colours on wove image 95 x 73.5 cm framed ARR
£1,000 - 2,000
Lot 261
MARIO TESTINO OBE (PERUVIAN B. 1954)
Julianne Moore at the Crillon Hotel, Paris 2008 2010
signed and numbered 73/175 in black pen C-type print on Fuji crystal archive supergloss paper published by Counter Editions, Margate image 43 x 58cm framed
£1,000 - 1,500
Lot 262 §
Stupid Crazy Love 2024
signed and numbered 22/195 in pencil archival pigment print with silkscreen overlay on 410gsm deckle-edged satin wove sheet 101 x 67.5cm unframed ARR
£1,200 - 1,800
Provenance
this work is accompanied by a Certificate of Authenticity issued by Washington Green Fine Art
Lot 263
Hollow and Death 2018
each signed, dated and numbered 12/100 in pencil two screenprints on wove each sheet 46.8 x 38cm unframed 2
£400 - 600
Lot 264
TAKASHI MURAKAMI (JAPANESE B.1962)
Enso: Intellection, Enso: Earthly Desires
2015 each signed and numbered from editions of 300 in black ink two offset lithograph with high gloss varnish in colours on wove published by Kaikai Kiki Co. Ltd, Tokyo each sheet 68 x 68cm unframed
2
£700 - 1,000
Lot 265
TAKASHI MURAKAMI (JAPANESE B.1962)
Enso: Momento Mori Red on Blue and Enso: Momento Mori Red
2015 each signed and numbered from the editions of 88/300 in silver pen two offset lithographs in colours on smooth wove published by Kaikai Kiki Co. Ltd., Tokyo each sheet 68 x 68cm unframed
2
£600 - 800
Acupuncture Flowers (Checkers) 2008
signed and numbered 84/300 in silver pen offset lithograph in colours on smooth wove published by Kaikai Kiki Co. Ltd, Tokyo sheet 62 x 62cm unframed
£400 - 600
TAKASHI MURAKAMI (JAPANESE B.1962)
Panda with Panda Cubs 2019
signed and numbered 88/300 in black felt pen offset lithograph with coldstamp on wove published by Kaikai Kiki Co. Ltd, Tokyo sheet 71cm dia framed
£700 - 1,000
Lot 268
TAKASHI MURAKAMI (JAPANESE B.1962)
Hommage to Francis Bacon (Study for Head of Isabel Rawsthorne and George Dyer)
2016
each signed and numbered from the edition 300 in silver pen two offset lithographs in colours on wove published by Kaikai Kiki Co. Ltd, Tokyo each image 48 x 48 cm framed 2
£1500 - 2.000
Lot 269
TAKASHI MURAKAMI (JAPANESE B.1962)
Cherry Blossoms in Bloom. Kaikai Kiki.
2020
signed, dated and numbered 38/100 in pencil offset lithograph in colours on wove published by Kaikai Kiki Co., Ltd, Tokyo
image 37 x 37cm
framed
£1,000 - 1,500
TAKASHI MURAKAMI (JAPANESE B.1962)
And Then And Then and Then and Then and Then (Aqua Blue and Red)
1999
each signed and numbered 239/300 and 245/300 in silver pen
two offset lithographs with cold stamp in colours on wove
published by Kaikai Kiki Co. Ltd, Tokyo each sheet 68 x 68cm unframed 2
£1,000 - 1,500
Wouldn’t It Be Nice If We Could Do Such a Thing 2017
signed, dated and numbered from the edition of 412/1000 in silver pen
offset lithograph in colours on smooth wove published by Kaikai Kiki Co. Ltd, Tokyo
image 49.5 x 101cm framed
£2,000 - 3,000
Lot 272 §
PAUL INSECT (BRITISH B.1971)
Dead Cow Suite 2007
each signed, dated and numbered 15/50 in pencil the complete suite of six screenprints in colours on Arches 88 wove printed and published by Pictures on Walls, with their blindstamp each sheet 76 x 56cm unframed ARR
6
£2.000 - 3,000
Lot 273 §
BANKSY (BRITISH B.1974)
Save or Delete 2002 offset lithographic poster in colours on recycled wove commissioned by Greenpeace sheet 42 x 59.5cm unframed ARR
£300 - 500
Lot 274 §
BANKSY (BRITISH B.1974)
Rude Snowman
2003
offset lithographic card in colours with printed Banksy tag verso produced for the Santa’s Ghetto pop-up, London sheet 17.5 x 14.3cm unframed
ARR
£200 - 300
Lot 275 §
BANKSY (BRITISH B.1974)
Di-faced tenner
offset lithograph in colours on wove sheet 7.5 x 14.5 cm unframed ARR
£1,200 - 1,800
Provenance
This lot is accompanied by a letter issued by Steve Lazarides at Laz Emporium
Lot 276 §
BANKSY (BRITISH B.1974)
Soup Cans 2006
offset lithographic poster in colours on smooth wove signature printed in the plate from the open edition printed by Pictures on Walls, London sheet 84 x 59.3cm unframed ARR
£1,000 - 1,500
Lot 277 §
BANKSY (BRITISH B.1974)
Walled Off Box Set 2017
giclée print in colours with piece of concrete wall from the open edition framed within Artist designated Ikea frame overall 25.5 x 25.3cm ARR
£600 - 800
Note this lot is accompanied by a receipt from the Walled off Hotel
Lot 278 §
BANKSY (BRITISH B.1974)
Peckham Rock 2018
digital print in colours on wood postcard overall 18 x 12cm unframed
ARR
£100 - 200
Lot 279 §
BANKSY (BRITISH B.1974)
Visit Historic Palestine Poster 2018
lithographic poster in colours on wove with The Walled Off Hotel blindstamp sheet 59.5 x 42cm unframed ARR
£300 - 500
Provenance
This lot is accompanied by a reciept from the Walled off Hotel
Lot 280 §
BANKSY (BRITISH B.1974)
GDP Flower Thrower 2019
screenprint on 50gsm paper sheet 75.5 x 57.2cm unframed
ARR
£1,000 - 1,500
Note
This print was produced to accompany the Gross Domestic Product exhibition, Croydon.
Lot 281 §
BANKSY (BRITISH B.1974)
GDP Rat 2019
screenprint on 50gsm paper sheet 38.2 x 50.9 cm unframed
ARR
£1,000 - 1,500
Note
This print was produced to accompany the Gross Domestic Product exhibition, Croydon.
Ukraine booklet 2023
booklet with postcard, envelope and stamps from the unnumbered edition of 1500 overall 30.6 x 21.7cm unframed ARR
£300 - 500
Welcome Mat 2019
numbered to label attached hand stitched welcome mat, the lettering made from the salvaged fabric of migrants’ life jackets abandoned on Mediterranean beaches
60 x 40 cm ARR
£1,000 - 1,500
Lot 284 §
BANKSY (BRITISH B.1974)
Wall Sculpture Mini (Girl with Balloon)
2019
inscribed in black pen to resin underside cast resin sculpture with West Bank Separation wall fragment base overall 12.4cm high
ARR
£500 - 700
Lot 285 §
BANKSY (BRITISH B.1974)
Wall Sculpture (Flower Thrower) 2019
inscribed in black pen to resin underside cast resin sculpture with West Bank Separation wall fragment base overall 12.6cm high
ARR
£1,000 - 1,500
Provenance
this lot is accompanied by the original receipt, from The Walled Off Hotel, with corresponding item number.
Flocked Panda Head 2018 signed in pencil unique edition screenprint with flocking on 410gsm Somerset Tub wove published by Jealous Gallery, with their blindstamp sheet 99.8 x 99.8cm unframed ARR
£600 - 800
A Fall to Alms (Pink and Gold) signed and numbered IV/XV in pencil an artists proof aside from the edition of 25 archival inkjet, hand applied 24 carat gold leaf, hand drawing and screenprint in colours on 410gsm Somerset wove published by Jealous Gallery, London, with their blindstamp sheet 88.7 x 70cm unframed ARR
£400 - 600
Lot 288 §
CHARMING BAKER (BRITISH B.1964)
Sorry 2015
signed and inscribed AP in pencil an artist’s proof aside from the edition of 125 with artist’s blindstamp
Archival Inkjet with a 1 Colour Screenprint
Overlay on 330gsm Somerset Satin
Enhanced wove
sheet 58 x 53.5cm unframed
ARR
£200 - 300
Lot 289 §
CHARMING BAKER (BRITISH B.1964)
Try Not To Always Think The Worst 2013
signed and numbered 98/100 in pencil with artist’s blindstamp screenprint on colours on Somerset Satin White Tub
Sized wove
sheet 102.3 x 76cm unframed
ARR
£400 - 600
Lot 290 §
CHARMING BAKER (BRITISH B.1964)
Let’s Not Make Life Anymore Difficult Than It Already Is 2013
signed and inscribed A/P in pencil an artist’s proof aside from the edition of 125 screenprint in colours with buck shot hole on 410gsm Somerset Satin wove published by Jealous Gallery, London sheet 95.9 x 74cm unframed ARR
£200 - 300
Lot 291 §
CHARMING BAKER (BRITISH B.1964)
Nellephant (wood edition) 2017
signed in pencil from the edition of 35 screenprint with hand painting, flocking and 24ct gold leaf edging on 6mm Birch Plywood published by Jealous Gallery, London sheet 68.8 x 54cm framed ARR
£600 - 800
Lot 292 §
PURE EVIL (BRITISH B.1968)
JFK’s Nightmare (Deep Purple)
2017
signed and numbered 6/100 in pencil screenprint in colours on wove sheet 85 x 69.5cm unframed
ARR
£400 - 600
Lot 293 §
PURE EVIL (BRITISH B.1968)
JFK’s Nightmare (Aqua)
2017
signed and numbered 9/100 in pencil screenprint in colours on wove sheet 85 x 69.5cm unframed
ARR
£500 - 700
294 §
B.1968)
Gay Lockdown 2021
signed and numbered from the edition of 10 in pencil giclée print in colours on wove sheet 61 x 50cm unframed
ARR
£500 - 700
Lot 295 §
MASON STORM (BRITISH B.1981)
Flyer Liar 2021
signed and numbered 67/100 in pencil giclée print in colours on wove published by Stowe Gallery, London sheet 65 x 76.5cm unframed
ARR
£250 - 350
Can Festival 2021
signed and numbered 28/100 in pencil giclée print in colours on 330gsm Hahnemühle Museum Etching wove published by Stowe Gallery, London, with their blindstamp sheet 80.2 x 65.5cm unframed
ARR
£250 - 250
Farsante and The Cave 2022
signed and dated in pencil label verso two giclée prints in colours on wove published by Stowe Gallery, with their blindstamp each sheet 20.9 x 29.7cm unframed
ARR
2
£100 - 200
Lot 298 §
RYCA (BRITISH B.1981)
Smiley 2021
signed and dated in red pen verso mixed media on canvas sheet 40.5 x 30cm unframed
ARR
£100 - 200
Lot 299 §
RYCA (BRITISH B.1981)
Acid Dripper 2022
signed and dated in green pen verso spray paint and stencil on canvas published by the artist 40cm diameter unframed
ARR
£100 - 200
Perfect Wave 2008
signed, titled and inscribed A/P in pencil an artist’s proof aside from the edition of 40 woodcut with hand-colouring in acrylic and ink on wove
image 60.5 x 41cm framed
£200 - 300
Mad in Britain 2019
each signed, dated and inscribed A/P in pencil two screenprints in colours on wove each sheet 30 x 30cm unframed ARR 2
£100 - 200
Lot 302 §
No Reserve
MR BRAINWASH (FRENCH B.1966)
Art Cannot Be Criticised 2013 digital poster in colours on smooth wove signature printed in the plate sheet 58.2 x 58.2cm unframed ARR
£100 - 200
Lot 303 §
MR BRAINWASH (FRENCH B. 1966)
I Love You (Fragile) ca. 2020
signed in black pen unique spraypaint on collaged stickers on wove
sheet 95 x 95cm framed ARR
£3,000 - 5,000
Bronze Chapel Worship 2020
signed and numbered 20/25 in black pen digital print hand embellished with acrylic and spraypaint on 300gsm wove sheet 132 x 90cm framed ARR
£700 - 1,000
Psycolourgy Art 1 2022
signed, dated and numbered 189/244 in pencil giclée archival print with screenprint gloss varnish on 310gsm Photographique paper published by Rhodes Contemporary, London with artist and publisher blindstamps sheet 68 x 71cm unframed ARR
£400 - 600
Provenance this lot is accompanied by a Certificate of Authenticity, issued by the artist
FAILE (AMERICAN EST. 1999)
DOG (Gold) 2022
signed and inscribed in pencil offset lithograph with gold foil on wove from the unnumbered edition published by FAILE Studio sheet 71 x 56 cm unframed
£300 - 500
FAILE (AMERICAN EST. 1999)
Love Transmitter 2024
signed and inscribed in pencil dated, numbered 10/200 in pencil and inkstamp verso
acrylic and silkscreen ink on Archival Lenox 100 sheet 30.5 x 69.5cm unframed
£200 - 300
Large Shelf Still Life 2017
offset lithographic poster in colours on smooth wove published by the Voorlinden Museum & Gardens, Wassenaar sheet 58.5 x 58.5cm unframed
£250 - 350
Japanese Apricot 2006
signed, dated and numbered 211/300 in silver pen offset lithograph in colours on wove published by Kaikai Kiki Co., Ltd., Tokyo sheet 61.5 x 81cm unframed
£300 - 500
CHIHO AOSHIMA (JAPANESE B.1974)
Japanese Apricot 2 2005
signed, dated and numbered 197/300 in silver pen offset lithograph in colours on wove published by Kaikai Kiki Co., Ltd., Tokyo sheet 77.5 x 55cm unframed
£300 - 500
CHIHO AOSHIMA (JAPANESE B.1974)
Japanese Apricot 3 2008
signed, dated and numbered 90/300 in silver pen offset lithograph in colours on wove published by Kaikai Kiki Co., Ltd., Tokyo sheet 68 x 81.5cm unframed
£300 - 500
Hot Spring 2005
signed, dated and numbered 233/300 in black pen offset lithograph in colours on wove published by Kaikai Kiki Co., Ltd., Tokyo sheet 68.1 x 68.1cm unframed
£300 - 500
TAKASHI MURAKAMI (JAPANESE B.1962)
Time Bokan (Lime Green) 2006
signed and numbered 116/300 in black felt pen
offset lithograph in colours on wove published by Kaikai Kiki Co. Ltd, Tokyo image 49.5 x 49.5cm framed
£300 - 500
TAKASHI MURAKAMI (JAPANESE B.1962)
Dokuro Silver 2000
signed and numbered 76/300 in black felt pen
offset lithograph with cold stamp in colours on wove
published by Kaikai Kiki Co. Ltd, Tokyo sheet 50 x 50cm framed
£300 - 500
TAKASHI MURAKAMI (JAPANESE B.1962)
Time Bokan (Pink Time) 2008
signed and numbered 116/300 in black felt pen
offset lithograph in colour on smooth wove
published by Kaikai Kiki Co. Ltd, Tokyo image 49.5 x 49.5cm framed
£400 - 600
The Giant Rock’n’Roll Swindle 2002
signed, dated and numbered 258/300 in pencil screenprint in colours on wove image 56.5 x 42cm framed
£100 - 200
Nineteeneightyfouria 2007
signed, dated and numbered 124/200 in pencil screenprint in colours on wove published by Stolen Space Gallery sheet 66 x 86.5cm unframed
£200 - 300
Obey Icon 2020
signed and dated in pencil lithograph in colours on wove sheet 91.5 x 61cm unframed
£100 - 200
INVADER (FRENCH B.1969)
3D Little Big Space 2022
signed and numbered from the edition of 5,000 to base
vinyl sculpture in colours produced and published by MUSART, Miami contained within original card presentation box 28 x 20 x 4cm ARR
£700 - 1,000
The Chichester Street Art Festival 2013 signed in pencil screenprint poster in colours on wove published in an unnumbered edition thought to be 100
published by Street Art London image 57.5 x 47.5cm framed ARR
£300 - 500
Note
This screenprinted poster was created to commemorate The Chichester Street Art Festival in 2013 in which Thierry Noir and other invited artists created public murals throughout the city. The image in question is a homage to Peter Blake’s The Beatles 1962 from the permanent collection of Pallant House Gallery in Chichester (see lot 146 in this auction for an example of this edition). Noir created a large mural homage to this image in Chichester and a screenprinted poster was published alongside an artist talk and signing at Pallant House Gallery
Saatchi Gallery Poster 2023
signed by the artist and Wayne Anthony in black marker
offset lithographic poster published by Saatchi Gallery, London sheet 70 x 50cm unframed ARR
£150 - 250
322 §
STIK (BRITISH B.1979)
Holding Hands 2020
each signed in black marker the complete suite of five lithographs in colours on 140gsm wove published in the Hackney Today Newspaper, London each sheet 50 x 50cm unframed ARR
5
£1,500 - 2,000
Lot 323 §
STIK (BRITISH B.1979)
Standing Figures 2013
each signed in black pen the complete suite of four lithographs in colours on wove published in The Big Issue with accompanying copy of The Big Issue each sheet 56.5 x 18.7cm unframed
ARR
4
£2,000 - 3,000
Lot 324 §
STIK (BRITISH B.1979)
Standing Figure (Orange) 2018
signed in black felt pen lithograph in colours on wove with accompanying book, further signed with artist doodle in black ink image 75.5 x 24cm unframed ARR
£400 - 600
Lot 325 §
STIK (BRITISH B.1979)
Standing Figure (Yellow) 2018
signed in black felt pen lithograph in colours on wove image 75.5 x 24cm framed ARR
£400 - 600
1.1
Unless otherwise agreed, Chiswick Auctions Ltd, hereafter referred to as CA LTD acts as agent for the seller. The contract for sale of the property is therefore made between the Seller and the Buyer.
1.2
For the purposes of the current Terms and Conditions, the Seller shall be defined as the owner of the Goods. It is implied that the Seller is the legitimate owner and is authorised to sell the Lot. The Bidder is any registered person participating in the auction, and the Buyer is the successful Bidder for a particular Lot. The Lot means the item(s) put up for sale by CA Ltd and to which the present Terms and Conditions apply.
Any representation in any catalogue or otherwise as to the origin, date, age, attribution, authenticity or estimated selling price of any lot is a statement of opinion only. Such statements do not constitute a representation warranty or assumption of liability by CA Ltd in relation to the Lot. Any prospective Buyer should satisfy themselves prior to the sale as to the reliability of the catalogue description.
The absence of mention related to prior restorations in the catalogue descriptions does not imply that the good is exempt thereof. Photographs of any Lot provided by CA Ltd are for indicative purposes only and are not deemed to be a precise representation of the said Lot. The Buyer is advised to seek independent expert advice in order to be assured of the authenticity and true state of the good.
1.4
Prior to auction, prospective purchasers are strongly advised to personally examine any property in which they are interested to satisfy themselves in relation to matters which may concern them.
1.5
CA Ltd may issue a Condition Report on request prior to the sale. This Condition Report is for identification purposes only and cannot be considered as giving a precise account of the Lot’s true state. Thus, some imperfections and faults may not be accounted for in the Condition Report.
As aforementioned, and in the absence of any contractual value of the Condition report, it is the Buyer’s sole duty to inspect in person the Lot in order to be assured of its true condition and CA Ltd shall not be responsible for assertions within the Condition Report hereto.
1.6
All electrical items are sold as seen and CA Ltd offers no guarantee as to the working condition of such items or their safety. It is the Buyer’s duty to take necessary steps to be assured that the Lot is safe for normal use.
Estimates are based on various factors inherent to the situation of the market at the time of the sale, as well as considerations such as the condition, rarity, or quality of the item etc. Estimates are only indicative and represent the opinion of CA Ltd. Estimates provided by CA Ltd cannot constitute a guarantee as to the value of the good. Subsequently, goods may sell at prices lower or higher than the provided estimates.
1.8
Many Lots are offered subject to a reserve, which is the confidential minimum sale price. The reserve will never exceed the low estimate printed in the catalogue. CA Ltd may open the bidding on any Lot below the reserve by placing a bid on behalf of the seller, and may in their discretion continue to bid up to the reserve price. This can be achieved by bidding in response to other bidders or alternatively by placing consecutive bids.
1.9 Registration to the sale
New bidders will need to register prior to the sale. It is strongly advised bidders register at least 24 hours before the sale. Registration thereafter shall be at the auctioneer’s entire discretion.
International bidders may be required to register 48 hours before the sale and to submit bank details.
A deposit may be requested prior to each sale.
Failure to register shall result in the impossibility for the bidder to purchase a Lot.
1.10 Proof of identity
Bidders not previously known to CA Ltd will be required to provide:
• Official proof of identity in the form of a passport or photocard driving licence. No other forms of ID are acceptable.
• Proof of address of main residence. Only official documents showing name and address will be accepted.
• Both landline and mobile telephone numbers
• A bank reference for foreign bidders may be requested
• Corporate clients will have to provide a certificate of incorporation prior to the auction, along with the representative’s ID in accordance with the abovementioned requirements for proof of identity.
Any Bidder that does not match the provided identity for registration may not purchase during the sale.
2.1 Attendance at auction
Attending the auction in person is recommended.
CA Ltd has the right at their absolute discretion to refuse participation in any auction, to reject any bid, and to refuse admission to the premises. Bidders are not obliged to be present in person at the auction.
Absentee bidders shall be required to make necessary arrangements with CA Ltd prior to the sale.
2.2 Personal bidding
Bidders attending the auction in person shall be required to collect a unique bidding paddle prior to bidding in the sale.
2.3 Commission bids
CA Ltd will use reasonable efforts to carry out Commission bids received by them prior to the sale for the convenience of clients who are not present at the auction in person. Execution of Commission bids is a free service provided to help clients and CA Ltd does not accept liability for any failure to execute a Commission bid or for errors and omissions in connection with it.
Commission bids shall be executed at the lowest possible price, subject to competing bids and reserves. Although CA Ltd will endeavour to inform Buyers, it is the Buyer’s responsibility to check if they have been successful in purchasing a Lot.
In the event of multiple commission bids set at the same price, the first registered commission bid will take priority.
2.4 Telephone bids
If a bidder is not able to attend in person an auction, CA Ltd will use reasonable efforts to contact prospective Buyers who make arrangements prior to commencement of the sale to bid by telephone.
CA Ltd cannot be held responsible in the event of issues affecting connectivity, resulting in the loss of a chance of purchasing the Lot for the Bidder.
2.5 Internet bids
Some sales may be available to internet bidding, as well as personal attendance. In this event, CA Ltd shall not be held responsible for issues affecting connection. In addition to having our own in-house online bidding platform, some sales are also offered with online live bidding by third party platforms, CA Ltd is not responsible for any issues that may arise during registration or untilising said platforms. CA ltd encourages prospective bidders to bid directly with Chiswick Live or via traditional direct in-house means wherever possible.
2.6 Bidding on behalf of someone
A Buyer may bid by proxy. In this event, proof of identity of both the Buyer and the proxy must be communicated to CA Ltd prior to the sale. A copy of the mandate shall also be required.
2.7 Bidding on an item
Bid incrementation is at the auctioneer’s entire discretion.
2.8 Video transmission
For the purpose of the sale, Lots may be displayed on video during the auction. In the event of transmission issues, CA Ltd shall not be held responsible for any subsequent outcome.
2.9 Online-only auctions
Some auctions may only be available to bidders via an online platform sale. In this event, Buyers have a 14 day period from the receipt of goods to withdraw from the sale, in accordance with EU Consumer Law. This returns policy relates only to lots where physical viewing of lots prior to sale is not offered by CA Ltd.
2.10 Dispute resolution during the auction
Any dispute shall be settled at the auctioneer’s absolute discretion. Under no circumstances will a sale be cancelled after the fall of the hammer, except at the auctioneer’s entire discretion.
3.1 Contract of sale
The contract of sale is between the Buyer and the Seller. The Buyer shall be the bidder at the highest price at the fall of the hammer. The sale is deemed complete once the auctioneer announces its completion by the fall of the hammer and the contract shall be binding thereafter between the Buyer and the Seller and CA Ltd. When a Buyer purchases multiple Lots, each Lot is the subject of a separate contract of sale.
3.2 Transfer of property
Property of the goods shall pass to the Buyer only once CA Ltd has received full payment for the goods, this includes the price at the fall of the hammer as well as Buyer’s premium, relevant taxes, and costs in relation to shipping.
3.3 Transfer of risks
Purchased Lots shall be at the Buyer’s risk in all respects from the fall of the hammer, and neither CA Ltd nor their agents shall be responsible for any loss or damage of any kind, whether caused by negligence or otherwise.
3.4 Cancellation of the sale
At the fall of the hammer, the contract is formed between the Buyer and CA Ltd and is binding thereafter.
Under no circumstances can the Buyer cancel the sale. CA Ltd may at its entire discretion, during or after the auction, cancel the sale of the Lot or reoffer and resell the Lot if it becomes aware of any error or dispute of any nature, whether or not title has passed to the Buyer, and up to a period of 6 months after the said sale.
Grounds for cancellation under the present section shall include but not be limited to any dispute relating to the attribution or provenance of the Lot, ownership and title, fraud or deceit, lack of relevant licences or certificates, any subsequent changes in domestic or international legislations restricting the sale of export of goods etc.
In the event of internet-only auctions (where are no offered advanced physical viewing times), the Buyer shall have a 14 day right to retract, after receipt of the Lot, under EU Consumer Law. Public auctions are not covered by this right to retract.
4.1 Payment
All purchased lots must be paid for on the day of the auction. Commission
bids must be paid for no later than the day after the auction. Payment must be made by cash, debit, credit card or bank transfer. We do not accept cheques. We do not currently accept American Express.
CA ltd adheres strictly to current anti-money laundering regulations and reserves the right to refuse payment or cancel the sale of any lot, should suspicion or evidence of regulation infringement arise. The 2020 guidelines reference ‘Art Works’, but are as yet to be fully defined. As such, CA Ltd reserves the right to adapt buying/selling rules at any time, in order to maintain compliance.
Cash payments shall not be receivable for amounts over €10,000, regardless of the payment being for one or multiple Lots. As of 2020, new directives also extend to other forms of payment where the amount is in excess of €10,000 and this may require further information sharing covering both buyers and sellers.
Should it encounter contravention of said regulations, or is unable to bring buyers/sellers into line with said regulations through advice and support, CA ltd reserves the right to cancel any lot transaction and offer said lots to underbidders and where applicable will notify the relevant authority of the suspected contravention if deemed intentional.
Payments made by someone other than the registered Buyer shall not be accepted.
Title will not pass to the Buyer until CA Ltd has received all amounts due to them in cleared funds even if the Lot has been released to the Buyer.
The Buyer will pay CA Ltd a premium of 26% on the hammer price plus VAT on that premium on the first £500,000 and 12% plus VAT on the balance thereafter. A Buyer’s Premium of 21% plus VAT is charged on Wine & Spirits Lots.
The VAT payable varies by symbol as below:
No Symbol: The standard rate of VAT is charged on the premium under the Auctioneers Margin Scheme in accordance with Art. 333 of 2006/112/ EC. Standard UK VAT will be charged on the buyers’ premium and invoiced on an inclusive basis.
†: Normal VAT rules apply and the standard rate of VAT will be charged on both hammer price and premium.
*: These lots have been imported from outside the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on the invoice.
If you are re-exporting a * lot outside of the UK, you must use Chiswick Auctions Ltd TA Shipper.
Customers bidding through Chiswick Live are liable for a 1% surcharge on the hammer price, plus VAT. This is in addition to the Buyer’s Premium. Customers bidding through the third-party auction platform thesaleroom. com are liable for a 4.95% surcharge on the hammer price,plus VAT. This is in addition to the Buyer’s Premium.
Customers bidding through the third-party auction platforms
Invaluable.com, Artsy.net or Liveauctioneers.com are liable for a 5% surcharge on the hammer price, plus VAT. This is in addition to the Buyer’s Premium.
VAT is payable on the buyer’s premium, and for some lots, VAT is payable on the hammer price. The successful bidder will be responsible to ascertain and pay any applicable taxes including VAT, sales tax or any equivalent tax arising on sale of a particular lot.
W.e.f. 1st January 2021 (Post Brexit), Private individual buyers based outside UK will now be charged VAT at the applicable rate and will not be able to claim a VAT refund.
Trade clients based outside UK and who arrange for their own shipping can get the VAT refunded if all the below conditions are met:
1. Have registered to bid with an address outside of the UK
2. Provide immediate proof of export out of the UK within 90 days from the date of the auction
Please note, we charge an administrative fee of £35 per invoice to check export documents and arranging VAT refunds. VAT refunds will be done to the original method of payment used by the buyer.
No VAT will be refunded where the total VAT on an invoice is under £70. Trade clients based outside UK and who arrange shipping with our recommended shipper JGM Shipping can get the VAT taken off the invoice prior to making payment. In order to do this, you must email katy. mcevoy@chiswickauctions.co.uk a confirmation of shipping with JGM Shipping. If you cancel or change the shipping with our recommended shipper, we will issue a revised invoice charging all applicable taxes.
4.5 Artist Resale Rights / Droit de Suite
Lots marked with ‘ARR’ may be subject to a levy.
Droit de Suite is a royalty payable to a qualifying artist or to the artist’s heir each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a cumulative sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to Lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single Lot is the sterling equivalent of €12,500. Royalties for Droit de Suite are as follows:
• From 0 to €50,000 4%
• From €50,000.01 to €200,000 3%
• From €200,000.01 to €350,000 1%
• From €350,000.01 to €500,000 0.5%
• Exceeding €500,000 0.25%
4.6 Remedies for non-payment
If the Buyer fails to make full payment in cleared funds within the time required as aforementioned, CA Ltd shall be entitled to exercise any one or more of the following rights or remedies additional to such other rights or remedies available:
• To cancel the sale
• To resell the Lot on such terms by auction or otherwise entirely at CA Ltd’s discretion. The Buyer will be liable for all costs including legal fees incurred in the sale and will remain liable for any shortfall arising upon sale.
• To offset against any sums which CA Ltd may owe the Buyer the outstanding sums unpaid by the said Buyer
• Where the Buyer owes sums to CA Ltd in respect of different transactions, to discretionarily apply any sum paid by the Buyer for discharge of any owed sums.
• To refuse entry to the Buyer at any future auction and/or reject any future bids by the Buyer and/or seek a deposit from the Buyer entirely in the discretion of CA Ltd.
• To exercise a lien over the Buyer’s property in the possession of CA Ltd as collateral for any outstanding sums owed and to exercise all the rights and remedies of a person holding security over any such property, whether by way of pledge, security interest or in any other way to the extent permitted by Law.
• To commence legal proceedings for the recovery of the total amount due together with interest, legal fees and costs.
• To take such other action as is permissible by Law and in the discretion of CA Ltd.
Purchased Lots can be collected from the auction room after the sale has ended or between 10am and 6pm up until close of business on the Friday following the sale. Special arrangements may be made for collection on Saturday at CA Ltd’s discretion. Any delay in collection must be communicated clearly to CA Ltd in advance of the collection deadline and CA Ltd reserves the right to impose charges thereafter at its utter discretion (see 4.7).
CA Ltd offers a discretionary 14 days free storage on purchased and unsold Lots from the date of the sale. Thereafter Lots not collected shall incur storage charges of £5.00 per lot, per day or part thereof for smalls and pictures (defined as anything that can be handled by one person) and £10.00 per lot, per day for furniture and other larger lots. CA Ltd shall be entitled to retain said Lots until all sums due have been paid to CA Ltd. If any lot remains uncollected 21 days after the sale, storage charges shall thereafter be £10/£20 (smalls/larger items) per day and CA Ltd shall, in accordance with the Law, have the right to sell the purchased Lot to recover payment of storage charges outstanding. Any balance proceeds of sale received after payment of all sums outstanding and due to CA Ltd shall be held for the account of the Buyer.
Any shipping costs that may arise subsequent to the sale shall be at the Buyer’s expense. Such costs may include but not limited to postage, import and export permits where required and any other licence necessary for goods to be shipped outside of the European Union. CA Ltd does not offer insurance for shipping. However, CA Ltd may arrange insurance upon the Buyer’s request and at the Buyer’s expense. CA Ltd cannot be held responsible for any damages that may be incurred to goods prior to the fall of the hammer.
CA Ltd does not accept liability for loss or damage occurring to Lots after the sale. CA Ltd will use reasonable efforts when handling Lots, but shall not be responsible for any loss or damages that may occur whilst the said Lot is in any third party’s care.
Cultural goods may be subject to import and export restrictions. Under EU Regulations related to the trade of cultural goods, export licences may be required for export outside of the European Union if the item’s value exceeds the EU threshold. Under UK Law, a licence may also be required for intra-EU trade.
Licenses are issued by Arts Council England and it is the Buyer’s duty to obtain them. Some countries restrict the import of specific cultural goods. For example, the United States prohibits the import of pre-Columbian monumental or architectural sculpture or murals, as well as any cultural goods in provenance from some countries subject to armed conflicts. The Buyer must verify local legislation prior to the sale in order to be assured that import or export is possible.
Import and export restrictions
Certain endangered species are listed in the CITES Convention. Listed specimens and any parts or products thereof are subject to issuance of an export permit when leaving the European Union.
Appendix I species, are also subject to issuance of a prior import permit from the country in which the goods are to be imported. Such permits are necessary before applying for export permits and it is the Buyer’s duty to initiate the proceedings with the relevant authority.
The Buyer must be aware that certain countries prohibit the import of some species or any parts or products derived thereof. For example, the United States prohibit all import of African elephant ivory, and any item containing parts that may merely resemble African elephant ivory must be accompanied by relevant documentation stating it is not the latter.
Worked items that are dated before 1947 are exempt from import restrictions for intra-EU trade and shall not require export licences.
Please be aware that all Lots marked with the symbol λ are subject to CITES regulations.
4.13 Limitation of liability regarding CITES export licenses
Where licences are required for importing or exporting outside of the European Union, it is the Buyer’s duty to obtain them.
CA Ltd cannot be held responsible if the Buyer’s application for an export permit is unsuccessful. Subsequently, in the event of failure thereof, CA Ltd shall not permit cancellation or rescission of the sale.
4.14 Warranties
CA Ltd does not provide the Buyer with warranties relating to any Lot, unless required by Law.
4.15 Authenticity warranty
In the event of a Lot being sold as authentic under the catalogue description and the Buyer provides evidence in the form of a written report by a recognised expert or test results that the said Lot is not authentic, CA Ltd will refund the purchase price.
The Buyer shall give notice to CA Ltd within 28 days from knowledge or any event giving reasons for suspecting that the item is not authentic, and within one year of the said sale. Any claim thereafter shall not be receivable. For the purposes of the present paragraph, authenticity shall be defined as the state of a Lot that is genuine and not a forgery or a copy.
5.1 Import and export restrictions and regulations
Archaeological goods over 100 years of age, unless covered by exemption of limited scientific interest, will require an EU Licence for export to a third country, regardless of their value.
It is recommended that the Buyer contact the Export Licensing Unit at Arts Council England in order to be assured the good is or not of limited archaeological or scientific interest.
Archaeological goods found on United-Kingdom soil or in UK territorial waters over 50 years of age shall require a UK Licence regardless of their value and regardless of the export destination. Other archaeological objects regardless of their origin will require an Individual Licence or OGEL depending on their value.
Both European-Union and UK Licences may be required simultaneously for some items. It is the Buyer’s duty to undertake the necessary steps. CA Ltd cannot be held responsible and the sale cannot be cancelled in the event of failure to obtain the relevant licences.
6.1 Gemstone treatment and estimates
Many gemstones on the market have been treated so as to augment their appearance, in a reversible or permanent manner. Treatments under the present section may be but not limited to:
• Heat treatment to enhance sapphires and rubies’ clarity and colour
• Oil and resin treatments for emeralds applied in different ways, to enhance clarity of the stone
• Staining
• Irradiation
• Coating
Estimates provided by CA Ltd are deemed to be based on the fact that the gemstone may have been subject to any type of treatment in the past. CA Ltd shall not be responsible in the absence of mention thereof. A certificate may be issued by a laboratory, providing with detailed information on the condition of the gemstone and any treatment applied thereto. The Buyer must be aware that different laboratories have different approaches as to the degree or type of treatment for a particular gemstone.
If a certificate accompanies the Lot, the Buyer must be aware that it is merely a statement of the laboratory’s opinion and in no way can CA Ltd be held responsible for any mentions therein. Such certificates are deemed to be delivered with the Lot for informative purposes only.
6.2
If a stone’s exact weight appears within the body of the description, the stone has been un-mounted and weighed by CA Ltd. If the weight of a
stone is stated to be approximate, the stone has been assessed by CA Ltd within its setting, and the defined weight is a statement of opinion only. This information is given as a guide and bidders should satisfy themselves with regard to this information as to its accuracy.
6.3 Signatures
‘A diamond ring, by X’: When the maker’s name appears in the title, in Chiswick Auctions’ opinion the piece is by that maker.
‘A diamond ring, signed X’: Has a signature that, in Chiswick Auctions’ opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered.
‘A diamond ring, mounted by X’: Has been created by the jeweller, in Chiswick Auctions’ opinion, but using stones or designs supplied by the client.
‘Maker’s mark for X’: Has a maker’s mark which in Chiswick Auctions’ opinion is authentic.
Some items may include parts or products derived from endangered species, such as ivory or coral. Such items may be subject to import or export restrictions. See section on CITES regulations for more details.
All Lots are sold as seen. Clocks and watches are therefore not deemed to be sold in working condition. Absence of reference thereof in the description does not imply that the Lot is in good condition and without defects, or has been subject to repair or restoration.
CA Ltd makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.
Most clocks and watches are likely to have been repaired in the past, and as a result may include parts that are not original thereto.
The United-States restrict the importation of watches such as Rolex, Frank Muller or Corum. Such models can only be imported personally by the Buyer and CA Ltd cannot assist with shipping thereof.
Some watches may include leather straps derived from endangered species. Buyers may be required to obtain appropriate permits for import or export purposes in accordance with CITES regulations.
CA Ltd acts in compliance with such legislations and shall take necessary steps where required. Subsequently, watches may be deemed sold without their straps.
8.1 Upholstered furniture after 1950
According to The Furniture and Furnishings (Fire Safety) Regulations 1988, furniture that was upholstered after the 1st of January 1950 is subject to restrictions in the United-Kingdom.
Exempt upholstered furniture that does not meet such requirements is deemed sold for purely aesthetic purposes. CA Ltd shall not be responsible for later alterations to the furniture, making it unfit for sale.
Any Statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.
1 JMW Turner: In our opinion a work by the artist. When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.
2 Attributed to JMW Turner: In our opinion probably a work by the artist, but less certainly as to the authorship expressed than in the preceding category.
3 Studio of JMW Turner: In our opinion probably a work by an unknown hand in the studio of the artist, which may or may not have been executed under the artist’s direction.
4 Circle of JMW Turner: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist and of the period, but not necessarily his pupil.
5 Style of; Follower of JMW Turner: In our opinion a work by a painter working in the artist’s style, but not necessarily his pupil.
6 Manner of JMW Turner: In our opinion a work in the style of the artist and of a later date.
7 After JMW Turner: In our opinion a copy (of any date) of a known work of the artist.
8 The term ‘signed’ and/or ‘dated’ and/or ‘inscribed’ means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.
9 The term ‘with signature’ and/or ‘with date’ and/or ‘with inscription’ means that in our opinion the signature and/or date and/or inscription have been added by another hand than that of the artist.
10 Pictures are framed unless otherwise stated.
10.1 Import and export restrictions
When dealing with Asian Arts and more specifically with items made of exotic wood (e.g. all species of rosewood) or elephant ivory, the Buyer must be aware of import and export restrictions in accordance with CITES Regulations. As aforementioned in the Section relating to such matters, import and export permits or re-export certificates may be required. Verification letters will be required for re-export of worked Rhinoceros items.
10.2 Fine Chinese Paintings
Current scholarship in the field of Chinese Paintings and Calligraphy does not permit unqualified statements as to the authorship or date of execution. The limited right of rescission contained in the present terms and conditions does not apply to Chinese paintings. Notwithstanding, if within 28 days of the sale of any such Lot, the original purchaser gives written notice to CA Ltd that the Lot is a forgery and within fourteen days after giving such notice, the original purchaser returns the lot to us in the same condition as at the time of sale and demonstrates to our satisfaction that the lot is a forgery, CA Ltd will rescind the sale and refund the purchase price received. For this purpose, a ‘forgery’ is defined as a work created with the intent to deceive.
11. BOOKS AND MANUSCRIPTS
Books and manuscripts sold as incomplete are not subject to returns. Printed books may be returned for a full refund only if they prove to
be defective in text or illustration. This shall not apply to the absence of blanks, half titles or advertisements, to un-named books or to books sold under the heading of ‘binding’ or ‘bindings’.
In accordance with agreed standards in the trade, estimates shall be deemed to have taken into account the fill level.
For the purposes of the present Terms and Conditions, the ‘Fill Level’ refers to the space between the base of the cork and the liquid in the bottle. Fill levels may vary with age or depending on the condition of the wine or spirit.
Lack of mention thereof in the description is not a representation of an ‘acceptable’ fill level from CA Ltd.
CA Ltd offers no guarantee as to suitability for drinking of the wine or spirit. The Buyer must be aware of the risk that the taste of a wine or spirit may be altered due to factors such as age, storage conditions, oxidation, etc.
CA Ltd shall own the copyright on all images, illustrations and written material produced by or for CA Ltd relating to a Lot, including catalogue contents. Such copyright shall remain at all times the property of CA Ltd. Neither the Buyer nor anyone else shall use the above-mentioned materials without the prior written consent of CA Ltd.
Some Lots may be subject to copyright protection, CA Ltd does not guarantee said Lots are free thereof.
The Buyer agrees that personal information transmitted to CA Ltd may be disclosed exclusively for the purposes of business, or as required by Law. CA Ltd shall not use personal information for any other purpose without the Buyer’s prior consent.
CA Ltd never sell, lend or trade in personal data provided by any Bidder.
Whenever and to the extent that any provisions of these terms would or might contravene the provision of any relevant legislation, such provision is to take effect only in so far as it may do so without contravening such legislation and the legality, validity and enforceability of any of the remaining provisions are not in any way to be affected or impaired as a result.
The current Terms and Conditions may be amended, verbally or in writing, prior to the sale.
The rights and obligations of the parties with respect to these Conditions of Sale and the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with the Law of England and Wales.
For the benefit of CA Ltd all bidders and sellers agree that the Courts of England are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship warranty relate or apply.
All parties agree that CA Ltd shall retain the right to bring proceedings in any court other than the Courts of England.